#that includes like a redemption arc idk

[huganon]

:d more stuff

same thing just without my name in the corner :]

thought It’d look cool -^-

how’s everyone doing? :’D

[sketching-shark]

One of the most annoying things about contemporary “redemption arcs” is that they’re not actually redemption arcs but just a villain getting graphically tortured by another villain.

[lord-squiggletits]

Something I keep seeing when I speak to others about MTMTE Megatron is basically the idea that he's going on a personal journey to become a better person, that the point isn't for him to be "redeemed" but for him to get a chance to do good and die as a person he can live with again. That MTMTE presents a unique take on this because being away from Cybertron gives Megatron a chance to be a person rather than a political figure and this is how it gives him more depth as a character. Or just generally pointing out in a narrative sense that Megatron being in MTMTE limits his story options so of course his story is going to be more focused on a personal journey than on politics of him dealing with the Decepticons/Earth/etc and that just because JRO made a choice to take that path with Megatron doesn't mean that it's inherently bad.

And I'm just, mmm like I understand all of those points and acknowledge that they all contributed to the MTMTE Megatron we got. I even think that without JRO writing Megatron we wouldn't have had his lore be as fleshed out and 3D as it ended up becoming.

(Post starts out as a sort of meta analysis or at least me giving a reasoned explanation for my interpretation of the story, ends up being petty bitching in the last 1-2 paragraphs)

I just..... I just personally don't agree with the "he's becoming a better person by getting a chance to relax and experience happiness and trust after a life of trauma" as being the best choice for his character? Because the problem is that maybe if he were a random Decepticon foot soldier that would be appropriate, but he was literally the leader of the Decepticons that made them Like That and has political/cultural/societal responsibility for why things are the way they are? To be completely frank, I don't care about him going on a personal journey for self-peace, I think that he should become a better person by helping to un-fuck all the things he actually screwed up???

Like idc about the debate of whether he can be "redeemed" or if he should've been killed/imprisoned/etc at the ending. It just comes down to the fact that for me personally, I feel that since Megatron's wrongdoings were at a social level, him "being a better person" would've been better shown by him engaging with those people who he wronged instead of just going on a frigging personal journey for his legacy and self-peace???

Especially since in other series (exRID, possibly Windblade) we literally got plots like "the neutrals hate Autobots but they hate Decepticons even more" and "the Decepticons have been taken over by Galvatron and are now invading earth 2 electric boogaloo" and "yeah the Decepticons are literally living in slums because people hate them so much and won't give them any work." It just leaves me wondering why in the hell people are like, "oh Megatron got to be happy and have a chance to be a normal person." I don't want him to be normal! I want him to repay his debts to the people he actually wronged! Like if you want to cast Megatron as a hero of the people so badly (which so many of his stans do as if he actually cared about the Cons) then how do you reconcile the fact that Megatron just fucked off and left the Decepticons to suffer on Cybertron? Including some of them attacking during his trial and getting killed and Megatron is basically like "sorry, I'm not coming with you and this isn't going to work." And then Megatron complains about "toxic Decepticon loyalty" as if he didn't literally make them that way? Like I get that MTMTE Megatron is still an asshole but if you've read something besides MTMTE and know what the Decepticons are going through, it just ends up being really grating.

I just don't see Megatron as being a particularly good hero or having a particularly fulfilling story if he's completely isolated from all the bad things he did on Cybertron/the way the Decepticons are suffering until LL#25 where it's like "ah damn I'm going to trial now, well this is what I deserve so it's fine." Why could we not have seen something like Megatron trying to deradicalize the Decepticons or change their public image so they could integrate into normal Cybertron again? They were living in SLUMS and getting gunned down by Starscream's badgeless enforcers!

The best we got was the Functionist Universe but like.... I'm sorry, but JRO inventing a whole alternate universe for Megatron to save doesn't do jack shit to save or fix the people he left behind in this one. It was especially grating to read because JRO literally wrote in someone saying "you saved billions of lives from the Functionists" as if he was trying really hard to show how good Megatron is because he saved people (and also if not for Megatron existing Cybertron would be even worse and half of your faves would be enslaved or dead, also the Functionist Council was going to genocide organics too so technically they're WORSE than Megatron since they hate organics AND want to enslave their own race).

I read Barber's, JRO's, and MScott's series concurrently using the omnibus + a release order list for phase 3, and after all that I'm kind of puzzled why the fandom seems to ardently love MTMTE Megatron and think he's so well written but then also shit on Optimus for things that he did during the same points in the story? Because, and I know this is a blazing hot take, I honestly think that Optimus makes a better hero of his story than Megatron does for his, and Optimus' personal journey combines his personal and political identities into a narrative that's a lot more gruelling and questioning of his goodness than we got for Megatron in MTMTE. Which is fucking saying something considering Megatron committed crimes against sapient species and Optimus is the guy who tried to stop him from doing that and has always been pro-equal rights for all beings. But people pretty much just cherrypick things like Optimus annexing Earth or beating up Prowl and go "he's bad" and I'm like no??? IDW OP isn't a bad person or a bad character??? It's just that unlike MTMTE Megatron he's placed in a narrative that actually suits the nature of his actions and has themes that match. To the point that IMO sometimes Barber's narrative shits on Optimus excessively or paints him mainly in the most unflattering ways.

But like. It's just funny to me because Optimus spent his entire part of the story doing things like trying to stop Earth from being invaded/colonized yet again. Grappling with his identity as Prime and dealing with the fact that people literally worship him vs. the fact that his upbringing made him see the Primacy as nothing more than a facade of authority/leadership. Having people get mad at him for prioritizing politics over friendship/relationships with other people. Even getting shit on for being a cop a decent amount so people can STFU about IDW OP being "copaganda" or "not held responsible for his actions". The problems that Optimus dealt with were personal because they had to do with his self-doubt, culpability for the war as a leader of one of the armies, distance from his soldiers, etc. But all of these are also POLITICAL struggles. Because Optimus gave up on the chance to just be a normal person having personal struggles when he chose to become a LEADER, which also means that he's held to extremely high standards that he regularly fails at in the eyes of others.

That's why, to me, MTMTE Megatron falls flat in comparison and really as a "hero" or heel-face character in general? Because he also made a decision to be a leader, and IMO once you do things like become the commander of an army and start your own galactic empire, you lose the right to prioritize your personal problems and instead are obligated by the power you've chosen to wield to focus on your POLITICAL problems. If Megatron's power, influence, and crimes are of a social-political nature, then his heel-face turn arc and ways of showing that he's a better person/helping to heal what little damage he possibly can should have been shown with actions that help on a social-political LEVEL. That's why I'm not particularly impressed with his character arc and feel as if it was overhyped by other people in this fandom: sure, the extra character depth and emotion is nice, but I'm not really going to see him as extraordinary or even particularly good when the extent of him "becoming a better person" happens entirely on a random road trip to fuck-off nowhere. Especially not when the ending of LL tried to sell me a "they lived happily ever after" ending while basically leaving the freaking MUTINY as just Rodimus going "oh it's okay you're forgiven, we're all together again" and I guess everyone was fine with Megatron and wanted to spend an eternity on a ship with him just because Getaway died.

This is why I like (the concept/themes of) exRID/OP and the way Optimus' character arc was handled a lot more. Because for Optimus, the personal and the political were as one. He was held accountable for his actions towards others and the disruptive effects they had on a social level, sometimes to a ridiculous extent (the fucking "oh Megatron is an Autobot so now that makes the Autobots colonizers" plot and that stupid colonist screaming about how Optimus is "literally fascist" my beloathed). Even his very personal issues like his relationship with Zeta were still cast in a wider lens of, yeah this is a personal struggle that Orion faced, but he was still part of a Society TM and his actions were sometimes ill-informed or harmful to others. Even if I had a lot of problems with the way Optimus' story was written by Barber (plot holes, little meaningful character interaction, forced conflicts), at least the BASELINE of it was way better than Megatron's in MTMTE. Especially since Optimus' struggle was explictly about things like struggling with responsibility and how he feels he HAS to intervene in political affairs because has to save people/make up for his past mistakes. That's something that a good leader/good person actually does, so I found Optimus to be a better hero (even if his actions weren't all "good") because he was trying to be a good person by actually getting involved with Cybertron/Earth and subjecting himself to something he hates (leadership, war) and dealing with a shitload of criticism instead of just going on a fuckin "personal journey" lksdlkfsd.

Which just makes me extra salty that people hold up MTMTE Megatron as the pinnacle of Megatrons and literally the best Transformers writing evar! while turning up their nose and ignoring or outright despising IDW Optimus. Like okay. I guess since Megatron got handled with silk gloves on while Optimus got put through the wringer of being shit on by every other person in the story, it's easier for you to pretend that Megatron is a poor uwu boy who just needs friendship and love while Optimus is literally the worst bastard to ever exist. Or maybe it's just that since Optimus' story involves him sometimes fucking up, being criticized, or making things worse, that makes him morally bad. As opposed to Megatron who disrupted a lot of other characters' stories in MTMTE, had to have an entire alternate universe invented so that he could "save lives," and got to sail off on a quantum Lost Light happily ever after, so since he's happy and the story says he saved people that means he's a good hero.

[jrueships]

isaiah hehe

PLEASE TELL ME YOURE TALKING ABOUT THOMAS

[inebubble]

hey guys serious question

are there any utopias in contemporary literature and media?

I just realized today that most of the contemporary projection fiction pieces im familiar with are either dystopian or post-apocalyptic, and… idk it says something about our generation but also there’s gotta be some optimistic pieces of art out there??

[thrushppelt]

knocks on your door bc i'm back n isn't that lovely?

tbh i kinda like oakheart, but he and blue rly met, hung out, then fucked which- accurate but damn ok

tho... if you're doing a bluesnow au and still want to add in misty, stone, and moss, you could totally have platonic oak and blue and he's like "sure, lemme help you add to your family with her" and is the platonic supportive edge blue needed

also you can't convince me that blue wasn't giving snow a lil goodnight kiss and said that she will commit war crimes for her (then proceeded to gut thistle like the now dickless bitch he is) like that is canon and real, i was there.

ohoh and totally see whitestorm never realizing he had a dad. someone asks him about it and he's just like, "my dad was the wind. idk his name and i honestly do not care to." (blue caused this but yk)

i also like the idea of them being adorable mates come fire joining the clan so he gets two moms and some siblings. (also imagine the sheer amount of angst you could write if tigerclaw killed snowfur and bluestar's mania really hit then-)

Anon you wanna get married

OAKHEART ISNT BAD there’s just NO CHEMISTRY when they barely talked 😭 and blue doesn’t feel anything abt the fact that he (very inadvertently) caused snows death

One night stand/platonic/whatever oakblue IS fun to think abt but I also like the thought of thrushpelt being their fathers :,) (ignoring the plot consequences by having them all live in a perfect limbo where everything’s ok and they’re HAPPY) no seriously blue deserved happiness and she got FUCK ALL!!!!!!!

Blue can have a little a morally gray by Accidentally having a fox or badger or monster kill thistle, it’s ok no one cares :) (and tiger Probably wouldn’t be as evil either LOL)

White just had two moms that were sisters also it’s ok :) it’s fine ASHFKGK it would be so satisfying seeing him say “fuck you” to his dad realizing how much of a dickbag he is. Thistle can be the divorced dad who tries yet still fails, that’s all I’ll allow him

DONT MAKE ME THINK ABOUT THAT………… ouhhrhhhhgg fire seeing a healthy (for the most part) and respectful blue just fall apart in DAYS …….. I’m gonna b thinking about that. Fuck you (affectionate)

[survivalove]

debunking lies zutara shippers say about the atla creators & writers

disclaimer: this is in no way an endorsement or defense of bryke or anyone mentioned. literally just debunking false statements i see spread throughout and outside the fandom as it pertains to kataang

1. that bryke made kataang endgame because the nice guy should get the girl

this is something I see often usually linked with this video of a man ⬇️ who they claim to be bryan/mike echoing this sentiment.

this man is in fact john o’bryan, one of the three known zk shippers in the writers’ room (we’ll expand on this in point 5) talking about how he saw aang. not the creators. so of course it shouldn’t surprise anyone that he doesn’t even like kataang in the first place.

2. that bryke made kataang endgame last minute and zutara was the original pairing

bryan and mike (notice how i’m using both of their names separately. this too will be important in the next point) have talked about how kataang was planned since they originally wrote the show.

they have also talked ad nauseam in a video (which I will not share here cuz it made a lot of ppl angry) about why they do not like zutara and its shippers, so this entire point is bogus.

++ the reason why they say zk was the original pairing is because of one of the zk writers (joshua hamilton) wrote this in the atla fun facts that used to run on tv. (we’ll get into him later) those atla fun facts contain a lot of inaccurate/non canon “facts” which you can check and verify on avatar wiki if you know what i’m talking about.

3. that aang is bryke’s self insert (specifically mike)

yeah, here’s where the separation becomes important. bryan (L) and mike (R) are two different men. mike has never said that aang was his self-insert, nor has he directly talked about relating to aang. bryan, however, constantly talks about how much he relates to zuko. even, going as far to say he tries to think like zuko when he writes characters and shows.

the only time mike has come close to saying he relates to aang is when dante said he thinks mike is more like aang while bryan is more like zuko, and they, mostly bryan, agreed. (mike has actually said he relates to korra more than aang but hey) bryan also is the one who drew mike’s beard on adult aang because he considered it a nice reference to his friend. this is the main reason why shippers ran with that self-insert narrative because half the time, they think bryke is actually one person ☠️

++ in fact, aang’s original character design is based off the mixed black-chinese son of sifu kisu

4. that atla was supposed to have a season 4 where katara and zuko got together

this is mostly something that has come out of a fabricated interview by the head writer, aaron ehasz. he was allegedly asked what he would have liked to do if given the chance to write a fourth season of the show and talked about an azula redemption arc among other things. zutaras then made up a whole fake interview including that he wanted to make the two characters endgame.

ehasz then came out to say that most of these “interviews” were faked and that he has never talked about having a preference for any ship. if you go on his twitter, you will see him talking about an azula redemption arc tho.

as for atla having a 4th season at all, it was never intended. the creators, the music composers have all said at various points in time, the show was written and pitched as three seasons, three elements.

5. that most of the other writers shipped zutara and bryke’s authoritarianism shut it down

as I said above, only three writers on the original show have come out to say they preferred zk at some point. atla has had a total of 21 staff writers. 3 out of 21 is not most if you ask me.

as for bryke (yes now i’m using the shorthand cuz i proved my point earlier) being authoritarians, no writer or staff that has worked with them on the show has said this so…? idk where that came from but i’m not here to back them up just mention facts.

6. that all the women who worked on the franchise shipped zutara while only men shipped kataang

atla has very few female staff as it is:

5 writers (elizabeth welch: zk; others: unknown)

1 director (unknown)

5 storyboard/character artists (lauren montgomery: ka; elsa garagarza: ka; angela song mueller: zk; others: unknown)

1 comic writer (faith erin hicks: ka)

2 comic artists (gurihiru: ka)

++ mae whitman (katara’s voice actress) has expressed her like for both ships throughout the years.

so i’m not sure what defines all and only for some ppl but those definitions are not in my dictionary. disclaimer: i’m not declaring anyone here as a shipper in any official sense. this is just based off statements they have made that you can google!

7. that katara is written poorly in post-atla content because of kataang/bryke

I mean the first part isn’t really a lie, more of an opinion which I can agree with to an extent.

why I mention this here is because zks will not only go on a tangent and link the misogyny in the writing to a m/f ship and say the other m/f ship would have been more feminist…

but they also refuse to hold all the men involved accountable. like I said, 3 known atla writers shipped zk and 2 of them (joshua & john) were men (who would’ve thought men could like a ship and it could still be considered feminist 😃). they were also 2 out of only 4 atla writers that came back for legend of korra, outside of the creators. (19 to 4 ☠️ no comment). these shippers very well know this and instead of holding these men accountable for the misogynistic writing, they instead brag about them shipping it and ask them about zk whenever they have the chance.

another example is gene luen yang, a comic writer who again shipped zk (another man GASPPPPP) responsible for the first 5 comic books. everyone knows his comics suck in terms of characterization, particularly katara’s. in fact zutaras have made multiple threads on how poor the writing is. funnily enough, they always fail to mention that gly was the script writer or acknowledge his part in this mischaracterization, while bragging about him shipping zk in other posts. ironic.

meanwhile, bryke have never offered writers’ commentary on any of gly’s comics besides the search - mike (because they were mostly writing legend of korra during his run.)

basically these shippers don’t care about misogyny or holding male writers accountable if they ship zk which is funny because I thought it was… for the female gaze? why are you hyping men shipping it anyway? confusion.

[wheresmymilliondollarman]

aaron warner x ferrars! reader pt. 3

when omega point falls, you find yourself in need of the supreme commander's son, and discover unresolved feelings along the way.

(taken place during ignite me & hc continuation from part two)

that is literally me in this gif y'all🖤🖤

a/n: hello!! finally back with part 3. i'm sorry for the wait, i wanted to do other requests, but tbh i might focus on this little series so that way it's complete and everyone can read it all together. also idk why i even label it hcs anymore LMAOO like i feel it's progressed to a fic atp, but i'm too stubborn to change my format and titles, so humor me LOL. (maybe i'll turn this into a legit fic when i finish, who knows) pls do not kill me for not including every detail, i tried to highlight the best parts as much as i could. also might seem all sunshine rainbows rn with relationships, but just wait for the next book… 🤞 extra info: kinda change adam's character cus i feel like he was an extra ass at times for no reason in the book?? like trying to kill kenji for no reason?? small redemption arc. kinda slight change to juliette. also, i love making reader, juliette, and kenji a lil trio.

word count: 10.7k (im insane)

warnings: mentions of fights, blood, injuries, and death. use of military time (reader so me fr bc it took me so long to understand that shit), suggestive and matureish content.

the first thing on your mind, when you woke up, is that you had to be dead. if you opened your eyes, you would see the golden gates of heaven or the fiery pit of hell. based on how you lived your short life: you were thinking hell.

you realized you were alive and mostly well from the horrible aching from your body, the bandages wrapped around your chest, and the fact your current surrounding was a bedroom.

"hey, amor, take it easy." a voice said as you attempted to sit up.

by your side was aaron warner, sitting down on a stool next to the bed you laid on. he, uncharacteristically, looked disheveled, his clothes messy, and his eyes anxious.

your panic arose as you remembered events - fighting against the reestablishment, then getting caught, and then being shot in the chest by anderson. and then you recognized the room; it was aaron's bedroom - back at the base.

aaron notices your alarm and grabs your hands to calm you down. "it's alright you're safe here, i'm not gonna hurt you."

it may have been an idiotic move, but you believed his words.

"why are we here?"

"i had no choice. everyone believes your dead, and the base is the best place to keep you hidden."

"i don't understand...i'm not a medic by any means, but shouldn't i be dead?"

"you have sara and sonya to thank for that. they were able to save your heart from stopping before being dragged away by my father. then, i was able to take their energy as my own and heal the rest of you."

you were thankful for his aid in your life being saved, but you were too focused on many other worries to properly thank him. like the state of your friends.

you try your hand at getting up, trying to ignore the dizziness that comes with it. aaron holds you steady to stop you from falling.

aaron protests, "you need to res-" but you interrupt, "i need to go. i-i have to find everyone and help them."

"you can't."

you stop your movement and turn to aaron, "what do you mean? i know i'm in horrible shape, but i have to see juliette and everyone else could be in troubl-"

"it's over."

your face scrunches up in confusion, "what?"

aaron's silent for a few movements; you can't breathe. he looks down, his grip on you tightening, "they're dead. all of them."

you look at him in horror, your mouth open, but no words are released. your knees give out, and Aaron carries your full weight in his arms.

he slowly brings you both down to the ground next to the bed, still holding onto you. "i'm sorry, please believe me when i say that. if there was a way to spare you of this pain i would do it in a heartbeat."

you feel like a shell of yourself, you have no reaction, just an emotionless look on your face.

"what happened?" you say in a monotone voice.

"amor, i think you need to lay down or shower, then eat some-"

"what happened," you repeat with a harsher voice.

"they... overtook your friends, some were taken to be tortured, but most were.. shot dead."

"and omega point?"

"....destroyed. they got the coordinates and bombed the entire foundation."

you feel disconnected from reality; nothing feels real. everything is numb; you can't find it in yourself to let out any sort of emotion.

"so juliette, kenji, adam, james..."

aaron didn't need to answer for you to know. they're gone.

the first thing you did was laugh like a lunatic, aaron likely looked at you like you were mad. then finally, the tears came.

you yelled at aaron to get out, even though it was his room. in hysteria, you started levitating things and throwing them at him until he exited the room.

you don't know how long you spent sobbing on the floor next to the bed. you weren't even sure if you were going to stop.

your voice was sore from the number of times you wailed apologies to juliette for being a bad sister and for not being there to protect your friends.

when the tears finished, you reached denial. you knew your friends - there was no way they were dead. juliette was stronger than you, physically and sometimes mentally, so if you could survive a bullet to the chest, your sister could be alive.

when aaron comes back hours later to check on you, he didn't expect to see you walking around in new attire, packing clothes and items into a bag.

"what are you doing?"

"i have to go back."

aaron was taken aback by your statement, but you claimed there was a possibility there were people who survived. he countered saying he'd seen the damage and it wasn't likely. you didn't listen to him and continued preparing.

"this is unhealthy and possibly delusional thinking."

"well, then put me back in the asylum if i'm wrong. i'm going if you let me or not."

he sighs, and then gives in, not before insisting he comes along with you. now you were the one taken aback. was he actually offering to help you?

"why do you seem surprised? it's not as if i haven't made my care for you quite clear."

"no offense, but you're the most confusing man ever. i want to trust you, i've seen your good-natured side. you even claim to.. love me. but you work for the reestablishment, but then claim to be on my side. don't forget the fact you tried to turn juliette and i into weapons for the reestablishment, held us, hostage, at your base, and put us into a torture chamber. not exactly behavior that screams i want to help you."

at this he laughs then laughs harder and you get annoyed, not knowing what was funny. you were ready to kick him out again until he finally stooped.

"i suppose i owe you a long overdue explanation."

nothing prepared you for his next words. aaron began to retell the events from his perspective. starting with his true intentions of bringing you and juliette from the asylum - to study the both of you.

aaron explained his mother's condition, being unable to be touched - a reverse juliette basically. he sought out her at first, then discovered your existence and became intrigued more.

he invented the guise of using you both for weapons as a way for his father to agree to invest in you both.

as anderson mentioned before, juliette was of special interest because of her ability, and yours wasn't as impressive to him at the time. aaron had to convince the commander that your mind reading ability would be great for spy purposes.

once he brought the two of you to the base, he was ready to face 2 vicious and demented sisters, but it was literally the opposite of that. instead he got stuck with two stubborn and immature, you were offended at that, teenage girls.

"juliette was more of the hard-headed one, you mostly just followed along, i figured that out after the dinner and dress stunt. however, i can't say feeding you myself wasn't pleasurable for myself."

aaron saw your fear of your own ability and had intentions to help you and juliette, in his own way.

his tried various ways to unlock your potential - with juliette he tried anger and bullying and with you he knew you couldn't suppress hearing thoughts, so he figured spending time with you was the best option. but he came to understand how much he loved being around you.

"i was so addicted to being around you, i got sidetracked. but then my worry grew when you both showed no progress on enhancing your ability, so as a last resort, i arranged an experiment."

to your surprise, he revealed it was actually a simulation which was a major relief to you that no one was actually harmed by your powers, well, no one besides warner. but he partly deserved it for putting you through that.

although you were mad he implanted that fear into you, you had to admit. it did work.

"so, instead of finding some way to inform me earlier of all this, you make my sister and i think of you as some supervillain who wanted control of our autonomy." you grab the nearest pillow and launch it at him. "you're an idiot! we were scared out of our minds! juliette and i's last conversation was a fight over that! do you know much much time you could- are you seriously smiling?"

"god, i love it when you yell at me."

now that the ait was clear, you were able to put more of your faith into aaron and his intentions. and not feel bad about kissing him.

the two of you worked together on a plan to get you back to what was left of omega point.

you met an older gentleman by the name of delalieu. he was very sweet, but it got a little vexing every time he jumped to warner's defense whenever you made a remark; even ones said in levity. 

a few days later, when aaron deemed it safer, you both set off to leave. although you had the misfortune of having to be stuffed into a cart to avoid being spotted. at least it was better than the body bag you were transported in the first time.

the two of you transported to what was left of omega point in a tank. aaron notably was able to drive to the location with ease. you grew suspicious because one - he told his father he didn't know how to get there and two - he was unconscious the whole time you, juliette, kenji, and adam drove there. you decide to question him on the matter.

"i wasn't completely unconscious on the trip there. i was very conscious when you were touching my hair and tracing my features."

"i knew it! you little faker, you intentionally pushed yourself onto me didn't you!"

when you both arrived, the scene was as horrible as you imagined. - rubbles and dust everywhere and a huge gaping hole miles down. you felt sick thinking about everyone who stayed behind, including james. god, you hoped at least your friends were alright.

you were suddenly tackled to the ground by warner, and the sound of a gunshot followed after. a voice yelled out, and you immediately recognized it - kenji.

you got up instantly and ran to him, attacking him with a gigantic hug, tears brimming at your eyes.

"oh my god, i thought you were dead!"

"i thought you were dead!"

"you almost killed me right now when you shot at us like a lunatic!"

"sorry, i was aiming for warner- where'd he go?"

you change subject, "juliette? is she alright?"

kenji confirms she is alive, and you felt like you could breathe again. you needed to see her as soon as possible.

kenji started looking for warner like a madman, and you, too, were curious about his whereabouts - until he startled you by "showing" up behind you. he had turned himself invisible.

he was ready to take you both back before kenji shot him, but you declined to say you had to see juliette and anyone else that survived. aaron was reluctant but then handed you a pager, not that you knew what it was, and gave you a limit of four hours. you thought it to be ridiculous, but you compromised to ease his worries.

you and kenji ventured back to adam's house, your first time being there since you were unable to the first time around. he, heart-achingly, filled you in on the events, how they searched for you, how many were lost, and who remained. you told your side of the action, including everything with aaron.

kenji did have some judgemental comments, but you understood he was reeling from the shock of everything, especially from the details regarding aaron.

you bite your tongue when kenjii speaks ill of warner. defending him would only make you look naive, plus you couldn't deny the others had their reasoning for disliking the guy. you would end up sounding like delalieu.

"so what, you like the guy now? god, don't tell me your gullible enough to fall for it just because he's the first guy to show interest in you."

his words cut deep into you, but you don't respond and change the subject back to getting to the house. you didn't want to argue after being so happy kenji is alive. but damn did you want to give him a shove with your powers.

your spirits lifted as soon as you reached the destination. you pull kenji to the front door and urge him to open it. he knocks and confirms his identity before it's opened by winston, who was shocked to see you.

you greeted him quickly, feeling bad, but your main focus was your sister. next you see alia, castle, brendan, lily and alia. (all frozen to their spots as soon as they noticed you). when you see james you give him a tight hug, thankful for his well-being.

adam and juliette walked out of the kitchen engaged in conversation, not noticing you at first. then kenji drew their attention with a cough.

both of you were paralyzed at first; you were the first to break and jump at her with tears and an overbearing hug. she was quick to return it, then the both of you started crying in relief to see each other after thinking the other was dead.

"i'm so sorry for how we ended things, you had a right to be upset and i was a bad sister for not taking your feelings into account. "

"no, i'm the one who overreacted. i should've came with you the moment you told me you felt something was wrong."

"okay we get it elsa and anna; you're both very happy to see each other. please, no more tears."

you both pulled away, laughing softly at your dramatics. you turned and gave adam a much quicker hug, him happy to see you breathing.

with greeting out of the way, everyone's attention was turned back to you, particularly how you survived. you took a deep breath, and retold everything you told kenji, leaving out intimate details about aaron and you. everyone reacted similarly to the way kenji had.

the room then filled with different questions and thoughts, all voices one another, reminding you of listening to different people's thoughts at the same time. they all started assuming the worst in warner, and this time you did defend him - but it only made you look guilty.

the subject turned over to what was the next plan of action. castle was out of it, so he provided no help. adam was the first to protest any sort of fight, his concern for james overshadowing. juliette was on the fence about it for adam's sake, but you knew she wanted to fight against the reestablishment like everyone else, if not more. especially after all they had put the two of you through.

the conversation barely got past arguments before the front door was suddenly brought down. everyone, besides you, held up weapons to attack the intruder - you held up your hands, ready to use your power if necessary. but then you recognized the intruder quickly - aaron.

you ran over in front of him and advised everyone to stand down, but they didn't listen, they were too focused on the fact aaron had arrived.

you readied yourself to lower their weapons yourself, but then aaron made a move of his own and flung all the guns across the room with levitation.

"i was gonna do that.." you mumbled quietly to yourself.

"apologies, amor, i'll let you get them next time."

everyone else was stunned, you explained aaron's gift, but it was still a shock to see. a few banters are exchanged, but aaron, uncaring as ever, ignores them and proceeds to grab your arm so the two of you can leave. however, you stop him, not wanting to leave on bad terms.

you informed everyone that aaron was on your side, and they were understandably doubtful to believe it, but as they noticed how he acted with you, it became more believable.

you took the chance to try to persuade everyone to stand up again against the rebellion. juliette and kenji were the first to side with you, and slowly everyone followed along, adam and ian being the ones more reluctant. you could respect adam for thinking of james and juliette, and ian was just an asshole, but he was also mourning. in a turn of events, castle chimed in with his support.

aaron, not thrilled about the new members of your alliance, announced the two of you would be leaving. juliette protested, not wanting to be away from you after she just got you back.

part of you longed to lay on the comfortable bed back at the base, but you needed to stay with your team. so, you made an agreement aaron could return for you the next day.

"so i'll come back for you tomorrow? thirteen hundred hours."

"thirteen hundred hours? like from now?"

"it means one o'clock."

"... one o'clock is not thirteen hundred hours from now."

aaron was holding back a laugh, juliette was just as confused, and kenji physically facepalmed.

aaron eventually left after you reassured him you'd be fine. ian was of no help as he kept insulating it was better if you left. adam stormed off not long after, juliette following to calm him. she returned looking dejected and assumed she and adam fought. kenji suggested the three of you go out for a walk, although it was late.

during the night stroll, all three of you got emotions off your chest. kenji's feelings about the whole situation, juliette's issues with adam (they were still technically broken up) , and your turmoil with warner. kenji was somewhat holding back, but you knew he was just trying to hold up a strong facade.

as you disclosed your confusion and feelings, kenji had many questions, from disbelief, and juliette mainly just patiently listened and remained silent.

"so you like the guy, for what his personality? totally has nothing to do with his looks?

"hey, i'm not shallow! ...aaron just happens to be gifted with excellent looks."

"hearing you call him aaron is so weird. and i'm not judging you if you did. seeing adam shirtless is probably what drew juliette to him at the start."

"hey!"

the light banter made the solemn conversation easier to talk through. it was nice to be always from everything for a bit, and just act like friends.

you three returned back, kenji walked to the door first, and juliette grabbed your wrist to stop you from following him.

"i just want to talk to you alone real quick. about warner,.. or aaron, whatever you call him."

you held your breath, partly ready for her to possibly start another argument.

"i know you're confused about what you feel for him still, but i need you to know if you decide you love him - i'll support you. i don't want it to get in the way our bond. after everything that's happened... i realized there no time to waste on petty little things, especially about guys. all that should matter is we're always here for each other."

you give each other another heartfelt and tearful hug; glad kenji wasn't there to comment on how sappy and emotional it is.

"so, just between us sisters, do you think you love him?"

you laugh, and open the truth of your heart of her.

back inside, you all prepared for him or, as aaron called it a "slumber party." wasn't too far off since everyone besides james, adam, and castle slept on the ground.

your place was between kenji and juliette, each of you having your own pillow and blanket. winston and brendan bantered a bit about kicking faces before the turns finally went out.

"kenji, i know it will be incredibly hard, but keep your hands to yourself."

"you wish. you should be telling your sister that, she's basically all over me every night."

"shut up."

the next day brought a lot of drama. the day started off late, leaving little time to discuss before aaron arrived. another fight between adam and juliette set off. the issue being that aaron was coming back, which adam was completely against. he had been fine with your stay, but he wouldn't compromise for letting him return. adam gave an ultimatum, if you brought warner he would essentially kick you out.

juliette went to your defense and partly aaron's for your benefit. this only set off adam more. kenji tried his hand at intervening but only got backlash from adam, who stormed off outside after. everyone else stayed quiet, but you could tell one or two silently agreed with adam.

you didn't wanna stir any more trouble than needed, so you started preparing yourself to go, clicking the little mechanism aaron gave you a couple times to ensure it worked.

brendan, winston, castle, lily insisted you stay as well. james also gave a small plead for you to remain. juliette believed she could still talk some sense into adam.

it felt great to have their support, but at the same time, you felt bad for having to divide everyone into teams, yours or adam's. instead of building a team, you were tearing one apart.

before you knew it, the newly fixed door was again slammed open by the same intruder from the day before. aaron barged in, almost of breath and distressed. you thought something happened to him because of how disarranged he looked.

he locked his gaze on you and speedily grabbed you in his arms, cupping your face and scanning you up and down for any injuries. you were a bit embarrassed as everyone was a witness to aaron fussing over your well-being.

"did you run here?"

"of course, you beeped the pager."

you assured him you were alright and turned back to everyone with faces of incredulity.

"woah, this is... freaky." winston began.

"i worked for this guy for more than a year and never even saw him smile."

you explained to aaron that you couldn't stay at the house any longer but couldn't leave everyone else either. he offers to have them stay in the training area, but kenji declines, needing a better offer. juliette sides with kenji, the rest don't fully trust warner, so they need reassurance.

you couldn't bare the thought of leaving everyone again, so you pleaded to aaron to give in to their demands, willing to compromise whatever. you were happy and a little shocked, along with everyone else, when he accepted the terms.

"i'll return tomorrow at fourteen hundred ho-" he sees your confused face again, "2 o'clock. i really must educate you on military time, amor"

"or you could just say the time on a clock like the average person."

aaron takes your hand and guides you back to the tank to make your way back to the base before anyone notes his disappearance.

you express your gratitude for his help, and he responds by saying there's not need, he would do whatever to ease your pain. he also partly owed it to you for being so dismissive when you believed your friends were alive.

"i know they all judge you right now, and maybe they always will. but, i do believe you're a good person, and sure, you have flaws, but who doesn't - i am certainly no saint. i don't want to fix you...just want to make you see yourself in a better light like i do." your final words before falling into a slumber against the window.

you return back to the base the way you came in with delalieu's help. your both back in aaron's room, not having said a word to each other since the tank. aaron's started to ask questions about what had happened back at adam's house. you briefly told him about the drama about adam not wanting you there if you were with warner.

aaron became upset, not liking how adam treated you, and reassured you he would harm him if you wanted him to. you quickly assure him that you didn't care about it, you weren't going to beg to stay where you weren't wanted. you were mostly concerned about what it had done to whatever relationship was left between juliette and adam. she obviously loved him, but she couldn't hold herself back for him either.

you go silent at the mention of juliette, remembering your last private conversation. aaron, being able to easily feel your emotions, pick up and it and presses for information.

"it's just.. she asked me if i loved you."

aaron's breath hitches, "what was your response."

"i told her, 'love is a strong word. i'm not even sure i fully understand it. but i think...no i know. i'm falling for him.' "

aaron didn't respond, he got up and went to his office, shutting the door behind him. you weren't sure what it meant. and you didn't see him for the rest of the day.

you couldn't sleep that night; your mind was doing circles in anticipation of the group's arrival tomorrow.

you got up with the intention of solely getting a glass of water, but then heard a loud noise come from the direction aaron's office.

wanting to make sure he was okay, you walked in without notice. the door was already halfway open, so you figured it was alright.

the room was bigger than your childhood home's living room; it was filled with different seats of furniture, books, shelf, etc. aaron was at his large desk - his shirt discarded and only wearing slacks and socks.

aaron's brushes you off, telling you to go to bed, but your focus is on a small jar in his hands. you ask what it is, but he avoids answering, so you grab the object yourself. he attempts to get it from you, but you move away - deja vu to when aaron wouldn't return your journal to you. it felt nice to be on the flip side of it for once.

you read the label and understood it was a medicine. then it clicked; it was for his scars. and he was embarrassed about it. it was kind of cute.

he confirms it's for his back, so you nicely offer to do it for him since he seemed to have trouble reaching it. he was obviously self-conscious no matter how much he denied it, and you told him it didn't matter; you'd already seen them. but he kept turning his back away from you. you were getting suspicious that the scars were only part of the reason he was hiding.

you got annoyed and impulsively used your power to keep him sat and finally make his back face you. you could apologize later.

then you saw it. yes, his scars were still there, but on top of that were your wonky star doodles. the ones you drew in his cells two weeks ago in his cell at omega point.

you were confused about how they were still there, darker than you remember. the pen you used was lousy; you would know since you used it to write and the ink always smudged. the pen ink was also blue, and this was black. the skin around it was also freshly red.

"wait.. is this tattooed?"

his silence confirmed it. you were speechless. he tattooed your silly little doodles. he needed the medicine to numb the pain of the ink.

"why would you do this?"

"figured it your mark was better than the ones my dad left me."

"aaron."

"it was the first time i looked at my back and smiled."

you think your heart burst on the spot.

"god, i would've made them better if i knew you were gonna mark it."

"they're perfect." god, you were ready to melt.

you compose yourself and insist you put on the medicine since it was your tattoo design that's causing him slight pain. he didn't protest this time. you applied it in silence, then worked up the courage to ask about his scars.

aaron was very hesitant, you were ready to be shut down, but then he opened up to you. his scars being a 'birthday gift' from his father. it was heartbreaking to hear and almost brought tears to your eyes, but you knew pity was the last thing he wanted.

"when you saw them back in my cell, i waited to see that look of repulse on your face, but it never came. you observed them so carefully like they were the most interesting thing to you. then you had the gall to say it was similar to abstract art."

"well, it's true. they're not ugly, and you're certainly not repulsive. the scars are like a show of strength for everything you've been through. they're yours; only you decide what they represent. anyone who thinks differently is a total loser."

"please, stop."

"i'm sorry, did i say something wr-"

"i love you. so much that the first thing i did when returning here after escaping omega point was getting delalieu to tattoo my skin because your marks faded. i didn't even let myself wash off in fear they'd disappear before i got a chance to preserve them. i couldn't wipe the smile off my face whenever i looked at it through a mirror. it always reminded me of you. our moments. our last kiss. i burn for you greatly, and you don't even realize it."

"aaron..."

"don't."

"you know how i feel. but i'm still figuring it out, this is all new to me, and i want to get to know you better-"

"please. just go." and you did.

the following day, right on schedule, aaron goes to pick up the group while you stay behind waiting in the training facility that he briefly gave you a tour of.

the group arrived, and you happily greeted them as they looked around the place in awe. aaron began to go over rules and boundaries for the group. after the previous night, you were unsure about where you stood with warner, so you decided to give him some space and stand with the rest of the group. as he spoke, he threw not-so subtle glances your way, making you confused about whether he was upset with you or not.

aaron ventured off, everyone was setting up their items, and you separated with kenji and juliette. they book had look more distressed upon their arrival. apparently, juliette took one last chance to try and convince adam to come along, he didn't budge, saying he had to protect james and encouraged juliette to stay as well. it resulted in an argument; eventually, he respected her decision to fight - but it would mean the end for them. you comforted your sister through her heartbreak, adam had been a big part of her life, even a bit of yours. so to say goodbye must've been hard for her.

kenji also tried to persuade adam, but it escalated, and the two started throwing harsh words at each other. you knew adam was his friends, whether they both acknowledged it or not, and after omega point, you were sure kenji didn't want to lose anyone else. leaving james behind made it worse.

the direction of conversation then turned to you, and you were originally going to deny any conflict, but kenji and juliette picked up on the tension between you and aaron.

juliette starts, "so, what happened with warner?"

"don't know what you mean."

kenji and juliette give each other a mutual glance, " we aren't blind; the guy kept looking at you as if you'd killed his puppy. like seriously, there could've been a rain cloud over him with how much he was sulking."

you opened up to the happenings of last night, leaving out too personal information about warner, and how you weren't sure what to do now. kenji lost his mind at the bit about the tattoo, this new side of warner still weirding him out.

"i thought you were into him?"

"i mean, i am. it's just all so confusing. i'm not trying to string him along, i just want to truly know him before i could want more with him. it feels like he knows every single thing about me, while i'm barely starting to paint a picture. or maybe he only thinks he loves me or he's only interested in me because of my gift."

"dude, everything he has done for us so far is all because of you. what kind of guy tattoo's a stupid drawing someone drew on their back? and i swear he gets cartoon heart eyes when he looks at you too long. i know i called you naive for believing it, but that was before i saw first hand how intimate his feelings are for you."

"he's right, y/n. think about if he only cared about your gift, he would've been treating us the same, after all, he brought both of us in. sure, he acts decent towards me, but i'm pretty sure it has more to do with the fact we're sisters. you don't play nice with someone's family unless you really like them."

you were silent as you absorbed both their perspectives.

kenji sighs, "damn, i need a love life."

"interested in someone else."

"technically single, but i'd choose the asylum over you."

"i'm starting to miss when you both were meek and quiet."

after that friendly therapy session, you regained your focus on the important task, formulating a plan to overtake anderson. you had a few ideas, some you talked about with aaron, but a seventeen-year-old girl can only do so much on her own, so that's why you bring in your sister, who is also seventeen. as the two of you went through essentially the same trauma, she had as much right to be a big part of this as you.

aaron came back hours later, and everyone gathered around and took a seat somewhere. to your surprise, aaron sat down right the to you. the tension is so much worse side by side. knowing aaron could read what you felt didn't make it better.

you began to illustrate the details of the plan, juliette helping fill in and explain points. the goal is to get anderson to sector 45; to do that, you had to take over sector 45. getting people and soldiers to rebel was going to be the trickiest part, and much of the group wasn't on board that it could work.

"we're going to have to show them our strengths, i'll help them see our strength." you explain.

"and if they shoot us?" ian counters..

juliette shrugs, "then don't do it, i'm sure my sister and i are capable of being amazing by ourselves."

"real humble , j."

brendan speaks up, "so, we've got somewhat of a synopsis of juliette's gift, but, no offense y/n, what is it you can do besides read minds?"

it was true; almost everyone wasn't aware of other capabilities you possessed. you didn't like to divulge your gift much back at omega point, kenji, juliette, and castle knowing the most. unlike juliette, who had many different events where she showed her amazing strength, and you were sure they saw more when she practiced at adam's house while you were separated.

you briefly revealed more about your powers, mind-reading, telekinesis, and your ongoing training in telepathic defense. you admitted to losing control a few times as well. the group looked more amazed as you went on.

"prove it."

"yeah, c'mon dude, show us."

everyone else started egging you on to make a show of your powers; you even saw aaron look interested in wanting to see it. you gave in, and asked aaron for permission to throw some objects around, he nodded.

you started levitating different objects and throwing a few around. kenji started begging for you to lift him, so you did - then winston and brendan kept begging to go next. you showcased a small shield of energy you were able to produce. lastly, they wanted to see your telepathic projection, but you explained it would involve harming one of them, so you shut it down.

"so like, you can do all that too right? since you can steal powers?" winston questions warner.

"yes, if i wanted to i could take hers, or any of your powers and use it."

you cough into your hand, "no one's better than the original, though."

"so the two of you together can basically can..."

"take over the world?"

"...was going to say kick serious ass, but you're not wrong."

warner doesn't respond, but you can see him holding back a smile.

the thought of warner taking powers was eerie to the group, but you reassured them of your faith and trust in aaron. then the conversation redirects to the plan. castle questions of what is supposed to happen if you do win, such as who is going to lead.

"i will." juliette pulls you by the arm next to her, "and y/n will help me."

the room falls silent. even warner is still. your head snaps to your sister, that was not a topic the two of you discussed. nor did you know it was up for discussion. you, of course, didn't express your surprise, you couldn't show doubt when this whole meeting relied on trust. juliette's speech on the new world motivated everyone to follow through with the battle plan, you silently supported it, but in your mind, you didn't think it was the best idea for you both to lead a whole country. you think juliette forgets just how young and inexperienced you both are.

but you were sure this was a problem that could be mended later, right?

aaron and you were alone in his room again, the silence so deafening, you mentally cringed. you attempted to start the conversation on his thoughts about the plan, but he began to brush you off. frustrated, you call him out on his recent behavior.

"why is it all or nothing with you? i didn't reject you- all i said was i want to know you better, i saw you in a bad light for a good while. i want to see the positive just as much."

"or maybe you're just expecting too much from me."

"why are you being so stubborn!"

"because you being disgusted with what you learn, would end me."

he walked out after, a common occurrence, it seemed, these past days.

you vented all your frustrations into training the next day. you told yourself you wouldn't focus on warner, no matter how good he looked in sweatpants, and instead use your pent-up energy to master your powers.

it paid off well; you got closer to creating a shield. but maybe a little too well, since you accidentally launched kenji across the room with your energy force. he got you back off, turning invisible and tripping you. juliette concentrated on moving her dumbbell with the force of will, but she struggled. reminded you a lot of your training at omega point. you offered her tips on what worked for you, and kenji coached.

at some point, you went to the back to drink from your water bottle, unintentionally near where warner was bench pressing. then suddenly you heard someone yell 'get down'. it all happened in a flash, you turned around a bit late, and the rock wall behind you came crumbling down at you. you quickly attempted to lift your hands, levitate most of the impact and braced yourself. suddenly, instead of your body colliding with dozen of sharp rocks, you were surrounded in bubbles. you turned the rumble into fucking bubbles.

you stood mouth wide open in shock for a minute, the people around you just as amazed. aaron was the first to run to you, asking if you were alright, and you nodded, still a bit shocked. he expressed his astoundment at your newfound skill.

juliette then came up to you and profusely apologized, and you assured her you were okay and accidents happen.

"i can't count how many times i almost knocked out castle with things during my training. you'll get the hang of it. plus, i'm sure aaron had trouble learning to control power too."

"oh, no. though i've always been very good at everything i do."

you smack his chest, "you are seriously no help."

you continue to train very hard for the rest of the week, your muscle will likely permanently ache in pain.

you and aaron hadn't gotten much better, you really did try to reach out so many times, but if he wasn't going to cooperate, why waste energy.

he made a habit of intentionally putting his focus on things around the base and working late, so he wouldn't see you until you were already asleep.

if things ended badly between you two, i'd be because of his own stupidity, not for your lack of trying nor the judgment of his character.

other than that, all was well. until kenjii decided to casually drop a bomb that adam and james were coming to the base. juliette started freaking out, and you weren't sure where you and adam stood, but you were excited to see james again.

adam arrived, and tensions between the ex-couple were high. they both were cordial but weren't sure how to act around one another. adam went up and apologized to you for his treatment, and you accepted it because he was once your friend, and you hated grudges. james excitedly greeted you, and you gave him a small tour.

then aaron showed up, ignoring adam, but he and james went back in forth in exchanges. it was very entertaining to watch, and aaron pointed out your enjoyment.

"why do you call her amor?"

"it means love in spanish."

"so, do you love her?"

"why, do you?"

"n-no! she's really pretty- i mean, i like her...no, ugh, she's like a million years older than me!"

"hey! i'm not prehistoric!"

you cut the exchange short, grabbing james on the shoulders and dragging him away, "how about we go back t kenji while i explain to you age numbers..."

you and juliette got upgrades in suits. yours similar to your former, but with minor changes. your color was now a darker red with accents of black, your coat was now high to low with slides for the sides of your legs to show, new knee-high combat coots, and new long fingerless gloves. yours and juliette's new material was made to accommodate your powers.

for training, you watched juliette and kenji go back in forth in combat - kenji mostly won due to technique, but juliette overpowered him a few times.

aaron came up to you, and insisted the two of you train in combat together. you rejected his offer; combat was not your forte, you were repeatedly told by kenji many times. so you just stuck to using your powers. but aaron wouldn't back off.

"it's important to learn combat, amor."

"if i run into a bad guy i'll just fling him away."

"and when you can't use your powers, what happens?"

you were going to argue that wouldn't happen, but knew it wouldn't suffice for him, so you just gave in, so he would shut up.

it was no shocker that he easily blocked your punches and stopped any attack. he even had the audacity to be amused at how badly you were doing.

"wow, you are quite terrible."

"okay, i get it i suck. can i go back to my training?"

"c'mon, amor, don't give up so easily. punch me."

as much as you were annoyed, you didn't want to physically hurt him. aaron laughed when you told him that. that itself, ticked you off. and it did not help that now you had an audience invested in the interaction.

you still didn't relent, aaron was a bit disappointed, but he focused on fixing your form.

you don't know if it was the fact aaron laughed, his constant comments, or all your pent-up frustration, but something came over you. while aaron was distracted with giving walking you through hitting an opponent, you hit him - hard. you might've used some of your powers to make the hit stronger, but he didn't need to know that.

aaron staggered back, shockingly caught off guard. you honestly expected him to block it like your other ones; but no you managed to land a hit on his cheekbone area, hitting some of the side of his nose. your poor form made for your knuckles to hurt badly.

everyone stopped what they were doing; even you froze. kenji in the back, trying not to laugh. aaron then recovered, his land touching the side of his face. his face didn't show anger, pain, nor surprise - he was smiling in admiration.

"oh my god, i'm so sorry!"

"no, don't apologize, amor. i'm very content being the first to experience your strength firsthand."

you and aaron ended up cutting practice short and went to the infirmary. you helped treat the large bruise on his face you'd given him as a small apology, and he wrapped your sprained knuckles and partly chasted you for incorrect hand form. was he looking to get punched again?

the following day, aaron woke you up earlier than your normal routine. he mentioned an opportunity for you and juliette to finally get practice outside of the base, and you quickly agreed. you asked why so suddenly, and then he disclosed he was going to visit his mother. it was her birthday, he explained. he didn't say much after that and went over that kenji will keep you and juliette invisible after he leaves.

but you couldn't help your curiosity and asked a little about his mother. hearing the story of his ring broke your heart. the only gifts you got were when you and juliette exchanged homemade gifts for your shared birthday, but the story made you appreciate that tradition much more.

"i think it's good you still visit her."

"is it?"

"it is. knowing you have someone there is sometimes enough. whenever i remembered i had my sister with me, it made the asylum not completely terrible. and around you, i feel like i achieve anything."

juliette, kenji, and you, invisible, met with warner at his tank. you didn't even need to tell him of your presence before he helped you into the tank and got on the driver side to start it.

"how'd you..." you ask, confused.

"i can sense your presences. especially yours."

"woah, freaky. what's mine feel like? peanut better?" he got ignored.

you settled on the opposite window side, juliette next to you, and kenji next to aaron. kenji started shuffling around, uncomfortable.

"dude, y/n, switch seats with me."

"what why?"

"your boyfriend is touching my leg."

"you flatter yourself." aaron interjects.

"c'mon hurry up! i think he's about to knife me..."

"just switch with juliette. it's easier."

"no way, if i'm gonna move, i might as well get the window seat."

you roll your eyes (not that he can see), and the two of you begin a messy movement of bodies to switch seats. poor juliette, stuck in the middle, getting hit by an occasional limb.

"ow, you just hit me in the face-" juliette complains.

"sorry, i'm trying my best-"

"now you just hit me!" you exclaim.

"oh my god, let me just-"

"kenji!"

kenji was the first to get to his new seat, you were situated over both him and juliette. kenji, tired of your leg in his face, shoved you with brief warning. and in an attempt to stable yourself you put your hands out on aaron's lap, but one hand missed. and landed on his groin. aaron visibly flinched and put his lips together in a straight line to contain his painful expression.

you gasped and hastily moved your hands in a panic, then to make matters worse - you fell face first in his lap. you were so happy to be invisible at the moment.

aaron takes a sharp intake of air, and his knuckles turn white from how tight he grips the wheel. you scramble you sit correctly, accidentally putting a hand on his groin again before finally in the seat. the silence was deafening.

aaron promptly dropped you both off at an empty site and bid you goodbye. you gave him some last words for comfort that you noticed he appreciated. then he went off.

sometime later, it was time for the four of you to meet up again. the practice had been somewhat successful. there were many miscalculations with practicing and being invisible. the three of you kept stumbling into each other, having the wrong place meant, and arguing over who was right. but ignoring that, you did get some practice in there.

aaron, however, was unusually late. it worried you. kenji and juliette didn't think much of it. but since you knew his location, you sensed there was something wrong. you asked both of them to check on him to ensure he was already, and you three walked to the house. you avoided mentioning aaron's mother.

you asked juliette and kenji to wait outside as you went inside.knji begrudgingly agreed, ensuring he could keep the invisibility up inside, too. juliette bid you to be careful and return as soon as possible.

you saw a few different pictures of aaron with his mother as a child. you looked through different rooms until you found him. he was sitting on the floor with his knees to his chest, his frame trembling. his mother died; you put together. you quickly knelt down and gave him a hug that he accepted. you let him hold you tightly as he sobs sorrowfully. it was painful to witness, so you let him cry onto your shoulder for however long he needed.

an hour later you returned, kenji and juliette already in the tank, no invisibility. you didn't need for them to say anything to know they had questions, so you avoided their gaze. next to you, aaron held your hand the whole way back

his mother's death reminded you of his family, the unknown fact to him that he shares blood with adam and james. you wanted him to know, but truly, you didn't want any part of that mess. knowing was already knawing at you as it was. juliette disagreed; she thought adam needed to tell aaron.

you thought leaving aaron alone was the best decision. you even planned to spend the night where everyone else was. but as you were packing a bag, he stopped you. aaron grabs your arm and turns you to look at him.

"you're right. i am holding back. i was telling you how much you were in denial, but it was me who was holding back. you've always seen me in a light like no one has. i've never thought of myself as even a decent man until you came around. and it scares me. so much. i'm afraid of disappointing you, and you'll be disgusted with me, see the monster i see every day in the mirror. but if giving more of myself is all it takes to be yours, then it's done. you can learn every crevice of my soul if it means you'll stay with me."

you knew it then, "i love you." you are in love.

he grabs your face and kisses you in less than a second. the kiss being so loving and careful, he takes his time memorizing your lips. he lifts you in the air prompting you to wrap your legs around his waist. from there, the kiss molds into passion and need. before you know it, you're both lying on the bed with him hovering over you.

aaron groans into your mouth, "say it again."

you softly giggle, "i love you."

"god, you have no idea what you just unleashed, amor."

your stomach is doing a million glips. your entire body is in frenzy. you're ready to have a heart attack there and then. it was only just the beginning as well.

"lift your hips for me, amor."

"c'mon, angel, don't get shy on me now."

"i'm afraid you're never getting rid of me now mi amor."

very long night.

you slept through most of the morning, only woken up by aaron laying kissing down your neck. then he started going lower down your body. any sleep you had was now gone.

"aaron.. what are you doing."

"nothing."

"liar."

"shhh.. you just lay there, i'm just going to enjoy my breakfast."

the man was insaitable; you were sure you weren't ever gonna get out of bed that day. but eventually, you did. had to dedicate half an hour to walking properly again.

you went to you rfinal fitting for suits, and the new look was incredible. juliette traded the purple for a new black suit - kenji not liking his color stolen.

"why am i the only one in color now?"

"so, you can get spotted and shot at first while the rest of us get away." kenji answers.

"you're the worst."

aaron walked up behind you and whispered in your ear, "how quickly can you take this off?"

you smack his chest and give a playful disapproving look.

"i mean, it definitely can stay on, too."

"aaron!"

the bliss of everything helped ease your nerves for the following day. you were sat in aaron's room going over the plan for the millionth time. aaron kept reassuring you you'd be perfect and worrying will do nothing but install fear.

"it's just... what if it backfires. what if no one listens or surrenders?"

"it wont and they will."

"you're right. i'll just tell them my scary boyfriend will come after them."

"for you? always." he kisses your cheek, "i like the sound of you saying boyfriend, but scary?"

"well, everyone besides me is pretty scared of you."

"and what about you, what do you think of me?"

"i think you're cute."

"cute? yeah, let me show you just how cute, i can be."

aaron can never take his off of you for too long.

the next day, you, juliette, and the others stood in front of sector 45. both the people and the soldiers gathered there, all of their eyes fixed on your group. it was like the world's largest show and tell.

aaron started it off with a speech, informing everyone of the truth and the fact you and juliette were alive and well. then your sister took over, and directly told the crowd the plan to destroy the reestablishment, you gave a few words of your own, but juliette did most of the talking much to your relief.

then the questions from the crowd starting, so it was time for the group to showcase their powers. finally it was down to juliette and you.

juliette climbed to a building s good hundred feet from the ground, then jumped off and landed - making the ground tremble and shatter beneath her.

"how the hell do i top that?" you whisper to yourself.

with a comforting look from aaron, and a deep breath, you stepped into the front. you looked for a fairly easy but impressive thing to lift and spotted a very tall tower. bingo.

using your ability, you began carefully levitating it above the ground. you closed your hand into a fist, and the tower began breaking into bits. people began to panic as the rubble started coming toward them, but suddenly, you transformed the pieces into butterflies flying around the people. everyone looking around in amazement.

you took the biggest deep breath once you were done. very happy your practice paid off, and you didn't accidentally end up killing a crowd.

the crowd cheered and roared. the presentation proved to be successful because they got on board with destroying the reestablishment. the soldiers surrendered and joined the rebellion.

back in the training room, everyone was overjoyed with the success of overtaking sector 45, but now came the hardest part. winning a war.

juliette ran straight to you, attacking you in a very strong hug. so strong you had to tell her to chill on the power a bit. she apologized and released you. the recent events were still reeling in your mind, not fully comprehended.

"oh my god, juliette what did we just do?"

"we just started a war my dearest sister."

and now you had to wait to face anderson in likely a day or two. he almost killed you last time. but you wouldn't let him get lucky again.

the group, minus aaron, sat in the training room discussing what was next. one talk to another led to the topic of anderson.

"i've never even met the guy. wonder what he's like?"

"he's handsome. it's actually insane how evil, but striking he is." you blurt out.

juliette agrees, but the group looks at you weirdly.

"dude, you just called your boyfriend's dad attractive."

"what? i don't mean it in a weird way."

"hey, at least you've got a backup option if the first anderson doesn't work out. "

you throw a pillow at kenji's head.

then the topic of anderson's name came about, and that's when the trouble began. adam answered his name was paris; but suddenly, aaron arrived in the room, overhearing the conversation.

aaron put him against the wall, interrogated him on how he knew, and adam not saying anything. you couldn't take it anymore, so you yelled out the truth.

"he's your bother!"

aaron didn't believe it. juliette kept pressuring adam until he finally confessed. everyone gave the two of them space to work things out as everyone else busied themselves. when all was on steady terms, aaron sat with you.

"you should've told me."

"i know, i'm sorry. but it really wasn't my secret to tell."

"i had a right to know."

"c'mon, if you had some sort of family secret of mine, would you tell me right away?"

he hesitates, "you're right. you didn't want to get involved, i understand that."

you tell yourself it didn't matter, but you couldn't help but ask, did he deliberately avoid answering. you brush it off, probably nothing.

you returned to aaron's room, you both talked about the brother situation more, and aaron mentioned spending more time with both kent's. you were happy to see he was content to learn about his new family and want to see them more.

"this is great. i'm happy when you're happy. it's deserve more close people in your life."

"but i have you, and that's enough."

"very sweet, but family relationships are different. i was fortunate to have a sister in my life. what if my mother hadn't had the both of us, juliette not being my sister? seems unimaginable.."

aaron goes rigid, being in his lap, you notice immediately, "you alright?"

he relaxes and nods, "this whole situation has me a bit disorientated. enough brother talk. let me remind you why our relationship has much better advantages than other ones.."

a full night of sleep was just a foreign concept at this point.

it took one day for anderson to come to the sector. you all had luckily kind of prepared for it, so there was a plan set that you all were to follow. kenji, juliette, and you were responsible for going to the ship to deal with anderson while the rest took care of the matter on land.

before separating, you said your farewell and good luck to aaron. you tried to cry when saying goodbye to james and promising all would be fine. lastly, you gave aaron a kiss, and you promised each other to be safe.

"i have no doubts that you will succeed. my father can't even fathom the power you possess."

as you three board the port, you notice the massive groups of soldiers. juliette has the idea of you pushing them into the water with your powers, which you do.

you each take turns getting onto the ship, 5-second gap each. however, once you get inside, you can't find neither juliette or kenji. still invisible, you take your chances going through different doors, trying not alert soldiers.

but it fails because bullets began shooting in your direction. you run as fast as you can; unlike juliette, you are not invincible neither was your suit, at least not entirely.

with your invisibility gone, you get cornered with at least 7 soldiers, armed. your instincts kick in, and you start throwing men and attacking them with your energy. one soldier begins shooting at you when you're caught off guard. you hold your hand out as a protection and close your eyes, but you see the bullet is stopped - by your shield. you hadn't even made an effort to create it yet, and it presented itself like it was an automatic presence.

after witnessing that, the guard abandoned the ship and ran off. you couldn't blame him; you doubt he got paid enough to deal with all this.

you attention is shifted when you heard loud crashes and screams. you recognize them as your friend and your sister. you rush toward the room where the sound was originating.

you see kenji on the ground in pain and juliette not too far off; she's crouched down, clutching her head, and struggling to stand. you spot anderson, with another man, who you recognize is causing juliette's pain with his sonic wave gift.

you focus your energy on the boy, focusing on hurting him. then he stops his pressure waves and starts howling in pain, crouching down like juliette had. you were in a trance, channeling all your energy into hurting the guy, then - you snapped his neck.

you ran to juliette first, helping her get up, then you checked on kenji who was in worse shape.

anderson drew his gun, and started shooting bullets at you both, but it simply just bounced off. you and juliette drew your own weapons; you looked at each other and knew what had to happen next.

you focus your energy on anderson, his legs then collapse under him. he starts scrambling on the ground. juliette steps on his hands - shattering his borns with her power.

"remember that lesson on justice getting served?"

you shoot him in the chest, and juliette aims for his head.

4 shots - one for adam, one for aaron, one for juliette, and one for you.

it was a blur after that. sara and sonya were found and attended to kenji who was luckily not in any fatal condition, he would be okay.

it felt like you were experiencing someone out-of-body, unreal. juliette went up to the speaker system, capable of speaking to the entirety of the sector. she announced the end of the reestablishment and its new leader.

he was dead. it was over.

still bloodied and bruised, you stood on the tallest tower of the compound. you hadn't talked to anyone; everyone too busy rejoicing. but you were still digesting everything that had just happened.

you look over the new land and wonder what could be in store next.

you're not surprised when juliette and aaron find you, they know you too well at this point. they don't say anything and each take a side next to you. aaron puts a hand around your waist and tugs you toward him.

"the entire rest of the world is coming after us now, you know."

"i'd love to see them try." juliette says confidently.

"i believe as long as our bonds remain strong, we can overcome anything." though. that wasn't how you really felt.

you didn't want to damper a glorious day. but you couldn't help the pit forming inside of your stomach, telling you this was only the beginning of a treacherous path.

but nothing come could destroy the bonds you forged, right?

@whatsupb18 @letspretendimnottrash @heart-an0n @mrsspector-grant @kikilarast10 @nina357 @lupinswolfsbanes (tysm for the support)

[trix1erose]

today in ideas that consumed my entire being (ramblings under the cut)

i’ve been thinking a lot about the hero/villain parallels in both seasons, more specifically in relation to jesse

in season 1 Magnus and Ellegaard are clearly Axel and Olivia, i think Gabriel and Petra are the warriors (esp since you have to choose between them in the beginning), and the Soren&Lukas parallel is admittedly weaker, but they’re both described as arrogant, cowardly, etc. but also amazing builders and leaders. so that leaves Ivor to be Jesse’s sort of parallel- which lends itself to how Jack mentions that Ivor is the founder of the Old Order of the Stone, same way Jesse is the founder of the new one. and… while he does get his redemption… Ivor is the first antagonist presented in the series.

season 2 definitely lends itself more towards Romeo and Petra being each other’s reflection-sort-thing, but i can’t be the only one who sees Romeo, Fred and Xara as a mirror to Jesse, Axel and Olivia. (also, this is based more in headcanon so im REAching here, but Lukas comments a lot on how Jesse can’t seem to leave his old life behind; i personally took that as him (jesse) subconsciously chasing adventure to a reckless extent, which is comparable to how Romeo set up all those unhinged challenges for his friends)

anyway, little art notes for anyone might be interested; i tried to show this in my little drawing with warm colours for the New Order and grey/blue for the underneath, i placed romeo on the side with axel and olivia and ivor on the side with lukas and petra to show the different symbolisms, and the jesse underneath the amulet is the one i normally draw for the during part of the witherstorm arc for like… vulnerable little guy idk. i included reuben in the top because they’re meant to be stark contrasts, the top one is a happy fantasy and the bottom one is a miserable nightmare. also i gave him a scythe because i saw a comment on the kwite vod where he made the diamond hoe as a joke that they headcanon enchanted hoe’s turning into scythes which i thought was super cool.

plus some close ups cause tumblr ✨butchered the quality✨

[tofangirlornottofangirl]

why do I feel so uneasy about this fight. like no matter the outcome this fight feels... foreboding. like things are about to change drastically one way or the other and we probably won't like it

if gojo somehow dies i'm quitting the manga and just waiting 10 years for the anime to catch up and then i will stop before i reach the episode where he dies so I can continue to live in a world where he doesn't die

[sillybigbird]

OKAY, SO. Silvie here, before starting I'd like to remind you my IC accounts is @babsggordon and its the only one I mannage.

Previous recaps:

Now

This are are the events of the past week (In order from I remember):

Lazarus Pit

Gothamites started to randomly sip them, encouraged by the numerous PSA's saying to not to.

Alzhul discovers that his pit is being used underground by a lot of other organizations including the court of owls. But also he discovers the experimental additions to the pit are making people expell their organs off, he decided to work on a antidote to add at the pit because theres no way to get gothamites away from it (LMAO). Hes having a lil redention arc

Multiverse

Theres a lot of alternative versions appearing, the most popular are more Dick Grayson's appearing out of nowhere and a lot of there people crashing, so far this are the ones that I know.

Spiderman everywhere, it started with our lovely Peach.

Starfire

Tommy Shepard

Deadpool and one of his variants

Julian Gordon

This is not multiverse but since we're talking of additions we should mention Lux and his initial arc who consisted in dating Crimson, Deadpool, Nightwing by Circus-champion, Kyle, and John Constantine (who also joined this week).

Duke also joined us. (Hi Duke o//)

Helena also joined us

Kidnapping

This was a popular topic this week, this were the kidnaps and consecuences:

Jason: A guy named Evangeline claiming being Jason's original partner appears in our universes Dick Graysons Anons with threats of kidnap Jason, and he does but Constantine, help us rescue him. And they're chilling with Hinata, Deadpool, and Crimson in there where Giovanna Talon appears to attack everyone. Lux f*cking kills her and revives him

Giovanna: That attack was useful to kidnap her and so, Hinata, Crimson, Lux and Babs are trying to debrainwash her.

Dick Grayson: Babs and Wally kidnaps Renegade and retrieve them back to the "Bat's army" (idk how to call it).

Random and pending events

Damian and Jon Start dating

Hinata and Tommy start Dating

Aswell Bart but I missed with who

JJ is apparently fine!

Blackhawk (Hal Jordan) is kinda having his redemption arc but as Talon where he just stopped pushing g everyone away lmao

An apple, TWO faces and joker are fighting for gothams mayor elections

Update on Babs events

She and Dick adopted a new kitty

James Gordon Jr is back and she's losing her head everytime he's around

She's also trying to protect Julian not only from the pit and Talon mess, but now James can find him and she's kinda stressed out

Food poisoning :(

Current events I know of but there still going on and it's not mostly of common canon knowledge

Deadpool did an feather errand for the coos (oh boy)

Jason is getting an ultrasound 👍

If I missed something feel free to add

Additions

By @why-rock-look-tasty-if-no-eat

(Bart got with Jamie. Jason and Roy adopted Damians little brother (Yao I think?) not to long ago to. Jason, Liang, and Joker also had an arc or are still going with it I don't remember. Dick "notnotnightwing" got bought by the COO apparently because he asked them out as a joke so that he wouldn't get killed. Damian got another animal, RR totally got mauled by a (different) cat. Another Nightwing "officialnightwing" is like, flirting(?) with a reporter whose trying to prove that the Waynes are the Bats.)

[tsamsheadcanons]

headcanons for the celestial family in svens au because i started thinking and couldn't stop:

sun, moon & earth were all made to be equals. moon had his intellect, sun had his magic, and earth had her compassion (and she's good with IT :] feel the need to include that since she's learning it in canon and !!!!!!!)

mercury & earth have tea parties together :] sun usually helps them with the baking for it - sometimes joining in

moon, mars & mercury regularly prank the other siblings. they have prank wars on each other. saturn gets caught in the crossfire a lot-

actually speaking of saturn, i imagine they'd really like jewelry. yes this is solely because saturn has rings but hush i like it

neptune is just the chillest dude ever. they got very little problems and is usually the one to calm everyone down during a stressful event

sven's the type of dad to send a really outdated meme to the family groupchat and laugh about it. neptune eggs him on. the other siblings hate them for it

jupiter's the tallest cause. yknow.

jupiter regularly makes fun of suns height because sun always talks about how he should be the tallest since he's the sun - which is the biggest thing in the solar system.

eclipse was either not that big of a problem or /was/ a problem until his redemption arc (also i'd like to imagine he was sort of a failed creation by moon by using his own code to make another animatronic???)

earth and eclipse are besties in this universe too. anyone else & he hisses like a feral cat. i accept zero criticism.

jupiter & saturn are best friends as well and idk how to explain my reasoning for this they just are

i'd like to imagine venus is very like. flirty?? charming?? mainly because of venus from roman mythology. they're also the most hot-headed because. planet temperature yknow

i think that's all?? if i got more i'll come back :]

I love how people are making so many headcanons about Sven. He deserves more screetime, change my mind.

[anxresi]

A Short Zoe Rant Cos I Is Bored

The ONLY way Zoe would’ve been remotely acceptable in the show is if she’d been introduced MUCH earlier.

Like, the very first season.

Show her as a ‘counterpoint’ to Bully Chloe as one who is actually bullied, and how being raised in a completely different country & continent can influence one’s behavior & outlook.

Maybe she can have a few cameo scenes until she’s a full-time regular, show her chatting on the phone to her dad, sending letters to her sister etc.

Then, when she eventually DOES turn up later, give her more personality than ‘feel sorry for me, oh and btw I’m a lesbian’. Not everyone has to fall hard for her the minute she appears, and if you ARE going to make her a superhero, don’t give her the miraculous in her second ever episode!

And Mr Astruc wonders where these accusations of favoritism come from, when all this coincides with Chloe’s sudden descent from being a semi-complex character to a raving lunatic sociopath? Anyway…

Have Zoe perform some actual function in the show: like, give her a pivotal role in her sister’s redemption. Let her have some negative traits, apart from I-don’t know-how-special-I-truly-am (a common trait of badly written Mary Sues). Don’t let the finality of her character arc be a single pink streak in her hair(!) (talk about lack of ambition).

A few other ideas: Give her a girlfriend crush who ISN’T Marinette, because not everything has to revolve around Baker Girl. Quit putting words in the mouths of other characters how ‘perfect’ she is to manipulate and influence the young audience, it’s distracting and annoying.

Basically, the only thing I’d keep about her in her current incarnation are her shoes, which are pretty groovy TBH. Everything else can be ditched, including her name (Too close to ‘Chloe’ idk… I think something like ‘Arabelle’ would suit her) and design, (again, too similar to Baker Girl)

But, as anyone with half a brain cell would’ve figured out by now, she was only created as a flawless counterpoint to you-know-who so Mr Astruc and his lovable team of hacks wouldn’t have to do any real development on Chloe… they gave us a ready-made, blandly nicey-nice ‘cute’ replacement to just simper away in the background without doing anything of value and contributing the grand total of nothing to the dynamic of S4 onwards.

And seeing as how S4 is generally seen by a lot of people as the beginning of a steep decline in quality of the show, I guess she’s in good company.

Welcome to the dumpster fire, Zoe. We have cake! 🔥 🧁

[rat-n-atty]

MEET MY SMG4 OC CLOVE!

(fucking finally)

(Also a bit of a redesign since I kinda changed my style a bit lmao)

Meet Clove! (Enid) a 22-year-old "mad" scientist who has made the poor decision to be Smg3's assistant but who exactly is she? What's her lore? What are her goals? Why is she an Ex-villain? and all the other amazing questions you might have (or don't idk) will all be answered here!...hopefully...

"Enid Gadd" (Backstory)

Enid comes from a long line of talented and successful scientists (like her grandpa, E. Gadd more on that in a bit) but she was always seen as a black sheep of the family in short.

Ever since Enid could even talk, she has always aspired to be a great scientist just like her family but it seemed like everything she did, it meant nothing so she became E. Gadd's student when she was young (considering she was practically raised by the guy damn)

It seemed like everything Enid did though was still not enough for her parents so she said "fuck it" and decided to become someone else's assistant in hopes that she could be a better scientist than all of them and that is when Smg3 comes in...

"Clove" (assistant days)

Now, Bowser was a terrible assistant so Smg3 decided to get a new one instead so one day while Clove was just walking around the Mushroom Kingdom city; she saw a purple Mario recolor next to a stand on the side of the street with a sign that said LOOKING FOR AN EVIL ASSISTANT (WILL NOT GIVE VACATION DAYS) (why would look for one in broad daylight you dumb bitc-)

So she took her shot, lied to 3 about being "inherently evil" but she also added that she was pretty good at making bombs (which was also a half-truth) so she became Smg3's assistant from that day on.

She didn't really know what to expect at first and she thought that Smg3's main goal of being a villain at the time was kinda dumb but it was better than home so she stayed and she stayed for a long time.

She eventually became evil and she got better at her inventions and her scientific studies all for the goal of ruling the world with Smg3 and telling her entire family (not including E. Gadd) to suck it...which now brings us to the YouTube Arc...

YouTube Arc (this is where shit goes down)

Smg3 and Clove had just started on their goals of making Snitch Productions but after Smg4 destroyed it all for no damn reason (like wtf man?) they wanted revenge and they wanted it bad (Smg3 more so than Clove)

So they came up with the anti-cast and got to work but after that failed Clove said "fuck it" and started her own projects again but she found out about the YouTube remote while she was doing her research ("The World's Cursed and definitely Powerful Objects that would destroy the world if laid on the wrong hands" (great title I know) ) So they all came up with the plan to steal it.

Things had started to take a toll after they had successfully stolen the Remote per sae because now Smg3 was drunk with power to the point where it was kinda concerning Clove a bit and this is the part where Clove found out Smg3's true intentions of using the YouTube remote; It was so much more than taking over Smg4's channel, it was deleting Smg4's and his crew's entire existence. Clove knew it was too much, even for 3 but she kept quiet about her conflicting feelings (but put a pin in this later )

A big-time skip later where Clove had actually caught Mario trying to steal Smg3's phone (to hopefully get everyone out of the graveyard, you probably watched the Arc lmao) but she betrayed Smg3 by giving it to Mario anyway and freeing the entire cast out of the internet graveyard in order to stop Smg3; Everyone was confused why but they didn't ask.

WOTFI 2020 (redemption arc begins)

The final battle was here and after Clove was revealed to be a traitor and helping the Smg4 crew, it's no wonder that Smg3 lost but he was never expecting his assistant, no...someone closest to him like a friend to betray him like that.

Since Clove was the only one who really knew how to work the remote (and she was the one who had it in her hands at the time) she was the one who sent Smg3 to the Internet Graveyard for the greater good of everybody else but now that 3 was gone...she felt like she had no meaning...no purpose anymore...

After she had gotten forgiveness from Susan, Smg4 offered Clove to stay with the rest of them at the castle but she declined and said she would just lock herself up in her lab instead.

Clove's lore goes on for ages...so I'll have to make a part 2

BI GUYS!

(update: there is a part 2)

[naranjapetrificada]

Izzy becomes a "real boy"

So obviously I haven't been able to shut up about the way Izzy has been written in season 2 and I stand by my disappointment and criticism, even knowing that the writers were given a herculean task of cramming 10 pounds of season into an 8 pound bag. Even knowing that, his "arc" such as it is has felt very off to a lot of people, present company included. I'm a cogitator at heart (thanks AuDHD!) and that can turn "make it make sense" into a prime directive sometimes. So here I am, trying once again.

I felt a particular way about Izzy after the end of season 1, which I would describe as "not especially strongly" because I primarily saw his character as a storytelling tool/useful foil more than anything else. But his presence and characterization in season 2 have been haunting me this time and not in a good way, because I've spent this season trying and failing to make it make sense. But something just occurred to me that I hope I can explain in a coherent way:

If season 1 Izzy was more a storytelling tool than anything else, maybe season 2 was an attempt to turn the puppet into a Real Boy. And if so, maybe things did not go as planned.

There are so, so many good posts going into the things that don't work about how Izzy has been handled this season, to the point that I'm not gonna try reinventing the wheel. Some of the reasons it hasn't worked for some of us include:

Much of his alleged growth apparently happening offscreen, most likely due to the reduced budget and episode count.

The lack of connective tissue between many of his scenes, some of which can be attributed to the previous point about corporate fuckery but other parts of which are hard to explain beyond "idk I guess the writers felt like it?"

The unfortunate connotations of sidelining nonwhite characters like Jim, who was the only character beyond the central pair to receive a detailed backstory, flashbacks, and a multi-episode character arc

The unchecked racialized comments he gets to drop about Edward (calling him a "wild dog" or seemingly mixing him up with Roach) that in season 1, would have resulted in violent retribution as a sign of the story's disapproval

The lines we get from Izzy that feel like they should have been said by other characters, and maybe that would have been based on the expectations of the show that we left season 1 with

The way it seems like Izzy's suffering is being used as a stand-in for actual moments of reflection or atonement, which is a pretty fucked up dynamic to set up as precursor to redemption

The way Izzy now gets to partake in the very behaviors he denigrated in Ed last season, which would be a cool and moving character beat if there was a single, solitary narrative acknowledgement in the harm caused by his treatment of Ed in s1e10. Ditto for him apparently just being cool with shit that once would have been his worst nightmare.

The fact that so many of these issues could have been addressed in a quick throwaway line or two that showed that the narrative understood what was wrong to reassure us all because by definition if a character is getting a redemption arc, it's because they did something wrong, right?

There's plenty more of course, but that's not why I made this post. I made this post because regardless of why the decision was made to handle Izzy this way this season, the attempt was made to flesh him out in ways that his role last season may not have been initially written for. Con's performance and certain production choices hinted at a depth to his character that may or may not have been on the page, but helped make for a pretty interesting season 1 antagonist.

For season 2 they decided to make Izzy a real boy, but the combination of a reduced budget, a lower episode count, and whatever creative darlings they couldn't seem to kill in order to give us more development of his transformation made sticking the landing impossible because we're lacking certain elements for basic comprehension.

Imagine you know almost nothing of the story of Pinocchio and someone starts up the Disney movie version of it for you but it's a weirdly edited version of it. There's no narration from Jiminy Cricket, mostly because there's no Jiminy Cricket at all. We see Geppetto crafting a wooden puppet, but not the part where he wishes for him to be a real boy, which makes it kinda weird to then see the part where the fairy brings him to life and says he can become a real boy but okay, let's go with it.

Now let's say the one thing you've always heard about the story is that Pinocchio's nose grows when he lies. So we get to the scene where he lies to the fairy but for whatever reason, his nose doesn't grow. No one comments on the inconsistency, and when you mention the nose thing all anyone wants to talk about is how great Pinocchio's nose looks.

Then Pinocchio goes to Pleasure Island and while the animation and acting seem great as usual, and the language of cinema appears to be setting up something dark on the horizon. Then Pinocchio's new friend Lampwick starts transforming into a donkey, this random well-dressed cricket shows up to admonish Pinocchio, and our puppet friend is randomly immune to the thing turning other kids into donkeys. No one comments on that either. Maybe Pinocchio even gloats about it a little, which seems like a weird storytelling decision that merits a follow up discussion later.

And I guess this is the part of this over-extended metaphor where you remember you have somewhere to be but you'll finish the film later, because as an audience we won't know how things shake out for season 2 Izzy until the finale. Presumably we'll still get the scene where he magically turns into a real boy, but there isn't exactly time for anything else like all that stuff with the whale. Maybe the real boy scene will happen, but for whatever reason the animator kept drawing him like the wooden puppet and every time you point it out no one will take you seriously.

Wouldn't that be a weird thing to experience?

[joejhang]

i read die free or die a failure.

spoilers ahead !!! these are my thoughts and i'm a yapper.

THINGS I LIKED (in no particular order)

andrew. (i feel like i really enjoyed his characterisation even tho it wasn't accurate. like it still felt sort of like him just like he was more vocal??? more expressive??? idk like his real personality was all there. i feel like he didn't really do anything that canon andrew wouldn't do, he just did it more openly. i love the way he handled neil and i love his smartass comments he genuinely made me laugh. and yeah protective andrew is near and dear to my heart)

kevin-neil dynamic (i would include jean in this but i hate to say it i feel like jean didn't quite fit in the narrative. like he was just there. but he didn't have a LOT of personality. it's fine tho we have tsc and that's enough for me. anyway. i loved kevin and neil's sibling dynamic it was SO funny i think they deserve to have more silly brotherhood moments in canon. i also liked how the author rlly deepened their relationship and there were a lot of layers to their bond)

SETH (i'll say it till the day i die seth deserved better. i feel like dfodaf perfectly illustrates how seth could've been if he had been allowed more time and a redemption arc. maybe it was a little rushed but i LOVED the way he became like a protective older brother to neil and actually learned about his mistakes and was willing to own up to them. GOD he had so much potential)

martyr!neil (IDK I KNOW IT'S TOXIC IT WAS JUST REALLY REALLY WELL DONE. it's not completely in line w canon neil's personality tbh but i feel like the author just got one of neil's key personality traits (a penchant for self-sacrifice and getting into near death situations) and just exaggerated for narrative purposes. which i can respect. and i just genuinely think neil is the bestest boy and this is probably very similar to what he could've been like if he had grown up in the nest)

andreil build up (i say build up bc that's the part i loved most abt their relationship in this fic. like it just felt very right for them to be together romantically after everything they went thru in this fic together. and i feel like andreil is a difficult ship to rewrite and make good bc of how well nora developed the intimacy and trust between them but this fic did it right. like the amount of trust they had in each other rlly warmed my heart!!! and i'm honestly a bit of a traditionalist and i like to stick to the canon but i think within the context of this fic their relationship was developed perfectly and paced perfectly. it just felt like the final piece in the puzzle slipped into place when they actually officially got together. like it just made sense. bc they already had that pre-existing foundation of trust and consent and they already knew each other really well. and their banter!!! it was so well written and funny. they had GREAT chemistry. they cooked w this one)

THINGS I KINDA DIDN'T LIKE (no hate!!! i'm just a natural hater and these r just some criticisms)

neil. (SORRYYYY i just can't stand when they mischaracterise my boy!!!! i feel like it kind of is a personal preference but reading this fic didn't really feel like i was reading neil. i think in the first half it was fine and i wasn't bothered by it too much but by the second half it kind of took me out of the narrative. like the neil i know and love isn't this vocal or this open about like...anything. like i just felt like neil in this fic was just very like out there and a lot louder and more...talkative??? than neil in canon. and i think it bothered me a lot bc one of the things i love most abt neil is his quiet (until he's not) personality. like he's really chill and just isn't as like vocal as he was in this fic. again it's probably just me, but i just feel like the neil characterisation in this fic didn't feel quite right to me)

the dialogue (not all of it but a lot of it i remember being like oh ok. like it felt a little too...like blunt??? like the dialogue felt kind of jarring bc i feel like real ppl wouldn't speak like that. a lot of the conversations felt kind of awkward (this isn't me imposing my own like preferences onto this fic even within the narrative it didn't feel right) and i feel like a lot of what aftg does right in terms of writing is showing not telling the characters' thoughts and feelings whether thru actions or expressions. but in this fic it kind of felt like the characters were all just saying exactly what they were thinking and feeling and experiencing at all times and it kinda took me out of the story)

ok that's it. the things i liked outnumbered the things i disliked but the things i disliked were some pretty big things. STILL. i digress. i think writing such a long and complicated fic abt such a well-loved piece of writing is such a skill and i think the author did great even if there were things i personally didn't love about it. go read it PLEASE so i can discuss this w ppl. CHECK TW!!! there are a lot and this fic is very dark and very heavy and difficult to read at times. anyway. props to the author i had a great time.

https://archiveofourown.org/works/31265498/chapters/77287217