#that obviously means that you love me'

[maflufla]

I just finished rereading LN 3 of the apothecary diaries and I need to ramble for a bit

One of the things that is clear and emphasized a lot in the these initial volumes is how much maomao is scared of accidentally committing an infraction unknowingly and been punished (killed) because of this. That is her reasoning behind wanting clear limits and direct orders, as in her narration she mentions multiple times that that makes her life easier.

Even in situations where the people in higher station are clearly showing signs of affection towards her (I'm thinking about when the emperor pats her head in the labyrinth-shrine), she has her guard up and is still very aware of the image she presents as to not "accidentally offend a noble and get killed".

And then we get at the end of volume 3, where the hunting trip offers more proof than ever that Jinshi is much more important and high up in the chain than she had previously thought, and that the whole situation is VERY messy. And she is obviously resentful and stressed for being dragged into this, because the undeniable truth is that she is the one that stands to lose the most. But still, when Jinshi offers her the ox bezoar she then SHUTS THE DOOR IN HIS FACE and it's such a funny and very maomao way of showing that she is a little bit closer to him and can let her guard down enough to let her excitement for pharmaceutical ingredients consume her necessity to maintain propriety (lest she gets beheaded for being accidentally rude as she always thinks????).

She knows that her own feelings about people are not something she is very in tune with (she knows how she feels about her dad and maybe her sistersand thats about how much she recognizes), so we the readers are not going to get a direct declaration from maomao about how she feels about jinshi. I like then that we get progressive and subtle glimpses of how she starts to let her guard down and feel more at ease in jinshis presence, that she becomes a little bit more rude, outspoken, direct with her observations and conclusions in her investigations. We get to see her talk more and narrate less, and I find it such clever and subtle way to show that she is warming up to him.

[inkskinned]

she's singing in another room and my dog is asleep at my feet. my grandma asked me why i haven't found a man yet and i laughed. oh, you know. i like my house clean.

my girlfriend is also my man is also "my partner" if i'm in a professional setting. yesterday we went to a ren faire and a man mimed at me - you're together? and at my delighted nod, his baffled, you're gay? made me laugh. a woman with rainbow hair said i love the two of you together. you're both so beautiful it's absurd.

my dad introduced my partner as my "..... friend. or whatever" the other day. he knows we're dating. in the same way, i was never able to get my sister's husband to stop saying that's gay like it's 2008. he still uses the word fa***t, and my sister's defense of him has always been well, he's just kidding.

my lover and i dance to old music in a tiny kitchen. we judge new music together and take food critique very seriously. we watch love is blind before we fall asleep and agree that if they had a queer season, it would be bloody but also make for excellent tv. of fucking course queer people would know someone for only 2 weeks and agree to get married. what are you saying.

at a bar with friends, a man puts his hand on my wrist. got a boyfriend? and yes, i do have a boyfriend, she's amazing. i am texting her while i wander around a gas station named after geese. i am visiting a swing state for a wedding. in the candy aisle i overhear: she's actually like a lesbian it's disgusting. two teenage girls with packaged sandwiches in their hands, giggling. no literally, like. i'm not, like. okay with her being there while we're all, like, naked and changing.

my girlfriend and i tailgate, drink gin and cider out of cups. from the frat group beside us, a man corrects himself with one of his friends: bro, i mean, nonbinary entity, and it makes everyone around him laugh, myself included. he razzes his friend the same way i would have killed for at 19 years old - like nothing happened, he continues: you apply sunscreen like an alien. he does a little sassy (and fairly accurate) dance interpretation of the motion. his friend is laughing so hard they're crying.

i am lucky, i live in a safe neighborhood in a safe state. my masc passenger princess comes up from DC. i drive her for an hour to where all the leaves are a violent arrangement of color. we walk along the trails, letting autumn into our blood. in this part of the state, there's a lot of pickup trucks and trump signs. when we chastely kiss before getting into the car, i accidentally make eye contact with a woman holding her child's wrist. she looks disgusted. she looks fucking pissed.

two hours later my girl and i are eating dinner on a patio, soaking in the last warmth of new england sun before the chill of winter sets in. we are giggling and trying to talk through plastic vampire teeth. at another table, i see a young woman sit up straighter. i watch her watch us. she blushes and takes her partner's hand from across the table. shy, like the taste of evening has just become something deeper.

it's worth it for this moment, i think. my lover is still humming the same song she's been singing for four days straight and i don't want to kill her for it. her guitar is beside my bed. her toothbrush is in my bathroom. in a few moments i will make us lunch. we are lucky enough to have found each other. it is lucky enough to be in love.

[andstuffsketches]

girl who lives in a cave

[chalkrub]

reminiscing about childhood books after that ask - all due respect to cool sleek movie toothless....but to me, he will always be a mean little gremlin

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

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[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[minionsuncle]

Kipperlily..?

[elfcollector]

DRAGON AGE: ORIGINS (2009) — developed by bioware.

[heynhay]

scene from where the apple falls by @jupiters-junipers :-) wholeheartedly recommend any and all of her work

[svtskneecaps]

i also just want to point out the qsmp members' commitment to like never letting the inactive members die. like dantdm logged on twice and is canonically dead and everyone continues to blame mysterious happenstance on him. spreen is canonically dead and yet people are still like namedropping him even tho the house façade he built has been demolished and also probably consumed by a mountain. they meme on kameto who's barely been on except that time he was a fed spy that was iconic as hell. they just immortalize their members and they're always so happy to see old faces come back and it lowkey makes me emotional lmfaoo like missa barely logged on for a while but goddamn nobody forgot his name bc philza can't go one day without mentioning him and mariana barely logs on but every time fit saw the homeless mariana in roier's city no matter what he'd stop dead and tell it "come home" and when slime came back to the server for elections after having logged off for the last like two months everyone was still excited to meet him bc the others had kept his memories on the server fresh and alive, maxo died canonically in the nuke and pierre pasted his face all over the server, luzu vanished for months and we never forgot him either thanks to the computers and foolish's wack ass family tree. like when purgatory teams were chosen and team red constantly joked about how it would be so over for the other teams once germán logged on despite the fact that germán had only ever logged on ONCE, the way they cheered when they snatched rubius in the split of green despite the fact that rubius hadn't logged on more than twice since march. they just keep the names alive all the time and it's like

it just makes me really happy to see. like it makes me really happy. like the admin team and the members alike are like 'no way in HELL are we letting your memory go' like damn once ur on isla quesadilla you really are stuck as an islander forever :D

[s0fter-sin]

ghost who was chemically castrated by roba and soap who wants to help him to regain his sexual autonomy

nsfw, angst, roba, unnegotiated unsafe but consensual gun play, hopeful ending

💀🧼

ghost walks like it hangs low.

there’s a tilt to his hips and a spread in his thighs and johnny’s never been able to stop staring.

and ghost’s never asked him to.

he knows he’s seen him; he’s not exactly discreet. he swears he’s even seen him cock his hips out before to give him a better view. but he always pulls back just as they toe the line; verbal cold water on the tentative heat they almost can’t help but spark when they’re together.

it’s never a no; johnny’s not so selfish of a cunt that he’d push when he knows he isn’t welcome. it’s always a reluctance; an “i wish i could,” never in so many words. an open ended “but…” as ghost circles the reason without ever actually saying it. johnny knows it’s something personal, something more than a difference in rank could ever excuse.

so he backs off when ghost does, jokes instead of flirts and holds his breath through the agonising wait until ghost lets him in close again. waits to know if he’ll let him close again.

it’s almost anticlimactic, the end of their dance; his delicate steps and looping logic to work out why bulldozed as ghost comes out and says one random night, “i can’t fuck.”

it’s not bitter. it doesn’t grate coming out of his throat; he doesn’t spit it like it’s something to be ashamed, not twisted with insecurity as if it’s an accusation by an ex.

it’s a statement of fact.

“you can’t fuck,” johnny echoes anyway because even if it is the reason, the big why… it still doesn’t really answer anything.

“i can’t get it up,” he elaborates, this horrid blankness in his eyes like he’s reading from a script. “whatever you’re looking for, whatever you want- i can’t give it to you.”

johnny just looks at him, the chill air prickling his skin. “right,” he nods calmly. “because my interest in you starts and ends with your dick.”

that blank calm shatters. “johnny…” he warns.

“do you really think i’m that shallow?” he cuts in, curing himself for the way his voice breaks but he never thought ghost would think so low of him; that this whole time, ghost’s thought that’s the only thing he wants from him. “like i’d take you for a ride ‘n just drop you?”

“there’s a difference between not gettin’ it for one night and never gettin’ it at all,” ghost growls, turning his back on him to lean against the edge of the roof. his shoulders heave and the anger seeps from him in one long breath. “it’s not a hitch, johnny. not a performance issue or ptsd or whatever the fuck you’re thinkin’. it’s permanent. irreversible.”

irreversible.

johnny stops, cold creeping up his limbs and dousing his defensive anger. ghost is many things and when it comes to his words, chief amongst them all is deliberate. he didn’t say it’s unfixable. incurable.

irreversible.

johnny buries his selfish hurt and scuffs his boots, an unobtrusive warning of movement, and comes up beside him; just enough distance between them to catch their breaths. he leans back against the ledge and looks over the opposite side of the roof at the dark sky.

“mexico,” he murmurs. not an accusation. not even really a question but ghost collapses in on himself anyway; sinking into his crossed arms digging into the ledge.

“mexico,” he agrees just as quietly. “‘pparently, roba found it more entertaining to let me keep it but- cut the cords. more demeaning that way; cock’s gone, at least you don’t feel the urge. don’t have to look at the fuckin’ thing hang there when nothin’ fuckin’ works.

“it’s not ‘bout how i see you, johnny,” ghost promises and it’s almost apologetic. “but you like sex. eventually, you’ll want it. and i can’t give it to you. easier to just… not let it get to that point.”

johnny’s jaw flexes. everything in him wants to reject it, wants to protest that something as trivial as an orgasm is more important to him than ghost.

but he also knows words are useless here.

they stand there looking out into the gathering dark, tense silence hanging between them, and the only thing johnny knows is if he isn’t careful, he could lose the one person he cares about most.

💀🧼

ghost’s been uneasy since his abrupt confession.

he knows it was sudden, borderline cruel to dump his shit on johnny with no warning but he just couldn’t take it anymore; couldn’t take the back and forth when he knew it would never go anywhere, couldn’t take johnny’s hope when he knew he’d have to watch it twist into disgust and pity.

into disappointment.

he figures that’s the end of it; there’ll be no more flirting now, no more staring or heated looks, no more teasing him by spreading his knees out just to see the flash of hunger in his eyes. the control he felt playing with johnny knowing it was welcome, just because he could- he’ll never feel that again. not now that johnny knows the truth.

then he steps into his room to find johnny laying naked on his bed.

he’s not spread out like an offering, not throwing him some cheap sultry glance as he plays with himself. he’s not even hard; his cock limp over the cradle of his balls, his legs bent loosely together, arms under his head as if he’s settling down for the night.

ghost sighs and shuts the door behind him. “johnny…”

“i know,” johnny says and it’s gentle; not cutting him off, just getting his attention. “just… hear me out?”

there’s nothing else to say. there’s nothing johnny can say or do to fix his violated body. but ghost still crosses his arms and leans back against the door like he can anyway.

johnny pushes himself up and off the bed, closing the distance between them but still giving him enough space to breathe; to open the door behind him, to escape.

“i can never know what was taken from you,” he starts and ghost’s fingers dig into his arms. “i can never know what it means to you. and i can never get it back.”

he doesn’t break eye contact and slowly lowers himself to his knees. “but i can give you something else.”

“you?” ghost guesses flatly and as much as it warms his blood, as much as he’s imagined having johnny look up at him just like this… it’s still not enough to offset the sickening swoop in his gut when his cock doesn’t so much as twitch.

“i’m a nice bonus,” johnny purrs but his smile remains gentle. “but i’m not the main event.”

he lifts a hand and ghost readies to smack it away when he reaches for his thigh holster instead of his belt. he flicks the closing strap open and pulls his handgun, his favourite, free.

“you told me you can’t fuck,” he murmurs, popping out the clip. he taps it against the side and loads it back in with a practiced hit with the butt of his palm. “but fucking isn’t all there is.”

“johnny, what…” ghost starts just to cut himself off as johnny thumbs off the safety and loads a round into the chamber.

“you trust me?” johnny asks and it’s as loaded as the gun in his hand.

good then, that ghost knows the answer. “always have.”

johnny’s smile blooms with warmth, with pride, and it chases away any reluctance he could possibly feel. he lets him take his hands in his, wrapping them around the gun with his finger on the trigger guard. he brings the barrel up beside his temple, holding it steady before his hands fall away.

until it’s only ghost between him and a bullet.

johnny’s hands go to his belt, his movements slow enough for ghost to stop him long before he reaches his cock, forever hanging limp in his pants. but he just rubs the muzzle along his temple, almost nuzzling him with the gun as he pulls down his jeans and boxers.

he waits for johnny to take him in hand, maybe try and pantomime a handy, and his hips almost recoil at the thought.

but he doesn’t try to touch him.

instead, he takes his wrist and guides the gun to sit in front of his cock; angling it to follow the same slight curve he has then holds his hands behind his back like he’s standing at attention. he splays his knees wide, sinking deeper and ghost sucks in a harsh breath as johnny ducks under the gun; his eyes locked on his as he curls his tongue under the barrel and brings it into his mouth.

it takes every ounce of will he has to not let his hand shake around the gun as johnny gives it the slowest, messiest blowjob he’s ever seen; slowly rising higher on his knees, guiding the gun up with him as if it’s his cock hardening. his cheeks hollow as he sucks, tongue laving up the barrel and flicking out to play with the muzzle like a cockhead, moaning with every bob of his head until saliva drips off the metal and makes a mess of his chin.

ghost’s never felt so powerful as he does watching johnny hang off the end of his gun; watching his cock harden and drool between his legs without a single touch, knowing he could pull the trigger at any time and johnny would not only let him but he’d thank him.

the thought breaks him from his paralysis, drawing the gun from his lips and johnny immediately stills; rolling his wide eyes up like he’s trying to check on him. ghost pushes every ounce of heat into his gaze and cocks the gun to the side, slowly pushing it back in until johnny’s lips meet the trigger guard.

johnny whines as he fucks his mouth, thrusting his hips along with each long drag like the gun is an extension of his body; almost too rough as tears prick his eyes and his lips redden and bruise but he never asks him to stop; his cock leaking a puddle on the floor beneath him.

“you gonna cum for me, johnny?” ghost croons, holding back a groan when just his voice is enough to make him shiver. “gonna cum with my fucking gun down your throat?”

he gives a broken whimper, as close to an agreement as he can make, and ghost crowds in close. he grips the base of his mohawk, wrenching his head back until his throat is flush to the front of his thigh. johnny lets out a choked cry, eyes rolling back and he doesn’t hold back as he brutally fucks his face; feeling the bulge of his gun in his throat against his leg.

“come on, johnny; you wanna be my good little holster?” he growls and makes sure he’s watching as his finger moves from the guard to the trigger. “then take my fucking load.”

he forces the gun as deep as he can and johnny gags, his shaking body locking up as he cums untouched; painting the floor and ghost’s boot, cock twitching and pulsing hard enough to bump against his belly and leave a string of cum threading from it to his cock.

ghost watches him spasm and moan, his throat convulsing around the gun and a heated knot of satisfaction tightens in his gut; so close to the memory of an orgasm, he’s almost dizzy with it.

johnny slumps forward, his hands slipping from behind his back, and ghost quickly flicks the safety back on and drops to his knees. he slides the gun away and pulls johnny forward to collapse into his chest, taking his weight off his knees; his whole body trembling with aftershocks.

“you’re crazy, johnny,” ghost whispers, awed, and feels him smile against his chest.

“aye,” he agrees, voice raspy from his gun scraping up his throat. “how else am i supposed to prove that i mean it?”

ghost tries not to tense up; tries not to let hope sink its cruel roots into his chest. “mean it?”

johnny pulls back, his cheeks still flushed and sticky with spilled tears. “i’m yours, ghost; in any and every way you’ll have me,” he promises. “sex or no sex. this can never happen again and i’ll still never stop wanting you. it doesn’t matter to me as much as you do. you’re everythin’ to me, ghost. not your body; not what you can give me. just you.”

a knot crowds in his throat. “and you needed to deep throat my pistol to prove that?” he deflects.

and just like always, johnny lets him. “worked, didn’t it?” he winks. “you fucked my brains out.”

ghost rolls his eyes to hide the softness he knows is flooding them and helps johnny up and gets him into his shower; cleaning him of the sweat and cum and spit covering his body.

that ghost covered his body in.

his chest hitches at the reminder as he strips himself down to a single layer and all but falls into bed, tugging johnny in after him when he hesitates just slightly at the edge of the bed; splaying his still naked body over him, sated and loose.

“i really do mean it,” johnny whispers into the crook of his neck sometime later; when their breaths have settled and synced.

ghost sweeps his fingers up and down the length of his spine, skin he’s never seen. skin he now knows every inch of. “i know you do,” he whispers back.

and for once, he thinks it might be enough.

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[backpackingspace]

Odysseus: demanding Athena take off whatever enchantment she put on him the second the situation ends.

Odysseus: who constantly reminds Athena that he has great plans to grow old and die with his wife so don't even think about getting any ideas.

Odysseus: side eye diomedes who has started fucking glowing he has so many enchantments on him: bro you should talk to Athena about getting those removed. You're going to end up immortal or some shit

Diomedes: who has been a solider since he was 5 who has intersting thoughts about his own personhood who has a much more traditional relationship with Athena and would rather literally stab his own eye out with a rusted sword than speak out of turn: I don't know what you're talking about

[violent138]

I love the idea that Martha just knew somehow that Clark was an alien (don't give me a well duh he arrived in a spaceship you coconut because I read this one comic where Jonathan genuinely spins out at the realisation). I feel like Martha spent hours gathering evidence and Jonathan was like, babe I love you but would you fucking stop? He's not got attenae or anything can we just be pleased about our miracle kid. And then Clark gets powers and Martha whispers about her little conspiracy again and Jonathan whispers back this is not proof he's an alien! He's just like that!

Martha does classic exorcism movie shit like attend university lectures on extraterrestrial life and grill the professor on the chances of it and what if it looks like us, et cetera and share her notes and brochures with a highly bemused Jon who tells her instead about how Clark helped the vet they called over.

And then they get solid evidence and Martha is vindicated and Jonathan is floored. Because alien was so wacky he'd never seriously considered it amongst his chief hypotheses (misplaced lab experiment, standard miracle baby).

[deoidesign]

I met the me who made different choices

[poorly-drawn-mdzs]

Bonus 13: Beware the Grapes of Wrath.

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