#that last one was a fun question

[sisaloofafump]

I think about this quote everyday. You're right Arthur, they ARE best friends and it IS kind of adorable

[artuurle]

(AU)

What if you died and something divine loved you so much it couldn't cope with that fact? What if they tried bringing you back but the result was wrong?

More doodles + rambles below:

Now What if what came back was just off. Looks at the divine without the memories that went back decades. It looks, behaves and works in a way just off enough in a way to make the god unable to look at it. it's not you. it's not. it can't be.

.... but what if what got pulled back was still you, but its- YOU'RE wrong and broken in ways you cant understand anymore.

The apocalypse draws closer and closer and you don't know why every day that passes you seem to be falling more and more apart too. The god is gone. You are alone.

....Anyway yeah i fucked up a perfectly normal Lovestory Au. i gave it anxiety is what i did. sorry for horrid typing in 2nd person trying to explain stuff im bad at explaining <3 i draw, not write for a reason lol.

[boojangs]

How she looks at her when she isn't looking:

How she looks at her:

How she looks at her when she isn't looking:

How she looks at her:

Building Trust:

Coming Home:

[luxaofhesperides]

Could i request a ghostlight where danny can turn into a dragon, it could be though a curse or just training from queen dora?

Like dragon Danny seeing the yellow signal outfit and thinking "mmmmm gold, shiny, must take".

He should probably be more worried about being cursed.

Scratch that, he should definitely be more worried about being cursed. However, it wasn’t done intentionally or in bad faith. This is just the consequences of him, Sam, and Tucker fucking around and finding out when left unsupervised with the grimoire of a long dead witch.

In their defense, they didn’t know Tucker could use magic. This revelation both upset Tucker, who refused to be swayed from tech, and Sam, who thought she was a better fit for magic considering how goth she is. Danny hadn’t really cared, since he was too busy being turned into a dragon. At least it isn’t like with Dora’s necklace; Danny is still himself, can think clearly, and isn’t overcome by rage. 

He’s just… Danny. But as a dragon.

“Well, you do something to fix him then!” Tucker shouts, waving a hand in the air angrily, “Since you want to be so good at magic, you do it then!”

“I would if I could! But you’re the one who gets to use magic, so figure it out and turn Danny back!” Sam shouts back, getting in Tucker’s face with a fierce scowl.

Danny sighs, shifting uncomfortably. His room is not big enough for a dragon, and his back is starting to cramp up. He looks longingly out the window to the clear skies that call to him, and wonders when his friends will stop fighting. 

They keep shouting, so he doubts they’ll be able to focus on actually helping him for at least another hour.

The only silver lining about the situation is that Jazz and his parents are gone, taking the weekend to visit a few colleges so Jazz can decide which one she wants to go to. Though he’s been cursed into dragon form and his friends are yelling about it, at least his family can’t make it any worse with their attempts to ‘fix’ things. 

There’s a lull in the yelling, Sam and Tucker both turning their attention back to the grimoire. Danny shifts his wings, tail flicking slightly, and leans his head closer. He wishes he could help figure this out, but he can’t talk in this form, and any attempt at charades will destroy his room. 

His friends look focused, at least. So maybe they’ve decided to focus on finding solutions instead of fighting. 

“Here,” Sam says, shoving the grimoire over to Tucker roughly. “Try that.”

Tucker reads over the spell, then scoffs and pushes the grimoire back. “That’s not going to fix anything. Didn’t you read it? It clearly says truth is the greatest revenge, revealing one’s true form force it into light. It’s talking about making people who are secretly cruel turn ugly or something like that! It’s not going to do anything for Danny!”

“It says one’s true form and Danny’s is a human! That would work!”

And they go right back to arguing.

Danny sighs, turning to stare out the window again.

In any other circumstance, being a dragon would be so fun. He has wings! He’s big and has claws and can probably breathe fire! And it’s not making him act on animal instincts or anything! If he could just be outside…

He glances at Sam and Tucker again. 

Maybe he can go outside, enjoy the curse a bit before they figure out a way to undo it. Spend some time flying around with wings. 

All the curse did was turn him into a dragon. It just changed his form. If he still has his ghost powers, if the curse didn’t change his nature from halfa to dragon…

Carefully, Danny focuses on his tail and tries to make it intangible. There’s a strange sensation of ice running down his spine, then it goes into his tail. In the next second, his tail drops through the floor, and Danny bites down a grin. 

He is so out of here. 

He gives Sam and Tucker another glance; they’ve got their heads bent over the grimoire, paying no attention to him. 

Perfect.

Danny goes fully intangible and sinks through the floor of his bedroom, then maneuvers his way outside the house. As soon as he’s out, standing beneath the sunlight and able to stretch out his new body, Danny pulls his power back and takes a few careful steps on the grass, testing his balance. His wings shift on his back, and he stretches them out, feeling the way his new limbs move.

Everything feels natural, as if he’s always been a dragon.

Taking a deep breath, Danny spreads his wings out and takes off running. A few hard pumps of his wings gets him into the air, and he can’t help but let out a joyful roar. 

Distantly, he hears Tucker and Sam yelling again, but he’s too happy to be free of that room to care. Let them argue. He wants to have fun.

Staying in Amity Park is a no go; Val might go after him, thinking he’s a threat, and ghosts could pop out at any time to cause problems. He might as well take this chance to fly around wherever he wants. Chicago wouldn’t be too hard to reach with how fast he’s flying, but he’s been there before and doesn’t want to stay in Illinois. 

What other big city is nearby that he can fly to?

New York?

Or, better yet, Gotham. 

It’s definitely a bad idea, but if any city is able to handle a dragon appearing without warning, it would be Gotham. Plus, he might get to see some of the heroes in action! Sure, it’s the middle of the day, but surely a dragon is a good enough reason for Batman to show up before the sun sets. 

Mind made up, Danny flies up into the clouds and heads towards Gotham, following the roads out of Amity Park. 

The flight is quick. It takes barely over an hour to see the dark figures of Gotham’s tallest buildings, fog surrounding the city like something out of a horror movie. The sun glints off the ocean behind the city for a rare, cloudless day. He’s heard stories about Gotham’s weather, how dreary it is, the occasional acid rain, the gloominess of it all. As bad as his luck is, it seems that the sunny day is trying to give him something good to even it out after being cursed into a dragon.

Excited, Danny angles himself down, diving out of the lower clouds and shifts his wings to catch on a wind current that smoothly sends him towards the city.

Just to be careful, he goes invisible as he gets closer, staying out of sight once he enters the city proper. 

Noise overwhelms him immediately, cars honking and voices yelling, the occasional gunshot and sound of something breaking. It makes Danny wince, disoriented enough to make him falter as he flies above the streets.

Amity Park is quiet and peaceful in comparison, so much so that he hadn’t realized just how enhanced his senses had become in a dragon’s form. 

The sounds of everything are so much, and all the movement of such a big city is dizzying. At least he can’t smell anything but salt from the sea; if he had to deal with the constant smell of blood, guts, and sewage, he would find a way to fully die to get away from it.

He slows down to a smooth glide, weaving his way between buildings as he takes in the city. Even with the sun out, it’s gloomy, the tall buildings casting shadows across the streets, a mix of art deco and gothic architecture filling up the space. He wonders if he should find some place up high he can rest, maybe bathe in the sun for a bit until he felt like moving again. If he managed to fall asleep, that might give Sam and Tucker enough time to figure out how to undo the curse.

“Ow! Shit, that hurts.”

Or he indulge in his curiosity and check up on whoever just cursed loud enough to be heard over the ambient noise of Gotham.

It takes a minute of searching before Danny’s eyes zero in on a bright flash of yellow moving across rooftops. 

All other colors seem dull in comparison, and Danny has just enough time to think, Oh, there’s the dragon instincts taking over, before he’s flying after it, unable to focus on anything else.

Every time the yellow leaps out of the shadows, it’s as if it glows. As if Danny’s chasing sunlight. 

He gets close, but loses the yellow every so often with how he has to maneuver around buildings, putting his new flying abilities to the test in an effort to keep up.

Then the yellow comes to an abrupt stop. Danny can’t stop in time and flies past it, tilting his body and spreading out his wides as far as he can to make a tight turn. 

“I’m fine, just bruised up, but I feel like I’m being followed,” the yellow says to no one. There’s a pause, and then the yellow says, “I don’t see anything, is the thing.”

If the yellow has anything more to say, it doesn’t get the chance to do more than open its mouth before Danny’s crashing into it, tackling it to the ground. 

He’s elated as they roll across the roof, the living sunlight caught safe in his arms. He holds it close to his chest, protecting it until they come to a stop, dropping his invisibility as a low rumble builds in the back of his throat. The dragon brain has thoroughly taken over, and it takes far too long to wrestle control back from it.

Once he’s able to think more clearly, Danny looks down at the poor guy he’s caught and realizes, hey that’s a hero!

And then he realizes, that’s a hero. I fucked up.

He tries to say sorry, but all that comes out is a low chuff. The hero, who he can recognize as the Signal because who else wears mostly yellow in Gotham, leans back as much as he can, trapped in Danny’s grasp.

“Hey, dragon,” Signal says nervously. “I’m really hoping you didn’t catch me because you were looking for a snack.”

Danny huffs, bumping his head against Signal’s chest. He hopes he doesn’t come across as aggressive, because all he wants to do is laze around with a hero, his dragon brain happy to keep hold of its yellow sunshine.

He’s not going to let go of Signal, though. He intends to make the most of this moment while he can.

“Okay. You seem friendly? That’s good I guess.” Signal sighs, then tries to wiggle out of Danny’s grip. Danny doesn’t budge until Signal gasps and curls into himself, clearly in pain.

Worried, Danny lets go of him and tries to see what’s wrong, his snout poking against the Signal’s ribs.

The Signal hisses out a breath, trying to push Danny away. “Stop, don’t do that. Man, I hope my ribs aren’t broken. That would suck.”

That would suck. Rib injuries are the worst, and the bruises always seem to stay longer on ribs than anywhere else, in Danny’s experience. He would love to offer the Signal some ice, but as a dragon, he’s not sure how to use that particular power. He settles instead for backing off and making himself small, offering an apologetic rumble.

“Thanks,” Signal smiles, gingerly uncurling from where he’s hunched over, an arm crossing his stomach, protecting it. “I guess you’re friendly, then?”

Danny nods.

“...And you can understand me?”

Danny nods harder, a high pitched growl slipping out of his mouth. 

“That’s so cool. What are you doing here in Gotham?”

It’s not a yes or no question, so Danny’s stuck on how to answer when words are so far out of reach. He shrugs, wings shifting against his back, then carefully bumps his head against the Signal’s helmet. 

“Yeah, that was a bad question. Do you need help?”

Danny scrunches up his nose as he thinks. He is cursed, but so far, being a dragon isn’t all that bad. It sucks that he can’t talk, but everything else is cool! He just doesn’t want to be a dragon forever. But it’s nothing the Signal can help with, so Danny just shrugs again.

The Signal tilts his head. “Alright. I guess I’ll get going then, and you can chill up here.”

The low growl comes suddenly, without him even thinking, and Danny wraps himself around the hero again. Distantly, he thinks that he should stop, that this is technically holding the Signal in place against his will, but the much louder, dragon part of him is deeply upset by the thought of the Signal leaving while he’s injured. Danny can protect him, so there’s no need for him to go anywhere! In fact, he’s only safe as long as he’s with Danny!

He leans more of his weight onto the Signal until they both fall back onto the roof, pinning the hero in place. 

Danny tries to be gentle, but the impact still makes Signal groan, tensing up in pain.

Sorry, he tries to say, the words coming out in a low chuffing noise. He draws his tail up to curl around the Signal so he’s completely surrounded by Danny, kept safe from anything that would try to attack him. 

Letting out a breath, the Signal lightly knocks his head against Danny’s neck, the helmet barely felt through Danny’s scales. “Alright, Oracle, can you send someone to my location? I’m a bit stuck.”

It’s hard to hear, but Danny manages to make out a voice saying, “Black Bat is heading there now. What’s wrong?”

“I’m a bit stuck.”

“Injured?”

“Just my ribs, but that’s not really the problem. There’s a dragon who’s very determined to keep me on this roof.”

“A dragon,” the voice repeats. 

“Yeah. It seems to like me? But it’s also not letting me leave. So. I’m stuck.”

There’s a pause, then a soft burst of static before the voice says, “I’m going to send a message to everyone else just in case they’re able to provide any back up. I’m sure Tim is looking for an excuse to ditch Bruce at that accounting meeting.”

“Guess I’ll just wait to be rescued, then,” Signal says, sighing. Then he tilts his head up to look at Danny. “Is there some way you could talk to me? To pass the time. Maybe morse code? Do you know what that is?”

Dragon brain makes him stupid, apparently, because Danny does know morse code. He didn’t even think of alternative ways of communication once he discovered talking was impossible with his new vocal chords. 

It’s probably not even dragon brain. It’s just Danny brain that makes him like this.

Embarrassed, Danny drops his head onto the roof, drawing his tail closer to himself so it can cover his eyes, his best attempt at hiding his face. Then, with one sharp claw, he taps out Y.E.S.

“Oh! So, what’s up?”

N.O.T. D.RA.G.O.N. H.U.M.A.N. G.O.T. C.U.R.S.E.D.

“Why did you say you didn’t need help if you got cursed?!”

Danny wants to say it was an accident, but has no confidence that he can spell ‘accident’ correctly, so he goes with F.R.I.E.N.D. M.A.D.E. M.I.S.T.A.K.E.

“And can they fix it?”

I.D.K. T.H.E.Y. W.E.R.E. F.I.G.H.T.I.N.G. Danny huffs out a breath, flicking his tail in annoyance as he uncurls slightly, giving Signal some more breathing space. He doesn’t look as stressed out anymore, which is nice, but he still holds his ribs tenderly, careful not to move too much. G.O.T. B.O.R.E.D. L.E.F.T.

The Signal taps his own fingers against the roof, thinking after he takes in Danny’s words. “Do you think we can call them and see if they know how to fix it? I doubt you want to be a dragon forever.”

N.O. P.H.O.N.E.

“It’s cool, we can use mine.” And he pulls out a cell phone from… somewhere. Danny has no idea where. It’s like he blinked, and a phone suddenly appeared. His hero suit probably has a lot of hidden compartments and pockets to hold as much stuff as possible, but it’s so well designed that Danny can’t begin to think of where he’d put anything. Especially when his dragon brain keeps getting distracted by how nice the yellow is.

Danny taps out Tucker’s number when Signal asks for it, watching as the call connects and is put on speaker.

“Hello?” Tucker’s voice says, hesitant and a little distracted.

“Hi,” Signal responds with a mischievous smile, “Do you happen to be missing a dragon? Cause I’ve got one here who’s hoping he can get a little help from a friend.”

Danny hears something clatter on Tucker’s end, then Tucker starts yelling for Sam. He’s not quite able to bite back his laughter, entire body shaking with it. The Signal keeps his composure better, but he does share a glance with Danny that has him biting his lip, trying to keep his smile from growing.

“Where is he?!” Tucker demands, and for a moment Danny feels ashamed of how much stress he’s putting his best friends through. And then he remembers them fighting nonstop while ignoring him and doesn’t feel bad at all.

“Gotham.”

“...Gotham,” Sam repeats. Her voice is flat in the way it always gets before she verbally (and sometimes physically) tears someone apart. Danny winces hard enough that it jostles the Signal, making him glance back at Danny.

“Yeah. Gotham. He said he was cursed?”

Sam sighs heavily. “Yeah. Not my fault. It is Tucker’s fault, though.”

“I think I found the solution though! And also, it was an accident. You were the one who wanted to read the grimoire.”

He can tell they’re gearing up for another fight, so Danny lowers his face closer to the phone and lets loose a dark growl. It shuts them right up, and he briefly wonders about learning how to growl like that as a human, since it’s so effective.

Tucker clears his throat, and continues as if nothing happened. “Anyways. The cure. The thing that will make Danny stop being cursed.”

There’s another long pause.

“The cure…?” Signal prompts.

“Kisses.”

“Sorry, what?”

“It’s kisses.”

“Like… true love’s kiss?”

Danny hopes it’s not true love’s kiss. If it is, he’s never going to be human again. Who would his true love even be? As much as he liked Valerie, that ships sailed long ago. And he loves Sam and Tucker, but not quite like that. 

“No. Thankfully,” Sam says. “Just kisses. What matters is the amount, not the person it’s from. So whoever you are, we’re gonna need you to be giving Danny as many kisses as possible until he’s human again. We’re also on our way to Gotham now. Johnny’s offered us a ride.”

On cue, an engine revs loudly. 

“We’ll be there soon!” Tucker shouts over the engine, and the call ends just a second later. 

Danny huffs, shaking his head lightly.

“Interesting friends you got there,” Signal comments idly.

Y.E.S. Danny taps out. L.O.V.E. T.H.E.M.

The Signal sits up and moves away from Danny, who has to stomp down the urge to curl around the hero tighter to keep him in place. He stands up, putting his phone away, and looks over Danny. His gaze feels like a physical weight, moving from his face, and the horns on his head, to the scales covering him, to his wings and tail.

His tails flicks back and forth nervously. Danny can’t get it to stop.

“Dragon,” someone new says, startling Danny. He spots the newcomer immediately, a lithe figure in all black perched on the ledge of the roof. Her voice is rough and he can’t see her face at all, fully covered as it is in her mask.

This must be Black Bat. He doesn’t know much about her; no one does, with how she’s managed to avoid being photographed and how rarely she is seen by anyone at all. He honestly wasn’t sure if she was real or not, but here she is.

“Hey,” Signal greets easily, “We need to kiss him better.” 

Black Bat tilts her head. “Kiss… dragon?”

“He’s cursed. And kisses will fix him. Not true love’s kiss, but just a lot of kisses.”

“True love’s kiss?” she repeats.

“Oh, shit. I guess you haven’t read any fairy tales?” Black Bat shakes her head, and Danny wonders how she’s managed to avoid all fairy tales for so long. They’re usually among the first stories children are exposed to. “Yeah, in a lot of those stories, a curse can only be broken from a kiss by someone by love.”

Black Bat nods slowly, and it’s clear she doesn’t really understand, but she does hop off the ledge and walk over to Danny. She pulls up her mask to reveal her mouth, then looks to the Signal for guidance.

“Like this,” Signal says, then leans over and presses a soft kiss to Danny’s cheek.

If he were human, Danny would be blushing madly. As it is, he has to force himself to stay still and not hide his face in his hands, claws and all, from how flustered he is.

Black Bat follows in suit, dropping a delicate kiss to the top of his head. 

Danny loses track of how many kisses he gets, all over his face, beyond flustered by the amount of affection two heroes are showering him in. It’s just to break the curse, but it’s still a lot of kisses! 

Signal kisses the tip of his nose, and there’s a flash of light. Danny feels himself change, growing smaller, his human softness returning to him. It’s barely a few seconds, and then Danny’s human again, sitting on the roof with the Signal and Black Bat standing over him.

They blink at each other for a long moment, then Black Bat smiles and pats the top of his head. 

Danny smiles. He knows his cheeks are red, can feel how hot they are himself, and ducks his head, too embarrassed to look at either of them.

“How are you feeling?” Signal asks, crouching down to be eye level with Danny.

He tries to answer, but all that comes out is a hoarse rasp. He winces and brings a hand up to his throat, then shrugs and gives the Signal a thumbs up.

He clears his throat. This time, he manages to whisper, “Thank you.”

Black Bat gives him a cheerful wave, then hops back onto the ledge and jumps off. Signal barely takes his eyes off Danny enough to give her a nod goodbye. He reaches out and brushes Danny’s hair off his forehead some before his fingers trail down the side of his face. 

“I’ll admit, you looked cool as a dragon,” Signal says, “But you’re much cuter like this.”

Danny gives in and hides his face in his hands. The Signal laughs, warm and bright, and kisses his forehead. 

“Come on, let’s make sure your friends can find you.”

“They’re going to be so annoying about this,” Danny mutters.

“It’s how friends show affection.”

“Seriously, though, thank you. I know being tackled by a dragon isn’t what anyone expects. Did I hurt you? Your ribs…”

The Signal shrugs. “Nah. I’m all good. Just a little bruised, but it’ll heal quickly enough. Though, you’re more than welcome to give me a kiss to help me feel better.”

Danny shoves him lightly for the teasing, but he does pull the Signal back for a quick kiss on the corner of his mouth.

It’s only fair, after all.

[notherpuppet]

It's so cute that you're Radioapple is QPR!

I like this ship in both romantic and QPR way, so whatever you do with them is cool.

Also, is your Lucifer bi/pan? or maybe he's on aro spectrum?

Yeah! I think QPRs are really special and I don't see very many representations of them being developed in mainstream media, so it's really fun to seize an opportunity to write a QPR story with characters I'm unhealthily obsessed with LOL

I love seeing a bunch of different interpretations of fandom ships because I'm a big ass fangirl so yknow I love to eat the dynamics uppp!!

In My Deer Nanny AU (and most of the time in other fanart) I write and headcanon Lucifer as pansexual, panromantic, and poly.

[dandp]

Dan and Phil A-Z Ask Game:

I was craving a big ask game so had to go for the classic dnp format. Hope everyone enjoys!

A - Activity; You can choose to do one activity with Dan and Phil, what will you do?

B - Baking; Pitch a concept/outfit/etc. you want to see in a future baking video.

C - Conspiracy; What are your favorite and/or least favorite phannie conspiracies (past or present)?

D - Dan; What is your favorite video from Dan's main channel?

E - Emotion; What Dan and/or Phil moment has made you the most emotional?

F - Fashion; What are some of your favorite Dan and Phil looks?

G - Group; Dan and Phil are doing a collaboration video, who do you want it to be with and what will they do? (Could be someone they've collabed with before)

H - Home; What are some of your favorite domestic Dan and Phil moments?

I - Instagram; What are some of your favorite Instagram posts/stories?

J - Joke; What Dan and Phil moment(s) always make you laugh?

K - Keepsake; What type of merch item/design/theme/etc. would you most like Dan and Phil to make?

L - Lion; What is your favorite item/running gag/etc. that's ever been a part of Dan and Phil branding?

M - Manchester; What is your favorite early Dan and Phil moment?

N - Norman; If you could choose a pet for Dan and Phil to get, what would it be?

O - Opponent; What is your favorite Dan vs. Phil video?

P - Phil; What is your favorite video from Phil's main channel?

Q - Question; You can ask one question each to Dan and Phil and they will give you an honest answer, what will you ask?

R - Radio Show; What is the most iconic radio show moment to you?

S - Sims; You have to choose one of the three main storylines in the Sims (Dil/Tabs, Devan, Dalien) to never be revisited again, which one are you eliminating?

T - Tour; What is the best segment from each of their tours, in your opinion?

U - Underrated; What is the most underrated Dan and Phil video?

V - Video Game; What video game do you most want to see on dapg?

W - Wow; What have Dan and Phil done that surprised you the most?

X - Xylophone; What is your favorite music-related Dan and Phil moment?

Y - Youtube; If you could choose one YouTube video for dnp to make, what would it be? (Solo or joint content, your choice!)

Z - Zebra; What words or phrases have you picked up from dnp and/or always make you think of them?

[pheyphem]

ignoring the obvious. is anyone else really fucking intrigued/confused by this room

it is so STARKLY different from the rest of the phouse like it has fuzzy padded brown walls?? like they have a reason for every design choice in the phouse so why did they go with fuzzy brown walls in here and here only (it seems)??/?

drop your ideas below

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[hulloitsdani]

What do u think Kiran is

How do u think the order sees kiran

*slowly sits up in my chair*

I think Kiran is a very normal person. This is someone you and I have met before. Be that from the other side of grocery store cashier, waiting in the same elevator, or walking by on a crosswalk. Kiran is a civilian from our world trying to roll with the punches of being warped somewhere completely alien. And you can see it in how they conduct themselves.

I always have a lot of fun writing Kiran’s dialogue because their casual modern speech almost feels like a dialect in comparison to the more formal fantasy tone everyone else speaks with. An “ain’t” will never exit Alfonse’s mouth, you know? And there’s a difference in “Do you have gold?” vs “You got gold?” To me, this gives Kiran an air of unfamiliarity to anyone they interact with. Let’s use Grima as an example, because it doesn’t sound like this grammatical change would make much of difference until Kiran has the audacity to hit Grima with a bro mid sentence. But that’s just how they talk. And as sweet and friendly as they are, there’s always moments like that to remind that no one has the cultural context to fully understand Kiran. Except for the audience, who can realize that Kiran let the customer service voice drop to talk to Grima like he’s an actual person.

And that’s just about how they talk! This view is only emphasized by every other thing about them! They’re a lovable goof, which is normal chill person behavior in the audience’s eyes but feels REALLY ODD to the characters of FE’s medieval fantasy war setting. There is this air of unknown about them that the more socially perceptive will pick up on and will try to come to a conclusion about. Example, I imagine Soren would interpret a lot of this as a dangerous and deeply annoying lack of intelligence from someone he has the displeasure of sharing a tactics table with. Or looping back to the Grima example, he would totally think Kiran has greedy ulterior motives behind that pleasant facade. It takes a lot of work for those types to realize that the discrepancy present isn’t really any of those things. But I also wouldn’t be too surprised if Kiran doesn’t try to directly prove any of those assumptions wrong unless they have to.

Why? Well now it’s time for the implications! Oh how we love the implications.

Because the Summoner is a different story. No one has any fucking clue what that is.

I can tell you what Kiran has pieced together so far. Summoning people from across time and space is apparently not easy. It’s not some school of magical study that some mage could pull off with enough time and research. Trust, Eitri tried. It’s a lot of complex moving parts. For example, the contracts. The contracts Kiran automatically binds their summoned to don’t even compare to the ones Veronica used in book 1. They are far more intense and infinitely harder to break. The only way out of them is if Kiran wills it so. Not even death is an option, because Kiran can come in for the revive. If they had to guess, it’s an older, more completed version of the art. Something lost to time. But no matter the case, Kiran has the ability to take full control of whoever they manage to summon. From a lowly farmer to the divine. And their power only grows.

In a similar vein, if there was any character to canonically see the hud, I think it would be Kiran. It’s genuinely part of their power set. I have previously described Kiran as the party mage until Veronica shows up to be the actual mage, but it would be way more accurate to call them a mystic/seer. They see the map, everyone’s stats, and is doing a fast amount of math to give the combat forecast. Then, upon processing all this information their enemies couldn’t dream of having at their disposal, Kiran can telepathically communicate any change in plans to anyone under contract. Kiran is not inherently some great tactician the moment they touch ground in Askr; they simply can do things no one else can. They’re learning the actual tactics part on the fly. This makes them simultaneously the largest ace up the Order’s sleeve and potentially its biggest liability. If they fall, it could cause a whole system cascade. By that same token, some of the biggest threats the Order has faced are the ones who do their research and rightfully target Kiran.

Now. Thinking critically about all that. That’s downright terrifying. A ridiculous amount of power has been dropped callously into Kiran’s lap and they have to work extremely hard to be moral with it. It’s terrifyingly easy not to be. It would actively take less effort to ‘take the reins’ as it were. But in order to be able to sleep at night ever again, they go the extra mile to not invalidate the will of their summoned. To take over like that. To make a colony of worker bees out of people. Because oh dear god they just summoned a child and the fact that they could easily force them to fight and die for them, only to be revived and do it all over again, is HAUNTING. No. No the Order has an in house orphanage now. This kid is getting adopted and cared for god damnit or Kiran might just pop a blood vessel. And sure that child is going to be a child and there will never be a world where they get along with everyone else, but that’s just going to need be a problem they address when they get there and not an excuse to use Hubris; the power set. Now replace the word child with everyone they ever summoned and you have the wider philosophy they apply to the entire Order.

They’re hyper aware of the power imbalance. They hate it with every bone in their body. They work really hard to correct it in whatever way they can.

So Kiran might not jump on the opportunity to correct those who think lesser of them. It’s… oddly comforting to know someone is keeping a critical eye on them. Holding them accountable. Especially since so much of the order just thinks of them as this quirky yet well meaning host. And, really, what can they even do about that? They have gone over the contract with every hero they summon and despite that they still choose to stay. So, what, do they try to inspire more mistrust? The problem with that they would have to actually do acts that intentionally inspire mistrust. And even if that was successful they can’t just waste the extra man power because every other month there’s some new divine asshole who wants them all dead. And if they fail that means they have to start their life from square one and god they can’t do that again so—

Just breathe Kiran.

It’s fine. You’re fine. Just breathe.

You have work to do.

[xxplastic-cubexx]

snap's uber cringe vampire cherik rambling !!!!!! read at your own risk of charles/erik origins But If They Were Vampires and more !!!!

very simple makeshift vampire age map for the sake of understanding this vague timeline i have (hint: just multiply by ten) this is all subject to change because time is mean and im indecisive

infancy - 0 - 40

childhood - 50 - 120 years

adolescence - 130 - 170 years

emerging adulthood - 180 - 240 years

older adulthood - +250 years

elderly - +700 years

about dhampirs: they're not immortal like vampires, they just have a (much) longer life expectancy than humans (they really are just like 'weaker' vampires in this, only possessing half of their strengths and weaknesses)

'what's our time period' EXCELLENT question brother.

jk i think the main events will be set victorian-edwardian period (1850's-1910's) but charles and erik are at least a couple centuries old- probably born amidst the late 1500's (1580's-90's more specifically), maybe meet during the 1800's

charles' profile

charles heralds from a wealthy vampire family whos had their influence in england for centuries (maybe established roots during the 5th century), the general public none the wiser to their vampirism. at most there's rumors, but the family's charismatic enough to keep the murmurs at bay

brian is like. a little less evil to charles in this timeline. most of their time together being brian teaching charles how to run the family's business and whatever else vampires do to balance the life of a vampire and a human. at most, brian emotionally neglects charles as he stays vigilant in ensuring the xavier family can prosper for centuries. sharon xavier would be the one to instill all that is good and human in charles despite her own vampirism (most likely turned by brian before they had charles)

brian xavier is murdered by human kurt marko once the latter figures out his vampirism right before europe's widespread vampire hysteria (so maybe late 1600's)- not for any heroic purposes but so he can steal the xavier family's wealth of course.

he holds the xavier's vampiric origins over them until his eventual death (maybe early 1700's).

considering the idea charles' accidentally summons a pack of wolves to the house during a heated moment and they tear him apart- maybe kurt tries to protect cain and charles idk. charles wouldn't realize he caused this until much later while learning about his vampirism, BUT im still chewing on this so don't take this as 100% canon to this au.....

kurt never discloses the true nature of the xaviers to cain while he's alive, but as the boys grow older cain figures it out for himself and decides to dedicate his life to hunting down charles- how much of it is to rid the world of one less vampire or to vent the unhappiness he experienced growing up in the xavier household onto his brother is unclear

while kurt was alive, he experiments on charles in an attempt to understand his vampirism in an attempt to achieve eternal life without the drawbacks of vampirism. but i mean how good can your science be: evidently he fails vjELKJALKJ

as an adult, charles is curious about his own vampirism as he attempts to live amongst humans and perhaps help them (maybe not give them eternal life but at least how to extend life). he doesn't seek to 'cure' himself, only figure out how his biology works to live comfortably and safely: after all, there must be a reason as to why he was born this way, he reasons

he pursues a life of medicine to do this and along the way meets moira mctaggart (around late 1700's/early-1800's), a scientist working closely with the occult and isolated from general society. after some time, he reveals he's a vampire to her and they effectively become partners to further understand vampirism (but not romantic partners)

most of their work concerns why vampires 'need blood' and how to find a suitable substitute ('surely it's not blood itself that satiates vampires but a property within it?'), but they also look to find out why vampires can be weak in the sunlight and why they appear immortal (aka: they're purely scientific in their approach to the vampire phenomena instead of thinking it's magical, charles reasoning that vampires are just humans with a type of evolved biology. time will tell if he's right or wrong in this approach, and brother he has plenty of time)

erik's/max's profile

compared to the house of xavier, the house of eisenhardt- while not as wealthy- still maintained some sort of reputation in east prussia. however, the news of their vampirism easier leaks amidst the mid-1700's heightened paranoia of vampires (probably a domino affect of the rumor of Renowned Xaiver Family being one of vampires expanding after kurt's death), and he finds himself to be the only survivor amidst the violence against his family

fleeing further east and with the benefit of his youthful visage despite his real years, max has no problem using his intelligence and experience to find work to support himself and manages life alone until he eventually meets magda (maybe around the same time charles meets moira, 1790's). with her being human, it isn't long until she and max introduce little dhampir anya into the world

he tells magda of his vampiric origins (after all, if they were going to have a baby it'd prob be best to let her know the baby's gonna be part vampire right..), but whether it's disbelief or not fully grasping the implications of such, magda accepts and loves him. max vows never to feed off his wife, mostly feeding off hunted animals to satisfy himself

for a while, max was content to live in relative solitude with his family: he wouldn't bother the humans, and in turn they shouldn't bother him. but soon enough (talking Ten Years Later soon enough), the true nature of max and his family is uncovered in the quaint town they lived in, and history threatens to repeat itself as a growing mob attempts to torch their home. they can't succeed before max makes a bloody example of the mob- a display that frightens magda and has her flee with anya in her arms. that would be the last time max sees his wife and child. he effectively repurposes the site of where he lost his family as a quaint memorial to them and the grounds remain relatively untouched bar his annual visits (the common people more often rumoring it to be cursed as a result)

max would change his name to 'erik lehnsherr' as a way to bury his past and move on with his new, less-human-sympathetic life. uttering his real name weakens his power if not strips them away for some time entirely, so he's greatly secretive to who he tells it to (spoilers: he never tells anyone). he spends most of his time alone in his castle, going out at night to feed off late-night wanderers in nearby cities

as for wanda and pietro, debating on exactly what to do with them and if they're blood related to erik or not. considering having pietro be a dhampir that maintained his superspeed while wanda's still just a witch. not sure what to do about lorna either. at the very least, if they do live with erik, he's greatly protective and overbearing about them (a possible blend of keeping them close to use their might against humans, and not wanting to lose any more of his family)

The Part People Are Here For charles and erik interacting

How Do They Meet wow great questions today !!!

around 1810's, probably during one of erik's Feeding Nights he bumps into charles and attempts to make dinner of him, charles at this point passing far too easily as a regular human. the ensuing encounter/fight eventually leads to charles having to reveal himself also to be a vampire (probably as a result of having to resort to using telepathy to keep erik at bay and thereafter explaining himself)

despite the rocky start, neither can hide the fact they're ecstatic about meeting another vampire and become fast friends. Yknow. After overlooking the Sorry I Tried To Eat You part

so now charles spends his mornings with moira and his humanly duties and at night he sometimes spends time at erik's abode and with his children (if i decide they live with him of course).

moira can't ignore the way charles lights up when talking about erik (and how could she: even if he was candid with her about his experiences, it was an entirely different feeling talking to another vampire who already understood- and perhaps understood better). as such, she doesn't let charles forget erik could potentially be a danger- something charles can't forget if he wanted to (see again: them meeting the first time. still, he chooses to believe in the better parts of erik)

of course charles tries to dissuade erik from seeing humans as purely food or menaces and encourages him to work alongside himself to find more 'ethical' ways to be a vampire, but of course erik is resistant to the idea and at times admonishes charles for his thinking.

Everyone's Favorite Part: The Divorce

for a while- maybe five years- erik isn't aware of moira's existence. but on a night charles neglects to visit him he spots the pair walking to moira's home. following them, he's quick to discover moira's lab and realizes charles has been cooperating with a human this whole time (how much had he told her about erik? how much of their weaknesses did he expose to her? why wouldn't he tell erik about moira sooner if she wouldn't be an issue?)

enraged, erik doesn't wait for an explanation as he barges into the small shack and barks accusations of betrayal at charles. it only gets worse when moira is puzzled that charles didn't tell erik about her when he was more than happy to tell her about erik, only reaffirming erik's suspicions charles was attempting to doom vampires as a whole

what happens next im still up in the air about, but it'll be how charles loses the use of his legs in this universe

scenario a is while erik and charles brawl in moira's shack, she hurls holy water onto erik and disfigures his face. while he's down, she attempts to throw more holy water on him to at least give her and charles more time to escape only for charles to shield him at the final moment. while he's mostly unharmed, his legs get burnt as he pushes erik out of the way and finds he isn't able to regenerate the damaged limbs

scenario b is moira still gets erik with the holy water, however charles drags them out of the shack and tries to break for the nearest town. unfortunately, during their escape erik finds one of moira's silver-tipped crossbows (or something to that affect: still deciding if he should have control over magnetism in this but Details Details) and shoots charles in the spine ultimate style. going off the myth silver is Not Good for all 'unholy' and dead creatures of course, charles' nervous system isn't properly able to regenerate for Above Mentioned Reasons (his body's so 'dead' the antibacterial properties of silver eat away at him). the cruel irony of it all really (or silvery... heh.. metal...)

as a result of being burned by the holy water, erik would wear his helmet more often- at least until he feeds off enough humans to regenerate the damaged tissue (note: only human blood can restore holy-artifact-induced wounds, which means charles won't regain the use of his legs because of his refusal to consume human blood)

either way, once she and charles escape erik and relocate, moira stays with him for some time- at least long enough for charles to get used to his new way of life without his legs and figure out what they should do next, maybe two-three years. eventually, charles and moira agree it might be safer to work apart from each other and effectively split. probably leads to charles moving to america to keep an eye on vampires on the other side of the globe while moira keeps an eye on europe

after the encounter with moira and charles, erik becomes more active and now seeks out other vampires (or humans to turn into vampires), fully intending on converting the world to become a vampire's (and hell why not monsters in general) paradise

Things to iron out

the difference between animal and human blood

Whats the benefit to drinking human blood: is it tastier? More nutritious? Evidently its restorative properties are more potent for vampires than animal blood

Maybe more animal blood is needed to supplement human blood (i.e. one human may need the blood of- say- five pigs or something yk what i mean)

Maybe its possible for a vampire to live off animals only, it’d just be more difficult and they might not be as physically strong as vampires who feed off humans

Would they eventually cave into craving human blood? Is it a conscious effort to Not feed off humans? Curious….

Perhaps moira tests the effects of human vs animal blood on charles, offering blood from her arm both directly from her and extracted first to then drink. He cant argue its wrong if she’s offering for science no…. Its For Science Charles its ok…

Another thing i want to solidify is time period: on one hand i wanna do this modern-ish period but im also thinkin bout the 14th century…. Shrug i still have a lot of finer details In General ill work out with myself. For now it’ll prob remain around 1700’s-1900’s

A final minor thing i wanna work on is erik’s ‘real’ name and his name situation in general, mostly how magda knew him. Maybe changes his name to ‘erik lehnsherr’ after the eisenhardt incident, and goes by ‘magnus’ after magda, her knowing him as ‘erik’ while charles mostly knows him as ‘magnus’. ‘Count magnus’…. Hm…. Dunno if i wanna reintroduce ‘magneto’ into this or not …… ill figure it out at some point …

Perhaps other vampires and dhampirs saying his real name doesn’t negatively affect him and it’s strictly only if humans/non-vampires say it

[pkmoth]

MOTHER SERIES TUMBLR EVENT?! ASK-A-PALOOZA INTEREST CHECK

Hello mother series enjoyers!!! Or, more specifically…. hello askblog enjoyers!!!! this event is for you!!

So, here's some background from me: I've wanted to make an askblog for a little while, but the idea of dedicating myself to a single concept/au/whatever is a little daunting (plus I would worry about how long I could keep it going for, etc etc)

Then, after seeing [this post] (hi zhari hi nana!!), my eyes were opened to the idea of temporary askblogs. And I thought wow, that sounds fun and much less daunting :D

SO THEN I thought: why not make a whole event about it? Where a bunch of people turn their blogs into mother series askblogs for a little while!! (You wouldn't have to actually change your whole blog theme of course, just have your askbox open and give some indication to askers that you're participating!!) You could also interact/rp with other askblogs/people participating and it'd be a grand ol' time overall!!

Would anyone be interested in an event like this?

If the results of this poll look promising, I'll make another poll for what week(s?) it should be!! Also, if you have any questions before you vote, don't be afraid to ask in the comments or dms!! I want everyone to feel welcome to participate :]

[hydrossity-zone]

Neo Metal Sonic refs I made for myself but figured would post for other people to use! :]

(click for better quality ofc)

alt + random closeups under the cut!

[sleepvines]

While plenty of prominent figures exist in successor myths, Pebble-Scratch In The Jute is one of the few who actually lived among the people. The accuracy of what is said about her is questionable, but she certainly turned heads. One tale boasts that she could push any drebyl or gul to the dirt without even using her sting; for she was quick and lean and slippery, and any that challenged her found themselves slow and cumbersome in comparison. Naturally the Blue Death in any shape was no match for her; she could climb its back where it could hardly reach, leap up, grab it by the horn and twist its neck just so— (at this point many storytellers would make a quick, rotation with their forepaws, as if wrestling with a sack)—so that it would snap like a stick, the beast dead at her feet. In some tellings it was only one terrible Blue Death, in others many, but wyvernslayer Pebble was still an exceedingly impressive title no matter the count. She wore the skull of a wyvern over her head like a hood, inspiring incredible claims of her strength all over the local network of communities and beyond. All the stories highlight her unique coloration, the result of a mutation which left her chitin a deep, iridescent red. While in reality she was probably prone to sensitivity and flaking, due to lacking blue structural pigments, many believed her mandibles and sting to possess a supernaturally potent venom.

Additionally some syrel inclined communities think she could talk to ghosts, and rarely there are whispers she was one of the long gone ancients in a new skin. More on syrel beliefs and their cultural associations with the color red later!

She's dead and gone now, but her story carries on.

[abyssal-ilk]

posting that sketch yesterday made me remember just how much i love my taashath so i did another doodle <3

[anderfels]

who would your 🫵🏼 rook put on the "hear me out" cake?

[silently-standingstill]

This isn’t an art request but I just saw your AMV and I loved it a lot! If you can, could you walk through the process whereby you color the animation? Do you have set color palettes and add overlays to create lighting or do you manually pick the colors via color theory? I want to know /nf

Hello!! I appreciate your interest :D I put a lot of thought into the colors so this may be a long one! It'll include other animation info too

Any color I use is never reused for any section, I pick them all manually and for a purpose, it's important to have something different for each section as it adds more meaning and so things don't get boring. I occasionally use overlays, only one section uses it though. I'll go over a bunch of parts where color was important.

I struggled with the colors here, it based it off of an old drawing (on the right), and I realized I couldn't make my old coloring style work again, especially with how I was going about it, nothing played off of each other and felt very icky? I opted for more natural colors, creates a better sense of what I was originally going for, this part isn't very significant but it was interesting to find out what works and doesn't, you can learn a lot from redrawing old works.

This was another part I struggled on, I purposely made One look wonky because I liked the sketch more than anything I could come up with. They really look stupid, don't they? I redrew it a bunch of times to incorporate the orange, but I did not want to base it off of the scene where One was counting down, that had a purpose for it, this did not. It was following the previous parts color, which has an overcast of orange, but I couldn't find a way for this to work without feeling unsatisfying. I opted for using a trio of blue+green+red, it could be seen as 123 but that wasn't intentional.. it was the only colors I thought could work with the lighting of One's TV, but hooray for unintentionality! It makes this part connected with the lore!

This part I put a lot of thought into! Something I found interesting about One's lounge is how it uses red+yellow+blue, the three primary colors, in design those colors are used to invoke a sense of familiarity and safety, and if you pay attention, these colors are used everywhere. this could or could not be intentional in the actual show, I do not believe they are, but I used this to my advantage as when One's walking past the figurines, the yellows increases, but when they figurines fall, the yellow fades into white to show while One tries to come across as trustworthy, their façade can be quickly broken. I put together a lot of notes for this part and drew a sketch for it too LOL

"The lights that shine" section's color were meant to be like this from the start, this was the first section I animated, they have a big contrast and yellow limbs, I only put that because I thought it looked cool, but the colors carried over to the other part where they look like this, and ended up using this palette to symbolize who was kidnapped by One. I had trouble deciding how the beams(?) that were coming out of the moon should look like though, this was what I was originally going to do. The placement of each contestant is important too, more to the front, the more they may be impacted by One. I wasn't sure between Gaty or Leafy to put in this section, since we don't know if either of them will/had contact with her, it was difficult to decide. I put Leafy instead because I didn't want to animate Gaty.

The chair for Gaty! No one mentioned this detail and I was a little sad about that - each time One's lounge is shown, there is a different chair for each contestant, if One took Gaty, it'd leave a bitter feeling if she used a similar chair to her and Two's hangout couch.. their hangout couch is already split in half, it's possible One could take half of it. The colors were based off of how the person who designed One's lounge uses colors, I used some of her personal artwork as reference, and also how the chairs shown in the lounge were designed, and each design has something to do with the characters, One's is big, to show importance and uses the primary colors, Fanny's is small and dark with shadows taking up most of it, Basketball's is big, modern and green to reflect her mechanic room, Gaty in TPOT is (unfortunately) mostly associate with Two and this couch, and is similar to a therapist's patients couch, it would fit her role and characterization in TPOT if I am right about this

This was the only section to use overlay, layer 6 and 5 were the only ones to be changing as stated in the notes, there's a lot of light changes in this sequence, and if you notice closely there's a red, a shadow casting from characters outside of ones shadow, and there's a bigger contrast between the lighting and shadows. The "lights that shine" section you'd think uses that, but everything was done manually, even the transitions colors

These are some storyboards for this, the handwriting is probably poor I apologize about that, I created this during school and I don't write neat/properly if I don't plan to show anyone it LOL