#the grave one is some of my best work i think

[felassan]

Some more DA:TV and related snippets from Sylvia Feketekuty, Part 4. rest of post under a cut due to length and spoilers. [Post One, Post Two, Post Three]

User: "How and when did he and her(johanna) meet? What was the story between him and her back then?" // Sylvia Feketekuty: "1. So I always imagined he and Johanna met pretty early on, in the Watchers. In their teens, maybe? (Hezenkoss was a pretty exceptional mage and Emmrich was raised by the MW, so I imagine both were fast tracked into the order.) 2. I have rough ideas, but of course since not much is in the game, not much is set in stone. One thing I did hint at obliquely I think is okay to expand on: when Hezenkoss complains about the Venatori and Emmrich says disapprovingly they remind him of Tevinter's nobility, and she agrees. In my mind, I imagine Hezenkoss came from a family not that much more socially higher than Emmrich's. So they were kids who probably bonded early on not only out of intellectual curiosity, but because they both came from working class families compared to students from the elites." [source, two, three]

Nick Boraine: "Hey Sylvia. thanks for writing such a beautiful character. I loved saying your words. Hope to again one day." [source] // Sylvia: "Nick! Hello! I hope you've been soaking in people's reactions to your wonderful performance. People have fallen in love with it! "Hope to again one day." If the stars align, I'd love that! Also: hope you saw that Emmrich picked up the Silver for "best new character" on the Playstation blog fan vote!" [source, two, three] // Nick: "I have indeed - it’s been incredible. So grateful. Hoping VG companies will all come on board soon and we can end the strike. I’d love to interact more with all the fans." [source] // Sylvia: "I'm glad to hear you've been getting to see some of the fan reactions! "Hoping VG companies will all come on board soon and we can end the strike." Amen to that. Best of luck to everyone holding the line, you all deserve what you're asking for and more." [source]

User: "I had been looking forward to learning more about the Mourn Watch since reading “Down Among the Dead Men” (which made me cry!), and it has been such a delight to explore that part of DAV" // Sylvia: "I'm especially touched to hear that about DatDM. It was a privilege to be the first writer who got to really open up the tombs in that story." [source]

User: "I'd be interested to know if you know any fun facts or something about the nevarran language featured in the game" // Sylvia: "Ah, tomb-script. I named it but it was our concept artists who went developed it with the hexagon shape-language of the Mourn Watch, which I loved. Conceptually: I think it's used purely an occult or sacred language. Something for the graves, or books on magic, but not everyday things." [source] // User: "The artists did an amazing job—it’s such a unique and visually striking evolution of Elvhen script, and it really highlights the distinct Nevarran aesthetic beautifully. It would be great to hear more about it if there's anything you're able to share from the concept/lore side of its development!" // Sylvia: "I don't know if I have too much more, but I did love how our artists made it follow the hexagonal shape-language of the Mourn Watch in general. (It's everywhere in their architecture and props.)" [source]

User: "1. What was Emmrich like as a student? Did he struggle with a particular topic in classes? Hezenkoss says some about him dragging her to parties so I was wondering if he was wilder in his youth" // Sylvia: "1. I think he was a diligent but very social student, very outgoing and fairly popular. I can't think of what lessons he might be bad at, not because he was good at all of them, but because that would mean getting into extreme detail about the MWers academia. e.g. I think it's fair to say visualizing and compartmentalizing thoughts and memetic rituals is part of casting magic, but but what do those classes LOOK like? How many are broken into sub-specialties? Etc. That said, even though I'm not sure how much it'd come up, Emmrich is absolutely terrible with anything mechanical. (Touched on that in some banter between him and Bellara.) 3. I'd say someone achieving the rank of Watcher is probably discussed by senior staff members, and is tailored to each mage. More about competence, temperament, and control, rather than passing a set test. (Which could include a thesis or a practical demonstration, but not as an end-goal per se.)" [source, two, three, four, five]

User: "could Emmrich be considered a spirit healer, or rather whatever it is that makes a spirit healer have that extra affinity for spirits? (I always felt like the healer bit was encouraged out of fear) Is corpse whispering a subset of that or a different thing entirely?" // Sylvia: "I definitely feel Nevarran necromancy is in the same realm in general, yet that Emmrich's corpse whispering isn't drawing on spirits to function, it's his own personal will. If that makes sense." [source] // User: "I think I understand! Like he can comprehend the spirits a little more clearly than most so they're inclined to want to interact with him but the corpse whispering itself is his own request/demand, the spirit/corpse/whatever a soul is is responding rather than assisting with the magic itself?" // Sylvia: "Yes! I think that's a good description of it." [source]

User: "I have to ask, did you write the Josephine letter to the inquisitor codex?" // Sylvia: "that was indeed me! I liked revisiting those two, even a little bit, in that letter." [source]

User: "since he's interested in botany, do you think he'd enjoy opening up a flower shop with a romanced Rook?" // Sylvia: "I don't think he's a man interested in the headaches of running a business, but if Rook REALLY wanted to go for it, Emmrich would probably help grow the plants." [source]

User: "my question is did any of nick’s performance inform how you wrote emmrich, because some of the scenes of his i had to stop the game and just take in the perfect unity of actor and writer voice to conceive such a realized character. and were you always interested in claiming emm to write?" // Sylvia: "1. Yes, absolutely. Nick got who Emmrich was, right away, and that informed future writing once I knew what Emmrich actually sounded like, how Nick embodied those emotions. 2. I pitched Emmrich, so: yes, absolutely! I'd always thought the Grand Necropolis and its inhabitants sounded like a very cool corner of Thedas, and I'm partial to necromancers in general, so "necromancer" was the first thing I thought of when it came time to pitch new followers." [source, two]

User: "do you think Emmrich would ever end up referring to Manfred directly as his son?" // Sylvia: "So I had Emmrich call Manfred his ward, not his son, because I thought that was one step too far for him right away. But I don't think anything is impossible in the future." [source, two]

Sylvia: "It was my pleasure to to work with the team to finally show off the crypts of the Necropolis." [source]

User: "Can you please tell us what type of tea Emmrich drinks for breakfast? He strikes me as an Earl Grey person but then again English Breakfast also makes sense somehow" // Sylvia: "I'm actually not a big tea person, so I almost feel I should let this be whatever your head canon is. (That said I do think Earl Grey has the better scent. But do Emmrich's refined tastes match my own? I dump a lot of sugar and cream into mine after all lol.)" [source]

User: "Emmrich as Vincent Price: all in my head or intentional? And if the latter, who do I have to thank?" // Sylvia: "Love Mr. Price, a legend, but it was actually Peter Cushing who was one of my first touchstones before we had any art for Emmrich in." [source]

User: "1. When Em&Rook had their fight - what were his intentions? Did he try to break up with Rook? 2. Just hypothetically, if my Rook bends her knee and asks him to be hers forever, what would his reaction be? 3. Johannas hand, it's planning mischief, is it not?" // Sylvia: "2. Emmrich would be over the moon. He would absolutely love to get married. 3. "Johannas hand, it's planning mischief, is it not?" Who could possibly say? (yes)" [source, two]

User: "Could you tell us how Mourn Watchers life is arranged? Do they live in Nevarra or right in Necropolis? Are their rooms similar to that coffin room?" // Sylvia: "The Watchers live in the upper, safer levels of the Necropolis. I imagine this is where they sleep, eat, teach/train, and also where they prepare bodies for interment. "Are their rooms similar to that coffin room?" I don't want to say either way, just because we never actually go there, and I prefer to keep things open until something is actually in the game or in a story or comic or etc." [source, two]

User: "He has also been an extremely positive driving force and has caused me to pick back up my plan to go back to university and become a lecturer. It's a dream I shelved because of little self esteem but I know he would be sad if I didn't at least try, sad Emmrich is a powerful motivator!" // Sylvia: "He would indeed be sad, especially if this is a passion of yours, but glad to hear you're picking it up again. Sincerely, best of luck." [source]

User: "Can you talk about your writing process? I'd love to hear a bit about what influenced/shaped not only Emmrich but the Mourn Watch and Necropolis. I actually find comfort in death and I just adore what you crafted for the game. I'd love to join the Watchers myself." // Sylvia: ""Also, are you able to talk about what you envisioned every day life for Watcher's to be like? Or maybe some cultural tidbits you'd imagined while writing? I like to think they'd have some incredible festivals and create really interesting folk art!" Oh that is fun. I'll be honest though I'll be a little reticent, just because I tend not to talk about too much until it's in a game. I do think a lot of their everyday life is what Emmrich describes to Rook: Preparing bodies, helping grieving people visit their loved ones, maintaining the graves, and the undead that help maintain the graves. And of course hunting down malign manifestations. The MW and their carefully-courted spirit allies are good at preventing demonic incursion. But as we've seen, it's not impossible. And there's a desire to figure out the weirder stuff that not even the Watchers really fully know. (X-files theme). "I like to think they'd have some incredible festivals and create really interesting folk art" Me too! They involve the dead in their lives so much, I think that includes going down to the graveyard to celebrate milestones, versus visiting on a calendar date. One of my favorite things to write was the folk tale about how spirits were first drawn to Nevarra in particular. I really wanted to make it feel like one of those founding myths filtered through storytelling embellishment in the winter nights. [link] "I'd love to join the Watchers myself." The Necropolis is always looking for more company" [source, two, three, four, five, six]

User: "I just wanted to add that Hezenkoss is absolutely my favourite noncompanion character!" // Sylvia: "Thank you so much for this, because Hezenkoss was a great joy to write. I risked going all out with her, and I don't know if that lands for everyone, but I wanted to have a proper mad scientist who was also Emmrich's best friend because personal seemed better for him." [source]

User: "I heard a rumor that you wrote a lot of the codex. Did you write these? If not, do you know who did? I found them hilarious. [link]" // Sylvia: "Oh, that's not true at ALL. The writers all wrote about an equal amount of codex entries. (One of our editors and I did some work on the proposed structure and organization, but I'm in no way the main writer of the content.) The letter is very funny though. If it's LoF I'd assume there's a good chance this might be by Trick Weekes" [source, two] // Trick Weekes: "Honestly, while I gave that one a quick writing pass, it was largely Malcolm doing the first pass and busting out that Aethelred the Unready reference. (Which I loved and kept.)" [source]

User: "congrats on Emmrich winning second place for the best new character award" // Sylvia: "Thanks very much! I was thrilled to see him there, especially because it's a fan vote." [source]

User: "i would absolutely love to know a bit more about his relationship / time with Dorian as his student in the necropolis ! (Is it possible Dorian got inspired by him for his mustache ?" // Sylvia: "1. I'm afraid my response is pretty dull, because there's not much in game (and I'm not Dorian's writer) so I'm reluctant to add anything off the cuff. Sorry! 2. Aw that'd be cute. I think that's just artistic coincidence though, so it also has to remain in the murky mists of uncertainty. (But because it lives in that space, it's also not impossible. I'd say head canon it how you like!)" [source, two]

User: "i was also wondering if you worked on any other side characters beside Hezenkoss ?" // Sylvia: "I did! The Mourn Watchers were me. And through a complicated chain of events, I wrote one single merchant in Treviso - the gallery owner, Mistress Trella." [source]

User: "I have a very important question and I’m sorry if it’s been asked elsewhere: what’s his favorite kind of tea?" [re: Emmrich] // Sylvia: "I talked about it a little in this thread [compiled above], where I confess I'm not much of a tea person myself. So I'm happy to let tea-fans imagine anything they like." [source]

Sylvia: "So much of the romance rests on our animators and audio team and Nick Borraine stepping up to deliver everything perfectly" [source]

User: "Less of a question and more just appreciation. I love him so much, the casual plant lore, just everything." // Sylvia: "Aw thank you! I'm especially glad you enjoyed the plant lore, it really gave me an opportunity to have Emmrich enthuse about the Memorial Gardens, one of my favorite spaces in the game." [source]

User: "Also, if you don’t mind aside from liking pineapple and hazelnut torte. Does Emmrich have any other favored foods? Or favored flavours like spicy/salty/ect?" // Sylvia: "I actually went over that here a little, which isn't much detail. He DOES bring back dates for the group at one point. For whatever reason, I never pictured him with a huge sweet tooth, but the occasional pineapple or date is a nice treat." [source]

Sylvia, re: Emmrich: ""And I’m immensely jealous of how stylish he is" Same. He absolutely has a tailor or two who knows their stuff." [source]

Sylvia: ""did Emmerich studied only in Grand Necropolis or he was in Circle of Magi? Or mages in Grand Necropolis doesn't must to learn in Circles?" I talk about that a bit here: I think he trained in the Necropolis, but taught both there and Cumberland's Circle. Admittedly, I never defined the Mourn Watch's Circle status in game. It could be a sanctioned fraternity that takes in promising mages and trains them for the Necropolis, but isn't technically a Circle itself, even if it oversees harrowings. (There's a bit of banter from a Necropolis NPC on that.) This would explain why there's non-mages around with full MW membership, like how your Rook can be a MW warrior or rogue. So I'm inclined to think this is the case. (But until it's ever in a DA game or piece of media, I wouldn't consider that 100% canon. It's just my own thoughts.) "I'm not sure if I it was in game, but how Strife take it if Emmrich became a lich? Is he alright with that and they continue relationships or he just drop it?" We didn't tackle that in that game, I'm afraid, so there's no actual answer there. Sorry! Apologies if that non-answer is frustrating. But that's the kind of topic I wouldn't want to answer unless a future game had a reason to go into it. "How long Vorgoth have been around in Grand Necropolis? There's theories about their persona and I know that you can't give straight answer but could they be a lich?" I'm afraid Vorgoth must remain mysterious, but nothing is impossible with them... "me and my friend have headcanon that there should be something like hospice in Grand Necropolis. You know some place where palliative care is given to those who needs it. Could it be true or it's not in Grand Necropolis nature?" I hadn't planned it, but that's a fun head canon if you like it!" [source, two, three, four, five, six, seven]

User: "I have a question and that’s if you listened to anything in particular when writing Emmrich? Or any of your characters" // Sylvia: "I did! I have my playlist on my old computer and if I dig it out, I will post it here. It's mostly ambient stuff, I prefer music without words when writing. A lot of stuff from Cryochamber, but I listen to it a lot in general. [link]" [source, two]

User: "1. Were Johanna’s morals *always* questionable, or did they steadily decline? It sounded like she’d been given a lot of passes by the Mourn Watch, brilliant mind or no! 2. Anything you can tell us re: the War of the Banners? Like, how it began, or which spirits/noble lines were involved?" // Sylvia: "1. I think Hezenkoss always had what Emmrich might call a "cavalier attitude" towards rules and limits, but that it got worse over the years. Being exiled probably did not help, but she probably crossed a line at that point already. 2. The War of the Banners part of the backstory actually came from another writer, and I loved it. But I don't think I want to colour in the lines because there's so much room for imagination. (And since I'm not at BW anymore, it would be even more my own head canon than most other things.)" [source, two]

User: "It's so interesting when he is a lich, it's rare that we see conflict in a game romance like that. Also, his "coming out" scene to the whole group was unexpectedly funny and had me rolling xD" // Sylvia: "The "everyone: I'm a lich" scene was one where I was really trying to balance the seriousness of the previous scene with something a bit more lighthearted but still heartfelt. So I'm very glad you dug it!" [source]

User: "I wonder how Emmrich studied the Fade? cmiim he explored the Fade right? Was it through dream? I'm so intrigued by that." // Sylvia: "Your question is a good one. He has definitely explored it via dreaming/trances, but I think a Watcher would first train for that, learn how to set up wards, and to start with, do it under supervision. Given Emmrich's affinity for spirits, I'm sure he cultivated trustworthy spirit friends in the Fade who could guide and aid him as well. (The way we see him reach out during House of the Dead to spirits from a previous quest)" [source, two]

User: "Is Emmrich Andrastian?" // Sylvia: "I have some thoughts on this one. Nominally, yes he us. But I think a lifetime of studying other death practices and religions has shown Emmrich so many points of commonality in the search for transcendence and the divine, that he believes all religions may explore something of a universal truth. So the Thedas equivalent of Universal Unitarianism, basically. And maybe he corresponds/debates with some like-minded scholars out there. Though quietly. I think he'd err on the side of "Let's not trouble the Chantry with this." for safety's sake. (I didn't want to make him an agnostic free-thinker, that seems too conveniently lined up with modern conventions. But I think seeking truth through argument and philosophical exploration fits him.)" [source, two, three]

Sylvia, in response to a user saying this phrase: "BTW I got a kick out of "nevarran cryptid". Who knows what haunts the lower halls?" [source]

User: "Can a MW Rook have an opportunity to achive Lichdom in the future?Or maybe only a mage Watcher could?" // Sylvia: "So Emmrich managed it, and so did Hezenkoss after she pieced it together from what he told her. So we DO know it's not impossible for any mage to try it. Whether a non-mage could is a very good question. The abilities of the liches are very ill-defined at the moment, so possibly Emmrich meant that promise very literally... But! I'm also not at BW anymore, and at this point this is just my own thoughts, which are very non-binding. (Sorry, that's a lot of words to say "Could be cool, but currently nothing set in stone.")" [source, two, three]

User: "What is Emmrich's preferred tea and how does he have it? Different types for different times of the day?" // Sylvia: "Different types for different times of the day?" I think so, that fits in with his sense of the rhythm of a day. But I'm no tea drinker myself, so I'm happy to let fans imagine what works for them." [source]

User: "Do you have any thoughts about emmrich & marriage proposals, would he prefer to be the one proposing? Or would he be equally excited to be proposed to? Ostentatious, public, private proposal?" // Sylvia: "Re: a proposal, gee. I think he'd be equally excited either way, though he'd prefer it to be a private moment. Somewhere he and Rook can enjoy each other's company and talk about it honestly, just with each other." [source]

User: "1. What was he good at in school besides anatomy? 👀 2. What's his favorite food right now? ✨️👀 3. Did he give Manfred his name himself or did he read the names in the book for Manfred to choose?" // Sylvia: "1. Grasping abstract and metaphysical concepts, and distilling them down into language suited for others, which is handy for both magecraft and professorship. And communing with spirits, so magical control. (I imagine the Watchers prize control greatly, since they work with spirits so closely, they're well aware how dangerous their focus is.) 2. Hrm. Uh...good question. Aside from being vegetarian, I don't think he's a picky eater, but he probably marvels at what a sure and skilled cook Lucanis is. 3. Emmrich likes giving Manfred some (limited, supervised) autonomy. But I think he named his skeleton companion himself." [source, two, three, four]

User: "Did he ever see Manfred as his son?" // Sylvia: "I think consciously, calling Manfred a son seems like one step too far for Emmrich right now, but he's absolutely paternal towards his bright young skeleton child." [source]

Sylvia on Emmrich: "He truly was a team effort. Everyone in level design, cine, art, audio, his voice actor, the other writers and editors contributed greatly to who he is." [source]

User: "Do you think he has a tattoo👀 Maybe a skull or the symbol of the moun watcher" // Sylvia: "I think this is a 'it wasn't shown in game, so I don't want to commit to anything' deal, sorry. (But feel free to imagine whatever you'd like!)" [source]

User: "what subjects did he study well when he was a student?" // Sylvia: "I think probably the same subjects as in the answer to question number 1. Though I do imply in dialogue that the Mourn Watch likes to give its members a well-rounded education in non-magical subjects- history, literature, etiquette etc." [source]

Sylvia: "Hey everyone, I'd like to correct a misassumption I've seen floating around. I saw a few people who saw my name attached to the codex system, and assumed I wrote the bulk of codex entries. That's not true at ALL. Codex writing was split roughly evenly among all the writers. I pitched some style and design suggestions to the narrative team. Then editor Cameron Harris did the actual structure, the docs and training, a lot of the editing, and the importation of all the legacy DAI entries." [source, two]

Sylvia: "Emmrich would be over the moon if Rook wanted to join the Mourn Watch. More time together in the Necropolis!" [source]

User: "From your point of view, do you think Emmrich is jealous? (a little?) I noticed that he liked some things related to the Storm age (he mentions it several times), is that a coincidence or is there a particular reason?" // Sylvia: "-I don't think he's beyond jealousy (few people are!) though it'd depend on the circumstance and what it was about. -Oops! Actual coincidence regarding the repeated mentions of the Storm Age." [source]

User: "1) Did you ever choose the name of the 5th Montilyet sibling? 2) What were the inspirations for her character? 3) If the player doesn't romance her, do you think she'd marry Otranto or would she pass him on to Yvette anyways?" // Sylvia: "1) You know, I never did! It remains unknown. 3) I think Otranto and Yvette are too perfect for each other for them not to get together, so it'd be appropriate if a comedy of errors going on inside the house Montilyet led to that happy outcome if you didn't romance her." [source, two]

User: "Curious how Nevarrans, and specifically Emmrich, would view stuff like Victorian mourning jewelry. Obviously would be horrified by the ones containing ashes, but what about hair? Wondering if it would be seen as special or grotesque!" // Sylvia: "What a good question! I think a lock of hair would be perfectly all right, even romantic. Perhaps a LITTLE bit of bone would be okay, though the actual Mourn Watch wouldn't love breaking up the body. I don't think they'd see keeping a small fragment or such as wrong, just a bit unfortunate." [source]

User: "I love your work and I wanted to thank you. Through how Emmrich is written I’ve realized that dying isn’t an option because there are people that care for me and I would be missed so I’m here and will be Also I wanted to share a song that reminds me of Emmrich’s romance: Deathproof by Graveyard Club" // Sylvia: "Thank you for saying so, Lena, and for sharing that. I'm glad getting to know Emmrich was helpful, even a little, and I hope it continues to be so. And thank you for the song rec! I have a real weakness for synths (may their comeback be eternal) and "You’re nowhere to be found/but you follow me around" is a killer set of lyrics especially." [source, two]

Sylvia on Emmrich: "There was a huge team working on him, and this is just what you hope to hear one day when embarking on making something." [source]

[bitchylittlevictorianchild]

Edit: I FORGOT ONE

Part 2

[vaguely-concerned]

sitting here with my head in my hands over just how much coalecroux is exactly tfgraves except tf incidentally happens to be a warlock alligator (a minor detail that changes surprisingly little overall tbh). I stand humbled once again before my own immense and unspeakable predictability

[phagodyke]

I love to talk but I rly do feel like we have to be talking for a minimum of 8 hours straight before I feel like I can even begin to rly broach things on my mind or that have been bothering me a lot that I actually want to talk abt without being vague or deflecting or omitting or lying and if the conversation takes a break at any point it resets back to 0 and its still nice regardless but.

[tonycries]

F*ck You! (Literally) - T.F.

Synopsis. Of course, you hated your ex-husband. Of course, you found yourself in bed with him on your wedding anniversary.

Pairing. Toji Fushiguro x Reader

Content. MDNI, fem! reader, exes to lovers, angry séx, spítting, degradation, y’all are both mean, rough, jealousy (Toji’s side), bréeding, smackíng, arguíng during it, cúmplay, overstím, oral (female receiving), mentions of Megumi and Shiu, pet names, swearing.

Word count. 4.7k

A/N. Gojo next week because I miss my man smh.

It’s not often that you contemplate something that would definitely end up with a night in jail - but it seems that somehow whenever you did, your ex-husband Toji was always sure to be the cause of it.

Like that time he had the audacity to ask you out to dinner right outside the divorce attorney’s office, mere moments after signing those papers. Or when he “accidentally” sent you some mouthwateringly shirtless photos - through email, of course, because you had him blocked otherwise. Although, you’d saved those pictures - a secret you’d take to the grave.

And now. 

Standing right outside your front door, on the night of what would’ve been your fifth anniversary. His imposing figure filling the frame, that tiny scar you loved and hated so much quirking up ever-so-slightly as he shoots you a sly grin. 

He’s here.

Looking as devastatingly handsome as the day you left him.

“Happy anniversary, ex-wifey.”

And just as irritating, too. 

That snaps you out of your traitorous little reverie, and before long you’re sputtering out a shaky, “Y-you. What do you think you’re doing here?” Not even waiting for his response before moving to shut the door in his face.

“Oh, believe me,” Toji lets out a humorless little laugh, reaching up a sculpted arm to stop the door in its tracks. “I wouldn’t be here even if I wanted to.”

That was a lie - and Toji knew that. He had half the mind to think that you knew that. But it didn’t matter when you’re glaring up at him so prettily. The confusion evident on your face as you grit out a shrill, “Then why am I seeing your stupid face tonight?”

“Chance? Luck? A blessing?” 

Scoffing, “A curse.”

“That mouth’s still as sharp as ever, huh?” He cocks his head in amusement, “Did you not see my email?”

“No, I uh-” you mumble, face burning. And oh you wish you could stop yourself from thinking back to those photos - stop yourself from wanting to smack the smirk off Toji’s face that told you he was, too. “-blocked you on…that…as well.”

“Mhm.” he hums, eyes lingering too long on your comfy pajamas - his favorite ones -  and the way you’re squirming so adorably under the intensity of his gaze. “Well, m’just here to pick up one of that brat’s toys. Won’t take long n’ I’ll be out of your sight, doll.”

And you can’t say anything about that familiar little petname, because it hits you with a pang - oh, how you missed Megumi. 

He’d thrown a tantrum until he was allowed to visit you occasionally, of course. But still, it was nothing compared to how inseparable the three of you were before your relationship with Toji soured. His line of work too dangerous, the fights more frequent until you’d had enough.

“Ah, yes. Megs probably won’t even leave the house without it.” you chuckle, opening the door wider. “I was surprised to find it the other day since he said that lil’ plushie was his best friend. After me.”

“After me.”

“Liar.”

“Gorgeous.”

“Fuck you.”

“Fitting for our anniversary, huh?” And oh how Toji enjoyed riling you up. To spy that little furrow between your brows as he strides inside your apartment like it was his own - he did know it like the back of his hand. “I already know where the bed is, after all.”

“Yeah, and you know where the door is too.” you mutter, acting like it didn’t make your head spin to think of Toji - in your home. With you. You and Toji. In your home. You and Toji in your home. 

You hadn’t seen him since the divorce just four months ago, and here he was looking so unfairly like he fit right in. Taking up much more time than necessary as he walks towards that little wolf toy on your couch. Eyeing up the sappy romance movie paused on-screen, and those familiar photographs on the wall. 

You still had that one of the two of you from that beach getaway two years ago, he noted with delight. 

“Heh, for someone that hates me so much, s’funny you have my face hung up here.” he smirks, words just dripping with that familiar dark tone that has shivers running down your spine. “Knew you were still into me.” Defiant - challenging, even, because he always did like to push all your buttons. 

Don’t fall for it, don’t fall for it, don’t fall for-

“Shut up.” You roll your eyes, walking towards where Toji stood. “I jus’ use it to scare off clingy dates in the morning.” 

And you loved to push his buttons even more. 

“Oh? Dates, huh?” And something about those words make you feel like something’s too-tense. Exciting, even. Especially as he repeats - more to himself than you, “Dates.”

“Jealous?”

“Heh, of whatever scrub took you out? In your dreams, doll.” Maybe it was the way Toji was joking - but didn’t sound like he was at all. Or maybe it was the way he didn’t move as you stepped closer, enough that you’re almost toe-to-toe with him. Probably it was the way he murmurs out a strangled, “M’not jealous.”

Oh. 

You watch the way his body stiffens, darkened eyes flitting between you and the picture and you- Smirking “Good, because m’having one over soon.”

“Oh, you little bitch.” He spits out the words, gaze hardening in a way you knew did not bode well for your - or down there. Hitting it where it hurts, “This is why I’m so fuckin’ glad we divorced.”

“Fuck you,” you tilt your head, anger simmering beneath your skin - and you didn’t know who was pissing each other off more. “So then you can get out before my date gets here.” And the emphasis on “date” isn’t lost on him.

“Such a liar.”

“M’not lying.” You were - but you didn’t care if Toji could tell because it was ticking him off just the same. “You could say he’s an-” Now close enough that you could feel the heat of his proximity. A finger stabbing right in his pecs with each word, “-upgrade.”

Suddenly you’re being pulled to his rock-hard chest, all the dips and curves of his body so sinfully obvious against your skin as he questions, “How so?”

“Well, for starters he’s-” you gasp, casting a sidelong glance at the way the muscles in his arms ripple. And it takes everything in you to try and keep your voice steady, “-bigger.” Thighs pressing together at the tiny grunt of disbelief that leaves your ex-husband, too-aware of the strong hand wrapped around your waist. “And sexier.”

“And?”

“And what?” you gulp, raising your head to blink up at him in confusion and oh- 

Oh, shit. You weren’t going to make it out alive. 

Toji’s eyes were wide, a mirthless smirk spreading across his face, jaw tensing as he leans down to whisper hotly against your ear, words hoarse - stilted, like it pained him to even speak them into existence. “And what other lies are ya gonna make up?”

And you might be a genius - you might just not know what’s good for you. 

Because you’re batting your lashes just the way you knew he liked, the words - saccharine sweet, and falling from your lips faster than your whirling brain could even register them. “And he makes me cum so much harder.”

Toji’s lips are crashing against yours - and you knew it was coming. You wanted them to. Bruising, angry - like he was telling you to just shut the fuck up, another word of your imaginary date and it would kill him. 

He tasted the same as he did all those months ago. Sweet, like those cheap lollipops he would buy you and that absolute sin of his scar rubbing against your lips. 

“Fuck-” he lets out a guttural groan into your lips. Only a sloppy mix of teeth and spit as he kisses you with the collective desperation of a little over four months. “Hate how you’re-” Like he didn’t even care if it left your poor lips swollen and bruised - at least that might give whatever loser coming here a hint. “-still addictive.”

With that, he picks you up like it’s just nothing, your traitorous legs easily wrapping around his toned waist. Letting you pull off that sinfully snug t-shirt to feel the smooth planes of all his muscles. Soft. Warm. 

You gasp at how he manhandles you so that your thin pajama pants are just above his achingly hard cock, throbbing, and so so angry against your core. Trousers already so damp with- precum? Your slick? 

“Hah- not jealous my ass-” you hiss, grinding down on his bulge.

And Toji’s parting mere millimeters, chuckling darkly at the disappointed little whine that escapes you. “Yeah, well, does he ever get you like this?” He presses hot, open-mouthed kisses down your neck, purposely not giving you what you want. “Does he ever get you this-” Grinding you against his straining erection, two fingers sliding down, just teasing the drenched front of your shorts. “-this fuckin’ wet?”

“Nah,” you pull on Toji’s silky locks, nipping at his collarbone. “He gets me wetter.”

“You little-”

It’s like something snaps - whatever’s left of Toji’s sanity, your patience, possibly you by the end of this. Anything but the thick, suffocating - tension in your living room. Now too small. Too hot. 

Before you can react, your back  is hitting the soft cushions of your couch. Bouncing at the sheer force of the throw as Toji looms over you. 

“Thought you knew where the bed was?” you manage to get out, in the heat of it all. 

“Thought you hated me?”

“Gonna kill you if you break this cou-” but the rest of the retort on your tongue dies as Toji’s hands are suddenly everywhere.

Groping your breasts - your waist - your ass. Barely giving you time to even think before fisting your shirt in one hand. Too impatient - too starved - to do anything other than pull down, down, down until it-

RIP!

“Oh you fuckin’ slut.” Toji’s jaw drops into a soft little oh! at the sight of your heavenly breasts before him. No bra - exactly how he liked it. “How I missed these.” Massaging them under his hands, “Is this for him or ya really had no idea I was coming?”

“You’re t-too fuckin’ hah-” you whine as he immediately takes one into his mouth, swirling his tongue around your sensitive nipples. “-full of yourself.”

And you don’t even know if Toji registered the insult - looking like he was on cloud nine as he rolled your other nipple between two fingers. Pulling off with a lewd pop! only to say, “Wonder if you’re the same down there.”

You are - Toji discovers, with wonder. 

Hooking a finger underneath the hem of your already-soaked shorts to pull them off. And, hey, Toji hasn’t had this view in months - so he really can’t help himself from bringing them up to his face. Your jaw drops at his pure audacity as he breathes in the scent of your dripping pussy with a strained, “M’keepin’ these, doll.”

“You’re sick.” 

“And you’re soaked.” strong hands spread your legs so shamefully. You can’t fight it - how fucking wet and glistening you were for him under the dim-lighting. Toji grins cockily, “Who’s she this wet for, huh? Me or him?”

“Not- not you-” you whine, despite how your sloppy cunt was leaking all over your legs - such a mess. A mess that Toji was shifting down the couch to lick up. Slow, lazy circles right at your inner thighs. Sweet - so sweet, his favorite. Eyes rolling to the back of his head at your taste and oh, how Toji missed this. 

Missed teasing you until you broke. 

Which, it turns out, happens fairly early.

“Y-you’re just fucking talk.” you hiss, but it comes out more breathless than you intended. Your voice betraying how badly you wanted him. Needed him to do something - anything. “He-”

Toji doesn’t even let you finish your sentence - and you don’t need to - because without another word, he’s surging forward until he was nose-deep in your messy cunt.

Licking one, long stripe up your swollen folds - up and down, up and down, up and- He murmurs into your cunt, “Do ya still like when I-” Hot tongue flicking roughly against your clit. Just barely, and you’re bucking wildly underneath him. “Ah, you do. Old habits die hard, huh?”

Of course, the only response that Toji gets is a wet, pathetic murmur of something - maybe a plea, probably a curse at him to shut up. 

But it’s something that has all the blood rushing to his aching cock, something that has him biting down lightly on your inner thigh - just a little punishment. 

“What was that?” he purrs, “Didn’t seem to hear you right, wifey.”

It takes everything in you to gasp out, a barely-audible determined little, “I-I said-” fingers threading through Toji’s hair, pulling up his face. Hard, so that he’s forced to meet your eyes instead of admiring your pretty lil’ cunt. “-fuck you.”

And you don’t know what you expected - maybe an insult back, maybe for him to get up and leave you all high and dry right then and there.

But oh you should’ve known your ex-husband better, because he has the audacity to throw his head back and laugh. Laugh, more to infuriate you than anything as he promptly spits on your quivering pussy. 

Once. Twice.

You flinch as some splatters against your thigh, and you both know it’s on purpose. Because Toji Fushiguro always had perfect aim - but when it comes to you, well, he had to knock his bratty lil’ wife down a few pegs. 

Throwing your legs over his shoulders to lick all over your sloppy pussy once more. “Fuck me, huh?” he groans out little profanities into your cunt, “Fuck me fuck me fuck me-” 

Smack!

You register that delicious little sting on your ass far before the realization that Toji smacked you - and even later do you realize that you liked it. Slick beading through at the painfully good feeling.

Liked the way his rough palm was soothing over the sting, words strangled and slurring together as he smacks his lips against your swollen, sensitive ones. “I’d rather you fuck me than some hah- other loser.”

“S-so fucking mean-” you moan.

“So what?” His thumb draws tight little circles on your throbbing clit, the other hand looping around your waist - bruising - as he drags your sloppy pussy all over his hot mouth. “No one else could do this.” Soft tongue going all the way up from your base, “Get you this wet-” Just dipping into your clenching hole. “-taste you like this.”

“Hngh- fuck-” you groan, as he alternates between flicking your clit so mean and squeezing his tongue into your tight cunt. “Fuck fuck fuck- s’too much-”

Too much? Toji wanted to laugh - if he wasn’t so addicted to the feeling of your gummy walls stretched out so obscenely on his tongue, anyway. He knows you can take it - you always did. 

And he tells you that - a little over ten times, actually, as the hand on your waist arches you deeper and deeper onto Toji’s tongue. Fucking you so harshly - merciless. Unrelenting. Like he was taking any and every shred of anger out on your ravaged cunt.

Bucking your hips wildly, you tipping your head down to look at the sight below you and oh-

You gasp at how sinfully blissed out Toji looks between your thighs. Eyes glassy and hooded, strands of dark hair sticking to his forehead. Your slick glossing his lips so prettily - and if you angled your head just right you could catch the way it drips down his jawline. Yeah, maybe you really did like his face between your legs. 

“Always knew ya did, doll.” he echoes against your glistening lips and shit, did you say that out loud? 

It doesn’t matter, because Toji has his lips smushing against yours, such a filthy mess of spit and fingers and tongue - everywhere. Like he couldn’t decide where he wanted to taste more. “Knew your pussy missed me, even when you’re such some other bastard. She’s still so sweet.” Thrusting in and out faster past that first, feeble ring of resistance. “So messy f’me. Fuckin’ my tongue so good for s-someone that hates me.”

And you have half the mind to wonder whether it hurt - how his fingers weren’t cramping up yet, lips aching. Letting you push his face deeper into your pussy, ankles locking around his broad shoulders in a desperate attempt to shut him up. Close. 

“Y-you talk ngh- too much.” Blood roaring in your ears, feeling his smirk against your cunt. “Do you ever shut the fuck up?”

“Nah, I know you ah- love it.” Smack! Another handprint on your ass that has you stuttering and jolting on his face. “Can feel you clenching all around me because I-” Toji gives you such an infuriating wink from below,  “-eat this pussy the best.”

 And you would be mad at how cocky he was being - if you weren’t cumming all over his pretty face. 

Stars behind your eyes with each little lick of Toji’s tongue as he fucks you through your high, lapping up all your sweet sweet juices. 

“W-wait oh-” you were letting out such delirious little whines. “S’too sensitive- too- hngh-”

“No-” he grits out, voice shot. “No no no no- wan’ it. Need it.” Scrambling to pull your hips back onto his mouth. Fingers just bruising on your skin. 

He was like a man possessed, and you can only lay there and take it as Toji tips his head back to let your slick slide, down, down, down his throat. Voice shot, as he grits out, “Oh fuck, been holdin’ out on me.” Eyes unfocused and miles away as he comes up to squish your cheeks together in an embarrassing little pout. “Open that fucking mouth.” 

And you barely even realize it when you are - tongue lolling out so sinfully. The only thing jolting you back to whatever senses you have left is Toji spitting in your mouth. 

A steady, angry stream of saliva before his lips are clashing once more with yours. Purposefully letting your juices smear all over both your lips, tasting yourself and him and how desperate you were on his tongue-

“O-oh my god.” you break the kiss at the feeling of something so hard against your cunt. Delicate strings of spit snapping as you whirl down to look. Shit, when did he even take off his-

Ah, how Toji loves the breathless little whimper that leaves your lips at the sight of his too-tight boxers, the insults failing you now. Humming, “Like what ya see?” 

As if to prove his point, he tugs them down just enough that his rock-hard cock springs free. Fuck, you think you’ll never get used to it, even after so long - Toji was so fucking massive. Flushed red, soaked in beads of precum that drip down, down, down all the way to the tufts of black at his toned pelvis. 

So thick and angry that your legs were clenching together just at the mere sight. And Toji notices - how could he not?

“Yeah…” he murmurs, as if continuing a conversation from before. Muscled arms pushing your thighs apart to watch how your sloppy pussy was drooling all over the couch. “She definitely missed me, look how much she’s gushing.” Pooling your juices on his fingertips, “Clean your act up, doll”

“Shut up.” you squeal, embarrassedly, giving Toji a glare that makes his balls squeeze so painfully. Smirking, “You’re not even as big as him.”

Oh. 

Well, Toji didn’t like that - not one bit, in fact, as he shoves his dripping wet fingers in your mouth - pressing right at the back of your tongue in a way he knows will have your pretty eyes welling up with tears.

“Then why aren’t you with him, you little bitch. Think I like you better when you’re f-fucked dumb.” he spits dangerously against your lips. Fisting his cock to lazily drag up and down your puffy folds. “Don’t you hah- agree?”

He doesn’t get to find out if you agree - and he doesn’t care, either. Besides, you wouldn’t be able to give an answer even if you wanted to. Because his swollen cock was too thick, the stretch too sinful, too dizzying as Toji splits you apart on his unforgiving cock. 

“Mmmpf- fuck! Hah-” you mewl, torn between running away from his cock and bucking down for more more more-

“More?” he laughs, “Ya ask him for more like this too?”

And oh how so very cute and pliant you were being stuffed full. He barely gives you the time to adjust because - why would he? Toji has his mouthy wife all breathless and splayed out so shamefully, desperately trying to milk his cock for all he’s worth. 

Barely even halfway in, yet he rocks into you in shallow, teasing little grinds just to fit himself inside your tight pussy. So mean. Not giving a fuck about those teary whimpers leaving your mouth.

“They ever ngh- fuck you like this?” he rasps, dropping his head to leave little bites down your tender neck. “Ever h-having you crying for his dick like ngh- this?” And despite all his confidence, Toji didn’t want to hear the answer - didn’t want to know the truth. “Such a slut.”

Your nails rake angrily down his sculpted shoulders - a warning, and it’s about the only thing you can do as Toji speeds up. Faster. Deeper. 

“Heh, what? Markin’ me up for others to hah- see?” he cooes, mockingly. And you could just cry as his grin widens, finally - finally - pulling his fingers out. “Why don’t you ngh- use your words instead?”

And you should probably breathe, probably tell him to fuck you exactly the way he wants to - to confess to him that this is all you’ve ever wanted on those lonely nights these past four months. But the both of you know that it’s more fun this way.

So instead, you smile sweetly, “F-fuck you. They do - a lot better, too.”

If only your voice hadn’t cracked so unconvincingly at the end - if only you hadn’t let out such a pornographic moan as Toji pulls your face to meet his. Kissing you over and over and his hips-

“I’m the one fucking you, doll.” he bites down on your lower lip, tugging and pushing at a senseless little rhythm - the complete opposite of his hips. “Remember that.” And that’s all that’s said before Tojis finally bottoming out all the way to the hilt. Heavy balls smacking sinfully against your ass, fat head just kissing your cervix. “It’s me. I don’t give a hah- shit if it’s been f-four mouths, it’ll always be ngh- me.”

The couch creaked in protest as Toji fucked you like it was the last thing he’d do. Like he was trying to fuck every thought of whoever came after him right out of you - along with those silly little thoughts about the divorce.

“B-but-” your eyes widen as Toji runs his mouth - as hasty and urgent as his movements now. Fingers snaking up to toy with your still-sensitive clit, not even drawing circles anymore - just messy, little patterns just to get you off. “We’re already-”

“You s-still think we’re oh- nothing but exes?” he questions, sounding as surprised as you felt. “We can’t stay ah- God, we can’t stay apart and you fuckin’ know it. So…”

You gulp, already knowing the answer to the question he was just goading you into asking. “So?” 

“So…” Toji muses, giving your swollen lips a short, chaste peck. Whispering against them, “M’gonna hah- fuck you till everyone knows you’re mine.”

A promise that Toji Fushiguro was well and fully intent on fulfilling. And you didn’t doubt that he’d have any trouble with it, in fact. 

Because he’s rutting into you so animalistically now, so so sloppy. Torn between savoring the feeling of your plushy walls squeezing him to insanity and abusing your poor cervix. Prominent veins making you feel a maddening little thump thump thump as he roams for that one-

“Ah! Hngh- Toji!”

Found it. 

And Toji had everything he needed - you, his wife, spread so sinfully and stuffed to the brim with him. Hitting your sweet spot over and over- 

“No loser’s gonna fuck you like this.” he breathes against your ear. “Have you ngh- feeling this good.”

“I- ngh- fuck fuck fuck, Toji-” you let out, hips mindlessly bucking down in a pathetic attempt to meet his rough thrusts. “S’too- hah- oh my god. S’too good-”

“Shut up.” Oh he sounds so absolutely wrecked. Sanity crumbling away bit by bit every time he’s plunging his cock - so painfully hard - into your wet pussy. “Do you even ah- realize how sexy you look right now?” Toji throws his head back, eyes still locked on you like it killed him to look away. “Never lettin’ anyone else s-see ya like this. They’re gonna look at you and see me-”

You don’t even know what he’s babbling about anymore. Just that his achingly hard cock was making such a mess of you, pulling back only to go deeper. Massaging all the right spots as fucked you harder into the couch. 

“Me-” he gasps. “That date is gonna fuck- know,” Hips stuttering and absolutely filthy, “That cashier d-down the ngh- street that eyes you up every time is gonna know-” Angry. Desperate. So, so needy. “Your fucking lawyer- ngh- s’gonna know. They’ll s-see you and see me me me me-”

At this point you can only nod deliriously, letting out a broken little, “Hngh- yeah, wan’ that, Toji. Wan’ you so bad.”

Toji presses another chaste kiss - this time to your forehead. Whispering a quiet, “Then cum f’me, doll.”

You do - the hardest you ever think you ever have in your entire life. Thighs shaking, vision spotty, sparks of white-hot electricity going all the way from your hazy brain to where Toji was fucking you through it.

Muffling your moans with his mouth as he gives one, harsh thrust. Then spilling into your gummy walls, painting it all an obscene white with rope after rope of hot cum. 

So wet and hot - with him. All him. 

And you look so cute taking it all like the good little wife that you are, that he can’t help but press down on your lower stomach. Awe-struck at how your cunt gushes around him, coating his twitching cock as Toji fucks his seed deeper and deeper into you. 

But, hell, that wasn’t his favorite part - not by a long shot. Instead, it was probably when you pulled him into his arms, whispering sweet little nonsense in his ear about “how you missed this” and “that date wasn’t real anyway” as he fucks the two of you through your highs. Sweet. Familiar. 

“Oh, God-” he mutters into the crook of your neck, slightly calmer now. Much more clear-minded than the two of you were mere seconds before. “We broke the couch.” 

And it was true - one side was sagging much more than the other. Though you can only let out a giggle in response. Doesn’t matter, the two of you’ll pick out a new one tomorrow - he always hated this new one, anyway. “Happy anniversary, wifey.”

---

“Damn kid, that ol’ dad of yours sure is running late.” Shiu crosses and uncrosses his legs with slight nervousness. Eyeing the small, dark-haired boy playing with blocks a few feet away, “Maybe we should-”

“It’s okay. He’ll be back.” Megumi deadpans, sounding like the absolute last thing on his mind was why his dad was taking way too long for what should’ve been a half an hour errand. Shiu - on the other hand - had his mind whirling with imaginations of traffic accidents or murders or- what if the two of you killed each other- “And he’ll bring back mama too.”

You could almost hear the record screech to a halt. The older man stared wide-eyed at a slightly-smiling Megumi. “What?”

“Nothing.”

“Wait- no, what did you-”

“Nothing.”

Because, hey, Megumi might’ve had to go without his favorite wolf plushie for a bit - but a magician never reveals his tricks, right?

A/N. So how does it feel to be played by a kid, hm?

Plagiarism not authorized.

[the-joy-of-knowledge]

25 Laws of power for women

Conceal your goals especially the ones that are appealing. Losing weight, reinventing yourself, marrying wealthy. Instead talk about your altruistic goals - to help children, invest in education, this will chase insecure people with vile intentions.

Do not give anyone your source of power: Was is a book that changed your life? a mentor? a movie? Never give up your secret to success. If forced to do say allude to God, the universe, the a random phenomenon

Use the patriarchy to your favor; we live in a world that is, only associate with men who have power, use that power for good.

Never appear too perfect but be selectively vulnerable when needed. Only share something that you will be comfortable saying. You might say “I forget my keys all the time,” “I don’t know how to perfectly park a car “. But never disclose something you are not comfortable with just because you are afraid of being perfect.

Maintain distance in relationships. Friends are the best and you need them. But if you feel that they are becoming too dependent, see them at your own will. But also the reverse could be the case. Your friend may keep a distance, and that is the way of life. You have got to move on from it.

Develop your own style that makes you unique, beautiful, and elegant. Avoid trying to fit in the crowd of people who claim to care less about their style yet have too many opinions about other women’s style

Avoid male friends at all cost, you will have male colleagues, male bosses, male acquaintances, business partners. Keep it that way. You do not want a Truman Capote divulging your secrets to the world. Do not keep a man who does not fit your standard.

You do not have to win at every game. Pick and choose what is best for you and leave room for others. And step down if you have attained that level of success, do not let the society do it for you.

Trust people but remember that we are all humans. So trust with discretion!

Confuse people with kindness; people are not always comfortable with beautiful and intelligent women. That power is too intimidating so confuse them by being genuinely generous, curious, kind, and passionate.

Keep your strong opinions to yourself.. if you support a movement, a way of life, do so silently.

We all have dirty laundry, wash them privately, don’t expose yourself. Remain silent when people try to attack you or shame you. Whatever is not confirmed is not true. You are the only one who knows all the truth about you.

Don’t attract pity or praise: People who pity you do not help you, in fact they might think that you are weak and could mock you at their annual gossipping meeting. And if you are doing things for the sake of praise you are wasting your time.

Choose yourself all the time; never put any one’s feelings above yours.

Trust your own intuition if you feel someone is being malicious towards you, giving you back handed compliments then you should let them go

Never speak bad of another woman. Do not lazy around gossipping. Keep your hands clean and your conscience clear.

Avoid women with low self esteem they will bring you down. For some reason they do not like seeing other women who are doing better than them

Be careful who you seek validation from. Not everyone needs to be pleased. If they are in no way capable of contributing to your life in the ways you prefer, then don’t ask them for their opinions or please them.

Do not compete with other women, if you do you are only putting them on a pedestal. You are making the the standard by which you measure your progress. If you do compete, begin digging your grave.

Do not give unsolicited advice, do not share the inner workings of your mind, If your mouth is very charitable you better start journaling.

Be well-rounded and interesting. It attracts people. It also keeps you busy because you are continually improving and learning. An idle mind is an easily subdued one.

Avoid women who want to live vicariously through you; they want to know who you know, shop where you shop, befriend who you befriend, wear what you wear.

Pay attention to the source of your discomfort; get rid of them. You tell them your dreams and they remind you of all your hindrances. They ask why are you dressed so fancy as though fancy isn’t subjective. They undermine you interests and goals. They will also be quick to bring you down because they are afraid of your potential.

Do not fear power or please power. When we see powerful people we try to hard to befriend them, to be close to them but you need to be comfortable without them. Don’t push yourself in the name of friendship, do not try too hard to be in their inner circle. Your independence of mind is the most important. Instead become a powerful woman, aloof to the presence of power but aware of its importance. Be an ingenious and intelligent and use your creativity to uplift yourself. When you do so it will be hard to ignore you. Even the powerful will become an ally.

Enjoy moments of solitude. Use that time to develop yourself, improve your body, learn new skills, create with your mind, read widely, become more elegant, then launch yourself.

Remember the most powerful women are the most intelligent. Inspired by Robert Greene's 48 Laws of Power. Use at your discretion.

[batsplat]

quick follow up to this bit

was also reminded of this valentino quote

He speaks about my shoulder like he was the best shoulder doctor in Melbourne Hospital.

what WERE they cooking

(I can't like. prove this because obviously we simply do not have solid 'evidence' for casey's thinking here either way, but given this is a speculative post about how I'd narrativise these rivalries.... do think the screenshot above is basically my theory for why casey had a thing about valentino's injuries. to such an extent that valentino picked up and commented on it! after laguna and throughout 2009, there were various waves of discourse about casey having been 'broken' by valentino - first due to casey's dip in form in 2008, then because he had to take some time off in 2009. the fact that it was an invisible illness that he himself could not explain in a sport that is all about the big, glaring obvious injuries - one that was treated as a sign of mental weakness, something he was ALWAYS susceptible to being accused of... very much the opposite of valentino's shoulder and leg in that sense, which was way easier to explain and was immediately taken seriously. my suspicion is that for casey, it was about not being extended the same grace as valentino was, being frustrated at how much leniency valentino was being granted when casey was always being harshly judged. of course, valentino (in classic demented rider fashion) was if anything downplaying the severity of the shoulder injury and only admitted after it was more or less healed that he'd been terrified by how long the recovery period had dragged on and had feared he would never be the same rider again. casey's lack of empathy on this count is completely justifiable and he does also obviously have a point, but it's still an interesting part of his character. it's what makes the rivalry with valentino so very interesting - there are lots and lots of ways in which valentino directly made casey's life miserable, but then there are other ways in which valentino's mere presence, his existence, someone whose treatment casey could compare his own to, that also contributed to casey's hatred towards him. firstly by getting more empathy than casey did and the general injustice in how the sport was 'always' on valentino's 'side' in a way it never was for casey, secondly by having this reputation of 'breaking' rivals that... well, y'know, valentino was presumably more than happy to be the beneficiary of the whole thing, but it's not like this was actually a line he spread himself, including with regards to casey. he didn't have to! it's kinda just... an awful coincidence that casey's 2009 absence was always going to be treated with suspicion and he HAPPENED to have a rival with valentino's very specific reputation?? the perfect storm! which gets you to this odd point where... if anything after that casey is the main instigator in terms of the sheer vitriol of the rivalry - but it's built on years of seething resentment that valentino at times almost seems taken aback by... and then reciprocates with interest because of course he does. because that's just how valentino ticks. fundamental lack of understanding for each other!! valentino kinda accidentally being casey's perfect foil!! casey having a million Legitimate Grievances against valentino but still somehow managing to project 85% of his other issues with the sport on valentino too!! they're soooooooooooooo. so!!)

if you were to direct a motogp movie (or make a one season of television) what season or rivalry would you make it about? and more interesting what artistic liberties would you take? it doesn’t have to be a straight up biopic bc imo those are often boring, instead it could be something like velvet goldmine (1998) aka fictional characters whose real life counterparts are pretty obvious, veering in like rpf territory. anyways👀

did you know. one time this guy put a curse on this other guy. and he never won a race again

anyway, look, I do feel like by this point that's the BORING answer from me, but obviously it's where my mind first went. I'm not sure I'd actually want it out there in film form because by now it's badly enough remembered that it's like, my cute little niche story, and I think there's something fun about the Wider World even within the motogp fandom not exactly getting how bonkers the whole thing was. (I know other humans have canonically watched motogp 2004 but I swear even journalists have forgotten some key key details and it's kinda annoying but also fun.) bold words from someone who's been blogging about it!! weird gatekeep-y instinct. but basically my job here is done as far as outreach is concerned - I wrote a very long post, now I get asks about it twice a week that allow me to think about it some more with the four other people who care, perfect balance. that rivalry doesn't need to go mainstream!! the whole point of it is that it's kinda cruel but narratively pleasing that it's gone under the radar, because it's another sign valentino won. but obviously, I cannot literally make a film about this, so the hypothetical repercussions I think maybe we can put aside for a moment here

okay I came back to this bit of the post after I increasingly got into of the spirit of coming up with dumb ideas, but it did make me flesh out what I'd even WANT from something like that. I'm with you anon, a lot of biopics are boring!! if you want to just know what happened, please just literally go and 'watch the races' and 'read books' like what are we actually getting here. you kinda want to give it a purpose for existing, right, a way of portraying real/mildly fictionalised events in a manner that is also taking some kind of stance on the material AND is doing stuff you can't do 'in real life'. thing is, look, you could make 2006 into a film, and I'm sure it'd be perfectly nice because it's fundamentally a solid underdog story (well, inherently winning a title with repsol honda is NOT being an underdog but you can write it that way), but also what are you doing beyond just telling people what happened? I feel like that generally about single seasons, they're not really doing anything for me. I was also turning around the biaggi/valentino rivalry in my head in part because that's the one valentino gave as his answer for 'rivalry he would turn into a film' (marc big wet eyes sitting right next to him), but like. a film about that rivalry from valentino's pov is fundamentally not something I'm interested in. you have all these isolated very memorable moments that make it work as a rivalry, like you can absolutely spin them into a dramatic yarn that goes through the genesis of their conflict to middle finger gate to punching gate to assen + donington + sachsenring + phillip island 2001 and it's basically *insert rousing music* successful coming of age. at most you can lean into the fact valentino became successful at being a dick. like idk it's fine but also what's the point? valentino is challenged in a sports context by biaggi, he's challenged because he realises his words have consequence and the press actually reports the words he says to journalists (the horror), but he is fundamentally not challenged on a personal level. that's the entire point, right? it's the ultimate comfort zone rivalry - biaggi is a dick who it is quite easy to hate and also reacts poorly to valentino's initial provocation. the animosity escalates and it is inherently fun to beat him. valentino is mean to him, but it's not like he even really crosses any lines to beat him. like you can make it into a film, and if you twisted the material a little bit you could make it satisfying, but I don't want to!

now the way the writing process of this post worked was that I was going to breeze through a bunch of non-sete/valentino rivalries and explain why I think some of them don't work for our purposes here, but then I ended up writing myself into changing my mind. so my take on the biaggi rivalry is that actually, you CAN make it work but it has to be from biaggi's perspective. basically, I think you've got to amadeus it (a web weave I have been thinking of making at some point btw). so,,, it's a meditation on talent and how unfair it all is, maybe minus the bit where salieri poisons amadeus (I know that doesn't happen in the film) or dresses up as amadeus' father to, y'know, make him write a requiem on his death bed. and it's not amadeus in that HERE, the clown prince gets a happy ending! but it's more like, in thematic terms, I think you have to zero in on this bit. biaggi didn't have parents who shoved him on a bike when he was three years old, he didn't have parents who were invested in his motorcycling career (or even necessarily particularly invested in him), he started the sport late and discovered that, yes, he did have a prodigious amount of skill in it - but one that he started honing far later than valentino did. he approached his career with a sort of grim resolve, surly and irascible and not interested in making friends with any of his competitors but very, very good. he goes away from the race track and dates all these models, he irritates fellow riders, he's not part of the gang and he's happy about it. he's very successful! four 250cc titles, wins his first ever race in 500cc at a time when doohan was very much winning everything. he's also just like,,,, an interesting and spiky enough character it's not hard to make him come alive

but then of course you have this gradual emergence of the amadeus character, the one who challenges his established position in the court of,, well... motorcycle racing, and also as the guy italians rooted for! and valentino's obviously, y'know, in so many ways the exact opposite from biaggi, and he's super young and cheerful and lively and is doing all his silly celebrations and is being a bit camp and goofy and treats motorcycle racing as a party (you really want to lean into the culture clash here, like in amadeus it's because you have stuffy austrian court vibes but here it's because everyone is having their bones broken every two minutes and just how... kinda grim a lot of motorcycle racing was). and he's also this innocent! yes, he insults biaggi, and yes, in retrospect we know valentino is kinda evil, but at the time he was a kid with a big mouth who was a little taken aback by how that biaggi feud sort of escalated beyond what he'd actually intended it to do! and biaggi just, hates him. and I think, sorry to the real man max biaggi here, but you've got to play with how once they're actually competing with each other, it's miserable how there's just this unbreachable gulf in talent. like, whatever biaggi does he cannot win! he isn't going to defeat valentino over the course of a full season! which is depressing and horrible and CRUEL, because there's this inevitability to the whole thing... and also! because valentino doesn't DESERVE it. and you don't have to go full salieri pleading with god to explain how god could give this CLOWN all this talent, but it's kinda the same vibe! how is it valentino, who is constantly just having a laff and canonically maybe wasn't the biggest gym-goer in the paddock and is just generally seen as, y'know, a bit of a dandy, this foppish clown who everyone loves and who doesn't have to work hard to be good - how is he the one who is winning so much!! it's miserable and unjust... and I think how you portray this is that you really emphasise the kinda, repetitive nature of the defeat. like, I think you probably want to make this into a non-linear narrative where all this biaggi backstory is communicated somehow but you don't just start it when he was born or whatever - you start it in 2001 when they're competing for a title and already hate each other. and then you heavy on the time loop vibes. the whole cinematic language and all that other shit should emphasise how all these weekends are structured in exactly the same way and if you're losing to this one guy, all these different weekends can start feeling the same. it bleeds into each other, it feels inescapable, you're trapped in this narrative you can't change... worst of all, you even return to the same places again and again - like play with that! biaggi keeps coming back to where they had the fist fight, to where valentino first insulted him all those years back. you play up the disorientation and the misery of it all, plus biaggi canonically gives us all this kinda messy freudian shit to play with like how he was dating 'valentina' and his relationship with her was falling apart because of how miserable valentino was making him. it's all there!!

ANYWAYS the way you conclude this story is!! welkom 2004!! so again we can artistic license this a little bit and, uh, ignore sete (though I do also think it's fun if you lean into biaggi being displaced as a rival and staring at them being friendly and happy with each other from the outside) - but the key bit is that valentino is finally making the big error. biaggi wasn't winning titles on a yamaha, since he left yamaha has gotten worse, now valentino is making this big mistake out of his own hubris. language of cinema that shit and make everything brighter and more hopeful.... the time loop is finally over, biaggi has escaped, this year will be different!!!! everyone in his circle agrees, valentino is fucked. step off the plane at welkom (pre season testing didn't happen in this universe) and it's literal dawn of a new day... staring out at the sun and finally, biaggi can move on, can live a new and different life. anyway. obviously we all know what's coming next - you have this big dramatic climactic race where biaggi throws himself at valentino again and again and again and he comes so close to winning it... but he doesn't. and you have valentino living his best life, being delighted, but the film is focusing on how like,,, we're bleaching the joy back out of biaggi's life, how actually he's returning to what he already knew. and it ends on the podium, with the camera focusing on biaggi on that fucking second step or zooming in or whatever (idk how cinema works) and it just finishes on this shot of biaggi dead-eyed in a bleak world, trapped again for eternity aka until the end of the 2005 season. done!! I'm not sure this is quite what valentino had in mind, but. well. that's how I'd do it

this is from the pushkin play from 1832 not the 1984 film but like. low key pushkin already kinda nailed the essence of sports rivalries in the 1830s and we just have to acknowledge that sometimes

right. so the casey rivalry is where I'm going to go completely off the wall. skip this bit to get to the slightly saner stuff. this is also one I fully admit to sometimes playing around with in my mind anyway, but. uh. I'm gonna be taking this one in just. well. places. I do have a vision here but I also don't quite know how to explain it in a way that doesn't make me sound like I've lost my mind, but well if you're still reading this then that's on you. so lemme get this out of the way: the classic sports biopic formula would work well with casey. if I had to point to a single rider I would sports biopic-ify, it's casey. so you have all this kinda,, obvious adversity that's easy to get across, and it's a narrative you can follow chronologically without too much trouble. you've got all the childhood stuff, the australian racing club not letting him join them, the move to britain, the rising through the ranks, it's also this very biopic-friendly 'nobody ever believed in him apart from like three people' stuff. and the premier class is also narratively satisfying, from the rocky rookie season to the kinda shock success to then all the lows of 2008 and 2009 and the physical ailments and the anxiety and then the switch to honda and the title and then him deciding to retire... that's all good stuff! you can absolutely biopic-ify it! gun to my head and sure, I can walk you through exactly what bits of his life I'd focus on and put in what order and so on, and I think ultimately you could make a very good sports biopic from that

[some mild gore to follow in this next section]

but also. thing is. that's fine. it's just not where I want to go here, because again I feel like at that point you can also pick up his autobiography and just read it - because what you're basically doing here is just filming that. and I get how this stuff works, you're bringing the story to a wider audience, you can show stuff in a different way in that medium etc etc, and that's all great but also I don't care about bringing stuff to a wider audience. I care about doing fun stuff in my brain. so what I'd actually do here is just, basically, go in the exact opposite direction and ditch all the realism. genuinely, ditch the live action stuff, we're going animated - what I'm interested in here is stuff where we need to be able to fully suspend our disbelief and lean into some surreal shit. I'm not going to bury the lede here: my idea is that you take that thing where casey said he hated how ducati was ruining the bike by letting valentino's yellow encroach on it and, basically,, just go all in on that bit. like come on, that is so singularly visually evocative, it truly captures a lot of what's going on thematically in that rivalry. (see also x and x for the most relevant casey posts.) casey sees valentino as the malevolent force, this infection! he associates him strongly with a specific colour, one that can be sickly or unnatural or just... evil. malignant, malicious, malevolent, all the m words. to casey, valentino is a personification of everything that is wrong with the sport. valentino is literally the walking manifestation for so many of his issues, from the dangerous riding to the lack of respect to the lying to the cult of personality to the obsession with image and the media to the backroom games to the politics to the injustice of how different riders are treated differently, like!! he's literally all of that! this is a topic for another post, but this plays out in a lot of kinda, weird and funky ways where it's a two way street and sometimes when casey talks about motogp you go 'actually I think that's just valentino?' (btw he also does this about 'europe' right I don't think those are europeans you hate casey that's literally just valentino) and sometimes when he talks about valentino it's kinda? this feels like it's about a little more than the bloke himself? and basically, right, I think you need to take this to its natural conclusion where casey used to admire him and look up to him and want to emulate him on track and then gets disillusioned when valentino's worshippers turn against casey and casey is the one to bring valentino down to earth and... listen, I think you need to play around with valentino being a literal god. and I think you need to have casey stab him to cover up the yellow on the ducati with blood

okay. look. the idea here, right, is that we're basically making the subtext text, and just digging into that process of 'bringing valentino back to earth', of taking on a god and having the audacity to succeed, and also treating valentino as this sort of. infection in his own mind. the bike is literally being infected!! casey may have left the ducati but he STILL has some fidelity and love for this project, those were his people he worked with, and now valentino is coming in and just twisting everything around himself!! but also I think how this functions is that, okay, so you have all this normal stuff that's the actual 'plot' in the 'real world', but the ISSUE with the real world is that there's a lot of stuff that just. isn't possible there. like the thing casey wants in that rivalry but is never going to have is... a captive audience. a big problem casey has in that rivalry is that he doesn't get the chance to actually say a lot of stuff to valentino. he starts using the media more and more and plays the game on valentino's level, but there's still this disconnect where mr straight talking is the valentino rival who valentino never really blanks or freezes out like... there's a disconnect! there's valentino the person, who casey never quite figures out how to just straight up hate, and then there's valentino the character, the racer, the rider, the god who casey DESPISES. but when they're doing small talk at pressers and podiums, casey doesn't get to talk to that version of valentino! he just talks to valentino the person, who obviously isn't literally a different person but is also not going to explain to casey where he's coming from, is he, and also isn't someone who casey can explain to where HE is coming from. and that gulf... it does bother casey. I don't think he can quite verbalise why either, but there's just... this creeping tension. I think it'd be easier for casey if valentino really were more of a caricature, just kinda a dick in all walks of life. and there's just these canonical hints of that... the way casey talks about how he's sure valentino as a guy is fine, but he never knew valentino like that, the whole 'I'd like to go with valentino for dinner to tell him where I was coming from in that rivalry' thing, like!! it's there

so basically EYE think what you should be doing is using the wonders of storytelling to actually. embrace that element. and just leave realism behind now and again. valentino is a god, he is literally worshipped, he's part of this pantheon that casey is trekking to reach. casey is brave enough to take him on in combat, he is the first one who is truly able to draw blood. he sees how valentino isn't just a god of joy or battles or speed or the SUN or any of that other stuff - he's a disease, an illness, a god who is also a false prophet... the worship never quite goes away, because who ever truly gets rid of their valentino rossi complex, but casey eventually is given the chance to face a chained valentino and kinda,,, ritualistically publicly humiliate him using the ducati as both this sick thing that has to be 'cured' and this symbol of valentino's failure. I'm sorry, visual language goes brr here, like chain him up, do weirdly eroticised torture idc!! (psst psst valentino's fucked up shoulder also extremely goes brr here, casey low key a teensy bit weird about valentino's injuries? his thing after the 2010 leg break where he goes 'why's everyone making such a big deal about this other people break their limbs too' and then after 2011 jerez immediately asking whether valentino's shoulder is okay in just a very obviously passive aggressive way. literally he opens with that, valentino isn't using it as an excuse or anything, for some reason it's already on casey's mind and I would politely contest it was out of genuine concern for valentino's wellbeing!! it's just kinda? I'm so compelled by it? I suppose it is kinda about how valentino's suffering gets taken more seriously than his own? how those absences are received differently by the motogp world? idk I find this fun because casey does know this is one thing valentino can't really be blamed for himself, so it just slips out a bit? but yeah, casey + valentino's injuries, nobody's talking about it but I sure will, let casey get weird and mean and a teensy bit sadistic about valentino's injuries in an artistic manner.) crucially I like animation as a medium here because I think it's easier to lean into surrealism when you don't have to hand hold the audience so much through the suspension of realism, also there's just some imagery you can do in cooler ways through animation where in live action it may just look. weird. (I think you can also do one of those things where you have a live action film with only those specific bits animated but also... why? it just feels like in live action you need more 'justifications' for things, like am I saying casey is having some weird hallucinations and is losing his mind? no I just want to have weird vision sequences ffs.) the colour stuff!! valentino/casey is big on the colour coding as a rivalry, to the extent casey is even, y'know, drawing attention to it in the literal text!! yellow and red are banger colours, valentino is big on imagery himself with all his sun + moon motifs, it's kind of all there to make the easy next step to kinda zany surreal imagery. ritualistic stabbing works better in animation, you can kinda get the blood to like. drip down and overwhelm the yellow illness that's slithered out across the bike

and. AND of course what this entire set up allows you to do is.... give them an opportunity to talk. they can't talk in real life! casey CAN'T give him his real thoughts on anything, and fundamentally valentino can't either. they're opponents. they're strangers who chat sometimes. it's not just that they aren't friends, it's that fundamentally they cannot be friends - because their ability to do their actual jobs depends on a certain level of professional distance. valentino of course does have a decent read on casey, and vice versa, because when you're figuring out how to defeat someone then (if you're valentino) you're looking to play the rider too. valentino's entire approach depends on focusing in on his rivals and attempting to throw them off, to make them unravel. he's watching casey closely!! the entire journey of casey's first three seasons in the premier class essentially becomes like, this god of their world focusing in on him. figuring him out. trying to gnaw away at him. obviously, animation also allows you to go big on the panopticon-y imagery which is kinda fundamental to their rivalry, because of their fundamentally oppositional stances to 'performing' for the ever present cameras where there IS a little bit of common ground in they have both struggled with it. but valentino isn't going to ever say that to casey! casey isn't going to open up to valentino! so if you give them,, you know, a different arena to express themselves, where casey actually has this external figure to talk to (as he's like, cutting him open I guess) whereas valentino actually is put in a position where he's allowed to respond, where he can taunt casey a little bit, where he can interrogate casey's approach and also the similarities between the two of them and how casey has been forced to become a little more like valentino to challenge him... because the thing is, right, valentino is so big on message discipline with his rivals and has completely stopped talking about that rivalry post mid 2013 that, first of all, you have this complete imbalance in who's been telling this story for the past decade, but second of all you kinda don't have a sense of what valentino would respond? idk!! I think this is mainly fun as a thought exercise for me specifically but also I do think it's kinda, digging into some of the bits that make this narratively work as a rivalry, how valentino in this rivalry is actually just kinda... removed. like he's not really emotional about it!! at most he's a bit bitchy, but even that just feels about The Game. it's the most extreme in this regard followed by jorge - but with valentino's other feuds you kinda... see a bit more an unguarded moment, see something a little more real there. the casey rivalry feels so uncomfortable precisely because valentino is a little... inhuman in this one. I mean, if you want to have valentino as some kind of cross between a deity and a monster in any of his feuds, this is the one. casey's just an obstacle to him. idk don't you think casey kinda wants to chain valentino down and stab him and make him see casey a little more... well, I think he should want it and I think it'd be fun to see and get them to talk to each other. ugh and also all the implications of making the faith vs non-believer elements more literal... casey the heretic!!!

there's some obvious stuff here you'd have to figure out, like 'how do you make this work as a narrative even to people who aren't familiar with casey stoner at all' and 'who the fuck do you think the target audience is here' and 'you do know this is not the kind of thing that would ever be made, right, go back to the casey stoner sports biopic like a sane person' but!! I do think it's material you can make work if you're just,,, efficient and smart in how you're actually telling the 'real life' version of the rivalry. also in my head this is. idk. an animated limited series not a film, which then brings in other stuff like 'episodic structure' because I'm fundamentally opposed to tv shows that think they're films. and look, I'm not going to write an entire film script treatment here, I just think a good writer can figure this stuff out. blood on the ducati is the framing device for everything else, simple. lots of animated floating eyes I reckon, first casey is watching valentino and then valentino is watching casey and the whole world is watching them... and it does bleed into real life just a little, where you're wondering whether casey is actually imagining/dreaming this stuff or valentino is or if they both know it somehow... you can get away with more ambiguity in animation. anyway, if you do want more thoughts on this one specifically for whatever reason, let me know because this one I do actually have more on

also laguna 2008 is a bit tortoise and the hare coded if you really think about it

[end of gore]

so. on to jorge. hm. the thing about jorge is that he was kinda writing a coming of age film in his own head, so like - yes, that's what you do go for? you can play it straight and follow how jorge has cast his rivals, or you can pin the whole narrative on the fact that jorge has cast them - the kinda artificiality of the narrative, the way jorge is this storyteller who isn't being recognised as much as he thinks he should be, isnt adequately appreciated. the way there's this three way discourse between what jorge thinks the story is and what the public thinks the story is and actual. you know. reality. I think this is a bit more light-hearted, like you know how the best stories about teenagers take their emotions seriously but also let them be kinda silly? because young people are silly! jorge was silly! he's got a lot of CHARM because he's so cocky and naive and full on and intense and awkward and kinda off-putting and tactless and a bit all over the place and so painfully, painfully young, like he's a good protagonist because that's a KID. but also, obviously there's also a lot of extremely not light-hearted bits of his story - everything about his father, his manager... idk this one's another one where, I don't just want to make it a generic sports biopic, and I'm trying to figure out the clear narrative arc here? I mean, you can point to the end of 2010 and really lean into him choosing victory on-track over popularity off it. the problem with 2010 is that it does not work as a dramatic season, yeah sure with the magic of biopics you can hack at it to shit but also. idk. what are we getting out of it. I think for narrative purposes you want to maybe narrow in, and end it at the end of 2008, with the switching of the numbers this kind of moment of emancipation? but also! this feels like we're straying a bit too far away from the fun sports elements and I don't want to REALLY suggest all the ways in which you could mine jorge's personal trauma in a jokey tumblr post, so I'm gonna move on from this one

the problem is 2015 just straight up doesn't work as a jorge-centric narrative, except in a very kinda comic way that leans into how absurd his role in that season was. 2012 as a season is a bit... y'know, it's fine. okay it's mostly terrible, but that's fine too. but it doesn't have a great narrative hook. which kinda leads you to the problem that I do think the valentino rivalry is more... juicy from jorge's pov, because for valentino, jorge is just kinda? an obstacle? idk he's more normal about it, it's just his job to destroy the guy, you know how it is. but also 2009 does work better narratively from valentino's pov, like it's the build up to catalunya specifically you can dramaticise... idk though, I do love catalunya but my heart isn't really in this exercise because I think valentino isn't really being... challenged here? it's a title fight where he's fundamentally using a set of tools he's already perfected, to beat a guy he doesn't really give a shit about. when the italian press is down on him pre catalunya, it doesn't spark any genuine self-doubt - it's just a handy source of extra motivation. there's no epic highs or lows that season, not real ones. and yes I know I was talking about making valentino who gets stabbed repeatedly to cover up an infection a moment ago, but that reflected real EMOTIONAL truths!! I'm committed to thematic fidelity more than I am to literal fidelity

genuinely I think the best way to tackle jorge is with the jorge/dani parallel journeys... what, film? tv show? maybe show actually - you don't have one coherent narrative Statement per se but you're constantly charting those journeys in reference to each other, really rooting it in their respective points of views, no neutral detached cinematic language like I want everything to be very much written to be from their eyes!! going from one to the other and back again. and you're charting these different journeys, right, and how they both captured different flavours of like... emotional successes and failures. I think it's actually about failure, yeah, about having to accept there's something you can't have and might never be able to get - whether that's universal love or a premier class title or whatever - but Actually, that might not be the end of the world. and during this process, they go from being enemies to tentative friends!! guys who realise they can maybe actually understand each other better than they thought!! this real moment of interpersonal connection. you have all these media narratives and the managers and so on and the fact they're competitors as these built in reasons why they've just been pitted against each other from the start... but y'know, again, it is also just a bit about maturing, about being able to set that aside, about making your peace with defeat and failure as an element of growing up. you can't win everything, maybe there's something you really really really want and you're just not going to get it, but at the end of the day it's kinda... yeah. self-acceptance. idk this is the nice one

so with marc you can go several different ways here I guess, and again he's also perfectly decent sports biopic material, probably second to casey in that category like yeah sure do the comeback story. but also, we do already have a very good self-produced documentary about what he thinks the narratives of his career are? idk this is also just a personal taste thing, I'll leave him to doing all the injury stuff himself, I don't have much to add there. we'll get to the obvious one in a second, but I was trying to figure out if there were other places I massively felt like you need the cinematic touch. and, again, the 2013 season is obviously very exciting!! but also, you have it covered in.,,,, multiple documentaries, I don't feel I have a take their either? his rivalries with dani and jorge aren't really substantive enough to sustain a bit of cinema. dovi... I mean, what are you saying there? what's the arc? I feel like if I tackled dovi, I'd go somewhere else and really go all in with the ducati stuff, and make it a bit more... you know, stark, stripped back, basically just the emotional component of how much he gave to that project and how he managed to beat away one rival after the next and how it all ended up falling apart in a kind of anti-climactic way? he's also good sports biopic material, but in a way I think the marc rivalry is the bit of his story I have the least to say on. so eg, 2017 is a dramatic season, but he's also kinda fine after it? he always knew it was a long shot, he tried his best and he got really close and then he lost. you can't amadeus it because dovi isn't (fictional) salieri. basically, I think what I'm saying here is that dovi is too well-adjusted to feature in this post. though I'd totally watch a film about his 250cc seasons, like it's a bit annoying because HE is the underdog who loses both title fights to jorge, but it'd still be kinda fun idk. I wouldn't really know what to do with the material but if someone made the film I'd absolutely watch it

right then. the thing about sepang 2015 is... yeah, sure, of course you can do it, it already exists as a narrative but... yeah, what are you adding!! idk I always think when you're adapting something, you kinda need to have a reason for it? I mean, what are you doing that's not already there in the footage? idk maybe this is just a sign of having been a fan of this sport for one too many years but to me the idea of sepang 2015 can get a bit boring (or maybe just repetitive) where I need a new TAKE on it to really get into the idea of fictionalising it. like where's the auteur's touch y'know, what can I still add to this!! but it also needs to WORK for someone who is new to the story, which kinda just makes you want to tell the story straight.... y'know the story is strong enough and COMPLICATED enough to stand on its own and it IS good but I don't really have anything interesting to say beyond 'yeah sure that'e be neat'. I can't tell you why, but I also don't think the casey approach quite works here? the idea of providing a framing device with which valentino and marc can actually talk to each other... eh. don't like that. hm. okay wait actually I just turned it around in my head for... a while and I think I've got an idea to make the worst motorcycle racing film of all time. so, my central stupid film-making gimmick here is just. centring the fact we're completely reliant on a few guys and what they're telling us in making up our minds, and our removal from that story and the imperfection of their perceptions and so on. so I think you kinda make a point of... not actually showing the motorcycle racing? like, you always show it by showing other people watching it, you're showing the tv screen rather than the actual racing. even in the cinematic medium, you're centring the theatrical aspects, where you drill it down to just a few characters. valentino. marc. uccio. marc's fuck ass manager. maybe a crew chief or two. keep it limited though, all the others are kept at a distance - you're constantly focusing in on the same few characters. and very early on you basically just like... get them to fourth wall break by telling you, the viewer, with their actual words how racing works for them, what meaning they take out of it - and again it's this remove because we're never allowed to actually feel the racing for ourselves (no helmet cams), and it sets up that as the tragedy unfolds, again and again we're just hearing from them what happened. it's all zoomed in on how claustrophobic the entire situation is, like doing the race direction room after the sepang 2015 is perfect for that kind of thing, and crucially they're only ever addressing the audience because they can't address each other. but fourth wall breaks also obviously draw attention to artificiality! I realise they are very much like, lame gimmick central, but also are these men not inherently about lame gimmicks... idk it's basically the same story but at least it feels like a kinda interesting way of telling it. kinda trite, but cinema allows you to get to the point and let valentino actually play with the camera... so literally take it into his own hands and lead it around and tell the story from his point of view. and you can play with how they do both change in what stories they think they're telling, how they're constantly revising their own stories, how their stories completely clash with each other... like. make them literal narrators. that's my pitch

so. one interesting pattern that has come up with my approaches to these rivalries is that with the exception maybe of the 2015 stuff, I feel like I'm more naturally inclined to treat valentino as a narrative device and centre his rivals. a big part of this is that valentino is a fantastic narrative device. he's kinda. this looming presence in every narrative in this sport where you can just sort of use him as a sort of way to poke away at all these other riders. the monster everyone loves who you are trapped with. BOO!! he's gonna eat you! which is fun! but ALSO, crucially, several of these rivalries aren't that emotionally challenging for him!! again, with casey right, he wants to beat him, but he's not having a crisis of faith over losing to casey. he thinks casey is annoying, he wants to beat him because he wants to win. valentino is casey's foil, but casey is not valentino's. valentino makes for an excellent personal antagonist to casey, but the reverse just isn't true. casey isn't forcing valentino to reexamine his approach except 'ramping up the levels of being a dick on-track' - like, yes, that's a serious competitive challenge, but also valentino is very comfortable in his own skin in that rivalry. sure, you could have valentino have some kind of massive revelation about the casey rivalry, but like. he doesn't in canon. he changes his behaviour towards casey in pretty predictable ways depending on what the relationship demands from his perspective at any given time. there's nothing more there

now, obviously you know where I'm going here. there IS a rivalry where you can make the argument he changes as a result of it, there IS a rivalry that tips him over the line and makes him to do stuff he hadn't done before that, there IS a rivalry that happens to coincide with a period of his competitive life that challenges him both personally and professionally. now, look, I have already talked about the sete rivalry. you know what I think about this rivalry - and if you don't, I really already have told the story here and here and here and here and also here. I think this works perfectly well as a narrative in its own right, and it's one you can tell from either perspective... but you kinda need both. I think again you probably naturally lean towards starting it from sete's perspective and that first proper meeting (I mean, idk if it is their first actual meeting, but it's the logical obvious place you start this story) with sete giving valentino advice during his first 500cc test and valentino just, y'know, ignoring him and being a cocky shit and then crashing. so you get to see sete being kinda exasperated by the whole thing. also, obviously ibiza is like, a key framing device here, like it's the most obvious in-your-face way of tracking their relationship with each other. I don't actually know how often they partied there together, but it must have been at least twice and if the commentators are to be believed it must have included 2003. artistic license and you can add one or two more times, but mainly you want to focus in on 2003 onwards right. so you've got this 2002 one where it's, y'know, high point of their friendship and in the name of narrative efficiency, you establish here that sete is looking to make the honda switch. the emphasis is on how valentino has been winning everything but on the flip side you're getting the first insight into his discontent. and there's a bit of a vibe of, what could you possibly have to complain about? like you are winning so much? so it's late one night where they've had this slightly unguarded alcohol-fuelled moment of genuine vulnerability but in the end it's actually characterised by how... unsubstantial the link between them is, because they wouldn't talk about this kind of thing with each other and they might both be similar in some ways but also don't gettttttt each other. it means you can return there as a location in 2003, where you've just had sachsenring and valentino's dramatic loss but they're still partying together and it's like. obviously In The Air that not everything is quite right... their relationship is already gradually altered and twisted because you're introducing this element of actual stakes and competition (obviously in 2004 they do NOT spend that time together, as far as we know anyway, and you can show them being very much not together at ibiza as a very obvious Oooh Things Will Fall Apart and maybe already haveeee)

and I do think basically I've already said what I think the themes here are,,,, several times by this point, so I'm not going to belabour the point. I think all of this fundamentally works as a narrative with like, minimal massaging and rearranging of the elements for dramatic effect. it's all there already, everything from sete's arc with the [insert non-tasteless way of covering a real life tragedy that fundamentally alters the course of sete's career] and how that leads to sete becoming the challenger and how he does want to win and his eventual downfall. with valentino, you have the element of liberation and self-discovery and... well, growing into your own but also kinda having the narrative drawing attention to how 'growing into your own' can involve becoming a fully realised character who is essentially quite cruel? you have this kind of... build up, right, towards this moment of revelation, where you lay bare who these two people actually ARE at sepang 2004, and then again at jerez 2005. valentino has gone his own way, he has freed himself from the chains of honda, he has embraced individualism and the chance to define himself and his own legacy and stand on his own two feet and not rely on the strongest bike or all this stuff within honda where they chose him as their flag bearer, for better or for worse... like he comes to his own here! he takes the step from 'great rider' to 'legend' because he gets to this dramatic moment of stepping into the unknown, he takes this massive risk that could have cost him so much, and it ends up elevating him. but it also puts him under duress, and in that moment he reveals himself - whatever sete did or did not do at qatar 2004, EVEN IF sete did all that shit, what you are left with is valentino vowing to ruin this man. valentino uses sete to make himself 'better', to fuel himself as a competitor. valentino turns sete into a tool in his own story. and again, thematically you've got all this stuff about how sete was managing the image of the rivalry and how valentino took advantage of that - how sete needed it to remain respectful and valentino was completely willing to abandon that. like, you have two protagonists who really are similar in quite a few ways, who think they have this shared understanding with each other, but when it comes down to it? they end up being super painfully different

now I can go on about this and how to play it straight, basically, you can just do that rivalry and I think it'd be cool and fun and very easy to arrange in a good narrative way. BUT I've kind of already. done that. like I don't want to suggest a film that is basically a nicer version of my tumblr posts. so I want to take this in a slightly different direction, and I think what we need to consider with this rivalry is this: what if you made the curse literal? basically, what's always kinda charmed me about this rivalry is that the curse should not work and all the misfortune that befalls sete after that is so comical that it's kinda... what do you do with that? and the answer is you just lean all the way in. my pitch is this: what if valentino sells his soul to the devil?

so, you know faust, right, and you know the bit at the start of goethe's faust where god and mephistopheles are basically making a wager over how corruptible this one human is. and faust is like... he's kinda disillusioned, he feels that everything he's dedicated his life to in academia is fundamentally hollow, gets very close to committing suicide. and faust has gone a bit new age-y, gotten into all this mystical shit and he's got this pentagram that ends up preventing mephistopheles from leaving his presence in their first meeting... and basically what the devil can give him is like, the chance to attain some true pleasure, and for that faust is willing to bet everything - so if faust can just have that, then maybe eternal damnation is worth it. and look, I'm not going to summarise the entire plot of faust here and it does go off the wall a bit with all the gretchen stuff, but the point is you have this version of the devil who is fundamentally a cynic and is attempting to win an argument with god by making this human succumb to his own nihilism. and what faust basically does is like, abandon his normal life where he's trying to live by normal virtues and goes off on this journey with the devil. and there's this little moment where mephistopheles,,, pretends to be faust and takes on the role of an academic adviser (you know how it is) and seduces this random student away from the word of god and sends him down a wretched path, which ends with this bit:

like, a big part of faust's tragedy is supposed to be about... well, hubris, of the relationship of god to man, of no longer being afraid of the devil... and obviously, this is all framed very much in terms of religion, but at the end of the day it's also about, you know, having purpose - faust is living a life that no longer has any meaning to him, all of his knowledge and studies now no longer fill the void inside himself. his nihilism opens the door for mephistopheles, and is what makes him willing to accept the devil's terms. now, and I am so very sorry to goethe here, I think we have some material we can use here to explore the valentino/sete rivalry. obviously, you can't do a one-to-one, you need to get rid of some of like, the depression and all that - there were times when valentino was feeling 'a bit low' in 2003, but not 'faust thinking everything he'd done in his entire life was pointless' low, yeah? also, unless you want to do a real long view here and even then it can't really be justified, there obviously isn't really a 'tragedy' here from valentino's perspective. like, he wins! this isn't valentino's tragedy, it's sete's! I was being a bit facetious when I said he was 'selling his soul to the devil', and you can kinda parse mephistopheles' motivations in different ways depending on what flavour and what interpretation of him you're dealing with here. you don't 'damn' valentino, you essentially just turn him into a tool of the devil!

so, this is how this works out in my head: the devil works more broadly as the manifestation of competitive impulses, the kind of 'how far would you go to win' question as a bloke who shows up and literally talks to the characters about it (magic of cinema). he's also engaging with valentino feeling like his victories no longer having meaning, with being disconnected from honda and from the entire culture there and just feeling like he's going through the motions. there's this element of like... opening the door to what is essentially a journey of self-actualisation, bringing him closer to being a 'god' but also allowing him to fully come into his own and become himself. to win on his own terms. I reckon ibiza is my preferred narrative device where the devil talks both to sete and valentino there (separately), first literally as a mysterious stranger and then... maybe not? he's talking to them at times of their lives when they're not at ibiza and it's not happening there in the physical world and they both end up kinda having to confront they're dealing with some potentially malevolent supernatural entity. but the important elements of the devil is that a) he's not going to do anything the humans don't actually ask for themselves, and b) everyone knows he's following his own agenda and you should be careful of the requests you make of him. so it's kinda like... essentially, the backdrop of this rivalry unfolding is they're constantly being challenged to decide what lines they're willing to cross. which culminates at qatar... and maybe you do have sete making like. a teensy mistake. a teensy error in judgement, one that is both real and deliberate but he could not have known would get that reaction and instantly regrets. and valentino, who is I think inherently sceptical of the devil coming to offer to help him and maybe does crank out the pentagrams (remember, the whole point of faust is that he was too arrogant to be scared of the devil, or one of the points anyway), in a moment of fury does decide - no, actually. I will take that step. I will curse sete. now the thing is, dramatically this is a teensy bit tricky because when you're talking about being damned by the devil, usually the consequences are a bit more severe than 'not winning a motorcycle race again' (yes, you can get into how sete did also seem genuinely cursed after that, cf his ambulance/bus crash situation, but again we are flirting with being in poor taste in this tumblr post). but the thing is, right, you have to lean into the silliness here! qatar 2004 is inherently silly, a CURSE is inherently silly, like real life is already silly here! you have to engage with the people where they are, and for these athletes all this shit is so heightened that the emotions are full on. like, valentino would've sold that guy to the devil! and to him not winning another race is basically the worst thing that can happen

so, obviously, you get to do the actual curse stuff. curses are inherently campy fun, the devil doing curses is campy fun, getting valentino rossi to crank out the pentagrams is inherently campy fun. you get to play around with this, right, like you know that bit in the brno 2005 race commentary where the commentators are talking about how valentino might as well have a little radio to talk into sete's helmet to remind him of how sete had fucked up at the sachsenring. OBVIOUSLY obviously obviously it is just so... idk scrunchy and fun to have this idea of valentino becoming a malevolent enough force to literally do that.... like damn the commentators did kinda eat with that?? ughhhhhh do you ever think about sete leading the qatar 2005 race for most of the way???? like that's SO fucked up because you literally have articles from about the race going 'hey maybe sete can break his curse' and then the commentators are talking about curses having one year expiration dates but obviously they!! do not!!!!! there's one race where sete goes off track and the commentators are talking about how valentino will surely have smiled into his helmet like that's so fucked!! it's so fucked!! but idk I think basically you have all this creeping curse-y stuff and devil stuff and then you get this twist and then it just becomes misery zone for sete until you sort of. compress the timeline and have him retire without getting into what happened at the end of 2006. and valentino just relishing in all his very worst emotions. and you've got sete who was the better man after jerez 2005, who took the high ground again and again and again and it did NOTHING for him.... and then he's cursed and his career is finished and the devil has had his fun getting mixed in with mid noughties motogp. and now obviously this is inherently kinda dumb and corny and silly but it's the devil!! mephistopheles to me is allowed to get up to dumb shit sometimes, let him have some fun!! idk I like curses being literal idc

I think the obvious critique here is 'this doesn't really feel like it gets the message of faust'. which, yes, is true - and obviously the way narratives are structured, a satisfying resolution isn't 'well selling your soul kinda slaps, actually'. and my statement to respond to this argument is as follows:

this is essentially canonically what happened. valentino DID do something kinda evil and it DID work out 100% for him and it DID kinda slap. at least when you add in the devil, you're making explicit the bit where it is a little bit bad. also, is sports not inherently about selling your soul for success... the story of valentino and sete is essentially about how we are twisted by competition, how pretending that we don't wish ill to our opponents is inherently dishonest. it is about lifting a facade for something that is already inherently there in the souls of men. this is obviously inherently a deeply cynical stance, but this is also a deeply cynical story beyond all the fun battles and camp dramatics. the devil is a cynic and he is basically the point of view character of goethe's faust - he's the one who is positioned closest to the audience. sports is all about living out some of humanity's worst instincts in a relatively low stakes setting, which means we get a free pass to have fun with a deeply cynical story that goes 'maybe selling your soul to the devil is fine, actually'

do I stand by this stance? not really, but the whole fun of storytelling is that sometimes you can just be kinda mean. I think goethe would get it... you can tell which character he enjoyed writing the most

the OTHER way you can do this is centre everything around qatar 2004 as like,,, the mystery box element...... okay look I have now made two posts that go WAY too deep on the 'what really happened' element but I do loveeeeee the whole thing like I would just make a film about that very end of the season and we show it from all these different angles as different characters narrate what happened... like fuck all the riders I want to hear from whichever mechanic used the scooter... the gresini mechanic who gave evidence to race direction.... various honda higher ups the crew chiefs like this is jb vs juan martinez it's war!!! obviously you still have the same emotional/thematic hooks as the general rivalry does but idk I would have a LOT of fun figuring out how to structure that, I loveeee mysteries... maybe I'd write it as a mockumentary yeah..... this one's just fun

anyway. a lot of stuff going on in this post, huh! you can probably tell I didn't edit this much. my classic tell when I edit my tumblr posts is I remember how 'paragraphs' work. unfortunately all I have energy for are like. a bunch of rants about things in my brain. I think when tumblr tells you that you've reached the maximum number of characters per paragraph and you need to figure out where to put a break, it's probably a bad thing? on the whole, my stance is I don't have anything AGAINST mildly fictionalised versions, but for me I'm always more of a.... well I want to take advantage of the full specificity of the events as they happened or just come up with a completely original story. kind of person. I know this ask probably wasn't looking for my 'what if you bled out valentino as he's strung up above a red motorcycle' vision but yeah. with a lot of biopics I'm always a bit 'well you could just read about this couldn't you' like I need stuff to take some kind of a stance on the material it's using... all my stuff takes a stance. that's all I've got. obviously all these stances mean that basically none of these things could ever be made. and I know what I said above but if they called me up to write the casey stoner biopic script treatment, I would also do that. if you've actually read to this point, give me a shout - you're a real one and I love you

[artbyblastweave]

Playing through Fallout:New Vegas for the first time in years. And I'm developing a newfound appreciation for the damage done to the intended pacing of the narrative with the addition of the Courier's Stash. I wake up in Goodsprings, and as part of the extended tutorial you have Ghosttown Gunfight, the fairly self-contained faction war between Goodsprings and the Powder Gangers. And the design intent, I think, is that this is probably supposed to be a pain in the ass, with only one or two avenues of support available to you given the low level at which you'll pick this one up. Six Powder Gangers, some in body-armor, would be a serious threat, and committing to fighting against that with your dinky 9mm and a varmint rifle seems like a rough time! An actual uphill battle, doing the right thing instead of the easy thing. Fortunately, Benny inexplicably left my handy 40mm grenade launcher in the grave with me, so I cleaned up.

I'm working my way south, and, you know, in a version of the game where Benny didn't inexplicably leave my handy 40mm grenade launcher in the grave with me, this would have been the knock-on effect of my "good" Karmic choice in defending Goodsprings; the road south is littered with powder gangers who'd have been neutral had I not kicked the hornet's nest. As it stands? Free experience. I hit Primm, and fighting through the cramped hallways of the Bison Steve I encounter an enemy armed with what was clearly supposed to be the first heavy weapon I'd encounter in the world. Tight Corridors. Inexplicable Grenade Launcher. I clean up. South I go to the Mojave outpost, Nipton, that whole thing. And clearly, clearly you aren't meant to take a swing at Vulpes here, right? You're supposed to take it in, get a sense for the legion. In the version of the game that shipped you're supposed to get bodied if you try to kick the beef gate here. There are allowances in the game for if you pull it off, sure, but I did try with just the service rifle, without the glorious first-strike capabilities afforded to me by the 40mm grenade launcher that Benny inexplicably left in the grave with me. It didn't go very well!

So now I'm dogged by Legion hit squads on my way to Novac, which I get the distinct impression was not the point in the game at which this was supposed to start happening to me, because I am gathering up some pretty expensive equipment, all sold for space. I punch through to Vegas, and at this stage, the clear developer intent is that you need to spend some time milling around Freeside or Camp McCarran in order to gain access to the Strip- do odd jobs to scrape up the money, buy the forgery from Mick and Ralphs, gain monorail access, get your science skill high enough to hack the robot. Get the lay of the land, get a feel for the people, send some time stewing in the human cost of House's walled garden before you head in and hear the pitch from the big man himself.

Except I've got 5000 caps from selling off all the legion killteam equipment. In I go!

And the fun thing is, right, the Courier's stash can't be diegetic, but it is having a very direct impact on the world here. A top legion guy just went down to my inexplicable 40mm grenade launcher. Whatever else I'm roleplaying as, I am roleplaying as a guy who woke up in the possession of an inexplicable 40mm grenade launcher, and neither I nor my character can plausibly ignore that fact given its terrible bloodstained utility. I play a man, a man who would be a good man, a man nonetheless bewitched by the terrible resolutory power of the grenade launcher. My best friend, the inexplicable 40mm grenade launcher! My worst enemy, the inexplicable 40mm grenade launcher!

[retrosabers]

𝐥𝐨𝐠𝐚𝐧 𝐡𝐨𝐰𝐥𝐞𝐭𝐭 𝐡𝐞𝐚𝐝𝐜𝐚𝐧𝐨𝐧𝐬.

*relationship hcs written with fem!reader in mind*

contains: a little bit of everything. some relationship fluff, a bit of angst (mentions of death and past trauma), very flirty and filthy logan, 18+ CONTENT AT THE BOTTOM. MINORS DNI (body worship, praise kink, pain kink, dirty talk to the nines.)

word count: 1.5k

a/n: not me posting something for the first time in a) over a month and b) in 2025 😍😍

it’s been ROUGH in the brain and writing department for me, and this is the best i could come up with right now. i hope i can get back in my real groove soon, i miss writing real bad.

in the mean time, please enjoy my wolvie brain dump. feel free to share any of your own personal hcs in the comments or reblogs!!

GENERAL/PERSONALITY:

he’s secret tea drinker. always drinks coffee (no cream no sugar; nasty ass) in the morning but also drinks tea at night. though nothing can fully calm him down in the evening, the tea does relax him in some capacity, and logan takes whatever reprieve he can get. plus it was one of the first things you started doing together, so it’s become a part of his routine he can’t be without.

typically the first person up, and the last person in bed. you’d think logan wouldn’t be a morning person, but he’s surprisingly at ease in the early hours. as relaxed as someone like him could get, anyways.

likes to read a lot. he was in complete awe of the mansion’s library the first time he saw it. will often sneak in when no one’s around and read for an hour or two by the window if he’s got the time. when you discover he’s a secret bookworm, you start to leave a book on his desk that you think he’ll enjoy every once in a while. it’s a small gesture logan holds very near and dear to his heart.

can’t remember people’s birthdays or important dates to save his life BUT can recall something minor in a fleeting conversation from a long time ago. also remembers very random useless facts that have actually come in handy on more than one occasion.

if and when logan sleeps, he snores. so. fucking. LOUD, to the point where it can wake people up depending on how close quarters are. he denies it constantly.

likes to make sure his deodorant and cologne have the same general scent (i just know he smells like a sexy ass manly man URGH).

a lot of people hc him as a history professor but i have a hot take: gym teacher logan. not in the typical “let’s run laps and play dodgeball” way, but in the sense that he teaches the kids how to control and utilize their mutations to their advantage (with help from the rest of the xmen of course), and maybe even some light sparring to practice self defense. i personally just don’t see the history teacher thing working out because i fear he would subconsciously be reliving a LOT of trauma.

gets really anxious whenever someone is sick or injured. he’s been gravely reminded before that not everyone is indestructible like he is, and it scares him to see others get hurt in any capacity, because he’s terrified of losing them. the first time you get seriously wounded on a mission? logan damn near wears his boots down to the sole from pacing back and forth outside the medbay so much. he can’t eat, he can’t sleep, he can’t focus on anything other than you. time stops for him; and won’t resume until he’s certain you’re going to be okay.

legitimately purrs like a cat if you scratch his head just the right way. he will once again deny this until the end of time, but with less resistance and a much more flushed complexion.

“whatever,” he mumbles into your stomach, while guiding your nails back to his scalp.

hates ANY music made after the year 2000, but anything before that he’s pretty keen on. he’s got his preferences for sure (a little country, some rock, and maybe a bit of bluegrass), but isn’t above admitting that a pop tune is a little catchy from time to time.

IN A RELATIONSHIP:

you better not even THINK about ever opening a door for yourself ever again because if you do he’s taking personal offense to it.

he may be a slut in the sheets but he’s a near perfect gentlemen in the streets. i’m talking walking on the outside of the sidewalk at all times, always helping you out of the car even if you don’t need it, carrying your jacket or shoes after a night out, making sure you’re obscured from view if you need to adjust a revealing top; any chivalrous boyfriend thing you can think of, and he’s done it. with suaveness, might i add.

“here honey, gimme that, i got it.”

“hold on a second sweetheart, your strap’s all twisted.”

the definition of “you fell first but he fell harder.”

makes it a point to take you on a “real date” outside the mansion once or twice a month because he knows how much you enjoy getting dressed up for different occasions. whether that be dinner, dancing (yes, if you beg hard enough he’ll go dancing with you), and maybe even a trip to the museum or planetarium.

both the big and little spoon, it depends on the day, but he’s an insane cuddler either way. a human teddy bear for you and only you. this? he won’t deny, not for a second. and he’ll tell anyone who cares to tease him about it to fuck off.

always touching you in some capacity. a gentle caress on the back of your neck, or cold palms sliding underneath your sweater, logan has no qualms about being a bit handsy.

“if your girl looked like this, you wouldn’t be able to keep your hands off her either.”

his favorite (and yours too secretly) is a hand in the back pocket of your jeans. there’s something equally sweet and sultry about it that makes your stomach flutter every time. a slightly possessive gesture, that when coupled with a cocky smirk and a shameless squeeze, never fails to drive you wild.

you thought he was a worry wart about your safety before you were dating? it amplifies by a million when you’re together, almost to the point of annoyance because he’s adamant on not letting you out of his sight. eventually after a few arguments and a scolding from charles, you remind him that you’re perfectly capable of handling things on your own, and yes, sometimes he does need to look out for you, just in case.

SMUT:

handsy logan = body worship logan. this man will make it his life mission to appreciate every single inch of your body. he doesn’t care if you’re tangled in between sheets for hours on end. you’re not leaving the bed until you know just how much he’s smitten with every part of you.

pain kink king who will cum significantly faster if you break skin with your nails raking down arms or back. gets an immediate hard on when you slap him in the middle of a dangerously intense argument, and implores you to do it again in a dark, lust driven tone.

to make up for the fact that you can’t mark your territory, with logan’s regenerative capabilities and all, he goes above and beyond to mark his. this man leaves hickies everywhere, and i mean everywhere. your hip bones, your navel, damn near the entirety of your sternum, your neck essentially a human canvas that he gladly paints in brilliant hues of lavender.

he may be a man of few words with most, but with you? logan can never shut the fuck up about how good you make him feel.

“look at you. doin’ so good for me honey.” “y’feel like fuckin’ heaven, you know that?” “my perfect girl. made just for me.”

cannot handle when you return the favor. immediately shoves his flushed face into whatever part of your body he can find and picks up the pace. praise is another surefire way to get logan to blow his load in record time. he thinks it’s a little embarrassing but you think it’s SO HOT.

loves a good tummy bulge OOP who said that

really enjoys sex in the shower or bath. there’s an additional layer of intimacy with it that makes logan particularly warm in the chest. will often suggest round two in the bathroom so he not only has the pleasure of ruining you again, but helping gently put you back together with a tenderness reserved only for you.

the ceo of teasing. loves to watch you get all flustered and squirmy so you best believe he’s teasing the fuck out of you any chance he gets. logan’s got wandering hands and a filthy mouth and that he uses to his advantage both in and out of the bedroom.

“what if i bent you over this desk, right here right now, hm? would you like that?”

“your skirt’s real pretty baby. think it would look a lot better on the floor of my room.”

“been thinkin’ about you all day. gonna let me fuck you real good later?”

aftercare is a learning curve. he’s not completely careless the first time you have sex, but he’s not as caring and attentive as he knows he probably should be. logan was used to quick one night stands, not getting intimate with someone he had romantic feelings for. once he realizes how in-deep he is with you, he takes the time to learn the ins and outs of true aftercare.

* for more smut headcanons, check out my logan nsfw alphabet here*

thanks for reading! <3

[gremlinmodetweeker]

Big Guy Big Belly

König is a big man, and with a big man comes a big appetite. We’re talking about a 6’10 man constantly maintaining his peak physique. He needs to be consuming as many calories and as much protein, carbs, fats, fiber and more to keep himself in fit and fighting shape.

At the canteen, he’s a nightmare. I bet that people rush to the cafeteria just to make sure they get something to eat before the big man on base rolls up. He’ll clear out the bins if he gets a chance. There’s a rumour on base that the reason König fought so hard to climb the ranks so quickly was just to be able to eat more and get away with it. Little do they know that they’re absolutely right, but König will never say that out loud. Ever. There’s some secrets you take to your grave. 

Either way, König is a menace in the canteen. He’ll pile his plate as high as he can when he gets a chance. He’s packing away all he can get in the shortest amount of time he can, and everyone has to suffer for it. The worst part is that everyone has to rush to get to the caf before König, and König knows exactly what others are doing, so he’s in a daily race against the entire base to eat his fill. It’s always a photo-finish to see who gets to the cafeteria first.  König currently has been slacking, so he’s not been eating like he normally has. Is he mad? Not really. He’ll clean out the snack cart later. 

He’s a monster late at night. Everyone knows that you need to leave the big man to his snacks, lest you face the wrath of the colossus on base. Well, wrath in a peculiar way. He just gets quiet and angry, but it’s still not a fun experience to try and fight him for a sandwich. If you take the last egg salad sandwich you’ll be at the top of his shit list for the next week. Don’t even think he won’t track you down. He’ll throw around his rank just to get his hands on the poor bastard. Nobody is safe, either.

Stiletto only once took the last pudding cup. Once. She never made that mistake again. For a week he was giving her dirty looks over a cold shoulder as he bumbled down the hall. She eventually had to give in and sacrifice a desert to be able to get back in his good graces. She still thinks he’s a massive bitch because of it. And you know what? She’s right. Everybody knows she’s right, König included, but he’ll keep going after whoever ‘steals’ ‘his’ snacks. They get along a bit better now that they’ve both advanced in rank and worked together, but there was a good period of time where Stiletto had to sleep with one eye open.

It gets a bit better for everyone when König finally finds a partner and doesn’t stay on base so often. Everyone takes a moment to pray for the poor soul who has to cook for König whenever he gets home from deployment.

See, during deployment, König can’t be such a massive bitch about food. He gets his rations, and that’s that. He can’t steal from anybody else, so he gets stuck with these pitiful MREs that barely fill him up. It’s miserable, and he’s losing weight like crazy when on the field. He’s running on fumes and burning calories like crazy as he’s risking his life out there. It’s gotten to a point where König has taken to eating with hostages post-rescue to ‘help them feel safer’ (read: get more food into his gullet). Thankfully, he puts his best foot forward when dealing with victims of trauma and ensures that he has somebody else do all the socializing while he plays with the kids after dinner. Apparently, after the inevitable shower of tears whenever kids have to face König, he becomes pretty popular. They love to use him as a jungle gym (and make fun of him) and he’s just happy to get more to eat. He’ll take being called ‘bigger than even my dad!’, being told ‘you’re weird’ or being asked ‘why are you so big and scary all the time?’ any day for a little extra to eat. He can tolerate a few kids. He won’t ever admit that hanging around them makes him want some kids of his own, or at least not to Horangi, who’s already teasing König about being a surrogate father to the kids. König tells him to keep it to himself, but Horangi is already buying things for the baby shower.

Once König finally comes home, that’s when all Hell breaks loose. This man has been starving and he needs food NOW. He won’t take no for an answer. If you don’t have something prepared, he’ll be ordering a massive order of takeout the likes of which you’ve never seen before in your life. He’ll hit multiple places on his way back to your place if he doesn’t think you’ve been able to get something together for him. If you can’t cook, he won’t even bother telling you to cook for him and just focus on getting a whole banquet of junk food ready for when he arrives home. He brings the pizzas in the door before he even brings in his own bags. You’ll have to go out and grab his bag as he sets up his personal buffet table. The worst part is despite how much he can shove down, he always buys more than he can eat, so you’ve got a couple of days worth of food to shove in the fridge at the end of the night.

If you can cook, this is a multi-day experience. Is it rewarding? Absolutely. Is it painful? Abso-fucking-lutely. He’s got you slaving for hours a day just to get him a nice home cooked meal. You’ll be going all out to get him a big enough meal. We’re thinking a tray of mac and cheese, a whole roast chicken, easily a handful of loaded baked potatoes. If you have something from your traditional cuisine, he’s not picky, he’ll gobble it up in a heartbeat. Knowing you made it for him is more than enough for him. Food is the way to a man’s heart, some say, and König will never let you go if you treat him like the king he is.

The good thing about cooking König such a big meal is that he gives back. He’s not a fan of cooking, but for the next few days he’ll take over cooking and cleaning in the kitchen. It’s just an easy way for him to give back, you know? He can’t thank you enough with words, so why not with actions?

But the best part of König giving back is that he’s an excellent cook. He cooks mostly traditional food from his culture, but he’s down for some french or italian cooking if you’re into it. He can make a mean lasagne. He does not skimp on the cheese, this man. No he’s a cheese fiend. If you’re lactose intolerant, you’ve got another thing coming for you. He will hand feed you lactaid just for the meal. If you have a dietary restriction, he’ll learn how to cook your types of meals in abundance. He’s perfect that way. Vegetarian, vegan, keto, no matter what, he’s got your back. He’s learned how to make an excellent spread for a dinner party, and part of learning to cater to others is to work around other people’s diets; his mother drilled that rule into his little head as a kid. He does it without complaint, too. For at least a week after coming home, he’s just so happy to be around food in abundance again. He’s absolutely thriving in the kitchen before the thrill wears off and he’s back to avoiding cooking like the plague again.

He loves to eat, but usually hates to cook. He’ll mostly eat takeout until he actually has to eat a nutritious meal again for a change. It’s not that cooking is awful, it’s just that he hates doing the dishes. He’d be far more inclined if he didn’t have to do the dishes afterwards. If you take over dishes, he’ll definitely step up his game for the both of you.

All in all, König loves to eat. He’s a big man with a bigger appetite, as hard as that is to believe. Once he retires he has to learn to cut back a fair bit, but he never loses his taste for sweets and snacks. It’s just something you’ll have to learn to live with.

[aethelwyneleigh27]

The Type of BF/GF Cod Characters Would Be (Scenario)

You know, like that one thing circling around TikTok

Characters Included: John Price, Simon "Ghost" Riley, John "Soap" MacTavish, Kyle "Gaz" Garrick, Alejandro Vargas, Rodolfo "Rudy" Parra, Valeria Garza, Farah Karim, Kate Laswell, Alex Keller, König, Kim "Horangi" Hong-jin, Keegan P. Russ, Gary "Roach" Sanderson, Nikolai Belinski, Philip Graves.

And yes I'm aware that some have repeated characters, some fit more than one

ꕥ HOPE YOU ENJOY! ꕥ

A/n: I'm honestly on a roll and I've had my morning coffee so I'll start cracking, I have been trying to post more recently since it's October and I didn't really partake in the tober fests so I thought posting more might be good. Just me or are biker fucking hot? Yeah it's probs my thing for masked men.

Disclaimers/Warnings: OOC??

Doberman Boyfriend/Girlfriend whose first instinct was to protect you when you officially became theirs, initially they were always protective in subtle ways, subtle ways that also assert dominance over others. Little things like having a hand on your lower back or gently gripping your waist to move you. Their claimed spot is behind you, since they always find it to work when intimidating others and making sure no one even glances at you the wrong way. Might seem like they're intimidating but to you it's a different story, they're sweeter, more docile? Just far more affectionate and you basically have them wrapped around your finger. Switches in the bedroom but dom leaning, can be subs if you want them to be.

Characters: John Price, Simon "Ghost" Riley, Kyle "Gaz" Garrick, Alejandro Vargas, Valeria Garza, König, Kim "Horangi" Hong-jin, Keegan P. Russ, Philip Graves.

Golden Retriever Boyfriend/Girlfriend who are so loyal to the bone, they're fun and oftentimes a little himbo-ish? Quality is the best spent with you, kind of follows you around all the time. They're very clingy but do respect your personal space if you aren't in the mood, though that's what you love about them isn't it? That's they're insistent and wouldn't give up on you no matter what. Also love doing things for you (acts of service) and lives for it when you praise them. Switches in the bedroom, sub leaning.

Characters: John "Soap" MacTavish, Kyle "Gaz" Garrick, Rodolfo "Rudy" Parra, Alex Keller, Kim "Horangi" Hong-jin, Gary "Roach" Sanderson.

Tabby cat Boyfriend/Girlfriend whose chill around others but absolutely craves your affection behind closed doors. The kind of people sometimes randomly show affection in front of others even if they HATE pda. The kind of people who have been traumatized yet still affectionate as can be, everyone loves them for being down to earth but they do have bit of an odd side that only you see. Is a hardcore switch, no leaning.

Characters: Rodolfo "Rudy" Parra, Farah Karim, Kate Laswell, Nikolai Belinski, Philip Graves.

Black cat Boyfriend/Girlfriend who randomly bring home things that made them think of you, they knew you'd like it but only let out a subtle smirk. Lives for you being their adorable little sunshine, mean and cold towards other but less with you. Tried to give you tough love but eventually gave in because you are you. You know how cats sometimes bring you dead animals as a proof of affection and acceptance, they've done that... only with a human head of course. Providing for you and making sure you're taken care of is their love language, very protective and can really hurt people if they wanted to, someone hurts or upsets you? Their head will be displayed on your front porch. Hardcore doms in the bedroom. (Yandere AU anyone??)

Characters: Simon "Ghost" Riley, Alejandro Vargas, Valeria Garza, König, Kim "Horangi" Hong-jin, Keegan P. Russ, Philip Graves.

[avis-writeshq]

summary: "drop everything now, meet me in the pouring rain."/"kiss me on the sidewalk, take away the pain." The first time you meet Spencer Reid, you swore that you could feel the sparks fly. You figured that it would be unreasonable to ever consider him to be anything more than a friend, and in a moment of selflessness you tell yourself that you are perfectly fine in that position. As time goes on, the line between romantic and platonic love begins to blur indefinitely. But it would be ridiculous to think that the resident genius would feel anything for you... right?

pairing: spencer reid x bau!fem!reader genre: best friends to lovers, fluff, hurt/comfort, angst, slow burn, mutual pining, happy ending warnings: rated 16+ for canonical criminal minds trauma, drugs/relapsing, torture, therapy, panic attacks/night terrors, guns, death, ‼️always read each fic's individual warnings for triggers‼️ taglist [CLOSED]: here playlist: here status: complete

main masterlist || ao3

bonus! 00 — l.d.s.k

in other words, the first time spencer calls you 'angel'. // wc: 2.2k

part of my 2023-2024 milestone event! you can find it here!

01 — better than revenge

“she’s not a saint, no, she’s not what you think. she’s an actress.” 

you thought you were past the immature arguments now that you're an adult. you thought you left those in high school, or even college. maybe you thought you did. apparently, spencer thought otherwise. // wc: 10.4k

02 — haunted

“something’s gone terribly wrong, you’re all i wanted.”/“you’re not gone, you can’t be gone.”

it wasn't supposed to be like this. it was supposed to be a normal open-shut case. but people are unpredictable and you're left picking up the pieces as you work yourself to the grave. // wc: 10.1k

03 — labyrinth

“uh oh, i’m falling in love”/“thought the plane was going down, how’d you turn it right around?”

everything hurts. it's understandable, after everything he's went through. spencer wishes that he could erase every one of his scars. he wishes he could stop chasing the highs and embrace the lows. but at least he has you. // wc: 3.8k

04 — you are in love

“you can hear it in the silence.”/”you can hear it on the way home.”/”you can see it with the lights out.”

spencer didn't think that something like this could happen. no, rather, he wanted to deny the fact that something like this could happen. but all he can think about is you. in other words; the four times spencer wants to kiss you, and the one time he wishes he did. // wc: 3.4k

05 — enchanted

“please don’t be in love with someone else”/“please don’t have somebody waiting on you.”

the line drawn in the sand that was once supposed to be an invisible boundary to never cross is washed away by the sand. these are the kind of lines where you could never go back to should you cross them; and yet here you are, so scared to see the ending as the two of you pretend that this is nothing. // wc: 4.9k

06 — untouchable

“come on, come on, say that we’ll be together”/“i’m caught up in you.”

so close and yet so far. maybe in some twisted way, you are each other's romeo and juliet, doomed from the beginning. or maybe you are each other's hamlet and ophelia, the tragedy of a love that never really was. // wc: 4.3k

07 — wildest dreams

“he’s so tall, and handsome as hell”/”his hands are in my hair, his clothes are in my room.”

never in your wildest dreams did you think that you would be privileged enough to experience something so good. spencer reminds you that these things are reality. // wc: 3.3k

reblogs are always appreciated!

taglist [CLOSED]: here

[cntloup]

Mafia!Simon x Bartender!Reader

Part 1 | Part 2 | Part 3 | Part 4 | Part 5

You've been working here for ages, in this once rusty old bar which is now adorned by lively colors and music, turned into the best nightclub in the city, serving the best drinks and entertainments with the most beautiful dancers.

All in all, you have witnessed the worst and the best of this place. 

And you have come to know the people who own the place. 

In fact, you know them like the back of your hand, even better than themselves one might say. 

You're bright and perceptive, and working as a bartender in a place like this where it is jam-packed with important people all the time has its own perks. 

With a little bit of booze and honeyed words you bring out everyone’s hidden side and in no time, they’re spilling their deepest darkest secrets to who seems like just a sweet, harmless bartender. 

“Here you go.” you say to Simon, placing his usual Kentucky Bourbon on the counter, “Thanks, dove.” he says and brings the glass to his lips. 

“You know... I say don’t fuck around with the Russians!” you remark while drying the cups and placing them on the shelves. 

They asked your opinion on the matter since you’re their most trusted ally outside the group. As a matter of fact, they consider you part of the group by now. 

He chuckles before saying “That’s what I told Price.” 

“So why is he doing this?” you ask regarding cutting a deal with the Russians and Simon shrugs. 

You’ve had a weird feeling about it since they mentioned it to you. 

“Well, if any of you care about my opinion, don’t do it. It just doesn’t feel right to me.” you say with a shrug and look over to find him deep in thought, eyebrows furrowed and gorgeous brown eyes focused on somewhere far away. 

Gods, he’s so handsome! You've been fond of him for some time now, and by the looks and little touches he gives you, you’d say the feeling is somewhat mutual. 

Out of all of them, he’s always been the closest to you.  

And he’s been your biggest protector all throughout this wild ride you’ve been on together. 

He always keeps an eye on you in case any of the customers gets too close and makes you uncomfortable; God forbid if any of them gets touchy, they’d be digging their own grave by doing that. 

You come back from your daydreams after hearing him clear his throat. 

You notice you’ve been staring far too long, choosing to ignore the faint smirk on his lips. 

“Sorry... just thinking about the deal.” you lie and dip your head, busying yourself with cleaning the cups and hoping he won’t notice your burning cheeks. 

“Well, I'm off to meet John now. I'll make sure to give him your opinion too.” he says while standing from his chair, “Thanks for the drink.” he offers a small smile with a nod. 

“You’re welcome, Si... and I'm sure he won’t listen to me. His mind is set on the idea and that’s that. Not that I would ever question his decisions. I have too much respect for the man to do that. He must know something that we don’t.” you mention while grabbing his glass and placing it in the sink. 

“I can assure you that he values your opinion just as much as you do his. He'll think about it. Don't worry.” he says while gathering his stuff and placing your tip on the counter, a hefty envelope, so generous as always. 

“Simon! I can’t accept this! This is... too much! You do this every time!” you exclaim with a frown, nudging the envelope in his direction. 

“Take it. I insist. You can renovate your apartment. Last time I was there, it was a bloody mess!” he teases with a playful smirk.

“HEY!” you say in mock annoyance while throwing the rag in your hand at him.

“My apartment is fine as it is, thank you very much!” you retort, failing to hide the smile forming on your lips. 

You take the envelope hesitantly after so much persuasion on his part and wave him goodbye, feeling butterflies dance in your belly as thoughts of him linger in your mind.

You dip your head and go on with what you were doing, lost in your own world and not noticing the dark shadow lurking in the distance and standing in a corner, carefully observing the place, and most importantly... you. 

[hoshigray]

hmmmm, chosuki both "marking their territory" after one of reader's friends gets a little too touchy?

Love your work <3333333

𝐚. 𝐧𝐨𝐭𝐞: when i tell you i was grinning once i saw this in my inbox, lol, finally chosuki yessss!! ty for loving my stuff ☆

⊹ 𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬: Choso + Yuki x fem! reader - explicit content; minors DNI - threesome - oral (m! + f! receiving) - fingering (f! receiving) - anal (f! receiving) - anal fingering (f! receiving) - cowgirl 69 + missionary positions - breast fondling + nipple play + sucking - biting/marking - unprotected sex (psa: wrap it up or get tf up) - pet names (baby, cutie, honey, sweetie, sweet pea) - mild possessive behavior.

⊹ 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 2.2k

“Damn, Y/n, you’re so lucky to have such eye-catchers fawning over you!”

“Pfffthaha, oh, stop it! You’re drunk; stop swinging around!”

There’s one thing in this world that both Yuki and Choso don’t play about — you.

You are the sweetest and most prized treasure they cherish with their very hands. Being in a poly relationship tends to be a hard thing to manage for Yuki and Choso. The two lovers were never in luck to find the right person who didn’t match their vibe or wanted to change the dynamic they were going for. But with every dark tunnel, there’s a light on the other side. And thanks to the blonde and dark brunette’s stars, you were their saving grace.

God, they adored you very much — the best partner they could ever have. The way you’d wake up to them and give them a kiss with a soft ‘good morning,’ how you make lunch for Choso before he goes on his way to work, or texting sweet messages to Yuki to check how she’s doing or telling her about this new place that opened around the area for all three of you to explore. Blind by your smile and caring charm, Yuki and Choso live in eternal bliss and happiness, knowing you have blessed them with your presence to return home to.

Their love for you is mutual and genuine, authentic in that they wish to spend their days — no, their entire lives! — being with you. They see you as their muse, as theirs. So, it’s predictable that they’d be secretly jealous when they’d have to share their piece of heaven with others.

Especially now when all three of you had been dragged by some of your old college buddies for a night out at the pub. Figuring this would be a perfect opportunity to introduce your friends to your lovers, Yuki and Choso were invited over to enjoy the merits of this occasion. What the two partners hadn’t expected was how close you all were — albeit a little too close for their liking. 

You all sat at one big round booth table, Yuki and Choso being separated from you as your friends wanted to have you by them for just the night. Again, it made the two lovers feel uneasy. Even when a girl friend grabs your hand and intertwines your fingers with hers enthusiastically, the blonde can’t fight the twitch of her ruby eyes. The friend goes on to say, “Nah, are you kidding? I think those two are the ones who are lucky to have Y/n! They’re such an angel; anyone would feel like they’ve won a million dollars if they got with someone like them.”

Then, a guy who was visibly buzzed joined the praise fest. “You’re so right! I’d do backflips every day if I scored someone so gracious and sweet as Y/n,” the drunk man brings a hand on your shoulder and nestles his cheek to your shoulder. Choso attempts to keep a neutral expression, but caramel eyes carry a tiny hostile aura. “I’d make sure to love on them every single day, kiss their feet when they walk, wash their hair when they ask—“

“Okay, lover boy,” you stop him before your drunken friend digs his foolish grave even further, and it’s hard to hide your giggles. “I think that’s enough Crowne and tequila for one night.”

You and your friends laugh and continue to strike up a conversation to catch up on material. However, you’re so engrossed in the others’ talk that you can’t sense the tension that’s brewing from the other side where your lovers sit. The two survey the scene with silent eyes, with Choso hitting his leg to stop the bounce of his knee and Yuki tapping her fingernails on the table surface.

All they could do was watch you, their treasured partner, share your attention with those who cherish you. Although, internally, they wanted you all to themselves. Yes, it was selfish; however, you can’t blame your lovers for being a little protective of you. Specifically when it seems your friends don’t appear to respect your boundaries when in their company.

So for that, it’s no surprise they instantly pull you into the bedroom once you three return home. Hungry kisses are exchanged between three pairs of lips, lustful hands stripping you of your clothes and throwing you onto the bed, where they meet in seconds to feast upon you.

“Hahhh, fuck…Hmmm, yeah, lick right there, honey.”

“Mmmm…Mmahh!! Choso, your tongue—Ohh! Feels so good…”

The brunette man is lying down on his back with you straddling above him, his face and mouth buried into our folds, licking around your labia and sucking your essence that seeps out from the pleasurable motions. His hands knead the flesh of your inner thighs as you hum along to the touch. Simultaneously, you use your tongue and mouth to give pleasure to Yuki’s slit, the blonde releasing shaky moans as she rides on Choso’s length with her ass.

The tall woman peers down to watch you orally please her. She strokes your head with a pleasant hand and sends praises. “There you go, cutie,” she bites her lip. “Lick it real good.”

Her commands egg you on to keep going, using the motion of her hips to your advantage to predict how far in you can keep lapping her chasm. Your hands crawl to her waist to massage, using the leverage to keep your lips on her at all times. And to your effort, she is sighing happily at the gratification you give her. It has her rock her hips ever harder, taking in Choso’s long shaft with hunger.

The man below you grunts at the motion, stuffing his face more into your cunt to suck harshly. And you can’t help but jolt, muffled squeals vibrating to Yuki’s core — and she relishes the feeling.

“Look at you, baby,” Choso slowly licks your chasm, sending shivers up to your shoulders. “You’re all wet and ready for us, huh? So good for us,” He kisses your clit and places lazy licks, and you fight to lose your balance.

“Hmmm, yeah, so good for us…Although—mmahh,” Yuki throws her head back at Choso’s dick scraping her insides at the right places. “Can’t say you were good when we were…Hohhh..at the pub.” You bat your eyes towards her in confusion, yet your tongue and lips remain busy. “Letting those people touch you in front of us; what were you thinking?”

You remove your mouth from Yuki to explain, her slick connected to your bottom lip. But before you could utter a word, your body jerked to the sharp instance of pain on your inner thigh. Choso had bit you, licking the place his teeth sank in before throwing in another nibble. You shriek, turning to plead to the man to be easy; however, the woman grabs your head and brings it back to where it’s supposed to be. “Don’t forget about me, sweet pea,” she chuckles at your feverish laps on her wet folds. “Give me my attention…”

She moans to your work, satisfying her with the flick of your tongue on her delicate clit. She rocks her hips even faster, prompting Choso to groan and buck his pelvis to her puckered hole, and his mouth remains glued to your chasm. He then sneaks a finger to toy around your asshole, and a sharp gasp erupts from your figure when he inserts the digit inside. 

“—Khhaaa, oooohmy fuckin’—Gaaahh!” Flicks to your clitoris tag along with the push of his finger inside your ass, playing with the texture by scraping the walls. And when his tongue goes inside your vagina, you clamp onto him with vigor. Fuck, I’m so close…! “Yukiiii, pleaseee, can I cumm?”

“Aww, why should I let you,” her sweet tone distracted you from the sneaking bit of the man’s teeth on your thigh once more. “Do you deserve to cum? After letting other people touch you like you forgot you had your lovers present?” 

“Hahhhnn, I’m sorry; I—shit… didn’t mean to upset you both…Ooof!” Choso switches his finger with his thumb, pushing it to and fro inside your tight entrance. Your eyes screw shut, “Please forgive me, you two are the only ones I love…”

“You swear on that, honey?” A glint shines in her magenta orbs. 

You nod hurriedly before placing kisses on Yuki’s thighs and trailing them back to her vagina, “Yessss, I love you both so much, no one knows how to love me as you do…” Your hips sway involuntarily — not a problem for Choso, who sticks to you no matter what. “Mmmm, only you two know my mind and body, and I wouldn’t want it any other way…”

Blonde brows eyebrows screw together; fuck, you knew what to say to make Yuki fall for you all over again. Her cunt clenching on nothing but the love your words carry. Jesus, you were too much. Without a word, she gently withdraws your body from her body so she can lift her body off of Choso. She then flips you over; now you’re the one lying on your back, with the tall woman stationed behind to snake her hands to your breasts.

Choso’s pigtails have long been drawn down for his hair to fall to his nape, and strands of his walnut-colored hair stick to his forehead. Maneuvering to his knees, he examines your anticipated expression, shaky wails coming out your puffy lips as Yuki places soft kisses on your neck. She also places bites wherever her mouth can reach, her hands busy cupping your mounds, groping the mounds, and tweezing your nipples. With how hard she was sucking your skin, you’re sure there’d be hickeys when you wake up in the morning. The man strokes his dick at the sight before him, inching closer to be between your legs.

“Choso…” The way you said his name made him feel warm; the mark across his nose exuded streaks of his blood that threatened to fall. His ears and shoulders get pinker, and your breath hitches when he slaps the tip onto your saliva-coated slit. 

“Who do you belong to, Y/n?” He says it low to your ear, and you chew on your lip when he licks your lobe. His mouth travels down, leaving harsh sucks on your neck and clavicle along with Yuki. Two mouths on your body have you whimpering like a fool, so sensitive to their touch that you could wither away. “Hmm? Who loves you most, sweetie?” He comes down to your chest that’s occupied by Yuki’s worshipping hands, popping a nipple into his mouth to suck with care.

“Hahhh, you, Choso, my darling…” you sigh into the sense of his mouth licking diligently around your bud. Your face turns in Yuki’s direction, smiling at the golden-haired woman before claiming her lips. “And Yuki, my love…”

The two of you kiss slowly yet maintain the same passion you have for each other, noses brushing against each other and tongues swirling before smacking lips together. The brunette lifts his head from your chest, straightening his posture to insert his cockhead inside your vagina. You mewl into Yuki at the insertion, and it doesn’t stop as the woman slithers a hand to your clit to swipe. You break the kiss in a huff, making the blonde snicker. 

“Mmmph…Jesus Christ,” Choso trembles at the warm snug of your cunt as it accepts his length, pushing in for every inch of him to be swallowed in. When his base meets your southern lips, you hiss at how full you feel from his size. “You know how much we love you, right, baby?”

You nod to him, Yuki placing another hickey-worth kiss on your shoulder. “Your love makes me full, honey…Ohooo…!”

“And don’t forget that…” Choso snaps his hips, drilling his long dick into you and making precise hits to the walls of your chasm. You squeak beneath him, the tip of his cock poking your sweet spots with ease, and you’re gripping the sheets to keep you steady along with Yuki’s hold on you.

The blonde woman flickers her ruby eyes to Choso and beams, “You know you’re hot as hell when you’re all possessive, right?”

“Shut up,” he shushes her with a kiss, humming to her lips that reciprocate his feelings as lovers. The only noise that fills the room is your whines and wails from the hands fondling your body and the shaft plunging so far inside you that you can’t contain the ecstatic screams originating from your inner being. Good God, this felt so fucking good; being wanted and loved by these two is a sensation incomparable to anything. You want to drown in it, be immersed within it, have your senses be robbed of their very being until you fall deep into sleep in their embrace. This feels so worth it, so satisfying…

…Until you look at yourself in the mirror and find so many fucking hickeys all over your body, all the way from your neck to the grave of your thighs. This was not a sight to see after waking up, especially on the morning your friends from last night invited you over for brunch. 

Needless to say, you pulled your lovers aside and gave them an earful. The two nodded to your words, saying “Sorry…” throughout your rant as you tried to find an adequate outfit to conceal their markings, feeling a little bad that they got carried away with you last night.

All is good, in any case. Because now they know that you are theirs both in mind and body.

requests/thirsts are open hehe~ 🧸

© 𝐇𝐨𝐬𝐡𝐢𝐠𝐫𝐚𝐲2024 – reblogs and comments are appreciated wholeheartedly ☆ header edit done by me + dividers by @/benkeibear.

[leathfaic]

One of the things that pisses me off about MWIII and the lead up to it so bad is that whole "Oh I wasn't in the tank" thing around Graves.

Because it takes away from my success as a player and its just dumb.

But more importantly because Activision for some reason decided to play it like "Look at Soap being so dumb thinking he killed Graves, isn't he a ridiculous little man?" while Graves is given the "strong survivor" treatment by them.

Soap took out a tank.

Without dedicated gear.

He survived multiple assault teams while at it too. Not just survived, he took them out as well.

And then blew up a tank with nothing but some C4 to a point where no one in it could have survived.

Like he did that and you're telling me Graves wouldn't be fucking afraid of running into that guy again? If being in a tank can't save you from his wrath you're telling me he ever felt safe around him?

Nah. No way. We deserved to see him flinch the moment Soap enters the picture. To keep to the other side of the room. Trying his best to work with anyone but him.

Soap is unhinged and highly dangerous, or he would have waited for his chance to piss off instead of fighting that thing but he gets treated like instead of letting loose of his anger over the betrayal he was just a big dumb dumb and everyone else was in on the joke.

Like fuck man. That also means the player is seen in the same way, like you thought you just won a cool boss battle? Oh you stupid little player, that was for nothing and we're gonna take that feeling of success back. Games don't need to be gratifying, do they?

Actually that probably could be MW3s whole title.

[strangelysamantha]

✧ smut. ❀ fluff. ☆ angst.

stranger things / the vampire diaries / youtubers

*:･ﾟ✧*:･ﾟ outer banks masterlist *:･ﾟ✧*:･ﾟ

↳ jj maybank… (30)

- jj’s reaction to you flinching ☆

♡ jj is shocked when he finds out you flinched because of him, and even worse when he realized you thought he would actually hit you.

- crumbled cookies ☆

♡ you decide it would be a good surprise to stop by jjs house quickly to drop off some of your homemade cookies, since you believe he isn’t feeling the best. then, unexpectedly jj's dad comes home with an unwelcoming embrace, which ruins the surprise.

- crumbled cookies pt 2 ☆

♡ after jj finds out his dad was the reason for your black eye, he had to confront him.

- seashells ❀

♡ jj sees you at the beach, but he’s too nervous to interact with you. you notice him behind you, and you invite him to join you. he’s excited to hang with you, as well as find beautiful shells hidden in the sand!

- waves of heat ❀

♡ wearing jjs shirt while on the hms pogue and him begging you to go swimming.

- you’re mine ❀

♡ at the beach a random tourist had something to say about you, and he touched you when you didn’t want him too. jealousy sends jj wild, and he’s pissed, but he can’t even act on it.

- hatred runs out ❀

♡ you are a kook, you were trying to befriend the pogues as they made you happier than you had been in months. the only downside, none of them were quite welcoming, besides jj.

- filled ✧

♡ jj smut where he has a size kink.

- scared for you ☆

♡ when a fight breaks out between you and jj, he can’t help but be petty and ignore you. this causes you to be left alone at a kegger.

- the deep end ☆

♡ jj somehow finds everything you do annoying to the point he criticizes everything you do. john b thinks of a plan that will ensure his two friends will befriend each other. it was working at first, until it wasn’t.

- forceful ☆

♡ barry continuously flirts and sexualizes you, and when jj finds out, it isn’t pretty.

- shorty ❀

♡ your boyfriend and the pogues love picking on you for your height.

- replaced chickens ☆

♡ after sarah replaced you and jj, the two of you were determined to confront john b. if you both could find the guts to do so.

- one sided hatred ❀

♡ when john b exposes that he isn’t too fond of you, jj takes total offense to that, annoyed john b could even think about you in a bad manner.

- embarrassed ☆

♡ you rant to an old friend, complaining that it is sometimes embarrassing to be with jj and he ends up finding out. but what he learns isn’t the truth, it is actually the farthest from it.

- hair “prank” ❀

♡ jj's lousy joke about shaving his hair off upsets you more than he expected it would.

- i’m making him watch ✧

♡ jj is jealous about a tourist hitting on you, he fucks you good to make sure you don´t forget why you are with him.

- scars ☆

♡ jj comes to you after a blow out with his father. you clean his bruises as well as clean his awful mindset he has on life.

- hair tech ❀

♡ your hair wasn’t looking the way you wanted, so jj offered to try and learn to fix it. with the newly learned hair techniques, came the exposure of feelings. having to avoid telling john b, he conveniently walks in during the worst time.

- mirror sex ✧

♡ jj fucks you while he makes you watch his reflection.

- nerves ❀

♡ jj is too nervous around you, he struggles to tell you how he really feels.

- wet dreams ✧

♡ jj and you cuddle after a fun day of swimming with your friends. once sleep takes over, jjs dream runs wild, and with you in his bed, how could he keep the naughty thoughts at bay?

- ruined reputation ☆

♡ “i don’t want to date someone who’s embarrassed to be seen with me jj.” jj is originally embarrassed for others to know that you two are dating. he fears what his friends would think. but is his reputation more important than him keeping you?

- wasted ☆

♡ “you were supposed to be my soulmate, but you threw it all away so you could screw some girl?” in which jj makes a grave mistake cheating on you.

- sweet dreams ✧

♡ jj fucks you while you are asleep.

- lies, lies, and more lies ☆

♡ after jj cheats on you, he can’t help but villainize himself by being rude to you and destroying any chance of redemption he had.

- panic attack ❀

♡ jj knows about your home life struggles, and he’ll always be on your side to help you.

- brothers best friend ✧

♡ being john bs sister made it difficult for you to find a boyfriend, especially when the guy you want is his best friend. however, what john b doesn't know, can't hurt him. until one day, jj thinks the two of you are alone, but john b comes back early.

- cry ☆

♡ based on the song cry by cigarettes after sex.

…

↳ john b… (3)

- inexpressible feelings ❀

♡ drunk words are sober thoughts, are they not? john b drunkenly asks you on a date, since that’s the only time he has the guts to talk to you.

- struggling ❀

♡ john b is struggling, and he finds himself venting to you about his lost father.

- tripped ❀

♡ john b embarrasses himself in front of you and is trying to get past it.

…

↳ pope heyward… (5)

- small details ❀

♡ “i never thought you’d pay attention to me in that way.” when pope accidentally reveals to you, that he does indeed, pay attention to the little things you do.

- avoidable jealousy ❀

♡ pope mistakes the bond you have with jj as something more than friends. this influences him into becoming jealous of something that wasn't happening.

- deserve better ✧

♡ after kiara told you she openly plays with pope’s feelings, there’s only so much you can do before you blow up on her.

- hopeless romantic ❀

♡ you visit pope at work, as often as you can. you help him, listen to him, flirt with him, and match his energy. his feelings for you are undeniable.

- party moves ❀

♡ it’s a boring party until pope shows up, and the atmosphere makes it easy to express your true feelings.

…

↳ rafe cameron… (18)

- act like it, get treated like it ✧

♡ rafe cameron doing what he does best.

- patience can be rewarding ✧

♡ you were confused as to why rafe was being extra clingy today. whether he meant to do it on purpose, or he was unintentionally obsessing over you, you decided to make a deal with him. if he could leave you alone, and undistracted long enough for you to finish your project, then you’ll make him feel good.

- elderly advice ❀

♡ when you work at a golf course as a cart girl, you are happy because that means you’ll be seeing rafe more often. but there’s a downside when you realize that kelce and topper will see you more often as well, and with seeing them more often, you also get to hear their harsh words.

- bittersweet ☆

♡ you went to a local party by the beach when rafes unstable side peeked out. jj maybank finds you alone and decides to talk to you. rafe gets possessive and upset, thinking that jj was hitting on you.

- are you busy? ✧

♡ cockwarming rafe since he’s too busy to pay any attention to you, because he’s busy doing work for his father.

- crashing ☆

♡ rafe is waiting for you to meet him at figure 8, but he’ll be waiting awhile as you got in a tragic car accident, the other vehicle being driven by his father.

- malice compliments ❀

♡ rafe tries to flirt with you, but you believe it is malice and that he is pulling a lame prank on you.

- crystal clear ❀

♡ rafe cameron found out you were hiding crystals in his room, car, and pockets. he goes to topper to see if he knew what was going on, and after topper explained what it meant, he confronts you.

- shark bite ☆

♡ what was once a fun day on the beach filled with surfing, quickly became a bloody and painful nightmare.

- cheerleader ❀

♡ rafe was intrigued by you, he wanted to get to know you. he thought that task would be easy, but your distaste for him was apparent. despite the overwhelming amount of setbacks, he knew he would get you to crack.

- cheerleader two ✧

♡ the aftermath of rafe going to a football game for you and seeing you in a tight cheer outfit.

- wish you were sober ☆

♡ based on conan grays song, wish you were sober. in which watching after rafe becomes too tiring after he loses control again.

- surprise ❀

♡ throwing a surprise birthday party was definitely harder than you had expected, especially one for rafe.

- bonfire ☆

♡ rafe is overprotective of you at the bonfire and possessive!rafe doesn’t like the tourons staring at you.

- unfortunate events ☆

♡ rafe cameron is so overprotective, but that doesn’t stop him from putting you in harm's way. after reckless driving lands you in the hospital, your relationship is on the rocks.

- exposed ❀

♡ rafe sees a text from topper, exposing your little crush on him. at first you try to play it off, but you gain enough confidence to tell rafe about your feelings.

- promise ❀

♡ with matching halloween pajamas, you and your boyfriend are ready for some spooky movies.

- leverage ☆

♡ when barry doesn’t get his money from rafe, he goes to the next best thing. you.

- F.Y.B.F ✧

♡ cheating on jj maybank with rafe cameron, after you and jj have a huge fight.

…

↳ topper thornton… (2)

- sugar daddy ❀

♡ topper takes you shopping, something he didn’t think he was actually going to enjoy doing.

- realizations hit hard ❀

♡ topper tries to set you up with kelce, but he soon realizes he doesn’t want you to be with kelce. he wants you to be with him.

…

↳ sarah cameron… (5)

- girl that you love ☆

♡ when you accidentally read the situation wrong, and you expose yourself for liking sarah in a more than friendly way, she is quick to turn you down. “i’m sorry i gave you the wrong impression.” sarah isn’t gay, and she definitely doesn’t like you that way.

- lucky woman ❀

♡ sarah cameron finds out you have a crush on a girl, unbeknownst to her, she is that special lady. you know you can’t tell sarah about how you feel since she’s dating john b, so you have to quickly think of a crush that you can expose to sarah.

- secretly in love ❀

♡ a secret relationship between you and sarah, what could possibly go wrong?

- sunset confessions ❀

♡ all it took was one boat ride to change everything. when sarah cameron decides to tell you about her undeniable feelings, while the two of you watch the sunset.

- girl that you love pt 2 ❀

♡ after humiliating yourself after your confession to sarah, you find yourself comforted by kiara.

…

↳ the pogues… (1)

- life jackets ❀

♡ since you don’t know how to swim, you have to wear a life jacket. the pogues think it’s the funniest thing ever.

…