#that's mostly what prompted this
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whatisgoingoninmyhead · 1 year ago
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I loveeeee having an aroace blog, I love seeing all the little aspec flag icons in the notes, I love knowing people relate, I love seeing additions and experiences in the tags, I love having a community!
this is me saying you are all awesome!
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corkinavoid · 5 months ago
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DPxDC Danny the Guy Who Won't Die
He lives in Gotham, and he is just A Guy. Nothing weird about him, he's just there to study/work/help Lady Gotham to lift her curse/on vacation with Sam. Point is, he is not there to cause trouble and there's no GIW on his tail. Just a dude living his (after)life.
And Gotham, being Gotham, still finds a way to be annoying. There are mugging attempts, robbery, Rogues running around. Only Danny really doesn't want to deal with any of it.
Now there's a dilemma. If he uses his powers to fight, it will sooner or later come to Bats' attention. And if he fights as a human, it will also alert some of the Bats since he doesn't really do a great job at keeping his power levels low. Not to mention the fact he is really not enthusiastic about accidentally punching someone hard enough he sends them to a hospital.
What does he do instead? He pulls the 'I guess I'll die' act.
So every time he is attacked, he just plays dead. The mugger shot him in the chest? He falls down and stops breathing. Caught up in the middle of a Poison Ivy attack? Skewers himself on the vine and goes lax. Scarecrow's Fear Gas? Very dramatically chokes himself and plays a corpse. He makes sure to disappear before any ambulances arrive later, and it all goes well for a few months - he is just a casualty, who cares, really - until one day, he runs into that same mugger who shot him in the chest a while ago.
The man does a double take. Danny doesn't notice - he's been mugged so many times, who has the brain capacity to remember all of those fuckers. But the rumor goes out anyway.
A guy-who-won't-die. It's more of a city legend, really, and the Bats don't give it much thought since, well, it sounds stupid and not very important. A rumor of some man who was shot dead and then showed up like nothing happened? Yeah, it's probably because the mugger didn't check if he was actually dead. That happens. Maybe it wasn't even the same man, Gotham is a big city. If anything, hey, at least that was one less casualty? That's a good thing.
That is, until one day, they show up to Joker's hostage situation and witness the clown screaming at one of the hostages. He is so enraged he is shaking, spit flying out of his mouth, and, contrary to the usual Joker's evil sneers and maniacal laughter, he seems just... furious. But, like, the normal-human-level furious. The 'I just lost the last ounce of patience with you' furious.
"Don't you look away from me, you think I don't remember you?! Na-ah, I do. You were the one I drowned in the shark tank last week! And you were the one run through the chainsaw trap two weeks before that! And you were in the guillotine!!! I saw your fucking head get deattached from your body, how the fuck are you here again?!"
And the guy he is screaming at just looks at him, confused and incomprehensive.
"Um, I'm pretty sure I'd remember getting my head cut off, you know? So, err, wrong guy."
"Wrong guy my fucking ass-"
Joker is so distracted by his screaming match that it makes it almost too easy for the Bats to fight him down and drag to Arkham. Yet, a few of them get just a bit suspicious.
Now, imagine all the shenanigans when they try keeping a watch on Danny the Won't Die Guy.
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puppetmaster13u · 8 months ago
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Prompt 331
Demon twins? Demon twins. 
Damian? Good at the assassin side of things, at least for a four year old, but Danyal? He’s okay, but he’s far better at things like poisons and bookkeeping. Which is honestly? Okay. They’re the League of Shadows, and sure a majority of the members are assassins, but it’s definitely not all there are. So? Danyal starts getting medical training. 
Not to say that either of the boys don’t know their fair share of violence and healing- it’s just better to let them play to their strengths. One doesn’t keep a league over centuries if they just have one type of warrior, or even just warriors. A variety is needed. 
So one gets trained more towards the business side of things. Damian may be better at wielding the weapons and killing- even if neither have had their first kill quite yet- but Danyal shows far more proficiency at acting, at masking who he is and gathering information. 
Damian, when he’s first sent to their Father, doesn’t mention his twin. Not because he’s jealous or hates him or anything like that. You just don’t talk about someone in an undercover mission in the League, and it’s not something he realizes isn’t a rule everywhere. 
Needless to say, the Bats have more than a mild freakout the first time Damian mentions a twin who will be coming to the manor now that his mission is over. 
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shepscapades · 7 months ago
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20. Weight of the World — Battle Tapes
You showed up haunted with a fist full of dynamite Curated provocateur Ooh, the funny thing about a life that's so civilized Is when the lines start to blur Delusional, until we fold Buried under the weight of the world
This songs hits ten times harder if you imagine that the instrumental dropping out to the slowly rising bass at ~2:28 is the moment Tango respawns after Bdubs' boogeyman kill and starts to spiral into rage.
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ghost-bxrd · 1 month ago
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Prompt:
Time loop edition!
Jason gets a chance to do everything right.
He’s got one day, twenty four hours, to change everything to the way he wants it to be (read: repeatedly kill Joker). And if he’s not satisfied with the result by the end of that time, well, that’s fine. He gets a do over for as long as he wants—if he offs himself before the twenty fourth hour mark.
He just didn’t count on his stupid family to be such a wild card and keep switching their routines around at the drop of a hat. Makes it so much harder to plan Joker’s perfect demise…
((Meanwhile the batfam: screaming and falling over each other, very much aware of the time loop but under the impression that Jay’s death is the catalyst, trying desperately to stop Jason from committing suicide by the end of each day.))
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rotruff · 6 months ago
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btw ur f/o would love to take care of you.
come down with something? they'll be there for you in any way that they can. they might not be a great cook, but they'll pick up anything you could ever need or want whenever you want. they might be the type who wants to keep a little space since they dont wanna get sick, but they'll leave little notes around for you or maybe a jacket or similarly comforting article around for you as a little reminder of their love for you. they'll help you pass time, whether that be through watching movies, talking with you, or just being a quiet presence nearby. whatever makes you feel better, they're happy to oblige. they just want you to feel better, even if they might not be a doctor or anything, they hope that they can be of service to ypu anyway.
just not feeling great? that's fine too, everyones got their off moments. (maybe if they're the more flirty type they make a joke about how it must be exhausting being the loveliest person in history.) they're more than happy to be a support for you in any way that they can in this time, whether that means just being there for you or stepping in to help you with things physically. whether you want them to just be by your side and keep you company or for them to help you out with things like showering or eating something, they'll be sure to put their heart into it. they care about you and your happiness means the world to them, they dont mind doing whatever it takes to help you feel a little bit better.
chronic pain or similar? oh yeah, dont even worry about it. even if theyre not super strong, they'll offer to help you around if you absolutely need to, though they might be a little bit of a worrywart about you getting some rest. you want any painkillers? they'll go running through a storm for it. you just want a distraction? they'll happily regale you with some story of theirs to help take your mind off the pain. you just want their company? they're already fitting themselves as close as they can to you. they know that, no matter how much they wish they could, they cant really take the pain away, but theyll do whatever they can to help take your mind off of it and alleviate some of that pain.
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levemetal · 5 months ago
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Local minor heavenly official ignoring instructions to not approach calamity ghost.
Day 5: Caught / Found
Ascended Yue Qingyuan and Calamity SJ! Consider this a continuation of Day 2 :) There's their happy ending, they finally meet again. Fits for both prompts tho I drew this with Found in mind.
memey extra under cut
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hitlikehammers · 9 days ago
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tremolo
…what if instead of learning clarinet or percussion, you could learn to read the music of hearts? 💕
rating: t ♥️ cw: love at first sight, car crash (off-screen), SUCH FLUFF ♥️ tags: ✨magical realism au, musician eddie munson, paramedic steve harrington, kinda soulmates (it makes more sense with the magical realism part), character study, softness
for @steddielovemonth day one: "Every heart sings a song, incomplete, until another heart whispers back. Those who wish to sing always find a song. At the touch of love everyone becomes a poet." —Plato
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It was just like learning any instrument, really.
At least what they tried to convince Eddie to believe at the tender age of nine.
But it was all about finding an aptitude, apparently. Developing a talent. Fourth grade rolls around and he fucks up blowing with a reed, manages to give himself a tongue splinter. Nearly passes out on the brass. Ends up with the choir lady looking over horn-rimmed glasses and narrowing her eyes at him less like a teacher and more like a fortune teller or something, scrying what’s to come of him, like she can see through all that he is and will be, before she goes scribbling something on his little slip of paper already marking all the failed kinds of music he’ll never get to make and telling him: go to Room 011.
But no one ever goes to Room 011.
He meets a petite woman with mousy hair and clothes that look like they belong to someone else, somehow. She introduces herself as Miss L. She looks like a Miss L., so he doesn’t think any further on the point.
You will not play much, really, she tells him, and the way she talks is kinda funny, like she learned words but not from people actually saying them out loud. Eddie kinda likes it, though. The playing is only for emergencies, and if you find your True Note.
Eddie doesn’t know what most of that means, except for the fact that the whole point of trying—and failing—at all the instruments was to join the school band with something to play. So if that’s not what he’s going to learn, then what the heck is Eddie meant to be doing down here—is what he wants to ask.
He manages a little politer version of the same, his nan’d be proud. His dad wouldn’t care even if he was around and not behind bars. His uncle might be happy that Eddie’s kept his nose clean just this one time. So he figures he does okay.
But really, he just wants an answer. He was supposed to get to learn music. It was the one thing that was keeping this whole year feeling like he could maybe, maybe survive it.
It also means he doesn’t have to take the art class that’s mostly kindergarten crafts instead of real art, so.
“You will be learning music,” Miss L. answers, more patient than most grownups; “you are here to learn how to read the songs that hearts sing.”
And that is, by far, in all of his whole nine years of living, the most fucking absurd sentence that Eddie has ever heard.
——
He’d kinda thought it was a joke, when he left that first afternoon to get back before Language Arts.
Turned out: nope. It was not.
He’d maybe thrown something slightly less childish than a tantrum, when what he got was a big set of earphones and a box the size of an Easy-Bake Oven, where apparently he’d be playing some kind of recordings to start his lessons.
“Do you not wish to learn?” Miss L. asked so simply, and Eddie…
Eddie reminded himself that no matter how foolish and stupid this was, it couldn’t possibly be worse than making construction paper collages with Elmer’s glue, so.
He put the headphones on and pressed play.
——
His workbooks didn’t look like anyone else’s in band—in fact, Eddie didn’t think he was actually a part of the class band, like, he wasn’t expecting to play at the spring concert with the flutes and the trombones, anymore. When he had sheets of staves to fill out they didn’t have straight lines. He didn’t draw different circles with little flags and bridges connecting them. He…
“When there are no keys, and there is no time signature,” Miss L. had explained, and it took time to make any sense; “you are the rules, and you feel what is a melody,” she’d tapped something that feltbeautiful, like daffodils blooming, though Eddie couldn’t say why; “and what is a warning.”
And then she’d tapped again, and it clenched in Eddie’s chest like a tornado siren, and…yeah.
That was kind of the best explanation he could have asked for.
——
It’s in middle school, when everyone else gets new band directors while Eddie sticks with Miss L., that it starts to…well.
That’s when the fact that Eddie’s alone in his lessons, and no one seems to know quite what he does—and the other kids who get that kind of treatment are usually the ones who can’t add or spell right, who have some kind of problem to work on extra hard—but it’s around then that Eddie starts being called names for it.
It’s not too bad, at first. Eddie’s worked for his two full years of elementary school lessons to get through recognizing the songs, suffers the point where recognizing becomes unbearable, overwhelming—Miss L. never left his side when he held his head in pain for all the noise, all the songs because they were everywhere, in everyone, and how was he supposed to learn what was right and what was good and what was just okay but then what was also everything the opposite when he couldn’t even think—
But she taught him the tools, the ways to sift through the chatter, as she called it. Because not all of it was a warning; not all of it was bad just because it wasn’t beautiful.
Some of the noise just was.
She showed him how to trust his own ear; his own song in his own chest as a guide, because that’s why he was here: he had a gift, an aptitude, built in and in need of development. Liked they’d said in the beginning.
He’s nearly thirteen when she teaches him how to write his own songs, in the not-notes and the no-tempos. In the nameless flow of sound.
It’s when his classmates overhear one of those works-in-progress, the taunting gets worse, starts to hedge toward unbearable.
Until Eddie asks if he can just stop: quit this. It’s not worth it. He doesn’t want to be a freak.
“It is a rite of passage, to ask this,” Miss L. says slowly, no judgement, and weirdly no pity; “but I should tell you first,” and her eyes narrow more than Eddie thinks he’s ever seen them.
“Your skill is already greater than any I have seen, and is only getting sharper, more keen.”
And hell if a teacher’s ever said something niceabout Eddie Munson, let alone something that sounds like flat-out praise.
“They cannot hear the music, this is why they say those things,” she flicks her wrist less like conducting a chorus and more like shooing a gnat, like that’s the appropriate amount of consideration the comments deserve. “Your task has always been to teach them what they do not know, to show them the wonder they are ignoring as they live and breathe.”
And while it really would have been nice to know that before signing up for this…this what, calling? Vocation?
While that would’ve been nice, Eddie…Eddie can at least mostly understand he wouldn’t have understood any of it in the fourth grade.
He barely understands now.
But he can feel it. He understands how to feel the music that fills all those gaps.
“This is common,” Miss L. turns back to him, steeples her fingers while humming something from the radio: not bad, but not beautiful. That’s what she means, he realizes. The radio plays common.
“This,” and she puts a hand over her own chest and keeps time with her fingers on the tabletop as she hums a wholly novel thing out of thin air, and Eddie has never seen someone else recognize the music, has never watched someone compose in the veins where the songs that hearts sing are played, let alone in real time; maybe she never had because he had to lean for himself, first.
But it is kind of exquisite to witness.
“This,” she stops, and raises a brow pointedly in Eddie’s direction; “is human, built in your cells.”
Eddie couldn’t name why, precisely, but he feels…shamed, but also empowered. So different, but they make an almost compelling melody together as they clash.
“They will call you freak before they call you prodigy,” Miss L. says it like a fact, which…kinda sucks to hear, in all honesty.
“They will label you insane, before they recognize you as genius,” and the way she adds that part makes him feel like that was her personal burden to bear, and he aches for her in it.
“They will cry out garbage and nonsense,” and here, these words: these are the ones Eddie knows immediately he’s meant to be hearing, be weaving into notes the strongest, the ones she wants him to keep closest and never lose:
“They will cry out worthless,” she spits out with a venom he’s never heard her use; “before they will sob in the face of your masterworks, and how they will breathe magic in the soul.”
And…Eddie doesn’t know exactly what to do in the face of the conviction she says that last part with. To doubt it, as he instinctively wants to, feels vile; the most egregious disrespect. He can’t bring himself to even try. So, he asks instead, voice rough:
“When will it change?”
Because despite everything: he doesn’t want to be a freak.
“That I cannot say,” she sighs, and she does sound sorry; “and it may never change at all.”
Eddie doesn’t know if he’s built to handle that, the possibility of never.
“But even if you leave, here and now,” Miss L. cuts into his despairing; “even if you stop your learning, the songs will never leave you.”
Oh.
Oh, so did they…did they teach him to hear a endless goddamn curse, and as a fucking kid—
“You would always have come to hear them,” Miss L. must read his mind, or maybe just his face; “just never with any place to funnel the noise,” and he…guesses he should be grateful. He nearly went mad in those early years, before she taught him how to make new melodies, concertos the likes of which even the great masters hadn’t penned, because they played in a different medium. Their notes and structured time were useful, but limited.
And if they never heard otherwise, how would even the most brilliant talents know what they were passing over, leaving behind?
“Do you still wish to leave?”
Eddie turns, almost having forgotten Miss L. was still sitting there, watching him. Almost having forgotten what he’d come to ask, to give up.
There’s no question left, now.
He gets out his notebook, his pen, and starts as he always does.
With the listening.
——
It’s a genuine distraction—the songs get louder with time, but Miss L. tells him that’s a sign of his skill growing, his notice of the equivalents of key signatures and ligature notes in the heartbeats he passes every day—but it costs him passing senior year once, and then again, and almost a third time until by the skin of his teeth, he manages. While every other teacher shames him for it, derides him as incurably stupid, or at the very least unambitious to the point of embarrassment, the extra years mean more time with Miss L., and Eddie…most days, Eddie is nothing but thankful.
More time means Eddie also learns that the songs he hears are as much a public service as they are an art form, as much a defense mechanism as a craft. He knows when bullies are on the prowl, and to make himself scarce for their screeching cacophonies. He knows when he has to be less of a coward and step in when a wild rhythm makes him sick with its fear.
The more he pays attention to the not-quite-beautiful songs—especially when he thinks on them later and stumbles upon nuggets of the exquisite inside every way they weren’t—the more he remembers years ago, out of almost nowhere, but maybe…maybe everywhere, like it’d been written in his heart’s song the day she spoke it:
“My first day,” he enters the same room—not the same-same room but the one in the high school that’s as abandoned as all of them have been, always Room 011—but he enters the room close to the end of the year, the last year, with the question thick on his tongue, and woven the same in his song as he closes the door and feels his heartbeat quicken for no reason and every reason, like he’s long learned these songs always do.
Miss L., for her part, just nods; waits.
“You said,” Eddie rolls his lips together; “emergencies.”
It’s a delay tactic. They both know it.
She’s kind to play along.
“Mmm,” she hums; “the slightest bits, yes, you can shift the rules to change the song, because you made the rules to begin with,” she eyes him carefully, then. “But only by bits, and in only the most dire moments.”
Yeah, yeah, sure. He never thought he could like…write lines to coax a heart to sing itself back from the dead or some shit. He gets the point.
Again, they both know: that’s not the point he’s here for, heart pounding high in his throat.
“But then you also said something else.”
This time, she doesn’t nod at all; just stares. Eddie has to clear his throat twice to make a sound so as to ask:
“What’s a True Note?”
Because Eddie’s had a couple flings here and there. And the idea of anything real with someone else, alongside the weight of this…talent of his, this training that’s defined half his life by now: it’s really nothing more than a stray idea. But Eddie can’t really hide from the fact that, somewhere along the way, he’s suffused that idea with so much promise and potential, but with no legs for it to fucking stand on.
And he’s about to graduate. About to go out into the world and…who the fuck knows what.
He needs to either hold onto this insane, silly notion of some cosmic meant-to-be match waiting for him somewhere, that it’s at least possible, and then hold on to it like burning—or let it go, and get on with the rest of his fucking life.
“Do you know how I said you could sway the rhythm just the littlest bit, in the greatest of need?”
Of course he did. She literally just said it.
“Your True Note will sing like you have never heard before,” she tells him like it’s not something…immense; “and that song will sway your rhythm so much more than the littlest of anything.”
She just fucking says it, like it isn’t already swaying the rhythm his heart sings in. Here and now.
“That heartsong will change your world.”
And all Eddie can even think to ask, to make more plain in it, is just one thing:
“Will I change theirs, too?”
Miss L’s eyes lock to his and hold for enough seconds where it should be uncomfortable, where his chest starts to grow unbearably tight.
“Hmm,” she considers finally; “if it is meant to be that way.”
Eddie wants to scream. It’s not enough.
And still somehow, it will have to be.
——
In the months that follow his freedom, he misses Miss L. Kinda desperately.
But the lack of structure, the openness of knowing he has to find a way to piece together all the snippets of song he’s bombarded with: it is the reason he ever picks up a guitar. It’s the whole learning heartsongs thing that he has to thank for it, a roundabout journey toward the destination he’d wanted from the beginning.
Or else, that he thought he did.
It’s not just guitar, though. He eventually learns the woodwinds without ending up with a splinter in his mouth. Figures out the different harmonies at hand in making sure he tempers the way he breathes for the brass. He loves the piano, and the cello especially, alongside guitar and double bass: he makes a trip back home specifically to see her and ask—Miss L. tells him it’s probably because of their strings, like hearts have, too.
It feels right in a way things haven’t felt in a very long time.
Which is really how he comes to not only understand, but to accept in his bones: no matter if they ever call him prodigy or genius, if he ever plays a concert hall or anywhere but on a street corner with an open case for change, he was made for this; built for this. The woman with the horn-rimmed glasses who sent him to the basement music room saw it in him. Miss L. proved it to him by teaching him to prove it to himself. He doesn’t know if he’d have picked it, but he knows it was never something he could have picked or turned down in the first place at all: it’s who he is.
He is the music. He is the songs that hearts use for singing. And maybe someday he’ll meet someone who sees it in him, and hears his song, and sings ecstatic. Maybe.
He hopes.
But either way: this is his life.
This is his melody.
——
It takes years before they do sob for his masterpieces, for them to be ready for a style and cadence they don’t understand because they will never comprehend the language, that speaks deeper than the logic required for any of those rules. It takes a long fucking time before they start listening with the lens of the first song any of them ever learned. But the time does come, and Eddie is grateful, because he’d genuinely feared the maybe-never he’d been warned about. He’s glad that’s not where he is, now.
But now? Things start to happen almost unbearably fast. Shows here and flights there, guest appearances and interviews, record labels and live recordings, a book deal he can’t even begin to think about. The world tips on its axis and Eddie only really considered that happening to him for one reason: because of a song so beautiful, in a Note so True—this isn’t that.
But everything still feels upside down anyway; totally off-kilter.
He’s crossed ten time-zones this time. He’s exhausted, but he has a performance tonight, just like he did in the tonight of the place he just left. The car he’s in on his way to the next venue is sleek, like they all are now; his team is already there preparing, so it’s just him and some local hires he hasn’t even had a chance to learn the names of yet, which he hates. He hates being privy to their songs and not even knowing their names, let alone their stories.
He jots the notes he gleans from how they sing without their words on the drive across town anyway. Waste not, and all that.
Eddie has the pen in hand, cap between his teeth, when the truck plows straight into them.
What follows would be unsurprising, if Eddie could process it from a bystander’s point of view—as it is, the only thing he knows in the melee is the music.
He is devastated, as he reaches out for the slowing songs around him, knowing in the back of his mind what their slacking tempos mean, and marveling with something like horror at how beautiful each one is as it starts to fade: still unique, still something Eddie could braid into a piece, certainly one to draw tears.
His own song is ebbing, he knows, but it’s less important than the sweet melodies around him, especially—
Oh.
Eddie thinks, with what may be the last thought left to him as pressure and heat and pain tingle at the edges of the music, almost too strong now to be drowned out by the notes that are what Eddie is at his core: but he thinks he may be too far gone already, because what he begins to hear is…
Exultant. It’s…
If Eddie believed in a heaven, this would be what the hosts there sang. When the idea of divinity is bandied about, they can only ever be talking about some cheap imitation of what Eddie hears now. Luminous. Effervescent.
Beautiful in a way that exceeds the word itself so deeply that it barely fits, obliterates the notion on sight.
And what a gift, Eddie muses as everything dims to black, to hear such Notes, such perfect music as the last thing he has to hold onto in the end.
To end on something that’s True.
——
The next tones Eddie hears are mechanical. He winces—not bad but certainly not beautiful—and then winces harder because wincing itself fucking hurts.
He holds himself still, seeks the song he knows in his own veins: yes, and he’d been so sure it was gone, because there’d be an accident, a crash, he’d been thrown, crushed, songs all around him were dying and he’d heard the magnificent symphony of otherworldly perfection so—
“I’m technically not supposed to be here,” a voice interjects, or no: drips in leisurely, like comfort, like honey; “because you’re a patient, and I’m,” and Eddie forces his eyes open to see the voice come out of a man, who is pointing at his chest: a uniform. Medical.
“I’m not dead?”
All signs do point that direction but…Eddie had been kinda fairly sure he was done for.
“God,” the man chokes like he’s pained, like the idea hurts him, and why; “no,” and he says that a little fiercely, protective almost; “though not for lack of an effort.”
He looks tired, as Eddie’s vision starts to clear some more. He looks radiant. Exquisite.
Beautiful.
“You saved me?”
Because Eddie clocks the uniform now: paramedic. The ones who come onto the scenes and try like hell to save who they can. Heroes.
“I helped,” the beautiful man says, like a hero would, of course. But…it still doesn’t make sense. If the man does this for his job, then Eddie isn’t special, so then why is he so vehement, and then what of all the fading songs Eddie remembers, because Eddie had heard—
“What about,” he starts, but there’s a hand over his quickly, soothing.
“Everyone’s here, different wards,” the hero-beauty tells him in lows tones; “we don’t know if they’ll all make it through the night, but,” he nods, like…this is enough.
And it is. Except…
“How?”
And where Eddie is baffled, his hero just quirks a brow.
“Don’t tell me you never covered emergencies?” he asks skeptically. “Most dire moments, greatest of need?”
And it’s with those words that Eddie’s world slows very quickly to a halt. The music swells in a way he’s never known: because it’s always present to hear.
Buts it’s never been so tangible to feel, not like this, and with such…magnificence, no lesser word could touch it. Maybe he truly is closer to death than not, maybe that’s the reason for the fervor in this man he doesn’t know—the choirs of the angels Eddie wasn’t banking on swells and is visceral, and this hero sits before him, speaks the words that have haunted Eddie more days of his life than not, and—
“This was where the music took my life,” the man pulls at his collar, indicative again: the heroism. He…he saves people, because he, he also hears…
“But I couldn’t have done it without you.”
His hand on Eddie’s tightens, like gratitude, and Eddie…gapes like a fucking fish, and then—
“There’s something else.”
“Not just here to check up on the fruits of your medical miracle?” Eddie’s tongue feels heavy, thick in his mouth; he feels sluggish all over, weighted down and like he can barely move because…this man hears the music that hearts make.
Can he hear the ineffable beauty, like Eddie can? He must, that’s how it works, so why is he not in the same amount of awe—
“Not just,” the man smiles small, but real, a little hesitant. A little…shy, maybe, before he straightens, leans a little closer.
“Watch that screen,” and he tracks Eddie’s gaze until Eddie’s fixed upon the ECG, the most disappointing distillation of the songs he’s learned to find so much wonder in.
But then the man is pressing Eddie’s hand to his own chest, which…is forward, given they don’t even know each other.
Eddie is maybe still on, or at least just-recently-off, death’s door, and either way he’s fucking thrilledwith this development, warm beneath his palm.
“Now count.”
It only takes a moment, to put the gestures together into a statement.
The beat under his touch matches the line across the screen. Exactly.
But this man’s not the one attached to the monitor.
“Got it?”
Eddie nods, and the man doesn’t hesitate, lifts Eddie’s hand and presses it back to Eddie’s own chest.
“Again.”
And that’s…that’s not the same rhythm as the one on the screen; the songs don’t match at all.
But Eddie can still hear the one that does—the beauty. The exaltation.
“Can you,” Eddie asks, lifts his finger that’s got a clip on it, and the man’s a professional, he’ll understand—looks less than conflicted about disconnecting Eddie from wires and leads before clipping his own finger and letting the screen shift to a new cadence.
The same one under Eddie’s hand, in Eddie’s own chest.
“Holy fuck.”
“Yeah,” the man barely breathes, and Eddie notices now how intense his eyes are, focused solely on Eddie, and…Eddie remembers the words that came after the ones about emergencies. About how little he could help, but that he could still do something.
But with only one person, it could be—
“You didn’t just sway my rhythm,” Eddie half-gasps; “you made it your own.”
And oh: Eddie never tied the song of hearts to the song of laughter, but from this man, the huff of incredulous joy that slips from him now—they’re made wholly of the same stuff.
Symphonic. Staggering. Weeping to feel this much, in the soul, to be privy to such a…
Masterpiece.
“Worked both ways, it seems.”
“I heard you,” Eddie blurts out, because it makes sense now; “before I, when I thought I was,” dying, when he thought it was all over; “like I’ve never heard anything before.”
And now: of course this man hears the heavenly movement Eddie thought was a mercy before the end but was instead the arrival of everything he’d ever hoped to one day find, literally coming to rescue him in more ways than one; but that song is somehow commonplace to this unfathomable angel on the earth.
And what this man hears stronger, louder, dearer seems somehow to be Eddie, the song he sings from the chest, in how it’s causing those caramel eyes to glimmer, and to barely blink lest they miss something in just…Eddie.
“You never stopped,” the man says with urgency, with feeling; “your song never stopped,” and then he’s closing his eyes and laying both his hands over his own chest, where Eddie’s heartsong is ringing full and maybe changing his world, because the song in Eddie’s chest sure as hell has already changed his, and—
“It’s extraordinary.”
And Eddie, in years of ridicule, in months of celebration, in all the ups and downs and doubts and hopes this life of songs and hearts and rhythms and beats has left him with, in all of it—
Those two words rewrite his whole fucking being.
“True Note,” Eddie mouths more than speaks before he scoffs; “shit, but that seems like a really fucking inadequate thing to call it,” and his eyes lift to take in the man who he knows, he knows is going to be his magnum opus, or more: is going to write the magnum opus they will be and breathe and share from here to all ends:
“To call you.”
And there’s the clearest sense of a trip in a beat, but who it belongs to isn’t clear, and maybe that’s the reality for them both now: every subtlety of the song is now shared, now theirs.
“You could start with Steve.”
Eddie looks up, breath a little heavy, but the smile on the man’s face is broad and kind of overjoyed, kind of looks like Eddie’s chest feels:
“My name’s Steve.”
And that?
Best damn title for a symphony Eddie’s ever fucking heard.
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✨permanent tag list: OPEN (lmk if you want to be added/removed): @ajeff855 @askitwithflours @awkwardgravity1 @bookworm0690 @bumblebeecuttlefishes @captain--low @depressed-freak13 @dragoon-ze-great @dreamercec @dreamwatch @dreamy-jeans137 @estrellami-1 @goodolefashionedloverboi @grtwdsmwhr @gunsknivesandplaid @hiei-harringtonmunson @hbyrde36 @imhereforthelolzdontyellatme @kimsnooks @live-laugh-love-dietrich @mensch-anthropos-human @nerdyglassescheeseychick @notaqueenakhaleesi @ollyxar @pearynice @perseus-notjackson @pretend-theres-a-name-here @pukner @ravenfrog @rebellatlas @sadisticaltarts @samsoble @sanctumdemunson @shrimply-a-menace @slashify @stealthysteveharrington @swimmingbirdrunningrock @theheadlessphilosopher @theintrovertedintrovert @themoonagainstmers @theohohmoment @tillystealeaves @tinyloonyteacups @tinyplanet95 @warlordess @wheneverfeasible @wordynerdygurl @wxrmland @yesdangerpls @yourmom-isgay @1-tehe-1
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numbuh424 · 6 months ago
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@nearsbday : DAY 8 - "THE WORLD"
The world is too heavy Too big for my shoulders Come take the weight off me now. I'm like a kid who just won't let it go Twisting and turning the colors in rows I'm so intent to find out what it is This is my Rubik's Cube I know I can figure it out.
Based on my favorite song that reminds me of Near, "Rubik's Cube" by Athlete. Happy birthday, Near! 💙🧩🎉💐
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romanbridgers · 9 months ago
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personally i saw chim's comments to gerrard as him sticking up for the 118 past and present, including both buck and tommy as well as hen, but primarily for himself ¯\_(ツ)_/¯
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pastafossa · 5 months ago
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🌊TUNA-TOBER🌊 PROMPT CHALLENGE 2024 🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟
Hello friends! So last month I realized that one of the reasons I'm struggling to get my writing back up to my old speed is I am seriously out of practice since Dec/Jan when shit went down and I stopped writing for a while. After some thought, I decided I was gonna set up a little prompt challenge for myself, just a general, 'here's a prompt a day' thing for about a month. And I tossed this idea out onto my fave Daredevil discord server to see if anyone would want to join. And I'm happy to say there were takers, including some of my favorite writers in the fandom! So I've set up a delicious prompt challenge for all of us, and for anyone else who wants to take part.
For each day in October, there are three prompts: an 🌧️angst/whump prompt🌧️, a 🌻fluff prompt🌻, and a 🔥kink prompt🔥. Participants are free to choose which one of the prompts they want to write or make art of, or they can try to incorporate two, or even all three prompts into a single fic or art piece. They can write a short fic/make art every day, or just on whichever days they feel like (personally I'm going to shoot for one fic a day, but we'll see), or even incorporate those prompts into the chapters of longer fics. There are also four 'backup' prompt options for each category in case anyone hits a day or prompt where they aren't really feeling what's available on the chosen day. If any of these prompts inspire you, you can feel free to take on the Tuna-Tober challenge even if you're not in the server! This challenge is also not fandom-specific (although I have a feeling I'm mostly gonna write Charlie Cox characters, a surprise to precisely zero people, but again, we'll see).
Sometime this week, I'll be setting up a sideblog specifically for Tuna-Tober. That sideblog blog will reblog any Tuna-Tober fics/art or link to those fics that are posted on Ao3 so they'll all be easy to find. That blog will also have instructions for how to tag your Tuna-Tober fics and/or art pieces. If you'd like to be notified when that sideblog is up so you can follow it, let me know in the comments.
Without further ado: our Tuna-Tober prompts!
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Day 1: Falling Asleep In A Hospital Room ⚜ Reading To Each Other ⚜ Somnophilia
Day 2: “Why? Why do you love me?” ⚜ Flower Crowns ⚜ Mutual Masturbation
Day 3: Broken ⚜ “I feel real when i’m with you.” ⚜ Role Reversal
Day 4: “This isn’t you.” ⚜ “Are you blushing?” ⚜ Sixty-Nine
Day 5: Self-Loathing ⚜ Watergun Fight ⚜ Begging
Day 6: "Shh, I've got you now. I'm here." ⚜ Love Bites ⚜ “Spread your legs for me.”
Day 7: Nightmare ⚜ Honest Apology ⚜ Nothing Underneath
Day 8: Shaking ⚜ “You can sleep here tonight.” ⚜ Overstimulation
Day 9: Anxiety ⚜ “You don’t need to do that.” “I want to.” ⚜ “Open your mouth.”
Day 10: "I'm not good enough." ⚜ A Hug That Lasts A Little Too Long ⚜ Strap-on/Pegging
Day 11: Tears ⚜ “I’d be lost without you.” ⚜ Breast Worship
Day 12: "I did it for you.” ⚜ “You remembered?” ⚜ Deep-Throating
Day 13: Loneliness ⚜ Playful Kiss ⚜ “Beg me for it.”
Day 14: "Please look at me." ⚜ Sleep Talking ⚜ Accidental Stimulation
Day 15: Hiding An Injury ⚜ “Are you jealous?” ⚜ Threesome
Day 16: Exhaustion ⚜ Accidental Kiss ⚜ Against A Window
Day 17: "I'm not leaving you." ⚜ Tickling ⚜ “Touch yourself for me.”
Day 18: Scars ⚜ Pillow Fort ⚜ “I’m so proud of you, you’re taking me so well.”
Day 19: Touch starved ⚜ “I’ll always be there for you.” ⚜ Gags
Day 20: "Who did this to you?" ⚜ There Was Only One Bed ⚜ “You were made for me, weren’t you?”
Day 21: Fainting/Collapsing ⚜ Flustered ⚜ “Was that an order?”
Day 22: "You haven't done anything wrong." ⚜ Breathless Kiss ⚜ Aphrodisiacs
Day 23: Father ⚜ “If you won’t take care of yourself, I will.” ⚜ Toys
Day 24: Drugged ⚜ Drunken Confession ⚜ “Shh, do you want them to hear us?”
Day 25: "What's Wrong?" ⚜ Playing With Their Hair ⚜ “Did I say you could do that?”
Day 26: "You're not fine." ⚜ “Shut up and kiss me.” ⚜ Under The Desk
Day 27: Near Death Experience ⚜ Overheard Confession ⚜ “Let me see what that pretty mouth can do.”
Day 28: Chronic Pain ⚜ Sharing An Umbrella ⚜ Hair Pulling
Day 29: "Talk to me, please." ⚜ Forehead Kiss ⚜ Restraints
Day 30: Healing ⚜ Road Trip ⚜ “Take it off. Slowly.”
Day 31: "Why wasn't I enough?" ⚜ Blanket Hog ⚜ Stockings/Thigh Highs
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🌊Tuna-Tober🌊 Backup Prompts:
Bound/Chained ⚜ Moving In Together ⚜ Almost Getting Caught
"Take me instead." ⚜ “I’m in love with you, and that scares me.” ⚜ High Heels
Insomnia ⚜ Adopting A Pet ⚜ Scent Marking
"You're not alone." ⚜ Playing A Game Together ⚜ Ass Worship
🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟🐟
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spacedace · 2 years ago
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Here be the first little bit of the new DP x DC AU I warned about earlier where Tim, due to his constant repeated attempts at cloning Bart & Kon, accidentally summons slightly eldritch Elle who is very interested in what he’s up to.
As always feel free to run with this as a prompt if yall find anything here interesting :D
*
Tim didn’t mean to summon her.
He’d been in the lab, staring at the data on the latest failed attempts at cloning Kon and Bart and feeling like he was cracking in two. Eyes burning, chest tight, world spinning out into shifting impossible shadows around him as his mind and body struggled to push him forward into another day without sleep. The hush of water in the tanks, his unsteady steps on the cement floor, the chill seeping into his bones.
He stumbled and swayed through the maze of the lab, numbers dripping like blood down the screen as he tried to stare at the figures. He needed to try again, needed to bring them back, in whatever capacity he could. This time would work. This time he’d get it right.
When he saw her, feet clumsy as he rounded a corner, he thought she was just another hallucination.
How could she be anything else?
Skin like a polished mirror, hair like the white-hot flash of lightning, eyes as green as the depths of the Lazarus Pits. She floated before a tank, spectral and strange with a long wisping tail that drifted off into nothingness in place of legs, body shifting and changing before his eyes in ways that bodies should not be able to. Outside of the eyes the face was…not there. An impression of the shapes that you’d expect to see in a human face, like the Question’s. Sometimes though the features defined, sharpened. Mirror bright skin crackling as faces took shape in the glass.
In the low light of the lab, he almost imaged one of those faces was Kon’s. Dimples and freckles and high cheek bones and the slant of a silhouette that haunted Tim’s dreams at night. A flicker of her lightining hair and it was gone. Smoothed back into soft blankness once more.
He watched from the of the aisle as she lifted too-long mirror shard fingers and rest them gently on the glass as she seemed to peer in at the lifeless body inside.
Attempt 76.
One of his tries with Bart. The organs hadn’t grown right during the age-up process. Tim had cried for that one as he had for all the others. As he had for Bart and Kon when they had died. As he still did as the fact that it was more maddened grief than hope that kept him pushing forward anyway.
He closed his eyes to the hallucination at the end of the aisle. Breathed deep and steady. It might be gone when he opened his eyes again. It might not be. It might be something - someone - else when he dares look next. He’d been through this time and time again over the days and weeks he’d been throwing himself at this agonizing wall. The only difference this time was the intricate strangeness, the total lack of recognition he had for the figure, baring the moment he almost saw Kon in its face.
Coffee. Maybe some harder stimulants, if he had any left. New data to review, new attempts to be made. He didn’t have time for the effects of sleep deprivation.
Tim opened his eyes.
He jerked back as he came face to face with himself, warped and strange and green in the reflective face of the being where it now hovered so close that if it breathed he would feel it upon his face.
She tilted her head at him, curious. Hands rose to cup his face, rest on his shoulders, wrap around his arms, cradle his hands. More hands than he’d seen before. More hands than he was able to truly comprehend, stomach souring as his eyes stung and strained in the attempt to look at the impossible warping of her body. Despite the glint of shattered glass that made up her fractured palms and splintered silver fingers, her hands were soft and warm where they curled around him. Almost human in the way they held him in place, the hold pleasantly firm.
He’d never had a doting elder aunt to pinch his cheeks and demand to get a look at him, but he imagined this might be what that felt like. The way the being shifted her head from side to side, his reflection warping in the curved reflection of the planes of her featureless face, added to the strange idea. His hallucinations didn’t normally touch him, though. And never so…kindly.
Tim felt his blood go cold as he realized it might not be a figment of his fracturing mind floating before him.
Swallowing nervously, he tried to shift backwards, to slip out of the many grasping hands before the softness turned sharp and began to cut into him. He felt something cool against the back of his legs, hair standing on end as static electricity built up on his skin where he brushed the trailing tail he hadn’t noticed her curl around him. The entity leaned in close, the depthless green of her glowing eyes consuming Tim’s entire field of vision, and he was flooded by the sudden, horrible awareness of being Known.
The world fell away from him, his stomach lurching with the sick-sweet feel of free fall that used to exhilarate him when he’d first become Robin and had flown from rooftops dangling by his grapple and his belief in the magic being Robin instilled in him. The lab, the equipment, the piles of data and desperate scribbles, the failed clones, Tim himself. All swept away in the flood of green and the roar of lightning and the cool press of glass.
He came to would could have been minutes or centuries later. Gasping and sick on the cold cement floor, shivering as he dry heaved. His mouth full of salt and copper and the burning crackle of ozone at the back of his throat.
For a moment, disoriented and dizzy, he thought it had all been a hallucination after all. Or some fractious dream visited upon him by his torn and tattered mind after he’d finally collapsed from exhaustion on the lab floor. That the entity truly had been just in his mind, a consequence of his refusal to rest until his work was done.
Then he felt the glass-cool fingers running through his hair, the warm hand rubbing at his back, heard the low murmurs of reassurance in a voice that was almost, almost human.
He spasmed as he tried to jerk away, hissing with the sharp sting of pins and needles dancing over every nerve. His limbs were heavy and clumsy, and he was crashing back to the cold floor under his own weight before he could even try and drag himself away. His breathing came in short, aching gasps as he tried to twist away, only managing to roll to his back to see the entity where it sat calmly looking down at him.
She had a face now. A solid, steady one that fit her in a way that made him think it must be her real one, though what that meant exactly he didn’t know. The glowing eyes had dimmed and shifted, more human looking with black pupils and white sclera. Button nose marked with silver-tarnish freckles that spread over her cheeks too. A mouth, with lips curled into an apologetic smile. Her hair, still shifting as if caught in a wind that wasn’t there, was still the bright white it’d been before, but the lighting of the locks had settled into faint crackles between the curls. Whatever she was, whatever she’d done to him, he could look at her without feeling like his mind might just crack in two.
“Wha-“ His voice cracked, painful and hoarse like he’d been screaming. Maybe he had been. Swallowing around the burn in his throat, he choked out a hissed, “What are you?”
Her head tilted in that curious slant again, more human features giving her a bright, youthful look as she peered down at him questioningly. “You summoned me, Little Gaffer, shouldn’t you know?”
*
Gaffer is a term used for a glass crafter, as well as light technicians for stage/movie productions. I’m using it as the term for the person who creates a Clone, with the clone themselves being a Mirrorborn, and the person they are cloned from being called the clone’s Reflected. Gaffer is probably a bit of a stretch for this, technically I think someone who makes mirrors would be called a Glazier (Glaziers are glassmakers) but I wasn’t vibing that as much. Besides I like the vibe of glass + light = mirror in a way.
Anyway, opening volley of a new AU where Tim ends up becoming like a warlock to Elle to get his loved ones back, while Elle is just having the time of her sorta eldritch little life watching this absolute mess of a human wreck shit and cause so much chaos even without the powers she starts giving him.
(Elle in this is both the God Queen of Clones/Mirrorborn as well as the Ancient of the Speedforce (which I’ve decided is called the Ever Onward in the Infinite Realms, because I literally can’t be stopped from trying to make normal DC things sound mystical because spooky Infinite Realms aesthetics haha)
Have a tiny bit more written for this, but don’t know how much I’ll end up writing for it with all the other projects I have currently lol, so if anyone is interested feel free to run with it as you so desire haha
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toxintouch · 4 months ago
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hii!! I just read cold spots and it was AMAZING!!! Im not sure if you wanted to continue the fic, but if you don’t mind could you continue with Veres part? I don’t know what you would write about but I just feel like that fic has so much potential to be a little 3 part series or something 🙏
<- Cold Spots TYSM ANON!! I put the Vere End at the beginning for ease of reading. For the sake of folks who would like to read this as a stand-alone... I think u can? With the knowledge that the premise of Cold Spots is that Mhin and MC/Sparrow went ghost hunting. Vere is said to have been responsible for a handful of local ghost stories, so…of course he makes some mischief.🦊 Also MC needs some Winter wear, stat.  A very light Possessive Vere warning in this btw, though perhaps in a roundabout way.  Plausible deniability is so important to him.
You putter around in your room at the Wet Wick as you go about your nightly routine. The occasional cheer or thud from below only accentuates your nervous energy, punctuating your reluctance to settle down and get into bed. You smooth the covers with your bandaged hands and fluff the pillow before extinguishing the lamplight. You tug the bedding up above your shoulders, fighting to get comfortable. As your eyelids finally start to droop, the flicker of a shadow catches your attention.   It dances and sways and bends and grows until suddenly it is right in front of you.  On top of you. Silken, blood red drips down onto your face, a knife gleam smile too close for comfort.  You breathe in a gasp, wondering if you should scream. “Vere, what–” “Shhh,” he coos, pressing a finger lightly to your lips.  His breath is hot against your skin. “I only came to keep you warm, pet.”
Heat Signature
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“Poor thing.” Vere purrs.  “Your lips are so cold.”  He leans ever closer, his mouth hot over yours–hovering.  His other hand reaches for your face as well, nails trailing against your cheek in a teasing caress.
You feel even the thought of being cold leave your body, replaced instead by the unusual thrill he commands, that strange enthralling sway.
That heat you’ve come to associate with Vere; sweet tendrils of want that nestle in your bloodstream.
You squirm a little, though you can’t move much with him looming over you.
(You should probably do more to protest his intrusion into your room, you think to yourself, though, the majority of you is–curious, daresay even far too eager to–)
“Whatever trouble did you get up to that left you in such a state?”
At this you scoff, tilting your head back into the pillow and effectively knocking Vere’s finger from your lips.  
“As if you don’t know,” you accuse.
Vere looks entirely unperturbed by you shaking him off, his lithe fingers traveling freely along the newly displayed skin of your throat, making your pulse jump.
Vere chuckles at that, dark and silky.
“Being tight lipped about your adventures, hm?”  He angles your face just so, ensuring you meet his sharp eyes, his nose brushing up against yours.  “Not that it matters.  It so happens I do know what you’ve been up to.  Trespassing in places that don’t belong to you.”
“...It was an abandoned building.  I don’t think it really belonged to anyone.”
“And that’s where you’d be wrong,” Vere says, “everything in this city belongs to someone, darling.  You just don’t know what belongs to who yet.”  He peers down at you with laughter in his expression, though there's a distinct edge to it that you can't quite place.
“So, you're here because that building belongs to you...?”
“Hmm, amongst other things.  However shall I make you apologize to me for this most egregious offense?”  He asks airily, shifting until he’s beside you rather than perched over you, resting his cheek in his hand and letting his eyes slip closed. He's the absolute picture of unbothered leisure.  
(You’re not fooled–he’s simply waiting for you to let your guard down before he pounces.)
You open your mouth to deny any debts on your part (though, if your ghost hunting spot was indeed Vere’s hideout, you really do feel guilty) but Vere cuts you off before you can speak.
“Alas, I suppose it’s not mine anymore.  Within a week it will reek of wet dogs and cheap booze. It's a lost cause now that those drooling reprobates know it's inhabitable.  A pity.  By Eridia's standards it really was divine in its heyday.  Good wine, music, dancing.  There was this portrait artist who would paint the performances…”
His tone remains light as he reminisces.  But the look he pins you with is dangerous: his eyes gleaming bright, his canines bared in an irreverent grin.
“I had such hopes and dreams of reviving the place myself.  Some of the dances were very scandalous.  You never did share with me your stance on dancing, did you?”
You stumble out an approximate answer.  It’s…harmless information to give, isn’t it?
Though, judging by how pleased Vere looks, you wonder if you should have refused to say.  He looks positively wicked as he ponders your answer aloud.  “Oh, I’m sure you’ve got plenty of talents to share.  In another life, perhaps I'd have put you on stage.  Though, I admit.  I find myself partial to a private show.”
And–as expected–the moment you let your guard down, he's in your space again, crowding you.  Heat and proximity and the softest brush of his lips against yours, light enough to send a thrill down your spine, curiosity and a want so deep it surprises you.
“Well?”  He purrs.  “Care to audition?”
You can't hide behind the excuse of supernatural sway or charm or the thrall of hypnotic sunglo eyes.  It's not Vere's power that controls you. It's your own gnawing desire; starvation and longing that draws you to him despite all sense.
Kissing Vere is heady.  Dizzying.  
Kissing Vere is like being in conversation with Vere–a constant of giving and taking, being chased after and running to keep up.  It’s enticing and alluring and decadent and never quite enough, over too soon even as you feel yourself losing air, the rush of blood and sensation threatening to overwhelm you.
He gives a parting nip to your bottom lip as he pulls away.
Then another one, playful, to your jaw.
When he presses his face into the side of your neck, you expect him to bite again.
What you don’t expect is for him to nuzzle into you, inhaling deeply before heaving a great sigh, his tail flopping lazily to land across you with a thump.
He’s officious as he rearranges the covers, ensuring your arms are tucked carefully away from him before he’s willing to fully settle into the bedding, pulling the blankets up around the both of you like a den.  He hums something low in his chest as he tucks himself up alongside you, long tail curled around your waist. 
It’s rhythmic–
purring.
And it’s…soothing, actually.
The weight of him, the warmth.  The incessant lamplight of the Amaryllis District, shining ever present through your window, is dim–tolerable, even, courtesy of Vere's magnificent shadow manipulations and the blankets sheltering you. 
The constant noise seems to fade away as well, obscured by the sound of purring. “Falling asleep when you have me in your bed, pet?  You really do try your luck…”
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puppetmaster13u · 11 months ago
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Prompt 261
“So is no one going to talk about the eldritch space child or…” 
“I mean, do you want to get between a child and Batman? I think the only one who could even get close right now is Superman…” 
“No you’re right, I think- oh my god the eldritch space child is playing with batman’s bat-ears and he’s not doing anything about it what the fuck I thought only Robins could get away with that-” 
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irradiatedsnakes · 5 months ago
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okay so randy and company watched a documentary or something that involved mentions of scurvy and randy "mental illness" jade was like Oh god this is the only warning the universe is going to give me about my impending death by scurvy and because of that really needs to go to the grocery store and get some oranges like right now and they were out of those little shopping baskets at the front and only had the carts and randy was like well i cant take an entire shopping cart just for some oranges or else i'll look like a complete freak so here he is trying to hold all of these fucking oranges in his arms and norm is like Look pal i'm just gonna grab you one of them plastic bags for produce alright and randy's like no no no i uh ive got it it's fine don't. Do that but randy cannot fit all of the oranges in his arms and it's just a whole thing
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andro-beaurepaire · 30 days ago
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The people demands your headcanons about the neckcloth!
(It's me I'm the people)
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This follows this excellent post by @fuckman360kickflip, and if you guys haven't seen it you absolutely should <3
So we all know Laurence is an extremely armored guy who is not necessarily aware of how much self-protective mechanisms he has in place, right ? Like, he thinks (mostly) of his own need for formal dress as natural for both his upbringing as a gentleman and his job as an officer, but I think it is just one more way for him to bottle things up and forcefully keep himself in check.
I mean he is a soldier, of course he is perfectly aware of what the purpose of an uniform is, aka armoring and hiding the individual as part of something much bigger than themselves : the mass of the army. And Laurence IS someone who tends to only define himself as a good soldier, a loyal subject of the king, someone who only wants to do his duty. That's why the treason shatters him so badly at first -because it is the moment he finally faces himself and realizes he is so much more than that. He is not a mere uniform amongst other uniforms, he is someone who would actually choose love over country, someone who would rather share the life saving medicine with the enemy rather than winning the war at all cost.
And it takes turning himself into an unthinking & heartless war machine as penance to finally see, in the mirror Tharkay hands him, what his crisply ironed and perfectly folded piece of armor actually turned into :
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'Laurence, what the fuck ?'
Overall I just love the idea of Laurence being this extremely angry, lost and very easily hurt by others person who needs the rigid rules to function ; and who somewhere along the road lost track of the moment his uniform stopped being a shield and became the glue that was holding him together in the first place.
In one of my many, many WIPs, I have this storyboard about Laurence's history with suicidal tendancies, and how it didn't actually start with the treason, but during his teenage years. And in my heart, the neckcloth thing started during the Barstowe era, to hide an untreated injury that would have been the perfect excuse for the captain to leave him on shore, and that he did not dare to go to the surgeon for.
And if years later the neckcloth idiosyncrasy reveals itself very convenient to justify holding his neck very stiffly all the time, because nobody knows he did not fight back when the crew tried to hang him on the Goliath, and has never fully recovered mobility in his cervical spine ever since, well... :D
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