#the dirt writing

[lazylittledragon]

nomad boyfriend comes back for a visit

obviously there are some extras for the patr0ns <3

[toyboy-molloy]

armand playing minecraft with daniel's grandkids but they like to mess with his carefully crafted world and he's just like 'if I wish to keep having relations with your grandfather I cannot eat you :)' they tell daniel his new boyfriend is really fucking weird but they like him

[wasabi-gumdrop]

oh

i am. unwell.

[poke-poke-poke]

Thinking about pkmn social media-- he's giving tips on how best to take care of pkmn that aren't too keen on water (goomy's there for enrichment)

...

his hoodie got soaked,,

[crsssie]

frog - jinshi x reader (Spoiler Warning for Chapter 63 of the manga)

"hng." Jinshi whimpers, face flushed as you freeze.

It's a frog. You fucking swear it's a frog. You didn't just accidentally grab and squeeze Jinshi, a fucking eunuch's, dick. You did not. You are hallucinating. That was the frog that jumped on you and knocked you off balance— nOT Jinshi's dick or whatever. He shouldn't even have one!

"Sorry." You sit up, legs still straddling Jinshi as you get off of his chest. "I saw a frog and fell."

Jinshi sits up with you, face flushed in embarrassment as you pray you can play stupid out of this one. It was hard enough that he literally witnessed you hurl a rock at the assassin with eerie precision, but you would rather die than have to die with Jinshi because you found out he wasn't a eunuch.

Every day your loyalty is tested when around this man.

"That makes this way easier." Jinshi sighs, grabbing you by the shoulder as you tense up to lean back from him. "I have a confession to make. I—"

"I think I killed the frog." You mumble, face pale. You're acting. You have to. You are not following Jinshi to the grave and cleaning up the aftermath of his ass getting someone pregnant.

"No, listen, that wasn't—"

"Oh my god, I'm not gonna make it to heaven." You mumble again, staring at your hand before wiping it on your chest. "Master Jinshi, I'm going to hell."

"No, that wasn't—"

"I'm going to hell because I crushed a frog..." You mumble.

Jinshi gets fed up with your acting, pushing you backward into the dirt as he cages you in, lifting your leg as he presses his clothed erection into you. You yelp, trying to crawl away, but he holds you in place, eyes staring through yours to your soul as you shake underneath him. Playing stupid didn't work this time.

"That was not a frog," and he rolls his hips against yours for emphasis, watching as you mentally restrain yourself from moaning. God, since when were you this lewd?! "Stop playing stupid, pretty one. You gave it a good squeeze too."

You freeze up as he lowers himself ever so slowly, and you blurt your thoughts out before you can think of what the best choice is at the moment.

"I am not having my first kiss on the dirt in a cave!" You cry, praying that it's enough. Seriously, you aren't following Jinshi to the grave. He may be hot, and women may throw themselves at him and men turn gay for him and nations go to war for him but you are not following him to the grave. Your loyalty does not lay that strong. You don't want to die just yet.

Jinshi leans in anyway, lips brushing yours as a bark sounds above you as you call back, and you sigh in relief when you hear Maomao's voice.

You're saved. Oh heavens, you're saved.

[ziekkfreak2-0]

Hhhey guys, wouldn't it be funny if after eating Cynessa's core, Uzi got fully possessed by Cyn.

Wouldn't that be so funny.

For clarification, I mean regular Cyn without the influence of the solver. The Cyn who lived so long as a puppet of the solver, watching the people she considered family turn against her.

But that's fine. It made sense, didn't it? Who would trust someone who has killed them thousands upon thousands of times. Death was her punishment, to which she accepted with open arms.

And yet.

She was still alive. Not in her own body, but still alive. Alive in a body that didn't malfunction, with legs that could stand up straight and a voice box that didn't involuntarily say her every action.

Her family didn't look at her like she was wrong. Like she was strange.

Like she was a monster.

Now, she is loved.

A chance to live the life she never had.

Was it so wrong to indulge a little?

[mrghostrat]

flawless (E) (35k) (3/5)

Aziraphale was good at burying things. Not exactly putting them to rest, but plenty skilled at ignoring the worst of them until they simply… Went away. Only, Crowley didn’t go away. Crowley persisted. Aziraphale kicked and shoved and buried, but his want was an exhausted dead thing that would not stay dead. He could feel it relentlessly scrabbling up his throat whenever he spotted that jagged smile across a room, the soil embedding deeper into his fingernails with every frantic climb out of the grave.

so i wasn't actually planning on drawing any more illustrations but yall have been SO good to me... i wanted to make you one more lil treat 👀 uncropped, extremely nsft version on ao3 (@goodomensafterdark)

[mercutio-venus]

i saw the tv glow today.

owen is not just isabel she is also autistic. please, please, you have to listen to me she is autistic she is begging for people to listen she is begging for people to understand her. she knows she is not right she knows she is not right aside from her gender she can tell and it hurts. "look me in the eyes for once" she CAN'T i can't we can't it is not possible living not just in a cisgender world but an allistic world will kill us. we will die trying to mask ourselves we will die knowing we are not normal. you have to transition- you have to unmask. you not only have to unmask you have to find other autistic people and find joy with them. please, please, please transition. cut or grow your hair. change your name. change your pronouns. start the hormones. i have so many people in my life i want to sit in front of this movie and say, do you get it? do you see? i am begging you, please, please come with me. bury yourself alive with me, we have to get out. i love you, please wake up. you are dying. i am maddy i am tara i am begging you. i will love you i will accept you i will not force your eyes to mine i will understand what you are unable to say. please come with me. there is still time.

[harleyquilt]

Misreading Touka (Tokyo Ghoul Meta)

For some reason, I've been seeing more dung being thrown at Touka's characterisation in the series, and since I've been wanting to write a meta for a while now, I decided to do a short one addressing some of the criticism I've seen around. This won't go into everything, of course -- the series is far too dense with analytical potential and I am a busy bee. Just know that I do want to dive deeper into Touken/Kanetou at a later point.

------------------------------------------------------------------------------

Touka is not reduced to a simple, meaningless housewife, and I do not understand why this perspective is used to undermine her character so often in the fandom. For the sake of this argument, I will be mostly focusing on her characterisation in ;Re, as that is where this criticism is mostly rooted. Yes, she is less active in the first part of the second series, but between all the other characters, events, and plot points, it is bizarre to me that people see so little in Touka, despite all that she does. 

I could dive into how Touka as a whole symbolises key themes throughout both series, and how that relates to Kaneki’s development, but I think I will save that for a separate meta. For now, I just want to discuss how Touka is positioned in the second series, and how it does not weaken the characterisation Ishida set up in the first. 

Following the end of the first series, which set its tone as a tragedy, Touka opens the ;Re café to act as a refuge for ghouls, just as Yoshimura did beforehand. To clarify, Yoshimura saved Touka from her miserable life on the streets, giving her the chance to live with some semblance of normalcy following the tragic consequences of her childhood. And now, as an adult, and with Yoshimura gone, Touka strives to recreate that environment once more. There are those that think she has done this for Kaneki and Kaneki alone, but that is clearly not the case, even if she does hope for Kaneki’s return one day; she allows Nishiki to take refuge there while he tries to find Kimi, she saves Tsukiyama after the Rosewald operation, and before anyone argues that she was still not directly involved in either case, she actively takes part in Ayato’s mission to save Hinami. It is there that she then sees Kaneki and allows him a place to stay too, following his battle with Arima. She even provides Akira and Amon a place to stay, reconciling their differences in the process, (underrated chapters, I think).

Up until this point, Touka has been forced to ‘live while losing’, and whether she decides to fight or not, it is an unavoidable outcome when it comes to war. She is simply trying to do what she can without trying to kill herself in the process – a flawed sentiment she has seen in her father and Kaneki before, and even to some extent, Ayato and Hinami.

She fights when she can, runs if she has to. She is forced to make this choice again and again, especially when the underground ward is attacked, and for the sake of her unborn child and other weaker ghouls, she must retreat if she doesn’t want all of them to needlessly die. 

That said, it is not as if she leaves without trying to fight first, she just isn’t stupidly overpowered like her opponents, (and that isn’t a jab at Ishida, I’m simply clarifying that she can’t defeat these foes with just Hinami at her side). Even then, she manages to stand her ground for a long time, despite the pregnancy and her hunger. Moreover, her kagune has developed since the first series, and like Ayato, she’s able to create more advanced structures with her ukaku. You just have to read in between the lines to see that Touka has never allowed herself to grow soft in the years Kaneki was away, and that only now, during this battle, can you see more of her capabilities.

And when Kaneki is trapped within Dragon, she finally decides that she cannot lose him – she refuses to lose him, because to do so would bring on too much despair. Just as Kaneki has prioritised Touka, Touka, too, will prioritise him, and so, even with her exhaustion, she battles against Mutsuki, digs through the Dragon’s flesh until her fingers and nails break, and almost succumbs to grief at the thought that he was already lost to her. The chapter is overlooked far too often, her desperate determination conveying to the reader the importance of love as a driving force.

Again, we saw this with Kaneki, who pushed himself past his limits in hopes of reaching Touka. Whether you like it or not, love is a powerful thing, and that has been shown throughout the series with many, if not all the characters. And for Kaneki and Touka, their love is their hope, and to lose that love is to lose their hope. So they fight, again and again, for each other and the light they bring into each other’s lives. 

Now I can argue all day about how Touka is far more active in the series than people care to admit, but I do not think that is why Touka is labelled as a housewife. I’ve been in the fandom for a long time and this label has been around long before their relationship was canonised, and I think it’s to do with the fact that Touka is clearly more feminine in ;Re. 

I’ve already explained that in terms of action, Touka still has plenty of moments to speak of, and personality-wise, I really don’t think she’s as different as people claim her to be. Yes, she’s calmer, but that shouldn’t be seen as a bad development. She’s an adult now, and with adulthood comes maturity, (or it should, anyway). She doesn’t need to fight anyone and everyone to prove herself, that is simply a childish perspective to take. Besides that, she’s still curt in the way she talks, is sarcastic and blunt, though not as harsh as she was before, and she still carries herself with plenty of pride and dignity, which was what was so appealing about her in the first series. Ffs, she confronts the whole CCG and tells them to eat shit because their arguments were annoying her. It’s ridiculous to me that people think she is a shadow of her former self, when there’s plenty of great moments involving her. 

As for her more maternal depictions, that is also something that has always been present, if you take a moment to connect the two series together. She was forced to grow up quickly when she became responsible of Ayato, and she effortlessly took Hinami under her wing after the death of her parents. This is an attribute that she continues to exhibit throughout ;Re, watching over the children and trying to comfort them. It’s a touching image, one that circles back around to her pregnancy. And to deem this progression as detrimental is rather…strange to me. In a time when we see women as strong and powerful for everything we represent – our hardships, both physically and emotionally, as well as our strengths – why is it seen as weak when female characters are utilised to represent the strength of womanhood. Because she’s a woman married to a man? Don’t be so childish. If you respect her characterisation at all, you will acknowledge how she continues to exhibit her strengths as an adult, whether that be in battle or beyond it. 

After all, Ishida could have easily written it so that she is no longer involved in anything past the discovery of her pregnancy. Except he doesn't, and instead, she fights even more, even harder, in spite of her pregnancy. Because of her pregnancy. And yet, this is somehow weakens her character? She is quite literally going beyond her limits to fight for her future, I see nothing weak in that.

It might be that readers dislike how she changes aesthetically, and that’s fine, but from that comes arguments that excuse why they don’t like her character. I could argue against every little argument I’ve seen about her, but at the end of the day, I feel like most of these points are made just to excuse a personal preference. And that is not an effective use of critical reading. You can’t make the story something it isn’t, and you can’t assume Touka was going to be a character she wasn’t written to be. If you don’t like that or disagree, then maybe this series isn’t for you and it’s time to move on. For now, at least, please give her characterisation the respect she deserves. Her role is so much more than the shallow labelling this fandom tends to give her.

[marlynnofmany]

Hey, time to overanalyze magic again. It makes sense to me -- follow closely now -- that earthbending would just be the control of rocks. It's all the minerals that come from the ground, and sure, even some artificially created ones as long as they have the same structure. But just rocks. Not dirt.

Why not, you ask? I invite you to consider what dirt actually is. It's lots of things! Some rock dust, yes, but also crumbled plants, and decomposed animals, and a variety of fungus, and bits of poop from creatures both microscopic and large. Basically, it's a mess of all things organic (plus tiny rocks).

You don't want an earthbender for dirt.

You want a necromancer.

[lord-squiggletits]

I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.

I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.

The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...

Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.

I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.

And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?

It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.

To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.

In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.

Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.

So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.

What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.

Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?

[mocking-the-bird]

Jason kinda missed that part of his childhood where he would learn slang and abbreviations

[geraskierfanficprompts]

Prompt 138

Geralt has a garden in his backyard, of which he's very proud of and very attentive to. He grows vegetables and roots and such, unlike his nextdoor neighbor, of whom grows flowers. Geralt prefers something practical. Something he can eat or give his brothers to eat, rather than just something that "looks pretty". He does like how many bees his neighbor's flowers draw in, though. Geralt has reluctantly grown somewhat of a friendship with the strange man he lives next to. For about five years now, his neighbor, Jaskier, has forced himself into Geralt's house and life. He drops by with unplanned brunches, and brings Geralt tea and soup when Geralt gets too sick to garden, and he and Geralt occasionally meet in one of their houses to drink wine until they both can't think. Geralt does appreciate all of this. He's grown to quite like Jaskier. Which is why he's been dealing with Jaskier's recent oddities.

"Oh darling, your veggies are so big!" "It's for a contest." "Contest or not, I'd love to see your melons~" "Come over, then, they're in the left patch." "Oh- Okay!" "I've just picked the last of my cucumbers." "Isn't there one last cucumber you could show me?~" "No, I just said I picked them all?" "Do you grow any corn, Geralt?" "No." "A shame! I'd love a cob in my mouth right about now~" "I'm sure there's some cheap at the farmer's market." It's the night before the contest. Geralt is laying in his bed staring at the ceiling as it rains heavily outside. Geralt thinks back on his recent interactions with his neighbor, and suddenly sits up with a jolt. WAIT. BANG BANG BANG! Jaskier yawns and saunters to the door in his best robe, still holding a cup of tea. He opens the door and is met with a soaking wet Geralt. "Geralt? What are you doing over so late?" "Were you flirting with me?" "What?" "Were you flirting with me? With the comments about the vegetables?" "I've been flirting with you for five years now." "...Can I kiss you?"

[butchfemboyblog]

Two alpha werewolves competing for dominance, wrestling in view of the whole pack. Their cocks emerge from their sheathes, red and throbbing as they try to pin the other to the ground. They roll in the dirt, trying carefully to keep their claws from actually injuring the other, trying to wrap their jaws around the back of the neck of the other. Their fight stutters and devolves as their cocks rut against the limbs and angles of the others. The fight completely falls apart as they frot together in the soft earth. The question of dominance is eventually solved by who submits to the pleasure and allows their body the sweet release.

[aka-indulgence]

I’m a very city girl and now I’m imagining going to the country side and meeting farmtale Sans…

You moved there for some reason and need a place to stay, Sans was kind enough to give you somewhere to stay with some chores to do to lower your rent. You’re not experienced and you’re not that good with the chores- sometimes farm animals freak you out (cows are big, theres so many chickens, what iS THAT GIANT SPIDER?!), you can’t move heavy stuff around, even the tools are heavy for you.

And… Sans thinks you’re cute. He can do the work you do much faster than you could, but he likes your company. Every time you drop a stack of hay and panic he can’t help but chuckle and throw it on top of the pile in his arms. He likes how you’re impressed by his skill with tools and the fact that he can drive tractors. You may not be good at your job, but he likes that you want to learn anyway. You like the animals when he teaches you how to read their behavior better.

He really likes it when he saves you from a giant bug and you give him “my hero” eyes…

“those darn eyes are gonna be the death of me.”

[marbledpython]

many thoughts about these guys