#the actual thing is a bit of a different concept though feels more real

[playingonedchess]

i only ever really do things electronically these days, everything used to be on paper like at school all that hand writing stuff and the millions of handouts and reading and sometimes even owning paper books

[jitteryjive]

i need to remake my cup bros ref… both cup and human designs… it’s been almost a year(?) and i’ve developed the headcanons and i would like to share with the class!!! (i wrote thirty tags. Please help me)

[sunderwight]

SV scenario where Shen Jiu is also Shen Yuan's Meimei.

Trans egg SJ never got to examine her gender identity very much in her first life. What with all the enslavement, abuse (given as well as received), misunderstandings, betrayals, dismemberment, and death, there was far too much for her to ever come to terms with a set of concepts she'd never really had the luxury to entertain. By the time Shen Jiu was a peak lord, the Shen Qingqiu persona was locked in, and any dreams of a different life or inclinations to the contrary of her role were ruthlessly quashed by SJ herself.

But when SJ finally dies and her soul is free to reincarnate (taking a few more memories than usual along for the ride), she has mixed feelings about being born as the youngest daughter of a wealthy family.

The mixed feelings don't actually last long, though after a while she starts to wonder why the fates would grant her a reprieve? Maybe remembering her past life is her punishment, because it's certainly the worst part of her new situation. Her parents are indulgent, her older brothers all dote on her and spoil her, and when she tests limits she's only gently rebuked if she gets rebuked at all. Not only is she allowed to wear fine dresses and look pretty, she's expected to (actually the expectation does chafe, a bit). But even when she uses foul language, skips classes, reads controversial books, and commits myriad other tiny rebellions, no real retribution ever comes of it.

Even despite everything, after some years Shen Jiu starts to become... not complacent, but perhaps calmer would be a better description. She has a stable future handed to her on a silver platter. Very few things remind her of her past, either. She can read books about snotty highborn lords getting railed by werewolves as readily as classics of literature or academic papers on science, business, culture, politics, or whatever else takes her fancy. Her family doesn't even put demands on her to marry, despite some of her mother's hints in that direction. For the first time, Shen Jiu has a life where it seems like she can't fail, she can only succeed however much she wants to. It's like having nowhere to go but up, except without the part about hitting rock bottom.

A foolish set of assumptions, in the end. There's always something to lose.

When Shen Yuan suddenly dies, Shen Jiu recognizes the sinister hand of the same entity which oversaw her own reincarnation. One which had visited her dreams quite recently, trying to tempt her back to her first life with offers of being able to change the past. It wasn't even difficult to deny it. Shen Jiu doesn't believe she could change what happened, and she doesn't really want to try. Her one regret is what happened to that person, the one who died so horribly while rushing to her rescue, and even that, she doesn't know how she would change (because she still doesn't know why he bothered in the first place).

But how dare the System God take the silliest and softest of her brothers to try and fix her accursed first life?! Luo Binghe will eat him alive! Cang Qiong will mistake him for a demon or a madman or worse, and throw him into some cell somewhere, if they don't just kill him outright!

Shen Meimei tries to negotiate with the System, but it tells her the window of opportunity for her to go back instead has passed. Smarmy piece of shit. There's nothing she can do without supernatural help, however, except bide her time and wait for another "window of opportunity". It's in the midst of this that she discovers PIDW, and its (terrible) account not only of the broad strokes of her first life and death, but of what came afterwards. That little beast really wrecked the world, huh? And all those women, too. She's never been more grateful to have not figured herself out in her first life. But at least with access to this information, she can try and prepare more. (She's suspicious of who actually wrote this account as well -- is Luo Binghe himself in this world? Better to leave it now, in that case, before he inevitably makes another bid for power and destroys everything in his wake all over again!)

When the System finally gives her an opportunity to go back (as herself, or rather "Bonus Epilogue Side Character -- Shen Qingqiu's Mysterious Little Sister!") she is braced for any number of outcomes. Shen Yuan could be dead. He could be imprisoned. He could have had his limbs all cut off. He could be stuffed into a pickle jar. He could be hiding or on the run somewhere. Hopefully, he'll be hiding behind that person, confused and distraught but still intact thanks to the sect leader's guilt-driven sense of obligation. Most likely if the same number of years have passed since Shen Yuan "left", he's already been destroyed by Luo Binghe and all Shen Jiu will be able to do is avenge him. But she has some ideas of how to kill the beast, so, she will.

Of course, what she finds is nothing she expected, and almost even worse.

Luo Binghe married her brother?!

Death is too good for him! Shen Jiu's going to skin him alive!!!

[joltrify]

experimentations ft. the Artpop queen herself

Silly little (not so little) unrelated HC I developed later under the cut

₊˚ ‿︵‿︵‿︵୨୧ · · ♡ · · ୨୧‿︵‿︵‿︵ ˚₊

🎀- HC that EVE's most normal hobby - when not occupied with other things - is repainting dolls 🎀- Like in a blue moon you can catch her at the hobby lobby in mom jeans and a cardigan just looking for materials

★- In her down time (which is a bit rare these days) Nadia'll pick those ball-jointed Barbie/Bratz/MH dolls and give them a complete makeover ☆- While she's making them she's fervently thinking 'I will love you in a way that no one else EVER has' and she treats them all that way ★- She'll repaint them in the most unconventional ways possible but they're still gorgeous; a perfect reflection of her studio artwork on a body that isn't her own ☆- Sometimes if she's low on fabrics, instead of making a full-sized mockup of her exhibition fits she'll use her dolls to test the outfit design and make a mini version of the fit with small pieces of the final material ★- She's got this HUGE shelf on her pad that's got these fashion icon dolls displayed with their name and inspiration on a little plaque ☆- Whenever something significant happens and she doesn't want to paint, she'll hold onto the feeling, good or bad, and jot down an idea for a new doll's look ★- and she DOES truly love each of them - though she may have had to learn to love one in particular

🎀- She picked up the hobby in college (before she met Zuke) but didn't really think anything of it 🌸- It was just a means to practice different makeup looks and pencil techniques without sculpting something - and it was fun! She liked having a cute little gal at the end of the process 🎀- When she came up with the idea of using the dolls as models, she created a doll of herself but made the decision to make its skin completely white 🌸- When Nadia met Zuke, she sort of put the hobby aside to focus on her other art mediums, but she looked at the doll of herself and felt comfortable enough to repaint the right side pink (and she laughed a bit to herself looking at the final result, because it looked... Cute! Just like her other gorgeous dolls...) 🎀- After Rapturica, she didn't feel the need to create a doll based on her feelings as she didn't feel as hurt as she expected, but she did find it really, REALLY hard to look at the doll of herself, so she hid it away... 🎀- she picked up repainting again later but went in HARD - they began to look more artsy and alien, just like her other art pieces 🌸- After graduating she didn't really have time to repaint dolls and focused on creating other arts/music again, only occasionally using them to test outfits (but never the one of herself) 🎀- After the events of NSR though, she picked it up again as a form of self-care. It's something she doesn't have to create for the public eye, and she's rekindled the joy of creating a strange little gal and loving them despite their bizarre quirks. 🌸- ... I think she feels a bit more comfortable looking at the doll of herself now, too.

★- She's probably still got doll repaint videos up on her channel from her college days, hehe. ☆- (She's debating whether or not to make a mini exhibition about the concept of dolls.* Likely not, as she doesn't want to taint the tranquility of the act, but she still likes the idea. It's better to not mix work art with home art, anyway.) (* (How they can reflect their caretaker, they exhibit both confidence and vulnerability, they can be broken and discarded but repaired, they're still images that can be moved in a 3d space however you desire, they rely on a person to actually be 'real' ykyk that kind of thing. the symbolism of dolls.)

The doodle I made in the 3rd picture (above the cut) is inspired by those really pretty doll repaints... I think that that look in particular is one that she tested on a doll first... pre-ugly cry, that is.

Thanks for reading my very silly idea... decorated the bullets with Bows and stars because I felt like it, haha. Have a lovely day~🌸

[scurvyboy]

Not to beat a dead horse or whatever, but you don’t see fiddlestan being healthy at any point? I feel like your version of them would have most of their issues figured out by the time they’re old and stuff. Can you talk about their dynamic a bit more pretty please? (I know you just had an ask about this so sorry to keep bringing it up aha 🤪. I’m obsessed with them, and I love your art/au and want to understand them.)

the basis of why i like the fiddlestan ship is strictly because it doesn't work and is doomed to fail. it's a relationship between two extremely damaged people that are only together for transactional reasons.

the way i see it starting: fiddleford comes back to gravity falls after being kicked out by emma may in hopes that he can patch things up with ford. he finds stan there instead and decides to help him fix the portal despite his crushing anxiety about it because he has nowhere else to go. they're both stuck alone in this situation and urges become apparent. things are awkward for a while before they start banging fuck nasty brokeback mountain style.

fiddleford wants stan because he's delusional and still in love with ford. sure he grows to appreciate differences between them and has a separate chemistry with stan, but he is also completely out of touch with reality and rebounding off of his failed marriage with a man who looks just like the one he cheated on his wife with. working on the portal triggers intense panic attacks, which makes him use the memory gun more, which makes him less and less stable.

stan is working himself to death trying to get ford back and just needs affection. the sexual aspect of their relationship helps him blow off steam, but fiddleford also treats him like a person with a brain and allows him to be emotionally vulnerable for the first time in a long while. having someone finally break down his walls is equal parts frightening and addictive for him; he wants to be loved so badly but knows deep down that fiddleford doesn't actually love him, just the person he represents. he's just second best again.

things start to fall apart when it becomes clear that fixing the portal will be impossible without the other journals. fiddleford basically gives up trying to do the work in earnest and just lives in a domestic fantasy world. stan starts to get more and more impatient about the lack of work getting done and the stress makes him a lot more irritated and volatile. the two enter a vicious cycle of violent fights and honeymoon phases until things boil over: stan confronts fiddleford about the memory gun and kicks him out after he tries to use it on him.

post break up fiddleford, now with his cult and savior complex, murder suicides the portal and their affair from both of their memories. however, stan gets his portal memories back being at the shack and goes on to do what he does in canon.

the whole relationship takes place over the course of a few weeks and is as canon compliant as i could manage. i think it's a really fun concept and i think about it all the time.

to be real, i really dislike the idea that all relationships in media have to be healthy and resolved in order to be compelling. the idea that characters NEED to end the story happy and together is just plain unrealistic. i prefer when stories go outside of the limits of "and then they got together and everything was great after that", especially if being in a relationship isn't necessary to a characters arc.

i do think that them getting together when they're older could work and be very nice. however, i also don't think it's entirely necessary, especially since i did make their relationship rotted gutted awful bad. it is cute though, they can kiss and watch tv and marry for taxt purposes i guess.

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[bigification]

Bear Darts

"Yes! They finally came in." I say in excitement as I pick up a package in front of my dorm. I rush inside and rip open the package. 8 small darts with a weird green liquid inside and a bamboo tube. "There's no way they actually work right?" The website seemed so legit and the concept seemed too good to be true. "Guaranteed to transform any man into a certified bear." Was the tag line. I am tempted to jab one of them into my arm right now, but I'm too nervous. What if it's just poison or something? I should at least test it out, it'll be fun anyway.

I stuff the darts and the bamboo into my bag and head to campus. Who to start with? Mr. Henderson could be a good option. I don't like him so if it goes wrong I don't care, and he's pretty scrawny so I'll be able to see any difference. I decide to head to Mr. Henderson's office, figuring he'll be a good test run.

On the way, I come across a raccoon rummaging through garbage in an alley, and an idea sparks through my mind. If it's that harmful, it would hurt a raccoon, so I might as well test them out. I pull out a dart and the bamboo and head into the alley. I slot the dart into the end of the bamboo, line up the shot, and blow as hard as I can. I hear the swoosh of the dart piercing the wind. The dark hits the raccoons back and it barely reacts, as if it's just a measly mosquito bite. The green liquid drains out of the dart, and I wait for a reaction. It doesn't take long for the animal to start twitching. It's hard to tell in the shadow of the alley, but my kind went straight to the worst, it was poisonous. But then I saw its body change shape. It wasn't much, but its scrawny limbs grew thicker, its belly grew rounder, and its grubby little paws grew larger. By the end, it still resembled a raccoon, just larger and meatier than you'd expect a raccoon to be. Could this be real? I continue watching as the raccoon resumes its normal activities.

I let out a chuckle in excitement at what was yet to come. I walk back out of the alley and speed walk to Mr. Henderson's office, this was gonna be good. The website said results may vary depending on what the person looked like before the transformation, and based on other things like genetics. Essentially it's random. But I was still hoping to see Mr. Henderson with a big hairy gut spilling out of his shirt.

I finally make it to his office and I slowly open his door just a sliver. He's standing in the middle of the room, looking over at the wall to the left of the door. I feel confident enough that he's not able to see the door from the way he's looking. I look over to see he's very concentrated on a bunch of photos hung up on the wall, which makes sense as he's a photography prof.

I take a mental image of the prof before I line up the shot, so I can compare the before and after in my mind. He's got buzz cut and a bushy salt and pepper beard. His frame is quite skinny but I can see a little bit of a belly and moobs under his shirt. That shirts definitely not doing him any favours, I wonder what it will look like on him after. His arms and legs are scrawny, with little fat or muscle on them. He's also wearing some camo shorts.

Now with his image locked in my head, I prepare a dart and like up the shot. Same with the raccoon, I blow as hard as I can and the dart lodges into the side of his belly. He flinches for a moment, but then stops in places. I can see his muscle twitching, as if they're cramping and freezing him in place. It all happens so quickly. It starts with his belly. His small belly grows in waves of soft fat, each wave packing dozens of pounds. Each wave makes his gut jiggle more and more as it grows rounder and rounder. His gut and his love handles spill over his waistline as his shirt rides up, revealing a stretched out belly button. Soon enough, it appears as though he stuffed a small beach ball into his stomach with how large it is. Though it is soon complemented by a growing pair of soft moobs. If what he had before were moobs, he now has full on man tits. They're soft and round, pressing tightly against his shirt. I can even see his nipples harden under the shirt. Next to fall is his ass. His once flat derriere quickly plumped up similar to his belly. Waves of fat perked up his ass as it threatened to rip through his shorts. The button on his pants popped off and flung across the office in dramatic fashion, leaving his fly wide open. His arms and his legs thickened slightly as a layer of fat covered them, though they stayed quite skinny in proportion to his body. Also, in the process, his beard had grown out and became almost all grey.

The entire time I could feel my dick riding up into my waist band. This was so much hotter than I expected it to be. I want to go in there and get my hands on that fatass so bad, but I have to have restraint. His muscles have stopped twitching and he seems back in control, though he still seems laser focused on the wall of photos. He reaches to scratch his belly and seems a bit shocked at the fact that he's scratching skin rather than shirt. "Huh, I coulda sworn this fit yesterday, musta shrunk in the wash." He shrugs, completely oblivious to the changes his body had just gone through. I don't know if I find it more or less hot that he seems to not care that he's a fatass. I don't have time to think about it though, as he starts to turn towards the door. I quickly grab my bag and run. I'll get to see him for photography class tomorrow anyway.

I think about who I want to hit next. I've got 6 darts left and plenty of profs on my list. Now that it seems safe, I'm more willing to go for profs I like. So I think one of the hottest prof off the top of my head. Mr. Ahmed. God he's hot. He's got perfectly toned skin, a thick black beard, and beautiful eyes. The only thing is he's quite skinny, and I like my men thick. So this is the perfect opportunity, and his office is close by.

I arrive at his office and see him just on his phone. My mouth salivates as I think about what I'm gonna do to him. I pull out a dart and shoot it. It lands right into his biceps and the green liquid rapidly drains from the dart. My hand instinctively drifts to my crotch as I wait in anticipation.

He froze in place, just like Henderson. But this time it started from his arm instead of his belly, it must be from wherever the dart hits. His once skinny arm swells, ripping his sleeve in the process. His forearm followed suit, growing a thick pelt of hair in the process as his delicate hand grew into a monstrous man hand. The transformation continued into his shoulders, then to his chest. His shoulders broadened, pushing his small shirt to its limits. Then his suddenly exploded outward, tearing straight through what was left of his shirt. Thick muscles now lay under thick man tits as they hand over his stomach. His already thick chest hair became more dense as his nipples grew large and sensitive. His other arm quickly grew just as large as the first, evening out his hulking body. His exposed belly went from flat to large and rotund in a matter of seconds, though it remained quite solid from strong muscle that grew below it. His gut befell a similar fate to the rest of his body, being covered in a layer of dark hairs.

His lower half quickly grew to match his upper half. Fat and muscle flooded into his ass and thighs until his dress pants ripped in dramatic fashion, leaving him in nothing but his extremely tight underwear, leaving little to the imagination. The legs continued to grow, and his feet seemed to grow at least five sizes, busting out of his shoes. Finally his facial features began to change. The rather young professor looked as if he aged 15 years in just moments as wrinkles and blemishes riddled his face, and his hairline receded slightly. His face also seemed to become a bit chubbier, matching his hulking gut.

He finally unfroze, seeming unfazed by changes in his body. He reached to stretch some of his muscles, I'm sure they're sore after such an intense transformation. But he quickly realized his lack of clothing and left to a backroom to find some. The idea that he wouldn't be able to find any clothes that remotely fit him made it all the more hot for me, but I got out before I got caught.

I was on top of the world, there was no way I would stop now. I thought about who to find next, and the choice seemed obvious. Mr. Salim, how could I forget the health and fitness prof. Ive never had him, but damn it is tempting to take a fitness class just to get to look at him more. He kinda looked like Mr. Ahmed but buff, cocky, and far more charming.

I quickly made it to the fitness building and found his office. I peaked in and saw him working out with his earbuds in, this was my shot. Without hesitation I load a dart and shoot. I chuckle quietly as I see the dart lodge into his ass. He goes to scratch his ass but fails to notice the dart, soon after he drops his weights and freezes in place. His already perky ass grows slightly, but not as much as I'd expect. Still enough to pants ride down his ass a bit, revealing a bright blue jockstrap. Of course Mr. Salim would wear a jockstrap. His thighs grow significantly, bulging with muscle to the point of ripping his pants. The rest of his legs follow suit, growing thick calves and massive feet.

I can see under his shirt that his waist is tightening up, which is surprising given that he's the first one to not get fat. A little disappointing if you ask me, but I'm not disliking what I see so far. His shoulders broaden and his chest puffs out, ripping right through his shirt. His arms nearly double in size, making his look like a bodybuilder as his hands grow to match. His face seemed to age as some of his hair turned grey. As he aged, his already hairy body became even more so, covering most of his body in thick salt and pepper hair. Even his stubble grew out into a thick silver beard.

Mr. Salim put down his weights, got up, and walked to the mirror in his office. He turned so he could see his ass in the mirror and snapped a photo.

A part of me was hoping to see him become a fat slob, something about fat gym teachers always got me going. But I certainly wouldn't complain about this view.

The health and fitness building is right beside geography and history, so I should head there. I try to think of a teacher I've had in this department. Maybe Mr. Smith? I had him for first year history and he's hot, I just remember him being a bit weird. That doesn't matter, I'm already on my way to his office.

I peak through his door and see him focused on his computer, perfect timing. I load a dart and shoot it. It hits him in the side of his thigh. Within moments I can see his jeans struggling to contain his growing legs. His jeans become even tighter as fat fills his ass, creating a loud pop sound as his belt snaps off.

His slim torso expands until he has a thick muscle gut and love handles that spill over his jeans. His chest grows into two strong but soft looking pecs that are impossible to miss through his tight shirt. His arms explode with muscle, making it look like they're gonna rip his sleeves. Finally his face fattens up a bit as a short beard covers his soft jawline.

Mr. Smith leans back in his chair and crossed his arms over his tank of a gut.

It wasn't what I expected for Mr. Smith to be honest. I expected him to turn into a big fat history teacher, but he is hotter as a muscle chub. As I'm watching, he goes to unzip his jeans. He whips out his massive dick and starts to jerk off. Damn I didn't expect Mr. Smith to be packing that, but maybe it's a side effect of the darts. I keep watching until he swivels his chair in my direction, I can't risk being caught so I leave.

I look at my watch and realize I've lost track of time, I have a math class right now. I run across the campus to my math class and quietly sit at the back of the theatre.

I quickly get bored and wonder if I should hit Mr. Derrick with a dart in the middle of the lecture. It's risky but I'm bored so fuck it. I pull out the dart and try to shoot it as quietly as possible and it hits him square in the stomach. Mr. Derrick is a very scrawny man, so I'm curious about how it's gonna effect him.

As soon as he gets hit, he stops talking and freezes in place, but weirdly enough, no one in the class seems to notice. The man's skinny body explodes with fat. At first he grows a small pot belly, then a sizable beer belly, then it settles as a giant ball gut that looks like he stuffed a beach ball down his button up. I'm surprised his shirt has ripped yet. His chest grows two man tits that are visible through his shirt. The sleeve of his jacket starts to look like stuffed sausages as his fat arms fill out all the space in them. The man's thighs thicken until his pants start to rip and his fat ass causes his fly to rip open. Finally his clean shaven face grows a thick brown beard.

He continued the lecture as if nothing had happened. His lack of awareness of his body makes even more hot. I can't believe he ended up that fat, I can see his gut spill out of his shirt each time he reaches up. And every part of his body bounces when he walks around. Eventually he ended up sitting down for the second half of the lecture, and he was often out of breath from just talking.

Once the lecture is over, I walk up to the front of the theatre and talk to Mr. Derrick.

"Hey, I've been struggling keeping up with the material lately, I was wondering if we could have a one on one session?" I ask him.

"Oh ya for sure, just come by during my office hours and I'd be happy to help." He responds. The man is practically panting at this point and I can see the sweat start to drench his beard.

"By the way, I don't think that shirt fits you anymore sir." I say just to make him uncomfortable. He just looks down, blushes, and runs off. Hobbling as fast as he can out of the theatre.

I got two darts left, I should use them wisely. The only teacher I can think of right now is Mr. Brown. His voice is so deep and buttery but his body doesn't match it, he's really skinny. I think he'd be better off as a bear anyway.

I make my way to the athletics facility, I've had him for French and English class, so I know where to find him. He works out around this time most days, so I make my way to the gym. As I walk to the gym, I see him in the corner of my eye in the showers. He's turned away from me, so I quickly take my shot, hitting him in the back. His back muscles grow and become more defined before a thick layer of fat covered them and creates thick rolls down his back. His stomach grows into a sizable belly with a thick belly button. His chest expands, first to juicy pecs, but then they slowly soften into a pair of moobs. His traps grow as his shoulders broaden, I also notice that he's getting taller, like a lot taller. He was shorter than me, but now his head is well above the shower head. His arms grow to match the rest of his hulking body.

Next his ass widened and started to sag slightly under its own weight. His thighs thickened until they rubbed together and his feet grew from a size 11 to a monstrous size 20. I also noticed his dick grow to at least 10 inches, if not more. All the while he was still getting taller, by now his shoulders were above the shower head. Finally his facial features became softer and fatter as the hair on his head fell out, although his stubble grew into a thick black beard.

As the transformation ends, Mr. Brown reaches behind him and grabs the dart out of his back. He's the only one to have noticed it. He looks at the dart for a moment, then turns toward me. I try to duck behind the wall, but I think he saw me. I hide in one of the bathroom stalls until I hear him leave, with the size of that man, it's not hard to tell where he's walking.

Once I can't hear him anymore, I rush out of the stall and grab my bag. But just as I reach the door, I bump into Mr. Brown. He's waiting at the doorway with a small green towel wrapped around his waist.

"What's this?" He says holding up one of my darts. Interestingly enough, it's a full one. The one I shot him with should be empty, so that means. Oh no. I look through my bag, the last dart is gone. Before waiting for a response, Mr. Brown just grabs my arm and jabs the dart into it.

I feel frozen in place. My clothes feel tighter and tighter until I hear them rip. I feel the warmth of the locker room air touch my bare skin. I start to feel itchy all over my body as my perspective shifts higher and higher. I feel so strong. I feel like I've grown a foot in height, but I'm still at eye level with Mr. Browns chest.

I finally gain control of my body and look down at the damage. I have thick pecs and a little bit of a belly, all covered in hair. Thick arms and legs, also covered in hair, actually my entire body is now covered in hair. And the bulge in my underwear is massive.

I turn my attention back to Me. Brown.

"Where did you get these?" He asks in his deep intimating voice. I stutter for a moment. "I'm not gonna snitch, I just got a few people I want to use it on." Mr. Brown asks. My fear turns to excitement as I realize the damage Mr. Brown and I are gonna do together.

[lucabyte]

obligatory ramble about postcanon loop ask

also your art is amazing

Hiiiiiiiii :D thank you :)!!

and thank you for the excuse to post the. just absolute wall of text that i truncated down to form the tags of that post. (i did,,, hit the tag limit. i forgot tumblr had one of those...) so let me just paste that and tidy it up a bit...

I am putting this under a readmore because it's a bit long. but:

This is like. The General Context for all* of my postcanon doodles? (Except AUs obviously) Like this is the base idea I've been drawing them all in. So, feel free to backread with this in mind. I've basically had this 'postcanon' timeline set in my brain since finishing the game...

My general thoughts are that I like the idea of Loop (even if through dubiously ethical means) being able to slowly reintegrate with the party as a whole new person, because they are, in fact, their own person.

It's a muddle of thematic threads im pulling on and "wouldn't it be fucked up if", but. (at its core, it's powered by the fact that like, while narratively isat's theme of 'the only person who can truly take the first step to help you is yourself'. (wrt: loop helping the party help siffrin in act 5) which i LOVE AND IS GREAT NARRATIVELY…. would be super fucked up irl to learn that your friend 'learned as a lesson' while you stood by kinda uselessly. I know i'd be upset about it. but thats mostly background here. doesn't really come up. at least not until loop has to explain who they are and the party realises they had to fall back on literally themselves again for help, but i digress,)

The real core concept is: Occam's razor. It is like, inherently, a buckwild thing to accuse a person of being somehow a clone or copy of your friend. Even if they start vaguely alluding to a backstory it's far more likely they were some other person before all that. (I still think Odile has that theory in the back pocket but she's rational enough to know it's a really long shot without a solid explanation. and i think Loop deep down knows this, and would, if cornered into confessing, turn the situation around to go J'ACCUSE and make HER explain it instead. Ever longer dodging being direct with their emotions...)

And the party are nice! And if someone has changed and wants to keep stuff secret it's kind of not their business? (Though it's hard not to speculate… see: the main joke of the doodles) And they seem important to Siffrin so they just try to accept them abrasive quirks and all. And eventually the question of their prior identity just fades away since, well, they're Loop. Their friend Loop.

but yeah. personal headcanon is that a few months/weeks after picking up and getting aquainted with Nille** (since that was presumably the IMMEDIATE TASK postgame), Loop reappears (either after a literal period of nonexistance, or just spending a few months wandering the french countryside alone being attacked by wild dogs). Since Siffrin has had a while to be therapised by the party they're doing mostly okay, but Loop showing up and still being agitated/aggressive pulls them both into a bit of a backslide behaviourally and puts the party on the back foot again.

Hooowever, I do think that due to no longer being literally stewing in the worst pressure cooker of all time together, the two do mostly actually sort themselves out with productive conversation. (Via a cycle of: genuinely distressing argument -> weeeird lovebombing -> ok we're good -> repeat, that gets less intense over time)

Thus, allowing the party to just. Integrate loop as a new person. They and Siffrin shuffle into different ecological niches (Loop taking over stuff Siffrin is now too squeamish for, etc (see: hunting, mostly)), and while it's not exactly what Loop wanted they generally get that beggars can't be choosers and it's a pretty good deal. And the rest of the party does straight up just like them as a friend, especially when Loop quits trying to actively antagonise them after a few weeks of being around them, since they just can't keep up being mean to people they like forever.

As for how I think the truth eventually drags itself out. This is where I invoke The Isabeau Torment Nexus™. So its gonna get shippy here for a bit hold on.

Which is, I think giving them time before Loop reappears long enough that Siffrin and Iseabeau actually manage to become established, Isabeau has to be the one to nudge the pair of them and go. "Hey. You know we're in Vaugarde right. I'm okay with polyamory if we all communicate." Before Loop and Siffrin actually even acknowledge that whatever the fuck they have going on kinda looks a lot like a relationship of some kind. (or have already been agonising about that via fighting and arguing, depending) (Obviously this comes after Isa "Emotionally intelligent enough to keep a lid on the jealousy" Beau has managed to use that big brain of his to Not just go Scream somewhere on the daily because oh godddd they keep talking like theyre suicide-baiting each other jesus chriiist. is it overstepping his boundaries to bring that up?? god)

This, taking a bunch of the tension out of Loop and Isabeau's relationship (Since I imagine Loop is a. being weird for the obvious reasons and b. feeling kinda guilty about 'getting in the way of' Siffrin and Iseabeau), allows them to actually get close in a normal friend way. (I think an interesting turning point could be Isabeau actually taking Loop's side in an argument vs Siffrin, which would absolutely break Loop's brain. Especially if it's an argument that matters. Like what do you mean he isn't just going to play favourites. What?)

Then Isabeau, just actually open minded and charmed by Loop (and maybe even somewhat at Siffrin's suggestion?) tries to close the final open side on the polyamory triangle here and that's the final straw for Loop on "This lie by omission is too unethical to keep up, this is just actually sick and wrong. I can't do this while he doesn't know who I am." Though. Obviously it probably goes. Very poorly with emotions high like that. And the added element of several months of deceit. Getting dark here for a second but that dagger is going MISSING and so are THEY for a hot minute.

Then yaaay everything works out in the end 👍 yippieee!! all it took was maybe a lot of harrowed recontextualisation of all the weird shit your new friend said and did when it turns out they're your old friend. It's fine.

But yeah. this is basically the context all of my postcanon doodles have existed within? And those exist to give other people something to chew on. So this does too.

I suppose TL;DR: Imagine if sloopis almost fucking happens before isabeau knows who loop is. can you fucking imagine. can you imagine having to navigate that. nightmare.

*Yes this includes the implied cannibalism comic. Uhh. Comes part and parcel with headcanoning that Loop went way off the deep end similar to A5 Sif But Maybe Worse before giving in. Add weepy half-asleep confessions to murder wherever you see fit in your mind palace. 👍👍👍

**Re: Nille footnote. I don't have anywhere to put this besides here! I have some thoughts on Loop and Nille having an odd dynamic. I don't imagine Nille to be super gung-ho on trusting a bunch of adults (even if they are majority around her age) given their implied backstory. It's probably a big shock to the system, especially since Bambouche is a good couple hundred Kilometers up north from Dormont and these guys don't seem to have trains. She would've been unfrozen and without Bonnie for some time....

Which is to say: I think she's suspicious of them. I think she may be looking for excuses to distance herself, keep Bonnie safe. SO.... A new guy showing up? And antagonising the party? What do they know that I don't...? I should find out.

And since... Loop didn't ever know Nille, they have no ammunition or real reason to be cruel. Plus, if they're trying to stay on Bonnie's good side (SINCE... if Bonnie thought Loop was cringe they may as well kill themselves. In their mind.) they SUPER have no reason to antagonise Nille.

Mostly, they might be able to open up to each other easier than they can the rest of the party?

I feel like this resolves with Loop feeling compelled to apologise for what they and Siffrin let happen to Bonnie, though... Hmm... Depends on how you interpret Nille that they'd be glad nobody else had been told about that yet, or furious it had been secret this long. I lean toward the former.

[screamofdespair]

池田理代子 Riyoko Ikeda Interview About Oniisama E... (2016)

池田理代子 Riyoko Ikeda

Mangaka and Vocal artist, she began drawing mangas during her university studies, and her work The Rose of Versailles, serialized in 1972, became a huge success, even turning into a social phenomenon. She became highly appreciated internationally. She received the Excellence Award from the Japanese Cartoonists Association for Orpheus no Mado in 1980. The French government decorated her with the Légion d’Honneur for her contributions to spreading French history and culture in Japan.

What led to the creation of Oniisama E... ?

When the serialization of The Rose of Versailles ended, I had already decided that my next work would be a historical epic : Orpheus no Mado. But since it would take time to prepare for the historical research and start drawing it, I thought I could write something in the meantime (laughs). I feel a bit apologetic calling it just a filler, though, but actually, "Oniisama E..." was born from my own personal experiences. It’s a very important and cherished memory for me, and it just came rushing out all at once.

So, was your correspondence with the "Oniisama" also based on your own experience ?

When I was in my third year of middle school, just like Nanako, there was a preparatory course offered by university students from the University of Tokyo. I asked the graduate student who was in charge of social studies (the model for Takehiko Henmi) the same thing Nanako did: "Could you be my 'Oniisama'?" (laughs). I was deeply fascinated by the concept of an 'Oniisama" It's different from the idea of love, though. Through our letters, I learned a lot about history, religion, and various things. When I mentioned my interest in Christianity, he wrote me, "Christianity, as it is called, not only « participated » in the WW2 but was also one of its central protagonists : This is a historical truth.." I learned so much from those letters and grew a lot. I even went to the University of Tokyo’s May Festival. Actually, the "Oniisama" always had someone with him, like the omiki sake bottle. That person was the model for Takashi Ichinomiya. He was a person with a thin and delicate appearance, giving the impression of a young master from a wealthy family.

What were you like back then (during your school years) ?

I was really bad at sports, but for some reason, I was quite popular with the girls during my middle and high school years. In middle school, which was co-ed, I had good grades, had a very tanned skin, was tall, and completely lacked femininity, maybe that’s why (laughs). Even in high school, younger students would write me letters. After graduating, I found out that knowing someone like 'Ikeda-san' was really a source of pride for them.

Did you have the storyline planned out from the beginning of the serialization to the ending ?

It was more like ideas came to me as I was drawing. I don’t clearly remember if I had planned everything out until the end, but let’s say I had set certain elements in advance. For example, the idea that Kaoru and Henmi would be a couple came to me along the way (laughs). Even for The Rose of Versailles, I hadn’t decided from the start that Oscar and André would end up together. Of course, there are aspects I plan carefully, but in the end, the characters started acting on their own. And when that happens, I feel like the story is "successful."

Nanako is a very emotional girl, but also extremely determined. As for Mariko, she seems to embody the 'tsundere' archetype to some extent.

Nanako is very similar to Rosalie, isn’t she? Devoted, but in the end, she’s the strongest (laughs). For Mariko, there was a real-life model: a friend whose father wrote erotic novels. I gradually incorporated various elements from the people around me. I think many aspects are direct projections. Even the way Kaoru speaks, that’s really how we used to talk back then. We would say things like “Omae-san” (laughs). Oniisama E... reflects a lot of memories and episodes from my student life.

Oniisama E... is a short story, so its general recognition is low, but it has quite a passionate fanbase.

There are many men who tell me, "I'm a fan!". Recently, it's no longer embarrassing for men to enjoy shoujo manga. During autograph sessions, quite a few people enthusiastically tell me, "I love this work!" Some even say, "Oniisama E... is really my favorite!" When I hear that, I can't help but think, "Well, here's a true connoisseur!" (laughs). Of course, there are also many women among the fans. In that regard, I think Oniisama E... has nothing to envy from The Rose of Versailles.

And then, in 1991, it was adapted into an anime.

Actually, I was very busy at the time, so I wasn’t able to watch it properly… What left a strong impression on me, though, was how they carefully portrayed Fukiko’s feelings for Takehiko, which I hadn’t depicted in the original. I thought, "Oh, that’s so wonderful." It really fit perfectly, and there was no sense of discomfort at all.

It's a remarkable aspect of the anime adaptation. I wish I could have read it in your manga as well.

If I had a little more time, I would have liked to draw it myself. Originally, due to the planning period for Orpheus no Mado, I was rushed. Even though I still had many ideas in mind, it felt like I was forced to wrap it up (laughs).

Given what you’ve just mentioned, have you ever thought about remaking or creating a sequel to your own works?

Right now, I’m drawing a chapter for The Rose of Versailles, but... the art from that time was really bad, and I even hate re-reading it. I realize there were things I could only draw back then. When the serialization of The Rose of Versailles ended, I realized that in order to depict Europe, I would have needed much more knowledge of Christianity. That’s why, before starting Orpheus no Mado, I spent a lot of time studying Christianity. I don’t think I could have drawn the story without that knowledge. A work is the product of its time, of its era, the sensitivities, and the knowledge of the author, so remaking something seems difficult to me.

In 2017, you'll be celebrating your 50th anniversary as a writer.

I can't believe it's already been so long, and at the same time, I realize that some parts of my body are starting to hurt, which reminds me of my age (laughs). I've also been very active in music, but lately, progress has been slower. However, I truly want to cherish each passing year. For me, true happiness is living in a way that I would never regret anything, even if I were to die tomorrow. There's no reason to look back on the past. After all, it’s impossible to rewrite it. I don’t reread my works much either (laughs). I’ve lived my way, sometimes causing trouble to others, but doing what I wanted (laughs).

For this Blu-ray release, new illustrations were specially drawn.

I wasn’t satisfied with the drawings of The Rose of Versailles because I think they were awkwardly executed. Personally, I think Oniisama E... is the work where I drew the best. At that time, I was able to draw very precisely, even the lines were very clean. Over time, some works become hard to rediscover, but Oniisama E... is the one I drew almost effortlessly, simply letting the ideas flow. That’s why, even today, I can dive back into it without effort (laughs).

To those who have brought this product.

Oniisama E... is a work that originates from my own experiences, and it’s the work that I’ve let mature the longest, so I have a strong emotional connection to it. The idea for The Rose of Versailles came to me when I was in my second year of high school, which is quite early, but Oniisama E... came even before that. I would like as many people as possible to see and read it.

About Osamu Tezuka :

He wasn’t my lover, nor a relative, and calling him a friend would be too presumptuous. When I heard the news of his death, I really hit the desk and cried uncontrollably. That feeling was something I’d never experienced before, and it was the first time I felt that way about Tezuka-sensei. I truly respected him. Recently, it’s been the same with Muhammad Ali. Tezuka-sensei's Wellspring of the Crane was the first work that deeply moved me when I read it. It really squeezed my heart. I read it at a friend's house, and after returning home, I couldn’t eat, and my mother wondered if I had picked up some food off the ground. Ah, no one could understand! I remember thinking, as a child, that my sensitivity was different from others! (laughs).

Source: Oniisama E... Blu-Ray BOX SET Booklet.

Note : The translation might not be the most accurate word-for-word, but i did my best to make it coherent.

[bubsmiraculousau]

These are my OT5 brainstorm pages. Elaborations on how I got to these below! I reference concept pages so if you see any pictures you don't recognize that's why. <3

First up is Cat Noir who I think is already perfect lmao. For my version though I wanted to lean closer to his PV design because I love it, like his larger triangle nose (you can't really see it at the angle in my drawing but it's there I swear!), the bigger bell, the more elaborate belt, etc.... so basically everything ... just in my style instead.

With my designs I think that whenever someone transforms into their miraculous persona it's based on what they think a hero looks like or what they think is cool. I think Adrien reads a lot of comic books and is a fan of characters like Batman (relatable for him LOL), Catwoman, and Nightwing, so his suit reflects that kind of vibe.

Extra: I decided that Ladybug and Cat Noir's masks go all the way up their foreheads because it looks nicer in my 2D style with their bangs haha.

Next up is the one and only Ladybug! Unpopular opinion but I actually like the all red suit! My hypothetical series would be a webcomic, and I feel like in action scenes the red differentiates her from Cat Noir esp at a distance, and more red style keeps their color ratios even.

I like the ladybug designs with a bunch of black sections they're very cute! Just not for my au. (I think it's just me but I find drawing the ladybug designs with inverted red dots to feel sacrilegious in a way,,, just my neurodivergent brain lol)

And I am a long ribbons truther, I love them and they can be very expressive. Also I knew I wanted Marinette to have a more vertical circular eye shape because her shape vibe is definitely a circle (Adrien's is triangle) and it reminded me of the eyes for the main girl in princess jellyfish (I've never seen it, love the style tho)

Her hair is a more bright blue to contrast her hair against her suit, and make her look more cartoonish. I imagine her idea of a superhero comes from kids shows and some magical girl anime. So her hair has a plastic shiny texture to it because when she thinks 'superhero' she thinks of kids toys. Also I just like color! The blue kinda gives comic spiderman vibes imo (the version with the light blue instead of the navy)

Queen Bee definitely changed the most throughout the design process. I really like her in-show design so I just tweaked it to be more my vibe. Adding a crown because she's a Queen.

Something that I've noticed is that Alya and Chloe actually share a lot of traits (There's even some old concept notes where I believe Alya and Chloe either switch names or roles at some point?? The miraculous concept info rabbit hole is real y'all) and I think this comes through in their final designs.

Like they both share a middle part, which bothers me for some reason, so I decided to give Chloe a little Ariana Grande side part into a ponytail.

I wanted each character to have a cool little piece on their costume, so I tried these little hip things to make her more commanding and girlboss, but currently her weapon is similar to ladybug's (but more like one of those hair ties w the little disco balls on them) and it would sit on her hip and would clash w her hip thingies, so I just decided to make her weapon the hip things instead, combining the two.

Something else that bothered me a lot was that Rena was the only one with white on her costume. Everyone has black but she's the only one with white... my brain says that this cannot be. So I tried to give Bee some fun white fuzzy bits but the texture just was too different...

And then I had the mega-brain idea to make her hair white to tie in the white from Rena. Her and Cat Noir both having blonde hair irked me as well LOL so this hit two birds with one stone. I wanted her hair to be sharper and more aggressively drill shaped because of her abrasive personality haha.

After that, is Carapace. I had an idea for him from the start because I felt like his in-show design just doesn't match his personality... I couldn't make his outfit all loose because I wanted to stick generally to the miraculous suit formula, but I feel like 'skin tight suit' just isn't his vibe. So he has a kind of hammer pants situation.

I think they capture Carapace's b-boy ninja turtle vibe while still looking like a miraculous outfit. Though I decided later that I wanted the pants to be a lighter color for contrast and the visor to be white (to tie in that Rena Rouge white).

Lastly is Miss Rena! Something that bothered me (back on the similarities to Chloe) was that they both have ponytails (yes I know I'm crazy). Even though they have very different textures I just wanted each of them to be distinct from each other. So I put her hair down and just dramatized her regular hairstyle.

Also her and Queen Bee both have black gloves to their upper arms, which, you guessed it, bothered me. So I shortened Rena's to just reach her elbow.

I wanted her to look like a magic-man, her illusion powers evoke a showmanship energy to me. I imagine her and Cat Noir are quite the dramatic theater kid-esque duo.

So, for drama I tried some flowy arm bits, which I think ended up just looking a little strange, so I'll pocket that idea for something else. Then, I tried to add her coattail from the show, but it ended up looking a little frumpy, not the drama I wanted.

I ended up making her coat more triangular in the front, to give off the vibe of a magician's vest, and changed it to solider red/orange double coattails, which I think makes her more magic-man-ish. And I think the white ends made it too busy.

So those are my hero designs! I'm still working out Hawkmoth and Mayura, esp Hawkmoth because I am not good at drawing masculine older men...

If y'all want LESS of the artistic process let a girl know lol! I know some ppl like it but this is very long,,, all my drawings will not have text this long! thx for reading if you did tho xx

[avocado-writing]

I saw some of your BG3 headcanon and I got to say I love it. 💕

I hope it okay to ask what would BG3 companion would react if the reader is a selkie 🦭💕

how cute! hope you enjoy, anon!

Astarion

sort of glad he isn��t the only “afflicted” of the group (even though you consider your selkie-dom a blessing and not a curse like his vampirism)

you spend long nights discussing how you adapted to “normal” life after the tadpole. he doesn’t need to hide from sunlight, you don’t feel the pull to constantly be near water.

makes jokes about stealing your sealskin when you annoy him, in return you threaten to stake him. just girly things 💕💞💓💗💝💘💖

when you finally get the confidence to transform in front of him he is transfixed. you are beautiful.

“what do you think?” nervous eyes, picking at your fingers.

“you’re wonderful,” he says, uncharacteristically sincere, and you feel your cheeks heat up.

Gale

super duper fascinated.

asks you a billion questions, ones you didn’t even think about the answers to!

”so how does it feel when you actually slip into your seal form?” “?? Normal I guess? Idk, Gale!”

he watches you transform and swim around, making lots of notes to start with — but he gets distracted and just watches you play.

when you flop up onto the bank next to him, covered in water and out of your seal body, he gets lost in the sweet depth of your eyes.

when he kisses you for the first time it’s the most sure he’s ever been about anything.

Karlach

“oh my GODS that’s so cool!”

also asks a billion questions too but not like… smart ones.

“have you ever eaten raw fish?” “yeah of course, Karlach!” “haha ew how did they taste?” “pretty good actually!” “AMAZING”

can’t stop looking at your, stroking your cloak when you’re in kith form. she knows how precious it is to you and wants to keep it safe.

she submerges herself in water and heats it up like a hot tub, you turn into your seal form and float around lazily enjoying her heat. ❤️

Wyll

gobsmacked but honoured you shared this side of yourself with him.

we know our lad likes fairytales, he’s swept up in the storybook aspect of it all.

(secretly you’re both thrilled at the idea of being a knight having a romance with a selkie. it’s so perfect and sweet! 💕)

always checks in to see if there’s anything he can do to make you feel more comfortable - finding you water to relax in or getting you some fatty food to enjoy.

perfect partner. respectful and doting. no notes!

Shadowheart

surprised, but pretends she knew all along (she didn’t, she just doesn’t want you knowing how taken aback she is)

I think you being a selkie helps her get the courage to try and swim.

maybe it’s you in bipedal form holding onto her and leading her into the water, or maybe you turn into a seal for extra buoyancy.

either way, she’s squeaking “don’t you dare let go!!”

she eventually gets more comfortable with this side of your life and there is nothing she enjoys more than just floating with you, holding your paw or your hand 💕

Lae’zel

doesn’t really understand.

you have to explain the concept to her a couple of times before it sinks in.

”this is a confession?” “yes…” “I do not understand why you believe I would think any differently of you. you are still the source of my joy.”

her honest acceptance of you, all of you, is enough to make your soul feel sweet.

you kiss her. there is simply nothing else for it.

Halsin

my man wildshapes, so he’s pretty used to people being in animal forms - even if it’s a bit different for you.

the two of you talk at length about changing into beasts and how it feels, what joy and freedom it brings.

let’s be real. we’ve all seen the bear scene. the two of you probably both turn into seals and get freaky. it’s great.

he likes to curl up in his bear form around you as a seal and drift off to sleep on the shore. you feel so safe next to him. he’d never let anything hurt you.

[shmaba]

I’m going to assume that at this point you’ve all seen Critical Role’s new show Candela Obscura and at least skimmed through the Quickstart Guide (you have done all that riiiight??) So I wanted to compile all the things I’ve done that have been shown so far. Its long so read below the line!

I’m going to try to avoid spoilers. So feel free to read without worry. I’m also going to try and avoid breaking any NDA like a good professional. So I will not be doing some deep dive behind the scenes thing. Only visuals that have already been publicly shared are going to be on here

The very first thing I did on this show was the concepts for the main set. Everything is practical. Nothing is green screen or cg or whatever. Some people think it’s just good cg but nope that's all real. You could touch it! (don’t touch it, there are ghosts)

There were multiple iterations on the design, each with their own vibe and statement piece. CR narrowed it down to what you see in the show: a sort of storage hall with an odd clock contraption behind the GM. I think I called this design version the “Abyssal Hall” or something like that (I gave the different versions names to better keep track of which design was being discussed)

The company Flip This Bitch built the physical set. They turned my silly little art into a real thing. So they did all the actual magic of making this set come together in the end! They deserve a lot of the credit for it looking so good in the end.

Also that little piece of art in the bottom left of the preshow is a section from the final concept art of the set.

That contraption behind Matt is based on astrolabes and clocks. This isn’t really meant to be a literal astrolabe or a clock as we would use them in our world. Narratively this isn’t a device that measures either of the things that a traditional astrolabe or clock does. This is a special magickal tool that does a secret third thing.

Also I did concepts for the GM screen. You don't really see it besides in the fancy-shmancy preshow. There were a number of more intricate designs for it but CR went with the simpler option since the only part that would be visible on stream is the top, so that's where I put the most detail.

I should also note that I did not design the logo! It’s pretty prominent on the GM screen but I was supplied an already existing logo for this.

NEXT is the Taliesin enclosure set that you see in the trailer. This is actually meant to be like the lantern room on the top of a lighthouse, minus the big light beacon (You could say Taliesin is the beacon).

Also in the trailer you see a couple brief sketches I did for some world building concepts:

Speaking of sketches there are a number of art pieces of mine in the Quickstart guide

A lot of my art is sketches. They’re all meant to be like notes and drawings from members of Candela as they travel and notate their findings. Most of the notes on these sketches are my actually my notes when I was doing world building concepts, but they replaced my handwriting with a font because my handwriting sucks lmao (also likely for ease of future localization).

Also the cover of the Quickstart guide uses line art of a part of that astrolabe clock set piece. This line art was part of the deliverables that was sent over to Flip This Bitch for construction. They’re just using pieces of those set concepts everywhere!

As you can see I’ve done a lot of art for this project. I was part of this project when it was still early in development. It’s changed quite a bit from where we started. 

I wasn’t the only one that made all this art happen though. Other artists, writers, and designers got to add their own vision to this. It was very much a collaborative effort that took a long time to happen. It’s very exciting to see everyone’s hard work come to fruition and there is a lot more to come!

[suzukiblu]

Ko-fi thank-you sentences for Derpsheep; a fake cryptid and a real romantic. (( chrono || non-chrono ))

“Oh! Are you not the kind of bird who makes the nest? Because I can totally make a nest, I can definitely do that!” its new Robin blurts eagerly, straightening up in the air and brightening in excitement. 

Dick cackles, and Tim makes a strangled noise and vanishes completely inside Robin’s wings. 

“Um . . . is that not . . .?” Its new Robin trails off, looking embarrassed. The Batman is . . . puzzled. It really never has had a Robin that nested before. They’re all different, obviously, but–

Oh, it realizes, and tilts its head. Perhaps this actually isn’t a new Robin. Perhaps this is something . . . else. 

Something–new, in a sense. 

There was Batgirl and the Spoiler, but this is more . . . Starfire, maybe. More like her. Something different, that isn’t from Gotham. Isn’t of it. Something new and shiny like a just-made, just-cut diamond with no history to it. 

The Batman prefers history. Prefers old and lovely things; the long, long line of preservation and protection. The cherished, and the stories that are cherished most of all. The history of a bloodline, of a name, and the loving fear of the dark, and the flip of a decades-old coin against the shine of a centuries-old jewel, and above all, the concept of justice.

But the Batman is also a thing of change, a thing that wants to keep moving, and a thing that wasn’t there, once, but will be from now on. A thing that wants to help bring something better. 

It wants better for Gotham. 

And Superman is something bright and constant in the world, and wants better for it. So then . . . Superboy is . . . not a Robin, but . . . 

Something new and shiny and just-made, and made of a dreaming for that “better”, when the Batman looks at him the right way. 

Something that came looking for its Robin with a diamond made just for him, and caught Nightwing without a moment’s hesitation when he asked, and wants to build its Robin a nest. 

Hm. 

Selina brings it diamonds, sometimes, wrapped around Cat-claws and a slick smile. But she never stays to nest. 

But not-its-new-Robin still tastes just a bit like Cat. 

. . . hm. 

kitten, the Batman decides after a long moment, and then pats the kitten’s curly fur with the trailing edge of its cape. It leaves the rest of it strung in a net, though, because Cats shouldn't be able to fly at all. 

Not that it's telling the kitten that, because then he might realize he can't and fall. 

“Uh–what?” The kitten blinks at him, though he leans into the petting just the slightest bit, feeling like a neglected alleycat that's just feral enough not to know what to do about being touched. Dick falls over laughing–though he doesn’t actually fall; not any farther than the ledge–and Nightwing’s discordant cackle echoes across the rooftops. 

“Oh my god,” Tim mutters under his breath, and sounds very “teenage” even in Robin’s voice. 

The Batman has learned about teenagers. 

kitten, it repeats with one last patient scratch behind the kitten’s ears, then draws its cape back. Strays don’t get used to being petted so quickly. 

The kitten . . . blinks, once or twice, his eyes very large and pupils dilated far past normal human proportions behind the flat opaque surface of his glasses. 

It does look very Cat-like, in the dark. 

The Batman hums its approval and pats Tim’s shoulder where Robin’s feathers drape and cover, and then turns to leave. 

[lu-is-not-ok]

Any particular thoughts on Fanghunt Hong Lu?

Yes, one very specific thought in fact.

Fanghunt Hong Lu is the most violent Hong Lu ID we have had thus far, being one that not only revels in violence like Tingtang Hong Lu or Hook Hong Lu, but also one that is actively shown torturing his victims in some genuinely stomach churning ways.

He is also the one Hong Lu ID which, while mentioning his Family, is one that doubts the very nature of what a family even is the most clearly.

This, to me, highlights a very noticeable pattern among Hong Lu's IDs.

When a Hong Lu ID is shown to be actively under his Family's control, he's either completely uninterested in violence (such as Liu) or so bored with the role he's forced into that violence is the only way he's able to push back against that boredom (K Corp and W Corp).

On the other hand, a Hong Lu ID that seems to be heavily disconnected from his Family is often one that is actively enjoying the violence he inflicts and is notably kind of fucking unhinged (Tingtang and Hook).

Fanghunt Hong Lu adds another nuance to that spectrum, being an ID that still has contact with his Family, but one who isn't specifically in a position chosen by them and who is led to doubting what a family even is by his experiences.

He shows us a possible outcome of a Hong Lu who has to actually reckon with reality and doubt what he knows about his circumstances, and the results are not pretty. After all, like I said earlier, Fanghunt Hong Lu is the most violent and most hate-filled Hong Lu we've seen up to now. He pulls out a guy's fucking teeth one by one for fuck's sake.

...And this made me think a bit. We actually have quite a few Hong Lu IDs with a Wrath Sin Affinity by now. However, Fanghunt Hong Lu is only the second we have with a Wrath Skill 3. The other one being, of course, Liu Hong Lu.

Both Hong Lu IDs with a Wrath Skill 3 seem to be to some extent aware of something being wrong regarding their Family, in very different ways that lead them into reacting to it very differently.

Liu Hong Lu seems to be aware of the fact he has no real control over what happens when he's under his Family's watchful eye, leading him into being the least violent Hong Lu of them all. He's aware of what his Family is doing to him, but he's unaware of it being abnormal.

On the other hand, Fanghunt Hong Lu seems to be unaware of the specific horrors of his Family. Rather, he's become aware that Family itself is a concept that he can't quite understand. He's seen Bloodfiends who abandon their previous families to be with their new Bloodfiend families, and it's a point of focus for him. What even is a real family?

...This, I think, is where Liu and Fanghunt Hong Lu differ the most. Liu Hong Lu knows he's being hurt, but he doesn't see any way out, that it's just how things are supposed to be, so he simply tries to live through it.

Meanwhile, though Fanghunt Hong Lu doesn't have that piece of the puzzle, he does have a different one - the seed of an idea that he could escape. Proof that one's "Real" Family doesn't have to remain their only family. He just doesn't yet realize what he'd want to escape from, so he channels the feelings he's experiencing because of that information against the immediate source of it. Instead of using that idea to free himself, he directs his anger towards those that actually tried it and succeeded.

I don't mean to keep pushing my "Hong Lu will go apeshit in Canto 8" idea, but like... The more info we get about him, the more likely that possibility becomes. After all, Fanghunt Hong Lu is a clear example of the fact that a Hong Lu aware of an escape route from one's Family could become extremely violent. That added onto the potential of Lorenzo's story told by the Priest being a parallel to Hong Lu, and the fact that the Sapling of Light Hong Lu is likely going to parallel is Chesed... It's all a lot.

[thewalrusespublicist]

I’d love it if you could give your thoughts on john getting married a week after paul. do you think it was just a matter of outdoing paul and having ppl talk about his wedding instead or something entirely different. thx!

That moment John realises he's going to have to commit to the bit…

Nah I'm joking, but also a little bit not.

I mean the more you think about the question of why the hell John did that, the more complex it gets (and why it’s taken me so long to reply lol). Trying to boil it down to three essential points from least to most important though, I’d say it was the commitment to the ‘ballad of John and Yoko’ plotline, drug fuelled competition and then the fundamental reason underpinning it all which was the overwhelming fear of abandonment/‘thwarted love’ between John and Paul.

So let’s start of with the simple one - the ballad of John and Yoko. Part of John and Yoko’s entire brand was that they were the most in love couple in the history of love and that their love story was the symbol of progressive society and the activist movement in the late 60s. That type of brand and the undercurrent of superiority complex and fragile narcissism underpinning it can’t do with a competing love story pulling focus. Therefore, John and Yoko would have to quickly correct that by getting married as soon as possible to draw focus away from them.

Then there’s the competition. John and Paul were famously competitive with each other, but somewhere towards the late 60s, this starts to shift a lot more into the personal than it had before, probably partially due to heroin. In this landscape of drug use and high competitiveness, everything including personal happiness is a competition to win. This would be especially true when it came to dating women due to its ties to concepts of masculinity and Johns insecurity about Paul’s looks. In John’s mind, I think he partially believed Paul getting married was a strategic one-up move that John had to outdo.

But to me, the real root of the transition into personal competitiveness is actually what I believe this was all about this entire time: abandonment.

(Some of this will be similar to the breakup podcast series but I heavily agree with them so it can't be helped.)

Now competition is par the course for John's creative partnerships, but he does have a specific pattern when he feels his partners are becoming too independent. Whilst you need a lot of salt for Dakota Days, John Green/Charlie Swan does occassionally say some very insightful things which ring true, one being John's behaviour toward Yoko:

John did have a long-established pattern of early support followed by sudden withdrawal. What he required above all was Yoko's undivided attention. So long as her ideas kept her focused on him, he would support them. But as soon as she started off on her own, John would withdraw his energy, knowing that this would force her back to him.

It's not a 1-1 situation and other factors are at play with the John and Yoko dynamic but similar behaviour was present with Paul around Yesterday. Coming back to the late 60s, John was in a similar predicament. According to Pete Shotton, John was feeling isolated in 67' with George and Paul developing their own lives. Then came the engagement to Jane Asher and the arrival of Linda. It's quite notable to me that John remains so salty and annoyed about Linda and not in a 'god why did Linda pick him not me' but in a 'why did he pick Linda??' way. Add to Paul coming into his own musically to the point John has to 'swallow his jealousy' and you have a huge mess for John psychologically.

This is a view shared by many on here but the shift to personal is to me part one of the two pronged withdraw and burn strategy. Fearing that he was going to be abandoned, John withdrew emotionally from his dynamic with Paul and tried to individuate himself. As highlighted by later statements by both of them, their construction of their own identities did not allow for severance from each other. Having no option in his mind to separate from Paul and spurned on by his paranoia, his belief system morphed into a karmic yin-yang in which only one of them could be strong and successful.

The second part of the strategy (that still bleeds in with the first) is to burn and humiliate, in this instance to a new partner, and rip apart everything they had built. My big question with John is how much does he believe in what Yoko and he are doing? I think somewhat, but I'm not convinced that at least part of it is to smash apart the Beatles brand and everything he and Paul had built apart (the dead rat story especially made me really reevaluate some things). I'm not saying that John and Yoko weren't madly in love and that some of John and Yoko's own weirdness didnt factor into her being there all the time, but the constant 'Yoko has to be here, has to talk for me, 'I'd sacrifice all of you for her' feels partially performative and intentionally provocative (especially the last one, why say that when no one is really attacking them other than to make your friends feel like shit?). Paul reactive response in kind reflects that this strategy worked. It's crucial to remember that Paul brought Francie Schwartz into the studio first. This isn't about 'being too in love' to be apart, it's about getting back at each other and as Lina put it, ''playing these games' in escalating ways.

In this environment the marriage is the flipped table on the chessboard. Paul isn't playing and they can't take this back. He is now a married man whose first priority will be his wife and the children John knows he's always craved. Considering his responses to his imagined abandonment by Paul, there's no way John is jinxing his relationship with Yoko nor getting left alone at one altar as it were when there was another ready and waiting to go.

[beemochi-art]

For the Character: twitch 8, thrash 2, nightshade 18, hashtag 20, jawbreaker 21 and slipstream 14.

For the Ship Forte-verse Jazz/prowl D and for the author 🌍

2) First time meeting their best friend

Thrash first time meeting his best friends is when the Malto adopted him. Robby and Mo aren’t just his siblings but his best friends.

HOWEVER! Thrash was ecstatic to meet JB. They are connected to each other through an emotional bond and became friends quickly.

8) First time they took a risk, or the biggest risk they've ever taken

Teaching herself how to fly. None of the autobots fly, Wheeljack tried his best to help her but unfortunately he wasn’t successful at teaching something he doesn’t know. She had to learn herself, and with a lot of practice (and being a bit of an extremist.) she got it.

14) First time facing their fears

Slipstream isn’t necessarily scared of concepts she is instead more scared of certain people. She is afraid of Megatron most of all. She most of the time stayed out of his way. But When Megatron was going to kill Starscream she couldn’t stand by. She shielded Starscream with her body, this decision could have killed her but instead Megatron spared Starscream. She still got hit but at least her dad is alive, though he probably wished he was dead during the beating. Though she faced Megatron she is still scared.

18) First example of real character growth along their journey

(SMALL RANT. I am very upset on the treatment of Nightshade by both the fandom and the writers, l wont start on my issues with the fandom cause those issues aren’t relevant here. I wanted so desperately for Nightshade to be an actual character, and for season one they were but after that it was just over, no more problems, no more contemplating issues. Unfortunately like most Lgbtq characters, they are turned into a place holder, just a box to check on the pandering list. It seems like now nightshade is just the person with the remote that fixes everything, part of the reason why I like Earthspark Expeditions is Nightshades dialogue when you screw up. Nightshade pull no punches on making you feel bad, which is something that happened to me a lot cause I was really bad at those side quests. But even though they weren’t a playable character they still felt like more then a place holder, that bot can be sassy. And I loved it. But alas, it’s probably too much to expect a company to make actual Lgbtq characters like normal character. Regardless I feel like it is important to include lgbtq characters in media)

ANYWAY!! Nightshade came online and was alone, they saw the decepticons destroying everything/ some decepticons seeing Nightshade as vermin and the Autobots fighting back in a brutal way. They recognized that they were a similar species to the cybertronians but renounce they’re ferocity and brutal ways. Nightshade also learn the hard way that humans aren’t that different either. Feeling alone and confused about the world around them, they decided they would just live solitary. Until that option wasn’t available anymore due to the decepticons. Nightshade left with no better option followed Twitch to the Autobot base. Nightshade was stand-offish and sometimes mean. Throughout they’re adventures they learn that the Autobots are here to protect them and may not be right all the time but are trying. Nightshade connected with Bumblebee, they have many similarities. Nightshade also come to sympathies with some cons as well. Nightshade wants gets inspired to want things to change in peaceful way… there has to be a way.

20) First time they felt accepted/welcomed by another character

Hashtag had to be rescued from a M.E.C.H base. Being forced to fight both autobots and decepticons, She was very confused, aggressive and didn’t really know anything. She did know the bots she had an emotional connection with were apart of her in some ways and could be trusted. She didn’t really like humans either, so when Thrash took all the Terrans back to the Malto home she stay around the woods near their home.

It took lots of time but the Terrans as a collective brought her out of her shell and made her feel safe. They told her that technically she was the reason they all were together now. They may have never met if she didn’t call to them.

21) First major change in their life, and how they dealt with it

Jawbreaker leaving the decepticons. He had too. He needed to go find what was calling to him. But that wasn’t the only reason. He knew Megatron is wrong, maybe he was right a long time ago but now it’s wrong. Jb barely understands anything about the War but he has seen people get hurt, he’s been hurt.

Jb took a risk and left without looking back. He mostly keeps to himself about his decision but sometimes struggles with it and wants to go back. He’s not dealing with it too good, but he’s got his siblings to lean on when he needs it. He just hopes those he left behind are doing ok.

D) First kiss

After a couple of dates and Jazz egging Prowl on. Prowl went to kiss him, unfortunately there was more then his nerves getting in the way.

🌍 - First attempt at worldbuilding, or a notable piece of worldbuilding you're proud of

A personal series I have which has OOTALS AND OOTALS of of world building that I am proud of. I love this story and I’ve had it for years, probably one of the early stories I’ve made. It’s called Wolfram.

Tf stuff has definitely helped my world building skill.