#that’s what makes his development this season so fun! not because he was always a poor little meow meow who deserved the world or something

[imkazz]

finished saiki k and i am not coping well

yeahh i get why they said theres no development until the last 2 episodes. because i have thoughts. more than i had for season 2 or season 1.

@peapodsinspace ing because this isnt from discord and i was freaking out with you real time when i was watching loll

cannot believe this is only about three episodes. how is this just three???? im just going to go in chronological order and hope for the best and barely proofread loll

the future talks. ohhh i am ill about the future talks. saiki kusuo has more pressing matters than his future and it kills me every time. because he cant focus on himsef- there is an active volcano that he has always been rewinding time for. he cannot have the time to think about university or a future career until this is all over, which is so unlike me (a normal teenager) that it makes me ill because this is what a normal teenager should be thinking about, not the fucking country that you have to save by yourself. and at least i was so happy that they were crowding around kusuos desk until they started talking about the very future that he has to save, and then i was even happier to hear that kuboyasu and hairo want to become teachers because those types of characters always kill me (despite the fact that the anime also made fun on the fact that it is a trope too) and they are both really good picks from the gang to actually become them. i also enjoyed the quiz game they did to guess kusuos college- teruhashi was the only one to get a ‘hm good guess’ out of kusuo, and his chosen places are literally ‘economics’ ‘literature’ ‘literature’ and the fact that everyone said “thats so normal”in distaste implies that they believe that kusuo could do better. and then THIS.

and the fact kusuo thinks “maybe this could go on forever…” with a smile on his face???? like my dude you are wayy too attached to them noww..

ok so it seems i might even just. be doing a paragraph per episode. now.

the robot?? i agree with what i said my first watch: WHY IS THE SAIKI FAMILY SO DEPENDANT ON GENERATIVE AI AND ROBOTS. i wasnt sure which one it would do- if it would fool all his friends or if it would be too suspicious for them. but i was dead wrong- it says ‘yare yare’ too many times and it is obviously saiki kusuo in the flesh (get it?). i was growing more concerned (and out of breath from laughing) at all the shenanigans that happened along with how kusuo attempted to get rid of it, showing a bit more of his battle iq and intelligence along with his relationships with the other psychics, through his quick strategizing along with utilising his abilities to help in specific situations, along with the relationships he has cumulated with them in order to get them to trust him and follow his word when serious times arise. not only that, but kusuke gets additional information about all of that along with us the audience because he is also a part of the audience (my brain hurts from some of this stuff). 

then for the battle. i am illllllll. so. for many many episodes, we have watched kusuo try and make plans to avoid his friends in all sorts of situations. but this bit? its golden. he finds a disadvantage from not knowing what toritsuka has been doing all week, and that temporarily weakens him until he comes up with a new plan on the given information he knows and has pieced together himself, and then used it to get his body back. then not only that, he begins to fight without his limiter. and we know its hard even with the limiter!! we watched him struggle to throw balls, and then practice to ensure that he could control his strength. amazing already, but then he begins to turn a bad situation into something favourable especially with toritsuka in the mix. because both saiki brothers are smart af. even if toritsuka isnt of use, kusuke reuses him as a hostage and then when that doesnt work, himself and the limiter (all things important to kusuo). kusuo is able to put together that the bomb was fake because kusuke spoke for too long and he remembered aiuras word and trusts her power. 

and then the battle plan is so smart?? kusuo is able to use his disadvantages as advantages (teleportation doesnt need the 3 minute cooldown), and then purposefully drained his strength to be able to pick up the limiter and put it back into his head without breaking it. he could read toritsukas mind and realised that he didnt actually hate kusuo (i found how this was shown as really cool too? instead of the background it was soft shapes and colours implying friendliness as it showed both of them). he made enough of a friendship with toritsuka to get him not to hate him even after being brainwashed. kusuo dragged out the battle to try and gauge what the cat tank could do. AND HES SEVENTEEN. what shocked me further was the fact that he took out the limiter. which he thought would reveal his powers to the world. sure its an asshole thing of kusuke to say/do to kusuo but he at least disabled it a long time ago. but im more focused on kusuo. he took it out. he took it out. thats HUGE. he really thought he would be letting go of normalcy and never be able to go to school without being worshipped. and he did it on his own terms. i was so happy to see how he was smiling and happy thinking about his friends too.. like kusuo was happy with the time he spent with them as a normal kid. but then he was so ready to blast them with full power after both of their comments lolll. and i also found it interesting how kusuke took off his telepathy blocker when explaining why he disabled it so that his brother could know he was telling the truth. and the fact that they moved past the fact that kusuke made a limiter that completely erases kusuos powers?!??!?! and i was confused when toritsuka and kusuo moved past it so easily but. thank fuck they revisited that tidbit???? what made me sadder was the fact that kusuo wanted it so badly, and yet couldnt. because of the volcano. it was good foreshadowing when kusuo thought ‘move forwards.. theyre right. i should clean this up quickly’ in the first part of the episode and then to have this too.. the emotional turmoil is too much. on one hand he could get rid of powers he hates and yet he still has to save the world which he has been putting on hold because he needs more power. like yeah please kill me now, especially that last interaction between toritsuka and kusuo. like yeah hes fake mad at toritsuka at first but then he has to give his genuine thanks because there was no way kusuo would have won if it was just himself, as toritsuka was a key part of the battle from his new powers to his status as a hostage to the fact he broke past the brainwashing.

and when they finally start planning that trip (callback to the first segment of episode one!!) and they decide upon the place where an active volcano has tried to blow up for four years. absolute madlads. kusuo diverted them at first but its a comedy anime too- ofc they are going to oshimai.

and everyone asking why he cant go is hillarious too.. “what plans do you have?” “im sure its nothing important!” ‘im saving the world?!’ yeahhh he has to go, because he cares. he doesnt want them to cancel what they think is their last fun time together before third year. its not because his mom forced him. its because he loves them. the cumulation of four years with these losers has made kusuo soft for them.

when they actually get to oshimai, i would have loved to watch their shenanigans. im sure they are chaos incarnate while on a play date with each other, but i really liked how the anime showed the tension that kusuo had. even as the rest of them were having lighthearted conversations, there was always a pit in my stomach as kusuo continued to refer to the mountain and was generally downcast while the group did all of those activities i would have previously have laughed at if it was not for the huge threat right there and despite the fact that kusuo looks the same as always (silent, in the background, neutral face) i felt nervous because he had said so just barely a minute ago and hadnt mentioned again. its shown through the way he allowed teruhashi to do as she pleased, how he would look at the mountain constantly, not say anything mentally to the audience.. it was offputting and really set the vibes. his face reflected in the window, with owari yama right there too? perfect way to end the segment.

i found it clever how saiki used a previous part to help him: the robot. he now knows that nobody suspects anything if he just says ‘yare yare’ and he now uses this with his hypnosis (seen in many episodes, such as s1 ep 24) to mesh together a perfect stand in (according to his friends OOF). and then he uses the clones (from s2 ep22) to help with the eruption (s2 ep13). not only that, his plan is pretty good. he has already used toritsuka as a stand in (when kusuo turned kaido and nendo into stone) and then aiura has already helped him with a previous eruption which he had to turn back time on. it was also a callback to kusuo in the previous episode: no way kusuo would have asked kusuke for help on how to solve the volcano problem if they had not cleared some things up after the fight, and no way would he have if there was no power canceller, and no way if the limiter being pulled would still tell the world about his powers. this is a big climax towards things that the plot has been working towards, and it is a mix of everything: many specific instances, his training, previous lore, character development, his friends and family, kusuos priorities, his emotional stances. they all played some sort of part in his plan to enable time to move forwards.

i was concerned to see him beat up (because looookkk hes just two years older than mee and also pretty oppp) but i was so fuckin pumped that time was moving forwards and he was also pretty happy, given the smile. and the joy immediately left. because everyone showed up, and then to show that alternate universe where things were almost the same but slightly different?? and the fact that kusuo literally told all of them about his powers because he knew he could go back in time and erase all of that? its killing me because he did that because he knew he could experiment for a reaction and then erase it as if nothing actually happened. and it really seems like theres no getting out of it right. his friends saw him, they see the clones, they see toritsuka faking as kusuo, they see the real kusuo holding the ground and preventing the eruption. theres no lying to get out of it. but the same as i thought from the shipwrecked episodes, of course saiki kusuo gets out of it. kaido realises it too and he just wants the truth because he trusts kusuo so much. its been there since the beginning, how much kaido cares about saiki and wants him to be happy because kusuo has made kaido happy, and how much kaido values their friendship. he has always wanted kusuo to remain safe and happy and to be friends with each other.. we see how the rest of them just want kusuo to tell the truth, because they will love him no matter what. and it was shown through the alternate timeline, too, how they dont care about the powers, even if they dont understand, that they know kusuo and know that he has their best interests in mind because he is their friend. and somehow its nendo who is the reasonable one, we have seen him be kind and understanding towards both kusuo and others at so many instances but it is this one that touches kusuo because nendo has always been there for him, throughout all sorts of situations. sure he is dumb, but nendos strength is not athletics. it is his kindness. 

then the fact that everyone agrees with him.. theres no way this is a comedy anime. this is a slice-of-life coming-of-age angst/horror anime which has comic relief.  it was shown through the alternate timeline, too, how they dont care about kusuos powers, even if they dont understand, that they know kusuo and know that he has their best interests in mind because he is their friend. and he knows that even if it is a different timeline, that they would still remain the same in the stance. so he speaks. with his mouth. its huge!! his eyes are shiny because this is absolute confirmation that they would love him even if they knew that about him, because he has given them the same treatment- he has seen a huge part of them that they dont share, and he still loves them, so the opposite is also true. ..but he cant share it yet, not until his powers are gone of course. and it makes sense, of course. if i was one of his friends, i would prefer learning about that after his powers are gone- and this is a decision he is sure about. kusuos powers have caused him so much suffering. while he has many typical teenager traits, he is all in all, incredibly different due to his enlarged responsibilities over himself and the world. sure, his powers have helped him in many situations, but for kusuo, the bad outweigh the good and this has been his ultimate goal for a very long time. while removing his powers will not get rid of the weirdness surrounding him, it will get rid of a lot of the pain and stress. and i was so fucking excited when hairo said that kusuo called everyone over- because we the audience know what will be happening. and it would definitely be for the best, as kusuo really wants to apologise for many of the things that happened because of his powers. 

and then the fucking window.

then this is why im very happy for the watch order to be posted. because this cliffhanger is too much without reawakened episode 6.

i find it so funny that while kusuo has lost his powers, that he still has the ability to break the fourth wall. when asked if his delusions are the same as kaido in middle schooler syndrome, he has to reply with an “absolutely not”. i love how he is feeling the effects of losing his powers. he has relied on his powers as another limb his entire life, and they are suddenly gone. even if they are overall bad, he still used them daily and isnt used to life without it because he was forced to live with it previously, meaning that he would find some use through the disadvantages. i also really liked how while kusuo could very blatantly feel the loss, he could also appreciate the beauties of normal life. actually be able to see his friends rather than just a skeleton, probably have a peaceful sleep, any of those powers he couldnt turn off have finally done so and he has a lot less weight as a result. it is really interesting to watch him try and get out of situations he would have previously avoided using his powers, as he has to rely on his own intuition and chance rather than himself and his abilities. 

but it is an anime, and god hates him, so kusuo is stuck with teruhashi on their project. he sees the disadvantages everywhere- things that normal people are used to but he is not, and it seems like good representation for disability- having something and then suddenly having it gone, so you are only left with routines that are no longer possible because you are missing a key component. and not only that, there are hinders towards kusuos journey. 

he gets a fucking bookshelf toppled over onto him. huhhhhhh???? would you really go so far as to kill a kid for accidentally becoming partners with a girl for one school project?? and i was also confused until i saw nendo- in all his glory. seriously, this guy is insanely good at protecting people without a single thought beforehand (he has to get it from his dad right). and not only that, we watch toritsuka and kuboyasu against the bullies- two people insanely good at beating people up. this is a great place to show some character development- nendo gives a speech to kusuo about how even the strongest can need protecting, and it is shown with how nendo instinctively went to protect him from the bookcase and toritsuka/kuboyasu went to beat up the ones who caused it.. finally kusuo himself can get protected by his friends. because he isnt used to it in the slightest. he desperately wanted to get rid of the powers without fully realising how much he relied on them for daily life. even in dangerous situations he would subconsciously rely on powers he doesnt have anymore, and he even realises it and doubts his decision. but nendo comes in and saves it and i find that very precious and important to kusuo to realise that he doesnt always have to be the overpowered one because there are people around him who still care regardless.

but it doesnt last. he cannot even get used to having no powers because they come back only two days later. the way it was presented was pretty cool, too, with how kusuos hand made an indent into the wall from where he slammed it, to the thought bubble from kusuke. and i also thought the way the dawning horror was shown was pretty cool. the purple and blue spirals towards a terrified kusuo without his limiters or glasses, at night, while kusuke continues talking and says that kusuo has evolved past being human in order to control his powers? yeah terrifying, i felt the horror in me too. because how long had he been evolving for? if hed gotten rid of the powers faster, would it have worked? if he hadnt spent so long on the volcano, could he be normal? was he ever actually normal? was it only recently since his body had changed to adapt? because with his body, kusuo relies on his powers. it could be compared to another heart, or a limb. his body needs powers because that is what they are used to. eyes that see through skin, a brain that can hear thoughts, muscles that are used to carrying boulders.. the list goes on and it shows that he has no choice but to use powers, as his mind has always been on fixing problems using parts of him that he has always had, his own biology has been on that. yeah psychological horror much.

the fact that it doesnt work. being told to live normally and peacefully without thinking about his powers doesnt work. because kusuo is far too used to them, he doesnt even think before using them for the little things in daily life such as opening the door or pushing in his seat. its like a papercut on your finger and only then do you realise how much you use that finger all the time- he doesnt realise it until its too late. and then he continues to remain ignorant until it actually happens, such as clairvoyance and new (useless) powers forming. he is already too used to it that he uses them without realising, because that was his normal. kusuo can also realise this with his dawning terror at each thing that happens with his power, with the foreboding patterns with dark colours and his horrified face. he is trying so hard to deny it because even if there are good things that come with his powers, ultimately, they cause him suffering. but it doesnt even fucking work.

its really sad to see him accidentally use powers, as they come back swiftly. kusuo is trying so hard to deny his symptoms but there is really no use: the illness is back. he teleported home, used clairvoyance, talked using telepathy, went invisible, used psycokinesis, saw through someone.. theres too many to deny that his powers are back. but kusuke asks valid questions: did anything good happen without them? and the answer is kusuo thinking about the bookshelf incident. because there are both good and bad things from it, he had to get protected and was weakened by the fact he couldnt see it coming, but it was good to know that so many people are willing to protect him. but then theres a fucking meteor. its also a manipulative thing for kusuke to do, asking that question and then thrusting a natural disaster upon his brother going through an existential crisis. because kusuo has a choice to make. he could try and suppress the powers even further and live a normal life until the end and let kusuke deal with it as that is the path that he chose. or kusuo could accept that the powers are a part of him and that people will still love him regardless, and make the choice to save the world and possibly never live normally again. and its a shitty situation all around. a seventeen year old should not have to make such a choice.

and yet he has to. because kusuo can hear his friends pleading for help, their fear, their reactions, confusion. kusuo knows he cannot have his father do something of this scale, or let his brother do something like that to their dad. he cant let the meteor hit earth because everyone he loves is there. kusuo was always one to complain verbally(mentally) about shit he gets wrapped up in, but from the context clues and his actions throughout the series, he has shown just how much he cares and tries to help even with how much he drags his feet and complains and insults. because all kusuo wants is for his friends to be happy, and to live normally. but those two things cannot coexist, at least not for long. and then he smiled. he chooses their happiness, because that is the kind of person kusuo is. he has said that he is a psychic in so many situations and for so many reasons, but at the start and end of the series, it is the same ten words.

“so my life of peace is over, but i feel that is not so bad after all.. perhaps i like to deal with hassles after all. yare yare. my name is saiki kusuo. and i am a psychic.”

[wadinginthevelvet]

sorry but I love the Izzy “dangling my legs over the side of the ship” scene because like. he’s literally right. it DOES serve him right.

Ed was deeply heartbroken but coping healthily until Izzy got in his head & made him feel like all he deserved was destruction. Ed TRUSTED Izzy, and this person who he felt knew him & saw him & cared about him essentially confirming in his view that he doesn’t deserve good things and only has worth as a monster— that being soft was worse for him than being dead— made him feel that he truly was unloveable and shoved him over the edge into the Kraken persona. plus Izzy ASKED him to be violent! he grinned when he cut off his toe! the beginning of s2 is Izzy realizing that a. Ed is not actually happy as Blackbeard and is in fact destroying himself and b. Izzy himself has grown to care for this crew in a way he didn’t realize he had and maybe actually has some human empathy. and doesn’t want them to be brutalized. which I honestly don’t think he had a handle on before it was too late & he’d already set them up for this level of violence. and also clearly he did NOT know Ed in the way he thought he did! he didn’t realize he cared about the crew like that, but he also didn’t think Kraken-Ed would be that intense. he thought that horrible pep talk was what Ed needed to get back to being pre-Stede Blackbeard, not realizing that pre-Stede Blackbeard was a facade Ed was already deeply unhappy and insecure underneath, but also failing to comprehend (or even notice) the extent of Ed’s trauma and lack of self-worth and the fairly obvious (to anyone who actually knew or understood Ed) fact that telling him those things would shatter his very fragile belief that he deserved these tenuous but brave attempts at taking care of himself and trying to become who he wanted to be. Kraken-Ed was not who Izzy thought he would trigger when he gave him the talk, because he didn’t actually know or understand him like he thought he did. & that’s what he’s coming to terms with in s2 and it is a wonderful arc! lots of people have written fantastic metas about Izzy & his motivations and the complexity of his realization that he didn’t know Ed like he though he did & wasn’t close to him like he thought he was so I won’t bother to fully go into that here as interesting as it is. but like.. he asked for violence & he got it. he didn’t have a good handle on his own feelings about the crew/piracy and he evidently had zero handle on Ed’s (he is masterful at suppression but isn’t emotionally intelligent enough to be able to tell Ed is too), and while yeah it was Ed’s trauma and whole brutal career as a pirate and this glimpse at a different future and Stede’s betrayal all coming together to cause Ed’s eventual breakdown, Izzy’s talk is what made him give up and pushed him overboard into the Kraken era. he convinced him he was worthless if he wasn’t a monster, & in doing so unleashed that monster onto himself and the crew. he taunted the shark and lost a leg. I don’t think there’s anything unhealthy about him framing it like that— he isn’t suppressing his feelings about it or pretending it didn’t happen— he’s just processing & accepting the truth of the matter. when Lucius says Blackbeard cut off his leg and Izzy says “a shark did this”, he’s acknowledging it wasn’t really Ed who shot him, but a violent, hopeless, actively suicidal caricature of Blackbeard, a monster Izzy helped create. Izzy isn’t Ed’s victim— they’re an eye for an eye now. and I’m glad he acknowledged it like that

[applepixls]

season 10 really is the social season.

tango in a stream from a week-ish ago joked that this is the season of non-redstoners learning redstone but i think it goes deeper than that

first of all, everyones putting in effort to interact with others and not burn out and balance their episodes with building and work and just having fun with friends

then, theres all the skill sharing.

tango asked bdubs to critique his starter house build, pearl's doing the hermit tours and asking for critiques and things they'd add, bdubs and impulse are working on the cyberpunk city together, stress and iskall are building murder mystery lane together. a lot of redstoners are developing their building skills and styles

then there's armour stands, of course cleos messing with them as always but now joel is as well and she's not holding back with praise for his work and he isn't holding back any admiration for hers either. impulse did the little king kong because the scaling update to the armour stand mod has everyone inspired to play and learn and mumbos asked cleo to teach him about it as well (sidebar: cleo does really well teaching? like i know they used to be a teacher but the clips from mumbos video just convince me they were a good teacher. they give him tips and tricks and suggestions and hints without telling him what to do or how to do it. shes also just like... teaching creativity? almost? along with the skill of giving the armour stands life, shes giving tips on how to imagine and realize a scene etc.)

and ofc, last but certainly not least, more people are building games and using redstone in general!! pearl built a game and showed it off to everyone, cleos doing the same with guess the hermit and xisumas more than happy to help trouble shoot and problem solve to make everything work. and its not just games! grians actually building farms (even if from tutorials, in the past he mostly just goes to the shopping district) and pearl and skizz are both learning and doing the research and designing their own farms?!

im sure i've missed a bunch but i'm just so impressed with the hermits and im happy everyone's having fun with friends this season

[createserenity]

Aziraphale and Crowley's relationship dynamic fascinates me and what fascinates me even more is how people perceive them, partly because I seem to have a much more optimistic view of their dynamic than a lot of what I read suggests they do.

With that in mind I started trying to unpick how I see their dynamic and why and what I ended up with was a series of rambles on various aspects, including confidence, trust, silliness and what they ask of each other. This one is about what they ask of each other and why their relationship isn't some weird one-sided thing where Crowley gives Aziraphale everything he could possibly want or ask for.

I see a lot of posts and things suggesting Crowley always rolls over and does anything Aziraphale asks of him. I don’t know to what extent most people really believe this or if it’s just a fun joke (and I’m not saying that’s bad, I think it’s a fun joke too, I love reading all that stuff and it makes me laugh). The point I wanted to make here though is that I don’t think it’s true and also why I don’t think it’s true.

Everything from here on out is my opinion, but I won’t keep stating that in order to make it more easily readable, just take it as a given. If your opinion is different that’s absolutely fine, I love that we can all see this stuff in different ways depending on our experiences and personalities, it’s why the fandom is so fun. (It’s also why my opinion on so many things in season two ricochets wildly from one theory to another).

So back to Crowley and Aziraphale – I don’t think Aziraphale walks all over Crowley, or certainly not to the extent that people sometimes think he does. Also Crowley doesn’t and wouldn’t allow himself to be walked all over anyway. Why is this even relevant? Because I’ve seen people say that in the final 15 minutes Aziraphale finally asked Crowley to do something that pushed him over the edge and that Aziraphale was shocked when Crowley didn’t roll over and do it because Crowley always does what Aziraphale asks. This isn’t at all true for a start, but also this view tends to include a second assumption, which is that their relationship is one-sided and Aziraphale never does anything for Crowley, that he dismisses him and takes him for granted, which also is not true in a lot of ways. I think it’s a fundamental misinterpretation of their relationship dynamic.  

First of all why can Crowley’s actions be interpreted as just rolling over and doing whatever Aziraphale wants? Well, the answer to that is three-fold – firstly Crowley is a genuinely unselfish in many ways, he does things for people because that’s the way he is, it doesn’t make him a pushover, it just makes him nice. Secondly he loves Aziraphale deeply. Whether he knows it or not doesn’t matter, he cares for Aziraphale and wants him to be happy. This isn’t the same as being a complete doormat, it’s simply compromising with the person you are in a relationship with and occasionally prioritising them over yourself. Both these things come together in the third thing, which is that Crowley’s love language is acts of service – he enjoys doing nice things for Aziraphale, he enjoys rescuing him, or going along with him and letting him have his own way, so why not do it? The point is he’s never railroaded into it by Aziraphale, it’s always a deliberate choice. He is literally saying, I will do this thing for you because I love you and I enjoy making you happy and this is something I feel I can give to you.

How does Aziraphale see this behaviour?

Well that’s a tricky one, because in many ways Aziraphale is the more complex character, not least because he changes the most over the course of their history together. Is there a slight element of him taking Crowley for granted in some of their interactions, especially in season two? Possibly, but mostly I don’t think that’s it at all. When someone gives you things because their love language is acts of service you develop a (mostly sub-conscious) confidence in that relationship dynamic and if you also have confidence in yourself (which Aziraphale absolutely does – I’ll write more on this another time) then when you want something you ask for things. You ask not because you learn to expect, but because you think you’re worthy of asking and you think that your relationship is strong enough to stand up to the ask. I ask my husband for things all the time, sometimes they’re things I know he’ll give me – these are easy asks (I don’t just mean physical objects, I also mean acts of service such as helping me with something), sometimes though I’ll ask for things knowing he probably won’t give me that thing or without having a clue what his answer will be – these are harder asks, the sort you don’t do early on in relationships because they might break it either in one go or over time. Sometimes a hard ask results in me getting what I want, sometimes it results in a bit of back and forth before I get what I want, sometimes I get a no and I’m temporarily annoyed or upset, sometimes I get a no and I accept it because I knew it was the most likely outcome.

The point is that I ask, and so does Aziraphale. You ask because you have confidence that you are worthy of the ask and also that your relationship is strong enough to bear the request, even if the answer is no. Can a no still be annoying or upsetting? Yes absolutely. Can a no still be wrong on the part of the other person? Also yes. The point is that sometimes the no isn’t wrong and it doesn’t necessarily break the relationship. By the time season two comes along Aziraphale is confident enough in his relationship with Crowley to feel it can bear the weight of him asking.

So what happens when he asks? Does Crowley roll over?

Well no, he doesn’t. One big example of this is right at the beginning of the series, in episode one. Here Aziraphale makes a massive ask of Crowley and he knows it’s a big ask. Even before he tells Crowley what the problem is he’s aware of the possibility of a no. “Is it something I can help you with?” Crowley sayss, and Aziraphale merely shrugs. It’s not because Nina is there, she’s gone by that point. It’s also not because he doesn’t have faith in Crowley’s ability to help him, he always has faith in Crowley’s abilities (this is a whole other thing on trust). What he’s doubting is whether Crowley will help him. It’s why they’re meeting in the café, not the bookshop. He wants to break this one to Crowley a bit at a time – there’s a problem and I need help. I want your help, it’s why I called you, but you aren’t going to like it and I’m not even sure whether you will help so I’m establishing that I need help first, rather than showing you Gabriel immediately, so that you aren’t completely surprised when I present the whole problem to you.

Once they go to the bookshop and Crowley is confronted with Gabriel he offers the help he feels able to give by saying that he’ll drive Gabriel somewhere and dump him. He’s stating his willingness to help (which is important later), but for now he’ll only help in one specific way. What he isn’t willing to do is any more than that, not even for Aziraphale.

Help me take care of Gabriel. Help me sort this mess out, Aziraphale says, and what does Crowley say? No. Absolutely not. You’re on your own with this one. Even after Aziraphale practically begs him for help, complete with puppy dog eyes and the magic word, “I’d love you to help me,” Crowley still says no. That is not the reply of someone who lets themselves be walked all over or who rolls over every time the angel they’re in love with flutters their eyelashes.

Okay so what about the fact that he returns? Well, the stakes have been raised: for a start Aziraphale is now directly in danger, which alters the balance in favour of helping him, and remember he was already willing to help, he said as much, but he was previously only willing to help in one way. Now that’s changed. Doing things you wouldn’t normally do for someone you love when the stakes are raised is a perfectly normal rection in a relationship and does not indicate an unhealthy dynamic. Crowley has now realised that getting rid of Gabriel is no longer an option - his preferred plan (dumping Gabriel somewhere) will no longer work, so the only choice is now Aziraphale’s plan of keeping him in the bookshop and taking care of him.

This is why he returns.

A quick note on the call

Just backtracking a bit here – when Aziraphale calls Crowley to ask him for help Crowley agrees to be over in two minutes. It’s instant, no questions asked and at first glance looks like Aziraphale calls and Crowley comes running just because. But nope. Later we are very clearly told that Crowley knows something is wrong the moment he picks up the phone and Aziraphale starts speaking, “This was your ‘Something’s Wrong’ voice.” Crowley already knows there’s a problem and what do you do when your closest friend calls you and tells you about a problem? You try to help. Whether that’s advice, comfort, physically going around to help out or whatever the situation calls for. Of course Crowley says he’ll be there in two minutes, he doesn’t exactly have anything else on and his friend has just indirectly told him something is wrong. He’d be a pretty shitty person/entity if he didn’t agree to drop round and try to help.

So what about the 'I was wrong' dance?

This whole interaction, that many people say indicates how under the thumb he is actually shows us the exact opposite. What’s the first thing Crowley says when Aziraphale asks him to do the dance? “I don’t do the dance.” This tells us a hell of a lot about their relationship dynamic up to this point – for a start Aziraphale has clearly done the dance before, at Crowley’s request, and he lists off the occasions. The dance is silly and slightly demeaning and Aziraphale has done it several times for Crowley, whilst Crowley has never done it, yet somehow we read this whole scene as Crowley being the whipped one? Um. No. Also heavily implied in Crowley’s, “I don’t do the dance” statement is, You’ve asked me to do this before, I’ve always said no because I don’t want to. You’ve always accepted my no before and I want (expect!) you to accept it this time.

But this time Aziraphale doesn’t accept the no. Just like Crowley wouldn’t go along with his plan earlier, Aziraphale now won’t go along with Crowley’s no. Clearly he has done so in the past, but this time their dynamics are different. They’ve been much more open about their friendship for the past four years, they’ve both accepted that they are at least close friends, if not more. They’ve saved the world together and saved each other. They both acknowledge they “carved (this existence) out for ourselves” and that brings strength to their relationship. Now that Aziraphale has more confidence in what they are to each other, he takes that confidence and tests the limits of what Crowley will do for him, to push them more towards equality. Why should he always be the one to do the dance? Crowley responds by acquiescing not because he would just roll over and do anything for Aziraphale but because he recognises three things. Firstly that Aziraphale is pushing and that this is new and that this means something to him in the context of their relationship, secondly because he reluctantly accepts Aziraphale’s point that it isn’t really fair that he never does it, and finally because the request for him to do the dance isn’t about him refusing to help (Aziraphale was never certain he would), it’s about the fact that he’s broken Aziraphale’s trust by refusing to help (which is a slightly and very subtly different thing). To illustrate this, right before Crowley does the dance, just after he says “fine,” he gets this very brief, soft look on his face – this is him acknowledging to himself that Aziraphale deserves this dance, that he loves the angel and that he’s doing this because of both those things – he could have continued to insist on a no, he clearly has before, but this time he chooses not to.

I will do this thing for you because I love you and I enjoy making you happy and this is something I feel I can give to you.

All right, what about the car thing?

What about it? Lending your car to the person you love is very normal. Ok so the car means more to Crowley than a normal car does to us, but the point still stands. Aziraphale is making a reasonable request here. Does he expect a yes? Absolutely, because he also knows it’s a reasonable request given where their relationship is. Does he flirt to get his own way? Hell, yes. Does Crowley know exactly what Aziraphale is playing at? Also a hell yes. And Crowley totally plays up to it, he’s not as opposed to it as he claims. He’s playing up his “no” and his grumpiness for effect, to encourage Aziraphale’s silly flirtiness. Look at the difference between this no and the no he gave Aziraphale earlier. There’s no anger here, there’s no real sense that he thinks Aziraphale is asking too much, he’s playing a role in their relationship and they’ve both played this game before. Look at that little slap of the hand, which Aziraphale responds to equally playfully. The game even continues after Muriel turns up at the shop, when it’s already quite clear that Crowley is going to let Aziraphale use the car (he’s already taking the plants out). Even in the back-room Crowley still teasingly grumbles about trains whilst Aziraphale smiles flirtily, and Crowley playfully withholds the car keys when Muriel interrupts them. They both know Aziraphale is going to end up with them, there’s no point to him not directly handing them over in spite of the interruption, it’s just an excuse to tease Aziraphale back. I mean, look at him – he spends the rest of the conversation wiggling his hips, grinning smugly and confidently handling the Muriel problem by talking about love. Aziraphale’s very overt reaction tells you all you need to know about the dynamic of this one.

Two can play at this flirting game, angel.

But he follows him around like a little puppy!

Well, yes and no. Sure he follows him around whilst he goes around asking all the shopkeepers to the meeting, but he does that because it’s fun for him. He’s curious, Aziraphale is acting oddly, doing something he’s never done before and Crowley wants to know what it is. He’s always found him fascinating – what silly and ridiculous thing is the angel up to now?

Also wanting to hang out with the person you are in love with isn’t at all strange or a sign you are in some sort of weird relationship where only one of you calls the shots. It’s normal. Crowley knows Aziraphale has a tendency to be silly or do unexpected things and he wants to watch him do them and also flirt with him whilst he’s doing them. Looking grumpy and reacting to Aziraphale’s silliness with disbelief is how Crowley flirts-without-flirting. Both of them know, understand and like that dynamic, and he has that role not because he’s unhealthy levels enthralled with everything Aziraphale does but because of the levels of trust they have spent millennia establishing.

What Crowley doesn’t do is wait around for Aziraphale. Look at the scene where Aziraphale daydreams about Job. In that scene he’s aware Aziraphale has something else to show him (the record clue), but he doesn’t stick around whilst Aziraphale ignores him. He could have sat down somewhere in the shop and waited – he’s got an eternity, waiting an hour or so is no big deal, but waiting around like that would suggest he really is a doormat, just waiting for the next time Aziraphale shows him any attention. He doesn’t do that, instead he goes off and does… well, something. There’s a lot of speculation over what it is, but whether he goes off to read Pride and Prejudice or just wanders off to find something more interesting to look at than the back of Aziraphale’s head, he’s clearly saying here that he has a life outside of whatever Aziraphale wants to do.

Also side note - you know what else he doesn’t do for Aziraphale? Adjust his driving style. Aziraphale clearly hates it, it makes him nervous and he even asks Crowley to change several times whilst they’re in the car together, but Crowley never does. This is how I am angel, accept it or don’t, but this is the line and I’m not changing this for you. Related to this is his refusal to accept Aziraphale altering the Bentley. Aziraphale tries to persuade him, “But it’s pretty,” and Crowley really isn’t having it. It’s another hard line and he’s not going to let Aziraphale cross it.

Anything else?

There’s a few other examples that I’ve seen listed in the, “Crowley does whatever Aziraphale says/wants” evidence piles. Things like Aziraphale assuming he’s going to get the drinks in the pub. Well, someone has to get them, and it makes perfect sense that they both assume it’s Crowley here because he’s the one more comfortable with pubs. Having a role that you take on within certain situations in a relationship is healthy and normal, imagine how exhausting it would be to debate who is going to do every little thing all of the time.

In the first series the coat cleaning is another example often cited, but this is something Crowley is perfectly happy to do. Aziraphale is flirting, which is delightful, and he’s not being asked to do anything difficult or dangerous. I will do this thing for you because I love you and I enjoy making you happy and this is something I feel I can give to you, which is totally different from, you always ask, I always give, and you always take.

What about Aziraphale. When does he give?

All the damn time. We just don’t notice it as much because Crowley asks different things of him. His love language is acts of service towards others, but he doesn’t really ask or require them in return. Sometimes he gets them from Aziraphale anyway (Holy water anyone?) Also notably in the Globe Theatre when he’s clearly the one pushing the Arrangement, and Aziraphale more or less agrees to do his work for him (“That doesn’t sound like hard work”) even before he’s asked, before they’ve gone through their little dance of Crowley pushing and Aziraphale supposedly-reluctantly agreeing.

The other things Aziraphale gives Crowley are much more nuanced, and much less measurable to us as the audience, but he gives them constantly, or more or less constantly, throughout their relationship. He gives him acceptance (although he occasionally partially withdraws it, such as in the bandstand scene), his silliness (which is more important than it first appears), a safe space (not just the bookshop, but also a safe space for Crowley to air his real views without fear of consequence, which is important irrespective of whether or not he persuades Aziraphale to agree with him), his physicality (by 1826 he’s really in Crowley’s space so much of the time) and most importantly he gives Crowley himself. Crowley constantly pushes Aziraphale to grow as a person, it’s one of the original reasons he entertains developing a friendship with him. What he asks of Aziraphale is for Aziraphale to think – really think – about what he believes. And Aziraphale does so, but only for Crowley. Humans have constantly questioned religious beliefs throughout history, they’ve written books, made speeches and even had wars over religious doctrine and the problems, inconsistencies and absurdities within it. Crowley is saying nothing to Aziraphale that he won’t already have indirectly heard from humans and dismissed or ignored. But when Crowley says it, he thinks and he changes. That’s what Crowley asks of Aziraphale and it’s what Aziraphale gives him.

What was the point of all this waffle?

Well, honestly there isn’t much of one. Only that their relationship is much more balanced than some suggest and I think I just wanted to spell that out. It also has an implication for the final 15 minutes. There’s no way Aziraphale goes into that with some sort of fake confidence that he can persuade Crowley to follow him to heaven simply because Crowley always follows him – Crowley doesn’t, he has very clear limits that he enforces with Aziraphale and Aziraphale knows this. He might feel confident for other reasons (such as thinking Crowley will be happy to be an angel again) or something else entirely different might be happening (so many theories!) but I’m pretty sure it’s nothing to do with thinking Crowley always does what he asks, because he very clearly doesn’t.

It's also why Crowley waits around afterwards to watch Aziraphale leave. It’s a way indirectly of saying one final time, I love you and I enjoy making you happy… but this is something I cannot give to you.

[ladybirdswritings]

sweet thing - dbf!joel miller x reader

Summary: Your life is in disarray. Your father is overbearing, your boyfriend is unkind— and blooming into adulthood is just about the most difficult season you’ve braved. Things only become more complex when feelings begin to develop between you and an old friend of your fathers. DBF!Joel Miller (dad’s best friend). Alternate universe as well, there is NO APOCALYPSE.

Notes: Girl I have been radio silent but this picture awoke me from my slumber because oh my God??? Look at this beautiful, haunted man. Pls enjoy the ideas that came from this still. Idk how well this will do but if u guys enjoy, lmk (I LOVE comments / interactions) and I will add to it <3

A03 | masterlist

sweet thing…

Your father did the best he could. You knew that very well. Charlie was a man respected and adored by his humble community. A hard working father turned single parent when your mom fell ill and god— you were his little flower. His sweet thing. His angel.

Flowers are fragile, though. Gentle, moldable petals and stiff, snappable stems.

It is why he kept you so close to him, so prized like painted porcelain just ready to crack.

It is why you were here. Here at Jackson’s golden hued dance with more powdered, jam-filled pastries and red, roasted meats then you could count on one hand. Here. Instead of the alternative option which was the party your boyfriend decided to attend without you.

You got the invite, sure, yet even as a legal adult— what daddy says? Goes. So long as you remain under his roof, at least. It was infuriating, though. The freedom of all your dear friends, the spontaneity. If only that could be you…

Your eyes drifted to the moustached sponge of all fun and joy in the world, wrapped in a flannel with bourbon in hand. Your dad was seated next to Joel, as he often was. His presence was a newfound thing for these recent years and though Joel would never say it, you had an inkling that he wanted to stand by his friend’s side after your mother… well.

You didn’t know Joel well. No, not at all. His visits were always the occasional dinner or drop in for fishing or some awfully manly thing. You knew well that your mother adored him, though— so that was enough to make him alright in your book.

Neighbor Betsy told you once that Joel had lost his wife and daughter too, and that maybe he was trying to keep your father from going through what he went through alone.

You only laughed at that.

Joel Miller was gruff and cold. Could he have such a warm heart beneath his sherpa coat?

You dazed out, the fingers snapping in front of your eyes made you blink back into the golden hues and roasted sausages on pointy little sticks.

“You alright, honeybee?” Your father asked, laying a heavy arm upon your shoulders. Joel was slower in his approach, eyeing you up and down with confusion and something else in his eyes.

“Peachy.” You only muttered, taking a sip of your freshly squeezed lemonade. Jackson’s finest.

“Oh come on now angel… now you know I can’t have you runnin’ off with that boyfriend of yours. I always told you he was trouble. Member’ when he ditched you down by Church Road during mosquito season? Well you were ripe as a red tomater and who had to pick you up?”

You were riper, redder now. Your cheeks an embarrassed hue not even on the color wheel, not even identifiable. You bowed your head, huffing out your frustrations before simply muttering: “you did, dad.”

He nodded proud, squeezing your shoulder. “That’s right, I did… what?”

Your eyes drifted up to see your father’s oldest friend with an odd kind of expression on his face. Brows pinched and raised, wrinkles plaguing his forehead deeper now.

Joel only cleared his throat, shifting on his boots and taking a sip of his bourbon in preparation. Then? He spoke.

“You ain’t lettin’ her be.” He gruffly offered, eyes set and sure. Your father only stilled for a moment, wondering if it was even Joel’s place to have an opinion… maybe it was.

“Why’s that?” He asked Joel, and the rough looking man only took another swig.

“Mm. We were both young once. We both made mistakes, y’gotta let her make her own— can’t hide her from em’. Just ain’t how it works.”

Poppies blossomed like springtime had finally begun in your eyes. Finally— someone understood. You didn’t expect him to be so… wise?

Your father only huffed, taking a long glance your way as he mused.

“Even if I wanted to loosen the leash tonight, Joel, I can’t. Maria needs me here to keep an eye on crazy old Arthur.”

Joel’s brows relaxed at that, a purpled hand running along the zipper of his flannel coat. His eyes were a chocolate kind of brown, dark and quietly encasing his thoughts within them.

He hummed, gaze drifting back to you.

You wanted to shrink. Perhaps it was because you were on the spot, perhaps it was because the way he stared would make anyone feel small.

It seemed like centuries before he cleared his throat again.

“I’ll take her.”

What?

You didn’t understand it, not one bit. Why was he kind enough to offer you an out here? Kind enough to test your father’s words.

Discomfort radiated through your father’s coat, tension molding its way into his already stiff bones. A long sigh, a glance back and forth as he truly considered. His expression was far too plagued with worry, and you knew well that it was now or never.

You had to slam down the last nail in the oak wood coffin.

“Please, daddy? I’ll check in every half hour, I promise.”

Tension eased, slightly but— still. Your eyes were doe-like and sweet, and he gazed into them for a moment far too long before allowing his arm to drop.

“Every fifteen minutes and you’ve got a deal. Miller, you make sure my daughter gets in and out of that bastard’s house safely.”

Joel only nodded once, jaw tense and expression stoic. Your grin was wider than a field of flowers, and you immediately wrapped your father in a hug. Your thank yous seemed endless, and it made him laugh.

When you parted, Joel had keys grasped in his rough hands. You realized for a moment that you had no idea why he was doing this. What did he owe you? Maybe it was pity. You were half an orphan, after all.

With a cautious glance, your eyes met his own. He nodded once as if to urge you closer, and you stumbled his way. Before you knew it? You were out the door, trailing behind him like his shadow.

Of all the people who cared enough to convince your father to let you go to this party tonight? Joel Miller was the last person you expected it to be…

¿to be continued?

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

[picturejasper20]

Steven Universe as a character is someone who has been mischaracterized and flanderized over the years, to the point people who aren't into the fandom or haven't watched the show believe that mischaracterization to be a fact rather that a product that comes from memes and jokes

The truth is that Steven often fights in the series when it is needed, usually by fusing with someone else like Connie or Amethyst since he is still developing his powers in the original series. He doesn't cry when he has to fight back or defend himself, with exception if the person attacking is someone he considers a friend. Because, yes, for a 14-15 old teenager it isn't fun having to do something like that and it can be traumatic.

He also doesn't start to cry the moment someone refuses to change their mind or is being mean. He often isn't afraid to be sarcastic or call that person out. He didn't cry when Aquamarine mocked him in ¨Stuck Together¨ nor when Jasper didn't apologize for poofing Amethyst in ¨Crack the Whip¨

However, what we see is sometimes him blaming himself for not being able to help people that, more often than not, have been hurt by Rose Quartz, his mother, in some way. After Season 3, Steven fears a lot that he is going to become like Rose and he is going to hurt people the way like she did.

In general Steven deals with an Atlas complex in the show. He feels like he has to fix his mother mistakes and deal with ¨what she left behind¨ even when Rose wanted for him to be his own person as seen in the tape she left for him as it was revealed in the episode ¨Lion 4: The Alternate Ending¨.

Steven also defines his identity a lot for being to help other people and fix their problems. He believes that he has to be ¨useful¨ for others. So when he believes that he failed to help someone, that may lead him to think that he isn't living up to his ¨purpose¨ or that he is a failure as a person.

In reality, he isn't that much different from other hero protagonists from other animated shows. Those who are kind and emphatic and willing to listen to other people and give them a second chance if the person changes their ways. You probably like an animated show that has a protagonist like this. (Who was probably taken inspiration from Steven if the series came out after SU).

The main difference, i think, is that Steven goes a bit more than those protagonists do when it comes to listening to other people, understand their motivations and give them another chance if they regret their actions. A lot has to do with how he is aware that his enemies (usually gems) act the way the do because of the system they were born into rather ¨they are evil just because¨. He gets that their motivations come from the system that hurt them or lead them to believe that their actions are justified.

Another common mischaracterization is that Steven becomes super buddies with every person he helps...when this isn't always the case. There are some occasions that Steven shows discomfort around people who he has given a second chance. Just because he gives them a second chance doesn't mean that he immediately considers them close friends, maybe allies at best.

A good example of this is the gif above of Steven's interactions with White Diamond in ¨Homeworld Bound¨. White Diamond touches Steven very close to where his gem is- which makes Steven distressed since in his battle again White, she ripped his gem out to prove that Pink was still ¨alive¨. In most of the episode Steven shows to be very uncomfortable around the Diamonds and Spinel, to some extent. They bring him bad memories, which is the main reason he has been doing everything to avoid going to them to ask for their help until this point in Steven Universe Future. He even almost accidentally hurts White's gem by smashing her head against a pillar when she lets him control her to talk to himself. This being result of a intrusive ¨vengeful¨ thought.

I wouldn't say that Steven hates the Diamonds,but- he doesn't want to be their friend neither and wants to avoid in general because he feels nervous and bad around them. It's something like ¨I'm glad that you are changing but i don't want to be associated with you. Please, i would appreciate if you kept your distance from me.¨ dynamic.

On last point, Steven is someone who usually pushes his feelings down in certain situations and buries them down, which has led him to have strong emotional outbursts in bad moments. He usually prefers to ignore his own problems and take priority on others. Again, this comes a lot from his desire to be useful and be needed, making him trying to ignore how he feels about certain people and pretend that he is doing fine.

This explains why we don't see him lash out that much to others in the original series, and, why he feels so frustrated and angry in Future, since all that anger and negative feelings can't no longer be ignored as they used to and they are having a negative impact in Steven's mental health. This, of course, isn't meant to be seen is a healthy coping mechanism. It is in fact potrayed as something pretty self-destructive for Steven, as a huge flaw of his, that over time he comes to learn that it isn't the best way for him to deal with his problems.

These are some of the most common misconceptions i have seen about Steven's character online. I could go in more depth with some of them but i think the points should be clear enough. This could be considered a general analysis of how Steven is as a character and how he operates, leaving aside more specific things that can be covered in other posts.

[kiirotoao]

No but holy shit the implications of “I think there is someone he likes, because he has been acting… weird.”

Just imagine El’s confusion over her brother. California is obviously not that great for the Byers. In that very intro scene, we see El making her diorama (which, as sweet and lovely as it is, it ends up getting nothing but ridicule in school), Joyce getting frustrated with a client, Jonathan hurriedly hiding the fact that he’s smoking weed; things are not picture perfect. But Will? Will’s in his own world, in a dreamland of his own, holding to his friends and his life back home by painting it with a focused and tender look in his eyes.

While everyone at home openly struggles with something, our first glimpse of Will this season is something precious and untainted, a struggle that doesn’t develop until much later when he chooses to face his feelings.

We never see Will acting, quote, “weird.” Will has never really been a character that we see out loud. It all lies underneath. It always has. And when I think about that underlying struggle and yet deep fondness, it just. God, it breaks me.

Imagine Will months prior, starting up this project. He picks out a giant canvas, a page that covers his entire easel. Maybe this is his first time using paint as his medium. Maybe not. But whatever the weather, it’s bigger than anything we’ve ever seen him craft. Ever.

Imagine El’s excitement. She learns that Will is a great artist, and she knows it the minute he shows her a single piece. After that, she’s interested in his art, and yet… it’s at the worst time, because he doesn’t let her into his room, anymore. But she knows that he’s working on his easel day in and day out. The minute he’s home from school, he’s playing music, painting again. Maybe he throws out one or two torn-up drafts. Maybe he skips dinner over it. Maybe he ends up so tired that he’s fallen asleep with paint on his face and doesn’t even know it until she points it out.

She’s impressed and she wants to see what he’s doing, especially because he seems so passionate about it all the time, but he never lets her. He bites his lip and shakes his head. He guards it with his very life. And El is left wondering what has him acting so secretive. So nervous. What is the emotion, where is the energy coming from?

It’s out of place. It’s weird when moving to California isn’t as fun as whatever is on that canvas’ face.

So it must be love. Of course it is. Of course it’s for someone, some girl. What else could it be? What else would make Will seem that out of place, seem that… crazy?

And for all of it to be happening upward of six entire months? That painting didn’t take a day or two, I mean, look at it. It must’ve taken him weeks to get in every detail.

And all of it. Every little smile. Every dreaming thought. Every ounce of passion. Everything. Was because of Mike.

God.

God.

[disneyprincemuke]

testing, testing * fem!driver

nobody is more glad to be back in bahrain in her new race car more than the girl racing for andretti

pairings: fernando alonso x fem!driver, logan sargeant x fem!driver, oscar piastri x fem!driver, sebastian vettel x fem!driver, liam lawson x fem!driver

notes: hi surprise before the first race of 2024 and also because I've been writing this piece for like a week now

(series masterlist) | (📂 the sophomore year)

she sighs, tilting her head as she looks down at the car. her hand hovers above the side pod as she grins, “ah, my baby. so pretty.”

liam, standing next to her, has a scowl on his face as he lifts his eyebrow at her. “what?”

“look at the purple on this car,” she whispers in bewilderment as she claps her hand, bouncing on her tiptoes. “she’s so pretty! i have a good feeling about this year, liam!” she grabs his shoulder and shakes him as she throws her head back. “this is our year and i’m going to win a race for andretti.”

“if you don’t stop shaking me, i’ll throw myself in front of your car and you’ll have to find a new teammate.”

she hums. “i have fred — toto will hand him over if i bat my eyelashes and say really nice things and offer free babysitting.”

“hater,” liam mutters, shaking his head. he turns his head back to the car. it is pretty: the purple and the specks of black give it a nice touch. “but it is a pretty nice car. it felt nice right?”

“it did.”

she sighs and leans on the car with her arms wide open. she pushes her cheek against the halo of the car. “i love you, my baby car. we’re gonna win a race together.”

“what’s going on?”

liam turns his head and shrugs. “not sure. might be the lack of ice cream in her bloodstream that’s making her like this.”

which is possible. sebastian and noah (her physical trainer) had banned her from ice cream for testing, afraid that she would simply camp out in the bathroom in the short couple of hours she has in the car today.

“i drank pepsi, it’s okay,” she giggles, scrunching her nose. she perks up with a giddy smile and looks around with her lips pursed. “where is oscar? he owes me timtams.”

“no chocolate either,” sebastian says sternly, furrowing his eyebrows at the young girl.

“what? why not?”

“because you’ll kill yourself when you’re in the car for too long,” noah sighs with the shake of his head. “eat fruits like normal people.”

“normal…” liam furrows his eyebrows as he turns to the slightly older man. “who eats fruits for fun?”

“they’re good for you.”

“they’re not all good. they could give you diabetes.”

“fruits can give you diabetes?” she yelps, shoving liam back a couple of steps with wide eyes. “i knew there’s a reason i resented fruits! they’re so unhealthy!”

“actually it’s because you didn’t have an ounce of internet safety growing up. you were traumatised by annoying orange,” liam mutters. only then he notices that it’s something he was sworn to secrecy by logan. he glances at the girl, breathing heavily as her eye twitches. “or so i assume.”

noah turns to her. “you’re scared of annoying orange?”

prepared for the girl to unleash some sort of violence on him, liam sucks in a deep breath as he closes his eyes to brace for impact. much to his surprise, she just nods and walks past him to walk to where her helmet is.

“yeah. and it’s all blythe watched growing up. so it was kinda,” she shrugs, “detrimental to my brain development.”

liam raises his eyebrow. “that’s the only thing that held back your development?”

“that and meeting you in my early teen years for sure altered my brain chemistry.”

“wow.”

“i know. kinda sucks, doesn’t it?”

pre-season testing has always been one of the days of the year that she’s most excited for. going out there and showing everybody she can do — it’s always fun to shut a lot of people up. and it’s the one time that she can drive a race car without so much pressure on her shoulders.

it’s lots of fun, really. and after not seeing a couple people over the break, it’s fun to be back in the paddocks to mess around with them.

she rests the helmet above her head and turns to liam with a grin. “if i beat you in testing, you owe me 5 pints of rocky road.”

“rocky–”

liam punches her shoulder gently. “you’re on. and if i beat you, you do my laundry for a week.”

“yeah– wait, how is that fair? boy laundry is gross!”

“you live with a boy!”

“i don’t do his laundry! logan’s a grown ass man!”

“enough bickering,” sebastian sighs, putting a hand behind her back. his other hand lands on the top of her helmet and slowly pushes hit down to help her put it on. he understands her excitement: she’s missed racing so much that she had resorted to bringing her brother karting over the winter break. “get in the car and show everyone what you can do.”

she squeals. “and beat liam and get my ice cream.”

“yeah, that too.”

she drives into the pitlane, chewing on the inside of her cheek as she looks for the set of andretti garages. she sighs as she comes to a stop, feeling the car be lifted as they put her back into the garage for a little more testing.

“aw, hey! you’re back,” liam grins, knocking on the top of her helmet. she swats his hands away from her head as she grips on the halo to pull herself out of the car. “how was it?”

“i was not feeling great. but i reckon it’s just me,” she shrugs, voice muffled by the layers over her mouth. “i’m telling you — i need my ice cream. i can handle it without having to run to the bathroom before a race!”

liam scrunches his nose. “you’re not fooling anyone with that.”

“i swear, mate,” she throws her head back in frustration, “it was just the rookie vibes last year. i’m better this year.”

he hums, turning around to readjust the headphones on his head. “i don’t reckon sebastian and noah would believe you. but alright.”

“believe me!”

“believe what?”

“what are you doing here?” she giggles, covering her mouth as she hunches over. “you got my ice cream?”

mick sighs heavily, shoulders slumping when their eyes meet. he presses his lips together and shakes his head and her smile drops. “noah checked me for illegal items on the way in.”

“that asshole!” she shrieks, turning to the large doors where her trainer stands. “you don’t understand — i need my ice cream! i’m dying.”

“i know,” mick turns to the pit wall where sebastian sits, swinging his legs as he eats the ice cream reserved specifically for the girl. “i got caught. i’m sorry.”

she clenches her jaw and turns away from sebastian grinning smugly as her from across the pitlane. she hums. “i will find a way to get myself ice cream. just you wait.”

“i don’t reckon that’s a good idea mate,” liam mutters. “you’ve still got the afternoon session for to drive. maybe you should sit this one out.”

she wiggles her finger in the air as she walks towards the backdoor of her garage. “no can do. i’m sure oscar’s got some extra ice cream from me.”

“no, you cannot race one another during testing.”

“why not? not even a little bit?” max shrugs, frowning as he throws his hands into the air. “just one lap.”

the girl, standing next to him, nods with a wide smile. “please? we won’t crash into one another, i promise.”

“you’re not supposed to crash into one another even in a normal race!” sebastian points out, scratching his head in frustration.

it is one thing to compare lap times when you’re pushing everything out of your car, but to go out on the track and race side by side is another thing. there is simply too much at stake, especially for a time like pre-season testing where everything is in shambles.

“okay, fine!” she huffs, throwing her head back before turning to max. she drops her head. “might i suggest a scooter race around the paddocks before the afternoon session today? after lunch?”

sebastian clears his throat, prompting both of them to turn their heads to look at him before max could muster an answer. “i thought i told you that you can’t use your stupid scooter without adult supervision?”

she looks at him in confusion. “i was talking about the scooter fernando got me.”

“aw, he got you a scooter?” max whines, frowning. “i wanted one — kelly wouldn’t let me get one.”

“seriously?” she giggles. “logan, oscar and i got one along. mine’s the cutest, i’d reckon. you might be able to use oscar’s!”

sebastian just sighs. he waves them off and turns on his heel and starts to walk the other day. “get yourselves injured, i don’t even care.”

“you’re… asking me to join you?”

“what does it sound like?”

a sheepish giggle passes the man’s lips as he covers his mouth and takes a step back. “i feel so honoured. i’m being included in your activities?”

liam furrows his eyebrows. “what’s that supposed to mean? it’s just a scooter ride around the track before the new session. it’s not a big deal.”

“it’s literally a scooter race out on the race track,” she whispers, turning away from liam to look at fernando in confusion. “literally kilometres on a fucking scooter meant for kids.”

“and we somehow convinced the marketing team to film us doing it for content,” logan beams, puffing his chest with his hands on his hips.

they went on a limb when the girl texted their groupchat: something about helping her convince the f1 marketing team to let them book the track for 40 minutes so they could race on it without getting into trouble.

she walked in with logan, oscar and liam trailing behind her with a half thought out speech, a sweet smile and a dream. she barely even made it halfway through the speech she spent so long thinking over while she had her lunch when they agreed without another thought.

and being that it was fernando’s idea to get them all matching scooters (actually a gift to liam for his rookie year, but the girl had convinced him to get her one too), they invited him along as well.

and max, because sebastian had admitted that fernando got him one as well. he had been too ashamed to admit it, muttering about how borderline embarrassing it is.

“how did you do that? they never agree to my ideas.”

“how can you resist a face like this?” liam asks.

liam puts a hand under her face, logan squeezes her cheeks together and oscar pushes her nose up. she poses with her hand in a peace sign.

“i’d feel threatened if i were the f1 marketing team.”

“hey, take that back!” she cries. she swats the hands from her face and grins. “are you joining us or not?”

fernando shrugs. “sure, why not.”

there’s a screech that breaks the barrier by the pitlane followed by the clanging of something. everyone pipes down, heads turning and looking around in curiousity to find the source of the scream.

“there’s no way this happened to me again!”

along the track’s grid is the girl sitting on the ground, hands up in the air with her scooter not too far from her. she’s surrounded by her friends first before the marketing crew finally takes steps forward to check on her.

“if i were you, i’d take this as a sign to just stick with a car,” oscar laughs, clutching his stomach.

“yeah, mate,” logan wipes tears from his eyes, “there’s no way you’re two for two falling down and hurting yourself on a scooter.”

her teammate, however, towers over her with hands over his hips. “i swear you might be stupid. how did you fall down again on a scooter that’s meant for kids?”

she looks up, genuine tears in her eyes as the red liquid seeps out of her palms. “you guys are so mean!”

fernando looks down at her. “are you okay?”

“no!” she holds her hands up to fernando to show him where she is bleeding. “it hurts!”

“okay, mija,” fernando grins, nodding empathetically. he puts a hand on her elbow and the other around her back to help her up. “let’s get you some first aid.”

max appears, actually being the only one that finished the race, still riding on a scooter. he balances on it and tilts his head, “really? again?”

her head snaps back around to max, taking a threatening step forward with an arm wound back to hit him. “max emilian verstappen!”

“not the government name,” he scoffs, furrowing his eyebrows. “this is why you fell down.”

“bitch,” she mutters as fernando whisks her away. “there’s no trophy so it doesn’t even count.”

“you’re just mad that max beat you,” liam snorts, rolling his eyes, “and fernando… and logan… and oscar…”

“you didn’t beat me though, so i’m fine with that.”

“oh, my god?”

“what happened?”

the two germans walk into the garage to her sitting on a bench with her head dropped, being bandaged by noah.

“she fell down,” noah answers immediately, shaking his head as he spares her one more disappointed stare. “can you believe it?”

“have you considered just… not racing?” mick asks, tilting his head. “on a scooter, i mean.”

she shakes her head. “i have to be the best at everything.”

“wow,” sebastian blinks, “well, are you okay?” he looks over liam’s shoulder and rolls his eyes as well. “seriously? the same spot as before?”

“hey, i didn’t take your stupid smart glasses — just mind your own business!” she slouches and lets out a heavy sigh. “it wasn’t even my fault this time.”

liam perks up. “i didn’t do shit to you, mate! you’re just stupid!”

“you were screaming at me approaching me from behind!”

“i was not! i was simply singing the mission impossible theme song!”

“same thing! it was intimidation — you should have been disqualified for that.”

“sore loser!”

“you know what this means?” she hums, batting her eyelashes at sebastian with a small grin. this is her only chance into coaxing herself to completion. “ice–“

before she can finish her plea, her race engineer is already walking away from her with a hand held up in her direction. “not a chance.”

“okay.”

“good results, mate!” liam screams, his claps filling the garage as she climbs out of her car. “you’re in the top 10!”

she turns her head towards him, the way her shoulders and back straighten an easy telltale of how she feels. she pushes her visor up, “really?” she sees the smug grin on his face, ripping her gloves off and throwing it at him. “there’s only 10 of us testing today!”

“you believed me, though.”

“i literally just drove several laps out!” she hits him. “you’re so annoying — i wish mick was my teammate.”

liam shakes his head as she takes her helmet off. “you don’t mean that.”

“i actually do. very much,” she sighs. she puts her helmet into the seat of her car and turns to liam, only then noticing that liam is now holding something out to her. “oh!”

“yeah, i got you ice cream!” liam beams proudly. “they didn’t have rocky road, but… i figured it’s still chocolate ice cream and you wouldn’t–“

he’s cut off by the girl throwing herself at him, wrapping her arms around him beforw pulling away to take the small cup into her hands. “aw, liam! thank you!”

“we’re going to have so much fun this year.”

“bold of you to assume i won’t run you off track like i did in f2.”

“i’m prepared to hit you back — you’re an adult now.”

taglist: @wcnorris @treehouse-mouse @laura-naruto-fan1998 @mindless-rock @vellicora @leilanixx @ironmaiden1313 @angsthology @cherry-piee @christianpulisic10 @elliegrey2803 @33-81 @darleneslane @nikfigueiredo @happy-nico @namgification @localwhoore @sadg3 @kazuha-pista-badam @mellowarcadefun @glitterf1 @megatrilss1885 @peqch-pie @gentlyweeps-world @woozarts @meadhbhcavanagh @2bormaybenot @inejismywife @love4lando

[soapyghostie]

Hi! It's the Chucky anon! Here's my request <3

Chucky has murdered reader, but now she is stuck following him around as a ghost. She isn't like... an unstoppable evil, she just messes with him since she has no other option. Something like...

Chucky, whispering: "Don't you fucking dare..."

Reader, looking at him dead in the eye: (shatters a vase alerting the potential victim)

She has a lot of fun teasing him even when he is not out for the kill, so they end up warming up to each other during the moments where she doesn't try to frustrate his schemes

Thank you again! <3

Sorry for when I had to reject your request because my inbox was closed at the time. Also, I’m sorry you had to wait so long for me to write your request Chucky Anon. I’ve been so busy with finals and finishing up the Track and Field season that I haven’t had time to write. 😫 However, I hope this was worth the wait. Hope you enjoy!

Charles ‘Chucky’ Lee Ray

It’s been several weeks since Chucky killed you. The police had already uncovered your body, ran tests, identified that it was a murder, sent you off to the morgue to get you cleaned up for your funeral, and buried in the ground. Now here you are in all your glory, haunting his ass for all eternity. At first your ghostly presence initially terrified him. You can’t blame him because wouldn’t every killer’s worst nightmare be getting haunted by their victims??? Anyways, however, as time goes on, he begrudgingly starts to enjoy your company, finding it less lonely than being on his own. 

When you discover that you have the power to manipulate objects, it’s all over for Chucky. You are constantly pulling pranks on him, like rearranging his possessions or making strange noises at night. Chucky would be like: “I’m pretty sure I left my knife right here… where the hell did it go???” While you are snickering, knowing damn well where you hid it (on top of the cabinet where his short midget ass can’t even reach it). 

You often play tricks on Chucky to prevent him from completing his kills. This sometimes even inadvertently saves his potential victims in the process. Such as when you accompanied him on one of his killing sprees and he caught you staring at a vase, knowing exactly what you were thinking. “Don’t you fucking dare…” Chucky whispered threateningly and you just stare him dead ass in the face, shattering the vase anyways. Let’s just say that his victim got away that day.  

Although you reluctantly accomplice Chucky and assist him in his schemes, you love to sabotage them for fun. However, You often feel guilty about the innocent lives Chucky takes and you struggle with your role in enabling his actions. Due to that, you sabotage his schemes whenever you can (you have fun at the same time doing it though).

Despite all the pranks and tricks, you and Chucky develop an odd bond through shared experiences and a dark sense of humor. He’ll often find himself venting his frustrations and insecurities to you while seeking your advice and your companionship in moments of loneliness.  

Despite the close bond you and Chucky created, you secretly long for peace and closure, hoping to find a way to move on from your ghostly existence. Due to that, there will always be tension between you two, as you never forgot that Chucky is ultimately responsible for your death.

[rifari2037]

When , did you , Start Paring Aang and Toph and why do you pair them, Together are there similarities between the Two .?

"Do you really think friendships can last more than one lifetime?"

Unlike Zutara that I remember well when I started ship them, I don't really remember when I started ship Taang (and Sukka). But, it was long time ago because I found them so cute together.

Taang have potential, but it needs time or another season to develop their feeling. Because, while Zutara had some romantic moments, Taang didn't have moments like that so it would be forced if they ended up together in season 3 (just like canon).

Then, how could they have potential if they didn't have romantic moments?

Their connection

Aang had connection with all his master bending. Katara was there to saved him, Zuko was there to captured him. Their connection with Aang makes these two characters always face each other and had their own development.

Meanwhile, Toph wasn't in the connection between Aang with Zuko and Katara. She had her own connection to Aang. In the swaps episode, Sokka and Katara saw a vision of their past, but Aang saw a vision of Toph before even meeting her in person.

There's an interesting theory that Aang not only saw a vision of his future, but also his past. Because in Nightmares and Daydreams episode, Toph has no face in his dream. It was parallel with Avatar Kuruk's lover that her face stolen by Koh.

Instead of water, Aang was connected to earth, Toph's element. Even though earth was a difficult element for Aang at first, but it was element that Aang often used in battle after mastering it.

In final battle, earth was the element that re-opened his chakra and made him enter the avatar state.

They compliment each other

Just like fire and water, air is the opposite of earth. They are different, but compliment each other.

Air is the element of freedom. Aang is free person. He is Toph's first friend and also the one who offered her freedom, something she really wants and needs.

Earth is the element of substance. Toph is persistent person. She is the one who taught Aang to be tougher and stand his ground, something he really needs to get out of his comfort zone.

They have same vibes

Toph and Aang are still kids and they act like kids. They like to have fun. That isn't something wrong. In fact, they have the same vibe so that neither one is having fun, while the other is taking care of him.

Yes, Aang is the one who makes Katara child again, but still they don't have the same vibe. Katara has a motherly nature, so Aang's childish nature makes their relationship like mother and son.

It's different when Katara with Zuko. Zuko is more mature, so when Katara is with him, she doesn't have to act motherly. Instead, it's Zuko who look after her, brings her things, and reminds her to rest.

Their Culture

Believe me or not, I found this from Aang/Kataang stand and it made me wonder. If Katara and Aang's cultures are different, then what makes them suitable to be together?

Cultural differences actually don't matter if they can respect each other, but this is Aang's expression of water tribe culture.

Katara : Bato, it looks like home! Sokka : Everything's here, even the pelts! Aang : [Sarcastically.] Yeah, nothing's cozier than dead animal skins.

And this is Aang's expression of water tribe food

Hama : I wanted to surprise you! I bought all this food today so I could fix you a big Water Tribe dinner. Of course, I can't get all the ingredients I need here, but ocean kumquats are a lot like sea prunes if you stew them long enough. Aang : [Sticking his tongue out in disgust.] Great!

According to the post I got, Aang can wear Earth Kingdom clothing because it doesn't use animal materials. He can also wear fire nation clothing, but I don't think all types of fire nation clothing, because there are fire nation clothing made of leather.

The people of Earth Kingdom aren't vegetarian, but not all of their food from animal based. Aang doesn't seem to have a problem with their food.

Btw, Aang has problem with Fire Nation food too.

Aang : [Looking at a meat display. Disappointedly.] Oh, we're going to a meat place? Sokka : Come on, Aang, everyone here eats meat. Even the meat! [Points at a hippo cow eating a piece of meat swarming with flies.]

So, yeah, for me Aang and Toph not only have potential in the story, but also have chemistry with each other.

[itsabouttimex2]

“You need to do better.”

(This gets vitriolic, and is a full-blown criticism of Macaque’s portrayal in Season Four and Five. If criticism of a character/franchise you like upsets you, I do not recommend reading.)

Wow. I had no faith in his character writing, and I’m STILL disappointed.

And it only took one episode! How impressive!

Macaque, who has put in ZERO on-screen effort to become a better person or make amends to his victims, is criticizing Wukong for being a bad mentor! And does Wukong criticize him back? NOPE!

After getting screamed at and berated, does Wukong defend himself? NOPE!

Ooh, but there was a second long reference in a dual yelling match that mentioned that Macaque was a genuinely bad person who took glee in hurting innocent people! Oh, fucking delightful! Ooh, Wukong even points out in one episode that Macaque goes without consequences!

Pointing out a flaw in your writing does not make it less of a flaw.

Macaque will always be allowed to do whatever he wants to anyone he wants- power theft, attempted murder, insults, deceit, assault-

And the narrative and characters will never hold him accountable or force Macaque to look inwards or become a better person.

Macaque will always fall upwards into redemption without any obstacles or pushback.

There will never be a struggle to goodness with a satisfying conclusion. There will never be a moment where falters in his newfound goodness and questions going back to his old ways. There will never be explicit remorse or regret. He will never have deep introspections on his crimes and atrocities that provide a reason for him to want to change.

The sum of his “arc” will always be “you were a good guy all along”, and that lack of depth is where it will stay.

RIP Seasons 1-3 Macaque. You were fun and interesting and cool and lovable.

But the man they replaced you with was destined to be a boring and brooding “anti-hero” who has no real connection to the actions you selfishly and violently performed with your own two hands-

And you will always be a less interesting character for it.

The execution of the actual arc boils down to a single heroic (but ultimately self-serving) moment and then Macaque is immediately forgiven for all the crimes he’s committed and is a magically better person without any effort and nothing he’s done is ever brought up again.

It severely weakens any character’s arc to cut them off from their past actions. If MK forgot his traumas every season instead of carrying them forward- we’d all agree that doing so was a case of poor writing.

It was the reason that people disliked Mei’s portrayal in Season Four- she immediately moved on from the Samadhi Fire arc and “no longer wielded it” after spending a whole season gathering and learning to use it.

Why can’t we agree that it’s bad for Macaque, too?

You can’t “develop” a character by dropping an entire plotline and writing it off with one line.

You can’t “redeem” a character by pretending that they were a good person right from the start.

Sorry, bud.

I really did like you. I just wish I could like your writing.

——————

And, what is more clear to me now than ever?

People only defended Macaque’s shitty writing because they think he’s hot.

I know this now, because I’ve seen white-hot Li Jing arc hatred from fervent Macaque arc defenders.

So we all agree that an “I didn’t really mean it!” isn’t an excuse to abuse the people around you? That you don’t get to mistreat innocent people just because you’re stressed and upset?

Hmmm.

Hmmmmmmm.

I wonder why people despise Jing for his dogshit “one nice thing redeems all your bad actions” arc but love Macaque for his??

(Because they think the monkey is hot.)

The funny thing, though?

Li Jing apologizes to at least one of the victims of his actions. He expresses regret and remorse.

Macaque doesn’t even have that.

——————

Anyways here’s a line that I hate because Macaque has in no way developed enough to have the right to deliver it-

AND NO, SUDDENLY HAVING AN AFFINITY FOR PERFORMING KIND OR SACRIFICIAL ACTS IS NOT GOOD CHARACTER DEVELOPMENT

HIM MAGICALLY OFFSCREEN BECOMING A GOOD PERSON WHO CARES ABOUT INNOCENT LIFE IS NOT GOOD CHARACTER DEVELOPMENT

IF ALL IT TAKES TO “BE BETTER” IS ACTING LIKE A HERO, WUKONG IS LITERALLY A THOUSAND TIMES BETTER OF A PERSON THAN HE IS

THIS LINE IS DOGSHIT

“You need to do better.”

Really, Macaque? Maybe you should take your own damn advice- try apologizing to one of the people you tried to hurt and tried to murder in cold blood!

Like when you trapped MK under his staff after stealing his powers and tried to murder him when he was helpless?

Or when you kidnapped MK’s friends and tortured the kid by forcing him to fight them?

Or you led a violent assault against a palace full of innocent people?

Or violently beat his dear friends until they were screaming in pain?

Or assaulted Tang, who posed no threat to you?

Or threatened to murder an innocent girl if you didn’t get your way, then ran away (and encouraged MK to abandon her) first thing when it put her into a life-threatening meltdown of raw power?

(Isn’t it cool how NONE of these people have interesting or varied reactions to him doing this and ALL immediately are cool with him like a gelatinous hivemind.)

(Oooh ONE mildly questioning line from Pigsy but no anger over his adoptive son nearly being killed multiple times over)

(Isn’t it cool that no one has complex or interesting thoughts on this.)

(Isn’t it cool that by robbing them of unique feelings on the matter they robbed Macaque and the Monkie Kids of compelling and interesting interactions that could’ve helped flesh out their personalities and strengthen their characterization.)

(Isn’t it cool that Macaque and the Monkie Kids are actively denied intriguing character dynamics so Macaque’s shitty “redemption arc” can happen faster.)

(Isn’t that cool.)

Why don’t YOU do better, Macaque?

(In a way that is more satisfying than “one kind-hearted speech from a kid that I tried to murder changed my mind and now I am a better person but all my character development happened offscreen and without personal introspection”, at least.)

Also what the fuck do you mean by “do better”?

Be heroic and put your life in danger? He already does that! He’s done it more than you have!

Just tell MK that he’s not alone? YOU COULD DO THAT YOURSELF, MACAQUE!

Help MK with his traumas and fears? MK doesn’t tell anyone about those! He keeps them bottled up, lock and key, and actively refuses attempts to help!

Wukong TRIED to reach out to him, and MK PUSHED HIM AWAY! Was he supposed to tie the fucking kid down and torture the information out of him?

He respected MK’s boundaries by not pushing any further and letting him leave!!

WHY IS THAT A BAD THING??

What the fuck, man

[charlie-lec-stories]

McLaren Detectives Department // CL16 & MV1

Pairing: Charles Leclerc / Original Female Character / Max Verstappen

Summary: One day Max is totally furious with Y/N and Charles' relationship and the next he's completely fine with it, Lando is not buying it.

Warnings: Suggestive talk, Lando and Oscar rambling on conspiracy theories, Oscar being the annoying little brother, Lando being unable to mind his own business.

Author’s Note: This one is quite funny, I hope you guys like it as much as I do. Rate: +16

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Lando Norris was a simple man, he grew up with the commodities and luxuries of an upper class boy and had never in his life took a bus, but you could take away all of his privilege and he could manage to survive. He could adapt, change his ways, work his way back to the top of the chain again, whatever it took. As long as he could interact with other people on a daily basis he didn't care what happened in his life, because he was fueled by one thing and one thing only: Gossip. Nothing in this life moved Lando more than gossip, he was a sucker for it and when he was paired with Oscar Piastri in McLaren, he found someone as unable to mind his own business as himself. They could spend hours just gossiping, about their friends, other drivers, celebrities, their families, whoever lived on Earth, they always had something to chat about. And their favourite part was drama. They loved it when some scandalous situation reached their ears and they'd spend the rest of the week talking about it and trying to keep up with the updates. The rest of the people who worked with them knew they were like that and more than once they would fake drama just to watch them ramble to each other about it for days. Their capability to gossip was the main entertainment of the garage.

Of course, when Y/N, Max Verstappen's best friend, and Charles Leclerc, Max's rival, started dating, it was the biggest drama the paddock had seen in years. Max and Charles going at each other's throats every weekend was like "Keeping up with the Kardashians" for Lando and Oscar. They would try to use any chance they got to listen to the arguments and comebacks the Ferrari and Red Bull drivers would throw at the other. Lando was close with Max, while Oscar was close with Charles and Y/N, which also meant that they would usually get more information from them, making their gossip sessions even more interesting. Lando loved to hear Max complain over and over again about Charles, telling him how much of a prick the monegasque was and constantly wondering what Y/N ever saw in him. Oscar and Y/N loved ice-cream, and they would go out for it pretty often, there, she sometimes talked about how worried she was about Max and Charles fighting all the time and Oscar did what he could to help her out. On the other hand, when Oscar and Charles went to play pool on Mondays, the Australian gladly listened to his friend complain about Max and his possessiveness over his girlfriend, getting a little possessive himself. All of this made Lando and Oscar fans number one of the Max-Y/N-Charles drama developing in the paddock.

The whole season, they watched the progress of motorsports' favourite couple. From Charles flirting with Y/N at the Mercedes garage, to the last race where Y/N hugged and comforted a defeated Charles who had just lost the championship. The McLaren boys witnessed the couple's hard launch on Instagram during summer break, with a scandalous picture of them kissing on Charles' yacht, Y/N sitting on his lap and Charles shamelessly grabbing at her ass. They had a feast with the fans' reaction to the picture and they had even more fun watching Max's live, while the three of them were together grabbing a beer. The dutchman's ears going red and his eyes hyper-focused on the screen of his phone, so angry that Lando was sure some smoke could go out of his head. They also had the pleasure to watch Max call Charles "stupid" on open TV, with millions watching, followed by the FIA's response to that and Max's public, and notoriously forced, apology. They were both aware that Y/N and Charles' relationship was the thing that Max despised the most on this world. He could spend weeks rambling about why the two should break up and how terrible of a combination they were.

It was suspicious, to say the least, when the first race of the next season, Max entered the paddock along with the couple, chatting amicably and even laughing a bit. Lando and Oscar stared at the sight of the three drivers skeptically, how come they were all friends now? What crucial episode of the telenovela did they miss? Something was off. They watched as Y/N and Charles walked holding hands towards the Mercedes garage, Max chatting excitedly with his best friend not even caring about her relationship anymore. At the entrance of the german team, Charles kissed his girlfriend goodbye and Max gave her a friendly peck on the cheek, then the girl went into the garage and the two guys walked to their own garages, talking lively just the two of them all the way. The whole day, the tree of them crossed paths and exchanged some words with big grins and happy auras, all of the previous tension completely dissipated.

"I don't get it, mate. They hated each other three months ago!". Lando said to Oscar while they were chatting in Oscar's driver's room. "I just can't get it".

"Maybe they talked?". Oscar suggested.

"Nah". Lando dismissed his idea with a flip of his hand. Oscar threw a little papaya ball at him, Lando caught it and threw it back. "I met with Max plenty of times during the off season, he would had told me".

"True". The other agreed and passed the ball again. "I also met with Y/N and Charles, went to their house for dinner a lot at the beginning of the year. They would've said something".

"Maybe it's a PR thing". Lando wondered as he played with the ball before passing it back. "Like, maybe they were scolded so bad for their behavior that now they have to act like they like each other to clean up their public images".

"That actually makes sense, I mean, Max did call Charles stupid on TV". Oscar chuckled and threw the ball back at Lando. "Amazing, mate. Sometimes, you do speak some sense".

"You're so funny". Lando threw the ball harder at Oscar, hitting him on the chest as a response to the other's teasing. Oscar let a huff out at the impact and then laughed a bit, satisfied with the annoyed reaction he got from Lando.

With the resolve to find out what made the other three change their act so drastically, Lando and Oscar started trying to gather some information. They spoke with other drivers, people from Mercedes, Ferrari and Red Bull, friends they all had in common, even Charles' brothers and Y/N mentor, Lewis Hamilton. Little by little, they both discovered that no one knew anything about Charles and Max putting their differences aside and were as shocked as them to see them hanging out in the paddock. Lewis asked Y/N about it and she told him that nothing happened and that everything was like always, which was obviously a lie, but he didn't want to pressure her on the matter. Lando and Oscar spent four race weekends melting their brains trying to work out what happened. Lando had enough. Everything was the same? He wasn't buying that. He walked to Max and asked directly. The dutchman was as direct with his answer: "I still want to jump his throat. I'm just being civil about it".

"Is that what he said?". Oscar asked and Lando just nodded his head while he bit his apple.

"He said that and then walked away. He didn't even give me time to ask more". Oscar played with the papaya ball, that seemed to be his new favourite toy.

"That's weird".

"I agree, if there's something Max isn't, is civil". Lando added with his mouth full. They were frustrated, they had even more questions than before.

Over time, Lando kept trying to extract more information from Max, but all he got were answers like "I have a lot of self control, that's all", "Just trying hard to do the right thing", "I'm trying to make him trust me a little more", "Just want to be close to Y/N again", and things like that. But there was a conversation that put Oscar and Lando on edge. They were discussing the Qualifying session, one where Max got pole and was closely followed by Y/N, Lando on third place. Y/N was explaining that she didn't like the circuit, she felt like every lap she was learning new information and she just could never feel like she was familiar with it. That led to talking about perceptions and how other things like lights and unnecessary noises could divert your attention from what's right in front of you. "Sometimes you need someone to remove everything you don't need so you can finally see clearly". Max said and he placed his hand on her hip, squeezing it lightly. Lando noticed the motion instantly. Max's eyes went from Y/N to behind her and the brit followed his gaze, landing on Charles, who was talking with George Russell and Alex Albon. The comment, the possessive squeeze, the way he so intensely looked at Y/N and then Charles, Lando felt a chill down his spine. Not a good one.

"You're crazy, mate. You finally lost it". Oscar said as he shook his head, shutting down the possibility right there and then.

"Think about it!". Lando paced back and forth on the little room, running his fingers through his hair. "He wants to get close to her again? Someone has to remove the things she doesn't need so she can see clearly? He believes that he's doing good at self control?". Oscar replayed the phrases inside his head. They did look suspicious.

"He still wants to jump Charles' throat...". Lando stopped on his tracks at Oscar's addition.

"We need to do something". There was this weight on their shoulders now that they finally understood Max's intentions. "Max is a great lad, we can't let him turn into a...". Lando struggled with the word, so he whispered it. "A killer".

They both agreed on that, they couldn't let Max go on with his plan of eliminating Charles. They liked them both, they weren't losing their friends just because they couldn't see eye to eye about their relationship with Y/N. They took turns to follow Max around, the only free time being when they had to focus on their jobs. They knew that Max wasn't killing Charles in the paddock, with so many possible witnesses. Every night, they both followed Max to his room and stayed there, hiding in a corner of the hotel hallway for an hour, making sure he wasn't coming out. Oscar even went to the extent of suggesting Charles getting bodyguards, when the other asked why, Oscar just ran away, leaving Charles extremely confused. Every chance they got, they did what they could to keep Max away from Charles, which was kind of hard since the dutchman was constantly following the couple around and trying to chat with them. Lando ended up running out of excuses to pull Max away and they understood that they had to do something about the situation.

One particular night, they followed Max to his room as always, but after 45 minutes, they saw him go out again. He wasn't wearing his usual Red Bull attire, instead, he wore black clothes, sunglasses and a cap, the hood of the hoodie covering his head. If they didn't know better, they would have never guessed it was Max. He went straight to the stairs and they followed him quietly, already suspecting where he was going. Oscar stopped to grab two brooms from a service room and Lando frowned at him. "We may need weapons", was what the Aussie said and Lando took one while scoffing. They hid at the stairs, watching Max stop on front of Charles' room. For insurance matters, Y/N stayed at another hotel, with the Mercedes crew, so Charles was most surely alone in the room, it was the perfect opportunity to kill him. First time in the season Red Bull and Ferrari stayed at the same hotel. Max looked around and opened the door as quietly as possible, walking in and shutting the door behind him.

"We need to go in, now!". Oscar said and tried to run off to the door, Lando grabbed him and pulled him back behind him.

"We need a plan. Let me think". Was he actually ready to stop his friend from killing another of his friends? He had never physically fought anyone, could he really stop a murder?

"Fuck a plan, we have to save Charles!". Oscar ran again and this time Lando followed him. They stopped at the door. There was music playing inside and they could faintly hear Charles' voice.

"No, Max, wait. Wait!". That was it, they were barging in.

"No, Max! DON'T DO IT, DON'T KILL HIM". Oscar screamed as they ran into the room with their brooms up, ready to attack. What they didn't expect was finding Max on his knees, in front of Charles, trying to undo the button of his jeans. "Oh... OOOH!".

"Putain de merde!". (Holy shit!). Charles cursed as he pushed Max's hands away from his body and backed away. Max fell backwards. Lando covered Oscar's eyes, they dropped the brooms. For a second, the room fell silent.

"Kill him?". Max asked, confused.

"I think we misread the situation...". Lando added, then, he thought about Y/N. "I can't believe you could do something like this to Y/N". He sneered.

"Are they decent?". Oscar asked, his eyes still covered. Lando removed his hand.

"It's not what you think-". Max started, but Lando cut him off.

"Oh, sure, you were just checking if the zipper of his jeans worked fine, weren't ya?". Oscar shook his head slowly, backing Lando up on his disappointment.

"Don't give me that look, you two barged in with brooms asking me not to kill Charles". Max said. "Sucking him off is way better than killing him". Lando saw Oscar make a face, like he was actually considering Max's point, he elbowed the younger driver and made him go back to his disappointed posture.

"We promise, it's not what you think". As Charles was saying that, the bathroom door opened, Y/N walking out with a blue and red lingerie set. She opened her eyes wide when she spotted to kids that weren't supposed to be there. Lando covered Oscar's eyes, again.

"Okay, I'll give it to you. It definitely wasn't what we thought". Y/N was still there, shocked. "Please, get dressed, there's a baby in the room".

"It's me, I'm the baby". Oscar added, his hands coming up over Lando's to make sure he didn't see anything. Charles ran to Y/N and covered her with his Ferrari hoodie that was close to the bathroom. Lando lowered his hand and Oscar opened on of his eyes to peek if it was safe, he then opened the other one.

"We fixed our problem". Max explained.

"We can see that". The brit stressed.

"We're uhm... all together?". Lando and Oscar looked at Charles when he added his comment. "We've been... you know".

"Fucking?".

"Among other things". Y/N corrected Lando. The two McLaren boys just nodded, synchronized. "We're happy like this, all together. We'd appreciate it a lot if you could keep the secret for us". Lando and Oscar smiled and nodded again.

"Of course, we will". They grabbed their brooms and got ready to leave. "We'll leave you to it".

"Thanks". Max said, the two were going out when he called them again. "And guys...". They turned around to look at him. "Don't play detective again. Do us a favor and buy yourselves a board game".

"Copy that". Oscar gave them a military salute and Lando just smiled. Outside, they both ran back down the stairs as fast as they could, giggling like teenagers. On the street, they kept laughing uncontrollably, walking back the three blocks to their own hotel.

"Mate, we're not gossiping anymore". Lando said, knowing pretty well that they will keep doing it.

"Deal". The rest of the way they just kept laughing and then, at the hotel, they went to their respective rooms, calling it a night. While lying in bed, Lando just couldn't sleep, repeating the night in his mind and giggling, there were a lot of sexual jokes and remarks he needed to let out. He went to grab his phone to text Oscar, ready to gossip again, when it vibrated on his hand. Lando laughed out laud at the message:

Oscar: "Can you top when there are two other people?".

Lando: "Dunno mate, but's gonna be a hell of a challenge to guess the bottom".

Oscar: "Challenge accepted".

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Well this one is a lot of fun! I thought Lando and Oscar were perfect for this one. Thank you for reading!

[thesoftboiledegg]

"Unmortricken" was a lot. In fact, it might have been a little too much.

To start, I loved the glimpse of what exists outside the Central Finite Curve. The visuals were stunning and reminded me of M.C. Escher's drawings. The Jetson-like family was a nice touch--if anything can happen, who says they can't have different animation styles? All those colorful portals make me wonder what's lurking just out of sight.

It's also funny that the space outside the Curve is full of Rick's favorite thing: crystals. If he took a trip there, he'd come back with his pockets stuffed with gemstones.

Evil Morty's reappearance gave us a decent character study. Since he wasn't the antagonist, we saw him interact with the C-137s as a regular person. Morty's a little impressed, and Rick has a grudging respect for him. Others have called Evil Morty the Rickest Morty, and I agree: similar intelligence, similar technology and similar bloodthirst.

I was glad that he left in the end because that's what his character arc is about anyway. He doesn't want to be part of anyone else's story, not even another Morty's.

However, that's also part of the issue that I had with this episode. Seeing Evil Morty was great, but it was also a little...pointless? You could've had the same story without him. He's not working with Prime, and he has no ties to C-137 after "Rickmurai Jack," so it felt like the writers just said "Hey, you know what would be cool?"

I'm not against writers having fun and giving the audience what they want. "Spider-Man: No Way Home" (yeah, groan at me, Marvel haters) is fan service in blockbuster form, and it was one of the best theater experiences I've ever had.

Still, if Evil Morty came back, I think he should've had a separate episode. The episode juggled C-137 Rick, Morty, Evil Morty and Prime Rick pretty well, giving them satisfying interactions with each other, but no Evil Morty would've meant more relationship development for the C-137s.

Evil Morty's backstory also didn't reveal much about him. I mean--yeah, we all figured that he had an abusive Rick and got fed up. The fact that he had a "regular" Rick instead of a deranged lunatic does make a point about the banality of abuse. Monsters aren't always raving maniacs who torture people in their basements. Ordinary people can wear you down with a slow drip of toxicity and neglect.

I enjoyed this episode, and Evil Morty's return was exciting, but cramming the series' two biggest antagonists and storylines into twenty minutes was a little overwhelming. New plot developments kept showing up, too: Rick found Prime! Prime's various lairs! Omega device! I would've preferred a two-parter.

I'll admit that if you told me that we'd see Evil Morty and Rick Prime in the same shot, I never would have believed you, but here we are.

On that note, Prime's characterization was perfect. No attempt at a cutesy, sad backstory; he's a laughing monster until the end. And is it really the end? He has regeneration abilities, but C-137 acts like he's dead and even gives up the search. This leaves us with a few options:

C-137 killed him.

Prime fooled C-137 into thinking that he's dead when he isn't.

C-137's keeping him alive for later use.

Hopefully, this is more complicated than it looks because I'll be disappointed if this is the end of Prime. He's a brilliant reflection of C-137: the Rick he'd be without his tiny shred of humanity.

And Prime's a maniac, but he tells C-137 the truth. Rick broke into Prime's house. He pretended he belonged with this group of strangers. He latched on to Prime's grandson because he never had his own. His brutal, violent streak never went away no matter how long he tried to play house.

Prime says "Admit it! You would have been me!" In season three and parts of season four, Rick was close. His love for his family--love that he pretended he didn't have--and desire for their approval just barely pulled him back. But what kept that spark alive? How close was he to becoming a cold, unfeeling shell?

In the end, C-137's not satisfied after he destroys Prime--and weirdly, I'm not satisfied, either. Beating Prime to an unrecognizable pulp doesn't bring Rick's original family back. It doesn't erase the atrocities that Rick's committed. It doesn't make his grief go away. It doesn't change the fact that Rick teetered on the edge of turning into the monster that he despised.

What's more satisfying is that Rick didn't turn out like Prime. His Morty doesn't give two shits about Prime, but he loves him. He hugs him in relief (come on, Rick, hug him back already!), cries out "Rick? Rick!" and shakes his body when he thinks he's dead, and talks excitedly as they return home.

Rick's going to therapy, which Prime would have mocked. He went from having nobody to living with FIVE kids if you count Morty and Summer. Even he and his Jerry are pretty tight.

Rick knows this, but he still feels empty all the time. Vengeance doesn't work, drinking doesn't work...wouldn't it be easier if he just switched off his humanity and laughed at everything, even his own death?

But now that he knows how it feels to be loved, especially by his hypothetical grandson, I think he'll always find himself at the Smiths' doorstep.

[kinardgo]

Jee having fun with her uncles Buck & Tommy!

Maybe Buck feeling a little 🥰😍 watching Tommy being in 'competent dad mode', even though he's not ready for their own 😂

okay this is everything actually if season 8 doesn't give us tommy playing with jee and buck noticably ovulating across the room i will riot

bucktommy / rated g / mild warning for non serious accidental injury to a child

-

"-and take a nice, deep breath for me. This is going to sting a little, okay?"

It takes a few seconds for Buck's brain to come back online as he re-enters his apartment. It's been a quiet day so far, as quiet as any day off looking after his curious, hyperactive niece can be. They'd watched some TV, leaving some irritating cartoon pop song ingrained in his head, probably for the next week at least. Had some lunch. Afterwards, Jee-Yun had proclaimed her desire for ice cream with all the certainty of a biblical saint. Buck, a little soft hearted from an easy day surrounded by people he loves, agreed to go to the shop in search of some.

Maybe it's lulled him into a false sense of security, because he stares at the scene in his kitchen with a blank expression for a full three seconds before he galvanizes into action.

Jee's up on the kitchen counter, a little teary eyed, her bottom lip wobbling, blood trickling down her skinny calf.

"Woah, woah, hey," he says, rushing to Tommy's side, where he's crouched in front of the counter, "What happened?"

"Someone," he says, eyeing the slightly sheepish looking girl, "decided to ignore me when I said running full pelt around the place would end in tears."

"I'm sorry, Tommy," Jee says, her voice shaking.

"It's okay, chica. You're not in trouble. Tripped over the rug," he adds lowly to Buck, "Limbs everywhere, slid five feet, the whole ten yards."

Now he's a little closer up, he can see that. Her knee is all scraped up, a messy graze, but nothing deep. There's a little mark on her elbow, but no blood. Kids bounce, Hen once told him. Buck kinda wishes Jee would stop trying to test that theory out on him though.

"Now, stay nice and still while I get this cleaned up, okay sweetheart?" Tommy eases, turning his attention back to Jee, the full effect of his Cool And Unphased Firefighter Pilot shtick aimed at a tiny little person who doesn't even have a fully developed concept of consequence yet. It feels unfair. Buck's a whole ass adult and it's enough to make him spacy, "Do you know what this is?"

Jee looks from the antibacterial wipe in his hand, to Buck, and back to Tommy nervously, "No."

"This is a special kind of cloth that can get all the yucky stuff out of your cut, get it nice and clean."

"Like soap?"

"Kinda like soap, yeah," he nods, smiling, "It's gonna hurt a little bit, but that's how you know it's working. Ready?"

She nods, hands fisting in the skirt of her pink dress anxiously. Tommy swipes over the graze of her cut quickly and gently, efficient but effective.

"Brave girl, Jee," Buck murmers, rubbing a hand soothingly up her arm.

"Yes, she is," Tommy agrees, "Now, I'm going to put a plaster on this. Hold still for me-" She holds herself dutifully, solid like a rock, as Tommy smooths the dressing over the knee. It's probably overkill, but Buck knows that the power of belief in healing is almost as important as the actual healing bit.

"You did so good, Jee," Buck says, straightening up to plant a kiss in her hair. She giggles, grasping at him with her pudgy hands, "And so did you," he says, kissing him on the cheek. Jee shrieks with laughter the way she always does when Buck dares to show any kind of affection to anyone but her.

"Now, you," Tommy says, sweeping Jee off the counter, "Get settled on the couch, because it looks like your Uncle Evan got some cookie dough vanilla that's got your name all over it, kid."

Jee's face splits with a grin so wide it looks like it might hurt, then throws her arms around Tommy's neck, burrowing her face in his shoulder with a happy little sound, "Thank you, Uncle Tommy," The words are muffled into the collar of his shirt, but Tommy clearly hears loud and clear if the way his face scrunches up in delight is any indication.

Something heavy and dense swoops straight through the middle of Buck's core, through his chest and out through his stomach. Too much, too fast, too soon. Tommy gives Jee a final squeeze, swaying her a little so her tiny legs flop around, giggling happily until he puts her back down.

Jee cuddles up with a pillow on the couch, something that looks like elves on an acid trip playing on the TV while Tommy washes his hands and puts the first aid kit back in the cupboard and Buck gets three bowls of cookie dough ready for a good ol' fashioned sugar binge.

"She adores you."

Tommy looks up, even as Buck keeps his eyes resolutely on the ice cream.

"She's got a big heart," he says fondly, before adding, "Must be a Buckley family trait."

"She's a good kid," Buck grins, turning to look over at Jee, hugging one of the sofa cusions to her chest, so big against her that she can rest her chin on it.

"Yeah. Do you want kids?"

The ice cream scoop skids across the counter out of Buck's hand when he jerks in surprise.

Tommy laughs quietly, ducking his head to kiss his shoulder, "Not right now, Evan. Just... curious. You're good with her."

"So are you," he fires back. He knows he's being stupid, that he's acting defensive, and he doesn't even know what about. Jesus, he sucks when someone catches him off guard, "Do you want kids?"

It doesn't look like it bothers Tommy, who just grins like he knows better than to take Buck's knee-jerk panic personally. Probably because he does.

"Yeah. One day."

Buck can't help smiling back, "Yeah. One day."

They all squeeze onto the couch, Jee tucked in between them with enough sugar shovelling into her mouth for Maddie to have reasonable justification to murder him later. It's probably not how he would have described his ideal afternoon, but he can't find fault in it.

[justawritterwithideas]

Boy Wonder and the Rockstar | s.r

✩ previous part | next part ✩

summary: The BAU rushes to Washington after discovering that the lead singer of a famous band may be in danger, causing Spencer to come face to face with his past after 15 years.

general warnings: this series contains topics such as mentions of death, alcohol, drugs, strong vocabulary, as well as talk of heartbreak, disappointment and arguments. It also contains content regarding CM season 13, so it clearly contains spoilers.

chapter warnings: this chapter contains mentions of murder, vomiting, mistreatment, as well as the use of strong vocabulary. this is a spencer reid x famous!reader story.

words: 4,269 words.

a/n: hello! here i come with the second chapter of "boy wonder and the rockstar", i had fun writing this chapter as i also suffered from lack of creativity ( T T ), but finally inspiration touched me. I hope you like it. Remember to read the chapter cautions and have a good read.! English is not first language, so I may have mistakes, if so, I'm sorry. :(

𝟎.𝟐: 𝐌𝐲 𝐬𝐰𝐞𝐞𝐭 𝐬𝐭𝐚𝐫.

For many people, memories that are related to times in their lives relate to certain aspects of the five senses, whether it's certain sounds or textures, music that brings them back to that exact memory, or simply tastes of foods that remind them of what their loved ones used to make.

For Spencer, it was smells.

Despite possessing a memory that makes him remember even the smallest detail of what happened the day before, his olfactory memory was much more developed than other senses.

During his childhood, or what he considers childhood, his memories smelled of the pages of old books that his mother read to him and her perfume, impregnated in the bed sheets when they sat together to read some classic of literature. When he was in his youth, sometimes the smells reminded him of the charcoal in his pencil, writing mathematical exercises on white sheets, or sometimes the smell of chlorine, because of the thousand times bullies forced him to go to the bathroom.

But during his college days, he always thought that the smell that would be his favorite was the soft smell of the library, of wood and humidity; but no, those memories had the smell of freshly brewed coffee, cherries and menthol cigarettes.

His good memories always brought smiles to his face in the middle of nowhere, as if he was remembering one of those old bad jokes they used to tell him and he couldn't find the humor in them, or maybe the less thought out answers to such logical questions. His good memories caused his stomach to clench tightly and his chest to feel heavy, as if a stone was replacing his heart.

Spencer knew why. Why his body felt that way.

But he didn't want to admit why.

Because if he admitted it, he knew the only reason he did would make him regret it, he would have to give reason to his sentimental side than the rational side.

And he hated not being right.

"Spence."

J.J.'s voice brought the boy back to his desk, taking his eyes off the nearly iced coffee with a pound of sugar to keep him awake.

He'd been daydreaming about Y/N's laughter in his ear for nights now, just like when they had sleepovers at her apartment. He couldn't get her out of his head, let alone get the smell out of her hair when she was the small spoon.

"What, what's going on?" the opposite replied, looking at the blonde. She seemed to be trying to decipher what was going on in her friend's head.

"I'm asking you, is something wrong, are you sleeping well?"

"Yes." Bullshit.

"Are you sure? Your eyes say otherwise." The black circles under his eyes gave him away.

"I've been sleepless for a few days, but it's because my neighbors won't let me sleep." Another bullshit.

"You should talk to them, you know." The boy nodded, giving the blonde an elongated smile and returning to his paperwork.

"Really all right?"

"Yeah, J.J. It's fine."

"'S okay, you know what you can tell me."

"Yes J.J., thank you."

The answer didn't leave the blonde satisfied, but she made an extraordinary effort to ignore his attitude and return to the desk with Luke and Matt, who had been staring at him for a couple of minutes.

"He's rambling again." Commented J.J as she returned, who kept her eyes on her best friend and tried to figure out what was wrong with him.

It was usual at this time of year, when the leaves were beginning to turn their last summer colors, that Spencer would go blank staring at a spot in the room more than once.

No one quite understood why that happened to him, the only one who knew was Gideon. But he never shared any of Spencer's secrets, not even if a gun was held to his chest.

"Guess whateee, my dear friends!" The conversation was interrupted by a cheerful and enthusiastic Penelope, who commanded everyone's attention with her sonorous voice.

"What's going on, Garcia?" Luke turned to see her, who was coming with an envelope in her hand.

"Your genius did it again, rub the wishing lamp and I got tickets to the best concert of the year - Paradox in Virginia! Can you believe it?"

"You got them!?" J.J. was the first to startle, coming closer to see the tickets for the most anticipated concert of the year.

"That's right, my dear friend! A girls' night out to see Paradox. You, me, Emily and Tara."

"No way, god. I'll talk to Will and rest assured I'll be ready for that night." J.J smiled hugging her friend's arm.

"What's Paradox...?" muttered Luke, causing Matt to turn to look at him. The poor Luke was trying to comprehend what his friends were talking about.

Was he too out of date on pop culture or were they speaking in some kind of secret code?

"Oh Luke, why did you ask that?" Matt shook his head, earning a glare from the blonde couple.

"What did you say, newbie, don't you know what Paradox is? Oh god, no way. I'll have to bring you up to date with a course on what today's music is right now, follow me." Penelope motioned to the boy, who turned to see Matt who was lifting his shoulders laughing.

"No Penelope, you're not going anywhere. We have a case, and it's urgent. There's no time, meeting room now."

The rest of the people turned to look at each other, abiding by their boss's orders as they saw her so anxious and serious about a case.

That didn't look good at all.

The adrenaline and euphoria of last night's show, plus the last two dates, had been enough of a stimulant for Y/N to fall asleep in bed once they arrived at the hotel. Her whole body was exhausted, and at that moment all she wanted was some chamomile tea and a thousand hours of sleep.

She loved her job, of course she did! But she was mentally and physically exhausted from giving almost 15 concerts without a break, from one state to another, with more cups of coffee and energizers in her body than times where her eyes closed to sleep.

And the only time she found peace and quiet was when her body was being moved from one location to another, so, at that moment, her body was resting in the comfortable seat of the SUV after being driven to an interview and returned to the hotel to rest.

She felt her limbs meld with the seat, feeling like she was in heaven itself where her muscles all over her body were relaxing after days.

Her peace didn't last long when she heard a soft call.

"Psss, Y/N."

The, now, blonde heard the call from Felix, also known as the band's drummer and her best friend.

"What? You ruin my beauty nap."

"What did one wall say to the other?"

Y/N could hang him right then and there.

More the tiredness in her body made her think, trying to devise the best answer to get him to leave her alone.

"What?"

"I'll meet you at the corner."

"I'm having the biggest self-control to not kill you because you just interrupted the only moment of peace I've had these past three months, asshole."

"You haven't been able to sleep?"

Y/N denied with her eyes closed, desperate to get back to her attempt at sleep.

"Not a single moment, I woke up three times last night and that was the best attempt at sleep I've ever had."

"Your pills aren't working?"

"They're placebos, they won't make my body calm down just like that and go back to my eight hour sleep cycle that I'd had for the last two years without touring." The young woman opened one eye, looking at her friend. "I just have to get used to it, I have to get back to the cycle of excitement I used to have when it was tour after tour."

"Maybe if we talk about that thing that bothers you-"

"No way."

Y/N knew what he meant, knew it was talking about a certain doctor who gave her goosebumps every time she thought about him and took her back to her college days.

Why was she still thinking about him? It had been almost 15 years since they last spoke.

Y/N looked at the date on her phone.

No, she was wrong.

It had been 15 years since they last spoke.

Today was 15 years since she had received the last letter from Spencer with her name written on it.

The last time she felt the smell of his perfume on the sheets and his ugly doctor's handwriting on a sheet of paper.

The last time she saw written "wherever you are, whatever you do or whoever you are with, you are always on my mind and in my heart, Y/N."

Last time she saw written "Love from Quantico, dr. Spencer Reid. I'm also known as your #1 fan, but only you know that."

Was that the reason she hadn't slept well that night? Yes.

Was that the reason she hadn't slept well for that last week? Yes.

Was that the reason why, every time she closed her eyes, she saw him smile? Yes.

Was she going to admit it? No.

Never.

"Y/N..."

"I don't want to talk about it, Felix. Don't insist."

"But, Y/N-"

"Let it go, Felix. Really, don't insist." Tyler's voice made Felix turn to look at him angrily.

Tyler and Shawn, the guitarist and bassist respectively, shook their heads and made an "X" symbol with their fingers, muttering at the same time "don't do it, don't be stupid."

"Enough kids, let it go. In two days we have a very important concert to give in Seattle, so I don't want any fights."

"You heard him, Felix." Y/N smiled opening her eyes, looking in the direction of Gerald, her manager.

Thank you, Y/N murmured in the man's direction.

Gerald just raised his shoulders, noticing how the van parked.

"Okay, down."

Tyler and Shawn were the first to get out, followed by Y/N and then Felix.

Felix hated to come off as meddling in Y/N's life, so whenever he meddled too much in the girl's life, he simply knew that seeking forgiveness from her was his best option.

"Sorry Y/N, I didn't mean to insist."

"It's okay, Felix. I know you meant no harm, but I don't want to talk about it."

"And when will you?"

"I don't know, I guess when I'm ready."

"It's been 15 years, Y/N."

"I know, but I'm still not read-"

"Miss Autumn?"

Y/N turned to see the receptionist, who was holding a package.

"A package has arrived for you."

"Thank you, do you know who brought it?"

"No miss, I'm sorry."

"No worries, thanks again."

Y/N received it, walking to the elevator along with Felix after seeing how the package had a sticker on it that said "express delivery."

"What did you order, compulsive shopper?" Gerald turned to look at her, causing Y/N to deny in confusion.

"Nothing that I know of, I promise."

"Maybe it's a collaboration, Tiffany's already started putting the ads with your face all over it." Shawn smiled, elbowing the arm of the store's new ambassador.

"A gift for you to occupy at the next gig." Gerald replied, nodding softly as he looked down at his phone.

The box was small and covered in the typical plastic they place around it. Compact enough to drop a set of jewelry on behalf of the brand, but it seemed odd that it came directly and without warning.

The group made their way to the small meeting room where they had set up everything they needed, ready to hear the itinerary Gerald had prepared for them about their upcoming events.

Y/N's fingers went to open the package once it was placed on the table, watching as  the "Tiffany & Co." logo on its little sky blue box.

"Okay guys, tomorrow you have rehearsal from noon until three in the afternoon, then you'll have an interview on a radio station near the sta-"

A beautiful gold ring with a navy blue gem in the middle was the first thing that caught the young woman's eye, perfect for the occasion. But it was heavier than usual.

"Then you can go eat and rest, we'll still have dress rehearsal, so you can get ready-"

A shout coming from Y/N deafened the group of people, causing them all to look in her direction.

Her skin was as white as paper, her eyes fixed on the box she had just opened and her face with an expression of pure terror from an experimental horror movie.

All eyes went in the direction of the box, which Y/N felt like everything she had eaten that morning was going to spew out of her mouth right then and there.

"Shit."

The beautiful ring encircled something.

A human finger.

A human finger that stained the bottom of the box.

A human finger that was accompanied by a note.

"I hope you enjoy my gift, my sweet star. I made it just for you, good luck at the concert."

"This morning at the Queen Elizabeth Hotel in Washington, the lead singer of the band Paradox received a package. Inside was a human finger with a ring on it." Emily was passing around the photographs that had been sent by the Washington police, it showed just what she had just described above. "According to the receptionist it was dropped off by someone from a package store. The police questioned him and he said it had arrived with yesterday's load of packages."

"From where?" Luke asked.

"They don't know, they collect packages from all over the country so they don't know where it came from. They're looking for the tracking code of the branch they sent it from."

"How grotesque, who would send such a thing to an artist like her?" Tara looked at Emily, who sighed.

"But what do we have to do with this case?" Rossi looked at his tablet, zooming in on the picture of the ring.

"The DNA results came back to find out whose finger it is." A photograph of a stranger appeared on the TV screen. "He is Bruno Colombo, an Italian artist and the owner of that finger. We just got word that his lifeless body was found in his art studio."

"He's Autumn's ex-fiancé." Penelope commented, surprised at all that was going on. "In 2016, he and Autumn got engaged after dating for two years, but after a few months it was discovered that the engagement ended after Autumn discovered him and an art gallery owner having sex in his studio. According to him he did it because he wanted to make an exhibition that would portray Autumn's true feelings, and this way he could see her feeling of anger and sadness. There are still people who idolize him for that."

"What a jerk." Matt muttered.

"And how come no one noticed his absence?"

" According to this, he was isolating himself when he was setting up exhibits so it wasn't out of the ordinary for him to suddenly disappear."

Spencer felt his heart pounding, why would he get like this over a clear case of a stalker obsessing over a music star?

It's not like he even knew her.

"Apparently, this relates to a series of related cases over ten years that the only common element is this band, Paradox. No one has ever linked them before as none of the modes of operation are the same, the only factor that unites them is the viciousness with which they are carried out and the band, of course." Emily sighed, showing the various faces and deaths that surrounded them.

"Race or religion has nothing to do with it, it seems neither does gender." Spencer commented, quickly reading each of the bodies found. "But it looks like they all had an encounter with the band or one of the members. From 2008 when the first body was found until now."

"The director asked us to take on this case, the level of this band is insane and it seems to be going against the vocalist, Autumn. They are currently on a world tour after two years of no activity, plus not much is known about her in general." Emily turned to look at Penelope. "Garcia, you're joining us on this trip. You serve us better back in Washington than you do here at Quantico. Reid and Lewis will go meet the M.E., the rest of us will go to the station and then we'll all go to the Queen Elizabeth Hotel, we'll meet the band and their manager." The whole group was surprised, especially Penelope who held a surprised expression. "Wheels up in 30."

Y/N always thought that the whole thing about having human parts shipped to you in a box was part of fiction. At best, news fiction.

But what she had just experienced was surreal.

Her body was shaking with a cup of tea in her hands, feeling her hands stinging around the cup.

"Who the fuck would send something like that to Y/N? No one we know is capable of doing anything to her, they would fuck up their careers if they were exposed like that." Tyler turned, annoyed, in the direction of Y/N. "Who did this to you, are you hiding something from us?"

"No, Tyler. I'm not hiding anything, why would I hide the fact that someone sent me a fucking human part on my name to a hotel in the middle of our comeback tour? You're blaming me for something, huh? Tell me to my fucking face, Tyler."

Y/N stood up in exasperation, letting the hot water spill onto the floor.

"I don't know, you tell me, Y/N. If you got sent a finger."

"Go straight to hell, Tyler. Right straight up." Commented the girl raising her middle finger.

"Enough! Both of you." Gerald's loud voice interrupted them, separating the band's strong personalities. "Right now we can't fight. They just sent a fucking human finger to Y/N, we can't get mad about that, we should be worried."

"Finally someone with sense." Y/N sat back down, setting the cup aside.

"What are they seeing so much of us, why aren't they doing anything? They should be looking for the person responsible." Felix got up walking towards the officers, being stopped by Shawn.

"Hey, they're doing the best they can. If we go in there and raise our voices, we're going to hinder the investigation, don't be a dickhead."

"Damn it, this can't be happening." Y/N stood up, starting to walk over to her purse to pull out a cigarette and place it between her teeth.

"You can't smoke in here, Y/N." Gerald's warning went in one ear to the girl and out the other, flicking her lighter. "Y/N."

"What, look at the shit we're in, I just got sent a fucking human finger from who-knows-who and you're asking me to keep my cool!? I can't! There's a crazy person out there sending me that shit with 'nice words'." The girl threw the lighter at who-knows-where, finding herself on the verge of an anxiety attack. "Don't fuck around and leave me alone to have a smoke, Gerald."

The group fell back into the same silence that surrounded them four hours ago, letting the cigarette smoke flood their nostrils.

They were desperate, they needed to get to the root of this.

Y/N knew it. Right now she was the eye of the hurricane, who that box and message were addressed to; the same person who had sent her that, had taken it upon himself to send her flowers and letters with the same nickname, "my sweet star."

At first she thought it was nice, of course it's nice when you get your favorite flowers along with letters of good cheer and best wishes, but it's not nice when you get a gift like today's.

But her attitude would get her nowhere, she was annoyed and exasperated, but they didn't deserve that kind of treatment.

"I'm sorry, but this is too much for me, I can't handle this alone and my attitude isn't helping anything. " Y/N commented, taking her eyes off her cigarette and looking at the people closest to her. "We should be in this together."

"I'm sorry, kid. I got upset that I couldn't help you, that you didn't know who sent you that." Tyler sighed, giving the girl a rueful smile.

"Don't worry about it, Ty. I'm really sorry, everyone."

The girl took another puff on her cigarette, letting the minty flavor cool her lungs.

"The FBI is here."

The announcement made everyone look at each other, taking their last breaths and letting Y/N finish what she was doing, the only thing keeping her sane at that moment.

"I'll see you downstairs, okay?" Felix left a kiss on the young woman's forehead, taking his leave to get on the elevator.

Y/N found herself alone in the room, again feeling disgust rise in her throat. She couldn't get the image of that package out of her mind, how was someone capable of writing those sweet words and sending something as grotesque as that.

The girl's hands gently stroked her cheeks, waking up and she shook her head. She would make one last stop to the bathroom before heading downstairs, so she could go more consciously for who-knows-what things would make her talk.

The BAU met up with a group of people who, thanks to the way Penelope was getting excited, could be sure it was Paradox.

All along the way, Spencer had listened to Garcia's theories and who it could have been. He loved listening to her talk, but his head was somewhere else, somewhere else but there.

Something inside him sensed something, something he wasn't sure what it was. Maybe it was the lack of sleep, or maybe it was his thoughts of the past that had been running through him since morning.

"Agent Prentiss, I'm Gerald Murphy, the manager of Paradox." The man shook hands with the woman, who was looking over his shoulder at three people. "These are the members of the band: Tyler, Shawn and Felix."

The three let out a wave into the air, giving them a smile of sorts.

Spencer knew they weren't entirely happy they were there, he read it in their body language.

"I understand there are four of you in the band, here I see three." Emily looked directly into Gerald's eyes.

"Yeah, Autumn, the vocalist, is upstairs finishing something. But she's coming down now, right?" Felix nodded, watching the FBI agents.

Felix crossed glances with Spencer, feeling that familiar air from somewhere.

Spencer felt that familiar air too, but maybe he thought his mind was playing tricks on him.

"Please, let's go somewhere more private. That way we can talk more quietly."

Gerald motioned to the three men, who plunged inside the room, followed by everyone else.

The BAU settled down in front of the four people seated on the couches.

"If you like, we can wait for Miss Autumn." Emily glanced at the group, all of whom nodded.

"It's for the best, she's the most affected." Felix looked in the direction of Tyler and Shawn, who simply nodded in unison.

"You've never received anything like this before?" Luke directed his question at the group of people, causing Tyler to let out a sarcastic laugh.

"You think that's a normal thing to receive, a human finger? Please, be realistic."

"Tyler, shut up." Shawn motioned, slapping the young man's knee.

"That's a stupid question of his, since when is getting shit like that going to be normal?"

"Tyler!" Shawn gave him a stern look, turning his gaze back to Luke. "I'm sorry, we're touchy about this that just happened."

"My question was out of line, it's my fault." Luke admitted, turning to look at the rest.

"When is Autumn getting here?" Felix's question seemed to work magic, smelling her best friend's signature scent.

A strong smell of cherries and menthol tobacco made Spencer shake his head.

It wasn't time to remember Y/N, it wasn't time to focus on something like that.

It felt like his head was playing a joke on him, as if she was suddenly here. But the smell didn't go away, in fact, it intensified to the point that Spencer could feel his head hurting.

"Sorry I'm late."

Spencer felt his entire body freeze, as if he were turning into an ice cube.

The voice he thought he would never hear again.

The voice that escaped so much in his dreams.

He could hear it there, like an echo in his head.

His head turned, catching the figure that had just entered with some haste.

"Nice to meet you, I'm Autu-"

"Y/N."

The girl looked up, meeting Spencer's hazel eyes.

No way, Y/N thought.

Her heart stopped, as did the time around her.

Standing in front of her was a much older and mature Spencer Reid, but with that same lotion that made her dizzy.

The woman's mouth opened slightly, feeling the air in her lungs catch and no words came out of her mouth.

Her lip quivered, her pulse altered.

"Spencer."

Oh fate, how cruel did you have to be?

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