#i like how this is still a disney feature so he has to be like ahaha i didnt have any political message with this at all i just started

[screamingay]

listening to the wall-e director's commentary and i absolutely adore the connection they made between the plant and love both finding their way back to earth at the same time.. wall-e finds the little plant just before eve comes down and finds him, and that's not a coincidence!! the plant was meant to represent life persevering post-humanity and wall-e & eve's relationship represents love persevering post-humanity too!!! the idea that the things we create will still have the capacity to learn and grow and even love long after we've left them behind!!! and that life will always find a way!!!!!!

[kalims]

⭒ㅤwith a disney princess

premise. surely there's been a mistake, cause there's no way someone out of place like you ended up at nrc, right? (spoiler alert: months later and they will fight whoever might drag you to rsa)

featuring. dorm leaders (from diasomnia to heartslabyul)

content. at best this might imply a female reader, given they're based of a 'princess' but I tried to take the gender vague and focused mainly on the qualities of them! mc has hair in the rapunzel part lol

note. no beta we die lol. I worked on this by group so i honestly don't remember if I accidentally gendered mc. I absolutely love idias part lmaoooo

malleus (aurora)

ooh intimidating x soft couple.

you look way out of place in somewhere like nrc of all places, given your mother is the infamous sleeping beauty (infamous, in the college’s standards that is.) your kindness is easily taken advantage of, even if you do realize it there is always forgiveness spared for the undeserving.

said kindness was extended to the quiet malleus.

surprise no surprise. he’s impeccably drawn to the sparkling aura you seem to exclude. malleus feels as though there are traces of familiar magic always hovering around you, like its embowed into your very being. a blessing would be a better word for it.

well, he’s just curious but if he were to ever ask he’d be met with the confirmation that you were, indeed blessed by the same three fairies your mother was blessed by (minus the curse… ironically he’s quite similar to the same lady that your mother loved and looked up to.)

he’s just fascinated. something as glittery as you, shiny like gold would’ve been whisked away to his nice tower, homey. he’d tell you. almost as if making its image seem heavenly. (lowkey highkey getting your consent for kidnapping)

animals always seem to flock around you everywhere you go, they sneak around to reach you. in your dorm, during lunch, even in class. there’s either a bird on your shoulder or a squirrel making itself comfortable atop your head. its a curious sight, critters don’t really like him much.

in short they run away, humans or animals alike are both afraid of his presence it seems.

so he’s incredibly still when you nudge an adorably round bird in his palm, peering at it with cautious eyes. tense as a statue lest it flies away.

cue staring contest.

he felt incredibly accomplished that day, and immersed him in the role of making this creature like him. leaving seeds, offering it the most sought off food from the valley, literally conjuring a small home for it. everything.

HE’S SO HAPPY.

malleus often asks of you to sing, perhaps its the blessing talking but its the most unique form of sound he’d ever heard in his life, the more he sings the more he wants to imbue his very being with the loveliness of your song.

always following you around like a lost puppy (lizard?) any evil that actually wants to take advantage of your unfortunate naive desire for peace and kindness is scared away. although malleus would never want your interactions to be reduced entirely because of him, he only starts looking like a demon one he figures out their motive is less than fitting for you.

“yeah, the ingredients were to complicated for me to remember—”

“oh! perhaps i can help you?”

spots the demon behind you (just your lovely giant staring them to their grave.)

“you know what i actually got it— sorry for wasting your time.” you watch them, confused as they dip.

you look to him, as though to ask what just happened but he merely casts you an oblivious glance and shrugs.

favorite past time → coddling you in his dragon form.

he was doubtful whether he should pull through in actually showing it to you, since you were already such an angel towards him. would it be a stretch if he let a selfish desire get in the way? perhaps you’d get scared if you see how large he is there—or if he’s—

idia (rapunzel)

okay that amazed smile on you was totally worth it.

wow your hair is fire.

he should have never made a comment about it in the first place because now you’re completely confused about his reference, were you living in like… in isolation? a cave? you’re a little less worse than the scarabia’s dorm leader when it comes to being oblivious.

just two idiots miscommunicating, he atleast is trying to make an effort to explain that he doesn’t mean it literally but his wording is so bad that you get absolutely nothing from what he is trying to infer.

okay your hair though.

“why is that person stuck in that square!?”

good thing ortho was near cause you almost charged towards a television and judging by the, pan!? in your grip you definitely would have smashed the screen trying to be righteous and rescue the character.

okay then. 1. don’t let you near electronics, specifically when its playing something.

you are a literal danger to his society. shivers

you’re always asking something like “what are those glowing balls on the ceiling?” those are lights… “why is that thing speaking?!” that’s a speaker… “why is it on fire?” oh that’s his hair, he doesn’t really know either it was just like that.

it does feel a little nice to get asked like that and he’d know the answer (its literally the most common knowledge ever but whtv)

EPIC! idia is now trying to figure out how resistant your hair is. its literally like, the most OP shield there is!

at first he had some reservations. like, used a knife once and was flabbergasted when it came back in half. your hair didn’t even move an inch. then he got motivated and tried a sharper sword, longer, and larger of course. he let ortho handle it cause he probably would have stabbed himself.

“wtf.”

flinches cause the half of the sharp end came completely off and stabbed right beside his head onto the wall.

what are the limits of it?! had some doubts before using one of the tech he came up with, it could literally cut through a diamond and he isn’t sure if its entirely safe but you’re all for it cause you were always curious whether your hair could even get cut in the first place.

anyway you’re way too happy to be near a lazer that could obliterate you and its kinda infecting him. yikes.

less than happy cause the lazer literally got reflected by your hair and hit itself so it’s just gone.

on the bright side he can use you as a scapegoat (in a good way)

alright. 2. don’t enrage you unless he wants to experience getting hit by a pan really hard.

wow. he felt that for days.

maybe its the hit or he’s just feeling a little woozy whenever you’re around.

definitely the pan.

vil (mulan)

bold x shy couple

pretty x pretty defender

he’s used to people heeding his suggestions but damn, are you a stubborn one.

not only have you not listened to his propositions for becoming a more refined person (cause the way you held yourself was too.. much for him to ignore, and it bothered him for a long time until he decided to help you.) but he can respect you, he supposes. not a lot of people can stay true to themselves.

it seems like epel, the boy himself has taking a liking to you. no wonder he’s been becoming more rebellious lately.

vil would never stoop so low to purposely direct someone advice that would change their entire self, decimate their unique traits. but all he told you was out of the goodness of his heart, if you’d be less clumsy of your ways your reputation would be better for the long run.

not being respected amongst nrc is never a good thing.

still, you’re still headstrong. never too overconfident, nor cocky. just a humble soul, that’s rare so he tends to stick by you if he ever wanted an honest opinion cause people just tell him what he wants to nowadays. vil never enjoyed the biased remarks.

more often than not he enjoys making your already pretty face, prettier than it is.

finds out you’re no bark and all bite, he never even knew you could take down someone who has an advantage over you in physical terms. come on, its savanaclaw. apparently the guy had spared him an unsavory comment and (apparently, in your defense. only told him a few words, got attacked so it was self defense.)

it came a surprise to him. seeing as you’re generally relaxed in nature, your military prowess a mystery to most since you seemed content with resorting matters with peace. though you seem to lack more restraint when it comes to your close relationships.

vil scolding you in the infirmary (you don’t have a scratch, and the guy whose pride you handed back to is in some corner lamenting cause he can hear you guys.) and you just taking it.

contrary to how you first treated to each other. you seem to be more prone to his opinions, or suggestions the more you progress with each other. he admits maybe he was too outright in his manner of speaking the first time, but it only highlights the change you’d gone through with each other.

you’re the perfect doll, in a way. not in a demeaning way or anything but its so satisfying to him to use products on your face just for the sole reason that you sit so still. his absolute favorite past time is skin care together even if you mostly just follow his lead.

you and epel must be kindred spirits, once he was on his way to retire to the indoors of pomefiore. seeing as it started raining, heavy so it meant it would stay for a while. and then paused when he spotted you both sharing words.

and planting apple seeds in the rain? both of you are stained with the rain, some dirt and mud alike. and vil had never looked so mortified. so just cause you don’t protest when he cares for you doesn’t mean you’re bothered by getting dirty he guesses.

“you both… clean yourselves up, i’ll brew medicine lest you fall under the weather.” ← disappointed sigh.

kalim (jasmine)

ended up waiting for you both to finish under the covers and ushered you both to baths.

you have a tiger!

just living char x their absolute biggest stan

wow you have a tiger.

did he mention you have a tiger?

majority of nrc knows not to mess with you haha, if it’s not obvious already with the seemingly lax tiger that behaves like some sort of overgrown cat following you around and growls at someone when you aren’t looking.

then you always raise a brow at the people who tell you otherwise. “bab doesn’t bite.”

kalim is lowkey highkey their biggest fan, i mean. jamil is having the worst year of his life dragging kalim away wherever you seem to be because the first apparent instinct of the boy is to try to pet the tiger cause it’s ‘cute’.

at some point jamil had to investigate your routine throughout the day, what you do, where you go at specific times like after classes conclude to make sure kalim doesn’t cross path with you.

well, not necessarily you but rather your… tiger. which is hard, honestly. you seem to visit scarabia a lot for a reason unknown. jamil would be suspicious you’d be planning something but all you really do is stay out on the balcony with your companion.

but alas, fate would have it otherwise.

“hi,” kalim blurts before he could remember his friend’s warning. you turn, along with your… also friend who watches him closely. you blurt out a greeting back, seeing as it’s courtesy, you seem to be amused at his fascinated eyes staring at your tiger.

“want a pet?” you offer, bab making sounds of protest.

jamil almost had a heart attack seeing the two of you attached by the hip, only calming down a few weeks later. seeing as your companion wouldn’t pose as much danger as he assumed, seeing as the tiger’s protectiveness started extending to the ray of sunshine.

rich couple ig. everyone overhears your conversations and doubles over. “i had a small statue of gold made for bab, for you.” and then a; “oh, thanks. but we already have a lot at home. hmm…”

actually it’s not really the manner of being attached, more like two following you. kalim, and then your cutie pie tiger.

your reserved nature in particular greatly contrasts kalim, yapper x listener i guess. although the object of his interest was initially because of bab, he might as well be another overgrown cat of yours cause he seems to love touch.

its concerning cause bab themselves felt challenged for your affection and when they spotted kalim’s head nestled on your lap they ‘accidentally’ kick him off.

in a way you seemed untouchable, pet included. you don’t seem to mind kalim much, people might even go as far as to say you enjoy his company. occasionally the vice of his dorm as well, the three of you have this sort of aura that screams ‘don’t approach’

said aura is in the form of a very big cat.

azul (ariel)

one time you admitted to having not much friends and three heads turned towards you. face twisted incredulously.

he doesn’t know why but you looked like you went through ten stages of grief (3 more cause the 7 definitely wasn’t enough.) when you took a glance at him, during the time you were looking around, you almost went past him, actually. but then doubled back immediately.

that’s concerning.

morally suspicious (devil in disguise) x angel

azul often asks your opinions out of habit, he himself isn’t even sure when it started but he considers you a factor in decisions. though he does prefer to keep you out certain… endeavors of his away entirely, no need to concern your innocence in his doings.

as such he often uses the twins to steer you away from trouble cause you seem to have no sense for it whatsoever, whenever there’s a fight brewing instead of walking off you stride closer. curious to whatever was happening.

and, you believe too easily apparently.

jade had held you by your shoulders and directed you away from the fight before the dispute reached you and inevitably dragged you in. “why are they fighting?”

he replied. “ah, well. they inhaled an unpleasant shroom and got affected.” your mortified face spoke you believed him. human culture! you thought.

your brain should be inspected honestly. floyd told him all about the pile of stuff you had “found” in your dorm, ranging from innocent collectibles to items that brought the question of whether or not they were really yours but you didn’t really claim otherwise, just that you found em’ so no more questioning.

azul doesn’t even wanna know why you started staring at mushrooms like they were a mortal enemy of all living forms. speaking of, the three of them didn’t even consider that you could be from the sea as well. seeing as, well. you have two feet, even if they have the same.

besides the fact you’re too clumsy for your own good you sure had no fear when you leapt overboard during a field trip cause a trinket that caught your eye fell and gave the entirety of the attendants a heart attack. floyd had patted him on the back and wishes him condolences.

also the shock of the century when you emerged, pretty tail and all. holding it the trinket up like you just found it the most fascinating thing on the globe.

since then underwater dates were a thing. which took a lot of prompting honestly, you didn’t know he was a merman either, curiously asking him what kind he was. in nature, you were persistent. like a need to sate your questions so he eventually relented.

even then, it took a while before he let you see the form. ← to his fluster you seemed engrossed in this form of his. swimming around him and asking questions.

now azul also have a small pile of items hidden in a box beneath his bed, all from you. which, upon being opened would be mistaken for unused items since its literally random stuff, and a concerning favor towards forks.

oh yeah. sometimes the tweels crash your date.

you could be in his office, going about your business. chilling on his couch and playing with one of your treasures and be completely unaware of the ominous discussion ongoing within the three about anemones? contracts?

“what are you guys talking about?”

“hairstyles for azul.”

“what—”

“ooh. i can brush his hair so you can style it!” pulls out a fork.

leona (belle)

“oh my sevens, WAIT—”

i was having a crisis trying to think of a dynamic so why not just, beauty x beast.

leona is less than pleased to admit he doesn’t like you much. or atleast, he used to. it was clear his feelings of you was reciprocated, based on the uninterested side glances you cast him. your type, well liked, pristine, proper, and informed reminds him all to well of what mold he was forced into. though it never really fit.

you on the other hand, just dislike him in general. more pointedly as to how he acted, too self righteous in your opinion. he sure spends a lot of time moping about how he could have been king when he’s acting like he’d be a terrible one. you’d say it to his face but even you aren’t too crude.

if you’re both looking at the bright side though, you’d probably prefer each other’s company above others. you’re quiet, perfect for napping around. he’s surprisingly true to himself, his morals aren’t too bad either.

as such, to your disdain he now naps in the library. which you had titled your own space, but he didn’t really just care.

relatively you’re a lot more cool headed than he is, you told him concerns about his laziness which he weaved through. after opening up with each other… well you know how it goes.

okay, fine. you no longer berate leona for napping at the public space, quickly shut up when he threatened you. “i’m gonna tell you the real reason ‘m here nowadays if you don’t calm down. and it ain’t the peace i’m here for.” he eyes you, and you shut up after that.

leona doesn’t know if he should be amused or annoyed at the fact that you stand up to whatever he says. ‘that’s rude,’ this. ‘are you out of your mind?’ that. at some point where he doesn’t wanna admit, leona had disliked seeing you upset (particularly towards him) that he started listening.

at others is a different story though. he will gladly watch you shut down someone else.

sometimes he makes weird remarks, like. “throw an egg at them, who knows might hatch into a chick and give them the company they’ve been lacking.” ← just bullies random people while you defend them. “what? don’t be stupid, eggs that are sold don’t hatch into chicks.”

you often lament in his arms, regretting ever coming near his sleeping frame cause next thing you know you’re subjected to prison, and you had accidentally dropped the book you were reading so even if you try to reach for it he’s pulling you back.

will reach for it if you ask tho lol.

just one look from you has him suddenly behaved tbh.

bothers your productive time by crashing it with his opposite word of productive idk im to lazy to check. more often than not tramples over your things, but always looks dead to life when you end up scolding him heavily.

also kicks out the animals that gravitate towards you for some reason, got jealous of a bird nestled in your hair once cause apparently you paid too much attention to it.

apparently told ruggie to fetch books for you when you’re running out, at that point you might actually milk the nrc library with how fast you burn through them.

“you’re not even from here, what do—”

“actually. originally from times before, they—”

riddle (cinderella)

got lectured about history, eugh.

easy to fluster x enthusiastic and sweet

how are you so nice.

you’ve got most of the population of nrc enamored with your natural charm alone, though some do tend to mock you. unfortunately they aren’t wrong, you really do fit in more at a different school like rsa with your personality.

i mean you fit the bill, kind, pretty, talks to animals.

good for you though. cause riddle would prefer a behaved student than a troublesome one anyway so he would definitely dig you lmao.

speaking of. he definitely goes to you whenever the hedgehogs are lost in the maze, or the flamingos just don't wanna step out the farther spot from the pond, somehow they love you in whatever you do.

as in, you spoke to the hedgehogs with a lower tone. almost like a coo, and he almost tells you to stop because that's the universal worse tone to talk to hedgehogs until... it nuzzles into you?!

flabbergasted, he can only watch.

sevens... you're just so pleasant to be around he could die.

at some point it felt like you were the epitome of being kind. riddle understand that the virtue was just embedded into you, letting others berate you for whatever... he even thought you were too kind for a place like nrc where the complete opposite traits are admired.

you are, but only to those who deserve it. riddle had the pleasure to spot you nitpicking a crude student and they looked like they were gonna burst into tears.

so... you knew what to say almost always. when troubled, he'd learn that it's best to talk to you cause you'd know what to say to ease his worries, when you're treated wrongly? sevens.. you also know what to say.

but, in a putting whoever in their place way?

(idk man I'm just rambling at this point lmao idk how to write a cinderella reader.)

riddle has grown accustomed to random critters breaking in the door. well, he was used to animals in the first place. or atleast thought he was when he opened a door in the dorm and almost yelled at the sight of a group of mice looking like they were having conspiracies.

a few weeks after that he knocked on doors before opening them.

was also very disturbed when you announced they were your friends.

I don't know. I feel like he'd lowkey be the type to write your name in a heart on the back of his notebook and straighten his face like: 'what in the world am I doing' but not erasing it anyways.

over time, your little 'friends' got used to him, and vice versa. at the very least he isn't screaming at their sudden visits, be it flying through the window or just popping out of something they climbed on.

who's screaming though are his dorm members, and he's found humors in the encounters.

"ah, thank you, myrcella." he nods gingerly, toward the very tiny white mice who seems to twirl around, touched by the thanks. the little thing was nice enough to carry the pen he'd been using to scribble down the main definitions he'd been copying from the textbook.

in the middle of reaching for a glass of water the door opens, riddle watches one of his residents striding in rambling. probably about to be exposed to the sight of a group of mice sleeping on top of each other atop a cushion he'd personally placed for them.

and maybe the birds. whom seemed comfortable by his small collection of plants.

"dorm leader, octavinelle stude—GAHHHH—"

[nikibogwater]

Actually while I'm thinking about it, I just wanna say that the more live-action remakes Disney shlups out like shoveled manure, the more amazed I am that Cinderella (2015) exists. It breaks literally every standard of Disney's LA remakes.

It's not a shot-for-shot remake of the original 1950 animated film, though it does include small references and homages to it, but only when such things can be incorporated organically into the story.

The creators understood and respected the cross-cultural significance of the Cinderella story. They didn't want to "fix" it, or add some wacky twist to it, they just wanted to make the best possible version of the Quintessential Cinderella that they could.

Everything that could be done practically was done practically. The carriage was a real, the horses pulling it were real, and all of the other animals (with the exception of the mice and lizards, since their performance was a lot more involved than the others') were real living animals, the lizard footman and goose carriage driver were wearing prosthetics instead of just having their animal features added in post, the Fairy Godmother's dress had little LED lights sewn into it so that it would actually glow for real, the ballroom set was built by hand and included real chandeliers with more than 2000 total candles that were all actually lit for the scene, and I could go on but you get the point.

There's a ton of attention paid to little details that make the world feel real and lived in. Ella's shoes are always a little scuffed and dirty. Her farm dress is faded and wrinkled. When she breaks down and runs away to the woods, she rides her horse bareback (which, once again, was a thing Lily James actually did, no stunt-double or editing in post), because not only is that something a country girl like her would know how to do, but it also makes sense that with as upset as she is, she wouldn't want to waste time with saddling the horse. When she's dancing with the prince, it's visually obvious that he is leading her and giving her cues because of course Ella wouldn't know the latest ballroom dances, and would need him to guide her through it.

Hey speaking of dancing, y'know what else this movie does that no other LA remake has been allowed to do (at least not to this extent)? ROMANCE. Land sakes alive, this is one of the most unabashedly and yet still tastefully romantic movies I've ever seen. Ella and Kit are just oozing romantic chemistry from the moment they lock eyes for the first time. It all comes down to the fact that these two characters both have the same core values of courage and kindness, which makes their admiration for each other feel grounded and believable. Richard Madden also really sells Kit's feelings for Ella with the way his eyes go all big and soft whenever he looks at her. And don't even get me started on Lily's performance as Ella. Her quiet awe that someone as powerful as the prince loves her. The timidity and fear that she's not really worthy of that. The selfless determination to protect him from her family's cruelty, even if it means she'll never see him again, I'm just-- *banging my fist against the table and screaming into a pillow*

Absolutely god-tier costume design. No notes, I think Sandy Powell's work speaks for itself. Btw, in case you were somehow still wondering, yes, Ella's ballgown is fully practical--those layers upon layers of dreamy silk skirts are real. CG was only used to brighten up the blue color to make her stand out from the crowd more.

Wicked stepmother was allowed to actually be wicked. The movie never tries to make you sympathize with Lady Tremaine, or shift the blame off to someone else. And her villainy is given an extra layer of depth with the reveal that she is a dark reflection of Ella. They've both lost people they loved, but where Ella refused to let her grief get in the way of kindness, Lady Tremaine became utterly consumed by it. She views the death of her first husband as a sort of twisted justification for pursuing all her worst impulses. She despises Ella for her ability to flourish even while enduring terrible suffering, for being everything Lady Tremaine was either unable or flat-out refused to be.

Also Cate Blanchet absolutely SLAYS in this role. Hands-down my favorite portrayal of the wicked stepmother character.

Anyways, TLDR: Cinderella (2015) is the only Disney live-action remake that can justify its own existence and that's because it actively defies everything the LA remakes are today.

[artist-issues]

I Hate How She Talks About Snow White

"People are making these jokes about ours being the PC Snow White, where it's like, yeah, it is − because it needed that. It's an 85-year-old cartoon, and our version is a refreshing story about a young woman who has a function beyond 'Someday My Prince Will Come. "

Let me tell you a little something's about that "85-year-old cartoon," miss Zegler.

It was the first-ever cel-animated feature-length full-color film. Ever. Ever. EVER. I'm worried that you're not hearing me. This movie was Disney inventing the modern animated film. Spirited Away, Into the Spider-Verse, Tangled, you don't get to have any of these without Snow White and the Seven Dwarfs (1937.)

Speaking of what you wouldn't get without this movie, it includes anime as a genre. Not just in technique (because again, nobody animated more than shorts before this movie) but in style and story. Anime, as it is now, wouldn't exist without Osamu Tezuka, "The God of Manga," who wouldn't have pioneered anime storytelling in the 1940s without having watched and learned from Snow White and the Seven Dwarfs in the 1930s. No "weeb" culture, no Princess Mononoke, no DragonBall Z, no My Hero Academia, no Demonslayer, and no Naruto without this "85-year-old cartoon."

It was praised, not just for its technical marvels, not just for its synchronized craft of sound and action, but primarily and enduringly because people felt like the characters were real. They felt more like they were watching something true to life than they did watching silent, live-action films with real actors and actresses. They couldn't believe that an animated character could make kids wet their pants as she flees, frightened, through the forest, or grown adults cry with grieving Dwarves. Consistently.

Walt Disney Studios was built on this movie. No no; you're not understanding me. Literally, the studio in Burbank, out of which has come legends of this craft of animated filmmaking, was literally built on the incredible, odds-defying, record-breaking profits of just Snow White and the Seven Dwarfs, specifically.

Speaking of record-breaking profits, this movie is the highest-grossing animated film in history. Still. TO THIS DAY. And it was made during the Great Depression.

In fact, it made four times as much money than any other film, in any other genre, released during that time period. It was actually THE highest-grossing film of all time, in any genre, until nothing less than Gone With the Wind, herself, came along to take the throne.

It was the first-ever animated movie to be selected for the National Film Registry. Actually, it was one of the first movies, period, to ever go into the registry at all. You know what else is in the NFR? The original West Side Story, the remake of which is responsible for Rachel Ziegler's widespread fame.

Walt Disney sacrificed for this movie to be invented. Literally, he took out a mortgage on his house and screened the movie to banks for loans to finish paying for it, because everyone from the media to his own wife and brother told him he was crazy to make this movie. And you want to tell me it's just an 85-year-old cartoon that needs the most meaningless of updates, with your tender 8 years in the business?

Speaking of sacrifice, this movie employed over 750 people, and they worked immeasurable hours of overtime, and invented--literally invented--so many new techniques that are still used in filmmaking today, that Walt Disney, in a move that NO OTHER STUDIO IN HOLLYWOOD was doing in the 30's, put this in the opening credits: "My sincere appreciation to the members of my staff whose loyalty and creative endeavor made possible this production." Not the end credits, like movies love to do today as a virtue-signal. The opening credits.

It's legacy endures. Your little "85-year-old cartoon" sold more than 1 million DVD copies upon re-release. Just on its first day. The Beatles quoted Snow White in one of their songs. Legacy directors call it "the greatest film ever made." Everything from Rolling Stones to the American Film Institute call this move one of the most influential masterpieces of our culture. This movie doesn't need anything from anybody. This movie is a cultural juggernaut for America. It's a staple in the art of filmmaking--and art, in general. It is the foundation of the Walt Disney Company, of modern children's media in the West, and of modern adaptations of classical fairy tales in the West. When you think only in the base, low, mean terms of "race" and "progressivism" you start taking things that are actually worlds-away from being in your league to judge, and you relegate them to silly ignorant phrases like "85-year-old cartoon" to explain why what you're doing is somehow better.

Sit down and be humble. Who the heck are you?

[spitdrunken]

man. still have NOT managed to get my hands on the book of bill because it's sold out literally everywhere over here, but have any of you seen the new 'how not to draw' vid on the disney youtube channel that features bill? it really got me thinking.

notes: fourth wall breaking, obsessive behaviour, unhealthy relationships, implied sexual content, implied mind control

it's heavily implied that the video takes place in a world where gravity falls is supposedly fictional, like our own. bill literally says he's going to break the fourth wall! because i'm a sucker for fourth wall breaks and characters being aware of their own fandom (to an extent), i simply just HAD to run with this scenario.

i just like the idea of 'you' being just a person, some totally, in the large scheme of things, insignificant human walking the earth. you have a tendency for escapism, perhaps. you have always been drawn to stories. you like gravity falls. maybe it was something you watched while you were younger and recently rewatched, or an interest that had never waned. regardless, bill cipher, charismatic and unapologetically evil villain that he is, is one of your favourites.

you doodle him on the edges of paper when you're supposed to be doing anything else. (regardless of anyone's artistic skills, it's not difficult to draw a triangle with a top hat and an eye, is it?) and in this world, you are hardly the only one who likes him, who, perhaps, ships himself with him, who thinks about him a lot. who makes drawings and writes or reads fic. you don't think it's all that unusual.

in a stroke of luck or, depending on how you look at it, the exact opposite, the universe's idea of a cosmic joke, you are the one to catch bill's eye. (it's, after all, much easier to infiltrate the dreams of someone who already has you on their mind. makes sense, doesn't it? a tentative, wavering link had been formed already.) there, in your dreams, he tells you what to say--triangulum, entangulum. meteforis dominus ventium. meteforis venetisarium--and the next morning, you remember it clear as a memory.

you do it. for funsies. why wouldn't you? you don't expect it to actually work. he's a fictional interdimensional demon. why would it work? but much to your surprise, and horror, because surely a screw must've gotten loose for this to be happening, one of your little doodles has life blown to it. as a response to your summon, a tiny little bill cipher darts across your paper, alive but still confined.

(you've given him an in. now, he only has to take the crack you've opened for him, dig his fingers in, and tear it open.)

oh, he'll be funny! he'll be exactly what you thought of him. perhaps he even voices a line of dialogue you swore you wrote down somewhere days prior. yes, he's read whatever you wrote or read, whatever you looked at. he's keeping it himself for now. it's not easy to inflate his ego further, but you might have succeeded. rather than a meatbag, bill first looks upon you with the eye of someone presented with a puppy. fundamentally lesser, but capable of being something with the right training.

he urges you to make a deal with him and the promise he'll act out whatever fantasy you've been cooking up in that brain of yours, even if it's gross and weird and physically impossible!

he'll warp your dimension to make all of it possible!!! it's great!!! don't worry about it!!!!!!

…you don't do it. you don't touch the paper. you've seen the show, and you aren't stupid. bill nearly balks. he'd expected you to be the easiest mark of all time, but he suppose he forgot that even puppies have teeth. that's fine. he can work with this. because even though you have not let him in yet, and you refuse to shake his hand through the paper, you don't seperate yourself from him just yet.

you could oh so easily take the piece of paper he's on and throw it in the nearest shredder. or set him on fire. in you, he recognises lingering curiosity, and the excitement at having stood out, at being chosen, in one way or another. it's not hopeless yet.

he can play a bit of a longer game, then. he's been at this for a long, long time. he'll tolerate the paper he's on being folded into a little square and tucked into your breast pocket, granting him a view of your life and the world you're living in. (all the time, his hunger grows.) your decision not to throw him away ends up being your downfall. spending so much time with bill, letting him joke around with you, complaining about your problems… it takes a while for you to realise that, for a while now, he has not been speaking out loud anymore, but instead through your mind.

a connection that cannot be cut has been formed in between two of you.

on bill's part, he had thorougly expected to be bored. but perhaps it's your genuine interest in him, not the things he's offering, which he does not often see. (he's been down this road before. won't end well. but...) the sheer mundanity of your life that makes him wish he could twist and turn it all around. or just a random alignment of the stars. the heart doesn't always follow logic. in this scenario, at some point, bill realises that he has become genuinely invested in you, too. and at that point, you'll never manage to slip away. he's already dug in his heels in your mind far enough. you had no adequate protection.

he still wants to take over your world. he still wants to escape the discomforting flatness of the paper you've summoned him in. but, perhaps, you two could share that meatsack of a body of yours, before things get that far.

[breadinanutshell]

I made a list of Halsin facts for my own entertainment a while back but forgot to post it. Dunno if anyone would find this interesting but in case here it is, enjoy~ o/

ACT1

-He writes in tight scribbles, smokes the pipe and loves reading (likely non-fiction). He’s the studious sort, considering his unprompted interest in the parasites and his hunger for knowledge. This aspect of him was more defined in Early Access but sadly got lost during full release. It also briefly comes up during one of his banters in later chapters.

-He rarely drinks: he’s a lightweight and gets overly affectionate when drunk. He also sings when drunk. Badly, per his word.

-Is an actual Disney princess (he has birds scouting and reporting back to him).

-He has a strong sense of duty, so much so he will stop paying attention to other aspects of his life in the pursuit of it. At least in one instance, this has been depicted as a flaw (when he abandons the grove looking for the Nightsong).

-He enjoys spending time in his bear form, and appears to have been the main caretaker for the bears in the grove. Ormn in particular acts heartbroken that Halsin is missing.

-When given the chance, he’s eager to give up his position as archdruid, as he felt it was too draining and confining. Despite his insecurities in his ability as a leader, he’s more shrewd and wise than he lets on: he can play politics when necessary. And people around him have been more than happy to rely on him. He cares about those under his protection. A lot. “The grove is everything to me”.

-He doesn’t shy away from violence when provoked.

-He feels responsible for the shadow curse, and is compelled by the need to fix everything.

-This is a relic from Early Access but you’ll have to pry it from my cold dead hands: in the grove there used to be a fanfic titled “Shadow’s Kiss” written by the druid Roan that featured a certain “Balsin”. At the end of it a written entry by Halsin would threaten to feed Roan to Ormn if he ever saw the name “Balsin” again.

ACT2

-He likes open spaces, reading and whittling utensils and ornaments (ducks in particular). He’s got a sweet tooth and a fondness for honey. He finds it hurtful when he's made fun of for his interests: he admits people tend to underestimate his sensitivity.

-He’s a very religious man and invokes Silvanus any chance he gets. Even so he doesn’t believe in blind faith and chides Shadowheart for not questioning Shar’s teachings.

-He’s 350 years old.

-He has no mercy for goblins, to the point where he disapproves if you spare them in Moonrise. A bit funny, considering there’s a banter later on with Karlach where he insists that “mercy costs us nothing”.

-His scars were caused by a bear who didn’t appreciate being spurned during mating season.

-He’s a veteran who served in the battle against Ketheric Thorm in Reithwin, where eventually the druids and Harpers won. At the time he was likely second to the archdruid that led him into battle. When the shadow curse started spreading, said archdruid died, leaving Halsin in charge. He immediately evacuated the survivors. He still feels guilty for not being able to help more that day. From one of his party banters it’s clear Halsin suffers from survivor’s guilt. He’s lost many friends to the curse, so many in fact that “it would take a day and a night to recite the names of the fallen”.

-Considering how obsessed he’s been with the curse ravaging the land for the past 100 years, it’s unlikely he had any intimate connections during this period of time. He also claims that more good has been done since meeting Tav than in the 100 years before their meeting.

-His family is dead and buried at the foot of the Grandfather Tree in High Forest.

-He seems used to changing environments and affiliations. Once recruited, he’s quick to call Tav his new family.

-He remains polite in the face of scorn and ridicule. Right when he joins if you suggest all he’s good for is cleaning camp he responds with an awkward chuckle and a “wherever you need me”. Later in Act 3 his affections can be brusquely turned down by comparing him to a deep rothé, to which he calmly responds “a simple no would have sufficed”.

-As a child he befriended Thaniel, a spirit of nature, and ever since then he felt a higher calling. Thaniel appears to be as fond of Halsin as Halsin is of Thaniel, mentioning him often to Fist Art Cullagh during their imprisonment in the Shadowfell.

-He is the only expert of shadow curse alive, and if killed in Act 1 the curse cannot be lifted.

ACT3

-He believes himself, or at the very least aims to be, a protector. Any failure (or perceived failure) in fulfilling said role leads him to spirals of self doubt and insecurity. His self worth is heavily dependent on how useful he can be, and without a big purpose or mission to fulfill, he appears lost. In the same vein he seems incapable of staying still and relax, he always needs something to focus on.

-In true druid spirit, he considers cities to be intruding on nature’s realm. On his arrival to Baldur’s Gate, he's appalled and disgusted by the class inequality encountered in the city. He’s disturbed by the suffering of children, in particular.

-When called naive for his dream of a better future he mentions he gave up cynicism when he was 200 years old.

-He’s all for heckling Dribbles’ corny jokes.

-He sees his body as a vessel and his physical prowess as a tool. He takes no pride in it.

-He admits that he didn’t realize how much his responsibilities had been weighting on him until Tav showed up and took that burden away.

-He’s polyamorous, and pretty lax when it comes to sex and relationships: he has no qualms in taking pleasure where “desire finds purchase”. He mentions that he had many lovers in the past and that his heart doesn’t stir lightly. This might imply he’s laid with many, but cared for few. He also doesn’t appear thrilled by the prospect of marriage/tying yourself forever to someone. For a man so against putting a relationship into words, he acts incredibly smitten when romanced and showers his partner in all kinds of sweet praises.

-He’s so attuned to his wildshape that he tends to lose control of his transformations when overcome by strong emotions (i.e. anger, arousal). He appears embarrassed when this accidentally happens in an intimate situation. He does enjoy wildshape during intercourse though, as he even proposes it himself during an interaction with Shadowheart. Per his word, he doesn’t discriminate against any type: in an interaction with Lae'zel he implies he slept with a chimera.

-He considers lust to be the most essential of impulses and feels it’s only natural to be guided by it.

-He’s travelled far and wide. Where we do not know, unfortunately. He mentions he’s been to the Underdark many times and possibly the Nelanther Isles. In his youth he ventured into the Underdark to sate his own wanderlust, where he got captured, enslaved and sexually abused by drows for 3 years.

-He’s self aware of his obsession with nature. When Jaheira warns him not to fall into druid stereotypes, he comments that he does think about other topics such as high art and politics, but to him nothing compares to a tree.

-When speaking of his past, he comments that people seem to focus on the more “salacious chapters” and disregard his years of study. When confronted about it, he seems perfectly content with a life spent studying, meditating, counselling, fighting, training and fucking.

-He used to hibernate as a bear and mentions he spent at least 100 years of his life sleeping. It’s unclear if he’s still in the habit.

-At the end of the campaign he sets out to create a new community in Reithwin with the victims of war and refugees that were turned away from the city. The children of this soon-to-be-founded community refer to him as “daddy Halsin”.

-He considers himself an exceedingly patient man.

[makingqueerhistory]

The Male Gazed: On Hunks, Heartthrobs, and What Pop Culture Taught Me about (Desiring) Men

Manuel Betancourt

Featuring deep dives into thirst traps, drag queens, Antonio Banderas, and telenovelas--all in the service of helping us reframe how we talk about (desiring) men--this insightful memoir-in-essays is as much a coming of age as a coming out book Manuel Betancourt has long lustfully coveted masculinity--in part because he so lacked it. As a child in Bogotá, Colombia, he grew up with the social pressure to appear strong, manly, and, ultimately, straight. And yet in the films and television he avidly watched, Betancourt saw glimmers of different possibilities. From the stars of telenovelas and the princes of Disney films to pop sensation Ricky Martin and teen heartthrobs in shows like Saved By the Bell, he continually found himself asking: Do I want him or do I want to be him? The Male Gazed grapples with the thrall of masculinity, examining its frailty and its attendant anxieties even as it focuses on its erotic potential. Masculinity, Betancourt suggests, isn't suddenly ripe for deconstruction--or even outright destruction--amid so much talk about its inherent toxicity. Looking back over decades' worth of pop culture's attempts to codify and reframe what men can be, wear, do, and desire, this book establishes that to gaze at men is still a subversive act.

(Affiliate link above)

[seyaryminamoto]

My latest completed commission may have been a bit ambitious... because I went wild with it. But I certainly relished in doing so :') Combining my favorite ship with my favorite-ever Disney movie is, uh... a dangerous concoction :'D

The commissioner specifically requested for Azula as Mulan, Sokka as Shang, and Xin Long (my OC dragon from Gladiator) as Mushu. The rest of the cast was up to me to choose, and I pretty much went wild rewatching this movie and picking out some of my favorite moments to recreate them in my style, with these characters. I came up with a lot of correlating characters between both ATLA and 1998's Mulan, but I couldn't hope to draw EVERYTHING, unfortunately. Still, if you want my reasoning for the cast correlation... check out the Read More! Beyond that, feel free to reach out to me if you'd like to commission me, or if you want to join my Patreon!

The Herbalist as Mulan's grandmother might feel arbitrary but she honestly felt like the ATLA elderly lady with the most similar personality to Grandma Fa. Fickle, with a unique connection with a seemingly perfectly ordinary animal, old and sassy? Figured it fit! So for once, the Herbalist is Azula's grandma! xD strange notion, I know, Azulon/Herbalist is not a ship I ever thought I'd accidentally put out in the world but there have been wilder ships than that in this fandom...

Momo became Cri-Kee, I wasn't 100% sold on it but when I considered that Avatar features soooo many hybrid animals... I figured he could be a hybrid cricket-lemur. Weird, I know, but eh? Better than nothing xD

Aang as Chien-Po was a no-brainer. He's the only character I settled on instantly, never even considered anyone else for the role. Their personalities line up really well, and Chien-Po's tendency to be OP and resolve things that are outside of other people's reach sounded like he was prime Avatar material! So, while their dietary preferences are an obvious difference between them, I decided to go for it nonetheless considering all their other similarities!

Kino (another Gladiator OC) is Ling, and he actually did give me a ton of trouble to choose. I considered many characters for the role right up until I realized that Kino's personality actually lines up fairly well with Ling's, down to being a class clown type (who ABSOLUTELY would have cut gym class!) and breaking out in song about the hypothetical woman he'd like to fight for? Yeeeeah that's right up his alley xD but there's another reason why I picked Kino...

... And that is my likely unexpected choice for Yao:

ZUKO.

ZUKO IS YAO.

YES.

I'M NOT EVEN SORRY.

(For the uninitiated, Aang, Zuko and Kino are best friends in Gladiator, very often together, and they make a really good team, so that's the extra reason why Kino became the obvious choice for Ling aside from having really similar personalities, definitely closer personalities than, say, Jet, for instance.)

People have likened Zuko to Shang a LOT since ATLA aired. This is the main reason why I'm even making this huge note! I suspect it's primarily because of the aesthetic, let's be real here, and because he becomes Aang's teacher, but people have exaggerated Zuko's alleged similarities with Shang, or taken them out of proportion, in many ways. I actually remember an AMV ages ago with "Be a Man" and it was Zuko "training the Gaang"?? It... didn't feel right to me. Obviously, someone might rebuff with "well, how does Sokka make MORE sense than that, though?" And believe it or not, I have arguments for that... (when do I not...?)

Not only is this what the commissioner specifically requested (and it obviously lines up with the ship we love!), but let's examine the actual reasons why Sokka as Shang adds up:

Sokka actually had to train a bunch of toddlers who weren't paying any attention to him. You know. Kind of how Shang had to train the unruly soldiers who weren't getting anything right. Sokka has a positive relationship with his dad (Zuko, ofc, does not). Shang also has a positive relationship with his dad! And not only this, but there's a military component to both relationships, specifically with Shang wanting to follow on his father's footsteps and aid him in the war... so much like someone else I know, who jumped at every opportunity to rejoin his father in the war, even wishing to join him as a child until Hakoda tasked him with protecting their Tribe instead (kinda like Shang is tasked with training soldiers rather than joining a battlefield).

And the final cherry-on-top that I'd loooove to hear Zuko fans try to argue against... is sexism :') didn't Sokka get characterized as a sexist guy for four episodes, which made people decide that this was his main character trait even if it went away that quickly? Um, yes, that happened. Shang literally sings the memorable song that's a crazy ode to masculinity, including the rather sexist line of "did they send me daughters when I asked for sons". Shang outright abandons Mulan once they discover that she was a woman all along (while, admittedly, choosing to abandon her rather than KILL HER, which as we saw from Chi-Fu, he was NOT supposed to spare her!)...

So, is this REALLY what Zuko fans, who willfully believe their boy is a feminist king (... why? beats me...) are trying to compare their unproblematic blorbo to? :'D Me? I have no problem linking Sokka with Shang due to Sokka's beginnings and due to the fact that both Shang and Sokka have similar growth when it comes to accepting femininity is as valid as masculinity, and as they both learn to respect women as fighters and potential heroes! (I simply do not believe Sokka's ENTIRE tenure in ATLA was about that, though, and that's what I continue to clash with the fandom over...) So... all this is why I've reasoned that Sokka is a VERY solid choice for Shang, in fact, better than Zuko could hope to be.

... but this isn't all.

Maybe some might accept my arguments for Sokka-Shang. And then, they might ask:

WHY ZUKO AS YAO, THO??

... And the truth is it took me long to see it, myself, but HOLY SHIT, DOES IT FIT!

What is the primary thing we remember about Yao in Mulan? This guy is constantly itching for a fight, to prove himself, surely riddled with insecurities that he exteriorizes through overcompensation of masculinity. He's funny as fuck, but he's taking himself 100% seriously as a manly man all the time, and he's always ready for violence. But there's one more thing...

He treats Mulan as his RIVAL.

And more often than not? SHE SCREWS HIM OVER. Intentionally or not.

What does that sound like? Why, yes, it sounds a LOT like Azula and Zuko's sibling relationship!

The fact that Yao is a temperamental dude who lashes out easily at things (oh, something he has in common with Zuko!), that he specifically resents Mulan (in this case, Azula, just as Zuko does!) and is either constantly looking to defeat her and prove his superiority over her (... wait, just as Zuko with Azula??), that he has a black eye perpetually across the movie, and it's his LEFT EYE (just as Zuko's scar is on his left eye! :'D), that he's friends with a pacifist he has basically nothing in common with, personality-wise (just like Zuko and Aang!), and that he pretty much has a REDEMPTION ARC in which he goes from a bitter, asshole rival to Mulan to treating her as a friend and ally, to the point where he was disappointed to leave her behind and THEN joined her at once when she says she has a plan? :') I have always been critical of Zuko's redemption arc, goes without saying. But if ANY of these characters redeemed himself in any significant way, it certainly seems to be Yao to me, and with people gushing NON-STOP about Zuko's redemption? Why, he ought to be the character who goes from bitter rival to loyal friend, right?

So. I'm not even sorry. Zuko is Yao. And I'd dare say that he should be flattered by the comparison, even, because Yao ends up being cool as FUCK!

I don't really talk about this much nowadays, but Mulan was my favorite Disney movie growing up, it ABSOLUTELY had a formative influence on me as a little girl, and Mulan was my favorite female character for a looooong time. Thus, any excuse to rewatch this movie makes me happy as heck. With the wisdom of age I know, of course, that it's not perfect, it's not what China wants, it's not the most thoughtful depiction of Chinese culture or the most faithful adaptation of Mulan's poem (... but I'd also dare bring up that the 2009 Chinese adaptation ISN'T all that faithful either...), but it has a kind of magic in it, a solid storytelling flow, so many memorable moments one after the next, that I could hardly choose which scenes to depict... Disney has never again seen the storytelling heights it reached with Mulan in 1998. I don't even care if that's a controversial opinion in any way... this is their best animated feature for me, and nobody can change my mind.

So... depicting Azula, my beloved, in all these scenarios as this character I adored and idolized as a child, was so damn fulfilling for me. While some might think that, personality-wise, these two ladies don't have much in common, the fact that Mulan is sent to a matchmaker who basically tells her she looks good but is going to be the worst wife ever...? Our girl Azula, with all those insecurities about being unloveable and a monster, probably would relate big time to that.

Mulan is also an INTELLIGENT soldier rather than a brawny one, which is how she starts to make progress in the army, it's how she manages to overcome the huns with that avalanche... and Azula's primary difference with most other antagonists in ATLA is that she's smart as fuck. She is very strong, no doubt, but a LOT of that strength comes from her intelligence, from assessing situations in unique ways, from planning and strategizing. The way Mulan finds the most unexpected solutions that still pay off reminds me a lot of how Azula achieves unexpected feats through rather unorthodox means, capable of taking over a city with basically no bloodshed while her nation has spent 100 years trying and failing to do so through major army incursions and who knows how much senseless violence. Obviously, I'm not saying what Azula did is GOOD and it's kind of dumb that we always have to point that out... I'm merely comparing the magnitude of the feats, and the fact that they both come from ladies who use strategy and intelligence to achieve their goals rather than muscle and physical power.

And while anyone would rage at me for the comparison between Fa Zhou (her dad) and Ozai, the truth is the dynamic between them CAN be compared, if loosely: Mulan literally goes to war to keep her father safe. Azula goes to war under her father's orders. Hell, she makes herself BAIT in the Eclipse to make sure the Gaang won't get to her dad?? While it's very much possible to say that both characters have different personalities and attitudes in life... I'd also bring up that their contexts are evidently completely different. I wouldn't say for certain that Azula, had she been raised outside a Royal Family, would be EXACTLY like Mulan... but they might have more similar traits than one might expect. Ultimately, though... I love them both. And this opportunity to swap their places was pretty much a dream come true!

Alright, that was plenty of rambling xD ultimately, I had a blast doing this commission, as I'm sure is obvious by now. So! If anyone wants to commission me, feel free to check out my prices right here and hit me up if you're interested!

[doctorbunny]

A little speculation about Corpse Disposal and J-horror

But I'm a little bored so sharing a part-theory, part-headcanon on Muu and Rei

So we unfortunately don't see much of Rei in "Its not my fault" but I want to point out three key times we do

The first time we see Rei in the MV, is her wet sleeve (we know its not Muu because Muu wears a pink jumper under her blazer)

Then, after a lot of bug stuff, we're finally back in the real world, where Muu has just killed her Post-After Pain. In INMF, we don't see the surroundings as well, just the dirt track and bushes. But in AP, we see this is right next to a rushing river (Muu's undercover card also features a bridge as a landmark)

The next time we see Rei after her corpse, is a flashback to the start where she turns the hourglass over. Then it cuts just further back to before Rei stood up - as she pulls herself up off the floor She's alive and absolutely soaked after a session of intense bullying (which we saw Muu insert herself into in AP)

However, I want to now switch a little to talk about cinematography and a concept called the Kuleshov effect The video I linked is pretty concise but the gist is that if you put two shots next to each other, even if they were filmed separately, the brain interprets it as a continuous scene (so if you film a character looking off screen, then a picture of an apple on a table, we're going to assume they're looking at the apple)

Therefore while we understand chronologically that the sequence of events is Rei (wet and alive) -> Rei's murder on dry land ↺ Flashback to Rei still wet and alive Which I think everyone understood as a commentary on how this power struggle was a constant cycle of the hourglass being turned over

I think visually, it also implies a sequence like Rei was bullied -> Muu kills her -> Sopping wet, Rei crawls back to the classroom

But wait! That sequence suggests a missing step How did Rei get wet again?

Well, we know Muu killed her next to a river And if you were a scrawny teenage murderer with a body on your hands, would you leave it there where someone could see it while you grab a shovel and stand in broad daylight digging a hole in tough ground??? Or try lighting a fire in public??? Of course not!

It'd be much easier for Muu to, in a panic, just roll her body into the convenient river and let all the evidence wash away!

(Of course, if Muu was panicking, she might not have been very careful. Given she ended up in MILGRAM, there must've been something tying Muu to Rei's death and in T2 Muu seems to have finally remembered losing her left shoe...)

Fun fact: this is the same shoe Cinderella loses in the animated Disney film (and the best known version of that story came into English from France)

Shoe break over, back to the Endless Queen's Game

So, if we assume Rei's corpse was thrown in the river, what does it matter? Its just a pointless headcanon

But I speculate the meaning goes deeper!

So that image of Rei, soaking wet, crawling off the floor reminded me of something: J-horror ghost girls! Specifically the most famous of ghost girls Samara/Sadako Who became a vengeful spirit after being thrown in a well and now crawls out of TVs to kill people who watched her VHS tape

Her story too is a cyclical one (its called 'Ring' for a reason), the only way to break the curse is to copy the tape and have someone else watch it, who will then become the victim unless they can themselves copy the tape and show it to another unsuspecting patsy

The story goes back further because this movie is based on a novel, which is based on the legend of 番町皿屋敷 Banchou Sara Yashiki. There are many versions but generally a maid girl Okiku is proposed to, and when she rejects the proposal, her master breaks one of ten plates and promises to forgive her if she marries him. When she declines again, he beats her to near death then throws her into a well (sometimes it's a jealous mistress instead of a master)

Interestingly, Atrophaneura alcinous (swallowtail butterfly) larvae found in Japanese wells became known as Okikumushi お菊虫 (Okiku bugs), tying back to the whole insect thing...

It's been said a bunch now, but the name 'Rei' can be read as 霊 meaning ghost (seen in words like Yuurei 幽霊, a more common word for ghost than Rei on its own)

We know Muu is afraid of ghosts too (though I must admit she says Obake, not yuurei, but both words refer to ghosts)

Remembers the i/井 in Sakurai/櫻井 can be read as 'well' I'm sure that has nothing to do with anything

Uh, I can't think of a conclusion because its 1 am and I had to look up a bunch of spooky images

TL;DR: I think Muu may have quickly shoved Rei's body into the river next to where the murder happened (maybe forgot her shoe at the scene of the crime) and now she's scared by the cycle continuing and Rei coming back to haunt her

[thatsthat24]

Sanderstober 2023

Upon request, I’ve provided new art prompts for this year’s month of October!! As always, feel free to do all or some of these, pick and choose whichever stands out to you! If you missed a day’s prompt but still wanted to do art for it, absolutely do that and post it whenever you want, no worries whatsoever. It’s all completely laid back and just for fun! I’ve added to this list without consulting old ones, so if I used a repeat idea, it’s possible that I just was interested in seeing more of it again this year!! Hope you all enjoy! If you’re wanting me to check them out at all, you can use the tag, #Sanderstober2023 🎃

Oct. 1st: Give me a spooky or Halloween-y figure and how he looks on Sep. 30th (their off-time, go as comical as you’d like) and then how they look Oct. 1st (traditionally how they are known to look!).

Oct. 2nd: Give me a flower design inspired by a type of candy of your choice!

Oct. 3rd: In celebration of the awesomeness that is Fionna and Cake, I’d love to see you take a character, or characters from your fave series, and give them a multiverse makeover (what they’d look like in a different universe, under different circumstances)

Oct. 4th: Take any historic landmark, and give it an autumn or Halloween-y makeover

Oct. 5th: Since I’ve been on my D&D kick with Roleslaying with Roman, what would any Halloween- or spooky-themed character be in a D&D world? What would be their race? Their class? Their backstory??

Oct. 6th: Google a Random Color Generator and use it to give you three colors. Then use those three colors to create a new Halloween creature or character.

Oct. 7th: Along the lines of Spiderman Noir, take any character you want from some sort of fiction, and depict how they might look like in any other time period!

Oct. 8th: In the spirit of having fun with both Halloween AND Christmas, take a Halloween story/character and draw what they might appear as if they were actually a character talked or sung about in a Christmas story.

Oct. 9th: Take a group of characters from one of your favorite pieces of content and create tarot cards featuring them. Google tarot cards to get inspiration if you need!

Oct. 10th: Take a musical (one that I would suppose wouldn’t already be scary) and create a poster for it as if it were the title of a scary movie

Oct. 11th: Google a Disney character generator, pick out two characters, and create what a mash-up of those two characters would look like!

Oct.12th: Pumpkin spice latte obviously has its spotlight during the fall, but could you come up with another special coffee concoction for another season/holiday of the year?

Oct. 13th: Take a Fall/Halloween concept or character and use it as inspiration for a fashionable outfit

Oct. 14th: As a tribute to Barbenheimer this year, take any character from Barbie or Oppenheimer and depict how they’d appear in the other movie

Oct. 15th: Take the last text you received. Use all or part of it to base a whole movie off of it of any genre, and create a poster for it

Oct. 16th: Take one of the names of your current pet, old pet, or friend’s pet, and use that name as the inspiration for a superhero. What would that superhero look like?

Oct. 17th: Is there a phrase that one of your parents or friend says all the time? Take it and imagine it’s the name of a children’s book. What would that children’s book cover look like?

Oct. 18th: Take a Disney villain, and depict them as a Disney princess

Oct. 19th: Take a Disney Princess and depict them as a Disney villain!

Oct. 20th: Take any Greek god and imagine what their preferred activity might be on an average Fall day.

Oct. 21st: Take a board game (one that I would suppose wouldn’t be scary) and create a poster for it as if it were the title of a scary movie

Oct. 22nd: This is an annual favorite of mine - take take any character(s) from a piece of content of your choice and depict them like a Tim Burton character

Oct. 23rd: Take a famous brand logo (Toyota, Playstation, Campbell’s Soup, Facebook, literally any logo from anything) and design a Pokemon inspired by the logo and color palette! Bonus for naming it and giving it stats!

Oct. 24th: In the spirit AGAIN of having fun with both Halloween AND Christmas, now take a Christmas story/character and draw what they might appear as if they were actually a character talked or sung about in a Halloween story.

Oct. 25th: Another favorite of mine: take any character(s) from a piece of animated content you enjoy, and draw them in the style of another piece of animated content!

Oct. 26th: Go to the latest playlist you were listening to, put it on shuffle, and see what song it plays. Take the title of that song and use it as inspiration for a Halloween/Autumn themed drawing of your choice.

Oct. 27th: Take a favorite pair of characters from a piece of content you enjoy and depict what their matching Halloween costumes would be!

Oct. 28th: [Random event from this past year] … and Zombies!!

Oct. 29th: Every town’s got some local businesses with interesting names (Jerry’s Tire Barn Emporium, stuff like that). If you know of one in your local town, take that name, and imagine it to be the name of a Haunted House. Depict what that location may look like. I wanna learn about some funny local business names.

Oct. 30th: Take one item from your desk/workspace, anything you want. This item is now the inpiration of a brand NEW cryptid (like Sasquatch, Loch Ness, El Chupacabra, just some legendary creature we have yet to find hard evidence of). Depict what this cryptid would be!

Oct. 31st: And, of course, in typical fashion for the big day, give me any character(s) of your choice, from any piece of content, enjoying Halloween in whatever way seems appropriate to them!!

Hope you all have a WONDERFUL October! And hope you enjoy these different art ideas! Looking forward to anything it may bring about!

[lttl3babybug]

Are you okay with people 18+ interacting? Do you do Hazbin Hotel requests

If so can you do headcanons or a fic about Alastor with a little who accidentally summoned him to Earth

@babiegurlmuffin

I am a-okay with people 18+ interacting as long as they’re here for complete sfw reasons and have a sfw account as I am still a minor myself! Thank you for asking sweetheart :3

Of course I can write that for you! You’re my first hazbin request! (Even tho I posted a stimboard before this, this has been sat in my request box for like 2 weeks now) How exciting!! Hope you like this!!

Crayon scribbles

Your day had been terrible to put it lightly, too loud, too bright, too much. So when you could retreat home to your little space god were you ecstatic, the calming hues of your room immediately setting your mind at ease. Between the pacifier between your lips and your comfiest outfit on you were ready for a relaxing night.

It was all going so smoothly, laying on the floor while an old Disney cartoon played on your laptop and cuddled up to an old deer plush. Red crayon in hand, happily doodling away until it started to burn, dropping it out of instinct. “Huh…” you mumble, maybe it was hand cramp. Attempting to pick it up again, once again you heard the singe of the paper as if touched your skin. This time it was accompanied by the loud static of ah old radio and a bright red light coming from your paper. Scrambling away, plushie in hand you watched as a figure formed at the centre of the light. Then it all stopped. And he was there.

“Pleasure to make your acquaintance! I am Alastor, the radio demon, although I assume you knew that since you summoned me! Now how may I be of assistance?”

The large smile plastered across his face wasn’t helping the immense fear you felt, tears burning in your eyes as he held his hand out for you to shake, “Why are you here?” Your voice came out small and weak, cowering away from the self proclaimed ‘Radio Demon’ standing in the middle of your bedroom.

He bent down to meet your gaze, scanning your scared expression. “You don’t…know who I am?” he asked with a confused laugh. The radio filter over his voice wavering momentarily, you shook your head clutching the deer close to you. “Well, that makes things a lot more complicated doesn’t it?” He stood upright once again, pulling you with him.

“Whatever is going on here?” Alastor raised an eyebrow and prodded a few of your drawings and stuffies with his cane, a confused expression written across his face as he did so. He eyed up the pacifier in your mouth and hummed lightly, “aren’t you a little too old for that?” He mused, a smirk on his face. You shook your head, “No…no sir, I don’t think so”. You sounded so scared, so confused. It was almost getting to him. Almost. The picture of innocence stood before him, having accidentally summoned him with simple crayon scribbles. Well he couldn’t not play along! Tilting your chin up with his index finger and examining your features, “how old are you my dear?”

Such an innocent question, such a complex answer. “…4” you’d mumble past the pacifier, then it clicked in him. He’d seen this before in a few of his acquaintances at the hotel, “Why of course! How could I be so silly to think you were anything but I little fawn, well aren’t you just darling” he’d changed his demeanour quite rapidly. Pinching your cheek and straightening out your outfit so it sat right. This was new…and strange, but it felt right. Watching him fuss over you while he led you towards your bed, sitting down on it and patting the spot beside him and not knowing why, you sat next to him.

“My my, someone’s had quite the big day haven’t they?” He hummed, turning to to face him, “and what’s this one’s name?” He asked politely pointing towards your stuffed deer, “…’s called Lena” you mumbled from behind your pacifier. He hummed in content before looking around and spotting your laptop on the floor, “Hm, I see your a fan of those noisy screens.” A sense of distaste in his voice, you watched as he closed the laptop screen with his cane and pushed it to the side. “You’ll be having none of that while I’m here little one, just good old fashioned radio” Alastor proudly declared, standing up and tapping his cane on the floor.

That horrible scratchy static returned until he bonked it once again, it started playing a calming melody. He ruffled your hair and laid you down in your bed, tucking you in under your fleece blankets the music soothed you. It helped you forget your worries of today, helped you forget how scary everything was moments ago when he’d just appeared in your room. Now here he was, humming you a soft tune and sending you off to sleep. “Rest well little fawn. You know where to find me if needed…”

[not-wholly-unheroic]

I recently found a copy of the graphic novel version of Straight on Til Morning at my local used bookstore and got a great deal so I wanted to share a few of my likes, dislikes, and general observations. I’d been meaning to write up a proper review of the book for awhile now but have been SUPER behind. Anyway, the graphic novel follows the book pretty closely and I’ll be sharing some images from it, so this WILL CONTAIN SPOILERS for those of you who haven’t read it.

First off, the artwork for the graphic novel is beautiful and some scenes are illustrated in a really creative way. For example, I love the depiction of this particular scene where Wendy is writing her stories and Hook sort of…comes to life off the page.

I also really love that while (most of) the characters are still recognizably Disney’s version…they also look a tad more realistic and have some of the illustrator’s own personal interpretation mixed in.

George Darling is a great example. In the graphic novel he is slimmer than in the film and looks remarkably like J.M. Barrie…which I have to consider was probably intentional.

And then there’s the Lost Boys in their animal costumes…Tootles, Skipper (excuse me, this is Nibs erasure—you can add Skipper but don’t just eliminate Nibs!), Slightly, Cubby, and the Twins.

The pirates, however, are a totally different story. Who the heck are these guys???

Anyway… at least they get Hook’s personality right. I love this bit, in particular, where one of the pirates gets a little rough with Wendy and Hook is having none of it. Also, the idea of Hook capturing Wendy to be a mother to the crew is a nice nod to the book.

One big complaint I do have is that the characters are, on occasion, a little TOO self-aware. Like in this scene where one of the pirates makes a sort of on-the-nose observation about Hook’s feud with Pan.

But I will admit, I did cackle at Hook’s reaction.

He said would you please stop trying to psychoanalyze me and look for symbolism and just let the story be about a boy and a pirate? (Hook, how do you even know who Freud is??)

You may have noticed by now that I haven’t said anything about Peter… That’s because Peter barely features in the story at all and honestly when he does show up, he’s…kinda useless and clueless. Now, admittedly, Wendy is meant to be older in this (around 16) so of course, it’s reasonable to think she might not quite view him the same way she did at 12…but in having her team up with Tink to do all the heavy-lifting of the plot (because, ya know, girlpower and all that), Peter sort of ends up not really doing anything. I’d almost rather have an evil Pan, as annoying as that trope is because at least then he actually does something. In this story, it truly feels like Wendy has just…outgrown Peter altogether. And that hurts.

Speaking of which…ya know what hurts even more for me as a Hook fan? THIS.

This poor man is curled up on the deck in the fetal position, terrified of a crocodile who has been long-dead, crying out for a best friend who never even existed except inside his own mind because he was so alone that he made him up.

O W !! Why would you do this to me, Disney?!

It ends for Hook with the crew deciding to drop him off somewhere with enough gold to pay for his keep and hire a caretaker because he’s so mentally unstable they don’t trust him to live by himself.

I hate to say it, but honestly, watching him die would be less painful. At least that would be over with fairly quickly. This just hurts.

But everyone else lives happily ever after, so it’s okay, right? Right??? 😫😭 (Don’t mind me, I’ll just be over here in the corner, crying over my pirate boy.)

[princeasimdiya12]

Bucchigiri Utena Parallel-The Greek Chorus

In many plays and stories, the Greek Chorus refers to a group of characters that either commentate on the main storyline or have their own subplot that parallels or foreshadows the main story that appears. It's rare when they actually interact with the main characters but their role is meant to emphasize the meanings and plot events that occur.

In Bucchigiri, we have Nyan Nyaight Love which is their version of the Shadow Play Girls from Revolutionary Girl Utena.

For those who aren't familiar with the Shadow Play Girls, they serve as an actual Greek Chorus in the Utena anime. Every episode, the girls put on a cryptic and bizarre play with a message that correlates to the ongoing events or conflicts that Utena, Anthy and the Student Council deal with throughout the series. Some are straight forward and easy to understand, others are straight up wackadoodle and have layers of meaning to comprehend. But each skit contains a hidden but vital message that relates to the main storyline in Utena.

While Nyan Nyaight Love may not be as complicated or bizarre as the Shadow Play Girls, they still do their part in paralleling the Bucchigiri storyline.

Episode 1: Introductions

The first episode features the customer contemplating whether he should go into NNL or if he should leave. It isn't until he sees Arajin being chased down the street by the NG Boys that he enters out of fear of being spotted.

The customer serves as a parallel to Arajin. He too is a wimpy, unappealing, jittery, hopeless, mopey, delusional everyman. And just like how the customer was unsure as to whether he should enter a shady, controversial place like NNL, Arajin also struggles with entering the dangerous and colorful world of the Ichizu Gangs. And his involvement in their lifestyle has mainly been a forced reaction, as in he jumps into the fray while fearful for his safety. The NNL Receptionist can also be seen as a parallel for the colorful banchos and bad boys that Arajin, and the audience, meet in their upcoming encounters.

In the world of Revolutionary Girl Utena, one of the ongoing themes was fairy tales and stories that are told from one person to another. The Shadow Girls fit that theme by putting on plays for the audience about their own stories. So there are clear parallels of the main storyline.

And then we "meet" Jasmine.

Just like it's the customer's first time in a place like NNL, it's also Arajin's first time in the world of Ichizu's gangs. And his meeting with Jasmine is a clear parallel to him meeting Mahoro for the first time. This is more apparent when you take in the Disney movie with Arajin (Aladdin) meeting his beloved Mahoro (Jasmine).

It's also worth noting that the customer asks if he can use the honorific "chan" which is mainly used for people/girls that someone has a close relationship with. And despite meeting her for only one day, Arajin is the one who proposes that it is "fate" that brought him and Mahoro together and how they're destined to be lovers. Clearly he's skipping multiple steps in the relationship making process expecting Mahoro to feel the same way.

Episode 2: I Couldn't Stay Away

The second time, the customer returns and is scared into entering the building after Senya drags along Arajin. Despite some hesitance, he asks the Receptionist for Jasmine again.

So it's pretty obvious, the customer is in "love" with Jasmine and is hooked onto her. Even when she starts to "cling" to him.

At this point, Arajin has fallen head over heels for Mahoro and can't get her out of her head. His new motivations begin and end with conquering Mahoro's heart so he can use her to lose his virginity. And to conquer her heart and be as close to her as possible, he's more than willing to go through a shady and morally ambiguous place like the gang life.

Though the clingy part comes off as self-delusion since Mahoro absolutely hates him and wants nothing to do with him. Even making it clear constantly from this episode onward. Yet Arajin isn't bothered and is eager to make her his.

However, this does set up as it's first example of foreshadowing for the following episode.

Even though Mahoro hates him, she decides to play along with his infatuation with her when he's recruited into Siguma Squad. She's "clinging" to him in order to sway and manipulate him so he'll be able to take over Siguma Squad as it's new leader, forcing her brother to graduate so she can have him all to himself. Or so Arajin will get beat up badly, she's down for whatever. And because Arajin is stuck in his self-delusion about Mahoro and their destined love life, he doesn't see the red flags and falls for her claws. Eager to continue hanging out with the violent happy SS regardless of the peril he may face.

Episode 3: This episode did not feature a NNL segment.

Episode 4: Please Forgive Me

The customer is once again contemplating whether he should go in or not, even saying that he should just quit. Alas, a chubby Arajin scares him inside where he once again asks for Jasmine. Only now he's in hot water for having left her for so long.

While normally this would be a stand in for Arajin and his hopeless love for Mahoro and how he's failing her, this time, the customer represents another character.

In this case, it's Matakara.

Earlier in the episode, he gets into another conversation with Arajin over the upcoming Gang War and how they should stop it. But it soon turns into another plea for him to rebuild their friendship and how he wants to become Honki people with him like before. Despite his efforts, Arajin tells him to get over it and orders him to leave him alone. Just like a cat turning her back on the customer after their absence.

And just like the customer blames himself for her anger, Matakara believes he's at fault for their friendship failing. Because he was too weak to fight the thugs who beat him up which is why Arajin abandoned him. And much like how the customer never viewed at any other "cat", Matakara has his eyes and heart only for Arajin. Even after making new friends in the Minato Kai club, his idol has always been his childhood friend who inspired him when he was just a weak boy so many years ago.

And he'll make that fact known to Arajin everytime they meet; reminding him that he's someone of great importance in his life and that he just has to believe him. No matter how many times he's turned away, Matakara still holds him dearly in his heart.

Episode 5: The Next Level

The customer returns and declares that it's a big day for him. This time he gets scared in by Kenichirou and the Minato Kai Gang making their way to the upcoming warzone.

Hoping to patch things up with Jasmine, the customer presents a gift.

The way I interpret this scene, it comes off as taking his relationship with Jasmine to the next level by giving her a choker. For pets, giving them a choker can be considered the same as giving them a collar. Usually to signify your bond as master and pet. Or in this case, it comes off as the customer treating his precious Jasmine to a gift in the hopes of raising her mood.

For this scene, I see it as a parallel to everyone's relationships and how they're moving on to the next level.

This takes place during the Gang War two parter with both gangs going at each other only for the NG Boys to stage their attack. The fighting persists until Arajin steps in to protect Mahoro from being killed by Akutaro. And while fighting, he gains a major power boost from Senya as his merge rate increases as a result.

And once he defeats the NG Emperor, everyone's mood cheers up for the better and their relationships improve as a result. The rival gangs are more friendly with each other and are able to get along in spite of their rivalry that's lasted for years. Matakara gets to have a bonding moment with Arajin which is a huge step compared to how coldly he's been treated in the past. And Senya is super excited that the merge rate between him and Arajin has increased.

Everything and everyone is in better spirits now.

To bad it won't last for very long.

Episode 6: This episode does not feature an NNL segment.

Episode 7: A New Cat???

The customer is once again worried about whether he should enter NNL and is scared into coming in when Arajin rushes by due to being late for the Group Date.

The receptionist welcomes him into the establishment and asks if he wants his usual. But to his surprise, the customer has someone else in mind.

It's hard to say why exactly the customer decided to go for a new cat instead of Jasmine. Perhaps it's because he's become used to the NNL environment and is bold enough to try someone different.

But what strikes me fancy about this part is not so much the change in cat but the receptionist's reaction. All this time, we've seen him as a silly catboy who loves to tease the customer and rolls with him coming to see his precious Jasmine. But it's the change in cat that causes him to react this way. He loses his silly front and shows actual shock and maybe concern over such a drastic change. He doesn't even revert back to his playful self as it cuts straight to the customer meeting Pu'er-chan (Fun fact: Pu'er is a type of tea that's specially grown in China. And taking Jasmine into account, the cats at NNL are all named after Chinese tea flavors).

So he goes on with meeting the new cat even though he still has feelings for Jasmine. And he's greatly surprised to see Pu'er accept him with relative ease based on his elated reaction.

So to start, this segment is ripe with foreshadowing as it features the customer deciding to take a break from his old cat of interest and goes for a new cat. The customer changes his old cat for a new one. And who do we know who's interested in choosing someone new at the end of Episode 7?

"Do you know? Do you know? Do you know who he chooses?"

And mixed with the receptionist's reaction of shock and concern, the series itself has underwent a change in tone based on everything that happened in Episode 8. The comedy and jokes are significantly toned down in order focus on the more serious and heartbreaking elements of Matakara's brother being suddenly hospitalized and Arajin confessing that he was a coward all along which all leads up to Matakara falling into the palms of Ichiya, our presumed villain of the show.

Another things I want to mention/theorize is that when the customer brings up how he couldn't get Jasmine out of his head, that was a parallel to Ichiya being unable to get Senya out of his head. The two genies have a long, hidden but deep history with each other and it's implied that Senya did something to warrant his wrath. And given that Ichiya has a grudge in his heart that he intends to resolve, his goals in using Matakara are all but stated to be part of his masterplan of taking revenge against Senya.

And the last part with Pu'er fully embracing the customer will be foreshadowing of Matakara accepting Ichiya's proposal and power with minimal hesitation. With him at the brink of despair and with no one to turn to for emotional support (sorry Minato Kai boys), he'll be desperate and eager to follow Ichiya's will no matter how questionable or corrupt it may be. It isn't clear as to what type of wish Mataraka will make or what Ichiya will offer him to go along with his revenge, but the boy is clearly at his most vulnerable and weakest. He'll accept anything and fall into Ichiya's hands just to make the pain more bearable.

Conclusion

The Nyan Nyaight Love segments are meant to serve as a Greek Chorus for the Bucchigiri series. Paralleling the dynamics and conflicts between the main characters (Arajin, Matakara and Mahoro) while also providing foreshadowing for events to come. Much like the Shadow Play Girls and how they would parallel and foreshadow the main events in Utena. And under the assumption that we'll get more NNL segments, then the scenes with the customer and the receptionist will foretell more of what will happen throughout the show and the relationships between the characters.

And those are my thoughts on this nonsensical skit. What do you guys think? If you have your own interpretations for these segments or if there was something that you agreed or disagreed with, please feel free to reblog this and share your comments. It's worth mentioning that the plays that the Shadow Girls held had various ways of being interpreted so there's really no wrong way to go about this.

[thetownwecallhome]

TNBC showerthought #10: Sally is her own Doll

((OOC: So I saw because of @tnbc-thoughtsandheadcanons that there's a new comic coming out that's a 'what if' if Sally had been the one to find the holiday doors and not Jack. I'll admit the idea intrigues me...but I'm a little cautious.

Now's not the time to go into it but I get a little peeved with how Disney is utilizing fan-fic ideas and concepts like AUs and mecha crossovers in their spinoff material. But, besides that fear, I'm cautious for another reason. I'm noticing a lot more stuff trying to feature Sally more and more. While I like that, I'm also kind of annoyed with it.

Among the many problems I have with "Long Live the Pumpkin Queen", one of them is I feel like they're trying to make Sally more of a female alt to Jack, rather than her own unique character. LLTPQ had to retcon Sally into being a princess from another kingdom the way Jack is already a 'King'. Which, to ME is deeply insulting.

Part of what makes Sally impressive is that she is 'just' a ragdoll. She was created, not born or 'died', and she also happens to be smarter than her creator and even the king of her town. There doesn't need to be some explanation for her being the way she is and that's what's cool about her. It's very, Ozian, for lack of a better word. It's such a cute idea of an inanimate-object-brought-to-life becoming a ruler and being thought of as their own person. It's cute and even a little empowering in a way.

While I'm not scared that this new comic will retcon anything like LLTPQ did (really, it's supposed to, given that it's an AU), I'm still worried that this new comic will give Sally the exact same reaction Jack has to Christmas and have the plot of the movie try and go on but with Sally in Jack's place...and I really hope that's not what happens.

Sally is not Jack. That's what's adorable about her. That's what we the audience love about her and that's what Jack falls in love with her at the end for. Sally wouldn't do the things Jack does with Christmas because Sally is her own person and her situation and social status is different than Jack.

AUs of this kind really kind of put into perspective the kind of characters you're working/messing with. The whole reason the story of TNBC happens at all is because Jack is the kind of person he is while he finds Christmas; extroverted, peppy, self-absorbed, ostentatious and manic depressive. Jack is the king and everybody wants his approval and attention even if he thinks no one actually listens to him. The only reason Halloween ends up doing Christmas at all is because Jack is the king and is used to doing what he wants and getting his citizens in on his plans.

If Sally finds Christmas Town or any other holiday world and comes to her own self-discovery, she better not go back and try and tell the people of Halloween about it. Sally's whole deal in the first half of the movie is she doesn't want to live with Dr. Fink; she's trying to escape. She'd probably stay in the Holiday worlds because she has no one back home desperately looking for her besides Dr. Fink. She wants to be away. If anything she has a way better reason than Jack or anyone else in town to run away. And, if Dr. Fink did make a big deal and ask people to help him look and then THAT's how Halloween first finds Christmas-- that would be something. I'd really like to see an alt. Jally-romance take that direction; Jack starts a search party for Dr. Fink's missing secretary he's seen once or twice, he follows a party personally to the outskirts of Halloween land, finds the doors and Sally and SHE'S the one to introduce HIM to the other holiday worlds. That'd be so cool!

tl;dr: I hope the 'what if' comic has Sally functionally going on her own journey and being a different character and not her functionally going through the beats of the story Jack did but just Sally in place of Jack. Sally is not Jack.

))

[3nni3]

Shadows In The Street Lights (teaser)

Teaser for my next fic <3

Cw: nothing in this snippet

A/n: This is inspired by my favourite childhood Disney movie, Starstruck. Also I'm still writing this (and the title might not be the final one), so any good ideas for literally anything regarding this are welcome. Please leave feedback. Love you all. (I don't know if this man actually has his drivers license yet but for the sake of the plot - now he does.)

"Gaat het?" = "You good?"

-------

You were just turning the corner when it happened, boom, a door was opened right in front of you, and it nearly hit your head, your shoe and arm luckily stopping that from happening.

"Oh, sorry! Gaat het?" You hear a male voice speak as you regain your balance. "I'm fine." You chuckle, as you look up at the man in front of you, shocked. Holy fuck. "Joost? Oh shit, sorry, I mean, like, that was my fault, I wasn't looking where I was going." You ramble without thinking. Taking in the features of his figure, a tall Dutch man in front of you, your heart skips a couple of beats. Black jeans that has some kind of wavy seams as a decoration, Ed Hardy hoodie with the hood pulled up, and some shades covering his eyes. However with a simple outfit like that, he manages to look better than ever, making it impossible to look away. The man looks to the side as he notices you eyeing him. "It's alright," Joost laughs lightly, "as long as you're not hurt, we're good." You smile at his reassuring words, still a bit dumbfounded. "You were at the show?" He continues as he takes his sunglasses off and puts them in the hoodie pocket. 'God it should be illegal to see those hazy, blue eyes without glasses framing them,' your thoughts starting to race as well as your heart. "Yeah, I was." you smile back at him, trying to regain your composure, mesmerized by the blonde in front of you. "How did you like it?" He decides to small talk a little bit. 'Why not,' he thought, since there was no other fans around, a little small talk never hurt nobody. "It was so good, you're so good!" You babble, immediately regretting it. He laughs, a warm comforting smile forming on his lips, making your worry about your over enthusiasm fade away. "I'm glad. Are you here alone?" He asks, looking around you guys, not noticing anyone with you. "Yeah, or like… I was with friends at the show, but they left like five minutes ago." You gesture to the side with your head. "Ah, alright, alright…" He says in an awkward voice, trying to continue the conversation somehow. "You're not from here." He states, bringing up the fact that you're talking in English. You shake your head, telling him where you're from, and he nods urging you to continue. "I just moved here, still struggling to learn Dutch." A laugh leaves your lips with that sentence. "That's fine, I know it's not easy." Joost answers with an understanding smile, "Duolingo lessons done?" His comment making you grin. "Yeah, definitely." A silence following it, not quite knowing how to continue, not wanting to ask for a photo or ruin the nice interaction with your favourite artist, and the tiny voice in your head is screaming at you for not knowing what to say next. His facial features look beautiful under the dim street light, and those damn ocean eyes staring back at you make you think you would die if you kept looking at them any longer. Shaking your head to clear your thoughts, you began speaking, wanting to escape the awkward silence before it's too late, "Listen, it was so nice meeting you. I- eh, I need to-" He cuts you off, "You here by car?" You nod, confused, his eyes still staring into yours. "Yeah it's parked behind the corner at the parking lot." You point at your right. His eyes following your gestures, looking at the direction you're pointing at. "Mine's there too, come, I'll walk you to your car." He says, quite enjoying this normal interaction with someone, and not wanting it to end just yet. You shake your head, "No you don't need to, I'll be okay-" "It's not that safe in this area during these hours," he explains, worried about your safety, "there's been a lot of weird shit happening here lately…" You listen to him talk, as he gestures for you to walk with him. Before you even acknowledge it, your legs start moving on their own, agreeing to his request by following him. The silence settles down on you two as you wonder how the hell you ended up in a situation like this, and how on earth could you ever explain this to your friends later.

[synergysilhouette]

Everyone keeps talking about "traditional villains," but in retrospect, I wish Disney had gone in a different direction for the Revival Era. Hear me out...

King Magnifico's failed characterization and poor writing in "Wish" really bummed me out. I was looking forward to a complex villain who was kinda right. I was hoping it could usher in a new age of Disney villains who were more grey than black and white, who made the characer grow as a person because they challenged their perspective. But then I realized that the opportunity existed in earlier revival-era villains:

Dr. Facilier is a villain first and foremost, though thinking back on it, I do think he is kinda proto-Magnifico, granting people's wishes, only for them to find that what they wanted isn't what they expected. I do wish he tied a bit of truth in with his scams, mentioning (similar to Magnifico) how people's dreams are very difficult to achieve--especially in the post-WWI American South, particularly POC. Naveen is generally assumed to be a POC himself, so he could juxtapose this viewpoint as someone who's never really had to experience such hardships. Dr. Facilier could still be 100% villainous, but further emphasis on dreams, wishes, and hard work would be part of his character. However, this is the reverse of "Wish"; Tiana has already worked hard, but she's lost a lot of her innocence and light-heartedness trying to achieve it, thus causing her to reevaluate how important love is and how she may not have realized it, being more practical about her dreams. It all starts with a wish.

Mother Gothel was already right; the world can be dark and cruel, and will destroy any light it finds. However, similar to Magnifico, since she's completely evil, the protagonist she goes against doesn't really change to understand what she's saying. Rapunzel doesn't see the world as dark or dangerous anymore; it's the opposite, thanks to her experiences. Because of this, I do wish Rapunzel did have a bit more negative experiences independent of Gothel to prove Gothel's point rather than it being "hey, she's just saying that because she's the villain." Maybe Rapunzel tries healing someone and people start lusting after her hair.

Hans is DEFINITELY a missed opportunity. He was the anti-Anna; isolated and alone, and he became bitter and cruel because of it. It's mentioned that the deleted song "More than Just the Spare" was removed because it made Anna too much like Hans. I don't think that, and if anything, it furthers my point: Hans gave up on his brothers, who he felt overlooked by and pestered by (he doesn't even mention his parents). Maybe give Hans less brothers and feature them a little in the movie so we can see how they interact with Hans and how it's a "what could be" for Anna and Elsa. His evil character is exactly what Anna is trying to avoid, but she understands how he became this way rather than it simply being for shock value.

Yokai was a great villain to me, but the reveal happened too late. I'd have loved seeing a more thorough exploration of his character and parallels to Hiro (which were done great in the film; I just wish it was expanded on). Highlight how people quickly forget about the dead and don't always learn from history, how there's this cycle of loss and hatred that you have to break.

Bellweather was on a power trip, but I do wish she had a storyline similar to Judy and Nick, since--in an interesting twist--they come off as more interesting and complex than the villain. She doesn't really say what made her act like this, and comments that "fear always works." I wish we got more of that, especially to play the two sides card; Zootopia is mainly predator-phobic, and challenges to this, ie predators playing down predator-related crimes in order to get people to look past their identity (and the fact that many predators are in positions of power) may have caused Bellweather's abuse by predators to be overlooked, causing her to want them all gone.

Te Ka is interesting. Despite "Moana" being a great film, I do feel like Te Ka and Maui's storyline was underutilized. It's revealed Maui stole Te Ka's heart for humans, but from what we see, Moana lives in this ideal community where their heritage, culture, and nature is loved and respected. Maybe embrace the fact that Tala is the only one who tells the story of the ancestors and how being they became "comfortable" since they were no longer voyagers, being used to the hierarchy and their stagnant society. Highlighting some humans' selfish natures would've been nice rather than Maui just telling us about it, with Te Ka being a metaphor for the destruction and disregard for nature and love.

Namaari is such a missed opportunity. Despite caring about her community, she comes off as more villainous than an antihero since she doesn't show any sympathy or care for Raya--in fact, she seems rather smug about hurting her. By making her a villain burdened by expectations and love for Fang while slowly being redeemed would've been better to me, shifting her POV slowly, making Raya angry with Namaari but understanding her motives. Having some regret about her choices--even if she believed they were the right ones--would've gone a long way for Namaari's characterization.

Magnifico...well, you already know he could've been one of Disney's most complex villains. Horrifying backstory and powers that are the result of hardwork left him with a jaded view on wish granting. He wants to help others, but has MANY reservations about it.

This is just my POV, of course; some of you may disagree (or feel like the aforementioned villains already achieved what I ask for), but I do hope future Disney villains have that "they're kinda right, even if they're wrong" characterization. It'd be a nice new era as the successor to traditional villains and twist villains--though just like twist villains, this trope requires VERY good writing.