#the actual scenes did not help

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[l4tchk3y]

I thought it would be fun to draw Espio using a couple different weapons and it was. :3

[buttercupshands]

can you even call it a warm up if I'm going to bed without drawing anything big

and a sketch I made while sitting in the park today

[royaltea000]

I love Bai Long Ma he truly don’t gaf

[umblrspectrum]

ive been struggling big time coming up with anything funny to draw that hasnt been done yet so have my rw au art dump

[mollysunder]

The biggest tragedy of Jayce's raid on the shimmer refinery wasn't just that he killed Renni's son, it's that that kid died slowly without any sort of comfort or aid. That boy was alive and wheezing by the time when Jayce and Vi slowly (kind of reluctantly) made it down to the ground floor and was still alive enough for Jayce to look directly at him as the light left his eyes.

What's worse is that he died surrounded by shimmer, a single drop could have saved his life! Anybody at the refinery that could have helped him, even in theory, was held at gunpoint by the Enforcers Jayce and Vi brought and could only watch him die. And then his body's just left there for his mom, Renni, to see. This boy was the kid that pulled the alarm on the Enforcers in the first place, he absolutely knew why shimmer was so important to their operation and once Piotover got involved he's deprived of it's aid.

[slytherinshua]

slowly realizing more and more that the sm boycott effort is gonna amount to nothing in the end, and this is not the way we should be going about the riize situation.

i loved seunghan when he was in the group, and i am still an ot7 fan. but at a point, i think we need to think of how much of our time and energy we're willing to spend fighting for something that has such a small chance of actually happening. sm is gonna bounce back from any stock lost from the boycott because they are one of the big 3. they have like 4 of the biggest groups in kpop rn: nct, aespa, red velvet, riize. there's just no way either boycotting riize or boycotting all of sm would actually be detrimental enough to get a member who's been terminated from the group back in.

and while i don't agree with the ot6 fans who are being unreasonable, i think some ot7 fans have been just as bad. this fandom is so toxic and rotten, every day it just seems to get worse. and i don't like the narrative that most ot7 fans were spreading about ot6 kfans-- how they were just mad that seunghan was dating pre debut. that isn't why they were mad, they really didn't care about that. it's the fact that he took pictures of him with his possibly/alleged underage girlfriend (it's honestly bad enough with/without her being possible underage, which i don't have confirmation on) at what looks like a hotel and presumably sent it to his friends in a group chat (which was how it got leaked). that's why they wanted him out of the group.

personally, i don't believe that a member should get kicked out of a group or put on hiatus without a proper reason why. and seunghan's hiatus and termination is really messy. but there are valid reasons why kfans weren't too big on him. the problem is there have been many idols kicked out for things they didn't do, and others who have been caught doing really fucked up and nasty things and rightfully kicked out of the group, but it's hard to know which idols are innocent or not when there's no organization. and when we jump on a narrative train and blow something super big out of proportion, the facts and proper investigation of the situation gets lost in the mess of things.

what should have happened was things being properly investigated back in october 2023 before seunghan was ever put on hiatus, and a decision made from there whether to keep him in the group or kick him out based on that.

instead, we have the other 6 members who clearly want seunghan back tired of the state of everything (rightfully so), ot7 and ot6 fans fighting a full blown war every day without logical thinking, and misinformation being spread left and right. there's no organization, there's no firm confirmation on anything, all of this is just such a big mess.

now let me be clear IF it's true that there was anything suspicious going on between seunghan and his girlfriend, then i would obviously no longer support him. as it is, i'm not going to stop supporting him until there's firm evidence. i'm tired of kpop stans making rash decisions based on half truths instead of just being patient and waiting for the facts to come out. staying neutral during unclear situations is a valid stance to take. please let's all stop jumping to conclusions from both sides.

[holdmymetaphor]

okay when i started rewatching house, it took me until 3x15 but i started to notice a pattern in house's wardrobe. the scene where foreman was trying to express sadness(?) at house's (fake) brain cancer they were both wearing pink.

After that I noticed that any time house was wearing pink, they were particularly vulnerable moments. Moments that he's feeling tender or open. Moments where he is being pretty earnest.

Then I started to notice that other colored shirts came up at different times. Light blue was his most neutral state, it represents logic and reason imo. Maybe a little bit of humor. There's a lightness or surface-ness to it.

Purple represents something like consequences or grief or guilt. any time there is purple someone is bearing the weight of a decision that was made, or a complex situation.

Black represents, as you can imagine, death. the darkest moments we see house in black.

The other colors aren't as prominent, but I have theories. Red is sex, power, life, excitement, ego. tan is neutrality. white is almost naive. green is rare and house never wears it. Dark blue is still logic but more solemn, more deep. its also interesting to note the times when he doesn't wear a t-shirt under his dress shirt and leaves like 3 buttons open (hubba hubba) and when he /only/ wears a t-shirt. I think his dress shirt is almost like his armor.

[libbys-braincell-loss]

I love how much people are going bonkers for SMG4 being such an awesome babysitter for the kids, and i am too, SMG4 was amazing in the latest ep

But also

Mario genuinely helping out in battle and worrying about the kids

Mario may be stupid but he does have moments and i want to see more mario appreciation when he does stuff like this

[s0fter-sin]

rewatching s1 and in ep2 w*ndigo, dean makes a joke about not bringing provisions into the woods just to pull out a bag of peanut butter m&m’s and stick with me here, it’s why the later seasons’ “goofy dean” loses me

this moment is clearly a joke but if you think about it too much, it also makes some sense; a family size bag of peanut m&m’s is calorie dense and even the high sugar is good to keep you moving which they need on an overnight hunt. it also shows how due to their upbringing, they’ve had to eat lower quality food, things they always had access to that was cheap and also in bulk

what does dean eating ghost pepper jerky then tipping water on himself exist for other than to be a cringy joke? what does smelling old chinese food, testing to see if it's still good then shaking his head with cabbage hanging out his mouth when it isn't serve? it's just to make him look stupid and contrast sam's healthy/clean diet (and superiority but that’s another conversation) which has always existed but it used to be nuanced and natural

we see dean as a child give up the food he wanted to eat so sam could eat it. (“i’m sick of spaghetti-os,” “you’re the one who wanted them,” … “i want lucky charms!” “… there’s only enough for one bowl and i haven’t had any yet!” proceeds to give them to sam, 1x18) we know he hustled and stole food to ensure sam ate. (“so, what’d he take?” “get this- peanut butter and bread.” 9x07)

we also see throughout the early seasons dean teasing sam about his salad or healthy choice while he eats some form of burger or other fast food (or notably, cheerfully eating prison food that sam won’t touch, 2x19). it's typical sibling teasing but it also shows that it isn't new for sam to eat like that and for dean to know he eats like that

sam being picky isn't just a character trait they chose for him, it's a result of how dean raised him; he raised him to like and want healthy food and be food secure enough to reject food he didn't want

but dean eats anything he is given and seeks out unhealthy - cheap, plentiful, filling - food

he is the opposite of picky to the point of it being a consistent bit; they show him multiple times eating when it's socially frowned upon to do so eg. questioning a grieving victim when they're trying to be discreet (1x14, 2x15, 2x18)

a similar moment to the chinese food is in 4x19; dean wakes up in the car while sam brushes his teeth outside and is hungry. sam says there's a sandwich in the backseat, dean smells it and recoils bc it's an old tuna sandwich. the moment is funny on its own but it also exists as a comparison of their lives to adam's; he has a loving mother, goes to school and importantly, a steady stable childhood

it’s a joke with a purpose

it also supports dean's food insecurity; he wakes up and is immediately hungry, enough to complain about it and seek out food before anything else

dean is always hungry bc he never has access to nutritionally rich foods bc he got used to using the money he earned to buy sam's more expensive food. he got used to his cheaper, denser foods and grew up with (and continues to live with) intermittent access to said foods. think of how long it takes to drive from one state to another; how many hours it can take to see another town that offers food, if you arrive at a reasonable enough time for anything to be open. also think how they can’t keep any food beyond what fits in an esky; nothing that needs defrosting, nothing can be heated up. it’s bags and jars and take out for as long as they can trust it

then they get the bunker which has its own kitchen

dean even describes himself as "nesting" when he decorates his room, something he hasn't had since he was four years old, and he uses said kitchen to cook a burger from scratch that he is proud of. he is food secure for the first time in his life and it shows in how often he cooks for both himself and sam

so these moments where they have him acting goofy regarding food are no longer character driven and only exist as a joke which is why they come across as cringy and out of character compared to similar earlier moments

a lot of my issues with dean's characterisation started when they introduced the bunker. the argument can and is made that the reason these jokes happen is bc he feels safe in the bunker, that bc he now has a home he can relax and unmask but that still doesn't feel sufficient. they crank up these sillier moments for both of them, giving them a sort of playing house comedy vibe of two roommates with completely different personalities but it doesn't feel like an authentic progression. it feels forced; an attempt at humour for humour's sake

food stopped being an informed part of their characters and their trauma and instead became flanderised; sam is the judgy vegetarian health nut and dean is his borderline slovenly carnivore counterpart

[nico-moist-moses]

Please don't take mental health advice from the emotionally constipated man, Dipper

[dykedvonte]

I hate the stretch lines in the front of Curly's uniform because that means the devs rushed to make a model in like a month or so and thought "They gotta at least know he has huge knockers, gotta know he's got back pain." Cause like what is the thematic importance of his tits having overhang?

What responsibility is that representing? Breast reduction? It shows an inherent greed in his character due to the excess and heshouldletmeholdone and that he clearly is blinded cause if he tries to look down his damn ladder all he's seeing is his own cleavage.

[prolibytherium]

I never touched it but I feel like i only ever hear positive things said about song of achilles.. in (rough strokes at least) what makes it dogshit to you?

Okay it's been a while since I actually read it so some of this might not be spot on accurate. Sorry if at any point I say 'the book never does xyz' and it actually does once or twice but I think my underlying criticisms are accurate

-Patroclus is made into like this soft gentle tender quivering little yaoi boy. In the source text, he's shown as compassionate and moved by the suffering of his own men (and apparently having some medical skill, tending to the wounded in the camp), but very much invested n combat and very, very good at it (pages worth of descriptions of the guys he's killing left and right). In this, the arguably more complex character from this 8th century BC text is flattened into Being A Healer, he doesn't want to go to war he just wants to help people, he only goes because Achilles has to but he doesn't want to fight he's a HEALER he's a gentle lover NOT A FIGHTER who just wants to help he just wants to help everyone around him he HEALS while Achilles is a doomed warrior who is so good at fighting and KILLING its a DICHOTOMY GUYS!!!LIKE THE BEAUTIFUL SUN AND MOON DOOMED LOVERS SO SAD patocluse HEALER . (I Think he's specifically characterized as being BAD at fighting but might be misremembering)

-I don't remember much about Achilles' characterization I think it just makes him less of a jackass while not adding anything of interest and levels out into being mad boring.

-Not getting into the literal millenias old debate whether the mythological characters Achilles and Patroclus were being characterized as some type of lover by the original oral sources of the Iliad or its Homeric writers. We will never know. We don't even know what (if any) culturally accepted conventions of male homosexuality existed in bronze age Greece (we know much more about their descendants). But there are some interesting elements of their characterization in this direction, with how unconventional their relationship is WITHIN the text itself- Patroclus is described as cooking for Achilles and his guests (very specifically a woman/wife's job), Achilles chides Patroclus like a father, but there's also scene where Achilles' mourning of him directly echoes a passage of Hector's wife mourning her husband, Patroclus is explicitly stated to Achilles' elder, and is overall treated as his equal or near-equal, closest confidant and most beloved friend (to the point that pederastic classical Greeks would debate over who was erastes (older authority figure lover) and who was eromenos (adolescent 'beloved')- many took it as a given that this text depicted their present-day cultural norms of homosexual behavior but it existed so Outside of these norms that it had to be debated who was who). Their relationship is non-standard both within the text and to the descendants of the civilization that wrote them.

Basically what I'm saying is this book had opportunities to like, explore the unconventionality of the relationship (being presented here as explicitly lovers), explore the dynamics of why Patroclus wants to do 'women's work' (besides being a tenderhearted softboy), the weird dynamics where they take on paternal roles to each other but also roles of wives, how they feel about being this way, and just kind of Doesn't. Which I guess isn't an intrinsic fault (because it omits much of what I just talked about to begin with). it's just like.... Lame. This book takes jsut abandons everything interesting about the source text in favor of flattening it into bland Doomed Yaoi.

-The conflict that sets off the core story of the Iliad is Achilles and Agamemnon fighting over Briseis, an enslaved Trojan woman taken by Achilles as a war-trophy, Achilles spends most of the story moping because he was dishonored by his 'trophy' being taken. Achilles and Patroclus and everyone else are raping their captives, all the women in the story are either captured Trojans (or in the case of the free women within the walls of Troy, soon to be enslaved, and are slave owners themselves). Slavery as an institution and extreme patriarchal conventions are innate to the text and reflective of the context in which it was developed. You cannot avoid it.

But obviously you can't have your soft yaoi boys doing this, so the author has them capturing women to Protect Them from the other men. Their slaves are UNDER THEIR PROTECTION and VERY SAFE (and they might even Like And Befriend Them but I might be misremembering that. Briseis does though). Our heroes have apparently absorbed none of the ideals of the culture they exist in and the author seems to think "they're gay and aren't sexually attracted to their captives" would translate to them being outright benevolent (also as if wartime sexual violence is just about attraction and not part of a wider spectrum of violent acts to dehumanize and brutalize an accepted 'enemy')

In the source text, Briseis mourns Patroclus as being the kindest to her of her captors, who tried to get her a slightly better outcome by getting her married to Achilles (which probably would be the Least Bad of all possible outcomes for a woman in that situation, becoming a legal wife instead of a slave), and wonders what will happen to her now that he's gone. This is a really really sad, horrible, and compelling dynamic which could be fleshed out in very interesting ways but is instead is tossed entirely aside in favor of them being Besties. Like brother and sister.

All of the above pisses me off so much. If you don't want to engage in the icky parts of ancient/bronze age Greece then don't write a retelling of a story taking place in bronze age Greece. I'm not gonna get mad at children's adaptations of Greek myths or silly fun stories loosely based on them for omitting the rape and slavery but it is SO fundamental to the Iliad. If you're not willing to handle it, either fully omit it or better yet set your Iliad inspired yaoi in an invented swords-and-sandals setting where you can have all your heartbreaking tragic doomed lovers plot beats and not have to clumsily write around the women they're brutalizing.

-The author didn't seem to know what to do with Thetis and she made her just like, Achilles bitch mother who spends most of the story trying to separate our Yaoi Boys (iirc her disguising Achilles as a girl and hiding him on Scyros is made to be more about getting him away from Patroclus than trying to save her son from his prophesied doom in the Trojan War) until she sees how much they loooove each other and I think helps Patroclus' spirit get to the afterlife or something in the end?

-This is more of a personal taste gripe but it has that writing style I loathe where the prose feels less like a story and more like an attempt to string together Deep Beautiful Hard Hitting Poetic Lines that will look great as excerpts on booktok (might predate booktok but same vibe). It's all very Pretty and Haunting and Deep but feels devoid of real substance.

I really like The Iliad and The Odyssey in of themselves. They're fascinating historical texts that give a window into how 8th century BC Greeks told their stories, saw their world, interpreted their ancestors, etc. And genuinely I think these texts have 'good' characters, there's a lot of complexity and humanity to it.

WRT the Iliad- all of the main Achaeans are pretty fascinating, the one singular part where Briseis Gets To Talk and laments her situation is great, Achilles fantasizing that all of the Trojans AND the Achaeans die so he and Patroclus alone can have the glory of conquering Troy (wild), Achilles asking to embrace Patroclus' shade and reaching out for him but it's immaterial (and the shade being sucked back underground with a 'squeak' (the squeak kinda gets me it's disturbing and sad)), Hecuba talking about wanting to tear out Achilles' liver and eat it in a (taboo, exceptioally pointed) expression of rage and grief for his mutilation of her son's corpse, just one tiny line where the enslaved women performing ritual wailing for their dead captors are described as using it as an outlet to 'grieve for their own troubles' is heartrending, etc. A lot of grappling with anger and grief and the inevitability of death, a lot of groundwork laid for characters that could be very interesting when expanded upon in the framework of a conventional novel.

And Song Of Achilles really doesn't do much with all that. I know a lot of my gripes here are kind of just "It's different from the Iliad", I would have thought of it as mostly mediocre and forgettable rather than infuriating if it wasn't a retelling (and I DEFINITELY have strong biases here). But I think the ways in which it is different are less just a product of a retelling (of course there's going to be omissions and differences) and more a complete and utter disinterest in vast majority of its own subject matter, to the book's detriment. I think a retelling has a point when it EXPANDS on the source, or provides a NEW ANGLE to the source. This book doesn't Really do either, it just shaves off the complexity of its source material, renders the characters into a really boring archetype of a gay relationship, and gives very little else. Its content boils down to a middling tragic romance that has been inserted into the hollowed out defleshed skeleton of the Iliad.

Bottom line: I definitely would not be as mad about it if I wasn't familiar with the source material but I think it's fair to expect a retelling to Engage with/expand on its source, and I also think it's weak purely on its own merits. This book was set up to disappoint Me specifically.

[roots-symphony]

do you think the reason agatha’s trial felt weird is because she was the only one who did not actually buy into the mythos of the road since she knew the truth? like that was why no perspective change and all the other reasons why people thought it was a fake trial

[reinedeslys-central]

more!! again!! for the nico after blood of olympus fic!! actually I thought of this while writing the last one but I just finished it.

His elbows buckle and he lets himself fall into Will, snorting at his theatrical groan under the weight. They lay there for a second until Will shoves him gently, and Nico lets him manoeuvre them into a more comfortable position.

"Hi," he whispers, moving a curl away from his cheek. The greenish tint of the loft window casts a weird shadow over Will's face.

"Hey yourself," Will murmurs back, winking.

Nico rolls his eyes. "You look like Apollo when you do that. Please stop." Will squawks in protest.

"I do not! Also, since when do you remember what Apollo looks like? Actually, no, don't answer that, you can't bring up my dad while we're in bed, Nico, why would you do this to me?"

Now it's Nico's turn to sputter and whack Will in the chest - getting another dramatic oof and a laugh in return - before turning around to face Hazel's bed. He's not sure when he'll ever be able to sleep facing the wall. Will can't do it either.

As Will's arms curl around his waist and draw him back against him, just like they did back in the infirmary that one day, he thinks maybe he'd be okay trying that with him sometime. One day, in a house with gates, no longer wary of monsters.

Will noses the back of his neck, causing him to twitch. "What is it?"

Will's answering smile presses through the rough cotton of his t-shirt. "Nothing, sunshine."

Nico frowns under the covers. "Hey, what do you think of houses with gates?" He whispers.

"Gates? Well, it'd be safer, I guess, but we'd lose the neighbours coming over -"

"As if you want to see random people at the door anyway. What if they're monsters?"

"Oh, come on, darlin', I'm from Austin. Of course I gotta keep space for the neighbours to come knocking."

"…Fences? Actually, hey, why'd you assume I was talking about us? Obviously - Obviously I was talking about random. Random houses. For architecture reasons."

Will muffles his laugh into the back of his neck, again. "Oh, my bad. And I'm only here because you ripped a stitch on the lava wall yesterday."

Nico feels his ears warm.

"Shut up."

"I didn't say anything."

"..Still."

Will reels him in closer until his back hits his chest and he can press a soft peck to Nico's still-red ears. "I think a fence is a great idea, by the way. We could ask Hazel for help with some ward stones too, like you have in the cabin. Gotta make sure we've got at least one window and standing space in every direction, though, or at least in the east, because you know my dad would sulk if he didn't get to scream me awake in the morning."

Nico's blush gets worse.

"Now who's talking about your dad in bed?" He gives up on pretending. Will sees him through every time, anyway. "Also, shrines, obviously, and we need a spot to stargaze."

"Yeah, shrines, obviously. Maybe just yours, mine, and Lady Hestia's though, or else everyone else is gonna get pissy."

Nico barks out a laugh like it's shocked out of him. "Pissy? Don't let them hear you say that."

Will holds him tighter and settles against the pillows. "Sure thing, sunshine. Now can we sleep?"

"Yeah, yeah."

It's not long after that that Will's breath evens out behind him, his muscles untensing. Nico knows he's got a few minutes yet, so he thinks.

Today was…. good.

Today was nice. Normal, even. Just a day of camp schedules, working in the infirmary, an admittedly short campfire, and this. No monsters, and no mistakes. No deaths, but..

Unbidden, the moments in the infirmary come to mind. He thinks of helping Will scrub in for his one surgery of the day, a kid that had gotten parts of an arrow stuck in their leg a week ago and hadn't noticed til yesterday. He thinks of yesterday during capture-the-flag, stepping in and desperately trying to copy what he'd watched Will do, because Lydia was hanging crooked from a tree and there was no one else around but him-

He thinks of Patroclus tying the straps of Achilles' armour, watching his lover sleep peacefully. He thinks of what Connor had told him about at the campfire weeks ago, of Silena Beauregard taking on a drakon when Clarisse declared the Ares Cabin wouldn't be fighting.

He thinks he might understand.

Lydia wasn't the same (thank the gods), but if there was something to be done that only Will could do right, yet couldn't, and the only way Nico could take up his mantle would be to die trying - then, yeah. He'd do whatever it would take for these kids. To do what Will would do. He's gone to Tartarus already, hasn't he? At worst, he'd try his best and greet his father early if he failed to survive. Nico could even give Charon a tip on the way in for the hell of it, why not?

If there is a luxury that comes from being a child of Hades, after all, it is that dying is not the thing that scares him.

There's a brazier still lit outside the window. Its glow falls in slits across their bed.

Will grumbles, pushing his feet forward until their ankles are wound together. The sheets shift.

Nico smiles into the dark, into the chirping of crickets and the soft glow of the fireflies out the window, and falls asleep.

more for this fic:

scene 0 - prologue-ish scene 1 - the library of social awkwardness or here (or in my heart, 'kidney function is not a right, it's a privilege' lol)

general writing directory

also lmk if you want more lore. I am so down to talk about this fic + the worldbuilding ideas I have for it in the notes it is unreal

[timothyslucy]

tim "i'm not trying to be romantic" → gets his girlfriend a 1st place trophy before she even takes the detectives exam because he believes in her so much, and then writing in a little '7' next to it after she notified him that she didn't do as well as she had hoped SEEMS PRETTY FUCKING ROMANTIC TO ME.