#that said they really did have some cool worldbuilding with the robots

[screamingay]

listening to the wall-e director's commentary and i absolutely adore the connection they made between the plant and love both finding their way back to earth at the same time.. wall-e finds the little plant just before eve comes down and finds him, and that's not a coincidence!! the plant was meant to represent life persevering post-humanity and wall-e & eve's relationship represents love persevering post-humanity too!!! the idea that the things we create will still have the capacity to learn and grow and even love long after we've left them behind!!! and that life will always find a way!!!!!!

[whetstonefires]

So the thing with the Matrix for me, right, was I could never get past the assertion that the motivation for keeping humans alive was as a power source.

That pinged as so so stupid, and was presented so late and half-heartedly, that I could not understand it as a sincere part of the premise. Like. We're told very dramatically and pretty early that the world was mostly destroyed by humans 'scourging the skies' to block off all solar radiation in the effort to shut down the solar powered robots, evidently forgetting that all life on Earth is solar-powered also. Too comedically dumb to be really tragic imo.

So to pivot from the premise 'there is no life on earth, other than human beings, because the sun is gone' to 'the humans were kept alive as batteries' is an impossibility for me. Our ludicrous mammalian bodies, incredibly inefficient engines entirely reliant on continuous indirect consumption of solar energy to even survive, were somehow yielding a net output? Not only that, but one superior to nuclear or geothermal???? Bullshit.

I mean. Bull. Shit. I cannot. We just underlined in the backstory how all life on earth relies on the sun! Because life is expensive just to maintain and requires constant external energy input! We get milk from cows by keeping them alive, but that's because they turn the grass energy into something easier for us to process; no such mechanism is proposed for humans consuming dead humans and somehow producing a form of energy more useful to the Machines than just waiting for the corpses to dry out and then burning them to run a goddamn boiler.

This makes the direct opposite of sense.

It had to be in-universe propaganda, right? Another layer of the deception? It couldn't be the real reason. It was too implausible. Which meant I was still waiting to find out why the machines were really bothering with humanity and the Matrix.

I would have accepted without quibble the revelation that humans have special psychic energy that the machines were harvesting; that's dumb but in a comfortable, comprehensible, and above all internally consistent sci-fi kind of way.

I would have been quite open to the idea that the machines relied on human consciousness for their own development to true sapience, and the Matrix was primarily an AI nursery with the enmeshed human brains providing complex inputs, that one's actually cool.

There are a lot of explanations out there aside from the dumb official one, or the Occam's Razor one where they were just keeping some humans alive out of sentimentality! I'm really not that picky!

So anyway I never managed to emotionally engage with the Matrix films well because I had this unresolved 'motives of primary antagonist??? cause of fundamental scenario??????' thing making most of the actual plot twist and drama feel kind of boring.

My sister maintains that this is something wrong with me, that I'm refusing to suspend my disbelief and engage correctly with the text, and this constitutes a hostile, bad-faith and therefore illegitimate reading.

(She hasn't actually said this last part and I'd respect her position more if she did, but this seems to be the broad thrust of her emotional position when she starts shouting.)

I maintain that if a central plank of your sci-fi premise relies on going 'fuck the basic principles of thermodynamics and biology this is a vibes-based system' you should be very careful to avoid invoking the relationship between basic thermodynamics and biology in your core worldbuilding.

[scarletooyoroi]

Alright! S'been a hot minute the AQ and it's been properly digested so to speak. Under the cut I want to go over a different spin of content in the overview, mainly what I feel like were worldbuilding plot points that met odd ends.

Naturally will have some touch of spoilers for those not caught up.

The first thing I want to dive on is the issues that we were teased about Fontaine having.

First example being.

This was one starting example, but there was a few more NPCs and Liben's accounts that told of Fontaine's infrastructure. Now we could angle this as these researchers thinking extremely long term, yet, the realm of Fontaine itself never gives any visual or quest based storytelling of this account. If anything, there seems to be a craze trend with both robotics and the issues regarding the primordial sea.

To me that always just scratched the thought of this being a storybeat that ultimately needs attention. That said, we've virtually got none of that in response. The initial energy issues weren't even an issue as the newly established power source of Indemnitium (which we've never seen even be USED for the town, only Pneuma/Ousia has been utilized) didn't have no concerns what so ever. On top of that, we've learned from Focalors that a mere, minuscule fraction alone was enough to power Fontaine.

So okay, cool, with the granted direction and it's eventual demise, even though it's come at the VERY end of the AQ, that could lead to some future Fontaine stories for this route, right?

Well, no, for again the potential energy issue that needs to be regulated is then magically hoisted up by Nevuilette's hand. His Hydro authority granted him immediate generation, upkeep and control of Pneuma/Ousia energies. Which I mean.. is fine. That said, what to make of all the prior region teasing? Why are the humans there even bothering when technically, there should be no signs of downfall to warrant this concern? As it looks we've seen no measure of heavy pollution at all there either.

In return it gave me the impression that Fontaine's environment might've had a vastly different outlook before. Moreso a deeper look into aspects of pollution, purity and having to make good on caring for the land.

Sliding over to the next!

Another aspect of Fontaine it felt like we were going to get depth in was this, how there was this supposed shadow war between new and old generation Oceanids. Egerias idea of love and unity, Focalor's..??? We never really learned what she did to warrant this distaste, since her plan was moreso focused on just getting the Heavenly Principle's plan situated. Did the Oceanids even know about her existence? Was the distaste aimed at Furina?

There's also the new generation Oceanids in question. Was it the Hydro Phantasms that warranted this issue, or was it the Oceanids that followed the desires in becoming human? The latter feels difficult in being the case as we've seen no rhyme, reason or sign of Oceanid humanity even bothering with them, it's all in their own lives.

While the Hydro Phantasms can still be up for contention, we've rarely met any of them focused on this task. They're either wild spirits or in cases of the Veluriyam mirage, phantasms that wanted to keep the wishes of travelers there alive.

Being a longer time player, this is where many of the storytelling issues didn't end up-- bad (at least too bad to me), rather, it's a really weird note of them just shuffling some past ideas under the rug and calling it a day. I honestly don't think we're going to find any ground on them, given the gradual changes of their story overtime.

These were the big two about Fontaine that I really needed to get out there. With themes such as 'Purity' being a key part of it's story, this felt really weird to just topple on the wayside like this. Instead, it looks like it switched Egeria's sin of human creation instead.

Have you noticed any particulars yourself? Stuff like this fascinates me so I'd love to hear it.

damn you really out here readin' a lot.

[thescrapbookingscientist]

Bimonthly Media Roundup

- Kaiju No 8 (Anime) - Binged this on a whim and honestly it was a lot more wholesome and engaging than I thought it would be? I like that the majority of the characters are adults and act like it, people were pretty reasonable in how they approached issues and the team building aspect was very cute. I like the protags Kaiju form though given the weird body transformations we saw he was capable of I wish he would do something more interesting in fights than just punching really hard. Then again the fights clearly aren't the focus of the series and just serve the purpose of cooperation/character building which I guess is fine. The way the characters quip at eachother was pretty fun, I'd say the whole cast was likable though not super well developed at this point given how many we were given in just the first season. Shinomiya and Hoshina were the standouts given they had interesting designs, personalities, and fighting styles. The pacing was a little quick but it did mean that interesting things were always happening so I can't complain too much, though personally I think it's a missed opportunity that they moved away from the "Kaiju clean up job" as that some pretty interesting worldbuilding, even if they did keep Kafka's experience relevant. Honestly I'd recommend it, this was a good time - Will be watching Season 2 for sure.

- Pluto (Anime) - Pluto was an interesting little mini series about a murder mystery surrounding the deaths of the worlds most advanced AI. It was overall pretty good, it had a really solid middle chunk where tension was kept high, it never underestimated it's audience and trusted them to put pieces together, and characters felt very grounded and human. The ending was a little messy though, as certain plot beats felt pretty out of place for what was otherwise a very tightly written anti-war story. I don't really feel like talking about it beyond that as I don't have any interesting input, sometimes you just watch something and go. Yup that was good, I agree with it's themes. And that's the whole of it. Gesicht was cool, I feel bad for the little baby robot, I have no idea why sensing emotions is considered a robot ability, and the piano saga in episode One was probably my favorite single arc of the show.

- Why Raeliana Ended Up at the Dukes Mansion (Anime) - Didn't really have another entry for this week so I guess I'll mention this anime that my sister and I dropped pretty early on. I like the Villain/Villainess genre as a whole given it frequently uses one of my favorite tropes of "Using knowledge of the future to change the present for the better" as well as the "having to work your way up from the bottom" trope, but I've read enough to be a bit picky about the ones I keep up with and unfortunately Raelina didn't end up grabbing me, at least not in the first 5 episodes. I like the art style and the protagonists design overall as well as the idea of her being the first death to kick off a mystery novel rather than the standard dating sim plotline, but my main issue was just how un-interesting the plot, characters, and interactions have been thus far. The love interest especially seems very 'cookie cutter snarky pretty boy shoujo male' and I can't remember a single notable interaction or anything that stood out as being a memorable visual or interesting lore or anything, it was just kind of boring.

- Jujutsu Kaisen (Anime) - I know I said previously that this show is truly a mixed bag with a lot of glaring flaws, and I stand by that, but I'd be lying if I said that I haven't been obsessed with it for the past month. Yes the worldbuilding and combat system are wack, and the show too frequently takes a tell-don't show approach with relationships and plot beats, but there is some genuinely engaging stuff in here - The entire hidden inventory arc, the sisyphisian cycle of curses constantly reforming as long as human hatred exists, the idea of being a god being a deeply in humanizing experience, the good humored moments of levity when the characters actually get to hang out, it's not nothing. What I'm saying is I could fix it okay? Give Jujutsu Kaisen to me. Also I'm pretty sure I'm experiencing what the kids call gender envy whenever I see Suguru, I adore his design, I need to look like that. Also also, both of Season Two's OPs are straight bangers.

- To Your Eternity (Anime) - I'll talk more about this next time as we've barely scraped the surface, but for now I'll say this is a truly unique and emotional story that unfortunately has the worst auto generated subtitles ever. Like it's so bad it takes you out of the show. The OP gets translated as Pig Blood, Pig Blood, the phrases are usually incorrect, and the names get changed each time to things like Google or Pierre. Please crunchyroll why do you hate us.

- House (TV) - Ah yes my favorite anime, House MD. Decided to watch this in between anime binges, and as expected revisiting it is a mixed bag. The medical mysteries and overall format are still very well done, a lot of the clinic scenes are still pretty funny, the characters all play off eachother well, and in general it stays engaging throughout its run-time which I can't say for a lot of 45 minute TV episodes. That being said House as a character can be....a lot. It's fine to have asshole protagonists and I don't really prescribe to the idea that media has to contain only morally upright material or otherwise punish moral wrongdoing in the narrative, but as a viewer I'm uninterested in media where it feels like the writers are actively disdainful towards (usually liberal) ideas or groups of people and trying to scold them into accepting 'the correct' viewpoint and House as a show can occasionally toe that line. To be fair it's usually not too bad, the show depicts positive wlw relationships pretty early on, characters will rightfully call House out when he's being a dick, Cuddy is a fun character that gets to one up House occasionally, and while the writing can be pretentious it's not usually mean spirited. It's a good enough show in every other respect that I still find myself enjoying it, but I can see how the tired narrative of "obnoxious white guy is a rude jerk that can do whatever he wants without being fired because he's just that much smarter and better than everyone else" is a hard sell to new viewers in 2024.

- The S Classes That I Raised (Webcomic) - Been seeing some discourse around Riette and while I do get it, Must a woman always be "a good person" and "redeemed by the narrative"? Is it not enough to be a butch hottie who is also a Dragon? I support women's wrongs.

- One Piece (Manga) - 27 years of One Piece apparently. Maybe it will end on the 30th anniversary? We shall see.

- Genshin Impact (Video Game) - The origami Event world is cute, I love collecting the figures and the little dragon design. Also excited to get Kirara.

Listening To: Good Luck Babe by Chappell Roan, Two Birds by Regina Spektor, Espresso by Sabrina Carpenter, All In by 6FU, Crazy cover by Walk of the Earth, SPECIALZ by King Gnu, Ao No Sumika by Tatsuya Kitani, Princess of China by Coldplay, Lay All Your Love On Me by ABBA, Boys by Lizzo, Walking in Memphis by Marc Cohn, Jesus He Knows Me cover by Ghost, Tongues and Teeth by The Crane Wives

[ebachan]

Sonic Prime - Frame by Frame

Hi,

I've seen and now taken tons of frames from the newest Trailer. Some are just funny, but you'll notice "odd stuff" in some. So, let's dive right into them. Also, this will be a very long post ;-)

I don't mind the 4th wall breaking, but I wonder how often, or if it will be there. The opening looks like it could be trailer-exclusive.

It's just for a frame, but we can see Sonic and Shadow being knocked back. This means both are evenly matched regarding the raw power of their spin-dash/homing attack. Which is no surprise XD

It seems not all Badniks have a Flickie.

We can conclude, Dr. Eggman also cracked the Paradox Prism. Or the sparks were caused by the forceful removal. I wonder if we will learn why that stone exists, who created it, and why it was in Green Hills. There is definitely a lot of worldbuilding that can be explored.

It's hard to see, but I wonder if those letters are based on any existing language or inspired by games. It would be cool to find out those aren't random "words". Also, notice the red dot which is the ShatterPortal (Let's call it that ;-)).

I really love how we get to see "Mobians". And it seems we may get a decent amount of variants. Also, it begs the question if we will see more humans outside of Eggman. It would be the first time since Archie we would get humans and Mobians living together and not separately.

I can't help but think Sonic can't run as fast as he should. Could it be possible that he can run fast thanks to his shoes as suggested in old Genesis manuals? It would be probably too similar to Shadow, but given his shoes are all sparkly, it's possible. That could also explain why he needs new shoes and gloves per universe.

I really like how each mecha is different. Also, I think we have seen only 3 out of 5 in this trailer. Unless those two Eggmen have something different.

Basically except for the fully blue-haired one, everyone is based on the old concept art. I really wonder what individual quirks they have :-D Also one of them seems to have a visible tattoo that is quite big. You don't see that often :-D

I can't help but think Tails have both of his tails. Right behind him, you can see something like two tips. But it may be just one tail with a split end. Tails also may have those mechanical legs because he can't fly even with two tails, or to increase his combat potential. I can also see him being more cynical or sarcastic, showing he is less optimistic.

Terminator Amy, nothing else can be said XD I wonder if we will get a flashback of how she ended up like this. Also, it may be possible she is completely mute, giving her more Metal Sonic vibes.

Primal Flickies used to be huge :-D Also, Amy is a bit of a less cavehog in this case. I really love the use of leaves for clothing. Froggy is there too :-D And Tails is examining something in the background. This fox will always be the brainiac :-D

I just find it interesting, that Rouge's sword looks so different from the other two.

Only the best of the best pirates have hot-air ballons on their ship :-D Notice Amy in the background by the helm. Also, I love Knuckle's clothes here, and his dreadlocks got a small but cool makeover.

Did Sonic steal Knuckle's hat? XD Also, Big is there too. Now to find Froggy. (It would be way past cool if Froggy turned out to be a giant sea monster Big befriended XD)

These robots are exactly the same as in the Dystopia world! And they are in Pirate world now! That may mean a few things.

One of the Dystopia Eggmen is after Sonic, chasing him through the multiverse.

For some reason, the Eggman of each universe uses the same robots. Maybe because of the Paradox Prism.

There is another Eggman, that provides his robots to "lesser" Eggmen to control the Shatterverse.

Any other ideas?

Could there be a piece of Paradox Prism, that acts as a gateway to the ShatterVoid? I wonder if anybody else can use it to hop between dimensions?

There seem to be Knuckles under the ship. It can be a flashback or an outcome of the battle with the robots.

It seems Sonic is deep in thought and realizing what mess he had made. It's refreshing to see him being so serious. I wonder if this moment is in the first episode where he decides to stand against The Council and fix everything. Not that he wouldn't want before, but this isn't your everyday banter with Dr. Eggman he knows. He needs to mature to be the hero he thought he is.

Do you see the portal? Could it be possible for Sonic to leave Dystopia World (by accident or by choice) and get back later to fight The Council? Because the next few seconds are from one scene.

First thing, lovely shot. And... Rouge has some sort of knife on her soles! And a different style of heels! And it seems her main partner is Knuckles since we can see them almost always together in this trailer. It may not mean much, but it would be a nice teasing for Knuckles x Rouge shippers :-D

It's also interesting to see that, despite the chase, citizens seem indifferent. Shows how their will is broken, and they just try to survive.

Also, I have to wonder why Sonic looks so "concerned" or "worried". He should be able to run just fine with his new shoes. I wouldn't be surprised if those robots are tougher to beat. But it may be just a frame from his usual smile.

Have you noticed those weapons are literally taped together? Such a neat detail that tells a lot about their resources. It's also interesting how all of them are surprised by Sonic's speed. Could this be possibly the first time he had shown it to them? Or it was Sonic returning to aid them after leaving?

Of course, leave the best for the end! It seems Shadow's involvement will be bigger. And unlike Sonic, he may be stuck in between dimensions. This may be because he used his Chaos powers to protect himself, making his situation worse or better.

Worse - He is stuck in between.

Better - He may be in a similar position as Sonic, allowing him to search for a way to fix the mess.

But also, he seems to be more friendly toward Sonic than in most of his incarnations. He sounds urgent, not angry or aggressive. Maybe he will be able to point Sonic in the right direction where to find shards of Paradox Prism or something that can prevent from the multiverse collapsing.

Well, I told you it'll be long :-D Hope you enjoyed my babbling. If you have any ideas, leave a comment or reblog. I like to read them.

[sepublic]

A more biological Matoran Universe?

You know it’s really a shame we barely get to explore the actual Matoran Universe in Bionicle. We only get to spend three years, two of those years being the same location- So we’ve only got the Brain and Heart of the universe. But that’s honestly incredibly minimal...

Sure, Voya Nui was PART of the Matoran Universe, but aside from holding the Ignika... It doesn’t really hold any discernible, biological function. Which I think takes away from the initial, intended symbolism for the Matoran Universe’s interior- How the balcony leading to Metru Nui from the end of Mask of Light has almost bone-like ridges, and fleshy vein-like structures.

We know the film’s original ending would’ve had this balcony lead to a more mysterious cavern, whatever that means- But it probably would’ve lent itself more towards Christian Faber’s original concepts of Metru Nui as an organic place, to hint towards its true nature. The Matoran Universe would’ve felt alien compared to our previous natural island, being fleshy and strange- Like something out of Metroid!

Maybe execs were concerned this would be too strange and thus a turn-off, so the final ending of Mask of Light has a regular ocean and island, complete with what seems to be an actual open sky with two suns... This is clarified to just be the ceiling of the dome, but as a kid you don’t get that impression at all.

And as I said, in practice the Matoran Universe just feels like another series of islands, in part because it straight-up is... So then you get locations and species that don’t really fit into what you’d expect the interior of a giant organism to look like. Again, I suspect this comes from a desire to avoid alienating audiences, and because a regular island is a setting you don’t have to think too hard about when writing new stories.

I guess the point of these ramblings is that for YaBr... A part of me really, genuinely wants to change things up to make the Matoran Universe feel a lot more organic and alien, to match those original concepts- Because I’m having a lot of fun with unused concepts that are honestly so cool and deserve to be re-implemented, such as a more overt parallelism between the Matoran and Bohrok, which the ending of MNOG seems to imply with Makuta’s speech about Creation and Destruction.

Having this more cellular appearance would be fascinating, such as in the initial concepts for Mangaia- And yes it might spoil the twist more... But from a meta standpoint it’s kind of already there. And as a kid and even now, I do feel the exact underground nature of the settings was never conveyed properly, so you couldn’t appreciate the reveal as much when it did come together.

Obviously part of the idea IS to keep us in the dark; But it did come across as frustratingly vague. So yeah, for YaBr I really am thinking of emphasizing how strange this world is, so that the worldbuilding behind the Matoran Universe feels more sensible, like this IS the inside of a robot where people contribute to its functions, and not just really big underground terrariums, which are inexplicably like natural environments for some reason- Even though the inhabitants were never meant to be sapient?

Plus, making this place feel more alien might help to justify and sell the Matoran Universe as just that- An entirely different universe, like another dimension you’ve stepped into, and not just more underground islands, with cave ceilings that even look like skies, light stones resembling the sun, etc.! Likewise, I really want to explore the inside of the Matoran Universe so we can get a feel and appreciation for its system and how it all comes together...

Rather than just seeing the brain and heart and then calling it a day, with a lot of locations and species existing solely because the writers wanted villains and antagonists, without much thought to the fact that they have a reason to exist here. That they DO have a place in this world themselves; Because I am rather bothered how the only other sapient species in the MU are all some variant of ‘evil’ race that only causes trouble, and should be relatively obscure in the grand scheme of things.

But that’s a dilemma, because that means adding in even MORE story... And/or leaving out certain arcs. Probably some combination that results in arcs and settings being changed, but the overall story is more or less the same- So maybe the Hordika arc takes place in another location besides Metru Nui, but all of the story beats are the same? I don’t know.

In the end, there’s a lot of cool worldbuilding that’s skipped out in favor of going back to the outside of the Matoran Universe... Or regular islands functionally identical for Mata Nui, with cities like Metru Nui evidently being more of a rare sight. It makes a lot of potential behind concepts feel unlived out, and part of the idea of YaBr is to deliver more on certain storytelling and worldbuilding promises, in favor of the more mundane, anticlimactic answers that feel more like poorly-executed afterthoughts.

And I’ll say it again, but the final design of the Great Spirit Robot really does take away from that intended biological motif- Because the less it resembles human anatomy, the less effective the symbolism is. And as a result, we have little to no room for an actual stomach or intestines, or other organs, in Mata Nui’s waist- It’s just two giant pistons and a spinal cord. A neat symbolic reference to the Mata build, but that’s about it. And exploring the spine of Mata Nui could’ve been fun, too!

So yeah. I love the Mahri Nui arc... Voya Nui I’m a bit more lukewarm on. But it is disappointing that there’s plans to explore the biological insides of Mata Nui and go full Osmosis Jones, but in practice it’s just more faceless, natural islands. The most weird and ‘alien’ is the description of Xia, whose characteristics might remind one of a stomach- But then this is clarified to just be part of the Mountain, and the rest of the island is standard. Polluted yes, but in a way familiar to us.

Plus, I think emphasizing how weird this Matoran Universe is can better sell the mystery behind it, something lost after the Mata Nui saga- And thus the idea that something isn’t quite right, which makes it more satisfying when we get the explanation that we’ve been inside of a giant being this entire time! I think bringing back a strange sense of mystery, which a lot of fans missed, is a nice way to justify these changes too.

[jeffrey-beaumont]

I watched Yasuke a few days ago and it's extremely technically impressive and the score is one of the best i've heard in an anime in a long time. the most compelling part of the story is Yasuke's past as a slave-turned-samurai and his relationship with oda nobanaga as a respected nobleman. and the idea that the oda clan is charged in their political conquest to unite japan into the new world out of the isolationism of the sparse clans. the oda clan disregards class over honor and service to their country, wheras the other clans believe in maintaining the "old ways". nobunaga allows a black foreigner (seen as purely a servant) and a woman to serve in titles that the old ways regarded as exclusive titles for ethnically japanese men. all of this is explained through yasuke's ptsd flashbacks as he struggles to grapple with his trauma after the defeat of the oda clan. regardless, he is admirable because of his duty and noble heart which makes him a compelling hero.

however my biggest glaring critique is that the plot is extremely convoluted and there is little to no exposition. entire plotlines are never fleshed out and the world building is extremely confusing and jarring. It's set in the 16th century but there are also robot mechs (?) that no one in the story questions. and while the robots make for interesting visuals and fight scene choreography it really soured the worldbuilding. in comparision to magic (which can be excused for historical accuracy as some sort of folk element) the robots bring way more questions than answers.

i cant form my exact thoughts because there are too many so for this section im making a list of shit that doesnt make any sense

why was the catholic church setup to be a major antagonist ? is catholicism related to the spider lady villian at the end?

why was that russian lady there and why did she have a robot. why can she turn into a bear

I WANTED TO KNOW ABOUT THE SHAMAN GUY HIS POWER WAS SO FUCKING COOL IM SO MAAAAAD

why did that girl with the scythe die after doing nothing

why did that boy get introduced at the beginning like he was gonna be a main character and then disappears once the plot starts

nobunaga was implied to have a sexual relationship with that male servant with the long black hair and its never brought up. honestly i think the show wouldve been much better if it focused on yasukes story and his relationship with nobunaga since yasuke is his closest ally and he is open to sexual relationships despite differences in class/race and also being gay in the fucking 1500s

i did not give a shit about saki at all. conceptually its fine but THE SHOW IS CALLED YASUKE I WANT TO SEE YASUKES PAST AND HIS STRUGGLES AND HIS HONOR I DONT CARE ABOUT MAGIC OR ROBOTS OR PROPHECY BULLSHIT I WANT TO KNOW ABOUT HIS HOMOEROTIC RELATIONSHIP WITH NOBUNAGA AND HOW HE BECAME A SAMURAI AND SURPASSED CLASS BARRIERS AND SEE HIM SEXY KILL RACIST IMPERIALISTS COVERED IN SEXILY ANIMATED BLOOD BUT THAT ONLY TAKES UP LIKE 30% OF THE SCREENTIME

Its like they had all these ideas and they didnt know if theyd even get a 2nd season so they had to cram everything into 1 but honestly it fucks their chance to even have a 2nd season because the plot is so fucking stupid and doesnt make any sense. im so mad because THE SHOW IS SO BEAUTIFUL, ANIMATION IS FLUID, PERSPECTIVE SHOTS WERE INSANE, CHOREOGRAPHY WAS INSANE, HAND PAINTED BACKGROUNDS WERE JAWDROPPING AND HAD AMAZING POTENTIAL BUT THEY FUCKED IT UP

That being said i will say its 100% worth it to watch for the score and technical skill alone

[rattyarts]

Huge-ask post (I am VERY funny)

Because I have so many questions that can be answered with just text, and I have mentioned my dislike of filling my art blog up with Words Words Words... let’s get them all done in one go!

(You guys can blacklist #rattytalks if you’re just here for the draws, btw)

A shit ton of asks under the cut!

Anonymous said: So for the center of the world, what with it being forcefully PG and all Bad Thoughts TM being prevented, how does having kids happen? Do parents just black out and wake up holding a child in their arms and vague memories of the last 9 months?

Ever seen a movie where they do that “and one day... a baby was born!” thing and a kid just appears offscreen with no explanation?

(This is how it works everywhere, Edgelands included; no one does the do or gets pregnant in this setting.)

Anonymous said: Hello! Quick question, and sorry if you’ve answered this before, but can other elves see the “intangible” bits of one another? Big fan of your work btw!

Nope! And thank you!

Anonymous said: Leopold was in my dream last night but I sadly cannot remember any of it.

I am SO sorry. I will try to keep my stinky murder men out of your head in the future.

Anonymous said: are the floaty bits stuck in one spot, or could the one they are attached to learn to move them around their body as long as its still within a certain distance? like, someone with the Floaty limbs, lets call him Ray, can move his limbs all over his body, allowing him to do all sorts of neat things that others with their attached limbs probably couldn't?

Whatever you want, honestly. As a general rule of thumb I don’t like putting down TOO many hard rules that prevent people from having fun with this setting. (Please ignore and scrap anything you think is stupid, I do this all the time and enjoy keeping this setting inconsistent and contradictory)

Anonymous said: Do elf names work off of Death Note rules, or is it like, if you know one elf’s name, all elves with that name are now unable to harm you? So if all the elf brothers are named Martin, for example, does it only work with blue?

I think it’s prolly just the one! Probably? Idk, might change if I think of something funnier.

Anonymous said: Can elves do magic on themselves or does thst go against the knowing name rule

Most people tend to know their own names, lol. So in my opinion, no, but don’t let me stop you if you got a fun idea.

Anonymous said: Could an Elf stitch on parts from another elf and have them work? i.e an Elf's finds the arm of another Elf. "Hey, free arm, might as well put it to good use", so they attach the arm and now they can give three high fives at once!

Same deal as previous questions, I personally would say no, but I also encourage people to do whatever the hell they want. It’s more fun that way!

Anonymous said: I bet elves are greasy to the touch.

They’re very powdery! Like if you rolled them in flour. And by flour I mean nasty glowing elf dandruff.

Anonymous said: Can elves fly or are their wings just for show?

No flying!!! (Unless you’re a mousefly)

Anonymous said: Something tells me that the elves would LOVE Obatzda.

Had to look that up, but definitely!

no1fan15: Not sure if someone asked already- Does Edgeworld have any equivalent to demons and angels? Like the old rubberhose cartoon kind?

Demons, yes! That’s what imps are: basically any demon, devil, or generic monster, but tiny! Even a couple of pop culture critters in there, there’s probably a very small gillman or robot monster running around there somewhere.

Angels, not so far. 

Anonymous said: How come Margaret hasn't yeeted George's jar into the Edge yet

I’d say being locked in a closet is good enough! (and also I need him for plot reasons, don’t tell anyone)

Anonymous said: If elves have knees bulges in the front then do they have butt bulges in the back?

i do not want to think about elf bulges

Anonymous said: So if you find a baby Therewoof and you say "aw you're so cute", their true name is So Cute?

Yep!

Anonymous said: Since a Therewoof's true name can be something like "cutie pie" or "dingus", does their name have to be spoken with "intent" for it to doggo-fy them? Or do they just have to live with the reality that any casual conversation/flirting can make them lose up to a month to Doggy Mode? My mom has little terrier dog named "Sweetie" so that got me thinking 'bout Therewoof names. & Anonymous said: here's a good question: If someone says a therewoof's true name, but not reffering to them, does it still affect them?

Just saying it will do! It’s based on those old werewolf stories where calling out the person’s name will change them back into a human/cure them, and a lot of the time it was by accident.

(My favorite is the one where they slam the door on the wolf’s tail and then say his name, and the dude ends up with a wolf tail for the rest of his life.)

Anonymous said: Would Seeing eye Therewoofs be a thing?

I... guess? Probably? Since regular dogs can turn into woofs, yeah. You might have to start paying em once they turn into a person tho. 

Anonymous said: Was ChalkZone ever an inspiration for you? Because I just love the silly world of ChalkZone and I noticed getting that same warm feeling when thinking about Edgeworld.

Maaaan, I wish. I’ve only seen about three episodes or so, but it seems really fun!

Anonymous said: So I saw your mimic post, and even though I don't think I've seen any other of your art before I was absolutely HAMMERED with an indescribable sense of slightly unsettling strangeness and comfortable familiarity. Your art feels like something from like, an old point and click computer game I would have had formative memories of before accidentally losing or scratching the disc therefore making me unsure if it ever REALLY existed. Sorry for being weird but I love the wacky nostalgia feel here

Aaaaaah, THANK YOU! That is SUCH a cool comparison and I appreciate!!!

Anonymous said: If the Edgeworld is based on cartoons then is there a Reverse Edge-world that’s based on anime?

Lol, I mean I DID have an anime phase for a while there, so...

caydebug: Man I’d love to see this as a cartoon some day

Honestly, same. Best you’re gonna get is the occasional animatic or gif, tho.

Anonymous said: Does anyone..."go" in Edgeworld? or is it like Pleasantville where bathrooms exist but there are no toilets in them because acknowledging it is yucky?

Oh god I keep getting asked this and have been avoiding it like the damn plague. But... Uh. No. No they do not. I am begging you all not to send any followup questions.

Anonymous said: Have you considered putting computer viruses or illnesses in with the buggymen? Since those are typically called ‘bugs’

Sure!

Anonymous said: are there any limits to what an Animimic could posess? i.e if they were in a costume of a Buggieman with multiple arms, could they control all of them? what about a small Mousefly costume? can multiple fit into one costume like a clown car? and what about in pitch black darkness, where you can only see the lights of their eyes and not their bodies? could one fit inside the pocket of a jacket you are wearing and help you steal things/wield a gun like a living turret?

Since clothing fills into the body type of the intended wearer, they would indeed be able to control all arms/legs in buggieman clothes.

Size restrictions is one of these things I wanna try to be vague about: I personally have been imagining them sticking to hiding in things no smaller than, um. Maybe imp sized, but really, whatever. It’s a cartoon eyeball critter!

You can put multiple animimics in one outfit!

They can move around just fine in darkness without being off screen, yeah!

And sure why not. lol

Anonymous said: I know you have been asked this once before, and you said nah you don't, but with a few more months of worldbuilding, do you have an idea for what could be down the edge now? 🤔

Not really! It’s not super important, honestly. I’d say any fan theory is about as valid as anything else I can come up with.

ps2polpo: I doubt you’ll ever elaborate on The Edge but I like to imagine there’s just one dude there like the Nowhere Man from the Yellow Submarine movie. Mostly cause the thought of someone accidentally winding up there being like “where am I?” And there’s just a guy casually waving at him like a friendly neighbor is funny to me & Anonymous said: The implication that the Edge is the physical manifestation of edginess so there’s probably like, Trevor Henderson monsters hanging out down there.

See above question! Valid! I also accept falling forever, getting erased from existence, ending up in another universe, getting stuck in limbo with thousands of other people, whatever you want, really!

Anonymous said: " he has very few bones and weighs basically nothing, " "Fastball special" trope, but with Leo?

YEET THE NASTY MAN

Anonymous said: did you ever watch dragon tales as a kid? because george and margaret make me think of murderous zak and wheezie from that show, and i love it to bits

I did not, but I would have loved it. Definitely up my alley!

(watched Quest for Camelot a loooot, though!)

Imma go ahead and stop here! There’s more but I’ve been writing for well over an hour and I have things to do. If your question is missing I’m either saving it for later, wasn’t entirely sure how to answer, or it’s spoilery.

Will probably do another one of these at some point!

[josie-effortposts]

The Woman Who Fell to Earth

I stopped watching Doctor Who in 2013 after the 50th anniversary special. Up to then I was deeply obsessed by its reams of stories, hidden subspaces and detailed production histories. It wasn’t just entertainment, it was a case study in a massive shared universe, and a direct function of the times and places it had been written. 

It’s never been very controversial to anyone I know to dislike Moffat’s run of the show, and as it drew to a close everything that followed seemed pretty well-telegraphed: Chris Chibnall would become the head of the show, it wouldn’t be very good, reactionaries would blame bad writing on a female Doctor while plenty of others would just lost interest, the ratings would drop and the whole show would become less culturally relevant. It was a Cassandra truth.

But that said, I still wanted to try it. I watched a bit of the Twelfth Doctor and had mixed feelings, and when I watched the first episode of the Thirteenth I found myself taking notes on it. So, without a lot of structure, here are my thoughts.

1. New Who treats first episodes as very important, the first moments that we see new Doctors and their statements to the world. Call it a modern tradition - where “Robot” and “Time and the Rani” play the change for comedy before jumping into the week’s adventures, “The Christmas Invasion” and “The Eleventh Hour” are primarily statements of continuity. By Twelve’s first outing the villains themselves become metaphors for change, and now Thirteen delivers a brief speech about deciding to become different while paying respect to the past.

2. Speaking of that speech, I feel like there must have been an earlier draft that connected the plot to these metaphors a lot better. The villain of the story keeps pieces of his past triumphs with him at all times, but these trophies are body parts taken from the dead, and they disgust the Doctor. At least Twelve’s flesh robots were stumbling towards eternity.

The villain as a whole is just what you’d expect from a low-grade Doctor Who monster, I guess. He’s supposed to be on a hunt, which sounds really cool, but this consists entirely of him walking places and murdering random bystanders by touch. He’s not keeping the masquerade up or succeeding in his goals by doing this, and the rest of the story implies that he’s at least shrewd about getting what he wants. The Doctor’s complaints against him center on him being a cheat who can’t do the hunt fair and square and on his desecrating corpses, but she never seems very angry at him over murdering people. 

The idea of the Doctor stopping a proper hunt actually sounds interesting to me, especially as someone who sat through all of DWAD’s The Most Dangerous Game. There’s a lot of suspense in dealing with an intelligent, directed killer with a small number of targets, be it in Predator or Day of the Jackal, and a villain that stalks, hides or sets up ambushes could be easier on the budget. Or you could keep the villain the same but add a second member of his species to the setting and have them in competition, conflict on conflict. (That sounds like it’d make a good module for TIMELORD, actually...)

3. The Doctor feels simplified. I don’t mean the new personality of this incarnation, although I think the slight amnesia-until-climax is a bit forced. There’s just stuff that comes off wrong. For instance, things are outlawed in “every civilized galaxy” and the villains traveled from “five thousand galaxies away”. Despite ostensibly going anywhere and anywhen, the show’s always respected some species of distance, in that going far enough away or leaving the universe itself is a pretty big deal (especially since so much of it sticks to Earth). This line could’ve been any distance and nothing else would’ve changed, but it kills the idea of space - how can galaxies be civilized? It feels like the setting is shrinking - the word just sounds big and spacey, and this is the part where the Doctor says that something’s out of place, so big, spacey words go there.

This probably sounds nitpicky, but it feels lazy. Where Davies and Moffat both repeatedly made the Doctor or companions into the Most Important People in History, Chibnall seems to take it as read that the Doctor can just do stuff as the plot demands it. The climax involves her making a jump over a dangerous drop to the gasps of all assembled, but her first appearance is after an even longer fall where she breaks through the ceiling of a train car and isn’t even scratched. She "reformats” a phone into some kind of tracking gadget with six seconds of thumb typing and builds a new sonic screwdriver out of random scrap, which then solves basically every issue in the story. And, naturally, she can pinpoint things from a billion light-years away.

My favorite Moffat story is probably “The Eleventh Hour” because it presents the Doctor with a genuine challenge at his most vulnerable. If he had his regular tools handy then it would’ve been a much more straightforward Doctor Who story, but there’s no time to stop and build a new sonic screwdriver, because people are going to die by the time he’s finished. I wish more modern stories had that.

4. I can’t tell how I should feel about the side characters here. Not the companions, although it feels like Chibnall looked at RTD’s companions and thought “why not bring the entire family along?” There’s just this odd tension in characterization between comedy and drama for them, and without a very detailed soundtrack it’s hard to tell what emotions the script’s trying to go for.

One of the hunter’s victims has spent years trying to find his missing sister after another hunter abducting her. Instead of any resolution coming to that story he just gets murdered without ever knowing what happened to her and then the Doctor commandeers his workshop. (It’s even made clear that these human trophies are all still alive, just “in stasis”, so there’s no reason to think they couldn’t save her and presumably several others.) Meanwhile one of the main characters suffers a short fall and dies, taking up most of the final act with a funeral despite us hardly knowing her.

Other victims are worse. A man throws pieces of his salad at the monster for no discernible reason - he doesn’t even seem drunk, and then he dies as the hunter crushes that salad underfoot. A security officer gives a heartfelt goodbye to his family and tells them what a lucky granddad he is, then walks offscreen to be murdered. Neither of these scenes had to happen, and both together don’t even fill a minute of the runtime, so what was the motivation? The first is at least charmingly odd, but both of them feel like bizarre, extremely cheap set-pieces.

The soon-to-be-trophy himself listens to positive affirmations in a crane, then shouts them as he’s being chased. “I’m important! I matter!” The implication would seem to be that this is goofy behavior, and yet the things he shouts are in some ways the themes of the show. Is this self-critical deconstruction, unabashed humanism poorly delivered, a running gag?

5. The other half of a new Doctor, classic or modern, is this shedding of old things. Not always in terms of showrunners, but sometimes in attitudes or fans. The change from Six to Seven was motivated by a desire to change the tone of the show, for instance. Nowadays this is reflected a lot by the fandom - every Doctor has newcomers who jump back out because they don’t want their hero to be replaced, but the jump to Eleven confronted a lot of younger fans with this for the first time. Then Twelve culled some fans who couldn’t stand the Doctor being old and unkissable, and now Thirteen’s wiped out her own contingent of grognards who think the Doctor being a woman is a radical idea invented in the last three years.

That said, I’m not a fan yet. Some Doctors I don’t like as much for aspects of their characters, particularly Five, but Thirteen just doesn’t feel Doctorly. (To be clear, neither did Twelve.) I grew to enjoy Matt Smith’s performance where I thought I wouldn’t, and I’ve found a lot to like in every Doctor, but for some reason both of them still feel like actors playing the role to me, where Unbound Doctors and Mark Kalita have captured whatever the core is.

6. I feel like I’m getting old. So much of the beauty of Doctor Who just feels transparent now. After Moffat the maximalist decades of worldbuilding can never convincingly pretend to add up to a coherent universe and they can’t escape into the freedom of canon-indeterminacy any more than they already have. Even Big Finish, which I used to adore, feels strangled by a mandate to realize and box-set every possible combination of whatever actors they can summon from the show, no matter how many tedious hours they have to fill with cardboard characters and back-of-the-napkin monsters.

There’s no excitement in the adventure for me, because I know the route and the destination. And I don’t know if that’s Doctor Who being formulaic or disenchantment from seeing the patterns too much, or some personal lack of spark and imagination. I feel like there must be some drive I don’t have, one that would re-energize my own perspective in the face of concrete understanding, that would see it as a good thing that I understand another layer of what I enjoyed so much without sacrificing that enjoyment. But if it’s there, I just don’t see it.

But hey. While there’s life, there’s...

[silver-blooded-synthetics]

@shotdownbutstillalive​ asked:

It’s Munday! [Your pick on all of these since you know your muses much better then I do. Please don't fee the need to answer for each of your muses, that would be a lot of work] ✄ ☒ ✎ ✼ 

✄ What is an idea you originally had in mind for your muse, but ended up scrapping? Why?

Lysias was originally going to actually be RA9. They were going to be an evil entity of some kind, but then I scrapped that idea for two reasons. One, I didn’t want the connection between RA9 and Deviancy to lead people into thinking that I condemned deviancy as something bad or androids being living people as bad just because I made RA9 a villain. And the second reason was because making them a deity/god would just overpower the character too much to the point that no one would want to interact with them. I already have Lysias buffed up as a fighter, but I have to give them some sort of weaknesses in other areas in order for it to be fair. So I scrapped the idea of making them actually RA9 and went with them just hiding under the guise of being RA9 when they never really were.

☒ Is there any sort of behavior towards your muse (ic or ooc) that you simply cannot stand?

Blatant racism, sexism, homophobia, transphobia, or really any sort of bigotry is not something I tolerate. I haven’t come across any yet, and I hope I never do, but it is something that would instantly turn me off of writing with someone. I understand that sometimes things happen because of misunderstandings or a lack of education, and I’m willing to be patient and teach or talk it through with people, but when they are just outright being prejudice, I shut things down. I don’t mind it as much in character, but it has to be discussed first and approached in a tactful/respectful way if it’s going to be done. If you are just going to have a character suddenly acting racist out of the blue and I didn’t expect it, I’m going to have some words for that person. 

✎ When choosing a name for your muse, did you pick something special or meaningful in some way?

Alma’s name was chosen on a whim because I thought it sounded cool. But then when I actually did my research on it and found out that it had Hebrew and Spanish ties to meaning ‘nurturing the soul’ I realized that it really was perfect for him. The whole basis for Alma’s character was a synthetic human/android/robot with a soul. The fact that his story is about the realization and nurturing of that soul into a proper person over time made the name just seem absolutely fitting for him and his story, so I decided to stick with it. Even though it’s technically a gender neutral name, it’s usually used with women more, and I thought about changing it a few times, but after reading about the origins of the name, I just couldn’t let it go and now the name holds a lot of meaning to me. 

✼ When it comes to worldbuilding, what are some ideas you’d like to explore in rp?

Technology is always a cool one to explore, because at heart I’m a sci-fi nerd through and through. So thinking about all the possibilities and ways technology could have been advanced in the future/in a world where androids are a thing is really fun for me. I like coming up with headcanons about it in my head and should really start writing them down more in proper posts instead of just implementing them in threads occasionally if it comes up. But alas, my ADHD keeps me from doing that. Maybe someday I’ll get around to putting my thoughts on paper (so to speak). But for now I just really enjoy implimenting technology world building into RP. It’s also fun to factor in interpersonal relationships and how society is affected by said technology. Especially when it comes to androids and them getting their rights. Things like android hospitals popping up instead of repair shops, where they are treated more humanely. Or thirium based food and drink for androids. Would it be sold in regular grocery stores to promote human android relationships, or would they have separate stores just for their needs while humans stayed in their own to avoid any fighting amongst humans and androids? Things like that are fun to think about for me.

[tfw-no-tennis]

mtmte liveblog issue 9

back at it again, and its time for the shadowplay arc, HELL yeah

oh I'm so excited i love this arc lets DO this

oooh its nightbeat and quark!! way before they become relevant, which is so cool

‘one of those recepticon fanatics’ lmao imagine if they were...the recepticons. just doesn't have the same ring to it 

god i fucking love all the politics of mtmte. i love how they’re talking about the senate here before we really get to See how bad they were (we heard a bit about it from whirl a few issues ago, and now here)

love how nightbeat is pretty much agreeing with the decepticon ideology here, even if its clear that he isn't Actually a decepticon - it just drives home the fact that, in this story, The Decepticons Were Right About A Lot Of That Stuff (or at least, they had a reason other than ‘destruction��� for rebelling). 

AND THEN THERES RUNG!!!!!!! WITH HIS MODEL OF THE LOST LIGHT....god i fuckgin LOVE the continuity in this story bc the first time reading this ur like oh ok rung is old yea makes sense...but then later all the time travel stuff happens and then its like OHHHHH 

damn poor rung nightbeat can rlly tell he's lonely just by looking at him vbhjdkdfhbjsjkdf geez. also nightbeat that's ur mystery stick bf from the future js!!

quarks extreme POV on all of the stuff is so interesting, and makes so much sense bc of Course he would think that as a non-combatant scientist who, due to his functional value in current society, wouldn't really benefit much from a revolution - in fact, he’d probably lose a lot. and that’s the sort of thing where you’re like, ok well think about everyone else dude, have some perspective - but at the same time, quark did suffer a pretty terrible fate, so his fears weren't entirely unfounded...augh, its so fascinating...im sorry I'm not gonna shut up about space robot politics this Entire time

HOW did nobody notice that dead body before now

ratchet spray-painting the hands he stole from pharma to match his own paintjob is like...kinda gruesome if you think about it hvbhsjkdfbkjdf

i love rewind sooo much oh my god 

he rlly stashed rung’s comatose body in a wheelchair behind the bar hbkjdhfbshjkdf rewind 

rewind and chromedome’s tag-team explanation....ough hhhhh THEM 

wait a sec, rewind, you have medical records in your database? that is, at least according to regular medical laws, very illegal lmao. my favorite long-running theme in mtmte: the fact that hipaa and osha laws on cybertron are either basically nonexistent, or just universally disregarded 

what the actual fuck is up w/cybertronian time units. that shit is wack as hell 

ooh i love how chromedome looks different in the flashback - no shoulder tires! - that's a cool detail

how come prowl just said ‘minute,’ rewind was busting it up w/all the wack ass fantasy time units just a second ago. geez

also goddd i love the scenery of pre-war cybertron, its SUCH a cool setting like, visually and aesthetically and politically

like, i adore details like the sign in the bg that says ‘everyone’s shape serves a purpose.’ really adds to the ‘society on the precipice of civil war currently controlled by an increasingly-desperate faction who are doling out propaganda like crazy in an attempt to maintain their image and control over the populace’ vibe

good ole murder mystery setup. love it!

pre-war prowl is such an interesting character. actually prowl in general is such an interesting character...I kinda wrote him off during my first read of mtmte (and even a little during my second readthru) as just this dude who’s an asshole (espec bc my prev tf experience involved watching tfa as a kid, and this prowl is very different from tfa prowl lol)...but prowl is SUCH a multi-faceted and interesting character, even in the relatively little we see of him in mtmte 

plus it was interesting to learn later that prowl was one of the characters that jro wanted for mtmte and didn't get, and MAN i wish he got prowl bc I would've loved to see what jro would've done w/prowl on the lost light, that would've been amazing. like, just imagine the arc he would have...I have no idea what that arc would BE, but I know it would be awesome. plus I’d be really interested to see how prowl would factor in, relationships-wise, amongst the crew of the lost light. so much potential!

anyways. I'm in a very talky mood tonight it seems. its currently 4 am so that kinda explains it. ok, moving on!

chromedome and prowl bantering....in their own morbid forensic-cop way...

skids bvhjdbsfjasf. speaking what we’re all thinking: is prowl gonna keep showing up in mtmte despite not technically being part of the cast??

swerves drawing of prowl lmaoooo

AND THEN REWIND IN SOME OF MY FAVORITE MTMTE PANELS....fuckgin cracks me up every time god. rewind was rlly about to flip their entire ass table just to demonstrate that prowl is a serial table-flipper...and then he cant even make the table budge and he just stares at his hands like ‘how could you betray me like this’ hvbajkhhsfdhksdf PEAK hilarity

drift hvbshfdjbasdfj his forcibly cheery expression even tho he’s being harassed by rodimus, who is a big whiny toddler w/drift lmao 

rodimus is the type of guy who, upon drift not replying to one of his texts, would post a whole twitter thread being all like ‘these days u cant trust any1 to hav ur back...u think u kno someone and then they just ghost you...(1/14)’

again, rewind, HOW and WHY do you just Have medical reports, oh my god, somebody please call a hipaa agent I’m scared, 

ratchet interrupting the story to give a quick medical PSA....that's Such an on-brand thing for Me to do that I feel like jro is assigning me ratchet kin as I read this

also, hey, its sonic and boom, those two decepticons from delphi! nice little continuity there

AND HERES ORION PAX SUPER COP

can’t believe idw made my dad optimus prime into a cop. smh. shouldn't be that shocked tho, I feel like half the idw characters are cops

orion rlly hit them w/the omae wa mo shinderu arrest strat

orion: I cant believe you're beating this guy up. anyways, now I'm gonna beat YOU up,

when ratchet puts his hand over drifts mouth and then gets spray paint on drifts face bhjdfsvsdjhfgbjdskf

pre-war ratchet and drift ;_; ratchet’s little inspirational speech...the fact that he tells drift that he’s special...the fact that drift remembered all of this even after 4 million+ yrs...it gets me bro it GETS me

ALSO the layers in the fact that drift then goes on to become a well-known murderous decepticon...so this little scene of him and ratchet in the past gives a lot of context to ratchet’s general attitude towards drift - ratchet clearly feels at least somewhat responsible for all the blood on drift’s hands, since he saved drift’s life way back in the day

the whole relinquishment clinic thing is such cool worldbuilding, bc of course that's the kind of thing that would develop in a society of robot aliens who are only allowed to work within the rigid confines of their alt mode 

I love the whole matrix thing bc its kinda like being the pope or st but also you have a ton of political sway, so its a super important position, so of Course the corrupt senate would want full control over that power, and would assassinate the current prime to try to get their own guy in 

god vhbhjsdkbgshjdf rodimus is such a dick lmao poor drift

HHHHH I love that the cybertronian version of an autopsy is taking the dudes body apart into the smallest components and laying them all out. that's so fucking cool

hmmmm chromedome maybe you should Not be interested in mnemology, how about that,

oh god. time to start being sad about op and senator shockwave. oh god

senator shockwave more like senator sexy 

also the first time I read this I thought I had just missed his name and like halfway thru the story I went back and scoured the pages looking for it hbvhsjdfbshgfdsbj then I was like oh ok so we’re maybe supposed to just know who this guy is from another comic? but NOPE it was very deliberate and I only realized very close to the end that they were setting up some sort of reveal

its funny bc normally I'm not a huge fan of stories where politics play a huge role but I fuckgin love it here, the politics and worldbuilding is all so interesting and also balanced out with a healthy dose of cool sci-fi hijinks, so

lmao there's chromedome being obsessed w/people making the ‘pfft’ sound 

also wow yet more hindsight, maybe you Shouldn’t be so interested in the Institute, chromedome, 

OHHHH shit I forgot abt the red alert stuff happening at the same time as this :( :( :( 

AUGHHH what a fucked up situation. god 

oooof i gotta continue now!! what a solid issue, I love the shadowplay arc

[popculturebuffet]

Hickman’s X-Men One Year In: Part 2: The Dawn of X

And we’re onto part 2. Since it took me a while to talk about Hickman’s Series outside of Giant-Size and the setup here, that’s in part one if your curious, I split this little retrospective into two parts, with this part here talking about the rest of the books. This isn’t to say they aren’t great, many of them are, it was just easier to do this as a two parter so with HIckman himself out of the way how did his hand picked batch of talented writers handle the lofty status quo he set up?Find out under the cut. Pax Krakoa baby. 

Mauraders Okay just to get this out of the way this is my second faviorite x-book running, after X-Men itself and it often equals it and far and away the best tile of the run and restored my faith in Gerry Duggan.  Duggan is not a bad writer and I blame the messy finish of his otherwise awesome guardians run with infnity wars on marvel trying to cram other characters into it and then a weird mash up idea that while cool, kept the guardians out of their own damn event and from confrting a now mad gamora, but that and deadpool made me forget the guy is a good writer and can do great things. Maruaders however won me back to him with intrest.  A unique concept, the x-men as pirates helping ferry goods to krakoan allied states and ferry trapped mutants from hostile ones, is fucking awesome. The only thing missing is nightcrawler and it’s clear hickman has other plans, though I still feel he shoudl’ve been on the boat as he has both the relation to kitty pryde and pirate pedgree that fit in perfectly.  Speaking of kitty after years of writers misusing her due to having a crush on her as a kid and shoving her into half baked romances with peter quill and her ex peter rasptuin, the latter failing so badly that marvel pulled the plug on their wedding because fans clearly didn’t want it, and battling my own reluctance ot see her front and center again, Duggan makes good use of her again: Kitty is given the unique hook of the portals not working for her and no one, even her old friend Doug after he gets back, being able to figure out WHY. Though I do hope Doug does show up here and explain it more, as him being kitty’s best friend once is rarely brought up since he got back and it’s silly it hasn’t been. But rather than take this on the chin Kitty strikes up a crew consisting of big sister Storm, first class graduate x-man, badass gay and kitty’s friend and ex iceman, bishop who reluctantly joins as her bishop more on that in a second and the best of them by a mile: Pyro. The original, finally brought back and given some intresting backstory: he was the first mutant brought back and felt good about it..t ill he realized that despite sacrificing himself to save a, if your familiar with the various cartoons this will be baffling but trust me, reformed senator kelly as Pyro himself was dying from the legacy virus, only to find out they did him first because they considered him expendable basically and naturally was upset over that, drunk a bunch of the liquor kitty smuggled in, for logan naturally, and passed out and then joined in on the rescue mission that formed the team because why not and stayed because it was a great offer.  Speaking of offers with a new purpose, Kitty accepted her old enemy Emma Frost’s offer to be red queen, which includes a seat on krakoa’s council and was basically emma’s way of saying fuck you to her old cohort who she was forced to bring back on to handle the seedier side of Krakoa’s dealings via his underworld connections, sebastian shaw. Emma is the fincical  backbone of krakoa, having the shipping connections to get the flowers in and out and now having kitty to handle the stuff she can’t and do some of the shipping, as well as again tell Sebastian, who naturally wants both gone and is pissy at Emma being so far ahead of him, wants gone. And while he’s seemingly succeded with kitty I not only have every expectation that while ressuection is failing to work on her she’ll be back, but that trying to murder one of the most beloved x-men whose consdiered family to among others three of krakoa’s captains, bishop after this series, four of their council, five if you include Doug whose best friends with both his left arm which is also a deadly space robot and the very place they live on. The only reason he’s not going to die 80 times in increasingily horrifying ways is because the five can’t take on that kind of workload and one murderous ass beating from half of krakoa and krakoa itself is close enough. 

Emma is easily one of the books best parts, being written back as she should: An anti hero who while quick with a cutting quip, truly cares for her charges, and mutantkind as a whole and has grown from the monster she started as or even the kind of person who’d use a therapy session from a desperate man having issues opening up emotionally after apocalypse used his body as a rental car to convince him to fuck her.  And yes that’s how things started with Scott and Emma and yes it’s really fucked up and yes the story treats it as such, though I still wish Scott would get actual therapy, but as Linkara recently pointed out in his House of M Review the Marvel and DC universes weirdly lack therapists for the most part and thus it was left on my mind the last two weeks.. and yes I know DC tried but when your final product at trying to serious tackle mental health is heroes in crisis.. I award you no points and god have mercy on your soul.  But while Emma and Kitty get the lions share of the focus the rest of the group is enjoyable, well done and intresting, if not given many arcs to themselves, but still have enough character moments to counterballance that. The standout of the rest of the crew is easily Pyro, taken from “why is he still dead despite being super popular and used in a heavy role in X2 that’s garnered fans of that version to this day and bafflement he became a foot note in the next movie and used in every adaptation” to fun side character with a skull on his face and a love of booze and setting things on fire. He’s finally given the respect he deserves sorta and while I hope more is delved into his ressurection angst, he’s a ton of fun and it again makes me wonder why it took 20+ years to bring him back, but i’m glad the right person did it. The rest of the crew are fun with Bishop being another standout.  That being said part of the reason there isn’t a lot of focus is simply because in additoin to our brave crew the book is juggling a LOT of characters.. the morlocks and calisto, both given a proper treatment after wya too long, jumbo carnation a minor character from morrisons run who was introduced in the same issue he died is emma’s designer, shinobi shaw and christian frost, the latter I question why a main relative of one of marvel’s a-list mutants who was one of marvel’s earlier gay characters hasn’t been used in a big way till now but no time like the present, Sebastian and the people he shares his big bad spot with Homines Verde aka those tweens who ran the hellfire club during jason aaron’s run because the man is nuts and who I only seemd to liked, brillinatly revamped as a racist replacemnt for the hellfire club and so far a clever threat. The book is just stuffed iwth good characters, beautiful art, and a great tone that combines spectacular humor with really good story and worldbuilding. It’s also a nice contrast to hickman’s stuff: don’t get me wrong I love hickman’s writing style but it’s nice to have something JUST as good.. but with a cheerier tone and less weariness to it, while still not lacking weight. I can’t wait to see where this goes.. it’s a pirates life for me. 

Excalibur:  Like most of the dawn of X-Line outside of fallen angels, more on that in a minute and even then that had an intresting new directoin for betsy braddock, I was pumped for this one. A team I loved: While I struggled to find a run I loved with Claremont’s run having Brian Braddock be a raging dick whose terrible to his girlfriend and gets away with cheating on her and Claremont not really bothering to explain Saturnyne or other characters and their history with Brian well to us yanks who never had the chance to read those tales.. though why stories by alan moore and chris claremont haven’t been republished properly or in epic collections is beyond me. Warren Ellis, who I now loathe for being a scheming weasel who treated women like garbage, had a decent run with plenty of warlock, in a weird phase where he thought he was doug, Moira and Wolfsbane stuff I loved.. but also had 30-40 something pete wisdom shacking up with 18 year old at most kitty pryde, with Pete at the time being basically Warren Ellis badass self insert character, and given recent revelations i’m pretty sure he damn well knew kitty was just 18 and even if he didn’t having his own fanfic character deflower her is just all kinds of EWWWWWW. He also had Colossus, fresh of being a villian for a while for understandable reasons, nearly beat pete into a coma in a jealous rage over the ex.. the ex he dated while she was still a minor, and left because HE , and editorial, was uncomfortable with it for damn obvious reasons. I can see why fans like to see her as bisexual and pair her with Illiayna.. I mean why the fuck not? They have better chemistry than most of he hetrosexual intrests and are paried because of that and not because the writer wanted to make out iwth kitty as a teenager and forgot “oh yeah she’s fictional and i’m 40!”  Christ thank god for Gerry Duggan.  But yeah moving on from that I was still pumped as a magical x-men book with Besty Braddock now captain freaking britan, and apocalypse on the roster. And rictor and jubille? nad rouge and gambit I guess.. I don’t knokw if they fit but whatever. Sign me up. The actual result is a mixed back. I do like Tini Howard’s work here to a point: Betsy gets good character stuff and theres actually good tension from the fact that the new captain britan is no longer primarily a british ctizen, and the book brought back a character I felt marvel needed to do more with: Jamie. if you don’t know, Jamie is betsy and brian’s, her brother and the former captain britian, older brother who went insane due to his powers and thus just goes around in his underwear convinced reality isn’t real and he can do what he wants and the tension with Jamie refusing to have anything to do with his brother for no good reason is really good. Rictor and Apocalypse are likewise good sensable additons: Rictor turns out to be a natural to being a druid which is a nice twist and makes sense given when he lost his powers the biggest issue with that was loosing touch with earth after having a connection to it be a vital part of him for years. Apocalypse as an ominus chess master slowly securing magic for mutantkind with some goal we’re about to get answers to is really investing and adds a layer to his character, that much like doctor doom he’s as much sorecer as he is scinetest and given the guy’s immortal, it dosen’t feel like it was pulled out of nowhere.  The problem is the other half of the cast.. dosen’t really work. I fucking love Jubilee, a faviroite of mine as an xman despite not being a huge 90′s x-men cartoon fan, just feels kinda shoe horned in. Her son becomes a dragon and she worries about him constantly, but her worrying about her son possibly not being a mutant on mutant land could be done in any other x-book, and fraknly I feel her personality would fit better with the maruaders, and it’d be intresting to see kitty and her on the same team since both really haven’t interacted. Here she just feels like “well tini wanted jubilee and no one else did soooo I made her son a dragon to justify getting her”. I feel more could be done and hope Tini has better plans for her. Rouge is one of my faviorte x-men and All New X Factor and Kelly Thompsons work with him and Rouge made me like Gambit again, and I DO love their marriage and it was a way better idea than the one Guggenhiem had planned.. but while the idea of Rouge being reborn is intresting and all, she still dosen’t really get to do much and like Jubilee just feels weirldy out of place while Remy has that plus he’s annoying, as while he’s the only one rightfully supscious of apocalypse he also won’t shut the fuck up about it for five minutes. Ig et where he’s coming from  but it dosen’t make him less annoying. These aren’t bad characters, but sof ar they just feel weirdly out of place in a magic based book and unlike Rictor tini hasn’t made any of htem but Rouge feel in place. 

That being said I could ignore that more.. but the villians are also week. So far at least, as the return of Satyurne has given the book it’s first good antagonist.. but what I feel drags the book down the most from it’s potential is the bad guys; Morgan Le Fay is the first antaognist, being mad at apocalypse’s intrusions and corrputing Brian.. but her motives are just so boring: She wants power and to rule, she hates mutants... while “hates mutants” is a qualifier for every other antagonist so far, she just feels bland.. Tini just dosen’t make her feel like a good antagonist and it’s a shame as mutant hater or not she’s something DIFFRENT from the throngs of mutant hating conspiracies, mostly from russia in the other books... she’s just so bland it dosen’t work. And after her is Cullen Bloodstone who as far as I can tell is written out of character.. haven’t read his book but I had both a friend confirm it and having read his marvel wiki entry, it just seems like an odd turn to have him be a racist asshole. But even with all my problems and underwhelm here.. I still WANT the book to get from okay to amazing, and feel it genuinely has the potetial. I’ve seen books sharply improve after a rough first arc, Duggan himself showed me that with his Guardians run. Sometimes it just takes time for something to truly blossom and I have a feeling even with my issues, with x of swords coming up howard’s going to flip it all on it’s head and leave me standing there gasping like a moron. I have hope for that. And if nothing else the book is at least UNIQUE. And not in a trainwreck way: by giving mutants a piece of the magic pie and having them tackle far weirder threats, it’s at least doing something new and it probably lands for other people if not me, and if nothing else it does brian 80 times better than the claremont run did. not a high bar but I do like the character and it’s nice to see him take such an intresting path, and the same goes for Betsy. Tini’s still got magic to do, and I have a feeling it’s going to take me by storm very soon. 

Fallen Angels: Now for the other half of the coin as it were. Some fans weren’t happy about Betsy getting her old body back, and yes Psylocke wasn’t orignally asian but a white british woman bodyswapped iwth a japanese assasian and yes that’s as ludicrious and unteitonally offensive as it sounds, because horrible implications of said Body Swap or not, Psylocke was one of the few asian superheros of note. So to compromise , Hickman and co decided to split the diffrence: Betsy would come back and get a rank up to captain britan, while Kwannon, said assasian, would take over as Psylocke. Hence Excalibur above and fallen angels here and I was excited about it. The Body Swap thing went on a decade too long and this way fans got the character they knew as Psylocke in another book while the face they recognized would finally get some fleshing out. I was excited about that and while probably the least excited about this book of the intitial 5, it did have an intresting lead, two characters I did like (Kid Cable I grant was only under hickman who turned him from that brat version of cable who killed the one I really love to a good character in his own right), and an intresting antagonist in a sentient machine.  In practice it was okay. The best I can say is that writer Brian Hill DOES do a great job taking a mostly minor x-character and really fleshing her out and making her engaging and Kwannon’s quest to save her daughter is really compelling.. but the premise of those who don’t fit with krakoa dosen’t work with the roster given. Laura Kinney is not only sticking with the x-23 name after dropping the wolverine mantle for no reason previously, something Hickman fixed as soon as he realized how fans felt for her apperance in the main book, while Cable feels nothing like the far more fun version from Hickman’s X-Men and later Duggan’s Cable. Add in Husk and Bling who do deserve to be on a team but feel out of place here, and it just.. is okay. The book has an intresting angagonist and a great lead, but just dosen’t work as a team book and would’ve been better off being JUST about kwannon herself, who is far and away the best part about the book and i’m glad she got fleshed out. Not TERRIBLE but nothing special and it’s a shame given the antagonist, whose name I can’t even remember at this point, is intresting and ties into mutantkind’s greatest enmies being man and machine accoridng to house and powers.. basically a decent concep twith a flawed execution. Maybe hill’ sbatman and hte outisders run is better. I need to get on that. That being said the premise and idea is so far being done well in Hellions which we’ll get to, even if I’m being cautious really getting into the book with Zeb Wells track record. But more on that in a bit. 

X-Force: Time to make noise, bad guys leave us no choice.. you know the rest. But yeah X-force. The concept here grabbed me, having X-Force rather than just be the black ops squad but be literal black ops for krakoa, was really great and fit the brave new world.. what worried me was the writer, Benjamin Percy. Now a lot of x-fans probably knew him from the much beloved “Wolverine: The Long Night” podcast, which i’ve heard is utterly fantastic as is it’s followup.. but I hadn’t heard it, and had only heard of Percy from DC comics where under his belt was an okay teen titans run and a not very good and politcally unsubtle green arrow book. And i’m not against politics in comics it just wasn’t done at all well there and the “oliver queen looses hif ourture due to a shadowy conspiracy thing” was already done better by jeff lemire. So yeah I was going to give this a chance but figured like those books it’d start strong and then peter out.  I. Was. Wronnnnggg. X-Force is easily one of the best of the dawn of x and uses said premise well. It started a bit roughly, mostly becasue the first arc idnd’t make clear x-force didn’t exist yet but was a great origin story: a squad of military commandos working for a shadowy consirtum who become x-force’s big bad, plunge onto Krakoa and massacre a bunch of mutantas and assinate charles xavier. He comes back, though it’s trickier for obvious reasons, but it’s clear from this, and from wolverine and kid omega’s sucessful investigation and finding domino, that this can’t go on and thus X-Forces is formed; The intellegence and black ops arm of Krakoa and the one arm of it’s goverment exempt from the ‘dont’ kill humans rule”. What followed was nearly a years worth of fast paced adventures with good character stuff: Wolverine is in his element, kid omega, while I had my doubts due to quinten being way overused , turned out to be a perfect choice basically being a more compitent teenage sterling archer, cocky and loving this but also really good at his job, while Domino gets a great arc dealing with her trauma over her mutalation and having some of her power stolen by the shadowy masked dickheads while Colossus deals with his trauma over what went down when he rescued some Russian mutants, with the book slowly building up new threats and towards a showdown with Russia, something that’s also been built up by conflicts in Wolverine and Mauraders, which again makes the world of x feel more like an actual world instead a bunch of comics in one cast herd.  Jean Grey is good for intellegence, though by now seems to have noped out as she couldn’t take the toll, it’s not for everyone and most notably after 5 or 6 years of being treated worse and worse and written worse and worse and becoming a bigger and bigger piece of shit Beast is FINALLY put in the right spot: his darker turns aren’t ignored but he’s back to being an actually intellegent hero as X-force’s director, still a bit greasy but now for good reason and without a god complex or some such bullshit and with a tiny bit of his humor back. Not much else to say really, X-Force is well paced, enjoyable and gritty, getting the spirit of the team at it’s best down right while doing something fresh with it. 

New Mutants (Ed Brisson) Last one, New Mutants is the odd duck of the dawn of x line in terms of how it was launched. Fallen Angels ended up being a mini series both due  to Hill being busy and it’s cast being needed elsewhere but will presmibly get a follow up later, but it’s not the ONLY mini series in the line with Fantastic four/x-men, the giant sized one shots and now Empyre: X-Men all debuting in wave 2. New Mutants however is the first book to change writers and said writer STARTED in the middle of hickman’s run, partly due to scheduling delays but even before that it was partly by design and those issues haven’t been collected yet, with hickman’s short run being collected first. So you have a run that builds off what Hickman started but with it’s own ideas that started insidei t and suprisingly it .. really works.  While I do think there are better books in the line Brisson’s new mutants is enjoyable, combining humor and character work. New Mutants focuses on the sextant, which was first brought up in hickman’s run, the series of habitats for younger mutants on krakoa that the new mutants look out for, and while the original new mutants are in space, Armor decides to try and bring some old friends in to join in paradise with the help of Glob Herman, that big pink guy with a visable skeleton and eyes, and Maxine and Manon, who in the tradition of layla miller were created for an event and not great htere but turned out amazing under the right writer.. who I think also wrote that event but whatever, a pair of empaths and telepaths who have trouble grasping the right ethics for using their powers.  The four go to get one of my faviorite x-men back: BEAK! I missed him even if he’s weirdly suddenly repowered. Beak and his wife Angel only haven’t joiend in with their kids because his dad’s sick, and things soon escalate when a bunch of criminals try holding them all hostage and it’s up to boom boom, bored since everyone left her alone, to save the day! After that we deal with Magik rangling them and the team’s new mission statment: not wanting ot mess up again like she did with beak, who did join them but not without loosing his dad and then his memory of his dad thanks to the twins misguided efforts, Armor still wants to try welcoming new mutants in with the vetrans help, and thus we have our puprose: focusing both on how these younger mutant 20 somethigns of various ages from early to late work together to make a better world nad help their own get back to this world. it’s intresting.. I’m not in love with it like mauraders or x-force, but it’s still pretty good and their first big foe so far, DoX, a blog that well.. doxes mutants that haven’t arrived yet, seems to be intresting. Not much to say just pretty good and and better at mixing comedy and character stuff, and getting the cast right. Ed Brisson had already proven himself on old man logan, but this cements him as one of the hottest new x-writers around and i’m glad he was given a book here. He’s also succeded in making me actually like Glob Herman so that’s a plus. 

Fantastic Four/X-Men The first title of wave 2 and easily one of the best, right up there with mauraders nad probably JUSST behind it and ONLY because i’ts a mini series, giving the X-Men their first real step into the rest of hte marvel universe. Sure the 4 had cameoed in the first issue and there’s been mentions of krakoa in other books and one off issues but mostly Krakoa really hadn’t impacted anything.. but that first issue also set things up with Scott’s conversation with Sue Richards

Yeah and in case those who haven’t been aware of what’s going on with the FF lately and either remember franklin as a 6-11 year old or wondered why the hell he was suddenly a teen when they read this crossover, it’s actually simple; At the end of secret wars the Richards family was put on a bus, also so marvel could shove the ff as a proper team out the door due to the whole fox rights thing, and when Dan Slott had brought them back.. and cleverly had more time pass for the richards than for the 616 proper, so he could age Franklin up to his late teens and Valeria up to her early ones, allowing the richards children to actually age since Franklin’s age always had to stay vauge due to marvel’s vage and wobbly time scale. This way they get both consitant ages and more agency.  But the return also came with a price as Franklin, who if you didn’t know is so powerful he can create whole universe and shape the sturcture of the universe, had his powers break saving his family, and thus since he came back, he’s onlyg got so much of them left in the tank before they run out entirely, and it’s been an issue for him in Slott’s run as he worries about being the normal human in a fantastic family and comes to a head here, though rather than Hickman himself, who as mentioned last time has a marvelous track record with the family or FF series writer dan slott Hickman choose a wild card for this, though had both Hickman and Slott’s permission to do whatever he wanted: Chip Zdarsky, a modern marvel for marvel who’d writtne the four in marvel two in one but for some reason didn’t get the main book and this book makes me hope whenever Dan Slott bows out he gets his turn and while this is his first x-men work, Zdarsky proves he’s just as good here as is in most of his work on Howard the Duck, Jughead and Star Lord.. a weird selection I know but all classics. 

With this power outage, Franklin is worried his dad is, at least subconciously, not really trying to help him and to make matters worse teh x-men show up to offer their help.. and Franklin his birthright. The arguments made by both sides are great and I will be covering the series in full soon but in a nutshell the four dont’ want to give up their son/nephew, Reed dosen’t trust Xavier and feels he wants to use his son’s powers while the x-men feel it’s franlin’s choice and he’s old enough to make it, he belongs with them and he’ll be safer there. It also works because Franklin understandably isn’t swayed by either as neither is reallyt alking to him more at him, especially his parents .. and only tries the gate when Kitty Pryde, the two  bonded back in the 80s and a young franklin stopped her from comitting suicide long story but really moving, is the only one to tell him it’s his choice. This dosen’t go quite well though since Reed Richards, father of the year, decided to make a device to mask his son’s mutant gene and no one, including his own family, is happy about htis.  Naturally Franklin, with Val’s help, runs away.. and then as if it couldn’t get worse DOOM shows up wanting to help so now it’s a three way dance between them for hte fate of franklin. The series has gorgeous art form the dodsons a really damn compelling story and great setup for further stories for both lines and feels like the best of both franchises. It’s the x-men’s first huge impact on the rest of the marvel universe,a nd it feels like it with the ending showing that and showing this might not be the last time both sides crossover. It’s everything you could want from a crossover and i’m only being so brief because I want to review it soon as a huge fan of both groups. Easily one of the best x-men stories of the line and one of the best stories for both groups period. 

Wolverine:  We’re onto the final two, and Percy’s second book and the first solo.. and it’s logan again! Makes sense though: Wolverine only just came back from the dead, and while both is daughter and alternate future self carried the woverline banner for him, the original hasn’t gotten his own ongoing in some time. And so far.. it’s pretty good> the first issues a bit messy due to it’s lenght, but overall the book is intresting and has Logan graple with being the best at waht he does and if he can be better or if he deserves paradise while also delivering a compelling solo mission teaming Wolverine up with a federal agent who resents mutants. it also does some good world building, explaning why Krakoan drugs have things like wait lists (they want to control production closely both to avoid having the flower taken away and for quality control), and expanding the russia subplot while using Dracula of all people as a major antagonist, which is clever especailly since this isn’t his first rodeo with the x-men. Just a fun book wiht loads of promise.

Hellions: NOt much to say here as it’s hard to judge after two issues, buti f nothing else this series brought back the delightfully batshit Nanny, who just with last weeks issue offered to nurse Greycrow (who had his name changed from scalphunter because of course marvel did why wouldn’t they) and falling down. It combines humor with an odd but well thought out cast and makes Alex Summers intresting without making everyone else assholes, a hard but earned feet. If it continues to be good.. I dunno, especially since i haven’t been impressed by any of zeb wells other works especially his new mutants run, good god that one’s am ess, but so far he’s winning me over with a clever concept and roster full of deep cuts.  Final Thoughts:  I won’t be covering Empyre: X_men, though I did enjoy it and i’l save that one for next time. For now this has been a hell of a year of x-men comics, with even the weaker books still having something intresting and none being outright terribule and only one had a bad grasp on some of it’s cast and for a line this big and expansive, that’s a gold medal achivment. After YEARS of stasis the x-men have finally risen again better, bolder and stranger than ever. IS every book A+ gold star etc etc, no, but what’s important.. is that it’s all DECENT. There’s enough standout books to make it work but as i’ve made clear what isn’t the best of the best is still good or decent. There’s nothing bad, no one phoning it in or not giving an effort, everyone is trying thier hardest and succeding on SOME level even if not completely and that.. that’s truly amazing and I look forward to more of it as this line continues. Pax Krakoa and hopefully i’ll see you again. 

[straightfacedstrangeness]

Okay, these are not expert/Hardcore Nerd opinions, but I’m so used to being surrounded by Star Wars and keep being surprised that other people aren’t, so...Some Kind Of Star Wars viewing guide for people who aren’t into Star Wars

STARting point:

Basically, if you like robots, aliens, and big space battles (and/or are a special effects or sci-fi design nerd), you’ll probably enjoy Star Wars.  If you don’t...the writing and acting quality varies from version to version, and between different movies in the same trilogy.  Star Wars is more a thing to enjoy because it’s fun, not to appreciate as high art (unless, again, you’re a nerd for special effects or design).

The original movie, aka Episode 4: A New Hope, is the best starting point because it sets up the central characters and conflict, is a lot of fun, and if nothing else you’ll get like 60% of the Star Wars references people make.

Episode 1: The Phantom Menace is also a lot of fun and could be watched as a standalone, but the plot can be hard to follow, and the other Prequel movies (Eps 2 & 3) are best viewed through the lens of “how does this inform the events of the Original Trilogy” since they’re kind of awkward, confusing, and depressing without that context.  Only start with 1: The Phantom Menace if you have some nostalgia for it.

Episode 7: The Force Awakens is also a lot of fun and has the added bonus of a more diverse cast, but it and its sequels heavily build on and reference the events of the Original Trilogy.  The basic plotline of “evil fascists VS people trying to stop them” is probably easy enough to follow, though, so you can probably start here if you’re okay with getting some Original Trilogy spoilers, but you’ll most likely want to watch The Original Trilogy before watching 8 or 9.

Rogue One and Solo take place before The Original Trilogy and can probably be viewed first if you like the cast or concept of either (Rogue One: “here are the people on the ground doing the hard work that sets up the other heroes’ victories,” Solo: “it’s a heist movie IN SPACE!”), but they’re fairly dark by comparison and some of the big reveals or other details might make more sense with the context of seeing the Original Trilogy first.

The Mandalorian takes place on the fringes of the Star Wars universe and barely references any events or characters from the rest of the franchise (and even then, neither the audience nor the main character are expected to know who or what they are), so you can start here if you don’t mind minor spoilers for who won the (Original Trilogy) war.

The Original Trilogy (4, 5 & 6, 1970s-80s)

Lots of fun, heavily referenced in pop culture, great designs and cool puppetry and other practical special effects.  These are the movies with Mark Hamill as Luke, Carrie Fisher as Leia, and Harrison Ford as Han Solo.  All of them are great and bring a lot of charisma and humanity to their performances.  4: A New Hope is the really iconic one and is mostly a fun adventure through space.  A lot of people love 5: The Empire Strikes Back because it’s darker and hate 6: The Return Of The Jedi because it’s sillier, but honestly, it comes down to personal preference.

Once you’ve seen The Original Trilogy, you can freely watch either of the other movie Trilogies.  Just watching 4 is enough to let you skip over to the standalone movies or the TV show The Mandalorian.

The Prequel Trilogy (1, 2 & 3, 1990s-2000s)

These are the movies with Ewan McGregor as young Obi-Wan, Hayden Christensen as Anakin, and Natalie Portman as Padmé.  A lot of people shit on these for being “bad movies,” and yes the acting is often flat, the plots can be hard to follow (Original Trilogy is a simpler “bad government VS good rebels,” Prequel Trilogy has a lot of political manipulation and nuance but doesn’t explain it much), and a lot of it is watching people making decisions that you know from the Original Trilogy are going to turn out badly.  But I unironically love them, and they have really amazing design and special effect work (the CGI of course looks dated now, but it’s still phenomenal), and a lot of fun moments.  1: The Phantom Menace is another fun adventure through space, but with a lot of awkwardly racist alien caricatures who are thankfully played down or removed from the other movies.  2: Attack Of The Clones is a space adventure with an unfortunately uncomfortable romantic subplot, and 3: Revenge Of The Sith is relentlessly dark but I like the emotional drama of it.  Again, either you’ll think they’re fun or you won’t.

Like I said above, these are best watched after having seen the Original Trilogy, to inform the backstory and characters’ actions, VS being watched as standalone movies.

The Sequel Trilogy (7, 8 & 9, 2010s)

These are the movies with Daisy Ridley as Rey, John Boyega as Finn, Oscar Isaac as Poe, and Adam Driver as Kylo Ren.  Like with the Original Trilogy, all of them are great and bring a lot of fun and depth to their characters, and also 7: The Force Awakens is a fun space adventure, and people are divisive over 8 and 9, 8: The Last Jedi being darker and 9: The Rise Of Skywalker being lighter...but with the added meta-drama that 9 spends the entire time trying to undo or contradict things that happened in 8 (and an extra level of meta-grossness in that 9 seems to bow to things that Toxic White Guy fans hated about 8, like removing a major WOC character).  I personally prefer 8 because it’s a neat subversion on a lot of accepted lore and concepts from the Star Wars franchise and was disappointed in 9 as a result.  But once again it comes down to a matter of taste, and at the end of the day the main thing about Star Wars is fun dialogue and cool sci-fi stuff.

These should be watched after The Original Trilogy because they heavily build on and reference the events of it, though 7: The Force Awakens is a reasonable “First Star Wars movie” if this is the version you’re most interested in...just with inherent spoilers for The Original Trilogy.

Standalone Movies (Rogue One & Solo, 2010s)

Rogue One takes place immediately before The Original Trilogy but is darker and more of a heavy action-drama about people making difficult choices, with a good, largely-POC cast.  Solo also takes place before The Original Trilogy, though I feel it has some clunky writing (a droid character who’s reasonably upset about the literal enslavement of her own kind is treated as delusional and comic relief??) and also gets pretty dark with lots of character deaths, but it has the fun of being a heist movie with a conscience.

Like I said above, these can prrrrobably be watched without Original Trilogy context, but at least Rogue One is probably more rewarding if you’ve already seen 4: A New Hope.

The Mandalorian (TV show, 2020s)

This is the show with “armor guy and Baby Yoda” X’D  It’s basically a Western about a guy drifting from town to town across space and helping people with their problems...which mostly involve fighting and killing people.  As always, amazing designs and special effects, and I find the writing consistently compelling.  There are a lot of bonuses if you recognize a character, character design, or prop design from another Star Wars media, but since you don’t need to know them in order to understand the episode you’re watching, you may not even realize they’re references (which is the BEST way to do a reference).

This takes place immediately after The Original Trilogy, but you can watch this first if you don’t mind knowing who wins the war.  Though there are a few worldbuilding details (like being able to recognize the evil Empire’s uniforms or ships) that are probably a bit less confusing or a bit more rewarding if you've at least seen 4: A New Hope.

Other Media

I haven’t seen/read/etc much of any Star Wars except what’s listed above, so I can’t really offer any advice here.  But the CGI TV show The Clone Wars probably relies on you knowing the plot of Prequel Trilogy eps 1 and 2 (since it takes place between 2 and 3)...and if you’re jumping into some other Star Wars media and you can’t understand what’s going on, look at its copyright date and check what movies came out before it did, to gauge what you’d need to watch for context.  But all the movies only rely on knowledge of other movies, the other media are about fleshing out other aspects of the universe or things that happened between/before/after the movies.

Otherwise all I can say is that the Star Wars: Droids cartoon from 1985 is delightful and the few eps I’ve watched don’t require any Star Wars knowledge whatsoever.  (It’s long out-of-print but some kind soul put it on YouTube.)

[nouveauweird]

MEDIA INFLUENCES FOR MY WRITING (IN GENERAL)

I was tagged by Yah Yah of @fluoresensitive​ (thank you!). Since I’m not actively working on a single wip I chose some early and major influences for my work overall rather than just one project. These medias span from childhood to very recently! 

As you can see I am very much influenced by the science fiction and crime genres. Some of these works I was introduced to through school, others through chance or recommendation, and they all left lasting impression. The following WIPs take the strongest influence from these medias: The Puppeteer Plague (sci-fi thriller), Of Rust & Redwood Lungs (space opera? drama), Define Vitality (post apoc drama), Hyacinth Stalks (crime thriller).

TAGGING: @bebewrites - @blossomov - @skeletongrrl - @glittcrpeach - @queenie-dragon - @halohidings - & anyone who wants to tbh

This got long so I’ll put all of this under a cut!

The Magic Treehouse series by Mary Pope Osborne. These were a childhood favourite of mine, a mix of science and fantasy and adventure that made learning something empowering for children. 

The Pyx by John Buell. This pulp fiction has been lurking on my family’s bookshelves forever, since it’s one of my grandfather’s novels. I need to reread it to appreciate it properly because it’s been like 10 years. 

The Chrysalids by John Wyndham. I read this in grade 9 and fell in love with its subtle science fiction elements, its post-nuclear apocalyptic setting and the children who find themselves with tele-empathic abilities that make them a target of their hyper religious communities... 

The Host. Probably read this midway through high school after the Twilight craze had died down, but have reread it about 4 times and it makes me cry every time. Say what we will about Smeyer and silly hetero love triangles but she did some really cool worldbuilding with this, and those ideas have followed me ever since. I probably think about this book every time I shower, don’t ask me why.

The Stand (expanded and uncut edition). My dad has a few favourites, and among them are this book and Dune. He convinced me to read it when we were stuck in a cottage for two weeks when I was 14. I got the name Perion from this book, which I gave to one of my most treasured original characters. I also take inspiration from some of the plague and post apocalypse elements but little else.

Level 26: Dark Origins by Anthony E. Zuiker. I watched way too many crime shows as a teenager, and though I think the CSI shows were not so bad, this novel written by the executive producer was real bad. I absolutely shouldn’t have read this at 15 years old it was so fucked up, but it was also the first book to immediately hook me in in the prologue and held me in a tight grip of suspense the whole way through. I’ve never been more fucked up by a book before. The sequel is pretty good too. It is actually media based, and has codes every few chapters that you can plug into the official website where there are short clips shot with real actors that provide additional subplot to the book.

Fringe (2008-2013). This was my favourite show which I was so invested in I recall my sibling coming in to console me during a particularly intense season premiere bc I was sobbing so hard. What they did with some of the science fiction in this blew my mind, and some elements have followed me into my work now. 

Obscura by Joe Hart. I read this last year, and I’ve never really finished a book and wholeheartedly said that it deserved to have a TV adaptation. It’s narrative is suspenseful the sci-fi elements are compelling and the stakes are intriguing. It’s set in space, the main character is a mother, and the twist is fucking delicious.

Bloodchild by Octavia E. Butler. I read this for my sci-fi themed English class last year and was riveted. I haven’t read anything like it before. The whole class reacted strongly to it. I loved the alien species and I love the dynamics between them and the humans, who have become refugees on another planet, and a valuable resource too. Fucked up but in a very compelling way.

The Southern Reach Trilogy by Jeff Vandermeer. I started the first book at 9 pm before trying to go to bed, and got through the first 100 pages, I had to get up and go talk to by sibling Andy because I was so thoroughly skeeved out by the world Vandermeer had created. I put a lot of trust in this story, because the perspectives shift in the following books and I really wanted more from the Biologist, but ultimately it remains one of my favourite series and a huge influence for my science fiction work. 

Alien (1979) & Aliens (1986). The first “scary” movie I was introduced to as a kid. The monster/alien concept stuck with me and I rewatch the first two films (we ignore every subsequent film). Puppeteer Plague pays homage to the Xenomorphs, and in another WIP (Mare Levest 40) I named many of the crew after Alien Franchise characters.

iRobot (2004). Another action/sci-fi I was introduced to as a kid. It still startles me even though I know the story and have watched it many time. The robots were fucking cool. Spooner’s prosthetics are a major influence in Of Rust & Redwood Lungs (which is a Mars Settlement political drama).

The Expanse (show and books). I only recently got into this series, but it’s become a big inspiration for me for my own space opera wip. I have taken influence from The Martian, The Space Between Us, Interstellar and many other space-based medias for this piece, but The Expanse was the one to really dig in deep with the worldbuilding and I have a lot of respect for it especially because of its diversity of characters, but also representations of various sexualities. 

Runners Up: Panic at Rock Island for its plague themes, The Mentalist and Lie to Me for their unique approaches to crime, Terra Nova for its unique worldbuilding and for also making me fuckin sob during the finale (also shout out to the livejournal fanfic community I was in for that fandom, lmao, I gave Lt. Reilly the first name Laura and someone put it on the wiki), and Bioshock, The Last of Us, and Horizon Zero Dawn for worldbuilding elements. 

I legit didn’t realise I had so many sci-fi influences, damn. You’re a trooper if you read this far.

[mobius-prime]

139. Sonic the Hedgehog #78

Though it's not really relevant to the plot, this just so happens to be the first issue released in the 21st century! You'll notice the little jokey announcement of this fact on the cover above. It's also worth noting that at this point, it's been just over a year since the first 3D Sonic game, Sonic Adventure, was released in Japan, and several months since its international release… I wonder if this will have any effect on the comic?

Changes

Writer: Karl Bollers Pencils: FRY Colors: Frank Gagliardo

We open with Sonic kneeling in front of the king, who is giving a speech in front of the entirety of Knothole about Sonic's bravery and heroic actions. He touches a sword to Sonic's shoulders, and knights him as Sir Sonic the Hedgehog! Sally gives him a medal and a kiss on the cheek, and amidst the celebration of Sonic's new title the king makes another announcement.

It's about time he officially recognized them! While this is going on, Robotnik seethes in his headquarters in Robotropolis. While he's finally managed to rid himself and his computer systems of the virus Nicole and Sally planted, he had to dump a lot of old corrupted files, including the hidden location of Knothole and start from scratch. This is kind of convenient for the larger plot, seeing as since this is a different Robotnik from the original, it might be too easy for him to concoct a winning strategy if he was able to simply access all the old Robotnik's info from the get go. He vows revenge on Sonic, as he still has millions of roboticized slaves, including Sonic's uncle. Speaking of, Sonic isn't as caught up in the celebratory mood as everyone else. He's quite depressed, actually, as he finds himself having to move all Uncle Chuck's old belongings out from his house for Nate to move in instead. His parents, entering the house, move to comfort him about the situation.

It's been so long since Sonic has had parents to look after him that this is a very sweet sight. Aside from Sonic Underground and an old obscure manga only ever released in Japan, I know of no other Sonic media that actually addresses the topic of Sonic's parents. When the series was rebooted in the future, one of Sega's weird new rules for the comic was that they couldn't include any references to family members that weren't already defined within the games, but I always found that to be restrictive and detrimental - considering Sonic's very independent, cocky, cool-guy persona, it's fascinating to me to see how he ends up interacting with parents who care about him. There's this clash between his rebellious teenager attitude, and the side of him that wants to be taken care of by the parents he was separated from for so long, and I find his attempts to strike that balance very interesting.

Speaking of family and parents, Sally and Elias have joined their father in the building which has been hastily retrofitted to serve as Queen Alicia's new "storeroom" of sorts, the temperature brought down to freezing levels to maintain her cryotube. Apparently Dr. Quack is still trying to work out why, if her past injuries have healed, she's still in her coma, and they all resolve to continue to hold onto hope as a family. They turn away to help Nate carry a Super Emerald (still no real word on what these are or how he came by them, but eh), which conveniently means they miss the queen's hand twitch within her tube…

And here, we have our second space interlude!

Hmmm… who could be in these strange spaceships? Clearly they know where Mobius is…

Back in Knothole, Mina is wandering around, depressed from losing her family during Robotnik's takeover. She actually considers letting herself be captured to be with her family again, but before her thoughts carry too far she finds herself approached by Rosie, who has a special request for her.

As Mina heads over to watch over the children, Bunnie and Antoine pass by, chatting together. Bunnie asks Antoine why he's seemed so distracted lately, and he responds that the knowledge of his father being the roboticized sub-boss of Robotnik in Mercia has been weighing heavily on his mind. As that moment Sonic, Sally and Tails show up, and when Bunnie and Antoine congratulate Sonic on his new title he suggests cheekily that they call him Sir Sonic from now on.

Now this is something I am very pleased to see. This is the moment where Geoffrey starts to become less of an asshole, and become a whole lot more likable. I really prefer his rivalry with Sonic to be more about their respective attitudes toward life, with Geoffrey being all about duty and serious discipline, while Sonic is more of a free spirit who leaps into things without thinking to be a hero. It's much more interesting than the whole love triangle thing Penders tried to push for so long in eras past. They begin to discuss how the king apparently wishes the Freedom Fighters and Secret Service to begin working together more closely, but they're unaware of Elias watching from afar, thinking quietly to himself. Turns out all of this - the reinstatement of the Freedom Fighters and their working together with the Secret Service - was all at the suggestion of Elias to the king, as he sees Sonic as a hero who deserves to be on the front lines after observing him during the mission to rescue Nate. He walks obliviously past a group of heart-eyed girls ogling him (and really, can we blame them? He is very attractive), wishing that he could be more involved in the adventures and dangerous missions the others go on, that he didn't have to be a prince in line for the throne. However, he finds himself shaken from his thoughts when he hears his father and Dr. Quack speaking through the window of the queen's storage building…

Well, that's not good… Perhaps even more concerning, Robotnik back in his HQ has once again turned his arm into a terrifying mass of robot tentacles and plugged it into his now-cleansed computer system, and discovered a tidbit of information that he believes could cement his ability to rule over the planet! What is this information you ask? Well, all we know so of it so far is what's displayed on his screen as he orders his troops to march out - the outline of a continent that looks very much like South America, and the word "Chaos" emblazoned across it…

So you remember how I pointed out how the Sonic Adventure game had just recently come out at the time of this issue? Yeah, I didn't bring that up for no reason - much like Sonic X did several years later, the comics did their own adaption of the game! Unlike Sonic X, however, which was able to follow the script of the game fairly closely with only minor modifications to be made for the setting and characters, the comic adaption differs significantly from the plot of the game due to this world's vast differences from the games' canon - for example, humans and Mobians aren't exactly friendly with one another, the Master Emerald didn't even exist until recently, and perhaps most notably, the history of the echidnas has already been explored in a very different context from how it's portrayed in the game. This was perhaps the thing I was most interested in to see how the writers decided to resolve the discrepancy when I first read the preboot. After all, it wasn't until the 3D games that the Sonic franchise began to expand its worldbuilding and create storylines and characters that had a rich backstory. Up until then, the characters and story were barely given any backstory beyond quick blurbs within game manuals, backstories which were so fluid and indeterminate that they differed greatly between localizations of the games in other countries. Sonic Adventure was the first real attempt to add some depth to the world of Sonic the Hedgehog, and suddenly the Archie comics found themselves having to contend with this new reality being explored in the games, a reality which is extremely different to the one they themselves already created with the limited base they had to go off from the Genesis era. Now, not only do they have to find new roles for all the characters which simply don't exist in the games such as Sally and Bunnie, but they have to find ways to fit even very simple concepts such as Station Square and Chaos into this universe. As we'll see, there were quite a few workarounds implemented in the plot to explain these things away… but it will be several more issues yet until we reach that point, as we have the final arc of Knuckles the Echidna to tackle first!

Tales of the Great War (Part 6): What Really Happened

Writer: Ken Penders Pencils: Chris Allan Colors: Frank Gagliardo

We're getting close to the end of this arc. We head back to the campfire around which Jules and Bernie are telling their story of the Great War. Jules was on life support due to the extent of his injuries, and Bernie and Uncle Chuck decided to hide this from the infant Sonic for the time being to avoid upsetting him with information he was too young to process. Chuck, with Bernie's blessing, took Jules to his prototype device within the palace lab, unaware that Julian had been making some, let's say, unauthorized modifications.

Chuck, unwilling to wait the time it would take to run preliminary tests on his device for fear of losing his brother, stuck Jules in and hit the button, and was promptly horrified when a mindless, fully-robotic Jules emerged, unresponsive to anything he said to him. He blamed himself and became severely depressed, not realizing that it wasn't his fault at all. Around this same time, the Great War was coming to a close. Julian had suggested something he figured would give him a potential leg up in conquering the world - that King Max should duel the Overlanders' overlord in a winner-takes-all fight to the death, his hope being that whoever won, he could easily take the place of to conquer the war-weary world for himself.

Despite his disappointment in the outcome, Julian was somewhat gratified that shortly thereafter, Chuck left all his equipment to him and resigned from being the kingdom's foremost scientist. Bernie attempted to convince him that it wasn't his fault, and that despite Jules' state she was grateful to him for trying, that Jules would be dead if he hadn't roboticized him. Chuck merely retorted that he might as well be dead with how the experiment went, and despite Bernie still trying to reason with him, he left, leaving her wondering how to explain everything to the young Sonic…

[anansislibrary]

All of my thoughts on RWBY: taken from one of my videos here

If you haven’t watched RWBY yet... I honestly don’t know what to tell you. The show is genuinely one of my favorite anime of all time. It’s got an amazing cast of interesting characters, great writing, an amazing world to get immersed in. Every character you meet sticks with you, many of the fights are fast paced and memorable, and being a lore buff like me pays off in this world.

But RWBY isn’t... perfect, and having finished the newest season and rewatched the show from the beginning... I have some issues.

Don’t get me wrong, the new season had some excellent parts. The fight between Blake and Adam was literally perfect, and side note, idk why fans are saying Adam got nerfed for this fight or made weaker, when some of his only notable feats happen during this fight. The man lands hits like mortal kombat combos.

Anyway, I don’t want to just crap on the show so before I go into what I didn’t like, I’ll get into what I did. But before then, I’ll have to give you a brief rundown of the show. But before THEN I gotta give my obligatory plug

So make sure you like and subscribe if you enjoy this video and want to see more like it, and consider donating to my Ko-fi if you’re able to to help support my channel and help me make better content.

Without further ado

Here’s RWBY

Quick basic spoiler full rundown of the show.

Rwby takes place in a world callled remnant, with a shattered moon. Why is the moon shattered you ask? Satan threw a temper tantrum

Anyway

There’s monsters

Schools for people to fight monsters

Except no Because the main character’s school gets blown up by this BITCH NAMED CINDER, SCREW YOU CINDER.

Prompting Ruby and her Gucci gang to go on an adventure.

Got it? Good.

So here’s everything I love about the series.

I really like the character designs. Every single character has an excellent design and I could really do a video on how character design helps develop character and tell a story just using this show. Every person in the show has an interesting and cool design that helps you to remember and understand them.

An easy example is Weiss. She dresses like an actual princess, her color scheme and weapons are all very elegant looking and it hints at her high class status without even having to spell it out for you.

Plus I love how characters names are based off of fairy tales or mythology. For example, Sun, Sage, and the ironically named Neptune. The motif of fairy tales is fun too, for example Ruby being Little Red Riding hood, Ozpin and Glenda Goodwich being wizard of oz references, ironwood being the tin man and Leo being the lion, Qrow and scarecrows and all of that. Weiss and Winter both have names very directly based on snow.

Every name in this show was very clearly thought out, and even abilities too.

Sun can make clones of himself just like in the myth, Blake has issues with running from her problems, so she can make clones, yang has anger issues and can go super saiyan, almost everyone’s power has something to do with their personality.

Salem is such a fun villain. I wish she could do more because she’s really sinister and scary. She’s such a fun villain to watch but she doesn’t do shit.

I also love the fight scenes, I love how bombastic and fast paced they are, and it’s really cool how every character has their own unique style of movement and fighting that vary between them. The fights in this show are quick and stick in your mind, and there’s an emphasis put often on how much a character can move in a short amount of time.

Cinder as much as I hate her is also a great villain, and that’s why I hate her.

Roman Torchwick is also a GREAT villain and The way he dies is satisfying as hell, and seeing Neo again made me scream.

The worldbuilding is my favorite aspect of the show. Now I’m weird and I like info dumps and that’s why I enjoy those World Of Remnant videos that expand on the worldbuilding so as not to bog down story with info dumps. The world is really fun to learn about, how humanity has evolved in terms of technology is fun to speculate on, for example since Grimm attacks are common and destructive, towns outside of major cities are less technologically advance because they often don’t have time to explore that and have to move from town to town quickly in an emergency.

The Grimm are excellent monsters with varying abilities that make them scary. I love the Apathy from the most recent season, and how it doesn’t just attack you like a Beowulf, Ursa, or Nevermore, but it drains away your will to fight back at all.

This show also has my favorite trope of all time MIXED TIMELINES

YOU GOT TRADITIONAL CHINESE CLOTHING AND DRESS AND ASIAN ARCHITECTURE ON TOP OF CELL PHONES TOWERS AND ALL OF THAT

this trope is so fun because it really makes a world feel unique.

The world of Naruto has all kinds of modern stuff, but until Boruto it was mixed with older tech and tradition, really selling how this is not our world.

Another thing I love: every weapon is a gun. That is SO fun.

Now as good as the show is, it does have problems. That’s inevitable though, all shows, movies, and books have problems, nothing is perfect.

Except Avatar. Avatar is flawless.

Me pointing out the issues I have with this show is by no means to say it’s bad, just to point them out.

I truly do have love for this series and I still cry about Phyrra and her death.

I love you baby.

But that being said, pointing out the issues a show has can be important for both understanding the pitfalls to avoid in our own writing, and helping creators fix issues later on.

A lot of hard work goes into making this show and I would just be an asshole if I did nothing but shit on the show.

No matter how many issues it has, I can tell the people making it love what they’re doing, and that always shines through a series no matter how many issues it has, just like a show or movie can do everything conventionally right and still be a soulless shit show.

Looking at you call of duty black ops 3.

So here’s the issues

Fight scenes

I love the fight scenes. I’ve said that, they really can be so fun to view and I find myself coming back to them a lot.

But I have issues.

Lemme just say first that I don’t like complaining against animation. Animators go through enough crap already and it feels mean to criticize them at times, but this needs to be said.

One, I hate how people throw punches in this show.

They swing so wide it’s annoying.

Okay listen. If you swing at someone with a punch this wide, and they know how to fight, it will not land. They will block or dodge. I know this because as my subscribers know, I am a martial artist. I know jujitsu and boxing, and I took taeqwondo.

This is a bad punch.

My theory is that they do it to emphasize the impact of a bit, but that’s not necessary. There are other ways to do that.

You could say “they’re animators they don’t know how fighting works.”

But Naruto exists and those animators get martial arts stuff down PAT.

Hell, avatar the last airbender depends on its animators being able to animate fights with consistent accuracy, and those characters use styles most people have never heard of like Baguazhang.

And I know this doesn’t seem like a big deal, but it is. It’s hard to really get behind fight scenes at times when the characters can’t throw a simple punch right.

And again it’s not like it’s impossible for animation to animate a fight.

There’s a scene during a fight in Naruto where Obito Uchiha kicks Kakashi, and Kakashi uses his foot to redirect the kick and pull obito off balance.

This is a real move, that people do, and it’s done accurately, but RWBY seems to struggle with accuracy in their fights. Which is fine when a character’s weapon looks like this, but not in hand to hand.

This issue comes up in sword fights too. The way Weiss fights annoys me because her sword is a rapier, and the most important characteristic of a rapier is that often times they don’t have blades, they have points, and when they do have blades, they aren’t meant for slashing. Rapiers were made to exploit the gaps in someone’s armor by stabbing them, and thus it is a thrusting sword, not a slashing one. A sword like a Katana or Khopesh would be good for slashing. Roman gladius can kind of do both, but not as good as either one.

The point is that if they’re gonna give Wiess a rapier, they need to stop animating her slashing with it. Especially when her rapier doesn’t appear to have a sharp edge.

My next complaint is wasted characters.

It’s very frustrating when RWBY takes times to show us a character, but then never uses them.

I didn’t even know sun had a full team sometimes because you never see them.

And furthermore it’s annoying when a fight scene will just stop so that a character can do a cool thing.

Oh no this robot is so hard to beat, how will we beat this dangerous and powerful robot

Oh wait, this character can solo it because the plot needs to pause so she can be cool then promptly never be seen again.

It is so frustrating and it makes it hard to actually know when a character is in danger.

It takes 20 hits to kill a Grimm in one scene, then like two in another.

And the reason for that is because the plot is being pushed aside for the sake of spectacle.

A character’s abilities will be made inconsistent for a chance to make them seem cool.

Like this scene where Tyrion is fighting qrow, he uses his tail to block bullets.

But why?

He has his Aura up, the bullets wouldn’t hurt him anyway! Then when he gets shot later after he looses his aura his tail comes off.

If he was fast enough to use his tail to block bullets he wasn’t even paying attention to, why can’t he do it now!

There is no internal consistency.

Like why are Grimm so strong if they don’t have auras? That’s not explained because they Grimm rarely serve the plot, they spectacle. Adam putting 20 kombo hits into yang to beat her makes sense. He has to wear down her aura to actually hurt her.

But 20 hits to kill a grim that then gets solo’d by a character later on?

No.

Then there’s hazel.

He annoys me.

His villainous motivation is that his sister joined a school for trained soldiers, then died because it was dangerous and now he hates Ozpin.

Dude what?

Like I get why he’s mad, but she knew the risk and someone had to sign off on her getting in for her to be able to go to beacon at all. A child can’t just register for a school especially one where it’s a known risk you could die.

Also another thing I hate is how characters will overreact to stuff in annoying ways.

This is mostly in the most recent season.

Spoiler alert here

But everyone finds out the history of Ozpin and Salem’s relationship from Djinn

And then they just all hate and distrust Ozpin.

Here’s my reaction to finding out about ozpins relationship

It’s just... not that big a deal.

Okay so he was pipping the villain at one point

Nigga so was dumbldore!

It’s just annoying how Ozpin didn’t really do anything but he still was treated like he was just a bad person when he wasn’t.

That whole plot point feels empty, and I found myself more annoyed with the characters for being mad at him and wasting time, than mad at Ozpin for wanting to get laid.

My next complaint on this nitpick fest is

Shit what was I gonna say again?

Oh yea, that annoying ass military lady and her whole reason for not letting the heroes into atlas.

That was so annoying and pointless. She really had no reason not to let them through, and her getting into a giant mecha to fight them pulled me so far away from the story because it was just too ridiculous.

The mecha is for fighting Kaiju grim but it’s taken down by like five kids and their drunk grandpa.

Which like... fine but I hate it.

I hate that whole sequence.

It didn’t have to happen like that, it was another fight purely for spectacle.

It made me mad.

Plus I really really hate mecha anime and mecha fights in general.

God I hate them.

I skipped almost every mecha fight in Voltron because I hate them.

Look the point is that rwby is definitely a good show and I love almost every part of it, but these issues really pull me away from the story at times and you can really sense how much of the story is less about progression and more about increasing drama like the Ozpin thing, or looking cool.

Please watch rwby it really is worth your time, just be aware of the issues it has.