#that was incredible but this was better

[emometalhead]

AFTERSHOCK DAY ONE WAS UNREAL. I MET GRANDSON!!!!!!!!! HE HUGGED ME AND HELD MY PHONE TO TAKE A PICTURE WITH ME!!!!!!!!

[sharpjay217]

New Wels post, with context.

[dustykneed]

survival is an act of rebellion. jim loves you SO MUCH. i hope this finds all of us who need it today. please stay alive so we can make it out together. sending so much love and strength

[framblebee]

INTERVIEW WITH THE VAMPIRE 1x2 After the Phantoms of Your Former Self

—You should just throw me in the incinerator, make another one. —Hm. And what a waste that would be.

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[tawnysoup]

HAPPY 1ST ANNIVERSARY TO IN STARS AND TIME!!!

To celebrate, here's a frankly MASSIVE collection of unfinished and/or unposted fanart from over the past year that I've made, starting from all the way back when i first played the game in December last year <3

A whole year in sketches! Maybe you can see how my style changed over time? Tysm if you looked at all that, it means a lot that you enjoyed the art I was too shy to upload on its own!

And thank you everyone for such a spectacular year!!! I've loved meeting you all and getting to reignite my creative spark! What an incredible game and fandom!

[bemp0]

Unfinished Lae'zel and her (youngling?) red dragon

[bluegiragi]

present(ing)

full version on patreon

[thewistlingbadger]

Season 1 put such a heavy emphasis on the idea that Jinx and Silco were family. We saw them hug each other, we saw silco cradle her as a little girl, we saw her climb in his lap like she was a little girl, we saw silco kiss her forehead, and not only did we see all of this physical behavior, we also had tons of dialogue that backed up this theme.

"Who, Jinx? She works for him. She's like his daughter."

"Let's just say I didn't always see eye to eye with my old man. She'll come to you when she's ready."

"This is for your own sanity. I once had a daughter."

"fear haunts us all, child."

"Is there anything so undoing as a daughter?"

"You're my daughter Jinx, I'll never forsake you."

So clearly season 1 wants us to know that Jinx is Silco's daughter and Silco is Jinx's father. So why was this completely abandoned in season two? In season two, NO ONE refers to jinx as Silco's daughter, Jinx herself NEVER refers to herself as his daughter, and she never refers to HIM as her dad. No no on the contrary, when Vander comes back she's calling him dad left right and center despite the fact that she never called Vander dad when she was little, when he was still alive. This is so odd to me because I'm fairly sure that Jinx spent more time with Silco than she did Vander.

[aslyran]

Visions

[semageon]

listen if I sneak into Mob with a big trenchcoat and stuff them all into my pockets I can give them all happier endings-

[xxplastic-cubexx]

personal happiness or what the fuck ever

bonus:

[egophiliac]

LET THE BOY HAVE AN EDUCATION

officially at the point where we're starting to see where it's all headed and I am just going NYEEHEEHEE in delight at it all. ahhh...next week can't come soon enough...

[cursedshrines]

of course the show that is fundamentally centered around two sisters and their tragedies becomes centered around men and said sisters are sidelined and their arcs are pushed to the sidelines and all the phenomenal care that went into their characters went down the drain. ​one’s arc is literally “the traumatized / mentally unwell character’s happy ending is committing suicide because they are simply too broken to heal and be happy” trope, and her mental instability is forgotten. the other is reduced to a mere plot device, has no agency of her own, and her trauma and anger is treated like a complete and utter joke for the sake of a shitty ship, and because the writers literally, point blank, were bored with her. it’s so sad because the tragedy of these sisters is so utterly devastating, so encompassing and so intricately woven into the narrative. but make it about two men i suppose?

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[1999ruth]

“ YOU'RE TRICK OR SOMETHING, GGY! ” 🐺🐰✨

The dark of night is evil by necessity? Yep, of course.

Along with Roxanne Wolf and Cassie's night of dark by @chloesimaginationthings post :

FOR STRANGE‼️

FuckFun a forever.