#that feel when the ship is canon and the episode is named after it AND the characters say it in the show

[ninoochat]

Shameless 10x12 "Gallavich!"

[luffington]

hiii im the anon from way back when now that ur at whole cake i wanted to spin the block on my sabo request from earlier (of course only if you want to no pressure!)

✧.* art credit!

➤ prompt: can i request a sabo x f!reader who’s a strawhat who joins the revolutionary army alongside robin during the timeskip and immediately hits it off and becomes close friends with him while on baltigo and then reunites with him in dressrosa [fwb trope perhaps?? 👀👀]

➤ pairing: sabo x afab!reader

➤ word count: 2.5k

➤ warnings: dom!sabo, semi-public sex, praise kink, thigh riding, facial, friends with benefits, fluff, fem reader

in episode of sabo he officially entered the colosseum competition but it’s never explained in canon so let’s pretend he somehow snuck in before the final battle hehe

i really hope you like this after waiting for so long!! :') i've only seen him in dressrosa so i'm sorry if this isn't accurate to his character in future arcs! (also if you can't tell i Love koala <3)

NSFW under the break! minors dni thank uuu

Soldiers with guns ready to fire surrounded you the moment you landed on Baltigo. In a panic, you insisted that you weren’t an intruder. You didn’t even know where you were intruding. One moment you were on Sabaody Archipelago and then Bartholomew Kuma touched you and suddenly you were soaring through the air in a giant bubble — and that made them pause. Kuma would never send an enemy to their headquarters. The paw-shaped crater left behind was undeniable proof of your story, and your bounty poster confirmed that you were a Straw Hat Pirate instead of a spy. With no plausible way to get back to your crew, you decided to temporarily join the Revolutionary Army. 

About a week later, Sabo returned from a successful assignment and was enthusiastically welcomed back by everyone at the base. He seemed nice enough, but as the chief of staff, he obviously had more pressing issues to attend to than getting to know a new recruit. He would give you a friendly wave whenever he saw you, but nothing more.

Then the news of Ace’s death came and all of his memories flooded back. He was absolutely heartbroken, but you didn’t want to intrude on such a personal moment for a man you hardly knew, so you decided to leave him alone. Instead, you begged to borrow a ship to find your captain, who must’ve also been suffering terribly. 

As soon as Sabo heard you mention Luffy, he remembered that you were a Straw Hat – and you’d been with them long enough to have met Ace in Alabasta. He quickly latched onto you and you were more than happy to tell him stories about his brothers, as well as your brief encounter with Garp. Robin arrived at Baltigo a few days after Luffy’s appearance in the newspaper and gladly joined your conversations, but slyly gave the two of you lots of alone time.

You liked Sabo more and more each time you talked to him. It didn’t take long to notice his similarities to his family – they all had the same reckless confidence, happy-go-lucky attitudes, and admirable dedication to whatever cause they put their mind to. Even Dragon shared these qualities under his stony exterior (and you realized in horror that you now knew that entire insane family). 

But the blonde was flirty. And touchy. The friendly hugs he gave you grew longer and more intimate; his hands lingered on your shoulders and brushed against your thighs. You were delighted to reciprocate – though you had no romantic feelings for him, he was undeniably gorgeous. Sexual tension between you grew until it exploded with the help of several bottles of cheap sake and a shared hotel room. He pinned you down and fucked you dumb until you were covered in cum and screaming his name. Poor Koala in the neighboring room was traumatized, especially by the sound of your bedframe collapsing.

Sabo became your best friend and your best stress reliever, effortlessly transitioning from casual conversations to shoving his dick down your throat. Being in the Revolutionary Army was incredibly dangerous, of course, but Sabo always made sure you were well-protected and cared for. However, you still had no doubts about returning to the Straw Hats after two years had passed. You were sad to leave your friend, but he promised you’d see each other again. 

You didn’t realize it would be so soon.

Only two weeks after you departed for Sabaody, you found yourself wandering the colorful cobblestone streets of Dressrosa in an admittedly terrible disguise. Separated from your crew and searching for the SMILE Factory despite having no leads. Everything about the country, its citizens, and Law’s supposedly flawless plan felt strange. 

But what caught you off-guard the most was a hooded figure passing by and grabbing your arm, leaning close to your ear, and using a very familiar voice to whisper, “Hey.”

A hint of soft blonde hair peeking out from under the fabric nearly gave you a heart attack. “Sabo?!”

He quickly clamped a gloved hand over your mouth, shutting you up immediately. He brought his face close to yours, whispering in a teasing tone, “Are you trying to blow my cover? Naughty girl.” Your cheeks burned bright red.

Sabo glanced around cautiously, but no one in the streets spared a fleeting glance at the two of you. The majority of Dressrosans were further down the block in a large open plaza, watching the Colosseum match broadcast in real time. The opening ceremony had just finished and the first round was beginning. He didn’t give a shit – he only needed to pay attention to Hack in round two. 

“C’mon, let’s talk somewhere else.” The blonde grabbed your hand and led you down a back alley hidden behind a row of shops. Once you were sufficiently shielded by a stack of wooden storage crates, he pulled down the hood of his brown cloak.

“What the hell are y–” Soft lips slammed against your own as he caged you against the wall, pulling you into a heated kiss and biting your bottom lip. Sabo was as unpretentious as ever, not wasting any time to take what he wanted. Fingers trailing up your thigh in a very obvious way before he grabbed the meat of your ass. 

“Figured it was better than a hug,” he laughed. A beautiful sound that you missed hearing every day. He kissed along your cheek then nipped at your earlobe, causing you to flinch. “You know I’m here to stop Doflamingo’s weapons trade. I don’t have a lot of time, but I needed to see you and make sure you’re doing okay.” 

Sabo paused to run his hand down your chest until it reached your clothed core, palming you through your pants. You whimpered and instinctively bucked into his touch.

“And have a quickie. It’s been too long since I felt this pretty cunt. Don’t know when I’ll get a chance again,” he growled against your neck, using two fingers to stroke the outline of your pussy lips and push the rough fabric tighter against you.

“B-but we’re in the middle of the street…” You glanced at the sunny entrance to the alleyway, heart racing at the thought of someone seeing you. 

“I wouldn’t say the middle,” the blonde chuckled, gesturing to the desolate space around you. “Besides, with everything happening today, I don’t think public indecency is anyone’s biggest concern.”

You bit your lip anxiously, but the feeling of his warm body pressed against yours and his lips moving down your neck overrode all rational thoughts. You’d be lying if you said you didn’t fantasize about him pounding into your cunt every night since you left the Army. Plus, his cloak was large enough to completely shield your bodies from any prying eyes. To any passerby, you would look like a couple engaging in a little too much PDA – not a rare sight in the kingdom of love.

“W-why–” Your breath hitched as he shoved his hands under your top to roughly squeeze your breasts. “Why did Dragon decide to do this operation now? The meeting we had was–” You tried your best to stifle a lewd moan, the soft leather of his gloves not hiding the roughness of his fingers tugging at your nipples. “W-was weeks ago…”

“Can we please not talk about Dragon while I’m trying to fuck you?” Sabo pouted cutely, making you giggle. “We’ll have a real conversation later, I promise. I need my little stress relief toy right now.” He shoved one of his knees between yours, tensed thigh pressing insistently on your cunt. “Grind that cute pussy on my leg. Show me how much she missed me.” His eyes darkened when you immediately complied, letting out cute whimpers at the delicious friction. “Fuck, that’s so hot.”

Loud cheering echoed down the street, likely related to the tournament, and you instinctively turned towards the sound. Sabo gripped your chin and forced you to face him again. 

“Hey. Eyes on me.” You nodded obediently, and he whispered “good girl” before shoving his tongue down your throat. You tangled your fingers in his soft blonde locks, running your thumb over his scarred cheek affectionately. He truly was so handsome.

Deciding your pace was too slow, the blonde grabbed your hip and roughly guided your core back and forth on his thigh. His noticeable bulge strained against the fabric of his elegant cadet gray pants – even undercover, he was as well-dressed as always. “Sabo, please…”

“Don’t worry, I’ll give you exactly what you want.” He unbuckled his belt and let his cock spring free, bouncing against his stomach and standing proudly at full hardness. Your pants were abruptly yanked down to your knees next. Sabo didn’t miss the chance to take off his glove and swipe a finger through your wet folds, making you shiver. “You’re already dripping.”

“You’re one to talk,” you smirked, playfully running your palm up his length and wiping away the precum beading at the top.  

“Such a fucking tease.” He groaned, pretty eyes darkening. “Lift your leg for me.” 

You kicked your pants off completely and did as you were told. Sabo hooked his hand under your knee, tilting your pelvis towards him for the best angle to fuck into you. Paused to adjust his cloak, making sure you were completely concealed, and looked around for any prying eyes. Once he was satisfied with your relative privacy, he lined up his cock with your entrance, tauntingly tapping the head against your puffy clit.

“Wait, Sabo. Condom.”

“Don’t have any.” He shrugged and your eyes widened. “What? They’re not exactly essential on an espionage mission.”

You frowned, but it was too late to find one now. “Just don’t cum inside, okay?”

“‘Course not.” He chuckled lightheartedly, contrasting with the rough way he thrust his dick inside your cunt, fully sheathing it inside in one go. It stretched out your pussy perfectly, hitting every sensitive spot inside you.

“Oh, fuck,” you whined, throwing your head back, realizing too late how loud you were and quickly covering your own mouth. Sabo’s gaze darkened with lust and a smug sense of pride that he made you cry out like a whore. 

“Weren’t you concerned about being caught?” The blonde snickered, grinding his hips against yours in slow circles. He yanked your hand away, pressed a chaste kiss against your lips, then thrust his removed glove in your mouth. Not caring that it would definitely be soaked in spit by the end. 

Sabo braced one hand on the wall next to your head and fucked you hard and fast, bullying your cunt and smacking his balls against your skin with every thrust. Even without any time pressure, this was how you normally had sex – he was always impatient and greedy to take whatever he wanted, and you were more than willing to give him everything. 

The filthy sound of your wet walls squelching around his cock and his debauched groans filled your ears. You clenched onto his overcoat for stability and buried your face in the crook of his neck, but he tangled his fingers in your hair and yanked your head back. “Eyes on me, remember?”

You nodded, unable to do anything but let out muffled moans around his glove. Eyes glazed over and drool dripped down your chin. Your fucked-out expression went straight to his cock and made him rut into you even faster, the tip of his dick kissing your cervix. Feeling himself getting close, he flicked your clit and rubbed tight circles on the bundle of nerves. He leaned forward to kiss a sensitive spot right under your jaw – you never told him that he couldn’t give you hickies.

“You gonna cum?” A rhetorical question. He could definitely feel how soaked you were around him, how you desperately met his thrusts and sucked his dick in even deeper. Your body would’ve collapsed long ago if he wasn’t there to pin you in place and use you like a fuckdoll. The blonde whispered absolute filth with interludes of praise into your ear to help you to the edge even faster. 

Divine pleasure consumed your body as you hit your peak, cunt tightening around Sabo’s cock and nearly causing him to empty his balls inside of you. He carefully restrained himself to honor your request – and he had a better idea, anyways.

Once the aftershocks of your orgasm had subsided and you descended back to reality, Sabo pulled out of you. His dick was angry red and painfully hard. After removing the sticky glove from your mouth, he commanded, “On your knees.”

Your shaky legs gave out and you sank to the ground, knees hitting the solid stone street hard enough to bruise, but you barely noticed. The blonde positioned his cock in front of your face and rapidly jerked off inches away from you. You opened your mouth obediently and he murmured “fuck” underneath his breath. 

He bit his lip hard enough to bleed when he came seconds later. Thick strings of white painted your face and barely landed in your mouth. You looked up at him with cum on your eyelashes, slightly annoyed but incredibly aroused. “Sorry,” he panted with a grin, and clearly not apologetic at all. “You’re just so goddamn sexy like this.”

You swallowed the drops of cum lucky enough to land in your mouth. Sabo wiped the rest off with his cloak — it was his mess to clean, after all – then pinched your cheek lovingly. He helped you fix your clothes and hair to make sure it didn’t look like you just had rough sex in a random alleyway. 

A muffled Transponder Snail rang in his coat pocket. He looked at you for permission, and you grinned and told him he could answer it. 

“I’ve been trying to reach you!” Koala’s annoyed voice shouted through the Snail. You were obviously too preoccupied to hear any of her previous attempts to call him. “Hack lost to some green-haired weirdo. Can you figure out a way to get inside the Colosseum? We need to find that underground port.”

Sabo quickly handed you the Snail. “Hi, Koala,” you giggled.

“Oh, hey! What are you doing here?” She brightened up immediately at the sound of your voice. There was a small pause as she took a moment to process, then the Snail mimicked her furious expression. “Sabo, what the hell? Really?!”

He laughed loudly. “I couldn’t help myself. But I’ll go now.”

“You better.” Koala grumbled, then said goodbye to you in a much nicer tone. 

The blonde turned to you apologetically, but you just smiled and said, “Go win the Flare-Flare Fruit. You deserve it.” Then gave him a good-luck peck on the cheek, which made his face light up into a giant grin. “And find Luffy while you’re at it!”

After the chaos of the day was over, Sabo met you and the Straw Hats at Kyros’s house, where you were finally able to sit down and chat for a while. Before he left, he repeated his promise that he’d see you again no matter what. 

[illusioncanthurtme--art]

im curious, why do you like fiddlestan?

i like them in theory (all the pain potential, jeez!) but i feel like i'm missing something very obvious

Oh boy, you’re about to open pandoras box with this one -

I’ve liked fiddlestan for a LONG time, almost a decade now, (EXHIBIT A!!!), and honestly, I’ll admit that the ship is mostly based on speculation. So maybe you’re not missing something obvious, maybe I’m just delusional. I can’t speak for everyone, all I can do is explain why I like it: because it’s deeply rooted in several layers of irony. 

It’s ironic because fiddleford spent the better part of a YEAR dealing with fords nonsense. (And I KNOW, it’s not all bad, but really, especially if you read journal 3, that poor man was put through a LOT. He was definitely taken advantage of, at LEAST a little.) And after grappling with the acceptance that your longtime friend and unrequited love will never return your feelings, having lost the man to some crazy otherworldly nightmare machine, who shows up?? But his TWIN BROTHER who’s HUMBLE and KIND and TEN TIMES MORE DOWN TO EARTH?? It’s ironic, because they don’t know each other, yet they both have years of history with the same person who’s wronged them, and, they can make out about it!! THEY CAN FUCK TO SPITE HIM!! Stan stole his brothers name (and committed multiple crimes under said name), stole his house, and stole his research partner!! And… it's ironic because it’s Grunkle Stan and old man Mcgucket. That needs no elaboration.

(these are all my personal takes/headcanons! Like I said, this ship is based solely on interpretation, so I’m sure a lot of fiddlestanners like fiddauthor too. There’s like a billion different ways to interpret this ship.)

Also -

Their personalities are surprisingly similar when you stop and think about it!! You put those two in the same room, and they’d come up with some highly devilish scams together. They both have moral codes that are a little… ambiguous. And… I can’t believe I’m gonna pull this out as *canon fiddlestan documentation* but these are the kind of crumbs we’re working with here: MABELS DREAM IN THE SOCK OPERA CREDITS!!!! Although it’s not something that actually happened, and it’s just a reference to statler and waldorf, they are IN CHARACTER!! I think this is how they would actually act together if they were friends!! Just two old dudes, hanging out together watching tv, making fun of whatever they’re watching. If you’re in the room, you might get roasted too. Just a couple of old farts. It makes me so happy to think about. 

No fiddlestan rundown post would be complete without the fandoms EXTREME STRAW GRASP at Old Goldie and the Flame Retardant Raccoon. Soos calls mcgucket a “prospector guy,” amongst the other obvious comparisons you can make between fiddleford and goldie. Goldie is something stan used to like a long time ago, but he’s all old and fucked up now, best to throw him away and forget about it. BUT, as it turns out, there’s still good in that old thing after all. SO LETS GET MARRIED IN VEGAS!!!! It’s an extreme stretch, but… It’s a fiddlestan trope that they, at some point, have a crazy night of fun+romance in vegas together.  And I personally like to think that they return when they’re older+happy and tie the knot for reals. The raccoon speaks for itself - it’s one of the ways you can compare stan to a raccoon. And of course, mcgucket's raccoon wife. 

This is where it starts to get a little angsty, and if you “get all the pain potential” then you may have already given this some thought - but why does stan treat fiddleford the way he does if they used to love each other? The whole “UGH, this guy” comment in land before swine, looking all uncomfortable around him in fight fighters, choosing the spot furthest from where mcgucket lotions himself at the pool, and the “possum breath” comment in the last episode (and fiddleford actually has the mental clarity to look perturbed after he says it). Stan is hurt!!! He’s upset!! If they used to be a Thing after the portal incident, something must have happened between them for fiddlefords mental illness to get the better of him, and for him to choose to erase both stan and ford from his memories. I, personally, think that it was deep rooted internal homophobia (being raised in the south, that runs deep), and being scared for getting too close to stan. They were getting too comfortable, and that scared him. What about his family? And tate? His son can never meet stan. He can never let his wife know. And all the paranormal fuckery incidents leading up to this that already weakened his mental state, the portal incident, already having zapped his brain a few times, would have sent him over the edge. So I’m thinking they would have gotten into a fight of some kind, and fiddleford would have stormed off. Thus leaving stan having to live in a town with the person he USED to love, who doesn’t remember him at all!!! What!!!!! That sucks!!!! Only upside to fiddlefords memory erasure is that it makes it easier for stan to pretend nothing ever happened. But it’s still not easy. Also, if word ever got out that old man mcgucket used to be his boyfriend, he would never be able to live it down. So he compensates by being an ass towards him. Fuck. 

But then!! If fiddleford has the chance to heal!!! (say… maybe… when the twins are on the stan o war II) then stan would come back to gravity falls and see fiddleford looking like the person he knew thirty years ago!!!! WHAT!?!?! CAN’T RUN FROM YOUR PAST FOREVER, CAN YOU!?!?! And you KNOW fiddleford would remember what happened with stan. How long can stan keep himself in denial?? And now we’re opening up the can of worms: how the FUCK does this information reach ford?? That your brother used to canoodle with your research partner and might STILL BE?? That has so much potential too. 

Ok I wasn’t expecting to write those last two paragraphs but it’s A BIG PART OF WHY I LOVE FIDDLESTAN!!! It’s a crazy fucking rollercoaster ride!!! This thing has so many angles!!! And that’s just MY fiddlestan interpretation - I’ve seen a lot of different takes on the sort of story that would transpire between these two. But no matter what you’re cooking, It’s always a LOT. 

There’s probably so so much I didn’t touch on here. If anyone else wants to throw in their two cents as to why they like fiddlestan, please, add something!!!

[soaringthroughthegalaxy]

hiiii!! absolutely love your crosshair stuff (i’ve been on a crosshair binge since season three started lol) anyways i was hoping you could write something that’s like post-omega and crosshair escaping tantiss and reuniting with hunter and wrecker (end ep 4) with the prompts

11. I promised to love you forever, and that is a promise I intend to keep.

and

16. No matter how much time we’ve spent apart, I never stopped loving you.

like i was thinking crosshair and the reader are married but canon happened so the reader stayed with the bad batch and this would be the first time her and crosshair are seeing each other again since the end of season one at kamino

no rush for any of this btw. thankssss

Hello, hi! Thank you so much for this request. I had something similar going through my mind after the episode aired so was excited to see this drop in!! I hope you enjoy 😊

Never Stopped

When Omega's cryptic message leads to a heartfelt reunion on Ryloth's nearest moon, you didn't expect her to be accompanied by the one man you never thought you'd get to see again.

Pairing: Crosshair x f!reader

Word count: 2k

Warnings: spoilers for S3E04, we love a good reunion, inner turmoil, fluff, comfort, pet names.

“I had help.” Omega’s statement hangs in the air until the light sound of footsteps on metal reaches your ears, and you turn alongside Wrecker to watch as someone steps out of the stolen transport.

No. Not someone.

Him.

For a second, you forget how to breathe, unable to tear your eyes away from the man you never dared hope you’d see again. The last time you’d seen him had been after the fall of Kamino, on that blasted platform in the middle of the ocean. You’d pleaded with him to come with you - to leave the Empire’s clutches - but he’d declined. Your stubborn, infuriating husband.

Maker, you’d missed him.

Before you even know what you’re doing, you’re running, crossing the inky darkness between the two ships, closing the distance between you as Crosshair takes the final step down onto the planet’s surface. He doesn’t have time to protest before your arms are around his neck, hauling him into a crushing embrace. His brothers might be wary, but you aren’t.

Crosshair freezes, caught off guard by your affection. In the short time it had taken you to reach him, he’d braced himself for a slap or to be chewed out. This was…unexpected. You’re warm against him, the softness of your body so familiar, as is the scent of your shampoo. Tentatively, he slides his arms around you in return, pulling you close to suffocate all space between you both, soaking up the feeling of having you back in his arms. “Kitten...”

The whispered term of endearment is all it takes, and a heaving sob leaves you before you can stop it.

Everything since the order was given crashes down on you – the shots he’d fired as you scrambled to escape Kamino, how relentlessly he’d chased you across the galaxy, Kamino falling, the distress message he’d sent to your old comms channel…it had felt never-ending.

But it was over now. 

As you bury your face against his chest, the torrent of emotions overwhelms you. There’s a sense of catharsis, a release from the pent-up anguish that had threatened to suffocate you. The weight of his presence feels like a balm to your wounded soul, and with each sob that racks your body, it’s as if a burden is lifted, allowing you to finally exhale the turmoil that had gripped you for far too long.

He’s here. In one piece. Free from the Empire’s clutches, with Omega in tow.

Hunter and Wrecker’s tension eases slightly as they witness the reunion between you and Crosshair, but they’re not ready to let their guard down just yet. They exchange knowing glances before Hunter clears his throat. “We need to go.” He shouts across the distance, feeling guilty for breaking the moment but knowing that the Empire won’t be far behind.

You pull back slightly, hands still clutching desperately at Crosshair as he meets your gaze. He’s never been one to cry, but unshed tears line those sharp eyes you’ve missed so much. Silently, you swipe away your tears with one hand, the other finding his to guide him towards the Marauder. A blur of motion whips past you, and you startle, but with a click of his tongue, Crosshair stills the creature responsible, and a hound falls into step beside him as you lead him back towards the ship.

It feels too good to be true, too easy. The nervousness Crosshair had felt rolling through him as he’d forced himself down the steps of the transport returns. Fingers interlaced with yours, he can feel the skin-warmed metal of your ring. It’s still there after everything.

He feels nauseous as you cross the darkness towards the ship that had once been his home. He glances at Wrecker as you both pass him and the apprehension on his big brother’s face wavers for just a second before Crosshair looks away, unable to stand it.

Hunter has already ushered Omega inside, the young girl saying hello to Gonky, who beeps happily at her return. Crosshair lets you situate him in one of the back seats in the cockpit as Wrecker comes up the ramp, smacking the button to shut it as Hunter takes Tech’s seat and fires up the engines. 

Tech.

Crosshair swallows, bile rising in his throat. His twin is gone. Omega had brokenly told him what had happened during one of her many visits to his cell. Guilt curls through him - his brother had insisted on the mission to Eriadu and had been keen to find him, which ultimately led to his sacrifice.

Crosshair barely registers the ship setting off or the jump to hyperspace.

A soft squeeze of his hand draws his focus, and his head tilts to look across at you. Your wide eyes, which he adores, look at him with concern and something else he can’t quite put his finger on. Hunter and Wrecker are in the pilot and copilot seats, Omega curled in Hunter’s lap as they catch up while Wrecker pets Batcher.

You can practically see Crosshair’s discomfort, so you lead him out into the belly of the ship, closing the cockpit doors behind you to give the pair of you some privacy. “I thought I’d lost you.” You whisper, your voice barely above a breath as you sit side by side on one of the bunks, bodies tilted towards each other.

“Have to try harder than that.” Crosshair’s answer is quick, and the vice-like grip of dread that had encircled his heart slackens as he hears you laugh - it’s a short and sharp sound, nothing like the melodic giggles he’d grown accustomed to during the war, but it’s something. And Maker, does it feel good.

You’d almost forgotten what it was like to be on the receiving end of his quips, and for a moment, it’s like nothing has changed. But you spot something missing as you turn his hand over in yours. 

His wedding ring is gone.

“They took it from me.” He’s quick to reassure you, seeing the pained expression on your pretty face. He hadn’t even been able to fight to keep it, having woken up on Tantiss without it. The troopers had quickly silenced him whenever he’d asked about its whereabouts.

Silence settles between you both for a moment, your gaze fixed on this hand - on the vacant spot. “We’ll get you a new one,” you state quietly, lifting your eyes to finally meet his.

Crosshair’s brows furrow in disbelief at your words. After everything he’s done and the pain and betrayal, he can’t fathom why you still want to be married to him. Guilt and shame churn in his gut, threatening to overwhelm him. “Why?” he asks, his voice low and raspy, his gaze searching yours for some semblance of an answer.

You reach out and gently cup his cheek, your touch sending shivers down his spine. “I promised to love you forever, and that’s a promise I intend to keep,” you say simply, your eyes reflecting a depth of emotion that Crosshair can’t comprehend. “Despite everything, I still believe in us - in you. No matter how much time we’ve spent apart, I never stopped loving you.”

A lump forms in Crosshair’s throat as he struggles to process your words. He’d spent so long convincing himself that he was better off paying for his sins in that cell. But here you are, offering forgiveness and understanding. He searches your eyes for any sign of deceit or resentment but finds unwavering sincerity and love.

Crosshair reaches out, hand shaking as his fingers brush your cheek. “Maybe you’ve hit your head too many times, kitten.” Crosshair quips, a hint of his trademark sarcasm slipping through. Despite the gravity of the moment, he can’t resist teasing you. But deep down, he’s grateful for your forgiveness and unwavering love, even if he doesn’t understand it.

You roll your eyes at his remark, a smile tugging at the corners of your lips. “Maybe you just need a few more hits to knock some sense into that thick skull of yours.” You retort, your tone teasing yet filled with affection.

As the playful banter lingers in the air, a moment of quiet settles between you both, the reality of the situation sinking in. Crosshair’s gaze softens, his hand lingering on your cheek as he soaks in your closeness. “I love you too.” He whispers, his voice barely audible above the hum of the ship’s engines. “I never stopped either.”

Your heart swells with relief and happiness, and with a soft smile, you press a gentle kiss to the back of his hand, feeling the slight tremble beneath your lips. “What happened, my heart?” You ask, your voice soft and concerned, brows drawn down as you watch how he shakes.

Crosshair hesitates for a moment. “They did…things. Some I remember. Some I don’t.” He answers vaguely.

You’re familiar with this game. He doesn’t want to think about it. Doesn’t want to talk about it. And while you know he'll need to one day, today’s not that day. Respecting his unspoken plea not to delve deeper into the horrors he endured, you gently squeeze his hand, offering him a reassuring smile. “We don’t have to talk about it now.” You murmur softly. “But we need to get you out of those awful clothes.” You change the subject, wrinkling your nose. “Handsome you may be, but this is not working.” You make a vague gesture at his outfit.

Crosshair chuckles softly at your remark, the memories chased away for the time being by your attempt to lighten the mood. “I’ll have you know; I make anything look good,” he retorts with a smirk. “But I suppose some fresh clothes wouldn’t hurt.”

You nod in agreement, grateful for the ease with which the two of you fall back into rhythm. “Exactly, and I’m sure I can find something more comfortable for you.” You reply, standing up and glancing around the small quarters of the ship.

As you start to pull crates out from the nearby storage racks, Crosshair watches you with a slight smile, admiring the familiar sight of you in motion. “You always know just how to take care of me,” he remarks, his voice low and warm, a tone saved just for you.

You shoot him a playful smile over your shoulder. “Someone has to.” You quip back, pulling out the crate you’d been looking for.

His kit crate. You still had his kit crate, with all your doodles on the outside – his name in Aurebesh, the squad’s symbol, a copy of his tattoo, and ever so slightly wonky hearts that he’d made a show of grumbling about but secretly loved.

Crosshair’s surprise is evident as he watches you retrieve a clean undersuit from the crate. He’d assumed its contents would be long gone - tossed aside, sold, or scrapped. The fact that you kept all his armour, along with his bucket, fills him with a strange mix of emotions. “Didn’t think you’d keep it,” Crosshair finally manages to say.

Before you can respond, footsteps interrupt the moment, drawing your attention towards the source. Hunter steps out from the cockpit – even with the door shut, he can still hear everything. His eyes meet Crosshair’s, and while he knows there’s a lot for them to talk about and work through, and he’s still not entirely sure he fully trusts his baby brother, he wants to offer him some reassurance. It’s the least he can do. “We were never going to get rid of it,” Hunter says, his voice firm yet gentle. “You’re still one of us.”

Crosshair finds himself at a loss for words. Emotions swirl within him, a tumultuous mix of gratitude and guilt. As Hunter’s words sink in, his gaze flickers back to you. Despite the doubts and fears that linger in his mind, one thing is certain: he’s home.

With a small smile, you offer the clean undersuit to your husband. “Here,” you say softly, your voice laced with affection. “Let’s get you changed.”

Tag list: @clonethirstingisreal @starrylothcat @cw80831 @issa-me-bry-blog @leftealeaf @isaidonyourknees @padawancat97 @dangraccoon @jedi-hawkins @dreamie411 @sverdgeir

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[rwbyrg]

Can we take a moment to appreciate just how well fed we are? Both in canon and beyond?

Oscar said "woah" the moment he first met Ruby.

"Woah. You have... silver eyes". Specifically.

The scene of them sparring at sunset and being goofy about it.

They're the two youngest members of the team, and both of their main allusions are stories about growing up (The Little Prince and Little Red Riding Hood).

Oscar's main allusion is of a character that's in love with a rose. Ruby's last name is Rose, she has a rose emblem, and can turn into rose petals.

They also have shared/parallel allusions from in-universe fairytales (Ex. The Boy Who Fell From The Sky, The Girl Who Fell Through the World, and most notably, The Warrior in the Woods).

The Dojo Scene

Their shared attachments to each other keep being put in focus.

Oscar cared more about Ruby being knocked out than Weiss being impaled at Haven.

Ruby's always watching his back in fights, and he always has hers in group conflict discussions.

Neo, the illusionist character, uses Oscar as both the first and last illusion to torture Ruby; going so far as to make Ruby "kill" him with her own hands. It could have been anyone, but it WASN'T. It was OSCAR.

Meanwhile, Oscar in the V9 epilogue laments to Ruby's "grave" about how he is struggling to hold onto who he is more than ever before. In large part because of the merge, but also because Ruby "always saw people for who they really were", and she's not around anymore to help remind him of who he is.

"You're your own person."

The Almost Hug.

The song that plays leading up to The Almost Hug is one about someone pining for a love they've lost and been separated from across worlds. The song airs a few episodes before Oscar and Ruby are the only "pairing" split up between Remnant and The Ever After. The song itself is called Treasure and Ruby is a type of precious gem, while Oscar's name alludes to gold.

Oscar's last name is Pine. Which, aside from the species of tree, is defined as: "to long or yearn for the return of something; to suffer, typically from a broken heart"(please see points 12 and 15).

They have multiple paralleling arcs and themes around choice, identity, responsibility, leadership, grief, etc.

Their character designs have complimentary colour schemes like other canon ships (red/green and silver/gold).

Sun/Moon ship

"Combat gear looks good."

They also follow the same story beats, separations, and reunions that other canon ships have in show (the meet-cute, the getting-to-know-you, the breakup arc, the distance makes the heart grow fonder trope, the (upcoming) emotional reunion, etc).

The animators, writers, and even voice actors on occasion, engage with fan content or discussions of the ship in a positive manner.

The Official RWBY Twitter Oscars Meme

Miles Luna has said a few times that the ship is cute. He also highlights that their relationship is built on mutual understanding from being in similar circumstances as the youngest kids in the group with too much weight on their shoulders.

Miles also said that in a hypothetical scenario where everyone celebrates Oscar's birthday, Ruby would buy a co-op video game as a present and the two of them would stay up really late playing it together.

Rosegarden won 2nd place in a popular RWBY YouTuber's "Top 10 RWBY Ships" poll as voted by fans after Volume 8 (it would have been third place if Renora and Bumbleby hadn't tied for first).

That one video from Aaron Dismuke, Oscar's VA.

"That kid's got a collapsible staff" -heart eyes emoji-

We've gotten a "Rosegarden Moment" in every Volume premiere since Oscar's debut in V4.

Oscar shouting Ruby's name too many times in the V6 fight against Cordovin.

Maria tells Oscar to "keep that fire fed" after he overhears Ruby talking about food always making her feel better. Then a few episodes later, he suspiciously makes a casserole for the "team" after "they" had a rough day (where he stood up for Ruby when she was looking defeated in a group argument).

Oscar's the only person Ruby opened up to about her grief until the blacksmith. Meanwhile, Ruby's the one who's always assuring Oscar he's his own person despite the merge.

The parallels of Oscar's struggle with the merge and Ruby's ascension in The Ever After.

"I'm just going to be another one of his lives, aren't I?" / "What if you could be anyone?"

Characters within the narrative regularly notice how close these two are to each other. Mainly Nora, Weiss, Yang, Cinder and Neo.

Oscar blushed when Ruby touched his shoulder???

THE FUMBLE?!?!?!?

[habken]

If you're willing to share can you give a few reasons why you think Bakudeku works so well as a ship? (I also ship them and love your art!)

okay...

I think they just naturally fall into each other’s orbit. Living in each other's minds rent free 24/7. Their entire lives are so intertwined. Even when things were bad between them, there's never been a point where they haven't been part of each other's life in some capacity.

They've influenced each other so much you can see little habits they share and behaviours they've picked up from one another. Izuku acting more like Katsuki when he wants to win is the obvious one, but even little things like the way they think out loud and pinch their lips and stuff are similar.

I don't think it's right to undermine Katsuki's bullying and the falling out between them, but coming from a place where there's a lot of animosity and hurt and then having that turn into a relationship where they both mutually care for each other and challenge each other to do better and be better is really interesting.

I think that's part of the reason it's such a compelling relationship in general, not just in a romantic way. They start off at the lowest point - we see them at their absolute worst and then we get to watch as they mend that fractured friendship and build up a genuine and healthy bond.

To me personally, the trajectory of their relationship was evident as soon as episode two, when Katsuki chased after Izuku after the sludge villain to let him know how much he "didn't need his help." That's the point that I decided I was interested to see how their characters developed as the story kept going, and I think it was such a huge payoff.

I think it also made for a lot of interesting fanworks. In the earlier days especially, you really had to work at it to make things good between them. Canonically, their relationship really is a slow burn lol, so if you wanted to write something that followed close to the actual story, there had to be tons of build up. I've read stuff where the beats felt so similar to what happened in the actual series which is crazy. It's a ship that lends itself to deep and lengthy analysis and a lot of people ended up being pretty spot on because of that.

I also think what's special about them is how intentional they work to make things right between each other again. They want to know each other's feelings, they want to be rivals and fight alongside each other, and be neck in neck and constantly chasing after each other. They want to be close again. Izuku offering Katsuki an olive branch and asking him about his fighting style after their bout at ground beta and Katsuki finally grabbing onto it is such a turning point for their relationship. It's a conscious choice on both their parts to work towards mending what was between them.

And I could go on and on about Katsuki's character arc, but that's a different post lol. For simplicity's sake, his arc is about recognizing for himself where his weaknesses lie, seeing how his actions hurt and shaped Deku, and working not only on himself, but on repairing the rift between them that he caused. He works with Izuku, shares and keeps his secret, trains with him, and eggs him on more and more lightheartedly as the series goes on.

His choice to care for Izuku, let him into his life again, and make up for what he's done is really important. Nobody is really forcing him to atone for his past and it's his desire to do so despite the lack of external pressure that makes that change feel genuine and meaningful. Training with Deku to master his quirks, sacrificing himself for Izuku during their fight with shigaraki, apologizing to him in front of the entire class and letting go of his pride, choosing to call him by his given name, dying with Izuku's name on his lips, fighting the big bad and continuously repeating that when Izuku can't handle it, he'll step in for him - all of these things are so telling of the kind of care he purposefully put into their relationship, and the way he grew and changed throughout the story.

And I think that in light of everything else, the fact that they remain important to each other right until the end is what makes it such a beautiful relationship, no matter what context you want to see it in. They love each other! They can't imagine a world in which the other isn't part of their life, and they actively and continuously work to make that a reality.

They're soulmates that intentionally chose to be so.

[pixelchills]

Chill's ramblings about the DCA fandom and personal feelings and issues towards TSAMS (both positive an negative):

(I'm writing this like an essay but treating it like a diary, so if I jump from subject to another, it is because I am just typing as the thoughts hit my head. Sorry for being so wordy.)

I simply feel like I need to write my thoughts down, so why not share them with you. Maybe you can validate my feelings or something, I don't know.

Intro:

So, oof, I got a fic rec from @thedenofravenpuff and I'm loving it so much I really wanna draw fan art for it...

But the problem is that it's a TSAMS fanfic and I've sworn to my name I'll never draw anything related to the show because that will make me engage with a part of the fandom I'm not comfortable with.

My biggest issue with TSAMS:

I have such complicated feelings towards the show and its fanbase and I do not wish to make my life and work more difficult because of it as it already is.

My own work and characters are already constantly being compared to TSAMS. When I first introduced Solar to my fic, he was constantly being referred to Eclipse from TSAMS. Now that the show had a character with THE SAME NAME, it has been even worse.

Dolldrop Moon has been compared to Lunar. Even though the dolldrops existed before the youtube channel was even created (and Lunar made his debut much later).

The biggest issue I've had has always been the fanbase, that takes the show as the canon for Sun and Moon from FNAF and uses it as an excuse to harass shippers like me because they think Sun and Moon are brothers.

I've first handedly seen the damage the fanbase has done to some of my friends who draw, or have previously drawn art for the show besides their own AUs and personal headcanons of Sun and Moon as lovers. I'm sorry to tag you, but @kriimhild and @fablekitty : I've seen how the immature side of the show's fans have treated you, I am so terribly sorry you've had to defend yourselves over and over again for things that were not meant to be mixed up.

I have posted some ideas of a possible Animutant Moon and Sun forming a polyamorous relationship with Solar in the future of "My Dear Daffodil" on my personal/adult Twitter account. Someone kept commenting on my posts that I was glorifying incest, because Sun and Moon were brothers and Solar was their cousin.

The post had "Animutant" in it. Not "TSAMS". These comments came from a person saying they were 19 in their profile. So it's not just kids who can't tell not every fanwork is about TSAMS. It's starting to be some adults too.

Vice versa I've had another person comment on my very clearly SFW Twitter how they're following me because I am an adult artist who draws TSAMS incest. I have never drawn TSAMS art. I ship Sun and Moon, but they're never related with family bond, because I love presenting them as lovers.

Why I ship Sun and Moon:

Because I am a hopeless romantic. I love romantic love. Every single story I write is always about love.

The only exception to this is the Poppy Playtime comic I am doing. But even then, I was originally planning for a romantic love between Dogday and the Player. Yet, I decided to leave it, and keep the relationship open for any type of representation the reader themselves will prefer.

I used to watch The Sun and Moon Show when it first started airing. I loved their playthroughs. I had a big distaste for them calling each other brothers, as well as some of the first "lore" videos they had. My biggest issue at the time was how Moon treated Sun, though. As someone who grew up with an abusive sibling, it sometimes just hit a bit too hard at home.

But it got better after Eclipse and Lunar appeared. Moon was more caring, and I started to really like his character development. There was one episode where Sun explained to Lunar that he and Moon had simply just "decided" to be brothers, despite not having a canonical relationship.

This actually made me really happy. Because the Old Moon was aroace, the love he felt was simply never meant to be romantic, but platonic. And by making Sun his brother by choice clearly indicated that Sun was always the one he loved the most - in a way that was suitable for aromantic person like him.

And it really made me enjoy the show for a while. Sun is my favourite character, and despite not always liking the way the show presents him, I always feel so much love for him, no matter the AU he is in. So I loved that Moon loved him more than anything, even if it was just platonic. Because I've always been under the impression that the canon Moon loves Sun, and is only under a virus to protect him. For me, the best part of any Sun and Moon AU is to know that Sun is the most important thing to Moon.

Why I stopped watching TSAMS:

And then that Moon I had really started to like, who loved Sun more than anyone else but just platonically, died.

It hurt so much I simply stopped watching the show. I've watched a few episodes here and there after that, but I am having a hard time liking the show the same as I did before.

Partially it's because of the fanbase. Partially it's because I don't find the lore very interesting and some of the stuff a bit repetitive. Partially it's because I am scared to see Sun eventually crumble up into madness, because he has been through so much.

I like the New Moon. He is funny and nice, what I've seen. His relationship with Solar has been interesting, and I genuinely hoped they would've been able to take the romantic route after Moon said he wasn't sure if he was aroace anymore. But as I said, I've only watched a few episodes after the old Moon died, so I don't know either of their characters that much to form any strong opinions about them. I just listen to the Monty and Puppet podcast once in a while and get a little inside to some of the lore that has been happening.

But hey, at least there's fanfics. Which is why I am rambling here today.

Fanfics:

It is a rare treat to find Sun x Moon fanfics that aren't simply just porn, or do not include reader inserts. So since my romance-filled brain needed something to fill the void, I've started reading some TSAMS fics with romance (that wasn't between Sun & Moon) and plot in them.

I know Solar was settled to be a "cousin" to the weird family tree of TSAMS. But I simply crave for Solar and New Moon to be at least queerplatonic. Solar is not from their dimension, no matter how much they decide they're 'cousins' it doesn't make him their real cousin or relative because they're not from the same world.

Sun and Moon are brothers but they technically gave birth to Eclipse, who then created Lunar so Eclipse is technically Lunar's parent and then brother and Lunar is Sun and Moon's brother and... do you see what I'm trying to say?

The family tree is so complicated that I don't think I'm a horrible person for shipping Moon and Solar and reading fics about them. Tell me if I am wrong though.

The FIC that is making me question everything:

So Puffy recommended this fic by @theinfamousdoctorf , "Eclipse Meets His Match".

I'm currently on chapter 40, and I am genuinely surprised how much I am liking this fic so far. It got everything; redemption and character growth, the representation of Sun as the good, glowing angel he is in my mind (for canon, and every AU. He is always perfect in my eyes I love him can you tell lol), slow-burn romance, drama, excitment, plot, jokes and funny moments... even if there are a lot of mentions of sex and sexual pleasure, it doesn't feel out of the place as there is so much more to it too.

Eclipse's redemption to become better and realising he is in love with Sun has been so interesting to follow. Sun deserves the love. I love when Sun is getting loved. I literally ship him with every other animatronic in the games and love it when people ship him with their self-inserts and OCs. Because I love him so much I want him to be loved in every possible universe he is in.

Even bigger bonus to this fic is the second pairing, Solar and Moon, which I already opened up about above. I don't know how much the fic is truthful to the canon lore of the show, but I wish to pretend this fic is the canon now /hj.

I love the characters and how they're written. I love the descriptions of their flaws and hopes and dreams. How vulnerable they can get. How closely they stick together. And as an appreciation for making me tearful and excited about fanfiction in such a long time, I would hope to be able to gift the author some fan art for their fic.

But I've sworn to not draw anything for the show. For my own good. I've got too many awful comments already from the fans of the show despite never doing any art for it. I am just scared it will turn things worse.

End words:

I don't know if creating a new alias would be the right choice. So my main name/account would be spared from the confusion that the show's fans seem to stirr into, where one tsams artwork turns all of the artist' work into tsams.

I don't care if the art style would be recognisible. The artist would be me, but not PixelChills. Just so I could gift something to the author of this fic that is currently saving me from the boredom of being unable to write my own.

Thank you.

(This text has been typed on my phone, so pardon for any typos).

-Chill

[miraculouslbcnreactions]

How to Build a Team, Fixing the Recruitment of the Temp Heroes

I've had a few people ask me questions about Miraculous rewrites, so I wanted to quickly touch on something that doesn't get discussed much. Namely that the recruitment of the temp heroes failed at a fundamental level IF the end goal was to make a team. If the end goal was to have one-off episodes where the temp hero of the day shows up and is then forgotten, then the way canon did it is fine. But I think most rewrites that include the temp heroes want to actual give Marinette a larger team, so let's talk about how you do that.

The issue with the temp heroes lies in WHY they're recruited. To demonstrate what I mean, let's quickly talk about Rose's recruitment in Guiltrip.

In Guiltrip, Juleka tells the class that Rose suffers from a random, unnamed chronic illness. This leads to Juleka getting akumatized because she feels so guilty about outing Rose's secret. In order to save Juleka, Rose gets the pig miraculous, becomes Pigella, and gives her girlfriend a look into a fake world where everything is happy and perfect! (The pig is weird.)

The problem with this setup is that Rose is functionally nothing more than a random power up that Ladybug needed to help fight the akuma of the day. The episode would have worked just as well if Ladybug dual wielded and, after the episode is done, there's no need for Rose to stick around because Juleka has been helped and Juleka is an outsider to the team. Let's look at how you rewrite this setup to make it feel like Rose is being recruited for the good of Ladybug's team.

Instead of the episode being about Juleka exposing Rose's illness, we're going to have the episode start with Marinette getting upset about something. What that thing is really doesn't matter, but for ease, let's say that she gets a bad grade and is feeling down. Alya tries to cheer Marinette up, but it doesn't work because Alya's not good at that kind of pep talk. Marinette asks to be alone and wanders off, going to sit alone in the courtyard or something. Enter Rose, who overheard Marinette and Alya talking. Rose will manage to do what Alya can't and cheer Marinette up. Once the pep talk is over and Rose is long gone, Tikki will comment on Rose's ability and Marinette will say something about how Rose is good at knowing what to say/keeping a positive attitude in the darkest times.

Cue the akuma of the day coming in. For the sake of this hypothetical, let's say that Ladybug has built up her team already, so Alya and Nino are both full time heroes. This means that we have Ladybug, Chat Noir, Rena Rouge, and Carapace charging into battle, but it's a tough one. The akuma is crazy strong and, the longer the fight goes, the more they all lose hope. They try to encourage each other, but it's not working. The words feel empty.

Then Ladybug remembers Rose.

Ladybug rushes from the battlefield and recruits Rose, who joins the team and changes the tide by restoring the team's hope with her encouraging words and dauntless spirit. The episode ends with Rose joining the team because they clearly need someone there to keep their spirits up when it feels like hope is lost.

Do you see how that simple shift changes everything? How Rose is no longer a one-off, easily-forgotten power-up?

Now, as much as I love Rose, I personally wouldn't recruit her to any team I make because the role she's most suited to feels too close to the role I think Adrien should have, but this was just an example so that doesn't matter. What matters is that this is how you should approach the temp heroes IF you want to create a strong team dynamic. They shouldn't be recruited just because a random loved one is in need. They should be recruited because team miraculous is missing something it needs and that person fills the gap.

This is what I mean when I say that a small team works because you can center them around Marinette and Adrien. I don't mean canon's creepy shipping thing, I mean that you can focus on what abilities Ladybug and Chat Noir lack and build a team around filling in those gaps. For example, Marinette is really good at thinking up creative physical solutions, but her creativity doesn't extend to thinking up stories. And Adrien may be an actor, but his improv skills are focused on word play and romance, not crafting stories via pure imagination or a mix of imagination and putting together subtle verbal clues. Meanwhile, Alya comes up with stories all the time, so it makes sense that they'd recruit her to be the person who wields illusions, which is all about storytelling.

[anime-owo-kage-san]

Unpopular (?) Opinion: I want Crymini to happen before or during the “Huskerdust” development.

(This is speaking in the sense IF Huskerdust would be canon. And don’t argue about whether it is or isn’t pls. I said IF, to stay vague about it.)

Okay. Obviously I don’t want her to show at EXACTLY the first episode of the next season. But, I would like for Crymini to show up in season 2.

I’ve heard some say that it wouldn’t be appropriate timing, because Husk ‘already has Angel to deal with’. So, it would be better for her to show up after some more development between Angel and Husk, otherwise she might be getting in the way of their development with each other.

But, for me? I say her showing up ‘early’ might work:

In the pilot, Husk says “I’ve lost the ability to love years ago.” And ofc, that’s the perfect line to give to a character who will eventually learn to love again.

He finally started liking Angel, but he doesn’t ‘love’ Angel just yet.

And, while I honestly ship these two to double death —I don’t think Husk learning to ‘love again’ should start with Angel (A.k.a ‘his potential love interest’).

I personally think it should start with Crymini (a.k.a ‘the child figure’).

It could just come from my personal belief, that not every character who grew cold should find a ‘love interest’ to break their walls down. (Not saying that they can’t have a love interest. They absolutely can. But, my point is ‘finding love’, can be more than just in a romantic sense). ——I just think it might suit Husk better if this is what happened first, before he and Angel; while he opened some vulnerable parts of himself to Angel, he opens up his softer, wiser, and more protective side for a kid who needs guidance (speaking from how I assume Crymini would be portrayed, until she’s official).

And Angel? ——Husk has done good for him, by listening to his problems, and cheering him up during Loser Baby. Now, it’s time to see some Angel doing good for Husk (and maybe minor angsty feels); he sees the family-like relationship between the two, and decides to give Husk space.

Angel would think to himself, ‘I’m a grown-ass adult. I can handle myself. Husk should focus on that kid. She definitely needs him more than I do.’

So, he’d bitch about his work a lot less to Husk, thinking it would help not overwhelm him. Might even let Husk bitch to him instead, when Crymini becomes a handful, because everyone else usually leaves it to Husk since he’s the closest to her. And Angel listens to it all.

And maybe from all of this, it’ll remind Angel about the rocky relationship he had with his family (namely his father and brother), and admire how nice Husk is to a rebellious kid who he hasn’t known for that long yet. (Cue falling in love with a guy who’s good with kids.)

Husk eventually notices that Angel comes to him a lot less now, when he had a bad day , and confronts him about it. They have a heart to heart about it, and came to an agreement to rant to each other about their busy day.

Then some eventual Angel and Crymini relationship, when he runs into the same club as her. Then takes it upon himself to watch over her from afar because Husk wasn’t there, but starts hovering over her like he did with Niffty. (Okay, I’m writing a fanfic at this point.)

But, I hope you all get what I mean here; Husk CAN love Angel when he learns to love again, but learning to love again doesn’t HAVE to start with Angel.

[let-us-cultivate-our-garden]

I used to be part of the TOH fandom but left after the finale - I felt it was very lacking and was a huge letdown for all the reasons you said. Patting itself on the back and lore erasure. But I'd like to ask about something different.

It's no secret Dana hates Disney. But saying it everywhere, the jabs at Disney in the actual show, the attitude of fans parroting her, especially when the news of the shortening was first out - it was legitimately intense. Disney the company has done bad things. But there was a period where I felt like a bad person for even remotely enjoying Disney movies and Disney-published books. I hated myself and felt I was 'betraying' the show, because I had been told Disney was the enemy and nothing more. Disney shortening the show was not a good decision. But it also provided fans with a convenient scapegoat to put every bit of blame on when the show had the tiniest flaw. Comics of beating up Mickey Mouse, 'Disney' being treated like a swear word, praising TOH as the holy grail of animation and saying Disney hated gay people - it made me feel I was a traitor to the show and to myself. (I'm still figuring out my sexuality, but I know I'm not straight.)

Do you think the Disney blame game was too much?

The toh fandom has this incredibly binary way of thinking; the show is the greatest thing in animation and if you don't agree then you're a bigot. Lumity is the best sapphic ship ever and if you don't think so then you're lesbophobic. Shipping non canon ships is tantamount to a war crime. And of course, any criticism of the show has the convenient Disney defense. Any and all flaws of the show is because Disney is evil for not letting the show reach its full potential.

Listen, getting your show cancelled or shortened sucks. But, unfortunately, it's not unique and writers need to prepare for that because it seems to be an occupational hazard in the entertainment industry. A lot of shows get cancelled without even having a conclusion (thank you Netflix for ending the Dark Crystal: Age of Resistance on a cliffhanger! even after the show won a got dang Emmy! 😤) so people should be thankful that at least the toh crew were allowed to finish the story.

I can give grace when analyzing a show's elements knowing what the writers had to deal with. But if they make decisions knowing ahead of time that they only have half a season and 3 specials left, and proceed to add more characters and plot lines that would require a longer season, then those are all fair game.

Dana knew of the Shortening around the production of Eda's Requiem, yet decided to add the Collector, because screw it! We like this little guy and want to see where it goes! They had Hunter get possessed and kill his best friend, yet barely any time is given to him to process that trauma. In the penultimate episode, Boscha, of all people, gets a mini sub plot despite not being relevant for a full season. Luz's angst arc gets 4. separate. resolutions.

None of this is Disney's fault. This all on the crew for not using their precious time wisely and tossing whatever they can to the wall to see what sticks.

So yeah, the Disney blame game is too much but it's also a blessing in disguise because now it's a convenient shield for whoever doesn't want to hear criticism about the show.

As for feeling guilty about liking Disney; listen, Disney has been foundational for literally millions of people for decades. Its presence and influence is seemingly inescapable. And the company has done some awful things in the name of corporate greed and profit.

But you should never feel guilty for liking something that brings you joy.

Remember that writers and artists are responsible for the shows you love. Many queer folks have seen themselves in Disney movies for a variety of reasons and there are many queer artists that have worked for Disney (hi Howard Ashman and Andreas Deja!)

So no, you're not a traitor for liking Disney.

The toh fandom has a very reactionary, us-vs-them attitude and it's incredibly toxic. So don't let the haters get you down!

I wish you well on your journey and hope you're in a better place.

Thank you for the ask!

[moomstersnuffer]

I have some crazy conspiracy theories:

I always get this really strange, really disappointed, really let down feeling(depression am i right)when I actually stop and think about the relationship dynamics in Moominvalley. I mean, there are so many people who wholeheartedly believe in and support Snufmin but does anyone realize that if they were made canon, it would likely be more unusual and out of the norm for Moominvalley than it would be for our world of reality?

Let's start with the og crew: Moominpapa(Moomintroll's father), the Joxter(Snufkin's father), and the Muddler(Sniff's father). They were a trio of good friends going on adventures and then you look at their children and see how they too are a trio of good friends(I can't assume for two of them though...)going on adventures. Generally, I feel like Moominpapa and Joxter are the ones talked about the most and that's certainly true of Moomintroll and Snufkin as well, although we do love our Muddler and Sniff.

Then you look at what happened after their adventure days were over. They all got married(well most of them anyways) and found girls to love and had children. That's the norm. That's what's expected. That's their childrens' fate.

In the eyes of the kids who watch the show, Moomintroll and Snorkmaiden are soulmates. They’re the perfect couple. They'll end up like Moominmama and Moominpapa. And hopefully, Sniff and Snufkin will find someone too. I mean, I don't how many of you have even heard of the Snufkin and Alicia ship. I don't like it but that would be the norm...I guess. Sorry I really don't like that ship :/

It's never even implied or mentioned ever but I just feel like the unmentioned norm would be expected from like, everyone.

However, I think there’s more hope for the future now since it's now implied that Sniff doesn't really feel romantic feelings for anyone. I think it's safe to even mention that Snorkmaiden isn't a moomin like Moomintroll's parents both are(I mean it's another difference between generations to pin my delusions to)And despite that weird ship with Alicia, I doubt there's anyone on Snufkin’s radar except Moomintroll.

That brings this whole spiel to an even sadder conspiracy: Snufkin is the only one of the two who harbors romantic feelings.

I can't name certain instances because I have short term memory loss but I think this a very plausible theory. There really isn't a romantic interest for Snufkin in the series unless you count when his own step sis tried to get with him in the anime(like wtf was that?) Anyways, Moomintroll, on the other hand, has Snorkmaiden. My thing is, he either loves Snufkin platonically or he realizes he feels something more but doesn't want to break the social norm and disappoint people.

it's gotta be one of those two and since i'm a shipper I gotta lean toward the latter.

(I actually tried writing a fanfic about this a few months ago but I dropped it temporarily. I think I'll pick it up soon because I did like it I just got insecure lol)

But really all i'm doing here is throwing words in your face because I rewatched some s2-s3 episodes and got mad all over again. So yeah.

That's all I have to say today. I honestly think I say more on this site than I do in real life which is really sad but that's life these days. Nobody around to talk to about this stuff except you guys.

Thanks for reading whoever ended up reading this! I'm sorry if I left you more confused than you were before.

'Night, tumblr

[makorragal-312]

Why the BuckTommy break-up fell flat narratively...

Disclaimer: I am not defending this ship. I hate it and I'm glad it's dead.

1. Prior to the break-up, he made a jab at Abby for dating a guy half her age and riding Buck off as "a himbo." Even though he's literally doing the same exact thing.

That, kids, is what we call "hypocrisy."

2. Tommy said that he "knows how the relationship ends."

Sir, if you know how it ends, why did you go for it in the first place? This just gives off that he was only dating Buck either for a good time or because Eddie wasn't showing any signs of interest, so he just settled for his bestie.

3. Tommy tries to pawn off the catalyst of the relationship ending on Buck, saying that he would "break his heart."

Even though HE was the one doing all the heart-breaking shit to BUCK throughout the entire goddamn relationship.

4. Josh's dumbass advice.

Okay, that's not fair. Josh's advice wasn't dumb per-say, but it was completely irrelevant to Buck's issue. I know that he probably doesn't really know who Tommy is, but making him sound like he was this gay pioneer who led the charge at Stonewall and that his scars should be respected?

Absolute nope.

It ended up making Buck's move-in proposal feel like he was doing it out of obligation because Tommy's been out longer than he has, so why shouldn't he ask him to move in with him?

And on that topic...

5. The return of the hamster wheel

You would think that after dumping Taylor the way he did, Buck would remember that he doesn't necessarily have to hold on to relationships that aren't working and he can just cut it loose, right?

Wrong.

Instead, they have Buck actually take Josh's advice and pull a Taylor 2.0 by asking Tommy to move in with him. This show continues to leave Buck on that fucking hamster wheel instead of letting him get off and it's working my nerve. Even if this was just the show's way of showing that Buck's toxic relationship tendencies don't change because he's with someone of the same sex, it's still redundant and annoying.

6. Buck.

The first and only time Tommy chooses to refer to Buck by his preferred name is when he's dropping him like a baked potato.

And the show never even gave Buck the chance to tell him off about it.

The fucking audacity.

And finally,

7. TOMMY KINARD HIMSELF

This whole scene, the narrative tries to paint Tommy out to be this sympathetic character all throughout, making him look all sad and talking about how "he knew the parking spot was too good to be true" and citing Buck to be the one who would break his heart.

Despite the fact that he literally broke Buck's again just seconds ago.

I'll never understand why the show decided to take this route with Tommy's character for the episode even though in past episodes, he's been canonically depicted to be insensitive at best and flat out bigoted at worse. And throughout the entirety of his and Buck's relationship, he has said and done things that have hurt Buck and he never even apologized for it. And if he did apologize, he gave a lame apology as to why he did do.

*cough* first date *cough cough*

And it definitely doesn't help matters that the show made the active choice not to bring up his past actions within the relationship or for Buck to even know about it. Instead, they made Abby the catalyst for the break up when it could've been Tommy himself being the catalyst.

Obviously, there were a million ways the show could've given the BuckTommy break-up a major impact and there were definitely ways they could've made the break-up solid with the Abby revelation.

All in all, the break-up could've been executed better, but at least the ship is dead.

[sevensoulmates]

Hi I just wanted to say I was on twitter and saw someone discussing and sharing your meta posts and I was genuinely intrigued and curious because you guys are obviously so devoted to the buddie couple and it's really endearing. And I was just really interesed about this perception of the couple you guys seem to have because is so different to the other side of the fandom I'm actively interacting with. I'm obviously a B/T shipper and only got into the fandom because of them but I'm really loving the show (currently I'm on season 5). I'm just curious about how is it that you guys see buddie as romantic when I think their interactions are clearly platonic, they obviously have a deep relationship, an intimate friendship but no more that that.

Again, I'm not trying to hate I just wanted to ask because it looks like the buddie shippers are settling themselves for disappointment just waiting for them to go canon. You all are obviously loyal fans and I think that's lovely but I honestly just don't see the show writing Eddie as queer now and I really think Tommy is here to stay (I think there's too many signs pointing to this fact like the buck actually episode and the old guy named Thomas). Again I'm not here trying to hate because I think you guys love the ship genuinely but I just wonder how is it that after all the things the shows portrays you guys are still rooting for buddie. Please feel free to ignore my question if I'm annoying you, I really don't want to come off as rude I was just really interesed in the topic.

There are a boatload of reasons why I and many other people ship Buddie. Most of them are far too long to get to in one ask like this because Buddie have had 6 years worth of material to sort through and it would just take far too long.

Long story short: in the same way that Buck was confirmed bisexual over the course of a single episode after years of many people saying Buck could never be anything other than straight, Buddie could be made canon in one single episode and it would be accepted just as easily even though it's been years and a lot of people are still saying they could never be together.

It's TV. The writers can do whatever they want. The second they decide to start bringing in more explicitly romantic things, people will suddenly start "getting" it.

To be more precise: I think it's easy for people to see a ship like Bucktommy and latch onto it because it's very clearly, explicitly queer. It's a lot harder for people to believe in or "see" ships where a queer couple hasn't done anything explicitly romantic like kiss or hold hands, etc. It's unfortunately due to heternomativity and the sad death of the slow burn. I can't really do anything about either of those things.

For me, the primary reason I ship buddie is because of the deep special bond and obvious family they've built over the years that feels different from every single other relationship they've had with literally anyone else on the show. That includes Tommy, Shannon, Abby, etc. You can view it as platonic if you want, that's anyone's subjective opinion.

You seem like a sweet person, but you're also coming into the show with a bias towards Bucktommy, which is fine. They're what brought you to the show, they're the ones who initially intrigued you, and they're also the only ones currently explicitly queer. I get it.

I am going to be so honest with you: I think the show has been writing both Buck and Eddie as queer men for many many years. But just like how Buck was only allowed to confirm it this most recent season, they haven't been able to confirm it for Eddie just yet. I could write essays and essays about how Eddie is so obviously deep deep in compulsory heterosexuality and has been almost since the beginning, but it would take too long. There's plenty of posts I and others have made all over tumblr and on my blog.

Slow queer burns featuring characters that aren't introduced in the first 5 seconds as queer are almost non-existent, they very rarely happen in popular media, and because of that it's almost impossible to ship something without someone coming at you saying "they don't see it". Fact of the matter is that Buddie is one of the easiest ships to "see", if you were looking at a man and a woman, but they're not. I can't really convince people to see what they don't want to see.

If you're curious about the specifics, I'd encourage you to go through my blog/meta or other buddie-positive blogs on tumblr to find many talented and intelligent individuals who will have a lot to say on why they believe in buddie.

When it comes down to it, I don't think the fandom at large is ever gonna believe it until they see it. That's kinda just human nature and the state of how we all consume media right now.

But once the show does go there, they're gonna be like damn can't believe I didn't see that until now while the rest of us sit here like "we've been trying to tell you this whole time."

In the meantime, I'm enjoying Bucktommy for what it is, for however long it lasts, and I'm gonna enjoy buddie just the same, regardless of if they go canon or not, or how long it takes.

[quasi-normalcy]

If I could reboot Voyager, here are some of the changes I'd make.

Much more serialization. Still mostly episodic, of course, but things that happen in one episode would have lasting repercussions. If the ship gets damaged, well it's going to stay damaged, or they're going to have to figure out how to effect repairs. Maybe have seasonal "big bads", like Buffy.

Play up the initial conflict with the Maquis for the first few seasons, and give the Maquis actual ideological objections to the Federation (a la Eddington on Deep Space Nine), rather than just making them generically rough and tumble. There would be a whole arc where some of the Maquis talk some of the lower-ranking Starfleet officers around to their side on the grounds that Janeway effectively has a dictatorship over them for their entire lives and she's too hidebound and is squandering opportunities to get onside with possible local allies. There'll be an actual mutiny (or at least an attempted mutiny) in the first few seasons, but it will fail because Chakotay (we'll come to him in a minute) opposes it; but the ship will settle into a much more egalitarian social structure nonetheless

Seska will remain on the ship after being unmasked as a Cardassian spy, claiming asylum under the terms of the Federation-Cardassian treaty that created the De-Militarized Zone. Her presence will be a major source of the friction between the Maquis and Starfleet crews, because it turns out that her espionage actually got some of their comrades killed back in the Alpha Quadrant

Give nuance to the Kazon; play up the generational trauma inherent to their backstory, and maybe make Culluh an ambitious but sympathetic empire-builder, rather than just a violent thug

Present the Kazon as more of an actual culture with their own arts and accomplishments, rather than just as Space Gangbangers.

Two waves of despair will rock the ship for several episodes. The first when they've been stranded for a few months and the reality of their situation hits them; the second when they get in touch with the AQ and find out that the Maquis have been exterminated.

Pick an actual indigenous nation for "Chakotay" to belong to and hire actual consultants from that nation for the writing staff. It will presumably be necessary to rename the character accordingly.

Really flesh out the minor characters on the crew: Carey, Ayala, Tal Celes, Suder, Vorik, Jonas, that cosmology grad student on the lower decks who didn't want to be on the ship in the first place. All of them will make the ship feel more like an actual place with the same nine characters doing everything; and when one of them dies, it will hurt.

Relatedly, all of the people who die in the first episode will have names and friendships with the crew, and their deaths will actually mean something.

Explore the comedic and dramatic potential of Starfleet crewmen having to be roomies with Maquis terrorists. I'm thinking some initial "Odd Couple" shenanigans, growing into friendship, with a sort of hurt-comfort romance emerging after they find out that all of the Maquis back in the AQ are dead.

Give Neelix more of a dangerous streak. The first episode made him out to be a shifty conman and the first season established that he had serious PTSD. I want to see more of that Neelix.

Have it take a full season just to de-Borg Seven of Nine. Her character progress is reflected in how many of her implants she has.

Have Seven of Nine push back more on the narrow canons of "humanity" that she's expected to perform; and have it go both ways; maybe instead of it just treating it like a joke when she proposes, for example, that someone try Borg regeneration, they actually take her up on this, and Janeway is accordingly horrified. You could get a neat plot about bodily autonomy out of this.

Establish that the Borg hivemind has developed a sort of "neurosis" around humanity and Voyager, stemming from the fact that they required Voyager's help to defeat Species 8472. This is the Queen motivation for wanting Seven of Nine back in "Dark Frontier"

Kes still ascends, but she hangs around somewhat longer. And she's doing and trying lots of things, rather than just hanging around sickbay most of the time.

Have Seven spend more time with Tuvok; maybe adopt Vulcan philosophy

There are no holodecks for the first few seasons because they need to conserve power. When they finally get them up and running, it's a big frigging deal. Before that, there's a whole plot where someone (Tom Paris) uses the emergency medical holoprojectors to make Sickbay into a holodeck, much to the Doctor's consternation. Janeway, however, allows it for a few hours a day as a means of building crew morale.

They build alliances and trade networks in the Delta Quadrant, and eventually realise that this is home for them now

[pyjamaart]

Breaking Bot (read more for some rambling about mega man fully charged)

Mega Man Fully Charged has been on my mind again lately, which made me realize that there's literally a robot named Chemistryman who worked as a chemistry teacher. Not using him as a Walter White stand-in would be a criminal offense.

I'll have to admit I started getting back into Fully Charged again after seeing some asshole on twitter complain about the character design for the hundredth time. I just can't stand that kind of negativity. I swear to god, Fully Charged is like the Sonic Boom of the Mega Man franchise. Personally, I really enjoy the FC designs. I've probably said this before, but I feel like the redesigns give some of the more forgettable robot masters way more character. Like, do I care for Classic Drillman from Mega Man 4? I mean, yeah, I do, but I wouldn't care as much if it wasn't for his Fully Charged incarnation.

I also really enjoy most of the original robot masters. I already talked plenty about Blastowoman and why I love her so much, but I want to talk about the others this time.

Take for example Chemistryman. Comparisons to Walter White out of the way, I feel like his character was a really fun idea. God knows I had teachers who put me to sleep back in the day. For me, it wasn't chemistry though, it was my economics teacher. I always compared her to a story teller at a Christmas market who would read children stories out of her big fairy tale book. Only that in reality, it was stuff like the minimization/maximization principle. Most of my notes for that class were incomprehensible chicken scratch, because I just couldn't keep my eyes open. In the end, I slept through like half her classes, lol. But I gotta say that I still always got a B or higher in the end. Somehow. I thank god every day that I never have to step foot in a school again.

I really wish Chemistryman got a little more time to shine though. Two episodes is just way too little. I would gladly take three more episodes with him over those gross Gutsman episodes. I know I love talking about wasted potential with this show, but I wish there was an episode that focused on Chemistryman outside of the school setting. I get that his whole character is "boring, bitter teacher", but I'd really like to see what he gets up to when he's not trying to force children to listen to his chemistry lectures. Like having Aki try to talk him into going into retirement for good. And then he tries to find hobbies for him so that he doesn't bore himself to death. I can see him getting into building model ships or something like that, lol.

Now that I'm already writing up a storm again, I might as well talk about some other headcanons I have about the FC bots. Since Woodman was in sleep mode for 30 years after the war ended (I don't know where I got that number from. I rewatched his debut episode, but the exact number doesn't appear anywhere. Oh well, let's just pretend this is canon, even if it isn't.) we got kind of a Shadow the Hedgehog type situation on our hands. All of his friends and family got to live their lives in this new, peaceful world of harmony between robots and humans, while Woodman spent 30 years powered down in a bush or something. Completely forgotten about. Like, why didn't they go look for him after the war ended? I don't think Aki and Suna wandered that far into the forest for their school assignment. If you really think about Woodmans back story for a moment, you realize how fucked up it actually is. 

Now my explanation for this goes into heavy heavy headcanon territory. When Suna calls the principal about Woodman, he warns her that Woodman is dangerous and to get away from him immediately. Now why would he say that? The principal also calls him "ruthless" in that same explanation. What I think happened back then was that Woodman actually planned to assassinate the human armies leader. (Possibly Sgt. Night?) The leader of the robots caught wind of his plan and put him into sleep mode himself, since he and Dr. Light were on the brink of finding a way to end the war peacefully. In my mind, this leader is the FC version of Swordman. Don't ask me why, he was just the first guy I thought of. And then it just stuck.

I know this makes Woodmans back story even more fucked up, but I just love putting my favorite blorbos through hardship. Don't even ask me about my headcanons for Drillman. They'd actually put me in prison.

Now all this culminates after Woodman is reactivated by Suna and Aki. Finding himself alienated from all his former friends and comrades (Maybe the other Mega Man 2 robot masters?), what was he supposed to do? He couldn't spend the rest of his life isolated (and homeless) in the forest, could he? And this is where season 2 could have delivered. But I'm done whining about that. If Capcom doesn't deliver, I gotta write my own season 2. Simple as that.

Anyway, getting back to Chemistryman, since he's pretty old, I imagine that he was already working as a teacher when Woodman was still around. Maybe he even was his teacher at some point.

And since I love having my favorite characters interact, I also thought of a scenario where Drillman wanders into the forest out of frustration over his miserable life, only to meet Woodman by coincidence. In the end, Woodman helps him work through his daddy issues and his body dysmorphia, while Drillman helps Woodman reintegrate and manage this (for him) completely new world of peace. Another great headcanon of mine is that Chemistryman is actually Acidmans father. Just because I think it would be funny. And as Fully Charged has confirmed: robots in that universe do indeed have parents. (Flashback to the time I drew Dr. Light beating the shit out of Drillman's father)

Speaking of Drillman.... For being one of my favorite Mega Man characters of all time, I haven't drawn him nearly enough. That will probably be my next project.

This might also be a great time to tell you that I've never watched Breaking Bad before, lol. Everything I know about it comes from RTGame's Stardew Valley playthrough and the RTVS Half Life parody.

Sorry for all the yapping. But if I don't talk about robots at least once a day, I might die. This is a serious condition.

[rwbyrg]

I don't known if you noticed or not, but in the back ground of v7ep9, with the Rosegarden fumble scene, the pillars have what looks like roses and green stems going around them and I'm just like did they (CRWBY) plan this !?!?

I did notice!! Everything about that scene is so blatant, intentional, and in your face and... y'know what, I've been meaning to talk about this scene for forever. Now feels a good a time as any.

Reasons Why Rosegarden is Canon: #013 - The Fumble

I have to admit, this was the first scene that really made me realize that these two were being set up as more than just character foils. And the way it does that is by making this scene sooooo tropey. We've got them Speaking in Unison, Finishing Each Other's Sentences, all with the air of Sickening Sweethearts. Ruby's little run towards him making them almost completely collide? Her closed off body language and nervous giggles? The second jinx at the end? The way it ties into their respective arc(s) while also paralleling other ships?

Lets break it down piece by piece.

First, this scene represents a resolution of sorts to the conflict - or, in romance arc terms, "break up" - that was set up between them at the start of the volume. The disagreement over what to say to Ironwood about the Oz situation is something that Oscar doesn't agree with, but respects either way; prompting the two of them to spend much of the volume separate and distant from each other.

As CRWBY says in the V7 commentary, The Fumble is when they "finally start to regain trust in each other". This, as well as their interactions within it, stand perfectly well on their own. Especially how it talks about the themes of trust, truth, and fear that both their solo arcs brush up against often. It also reaffirms the mutual care that's been established within their relationship thus far.

Ruby has spread herself too thin with her responsibilities and is offering to go tell Ironwood the truth that she initially decided to keep from him... but she's needed in Mantle with the rest of her team. So Oscar, who as we've previously established, is well aware of the weight of responsibility Ruby carries as leader, offers to take over for her. While he didn't agree with her decision from the start, he did respect it and therefore has his own amount of blame in keeping the truth hidden. His actions in this scene tell Ruby that she doesn't have to carry it all alone. That her decisions are not solely hers to bare the weight of. Even reassures her when she double checks that he's okay with it. Look at the little thumbs up! He's got it, Ruby! No worries!!

But outside of how it works for their individual and shared arcs as a pair, it also follows an established pattern within how CRWBY writes their romances. This 'breach of trust/break up' arc is one that has been explored with both Bumbleby and Renora as well. With BB, it kicks off when Blake runs at the end of V3, followed by her and Yang at odds with each other throughout most of V6, before they regain trust after protecting each other against Adam.

With Renora, it's running tangentially to Rosegarden throughout the Atlas arc. Ren, not believing they should be huntsman or be carrying these responsibilities, follows Ironwood's orders to the letter, represses his feelings and gives his team the cold shoulder, etc... all while Nora is in complete disagreement with how he's handling it. But both Bumbleby and Renora have new conflicts and resolutions throughout V8 as well... and so does Rosegarden.

Ruby and Oscar don't end this scene working fully together. They split up, following the name of the episode. Oscar stays behind in Atlas (As Above) to talk to Ironwood, and Ruby goes down to Mantle (So Below). Only for the two to swap places by the end of the volume with Oscar falling to the crater, and Ruby getting picked up from Atlas. They separate again in V8 following the split of the other ships as well; Yang, Ren, Jaune, and Oscar split from Blake, Nora, Weiss, and Ruby, respectively. The narrative constantly separating them with intention.

When they do have another resolution with the (rudely interrupted) reunion hug in V8E10, it is once again in this same location: The Schnee Manor entryway. Which, if you look at the full scope, with its rose engraved pillars, is designed like the definition of a fairy tale ballroom.

This romantic setting having not just one, but two very important moments to their shared narrative, ties into a Chekov's gun that's been following them around since the beginning: the idea that fighting and dancing aren't so different.

Even their body language and poses have them set up as if they're asking the other to dance!!

During this scene, they're also framed between two open doorways. Doors framing Rosegarden is something I've mentioned a few times, but am still working on a full meta for. To explain it briefly, open doors within stories - especially RWBY's narrative - are often symbolic of a few things. New beginnings, transitions and change, but also opening up or vulnerability. In this scene, Ruby and Oscar end up coming to an agreement between two thresholds marking a mutual transition. And they do this by trusting each other, opening up to one another, and ultimately growing closer in the process.

Speaking of being on the same page, I also want to talk about how the other characters are framed here. (Disclaimer: this isn't meant to downplay other ships, it is just an objective observation.)

Within the scene proper, team JNR all leave before Ruby and Oscar arrive, but there is an Interesting Focus on the characters that pass them over. The first we see passing over Ruby's shoulder is Penny, the second one is Weiss, this time over Oscar's shoulder. Leaving the two behind...

But then the camera angle changes. When Ruby and Oscar say "we should tell Ironwood" in unison, they are overlapped by Yang and Blake. Ruby then asks "Guess we're on the same page, huh?" before it pans back to Oscar and shows Bumbleby crossing past them a second time, as he responds "Guess so".

Which tells us two things. First, that they're on the same page as each other, and second that they are also on the same page narratively as Bumbleby. And if that wasn't enough to really drive the idea home, they give us another parallel to them by the end of the scene when Ruby and Oscar jinx with each other again!!

Ruby is so excited that she actually jumps off the ground when she turns around to wish Oscar luck, they bid each other farewell before she gives him the finger guns (just like her big sis does to Blake in V9), and then Ruby leaves through the front door, giggling again. Which prompts Marrow to roll his eyes in exasperation at the cringey, overly romantic youth he's been forced to witness twice over now. Once here, and once with BB earlier in the volume.

The last thing I'll mention has less to do with analyzing the scene objectively and more about a little test a dear friend of mine ran. She took the clip of this scene and sent it to some friends that weren't familiar with RWBY, the ship, or either of the characters individually, and asked them the question: What do you think the dynamic is between these characters?

And every single person that was asked immediately agreed that there was either a crush situation going on or it was building to a potential romance arc.

So take that as you will. Love this scene with all my heart, and thanks for giving me an excuse to talk about it. 🥰