#that’s essentially every tool I used to make this

[deerspherestudios]

Hi dear donors ! ❤️

I would like to extend my thank and gratitude for the support you have been offering over the last eleven months. ❤️☺️

My family and I have been suffering and going through the hardest days we have ever experienced in our life . Things are very hard to get and and sometimes unattainable.😭😓

Our sufferings and hardship started on the first days of the war when all our possessions were completely destroyed and burned. We have become displaced and homeless , finding ourselves in a small tent in streets with no means of life. We lack every single necessary thing of life; food, water, hygiene essentials, and other necessities have become scarce and rare.

A photo taken to show how incredibly harsh our life has become after the war. We are struggling and facing lots of barriers to obtain the simplest necessities for living. Everything single thing is a complete story.

You can't imagine what difficulties we have been going through all these days of war. No cooking gas , nor cooking tools exist . We struggle to prepare a small meal of food.

No bakeries are available. Everything seems a miracle and unbelievable.😭 The war has stolen our joy and smile, leaving us busy thinking only of staying safe and alive. Our future has gone with the wind and our kids lost their dreams and ambitions.

This is a part of burying the dead. We also face some problems in the process of buying our dead people as no place is there for the family. Tombs aren't enough for the number of people living on a small spot of land.

A photo taken for the morning queue of filling our gallons with drink water. We wait hours to get some water for drink. Our life is full of tragedy and sadness.

All what we need is to survive the war and be safe. We are trying to secure the daily basic living necessities and this can come true with your contribution and support. Please don't spare this moment of supporting the people in need in Gaza in this tough and dire time. You can help us by either donating however small it is or sharing my posts. Your support makes a big difference for families in need.

Link to donate is HERE ! 🍉Listed at #284 on the GazaVetters list. 🇵🇸 At the time I'm writing they're currently at €1,205 / €50,000.

Help the numbers keep going if you can afford it! Share if you can't!

[2346khith]

Hi dear donors ! ❤️

I would like to extend my thank and gratitude for the support you have been offering over the last eleven months. ❤️☺️

My family and I have been suffering and going through the hardest days we have ever experienced in our life . Things are very hard to get and and sometimes unattainable.😭😓

Our sufferings and hardship started on the first day of the war when all our possessions were completely destroyed and burned. We have become displaced and homeless , finding ourselves in a small tent in streets with no means of life. We lack every single necessary thing of life; food, water, hygiene essentials, and other necessities have become scarce and rare.

Our life has been tough and harsh all the last time. No cooking gas , nor cooking tools exist . We struggle to prepare a small meal of food.

No bakeries are available. Everything seems hard and unbelievable.😭

This is a part of burying the dead. We also face some problems in the process of buying our dead people as no place is there for the family. Tombs aren't for the number of people living on a small spot of land.

All what we need is to survive the war and be safe. We are trying to secure the daily basic living necessities and this can come true with your contribution and support. Please don't spare this moment of supporting the people in need in Gaza in this tough and dire time. You can help us by either donating however small it is or sharing my posts. Your support makes a big difference for families in need.https://gofund.me/7e428359

For those who see this please, visit their blog and reblog their blog’s posts so they  get more attention and if you have the money to spare please donate.

Also I apologize, but I do not have the ability to donate to you. Trust me if I had the ability I would but I don't and I can't. I have no bank account or credit card to transfer money to and no job to gain any money. Every time I ask my parents to help they shut me down so this is the only way to help you. Please forgive me.

[las-lus]

Firefox Extensions

I've decided to make a list of my personal Firefox extensions in case anyone is looking for a recommendation list! I also add some User Scripts recommendations at the end!

Security Reasons:

uBlock Origin is a must. Blocks ads (including YouTube ads) and trackers and warns you if you click in any malicious link!

Privacy Badger is very similar to uBlock, as it blocks trackers as well, but it's more focused, so I like to use both to be safer!

Duck Duck Go Privacy Essentials is another tracker blocker, but with a layer of protection to your emails and searches. If you aren't using Duck Duck Go instead of Google for your day-to-day searches, I highly recommend it! It's like if Google didn't suck.

Shinigami Eyes isn't perfect, but lets me know if someone has been tagged as “anti-trans” by other people. I trust it on big sources like news websites or famous figures, and use it as a warning on smaller blogs/people.

Making my life Easier:

Auto Tab Discard deletes the memory of tabs I haven't touched in a while, but keeps them visually there so I can remember that they exist.

Xkit Re-written, as I'm sure most of you know, enhances Tumblr browser but a lot!

Djvu Viewer is criminally underrated! Djvu is an alternative to PDF files, which, if you didn't know, are owned by ADOBE. Instead of downloading PDFs, you could download them as DJVU and keep the internet free! (For an offline experience, I recommend Okular for reading). This is really useful if you download academy textbooks. Dvju is also lighter than PDF so they demand less of your computer.

Search By Image is literally what is says on the tin. Really useful if you want to find the source of art!

Ruffle is a flash emulator! If you miss flash games, just download this badboy and go have fun on neopets again.

Unpay Wall is only really useful if you read research papers, but it WILL save your life if you do.

No AI google Search keeps Ai out of your Google!!

The Wayback Machine has an extension so you can a) easily find archived websites and b) archive a website very fast!

Tabliss makes my firefox a bit slower, but it makes every new tab prettier and keep a to-do list so I can always check it! good for my adhd!

Mouse's Neopets Tools. If you followed my tip on #5 and decided to go back to neopets, this will help you a bit.

If you're not afraid of little code:

TamperMonkey is the best extension for user scripts! You don't need to know how to make a script, there are THOUSANDS available! HERE are some ao3 scripts!

GreaseMonkey is if you want to try your hand on writing your own scripts! Code isn't that hard, and making something silly for yourself is a great way to start.

WebScraper extracts data from websites if you want. I used this to create an organized Marked for Later AO3 file by changing this tutorial a bit!

That's it! Feel free to recommend more!

If you're really unfamiliar with terms like trackers or scripts, I'll try to explain it in quick words under here.

Trackers are all your data that websites can legally take from your online activity. This includes what you look for when online shopping, where you are and what time you use your internet, so companies can sell you better and more targeted ads. You don't want that, obviously, fuck ads and fuck companies making money selling YOUR data. Cookies are the most well known form of trackers, but not the only one! Tracker blockers will stop websites from collecting everything that is not essential for your use of their platform! They also make your browser faster because you're not wasting memory running the trackers.

You can test how easy (or hard!) it's to track your browser habits here!

User Scripts Are codes you can add to websites to make them better for you! All websites are coded in HTML, CSS or Java, which mean your browser is running their code in order for you to access them. Which MEANS you can edit the version of the code you're running! You can add or remove features, make the website more accessible or even improve them. As they are free and made by and for users, don't trust them implicitally!

Some examples of user scripts:

This one shows you coupons for various shopping websites without making you pay for it. This one adds a download button for youtube. This one makes it easier to read webcomics.

The good thing about user scripts is that if you dislike them, you can disable them and never think about them again! They are really easy to use and it's a shame people usually never even hear of User Scripts.

To end this, I'll say: don't be afraid of learning a bit of code! It's fun! It can make you feel dumb, but that's a universal experience, learning a new thing can shake you up a bit. But being comfortable checking a page's source code or editing a bit of HTML to make a website more accessible to you can make your life SO MUCH easier! I have a few links HERE if you want!

[outer-edges]

guys i really fear i did my big one here i finish binding my book it just came out the press and it’s not perfect but oh my god. it’s phenomenal.

[carnivalcarriondiscarded]

the high prices of fucking Everything is so exhausting i stg

[bloodfreak-boyking]

i'm only three episodes in and i'm already losing it. the longing stare, the private little smile, god just fucking kill me already

[coloursofaparadox]

lil rant about dog training oops

[mahasenelkhatib]

Do you know what happens when I hear the bombing and live under it, with everywhere around me collapsing? I have nothing but ..

my notebook and pen, 🎨

and I isolate my mind. I don't want to be afraid, I don't want to feel what's around me, I want to escape to my old world! PLEASE DONATE HERE

Here is a Happy moment for me in this war when I was able to get chard leaves for the first time in this famine we face every day Verified by @90-ghosthere Olive Branch, line 508 of their spreadsheet Thank you all for the Love ,Support,Donations you send me !! I won't ever forget it! Ever!!

Hello, I am Mahasen,a Digital Artist from North Gaza, where creativity thrives despite challenges. My father passed away, making me the main provider for my family.

Before the war, I worked in motion graphics with international companies, specializing in character design and storyboarding.

The conflict forced us to evacuate repeatedly, and our home was damaged. My essential art equipment and tablet were stolen and destroyed, representing years of hard work and creativity. Now, we are homeless, unsafe, sick, and financially insecure.

Our family includes:

My mother, 62.

My sister Mai, 35, visually impaired.

Myself, Mahasen, 31.

My brother Mohammed, 28, visually impaired, and his wife Iman, 28.

My youngest brother Amin, 21.

Your support is crucial to help me rebuild and ensure my family's safety and survival. Your contribution will replace my tools and restore our hope and creativity.

My Socials: @MahasenAlkhatib Instagram here X here Facebook here My Main Post here

Please Help me Share AND Donate

@90-ghost @el-shab-hussein @ibtisams @acepumpkinpatrick @just-browsing1222 @gaza @palestine @13ag21k @the-bastard-king @boyvandal-blog @apsswan @youdontknowwhotfiamm @mangocheesecakes @fallahifag @sealuai @palipunk @malcriaada @occupationsurfer @northgazaupdates @nabulsi @elierlick @evelyn-art-05 @soon-palestine @fairuzfan @bibyebae @riding-with-the-wild-hunt @sayruq @sar-soor @90-ghost @vakarians-babe @northgazaupdates @helppeople @ibtisams @appsa @annoyingloudmicrowavecultist @feluka @marnota @el-shab-hussein @sayruq @tortiefrancis @flower-tea-fairies @tsaricides @riding-with-the-wild-hunt @vivisection-gf @belleandsaintsebastian @ear-motif @ibtisams @animentality @kordeliiius @communistchilchuck @brutaliakhoa @raelyn-dreams @troythecatfish @the-bastard-king @tamarrud @4ft10tvlandfangirl @queerstudiesnatural @northgazaupdates @90-ghost @skatehani @awetistic-things @gentl3manly @baby-girl-aaron-dessner @morallyrainyday @pcktknife @tamamita @plasticdodecagon

[she-who-fights-and-writes]

“Show, Don’t Tell”…But This Time Someone Explains It

If you’ve ever been on the hunt for writing advice, you've definitely seen the phrase “Show, Don’t Tell.”

Writeblr coughs up these three words on the daily; it’s often considered the “Golden Rule” of writing. However, many posts don't provide an in-depth explanation about what this "Golden Rule" means (This is most likely to save time, and under the assumption that viewers are already informed).

More dangerously, some posts fail to explain that “Show, Don’t Tell” occasionally doesn’t apply in certain contexts, toeing a dangerous line by issuing a blanket statement to every writing situation. 

The thing to take away from this is: “Show, Don’t Tell” is an essential tool for more immersive writing, but don't feel like a bad writer if you can’t make it work in every scenario (or if you can’t get the hang of it!)

1. What Does "Show, Don't Tell" Even Mean?

“Show, Don’t Tell” is a writing technique in which the narrative or a character’s feelings are related through sensory details rather than exposition. Instead of telling the reader what is happening, the reader infers what is happening due to the clues they’ve been shown.

EXAMPLE 1:

Telling: The room was very cold. Showing: She shivered as she stepped into the room, her breath steaming in the air.

EXAMPLE 2:

Telling: He was furious. Showing: He grabbed the nearest book and hurled it against the wall, his teeth bared and his eyes blazing.

EXAMPLE 3 ("SHOW, DON'T TELL" DOESN'T HAVE TO MEAN "WRITE A LOT MORE")

Telling: The room hadn't been lived in for a very long time. Showing: She shoved the door open with a spray of dust.

Although the “showing” sentences don’t explicitly state how the characters felt, you as the reader use context clues to form an interpretation; it provides information in an indirect way, rather than a direct one.

Because of this, “Show, Don’t Tell” is an incredibly immersive way to write; readers formulate conclusions alongside the characters, as if they were experiencing the story for themselves instead of spectating. 

As you have probably guessed, “showing” can require a lot more words (as well as patience and effort). It’s a skill that has to be practiced and improved, so don’t feel discouraged if you have trouble getting it on the first try!

2. How Do I Use “Show, Don’t Tell” ?

There are no foolproof parameters about where you “show” and not “tell" or vice versa; it’s more of a writing habit that you develop rather than something that you selectively decide to employ.

In actuality, most stories are a blend of both showing and telling, and more experienced writers instinctively switch between one and another to cater to their narrative needs. You need to find a good balance of both in order to create a narrative that is both immersive and engaging.

i. Help When Your Writing Feels Bare-Bones/Soulless/Boring

Your writing is just not what you’ve pictured in your head, no matter how much you do it over. Conversations are stilted. The characters are flat. The sentences don’t flow as well as they do in the books you've read. What’s missing?

It’s possibly because you’ve been “telling” your audience everything and not “showing”! If a reader's mind is not exercised (i.e. they're being "spoon-fed" all of the details), your writing may feel boring or uninspired!

Instead of saying that a room was old and dingy, maybe describe the peeling wallpaper. The cobwebs in the corners. The smell of dust and old mothballs. Write down what you see in your mind's eye, and allow your audience to formulate their own interpretations from that. (Scroll for a more in-depth explanation on HOW to develop this skill!)

ii. Add More Depth and Emotion to Your Scenes

Because "Show, Don't Tell" is a more immersive way of writing, a reader is going to feel the narrative beats of your story a lot more deeply when this rule is utilized.

Describing how a character has fallen to their knees sobbing and tearing our their hair is going to strike a reader's heart more than saying: "They were devastated."

Describing blood trickling through a character's fingers and staining their clothes will seem more dire than saying: "They were gravely wounded."

iii. Understand that Sometimes Telling Can Fit Your Story Better

Telling can be a great way to show your characters' personalities, especially when it comes to first-person or narrator-driven stories. Below, I've listed a few examples; however, this list isn't exclusive or comprehensive!

Initial Impressions and Character Opinions

If a character describes someone's outfit as "gaudy" or a room as "absolutely disgusting," it can pack more of a punch about their initial impression, rather than describing the way that they react (and can save you some words!). In addition, it can provide some interesting juxtaposition (i.e. when a character describes a dog as "hideous" despite telling their friend it looks cute).

2. Tone and Reader Opinions

Piggybacking off of the first point, you can "tell, not show" when you want to be certain about how a reader is supposed to feel about something. "Showing" revolves around readers drawing their own conclusions, so if you want to make sure that every reader draws the same conclusion, "telling" can be more useful! For example, if you describe a character's outfit as being a turquoise jacket with zebra-patterned pants, some readers may be like "Ok yeah a 2010 Justice-core girlie is slaying!" But if you want the outfit to come across as badly arranged, using a "telling" word like "ridiculous" or "gaudy" can help set the stage.

3. Pacing

"Show, don't tell" can often take more words; after all, describing a character's reaction is more complicated than stating how they're feeling. If your story calls for readers to be focused more on the action than the details, such as a fight or chase scene, sometimes "telling" can serve you better than "showing." A lot of writers have dedicated themselves to the rule "tell action, show emotion," but don't feel like you have to restrict yourself to one or the other.

iv. ABOVE ALL ELSE: Getting Words on the Page is More Important!

If you’re stuck on a section of your story and just can’t find it in yourself to write poetic, flowing prose, getting words on the paper is more important than writing something that’s “good.” If you want to be able to come back and fix it later, put your writing in brackets that you can Ctrl + F later.

Keeping your momentum is the hardest part of writing. Don't sacrifice your inspiration in favor of following rules!

3. How Can I Get Better at “Show, Don’t Tell”?

i. Use the Five Senses, and Immerse Yourself!

Imagine you’re the protagonist, standing in the scene that you have just created. Think of the setting. What are things about the space that you’d notice, if you were the one in your character’s shoes?

Smell? Hear? See? Touch? Taste?

Sight and sound are the senses that writers most often use, but don’t discount the importance of smell and taste! Smell is the most evocative sense, triggering memories and emotions the moment someone walks into the room and has registered what is going on inside—don’t take it for granted. And even if your character isn’t eating, there are some things that can be “tasted” in the air.

EXAMPLE:

TELLING: She walked into the room and felt disgusted. It smelled, and it was dirty and slightly creepy. She wished she could leave. SHOWING: She shuffled into the room, wrinkling her nose as she stepped over a suspicious stain on the carpet. The blankets on the bed were moth-bitten and yellowed, and the flowery wallpaper had peeled in places to reveal a layer of blood-red paint beneath…like torn cuticles. The stench of cigarettes and mildew permeated the air. “How long are we staying here again?” she asked, flinching as the door squealed shut. 

The “showing” excerpt gives more of an idea about how the room looks, and how the protagonist perceives it. However, something briefer may be more suited for writers who are not looking to break the momentum in their story. (I.e. if the character was CHASED into this room and doesn’t have time to take in the details.)

ii. Study Movies and TV Shows: Think like a Storyteller, Not Just a Writer

Movies and TV shows quite literally HAVE TO "show, and not tell." This is because there is often no inner monologue or narrator telling the viewers what's happening. As a filmmaker, you need to use your limited time wisely, and make sure that the audience is engaged.

Think about how boring it would be if a movie consisted solely of a character monologuing about what they think and feel, rather than having the actor ACT what they feel.

(Tangent, but there’s also been controversy that this exposition/“telling” mindset in current screenwriting marks a downfall of media literacy. Examples include the new Percy Jackson and Avatar: The Last Airbender remakes that have been criticized for info-dumping dialogue instead of “showing.”)

If you find it easy to envision things in your head, imagine how your scene would look in a movie. What is the lighting like? What are the subtle expressions flitting across the actors' faces, letting you know just how they're feeling? Is there any droning background noise that sets the tone-- like traffic outside, rain, or an air conditioner?

How do the actors convey things that can't be experienced through a screen, like smell and taste?

Write exactly what you see in your mind's eye, instead of explaining it with a degree of separation to your readers.

iii. Listen to Music

I find that because music evokes emotion, it helps you write with more passion—feelings instead of facts! It’s also slightly distracting, so if you’re writing while caught up in the music, it might free you from the rigid boundaries you’ve put in place for yourself.

Here’s a link to my master list of instrumental writing playlists!

iv. Practice, Practice, Practice! And Take Inspiration from Others!

“Show Don’t Tell” is the core of an immersive scene, and requires tons of writing skills cultivated through repeated exposure. Like I said before, more experienced writers instinctively switch between showing and telling as they write— but it’s a muscle that needs to be constantly exercised!

If I haven’t written in a while and need to get back into the flow of things, I take a look at a writing prompt, and try cultivating a scene that is as immersive as possible! Working on your “Show, Don’t Tell” skills by practicing writing short, fun one-shots can be much less restrictive than a lengthier work.

In addition, get some inspiration and study from reading the works of others, whether it be a fanfiction or published novel!

If you need some extra help, feel free to check out my Master List of Writing Tips and Advice, which features links to all of my best posts, each of them categorized !

Hope this helped, and happy writing!

[singing-telegram]

Anyone looking to make a proper Scooby-Doo adaptation please remember:

Fred is the charismatic face of the group and the strategizer. Later adaptations made him a massive himbo who chugs respect for women juice and those have become necessary parts of his character.

Shaggy is cowardly but also incredibly resourceful; let us not forget his skill at ventriloquism. Make Shaggy the skill monkey, who every episode mentions some weird skill he has that's previously unmentioned; that'd be an amazing running gag. Also, bring back the dry humor Casey Kasem injected into the og character.

Scooby is Shaggy's best friend, the other half to his two-man comedy routine. Independently of Shaggy, Scooby is also prone to be a bit mischievous and just kind of a little scamp. Play up both of those things.

Velma is the smart nerdy one, who also had a really dry sense of humor. I don't know why she was turned into the "I'm surrounded by idiots" character because, while as I stated, she always had a dry sense of humor, she was never mean to her friends and never talked down to them, or anyone else. Bring back the chipper Velma from like Witch's Ghost or Zombie Island. Let Velma be a little cutie pie. Also keep her as a lebian

Daphne was... originally really just "The Girly One" but later adaptations have fleshed her out, like making her essentially the muscle of the group, which is just amazing and should continue. She's also been cast as the oddly resourceful one. Shaggy is the skill monkey, Daphne is the one who has a tool for literally any job. Human Swiss Army Knife, which again, would be an amazing running gag.

Have Shaggy and Daphne bounce off-the-wall ideas for a plan together, Fred steps in to ground them, while still using their ideas, and incorporating Velma's theories about the case.

Make references to Flim Flam and Hot Dog Water

A Scooby-Doo adaptation should not be difficult, and must be done with love.

[florenzismind]

I know that everyone is like...focused on Great being a terrible person (and celebrating Tonkla for killing him lmao) but I think the original timeline just makes Great's story more tragic.

Since we essentially were in Great's head and he was trying to edit his own past, it revealed so much more about him in a way we would've never known with just the original timeline.

He wants his brother to care for him. He wants sweet, playful dates. He wants to see Thyme smile. He wants to innocently hold Thyme's hand and get his potential first kiss with him interrupted by Thyme's grandma. He wants their first time to be sweet and loving. Just for them. He wants Thyme to listen to him, understand him. He wants Thyme's eyes to soften.

Everybody has wondered why their scenes felt so disjointed but this explains it so much.

Great doesn't think, even in the depth of his subconscious, that his dad could change. Or his mom. Or even his brother. He doesn't crave for his family to be different. Or rather: He can't even possibly imagine that happening in any timeline. His circumstances stay the same.

Every bad decision Great makes, he still makes in his fanfic timeline. But he gets a chance to change it. He's forced to look at his own inactions and the consequences. He's not getting away with his passiveness anymore.

Great's achilles' heel is not that he gets off on hurting and using people. That's not who he is. He doesn't crave his father's approval (like Korn does), he doesn't want people to obey him and hurt them (like Title does) and he's not interested in portraying a certain image (compared to his parents).

Great revealed his deepest desires to Thyme in his wishful timeline: He's just lonely. He just wants to be loved. He wants someone to see him.

And yes, he's definitely spoiled and he's a coward. His achilles' heel is his own cowardice, his inability to decide something for himself, to be ACTIVE and not just passively react to things and let other people decide FOR him. He excuses his own actions with his passiveness because that's just the way he was taught. (Korn said it in the last episode: He will do the dirty work and Great can just blissfully live like everything's fine.) He's deeply anxious, reckless and almost numb to things around him before he meets Thyme in his original timeline.

He just accepts things for the way they are. And because he's surrounded by awful people, he became awful himself.

But original!Thyme miscalculated Great. Because Thyme himself is a morally grey person and hurts the people around him for his own gain (regardless of his motivations being right or wrong). He saw Great as a tool, as someone to use. He was too wrapped up in his own mission, his obsession with getting justice that he wasn't able to see Great for who he could potentially be: A person to love.

They could've been each other's salvation but instead become each other's tragedy.

Isn't that so sad? Thyme used Great and preyed on him. In the original timeline they maybe had like...what....one hour of genuine connection?

And yet – in his dying moment Great still wants Thyme. Still wants to be loved by him. Even in his dying moment Great wishes for them to be each other's haven.

[littlelamy]

hii id like to request reader is know as the “purse lady” around town because she always has such nice purses but it drives rafe crazy because the purses are taking over the closet

hope you like it! ⭐️ everywhere you go, people comment on your purses. the vintage leather satchel you picked up at a farmers' market, the sleek designer tote you waited months to snag, each one is a piece of your identity around town. you’re “the purse lady,” and you wear the title proudly.

everyone in town loves it. everyone, it seems, except for rafe, who’s starting to regard your closet with a look somewhere between dread and defeat.

it didn’t bother him at first. one purse turned to five, five became ten, and soon they seemed to multiply overnight. he’d open a drawer expecting socks and pull out a sequin clutch. shelves once reserved for his shirts were now home to crossbodies and totes in every color he couldn’t name. it got to the point that he wasn’t entirely sure where his things were anymore.

“uh, hey, baby,” he says one night, in that careful tone he uses when he’s pretty sure he’s losing the battle, “do you think maybe…we could, y’know, thin the purse collection just a little?”

you glance up, already deciding you’ll ignore this conversation. “why would i do that?” you say, your voice light but not remotely budging. “they all have a purpose. you know that.”

he stifles a sigh. there it is—that classic, endearing excuse. you say it like every single purse is a tool for survival, an essential part of daily life. and he gets it, kind of. most of them hold stories he can see you’re not ready to let go of—trips you’ve taken, places you love, even a few gifts from people he’s never met. but now his once half-empty closet is practically spilling.

“i’m just saying,” he tries again, with a softer look, “that closet space is getting a little… tight.”

you laugh, patting his cheek with that sweet, dismissive touch. “you have plenty of room, rafe. you wear, what, the same five shirts? trust me, we’re fine.”

the way you brush him off makes him laugh even as he sighs, but he knows the struggle won’t end. one night, he catches himself staring at each one—a metallic hobo bag, a leather satchel, a chain-link crossbody. he’d even memorized the rotation by now, making sure every one of them makes it back to its designated spot when you switch things up.

and then, as he studies a purple suede clutch that’s recently claimed space near his shoes, something shifts. he realizes, maybe for the first time, that these bags aren’t just things—they’re a part of you, as real as your laugh, as familiar as your favorite coffee cup. they’re tokens of a life he’s glad to be part of, each one a marker of a memory he’s happy to share.

he decides that night to stop counting, to stop wishing for more space. he’ll let them take over, and the next time he stumbles on one of your totes, he’ll remind himself it’s a small price to pay to be in the orbit of your beautiful, chaotic world.

besides, he thinks, there are worse things than being the boyfriend of some obsessed with purses

taglist: @namelesslosers @princessslutt @averyoceanblvd @iknowdatsrightbih @starkeysprincess @anamiad00msday @ivysprophecy @wearemadeofstardust0 @kissrotten @rafesangelita @sstargirln @rafedaddy01

[charmedreincarnation]

When I say that this journey is real, and our struggles are not in vain, I am shouting it from the rooftops. A month ago, I woke up with my dream life. Obsessed with the "void state", I woke up one day being the same person but with an entirely new life. All because I chose it.

Your efforts aren't going unnoticed. The universe is always on your side. You are the universe. It's been a month, and I still feel overwhelmed with joy and wonder every single day.

I was once poor and battling depression, a reality many can relate to. But we found the law because we knew we deserved more. You can be ordinary, flawed, even unkind, but you can choose to transform and have it all. And I did just that. My parents, who were illegal immigrants working underpaid jobs, are now wealthy and respected figures. My last name alone garners recognition, and I am a socialite earning money just by being me.

I used to live in an attic infested with cockroaches. Now, I reside in a four-story mansion, complete with exotic cars, house help, cooks, drivers - all treated and compensated fairly. We also own three other houses across the United States.

I was once insecure, severely underweight, and bullied. Today, not only am I stunningly beautiful, but I am also praised for my fashion sense. I was once a dull person, but now I am radiant with positivity.

I attended an underfunded school where I was bullied, and teachers lacked resources to intervene. Now, I study at a prestigious private school that assures my entry into an Ivy League university. Finally, I am respected and appreciated.

I was lonely and uninteresting. Now, I am vibrant with a close-knit group of friends and a man who seems straight out of a Wattpad story. He's perfect, and he's mine.

This transformation happened overnight. And I've been on this journey since 2020. But how??? I surrendered to my imagination!

The void was overwhelming, but now I can easily navigate it. I was tired of giving my power away. So, I gave in to myself, to my dreams. I knew I deserved it. Even if I didn't believe it at times, I made the choice. If you desire something, it's already yours. It's done.

I didn't have a list or anything of my desires, just a vision of happiness. I didn't know what it looked like, but I knew how it felt. Now, I embody that feeling every day. My life is a series of plot twists. It's not perfect, but my worst days now are what I once prayed for. That old life? POOF It's gone. All I have is now, and I'm living it to the fullest.

My advice?

Stop seeking proof. If you're looking for proof, you'll never manifest your dreams because the only thing that needs to change is self. Doubt is a reflection of your disbelief in yourself. When I surrendered to my imagination, it didn't matter who was lying or telling the truth, because I had my truth. The burden of proof lies within you. It's called the law of assumption. You might harbor some doubt, but you must have faith like the devout. They believe without proof. You can too! We all can! Believe in yourself, and the universe will conspire in your favor!!!!

I agree! Your words resonated with me a lot. Faith, particularly self-faith, is such an important tool in shaping our realities. The ability to trust ourselves, our desires, and our potential is essential in manifesting our dream life, and it’s only so beautiful to slowly see yourself give yourself all your trust when you’ve never even liked yourself.

You're spot on about the issue of seeking confirmation from others. It's an unnecessary hurdle that we give ourselves but it’s human nature. Our truths and dreams should not be validated by anyone else but us. As you said, why should it matter if someone lied or told the truth? We are the creators of our own lives and thus, the only validation we need comes from within.

And I wholeheartedly agree with your point about deservingness. We don't have to earn our desires or prove ourselves worthy of them. If we want something, that desire alone makes us deserving of it.

More importantly I am very proud and happy for you !!!! You’re a testament of what our own imagination can do for us and I hope you only keep getting happier and happier <3!!!!

[super-ultra-mega-deluxe]

Simply believing in ML, or joining an ML org, will not help when the lights go out or food runs out. How can we contend with that?

Marxism-Leninism isn't an arbitrary set of beliefs for one to adopt on a whim, it is a political theory and specifically action, part of which is in fact to "help when the lights go out" or even better, to make sure they don't! communist politics- and really any politic- are what those politics do. Marx explicitly frames it as such, as an ideological formulation that is a tool for practical application. taken outside of its context and application, Marxism is an absurd nothing, as again are all politics. i could provide examples of how communists facilitate the production and distribution of goods, or otherwise manage economics at variable scale and locale, which is rather what i assume you mean to be getting at with your question. your framing is rather nonspecific however: in what economic and political context is there a communist party contending with failures in energy infrastructure and food production and distribution?

the "help when the lights go out" strikes a particular chord, as somewhat recently the socialist nation of Cuba has been forced to contend with fuel shortages; their domestic oil production can't meet the needs of the general populace, and oil imports are inconsistent due to the US embargo. the people of Cuba are, thankfully, not becoming grossly immiserated or dying en masse despite such being the intention of the embargo. they have instituted fuel rationing and rolling blackouts to further conserve fuel and maintain essential services, such as their healthcare system. this of itself is obviously only a reactive policy; the state has also been rebuilding and expanding its oil storage facilities to better handle fluctuations in supply, and more recently they have agreed to a bilateral development agreement with China to substantially expand Cuba's nascent solar power generation. paired with their newfound partnership with BRICS- a move which undermines the aforementioned embargo in a much more material way than a UN vote- Cuba is on a path to fully meet the energy needs of its people and even expand access over the next decade.

that all said, i doubt you specifically care much for Marxist-Leninist experiments as they exist, and are more concerned with the prefiguration of politics before anything like achieving state power, and more specifically within the imperial core, where denying the possibility of effecting revolutionary politics is the most prominent. there are not presently many Marxist-Leninist parties of note in the US, the imperial core, but even less principled communist parties nonetheless consider the economic realities of the workers they represent first and foremost. the old Black Panthers were perhaps the closest to a truly revolutionary socialist movement in the US, and one of the policies they are most famous for is the free breakfast program and the broader Survival Programs they ran. these programs provided food and medical care and education and transportation for many who were subject to economic insecurity; the failure of these programs was a failure of militancy and counterintelligence and scope. the modernly popular if unfortunately less coherent and less principled PSL also runs health and wellness programs, such as kitchens and exercise classes and vocational programs and so on, which is their attempt at replicating such formulations.

it is rather specifically a concern of communists to organize the proletariat to provide for their own needs outside the purview of a capitalist state, and every revolutionary of note before, during, and after seizing power emphasizes such. the ability to do so pending a revolutionary moment is necessarily limited however; you cannot build an administration of economy parallel to an extant state without coming into conflict with that state. even non-communist organizations attempt to build up community programs, but they are either dissolved or incorporated into the state apparatus or otherwise operate under its purview. the ultimate goal is then as always the destruction of the bourgeois state machine and the building of a proletarian state machine, the armies of people organized in enforcing the will of the proletariat as a class, which allows for the more concrete and pointed organization of the economy broadly.

[lizardkingeliot]

I took a ton of notes during my rewatch of 2x07 just now but the thing I kept coming back to again and again was Armand's framing of the entire narrative and how it plays with truth vs lies in such an insidious way it's honestly brilliant in its cruelty. Truth being used as a cudgel not only against Louis, but against Lestat as well. And against, us, the viewers at home.

We obviously all know Armand is a very powerful 500 year old vampire who is not going to be held back by an infant of a vampire like Santiago. Like… Armand. Babe. Let’s get real. But that’s the narrative set-up. The coven, now being led by Santiago, has Armand captive behind his little rickety baby gate with Sam and his prop weapon not letting the puppy come out to play. He cannot prevent it! Poor baby. Someone get him a juice box and a snack.

Enter Lestat. The vengeful lover come to make Louis and Claudia pay for what they did to him. What's interesting here is that everyone—Daniel, Louis, Armand—acknowledges in Dubai that the trial IS a sham from the beginning. A tool to allow Lestat his revenge. But the truth of why it's actually a sham is being hidden behind a thousand layers of gaslighting and deceit by Armand. Lestat is merely another prop on the stage. Being forced to use the TRUTH of his love story with Louis—and to twist essential elements of their beginning as a couple—as a weapon to drive the final wedge between them so that Armand might have Louis all to himself. That's what this is about. A farce so that Armand might have what he wants more than anything in the world. Someone who will be with him always. Without Claudia, without Lestat... who else is there for Louis to run to?

The trial as we see it is told mostly through Louis' POV. It seems to be a true picture of how it all happened but the cognitive dissonance watching him try to reconcile what Lestat was doing on the stage with the framing provided by Armand (who cuts in frequently to assure us that Lestat shapes things to suit HIS narrative) is painful. Louis sees and feels and hears the sincerity of Lestat. A Lestat who is defiant from the jump and refuses to paint the story as butchery. It's about LOVE. It is always always always about the love. An entire sham trial about vengeance and murder framed around... love.

Everyone who's familiar with the books already knows Lestat didn't want to be there. I won't go into that too much but the show did a good job of showing us just how unwell Lestat was during the entire process. But there are also some really interesting moments where we are TOLD explicitly through Louis' recounting of the events that Lestat was not actually there for revenge. Namely, the moment when Lestat says HE deserves to be punished alongside them. These are not the words of someone who is seeking vengeance. These are the words of someone desperately rattling the bars of his own cage trying everything he can to prevent what's happening. Because unlike a certain someone, in that moment Lestat is quite literally unable to prevent it!

The entire episode is Louis trying to reconcile the conflicting truths that exist inside him: that Lestat was there for revenge, that Armand couldn't prevent the coven from exacting their cruelty, and that the Lestat who was on stage WAS sincere and emotional and fighting with everything he had to let the truth ring as true as it was when he was able. He refused to refer to Louis as the accused every time Santiago insisted on it. He would only refer to Louis by name. He would NOT allow the narrative to frame him as someone who didn't also do monstrous things to his lover. He was weeping and flooded with shame. Sincerely, genuinely remorseful for the awful thing he had done to Louis.

There's also something else here about Lestat acknowledging he tried to crush what he could not own vs Armand deceiving Louis into the false sense of control that is the entire basis for their relationship. Owning something he does not crush, merely confines. He's not crushing Louis with insanity, he's locking him inside his prison of empathy. He quite literally has Louis locked in a cage while allowing him to believe he's truly free. Free from the insanity of Lestat. Evil, vengeful, gaslighting Lestat who only uses the truth to shape the narrative for himself.

There's a lot more going on here. I can't possibly get it all out of my brain right now and I imagine I'm going to be picking apart the nuances for a while. There are so many layers. The truth vs lies vs intentional reshaping of the truth of it all. But if you rewatch, pay attention to Armand's face, the score that accompanies his recounting of events, the passive way in which he holds his body in both Paris and Dubai. He's locking Louis in a dream world where the truth is present in such a way it only serves to amplify its own distortion. I don't even think he's fucking with Louis' memory all that much, just framing it in such a way that Louis cannot see past what is right there in front of him. What he already knows. If only he had just a few more tiny pieces of the puzzle...

But he's trying to get there. He is getting there. The truth of Lestat is breaking though. Lestat is still present there with him in Dubai, as real as if he were really in the room. After 74 years, Louis can still recall every detail of his face, still smile at him recalling the truth of his memories. The truth he wouldn't allow himself to look at all the way. The truth he himself had to distort for his own sake because it hurt too much. He's allowing himself to see not only the truth of himself and his own actions, but the truth of Lestat. All the complicated, sincere truth of him. The truth of the one who truly could not prevent it.

[drdemonprince]

I don't think I have it in me to be an abolitionist because I read that horrible story about the trans teen murdered in South Carolina and my knee jerk reaction is, those people should rot in jail, ideally forever, or worse. No matter how I look at it I can't make myself okay with the idea that you should be allowed to steal someone's life in such a horrible way and then just go back to enjoying your life. Some stuff is just too over the top evil.

You can have whatever emotions you want about that person's murderous actions, but the reality is that the carceral justice system is one of the largest sources of physical, emotional, and sexual torment for transgender people on this planet.

Transgender people are ten times more likely to be assaulted by a fellow inmate and five times more likely to be assaulted by a corrections officer, according to a National Center for Transgender Equality Report.

Within the prison system, transgender people are frequently denied gender-affirming medical care, and housed in populations that do not match their identity, which increases their odds of being beaten and sexually assaulted.

The alternative to being incorrectly housed with the wrong gendered population is that transgender people are also frequently held in solitary confinement instead, often for far longer periods on average than their non-transgender peers, contributing to them experiencing suicide ideation, self harm, acute physiological distress, a shrunk hippocampus, muscculoskeletal pain, chronic condition flare-ups, heart disease, reduced muscle tone, and numerous other proven effects of solitary confinement.

The prison system is also one of the largest sites of completely unmitigated COVID spread, among other illnesses, with over 640,000 cases being directly linked to prison exposure, according to the COVID prison project.

We know that number is rampantly under-estimated because prisoners, especially trans ones, are frequently denied medical care. And even basic, essential physical care. Just last year a 27-year-old Black man named Lason Butler was found dead in his cell, having perished of dehydration. He had been kept in a cell without running water for two weeks, where he rapidly lost 40 pounds before perishing. His body was covered in rat bites.

This kind of treatment is unacceptable for anyone, no matter who they are and what they have done, and I shouldn't have to explicitly connect the dots for you, but I will. One in six transgender people has been to prison, according to Lambda Legal. One in every TWO Black transgender people has been to prison. One in five Black men go to prison in America.

THIS is the fate you are consigning all these people to when you say that prisons must exist because there are really really bad people out in the world. We should all know by not that this is not how the carceral justice system works. Hate crime laws are under-utilized, according to Pro Publica, and result in few convictions. The people who commit transphobic acts of violence tend to be given softer sentences than the prisoners who resemble their victims.

We must always remember that the violent tools of the prison system will be used not against the people that we personally consider to be the most "deserving" of punishment, but rather against whomever the state considers to be its enemy or to be a disposable person.

You are not in control of the prison system and you cannot ensure it will be benevolent. You are not the police, the judge, the jury, or the corrections officers. By and large, the people who are in these roles are racist, transphobic, ableist, and victim-blaming, and they will use the power and violence of the system to terrorize people in poverty, Black people, trans people, "mad" people, intellectually disabled people, women, and everyone else that you might wish to protect from harm with a system of "punishment." Nevermind that incaraceration doesn't prevent future harm anyway.

You can't argue for incarceration as the tool of your revenge fantasies, you have to argue for it as the tool that it actually is. The purpose of a system is what it does. And the prison system's purpose has never been to protect or avenge vulnerable trans people. It has always been to beat them, sexually assault them, forcibly detransition them, render them unemployable, disconnect them from all community, neglect them, and unperson them.