#that’s essentially every tool I used to make this

[outer-edges]

guys i really fear i did my big one here i finish binding my book it just came out the press and it’s not perfect but oh my god. it’s phenomenal.

[carnivalcarriondiscarded]

the high prices of fucking Everything is so exhausting i stg

[bloodfreak-boyking]

i'm only three episodes in and i'm already losing it. the longing stare, the private little smile, god just fucking kill me already

[coloursofaparadox]

lil rant about dog training oops

[mahasenelkhatib]

Do you know what happens when I hear the bombing and live under it, with everywhere around me collapsing? I have nothing but ..

my notebook and pen, 🎨

and I isolate my mind. I don't want to be afraid, I don't want to feel what's around me, I want to escape to my old world! PLEASE DONATE HERE

Here is a Happy moment for me in this war when I was able to get chard leaves for the first time in this famine we face every day Verified by @90-ghosthere Olive Branch, line 508 of their spreadsheet Thank you all for the Love ,Support,Donations you send me !! I won't ever forget it! Ever!!

Hello, I am Mahasen,a Digital Artist from North Gaza, where creativity thrives despite challenges. My father passed away, making me the main provider for my family.

Before the war, I worked in motion graphics with international companies, specializing in character design and storyboarding.

The conflict forced us to evacuate repeatedly, and our home was damaged. My essential art equipment and tablet were stolen and destroyed, representing years of hard work and creativity. Now, we are homeless, unsafe, sick, and financially insecure.

Our family includes:

My mother, 62.

My sister Mai, 35, visually impaired.

Myself, Mahasen, 31.

My brother Mohammed, 28, visually impaired, and his wife Iman, 28.

My youngest brother Amin, 21.

Your support is crucial to help me rebuild and ensure my family's safety and survival. Your contribution will replace my tools and restore our hope and creativity.

My Socials: @MahasenAlkhatib Instagram here X here Facebook here My Main Post here

Please Help me Share AND Donate

@90-ghost @el-shab-hussein @ibtisams @acepumpkinpatrick @just-browsing1222 @gaza @palestine @13ag21k @the-bastard-king @boyvandal-blog @apsswan @youdontknowwhotfiamm @mangocheesecakes @fallahifag @sealuai @palipunk @malcriaada @occupationsurfer @northgazaupdates @nabulsi @elierlick @evelyn-art-05 @soon-palestine @fairuzfan @bibyebae @riding-with-the-wild-hunt @sayruq @sar-soor @90-ghost @vakarians-babe @northgazaupdates @helppeople @ibtisams @appsa @annoyingloudmicrowavecultist @feluka @marnota @el-shab-hussein @sayruq @tortiefrancis @flower-tea-fairies @tsaricides @riding-with-the-wild-hunt @vivisection-gf @belleandsaintsebastian @ear-motif @ibtisams @animentality @kordeliiius @communistchilchuck @brutaliakhoa @raelyn-dreams @troythecatfish @the-bastard-king @tamarrud @4ft10tvlandfangirl @queerstudiesnatural @northgazaupdates @90-ghost @skatehani @awetistic-things @gentl3manly @baby-girl-aaron-dessner @morallyrainyday @pcktknife @tamamita @plasticdodecagon

[she-who-fights-and-writes]

“Show, Don’t Tell”…But This Time Someone Explains It

If you’ve ever been on the hunt for writing advice, you've definitely seen the phrase “Show, Don’t Tell.”

Writeblr coughs up these three words on the daily; it’s often considered the “Golden Rule” of writing. However, many posts don't provide an in-depth explanation about what this "Golden Rule" means (This is most likely to save time, and under the assumption that viewers are already informed).

More dangerously, some posts fail to explain that “Show, Don’t Tell” occasionally doesn’t apply in certain contexts, toeing a dangerous line by issuing a blanket statement to every writing situation. 

The thing to take away from this is: “Show, Don’t Tell” is an essential tool for more immersive writing, but don't feel like a bad writer if you can’t make it work in every scenario (or if you can’t get the hang of it!)

1. What Does "Show, Don't Tell" Even Mean?

“Show, Don’t Tell” is a writing technique in which the narrative or a character’s feelings are related through sensory details rather than exposition. Instead of telling the reader what is happening, the reader infers what is happening due to the clues they’ve been shown.

EXAMPLE 1:

Telling: The room was very cold. Showing: She shivered as she stepped into the room, her breath steaming in the air.

EXAMPLE 2:

Telling: He was furious. Showing: He grabbed the nearest book and hurled it against the wall, his teeth bared and his eyes blazing.

EXAMPLE 3 ("SHOW, DON'T TELL" DOESN'T HAVE TO MEAN "WRITE A LOT MORE")

Telling: The room hadn't been lived in for a very long time. Showing: She shoved the door open with a spray of dust.

Although the “showing” sentences don’t explicitly state how the characters felt, you as the reader use context clues to form an interpretation; it provides information in an indirect way, rather than a direct one.

Because of this, “Show, Don’t Tell” is an incredibly immersive way to write; readers formulate conclusions alongside the characters, as if they were experiencing the story for themselves instead of spectating. 

As you have probably guessed, “showing” can require a lot more words (as well as patience and effort). It’s a skill that has to be practiced and improved, so don’t feel discouraged if you have trouble getting it on the first try!

2. How Do I Use “Show, Don’t Tell” ?

There are no foolproof parameters about where you “show” and not “tell" or vice versa; it’s more of a writing habit that you develop rather than something that you selectively decide to employ.

In actuality, most stories are a blend of both showing and telling, and more experienced writers instinctively switch between one and another to cater to their narrative needs. You need to find a good balance of both in order to create a narrative that is both immersive and engaging.

i. Help When Your Writing Feels Bare-Bones/Soulless/Boring

Your writing is just not what you’ve pictured in your head, no matter how much you do it over. Conversations are stilted. The characters are flat. The sentences don’t flow as well as they do in the books you've read. What’s missing?

It’s possibly because you’ve been “telling” your audience everything and not “showing”! If a reader's mind is not exercised (i.e. they're being "spoon-fed" all of the details), your writing may feel boring or uninspired!

Instead of saying that a room was old and dingy, maybe describe the peeling wallpaper. The cobwebs in the corners. The smell of dust and old mothballs. Write down what you see in your mind's eye, and allow your audience to formulate their own interpretations from that. (Scroll for a more in-depth explanation on HOW to develop this skill!)

ii. Add More Depth and Emotion to Your Scenes

Because "Show, Don't Tell" is a more immersive way of writing, a reader is going to feel the narrative beats of your story a lot more deeply when this rule is utilized.

Describing how a character has fallen to their knees sobbing and tearing our their hair is going to strike a reader's heart more than saying: "They were devastated."

Describing blood trickling through a character's fingers and staining their clothes will seem more dire than saying: "They were gravely wounded."

iii. Understand that Sometimes Telling Can Fit Your Story Better

Telling can be a great way to show your characters' personalities, especially when it comes to first-person or narrator-driven stories. Below, I've listed a few examples; however, this list isn't exclusive or comprehensive!

Initial Impressions and Character Opinions

If a character describes someone's outfit as "gaudy" or a room as "absolutely disgusting," it can pack more of a punch about their initial impression, rather than describing the way that they react (and can save you some words!). In addition, it can provide some interesting juxtaposition (i.e. when a character describes a dog as "hideous" despite telling their friend it looks cute).

2. Tone and Reader Opinions

Piggybacking off of the first point, you can "tell, not show" when you want to be certain about how a reader is supposed to feel about something. "Showing" revolves around readers drawing their own conclusions, so if you want to make sure that every reader draws the same conclusion, "telling" can be more useful! For example, if you describe a character's outfit as being a turquoise jacket with zebra-patterned pants, some readers may be like "Ok yeah a 2010 Justice-core girlie is slaying!" But if you want the outfit to come across as badly arranged, using a "telling" word like "ridiculous" or "gaudy" can help set the stage.

3. Pacing

"Show, don't tell" can often take more words; after all, describing a character's reaction is more complicated than stating how they're feeling. If your story calls for readers to be focused more on the action than the details, such as a fight or chase scene, sometimes "telling" can serve you better than "showing." A lot of writers have dedicated themselves to the rule "tell action, show emotion," but don't feel like you have to restrict yourself to one or the other.

iv. ABOVE ALL ELSE: Getting Words on the Page is More Important!

If you’re stuck on a section of your story and just can’t find it in yourself to write poetic, flowing prose, getting words on the paper is more important than writing something that’s “good.” If you want to be able to come back and fix it later, put your writing in brackets that you can Ctrl + F later.

Keeping your momentum is the hardest part of writing. Don't sacrifice your inspiration in favor of following rules!

3. How Can I Get Better at “Show, Don’t Tell”?

i. Use the Five Senses, and Immerse Yourself!

Imagine you’re the protagonist, standing in the scene that you have just created. Think of the setting. What are things about the space that you’d notice, if you were the one in your character’s shoes?

Smell? Hear? See? Touch? Taste?

Sight and sound are the senses that writers most often use, but don’t discount the importance of smell and taste! Smell is the most evocative sense, triggering memories and emotions the moment someone walks into the room and has registered what is going on inside—don’t take it for granted. And even if your character isn’t eating, there are some things that can be “tasted” in the air.

EXAMPLE:

TELLING: She walked into the room and felt disgusted. It smelled, and it was dirty and slightly creepy. She wished she could leave. SHOWING: She shuffled into the room, wrinkling her nose as she stepped over a suspicious stain on the carpet. The blankets on the bed were moth-bitten and yellowed, and the flowery wallpaper had peeled in places to reveal a layer of blood-red paint beneath…like torn cuticles. The stench of cigarettes and mildew permeated the air. “How long are we staying here again?” she asked, flinching as the door squealed shut. 

The “showing” excerpt gives more of an idea about how the room looks, and how the protagonist perceives it. However, something briefer may be more suited for writers who are not looking to break the momentum in their story. (I.e. if the character was CHASED into this room and doesn’t have time to take in the details.)

ii. Study Movies and TV Shows: Think like a Storyteller, Not Just a Writer

Movies and TV shows quite literally HAVE TO "show, and not tell." This is because there is often no inner monologue or narrator telling the viewers what's happening. As a filmmaker, you need to use your limited time wisely, and make sure that the audience is engaged.

Think about how boring it would be if a movie consisted solely of a character monologuing about what they think and feel, rather than having the actor ACT what they feel.

(Tangent, but there’s also been controversy that this exposition/“telling” mindset in current screenwriting marks a downfall of media literacy. Examples include the new Percy Jackson and Avatar: The Last Airbender remakes that have been criticized for info-dumping dialogue instead of “showing.”)

If you find it easy to envision things in your head, imagine how your scene would look in a movie. What is the lighting like? What are the subtle expressions flitting across the actors' faces, letting you know just how they're feeling? Is there any droning background noise that sets the tone-- like traffic outside, rain, or an air conditioner?

How do the actors convey things that can't be experienced through a screen, like smell and taste?

Write exactly what you see in your mind's eye, instead of explaining it with a degree of separation to your readers.

iii. Listen to Music

I find that because music evokes emotion, it helps you write with more passion—feelings instead of facts! It’s also slightly distracting, so if you’re writing while caught up in the music, it might free you from the rigid boundaries you’ve put in place for yourself.

Here’s a link to my master list of instrumental writing playlists!

iv. Practice, Practice, Practice! And Take Inspiration from Others!

“Show Don’t Tell” is the core of an immersive scene, and requires tons of writing skills cultivated through repeated exposure. Like I said before, more experienced writers instinctively switch between showing and telling as they write— but it’s a muscle that needs to be constantly exercised!

If I haven’t written in a while and need to get back into the flow of things, I take a look at a writing prompt, and try cultivating a scene that is as immersive as possible! Working on your “Show, Don’t Tell” skills by practicing writing short, fun one-shots can be much less restrictive than a lengthier work.

In addition, get some inspiration and study from reading the works of others, whether it be a fanfiction or published novel!

If you need some extra help, feel free to check out my Master List of Writing Tips and Advice, which features links to all of my best posts, each of them categorized !

Hope this helped, and happy writing!

[singing-telegram]

Anyone looking to make a proper Scooby-Doo adaptation please remember:

Fred is the charismatic face of the group and the strategizer. Later adaptations made him a massive himbo who chugs respect for women juice and those have become necessary parts of his character.

Shaggy is cowardly but also incredibly resourceful; let us not forget his skill at ventriloquism. Make Shaggy the skill monkey, who every episode mentions some weird skill he has that's previously unmentioned; that'd be an amazing running gag. Also, bring back the dry humor Casey Kasem injected into the og character.

Scooby is Shaggy's best friend, the other half to his two-man comedy routine. Independently of Shaggy, Scooby is also prone to be a bit mischievous and just kind of a little scamp. Play up both of those things.

Velma is the smart nerdy one, who also had a really dry sense of humor. I don't know why she was turned into the "I'm surrounded by idiots" character because, while as I stated, she always had a dry sense of humor, she was never mean to her friends and never talked down to them, or anyone else. Bring back the chipper Velma from like Witch's Ghost or Zombie Island. Let Velma be a little cutie pie. Also keep her as a lebian

Daphne was... originally really just "The Girly One" but later adaptations have fleshed her out, like making her essentially the muscle of the group, which is just amazing and should continue. She's also been cast as the oddly resourceful one. Shaggy is the skill monkey, Daphne is the one who has a tool for literally any job. Human Swiss Army Knife, which again, would be an amazing running gag.

Have Shaggy and Daphne bounce off-the-wall ideas for a plan together, Fred steps in to ground them, while still using their ideas, and incorporating Velma's theories about the case.

Make references to Flim Flam and Hot Dog Water

A Scooby-Doo adaptation should not be difficult, and must be done with love.

[florenzismind]

I know that everyone is like...focused on Great being a terrible person (and celebrating Tonkla for killing him lmao) but I think the original timeline just makes Great's story more tragic.

Since we essentially were in Great's head and he was trying to edit his own past, it revealed so much more about him in a way we would've never known with just the original timeline.

He wants his brother to care for him. He wants sweet, playful dates. He wants to see Thyme smile. He wants to innocently hold Thyme's hand and get his potential first kiss with him interrupted by Thyme's grandma. He wants their first time to be sweet and loving. Just for them. He wants Thyme to listen to him, understand him. He wants Thyme's eyes to soften.

Everybody has wondered why their scenes felt so disjointed but this explains it so much.

Great doesn't think, even in the depth of his subconscious, that his dad could change. Or his mom. Or even his brother. He doesn't crave for his family to be different. Or rather: He can't even possibly imagine that happening in any timeline. His circumstances stay the same.

Every bad decision Great makes, he still makes in his fanfic timeline. But he gets a chance to change it. He's forced to look at his own inactions and the consequences. He's not getting away with his passiveness anymore.

Great's achilles' heel is not that he gets off on hurting and using people. That's not who he is. He doesn't crave his father's approval (like Korn does), he doesn't want people to obey him and hurt them (like Title does) and he's not interested in portraying a certain image (compared to his parents).

Great revealed his deepest desires to Thyme in his wishful timeline: He's just lonely. He just wants to be loved. He wants someone to see him.

And yes, he's definitely spoiled and he's a coward. His achilles' heel is his own cowardice, his inability to decide something for himself, to be ACTIVE and not just passively react to things and let other people decide FOR him. He excuses his own actions with his passiveness because that's just the way he was taught. (Korn said it in the last episode: He will do the dirty work and Great can just blissfully live like everything's fine.) He's deeply anxious, reckless and almost numb to things around him before he meets Thyme in his original timeline.

He just accepts things for the way they are. And because he's surrounded by awful people, he became awful himself.

But original!Thyme miscalculated Great. Because Thyme himself is a morally grey person and hurts the people around him for his own gain (regardless of his motivations being right or wrong). He saw Great as a tool, as someone to use. He was too wrapped up in his own mission, his obsession with getting justice that he wasn't able to see Great for who he could potentially be: A person to love.

They could've been each other's salvation but instead become each other's tragedy.

Isn't that so sad? Thyme used Great and preyed on him. In the original timeline they maybe had like...what....one hour of genuine connection?

And yet – in his dying moment Great still wants Thyme. Still wants to be loved by him. Even in his dying moment Great wishes for them to be each other's haven.

[charmedreincarnation]

When I say that this journey is real, and our struggles are not in vain, I am shouting it from the rooftops. A month ago, I woke up with my dream life. Obsessed with the "void state", I woke up one day being the same person but with an entirely new life. All because I chose it.

Your efforts aren't going unnoticed. The universe is always on your side. You are the universe. It's been a month, and I still feel overwhelmed with joy and wonder every single day.

I was once poor and battling depression, a reality many can relate to. But we found the law because we knew we deserved more. You can be ordinary, flawed, even unkind, but you can choose to transform and have it all. And I did just that. My parents, who were illegal immigrants working underpaid jobs, are now wealthy and respected figures. My last name alone garners recognition, and I am a socialite earning money just by being me.

I used to live in an attic infested with cockroaches. Now, I reside in a four-story mansion, complete with exotic cars, house help, cooks, drivers - all treated and compensated fairly. We also own three other houses across the United States.

I was once insecure, severely underweight, and bullied. Today, not only am I stunningly beautiful, but I am also praised for my fashion sense. I was once a dull person, but now I am radiant with positivity.

I attended an underfunded school where I was bullied, and teachers lacked resources to intervene. Now, I study at a prestigious private school that assures my entry into an Ivy League university. Finally, I am respected and appreciated.

I was lonely and uninteresting. Now, I am vibrant with a close-knit group of friends and a man who seems straight out of a Wattpad story. He's perfect, and he's mine.

This transformation happened overnight. And I've been on this journey since 2020. But how??? I surrendered to my imagination!

The void was overwhelming, but now I can easily navigate it. I was tired of giving my power away. So, I gave in to myself, to my dreams. I knew I deserved it. Even if I didn't believe it at times, I made the choice. If you desire something, it's already yours. It's done.

I didn't have a list or anything of my desires, just a vision of happiness. I didn't know what it looked like, but I knew how it felt. Now, I embody that feeling every day. My life is a series of plot twists. It's not perfect, but my worst days now are what I once prayed for. That old life? POOF It's gone. All I have is now, and I'm living it to the fullest.

My advice?

Stop seeking proof. If you're looking for proof, you'll never manifest your dreams because the only thing that needs to change is self. Doubt is a reflection of your disbelief in yourself. When I surrendered to my imagination, it didn't matter who was lying or telling the truth, because I had my truth. The burden of proof lies within you. It's called the law of assumption. You might harbor some doubt, but you must have faith like the devout. They believe without proof. You can too! We all can! Believe in yourself, and the universe will conspire in your favor!!!!

I agree! Your words resonated with me a lot. Faith, particularly self-faith, is such an important tool in shaping our realities. The ability to trust ourselves, our desires, and our potential is essential in manifesting our dream life, and it’s only so beautiful to slowly see yourself give yourself all your trust when you’ve never even liked yourself.

You're spot on about the issue of seeking confirmation from others. It's an unnecessary hurdle that we give ourselves but it’s human nature. Our truths and dreams should not be validated by anyone else but us. As you said, why should it matter if someone lied or told the truth? We are the creators of our own lives and thus, the only validation we need comes from within.

And I wholeheartedly agree with your point about deservingness. We don't have to earn our desires or prove ourselves worthy of them. If we want something, that desire alone makes us deserving of it.

More importantly I am very proud and happy for you !!!! You’re a testament of what our own imagination can do for us and I hope you only keep getting happier and happier <3!!!!

[lizardkingeliot]

I took a ton of notes during my rewatch of 2x07 just now but the thing I kept coming back to again and again was Armand's framing of the entire narrative and how it plays with truth vs lies in such an insidious way it's honestly brilliant in its cruelty. Truth being used as a cudgel not only against Louis, but against Lestat as well. And against, us, the viewers at home.

We obviously all know Armand is a very powerful 500 year old vampire who is not going to be held back by an infant of a vampire like Santiago. Like… Armand. Babe. Let’s get real. But that’s the narrative set-up. The coven, now being led by Santiago, has Armand captive behind his little rickety baby gate with Sam and his prop weapon not letting the puppy come out to play. He cannot prevent it! Poor baby. Someone get him a juice box and a snack.

Enter Lestat. The vengeful lover come to make Louis and Claudia pay for what they did to him. What's interesting here is that everyone—Daniel, Louis, Armand—acknowledges in Dubai that the trial IS a sham from the beginning. A tool to allow Lestat his revenge. But the truth of why it's actually a sham is being hidden behind a thousand layers of gaslighting and deceit by Armand. Lestat is merely another prop on the stage. Being forced to use the TRUTH of his love story with Louis—and to twist essential elements of their beginning as a couple—as a weapon to drive the final wedge between them so that Armand might have Louis all to himself. That's what this is about. A farce so that Armand might have what he wants more than anything in the world. Someone who will be with him always. Without Claudia, without Lestat... who else is there for Louis to run to?

The trial as we see it is told mostly through Louis' POV. It seems to be a true picture of how it all happened but the cognitive dissonance watching him try to reconcile what Lestat was doing on the stage with the framing provided by Armand (who cuts in frequently to assure us that Lestat shapes things to suit HIS narrative) is painful. Louis sees and feels and hears the sincerity of Lestat. A Lestat who is defiant from the jump and refuses to paint the story as butchery. It's about LOVE. It is always always always about the love. An entire sham trial about vengeance and murder framed around... love.

Everyone who's familiar with the books already knows Lestat didn't want to be there. I won't go into that too much but the show did a good job of showing us just how unwell Lestat was during the entire process. But there are also some really interesting moments where we are TOLD explicitly through Louis' recounting of the events that Lestat was not actually there for revenge. Namely, the moment when Lestat says HE deserves to be punished alongside them. These are not the words of someone who is seeking vengeance. These are the words of someone desperately rattling the bars of his own cage trying everything he can to prevent what's happening. Because unlike a certain someone, in that moment Lestat is quite literally unable to prevent it!

The entire episode is Louis trying to reconcile the conflicting truths that exist inside him: that Lestat was there for revenge, that Armand couldn't prevent the coven from exacting their cruelty, and that the Lestat who was on stage WAS sincere and emotional and fighting with everything he had to let the truth ring as true as it was when he was able. He refused to refer to Louis as the accused every time Santiago insisted on it. He would only refer to Louis by name. He would NOT allow the narrative to frame him as someone who didn't also do monstrous things to his lover. He was weeping and flooded with shame. Sincerely, genuinely remorseful for the awful thing he had done to Louis.

There's also something else here about Lestat acknowledging he tried to crush what he could not own vs Armand deceiving Louis into the false sense of control that is the entire basis for their relationship. Owning something he does not crush, merely confines. He's not crushing Louis with insanity, he's locking him inside his prison of empathy. He quite literally has Louis locked in a cage while allowing him to believe he's truly free. Free from the insanity of Lestat. Evil, vengeful, gaslighting Lestat who only uses the truth to shape the narrative for himself.

There's a lot more going on here. I can't possibly get it all out of my brain right now and I imagine I'm going to be picking apart the nuances for a while. There are so many layers. The truth vs lies vs intentional reshaping of the truth of it all. But if you rewatch, pay attention to Armand's face, the score that accompanies his recounting of events, the passive way in which he holds his body in both Paris and Dubai. He's locking Louis in a dream world where the truth is present in such a way it only serves to amplify its own distortion. I don't even think he's fucking with Louis' memory all that much, just framing it in such a way that Louis cannot see past what is right there in front of him. What he already knows. If only he had just a few more tiny pieces of the puzzle...

But he's trying to get there. He is getting there. The truth of Lestat is breaking though. Lestat is still present there with him in Dubai, as real as if he were really in the room. After 74 years, Louis can still recall every detail of his face, still smile at him recalling the truth of his memories. The truth he wouldn't allow himself to look at all the way. The truth he himself had to distort for his own sake because it hurt too much. He's allowing himself to see not only the truth of himself and his own actions, but the truth of Lestat. All the complicated, sincere truth of him. The truth of the one who truly could not prevent it.

[drdemonprince]

I don't think I have it in me to be an abolitionist because I read that horrible story about the trans teen murdered in South Carolina and my knee jerk reaction is, those people should rot in jail, ideally forever, or worse. No matter how I look at it I can't make myself okay with the idea that you should be allowed to steal someone's life in such a horrible way and then just go back to enjoying your life. Some stuff is just too over the top evil.

You can have whatever emotions you want about that person's murderous actions, but the reality is that the carceral justice system is one of the largest sources of physical, emotional, and sexual torment for transgender people on this planet.

Transgender people are ten times more likely to be assaulted by a fellow inmate and five times more likely to be assaulted by a corrections officer, according to a National Center for Transgender Equality Report.

Within the prison system, transgender people are frequently denied gender-affirming medical care, and housed in populations that do not match their identity, which increases their odds of being beaten and sexually assaulted.

The alternative to being incorrectly housed with the wrong gendered population is that transgender people are also frequently held in solitary confinement instead, often for far longer periods on average than their non-transgender peers, contributing to them experiencing suicide ideation, self harm, acute physiological distress, a shrunk hippocampus, muscculoskeletal pain, chronic condition flare-ups, heart disease, reduced muscle tone, and numerous other proven effects of solitary confinement.

The prison system is also one of the largest sites of completely unmitigated COVID spread, among other illnesses, with over 640,000 cases being directly linked to prison exposure, according to the COVID prison project.

We know that number is rampantly under-estimated because prisoners, especially trans ones, are frequently denied medical care. And even basic, essential physical care. Just last year a 27-year-old Black man named Lason Butler was found dead in his cell, having perished of dehydration. He had been kept in a cell without running water for two weeks, where he rapidly lost 40 pounds before perishing. His body was covered in rat bites.

This kind of treatment is unacceptable for anyone, no matter who they are and what they have done, and I shouldn't have to explicitly connect the dots for you, but I will. One in six transgender people has been to prison, according to Lambda Legal. One in every TWO Black transgender people has been to prison. One in five Black men go to prison in America.

THIS is the fate you are consigning all these people to when you say that prisons must exist because there are really really bad people out in the world. We should all know by not that this is not how the carceral justice system works. Hate crime laws are under-utilized, according to Pro Publica, and result in few convictions. The people who commit transphobic acts of violence tend to be given softer sentences than the prisoners who resemble their victims.

We must always remember that the violent tools of the prison system will be used not against the people that we personally consider to be the most "deserving" of punishment, but rather against whomever the state considers to be its enemy or to be a disposable person.

You are not in control of the prison system and you cannot ensure it will be benevolent. You are not the police, the judge, the jury, or the corrections officers. By and large, the people who are in these roles are racist, transphobic, ableist, and victim-blaming, and they will use the power and violence of the system to terrorize people in poverty, Black people, trans people, "mad" people, intellectually disabled people, women, and everyone else that you might wish to protect from harm with a system of "punishment." Nevermind that incaraceration doesn't prevent future harm anyway.

You can't argue for incarceration as the tool of your revenge fantasies, you have to argue for it as the tool that it actually is. The purpose of a system is what it does. And the prison system's purpose has never been to protect or avenge vulnerable trans people. It has always been to beat them, sexually assault them, forcibly detransition them, render them unemployable, disconnect them from all community, neglect them, and unperson them.

[rivkae-winters]

Edit: the app launched and Is down- I have the initial apology video in a post here and I’m working on getting a full archive of their TikTok up ASAP. I’m letting the rest of this post remain since I do still stand by most of it and also don’t like altering things already in circulation.

Warning for criticism and what I’d consider some harsh to outright mean words:

So I’ve just been made aware of the project known of as ‘lore.fm’ and I’m not a fan for multiple reasons. For one this ‘accessibility’ tool complicates the process of essentially just using a screen reader (something native to all I phones specifically because this is a proposed IOS app) in utterly needless and inaccessible ways. From what I have been seeing on Reddit they have been shielding themselves (or fans of the project have been defending them) with this claim of being an accessibility tool as well to which is infuriating for so many reasons.

I plan to make a longer post explaining why this is a terrible idea later but I’ll keep it short for tonight with my main three criticisms and a few extras:

1. Your service requires people to copy a url for a fic then open your app then paste it into your app and click a button then wait for your audio to be prepared to use. This is needlessly complicating a process that exists on IOS already and can be done IN BROWSER using an overlay that you can fully control the placement of.

2. This is potentially killing your own fandom if it catches on with the proposed target market of xreader smut enjoyers because of only needing the link as mentioned above. You don’t have to open a fic to get a link this the author may potentially not even get any hits much less any other feedback. At least when you download a pdf you leave a hit: the download button is on the page with the fic for a reason. Fandom is a self sustaining eco system and many authors get discouraged and post less/even stop writing all together if they get low interaction.

3. Maybe we shouldn’t put something marketed as turning smut fanfic into audio books on the IOS App Store right now. Maybe with KOSA that’s a bad idea? Just maybe? Sarcasm aside we could see fan fiction be under even more legal threat if minors use this to listen to the content we know they all consume via sites like ao3 (even if we ask them not to) and are caught with it. Auditory content has historically been considered much more obscene/inappropriate than written content: this is a recipe for a disaster and more internet regulations we are trying to avoid.

I also have many issues with the fact that this is obviously redistributing fanfiction (thus violating the copyright we hold over our words and our plots) and removing control the author should have over their content and digital footprint. Then there is the fact that even though the creator on TikTok SAYS you can email to have your fic ‘excluded’ based on the way the demo works (pasting a link) I’m gonna assume that’s just to cover her ass/is utter bullshit. I know that’s harsh but if it walks like a duck and quacks like a duck it’s probably a duck.

I am all for women in stem- I’ve BEEN a woman in Stem- but this is not a cool girl boss moment. This is someone naive enough to think this will go over well at best or many other things (security risks especially) at worst.

In conclusion for tonight: I hope this person is a troll but there is enough hype and enough paid for web domains that I don’t think that’s the case. There are a litany of reasons every fanfic reader and writer should be against something like this existing and I’ll outline them all in several other posts later.

Do not email their opt out email address there is no saying what is actually happening with that data and it is simply not worth the risks it could bring up. I hate treating seemingly well meaning people like potential cyber criminals but I’ve seen enough shit by now that it’s better to be safe than sorry. You’re much safer just locking all your fics to account only. I haven’t yet but I may in the future if that is the only option.

If anyone wants a screen reader tutorial and a walk through of my free favorites as well as the native IOS screen reader I can post that later as well. Sorry for the heavy content I know it’s not my normal fare.

[little-alien-duck]

thinking about voyager inside jokes. I went on a backpacking trip for five days years ago and by the time we left the trail we had essentially invented a new dialect composed entirely of like 87 different inside jokes funny to us and no one else and these ppl are on one ship for seven years and you KNOW they've got bizarre terminology for EVERYTHING. tom paris makes some dumb joke on the bridge and it spreads through the ship like wildfire until even janeway says it without thinking. in engineering they've got silly nicknames for every tool imaginable and the decks with crew quarters definitely have names like neighborhoods based on the vibes of the crew members there. when that backpacking trip I mentioned was over we tried to explain one of the jokes to someone else and she just went "you all need to talk to other people" and that's it exactly

[hothammies]

the party leader, mike wheeler - apoc au character details + poll under the cut!

---

mike's role in the party:

a scouter - essentially plans runs, checks areas first to ensure safety, and directs the runners during supply runs

assigns basic survival chores at the beginning of each day (laundry, boiling water, patrol, hunting, etc.)

is the "face" of the party -> always the one to negotiate with people of other groups

even though the party likes to give him shit for being kind of rude and bossy about how he talks to them in "leader" mode - they always hang onto his every word! they love and respect him deeply

kind of like a tired dad whenever he's not fighting with someone else -> basically watches over everyone to make sure they're okay

would never hesitate to do something deplorable to protect the party: family first

skills + hobbies:

considered the designated driver (along with max): nancy taught him when he was younger. he was scared about being useless due to his inability to shoot and aim guns so nancy helped him find something useful. max teaches him how to drive manual so that he can drive her muscle car (its how they get over their distaste for each other)

writes an entry in a journal that he stole every day! he lets will doodle in the margins of the paper :)

loves to read whatever's around - particularly interested in history, sci-fi, and old journals from people before the apocalypse (reads them with dustin and el -> they are nosy as hell and live for the drama)

great at using machetes and hatchets -> do NOT let this boy shoot a gun. he will accidentally hurt you and himself

good at fixing up guns and navigating - lucas (guns) and dustin (navigating) taught him :D

quirks / fun facts:

he likes to switch around the pins on his jacket a lot! the party find pins around to give to him (range from terrible to wearable)

since he's the only boy that likes to tie up his hair, max and el like to doll up and play around with his hair during their downtime

is very annoying and particular when it comes to doing survival chores (out of love) -> makes sure that the chores are divided equally among all of them and that no one gets the same chores twice in a row

--- other notes: mike was the first character i had in mind when thinking about this au (no surprise there) and the drawing of him sitting cross legged with a machete in his hand was the first ever "official" drawing i made for this :D i tried to make apoc mike similar to canon mike in terms of his temperament, his hero complex, his self-sacrificial tendencies, his inability to appropriately process his romantic feelings, his natural leadership and his personality. about mike's inability to use guns -> looking at mike's character dnd sheet, his dexterity is low and s1 mike wheeler cannot aim for shit either (see his rock throw). the reason he's most comfortable with machetes (and hatchets) is because of their versatility as both weapons and tools! just wanted to share because i think mike needed a nerf and him not being able to shoot guns is both in character and funny as hell to me i've had mike and will's char sheets done for a while and i really love the way they look :) i'm excited to post will's next! i'm working on the character sheets in batches of two, so which duo are yall most interested to see next? i'll work on them based on the poll results and post them next week at the earliest :) i'll prob also try out some concept designs for the demogorgon-like zombies sometime soon as well!

[xavieryaa]

The Reddit Blackout, #196, And Being New to Tumblr

okay i've seen a lot of people in the past ~24 hours or so confused by everything going on with Reddit & Tumblr from both sides - people new to tumblr who don't know how to use it, and tumblr users who don't know what's going on with reddit and why many of its users have joined up here i know this isn't really related to my blog but fun fact about me: i was up until recently a very active reddit user and even mod a subreddit, but I've also been on tumblr for about 3 years now on different accounts, so I think I can see pretty well from both sides of this and explain what's going on this post will be split in 2 sections: what happened with reddit (and what #196 means), and a guide for new users

1. What The Hell Is Going On With Reddit?

The thing that's caused all this ruckus is a major change to Reddit's API, which is what Reddit provides to people so they can pull directly from Reddit to make third-party apps or tools.

The change is that Reddit is changing its previously free API to be paid. Which on its own kinda sucks for developers, but it's not unexpected. They need to make money somehow, right?

The problem is that the API pricing is WAY TOO FUCKING EXPENSIVE. The developer of the most popular 3rd party Reddit app, Apollo, says it will cost him $20 million a year to continue running the app as normal.

Essentially, this pricing forces almost everything third-party to shut down, which causes 3 major problems:

Third-party apps cannot keep running, which sucks for normal users because Reddit's official app is awful. It's slow, its video player is a thing of nightmares, it doesn't have many useful features third-party developers have made.

It sucks even more for visually impaired users because they can't use the official Reddit app at all. Reddit's official app does not work with iOS's native text-to-speech function. Third party apps, on the other hand, often do. So Reddit is forcing blind users away.

Third-party moderator tools cannot keep running, which sucks for moderators because many rely on these tools to properly moderate their subreddits. And moderators are often necessary, because without them subreddits get banned and hate speech and even CSA can often run rampant.

So you see why this change is bad.

Reddit users were PISSED.

So over the past week and a half or so, they have been working on organizing a site-wide blackout. The majority of the most active subreddits have now gone private. Some are only doing it for 48 hours, others (such as r/196) are doing it indefinitely.

That's why you can't access most of Reddit right now, and that's why many users have come here.

You're probably still wondering, though - what is this #196?

Well, as you may guess, it's connected to that subreddit r/196 I just mentioned. r/196 is a subreddit which only has one rule: every time you visit, you must post before you leave.

That's it, that's the subreddit.

The thing about r/196 that set it apart from most other subreddits - and what lends the subreddit's users perfectly to Tumblr - is that it was dominated by queer and leftist users.

So now they've come here and set up shop in #196 and r/196 so they can continue their merry little shitposting.

There's a ton of lore related to r/196, actually, but this is already a long tumblr post and quite frankly I cannot be bothered to write about it at the moment.

2. I'm Here From Reddit, What Now?

Hello there, random new user. As a double-citizen of Reddit and Tumblr, let me show you around this place.

First off, there are some other people who are better at explaining that I am who have made some really helpful things. Watch this Strange Aeons video as a guide to Tumblr culture and functionality and read this post which directly compares Reddit and Tumblr.

Assuming you've done that, here's some additional advice of my own:

Do you miss sorting subreddits by top of all time/the year/the month? Well, you can do something very similar with tags! If you go to a tag at the top of the screen you can select top, and then at the dropdown that says "all time" you can select different time periods! Even 6 months, which Reddit hasn't ever had.

Tumblr has a lot of cool customization features! Even outside your icon/banner/bio, you can change you blog colors and on desktop you can have an html theme (which has its own thriving community here). That customization is part of what sets Tumblr apart from everywhere else - I think you'll enjoy playing with it.

Notes will probably confuse you at first. Unlike the different numbers for upvotes and comments, notes combines the total number of likes, reblogs, and replies into the same number.

Outside of organizing your own blog, when making your own posts tags are what help other people find your post. Use them! But don't abuse them, because then people will just block you.

There are three ways of people finding your post: if someone follows you, if someone follows the tag(s) assigned to your post, and if someone is just scrolling through the tag(s) assigned to your post (and also the secret 4th way no one uses, which is finding it on the trending page, but even if people did use it no one will find your post initially that way)

tumblr is no longer The Discourse Website. And unlike what Reddit wants you to believe for some reason, it is very much alive still. Most of the people seeking fights have moved to Twitter (though some have also moved back here again). You will not get any brownie points for being a dipshit like you do on some subreddits.

So there, welcome to the hellsite (affectionate), you'll pick up on all the in-jokes eventually, for now just try not to be a nuisance and soon enough this'll be your new internet home.

[mahasenelkhatib]

Help Mahasen, a Digital Artist from Gaza and Her Family!

Hello, I am Mahasen,a Digital Artist from North Gaza, where creativity thrives despite challenges. Verified by @90-ghost here

PLEASE DONATE HERE

In this tough situation, I am a digital artist finding solace and resilience through my art .. pixels and colors.

For over a decade, I've navigated the freelance world, weaving intricate digital tapestries that reflect the beauty and strength of my surroundings.

My father died, and I am the main provider for my family.

Before the war, I worked with international companies in motion graphics,

specializing in character design and storyboarding.

The conflict forced us into repeated evacuations, and our home suffered damage, including the theft and destruction of my essential art equipment and tablet. Each stolen piece held not just monetary value but years of dedication and creativity and hard work. We are left HOMELESS, UNSAFE, SICK with VERY LITTLE FINANCIAL SECURITY!

Our family consists of:

• My mother, 62 years old.

• My sister Mai, 35 years old, who is also visually impaired.

• Myself,Mahasen, 31 years old.

• My brother Mohammed, 28 years old, who is visually impaired.

• My brother's wife Iman, 28 years old.

• My youngest brother Amin, 21 years old.

Your support is crucial as I rebuild what was lost. Your contribution will help replace my tools and restore hope and creativity. And mainly for my family's safety, ability to survive the current situation and community.

Together, we can affirm that art is more than expression,

it is a lifeline that connects us and enlighten even the darkest moments.

Expenses Needed:

• Travel arrangements to Egypt ( $5000 per person ) for 6 family members.

• Living expenses to survive the current situation in Gaza.

• Buying art equipment and tablet to recover what I've lost and be able to work again.

• Living and transportation expenses during the initial period of travel.

• Food and medical expenses.

Every donation counts! Your support makes a real difference for my family and me.

Please consider contributing and sharing to help us.

Please Help Share AND Donate

My Socials: @MahasenAlkhatib Instagram here X here Facebook here