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it-happened-one-fic · 2 days ago
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Twisted Weddings: - Introduction
Author Notes: This is the first part of my 800 Followers celebration event for the Twisted Wonderland fandom. This is just going to be the introduction section for the story itself (which is going to be 9 sections in total). I chose the wedding theme on a whim based on a fic I read a long time ago on AO3 that has long sense gone missing, but no one is actually going to be getting married. Reader is going to be female for the sake of my own ease for this series. I hope everyone enjoys!
Type: Female reader/ sfw/ fluff/ featuring Crewel (Note for sake of avoiding confusion: This is not x Crewel)
Word count: 775
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I frowned slightly at Crewel as he sat down across from me, a stack of papers in his hands that he slowly laid out. One sheet at a time.
“I’ve recently finished designing a line of wedding dresses and suits,” He spoke as he fanned the sheets out across the table. Each page had a sketched-out design of a wedding gown that had me blinking slightly in surprise.
Of course I’d known that Crewel was a designer. As if his fashionable nature wasn’t enough to tip me off, then Vil talking about his clothing line would have been. I hadn’t realized that he designed bridal clothes, though. And I certainly didn’t know what these clothes had to do with me or why he’d called me in to look at them.
I slowly glanced back up at my instructor as he continued, utterly calm despite my wary confusion, “I’m wanting to market each of these dresses differently than I usually would though. You see, this is my first line of bridal designs.”
I nodded, shifting slightly in my seat as Crewel eyed me, “I’ve decided that, along with the runaway models, I would do an advertising campaign where I have just one woman model all the gowns with varying different grooms.”
I blinked, already seeing where this was heading but not quite able to keep myself from staring at him in surprise in a way that had him smiling at me, “Of course I’ll pay you for modeling all eight gowns.”
I glanced down at the page in front of me, a picture of a classic wedding dress. Pristine white with a veil and looking like it was directly out of a fairytale. But as I glanced back up at Crewel, I shook my head slightly in blatant disbelief, “But I’m not a model…..”
“That’s what will make these ads more unique. You aren’t a model of any sort, and yet you will be the bride for this marketing campaign and will be far more relatable to prospective brides looking for a dress.”
I had to hand it to him; he’d come prepared. And I couldn’t deny that earning some money was attractive when I considered the state Ramshackle dorm was in.
There was no telling how many repairs I’d be able to manage with whatever Crewel was willing to pay me.
“The campaign will consist of seven pictures for magazines and billboards and one video for television advertising. For each dress, you will be paired with a different groom,” He continued calmly. Clearly explaining his plan for the marketing campaign even as I weigh my options.
“Are the models of the groom’s suits going to be professional?” I tilted my head when I spoke, and he hummed in response before shaking his head. 
How he avoided sending any of his black hair into the white half of his head or vice versa was beyond me, but I didn’t question it as he responded, “Only one. As I said, there’s going to be a different model for the grooms in each image. I thought it would be more interesting to use other fresh faces for this campaign for the grooms.”
I felt my eyebrows arch, “But wouldn't it make more sense to just use one model for the suits since you’re just going to be using one for the gowns?”
Crewel frowned, a flicker of annoyance going through his gaze as his eyes met mine, and I tilted my head slightly, “That was the plan, but the candidates for modeling being how they were made things difficult.”
“And who are the candidates?” I couldn’t help the wariness that slipped into my tone, and Crewel sighed slightly before handing me a stack of pictures that was filled with familiar faces.
“They ended up being the winners. Whether they entered themselves or were entered by someone else,” As he spoke, I sifted through the pictures.
Trey, Ruggie, Azul, Kalim, Vil, Idia, Sebek, and Leona.
“Winners?” I echoed him amusedly, and Crewel shook his head. 
There was a perfectly annoyed expression on his face as he frowned down at the pictures in my hands, “Suffice to say they all turned it into a competition.”
I almost wanted to ask exactly how this supposed ‘competition’ went down, but thought better of it as I took a secondary glance at Crewel’s expression.
I shrugged lightly, laying the pictures down on top of the wedding sketches, “Well, I can’t really think of any reason to say no to modeling for you…”
I trailed off and Crewel nodded, back to business as usual as he collected all the papers, “Then we’ll start tomorrow.”
If you would like to read more
Next: Coming Soon!
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sage-the-unwise · 1 year ago
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i think i've figured out why vanilla rain world and downpour feel so different to me
vanilla rain world is primarily a survival game with some metroidvania elements, and downpour is primarily a metroidvania with survival elements
neither one is better than the other inherently, they are similar but different experiences that cater to different audiences with different tastes in gaming
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puppyeared · 6 months ago
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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supercantaloupe · 1 year ago
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if i had a nickel for every time i fell in love with a musical drama in large part concerned with the idea that good music can be so powerful it can literally change the world i would have two nickels
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scratxhed-cd · 7 months ago
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do I feel childish watching an animated show for children? Absolutely.
Did seeing the heavily implied rarijack heal my inner pre-teen? Yes and it was worth it.
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incorrect-web-novels · 1 year ago
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[Image ID - Tags that read, "#i'm so curious as to what the hypothesis was lol #i probably would have guessed youngest sibs would like him most #but as an oldest sib who loves him the result also makes a lot of sense". /End ID]
I really thought the "everyone loves/respects my older brother-figure more than me" would resonate with younger siblings more tbh, but I guess it does make sense for older siblings to relate to "your SIBLING doesn't cause trouble"/is the favorite and/or to see their own younger sibling in him lol
#not a quote#jiang cheng#mdzs#ik there's more to him than Being WWX's Brother or whatever but that part always stuck out to me no matter what ver. I read/watched tbh#I'm a younger sibling who likes him & I always related to the way he was overlooked. by the characters AND THE READER#*readers#& my opinions about him have evolved over time#but I still think it's fascinating how wwx (who I'm also incredibly fond of) is largely sympathized with for trying to do what's right...#...but losing what matters in the end but some ppl even forget that JC & JYL are siblings (only same#*(only some. I think it's pretty rare) bc they're so focused on wwx's perspective#& like. there's very little sympathy at all for him losing his family clan home & reputation bc 'WWX was doing what he thought was best'#which I agree with. I do think he did everything the Right Way & I probably wouldn’t have done anything differently or done any better#but it doesn't change the fact that damage was caused & that's an important theme in the story#& JC brings up the damage he caused multiple times in the story itself#he's why the reader has to think about the consequences of Doing the Right Thing#sorry I've rambled about this before but once it starts it doesn't Stop.#jc makes me claw at my enclosure for some reason when I don’t even like him as a character any more than any other character idk why 🤷‍♂️#(also ik wwx & jc aren't technically brothers & a lot of ppl don't interpret them that way but I can’t NOT compare them to siblings)#reblog#image described#pro jiang cheng#<-for blocking
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shadowfoxsilver · 7 months ago
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Some quick tips to spotting accounts that are pretending to be a Palestinian needing mutual aid. Please keep in mind that not all of them are scam accounts, and that some may legitimate blogs who just aren’t too knowledgeable on how tumblr works. This guide is based around what I go by when checking certain blogs and usually it’s a quick giveaway the blog is a scam.
Please read this post too from my other blog before you tell people don’t donate to gfms:
1. You was sent the ask as someone who regularly shares Palestine related content such as regular news updates of posts by other Palestinians who are regularly giving updates. You may also get these asks from sharing a popular post that is from the Palestine tag. If you post often about Palestine, you will always start getting these asks. These askers don’t care if you state don’t send the asks. They will anyway. Unfortunately minors also get sent asks.
2. The ask has odd formatting such as having odd quotation marks in it or unusual formatting that may indicate it’s been edited and copied from somewhere else. Often the ask is the same thing as the post itself minus a link to a donation site. These asks rarely change so searching it should pull up if it’s been sent to other bloggers and sometimes the asks are edited only to add new phrases to them in time.
3. The account is almost always a few days old or a week old or long depending on how often they have sent asks. Usually some may even be an hour old and reusing a familiar pfp/ask.
4. The blog has a few Palestine related posts or posts from random tags reblogged to pad out length and then no more. They will have no original posts besides the pinned post while occasionally answering asks that they may have received but otherwise nothing else and no further updates given either.
5. They may have a Linktree link that is called “GoFundMe” as if indicating they have a GoFundMe there. However, they don’t. When clicked on, the Linktree actually goes to a PayPal account whose name may not even match the one their supposed name is. They’ll say it’s a friend, but it’s just the same person not someone else. You’ll see this same name across multiple accounts after a while usually giving away it’s not legitimate even under a different theme.
6. The text used by the blogs are often real stories stolen from legitimate fundraisers and searching parts of it in your preferred search engine should pull up the sources. These sources make no mention of a tumblr account either or don’t have the PayPal account associated with them in the info. Scammers often impersonate a real person in need and will ignore you if you show them the source they copied from.
7. Legitimate Palestinians often link to their own GoFundMe posts that their friends have set up or post links to other social platforms they are found on. They will regularly post updates when possible, post sources to support them when necessary, and also generally have some method of verifying their legitimacy. They may often share links to support others as well or give links to charities that have been shown as reliable. They will have more original posts than just a single pinned one and regularly speak to other tumblr accounts beyond just an ask. Please don’t bother them with asks about possible scam accounts. There are many guides out there that can do that for you if you search. You may find verified fundraisers too.
8. Scammers don’t know anything about Palestine and will often have trouble once you ask them anything beyond the mutual aid post. They don’t know the languages decently and you can tell it pretty easily if you’re one who uses it regularly. Whatever the scammers use is often just copied off the site they got the post from. Sometimes the text is just reused from past scams such as asking for insulin that doesn’t last long.
9. These scammers can and will use names stolen off real Palestinians to look more legitimate and trustworthy. They change names constantly once one of their PayPal accounts is shut down.
10. If you do see a GoFundMe link on a blog, don’t immediately assume it’s a scam just because it’s a relatively new account. Check the post notes to see if anyone’s verified the account yet or wait a bit as it takes time. You likely can search around to see if anyone’s posted anything where the blog has been vetted by others. You may also see if the GoFundMe is referred to on other socials or on lists that compile verified and vetted fundraisers.
Please don’t let these scams deter you from sending support where it needs to go. Even if you can’t donate personally, there are other ways to help. If you are sending money, please make sure that it’s going to where it’s needed and the place it’s sent has been verified accordingly. If you find a blog is a scammer, and have been able to prove it, please make sure to alert anyone sharing the post and report the account.
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waywardsalt · 2 years ago
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sometimes you make aus just to see how far you can push your favorite fictional little guy within the bounds of their canon characterization before they’re straight up an entirely different character
#listen i dont mind if a character is ooc so long as it doesnt straight up disregard canon#you gotta stick with that little kernel of original characterization and so long as you make sure to do that you're good as far as i care#anyawys. thinking about my au linebecks.#just barely manages to keep qualifying as linebeck on the grounds of very different environments. its fun anyways#we got. space au linebeck as a v skilled bounty hunter who struggles to find a purpose outside of bounty hunting#crimson king au linebeck finding himself in a country mouse/ town mouse situation living a double life#multiple au linebecks who struggle with feeling useless and unneeded in his group of friends and risking himself to feel needed#ough. i got a linebeck who is broken by years without support and with constant anxiety and fear and trauma who manages#to drag himself to the top to give himself a good life and to challenge what caused him so much agony in the first place and#finds that the status is empty and that he cannot move past the one person who he relied on before they disappeared for so long#and now works for the thing that shattered both of them and now finds himself stuck in a position causing him more stress#and while he's figured out that he truly wants freedom and to support the people he loves he can't tear himself from his current path#as he tears himself apart for the person he is obsessed with and for the sake of others he doesnt even know because he cannot#get himself to stop what he has started and finds himself in a dangerous spiral even as he finds support and success#sorry. this is what happens when i have gut's theme on loop for too long#im thinking so fucking hard about that last au. you bitches arent gonna see that thing written for years sorry#salty talks#the relatability of this post tanks when you read the tags#most of my aus start with the idea of 'what if linebeck was in x situation' and it goes fucking insane not long after#dont mind me just basking in the experience of being able to create stories. also enjoying wrangling linebeck's character into fun shapes
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daydreamerdrew · 2 years ago
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The Avengers (1963) #1
#I have to start reading Avengers comics at this point#because just reading Tony’s solo comics and not getting the full context of his character was making me really uncomfortable#I’m at 1968 in his solo comics right now#and obviously this issue is from 1963#I’ve actually read the first 5 issues of the Avengers before for my Hulk readings#who of course I’m reading every single appearance of and can’t bear to approach any other way#I’ve talked before about the different ways of approaching choosing what to read with comics and with regular books#like I prefer stand-alone books and don’t really read those long-standing series that all star the same character#and I don’t choose which books to read based on a description of the main character#but based on whether the story and themes and writing style appeal to me#whereas with comics I tend to just look up a character’s first appearance and start from there#sometimes reading stand-alone graphic novels and minis works for me and I’m trying to do that more#but I just get so invested in comics stuff that oftentimes it’s very uncomfortable to not go in order#which isn’t necessarily a problem like I like reading comics and I like reading old comics#so an approach that gets me reading lots of old comics isn’t like unpleasant for me#but I’ve noticed in reading more academic stuff about comics how refreshing it is to hear things discussed#outside of the focus of the writer’s opinion of the main character’s characterization#as it relates to their opinion of the character’s correct characterization#or the stories standing in the character’s overarching history#and I don’t want to approach comics as this entirely fundamentally different medium of storytelling that can only be approached#through the lens of attachment to certain characters and how well stories appeal to that or not#like for example I’ve really appreciated some comics that told well-executed stories with characters I’m not personally invested in#that other fans didn’t like because they were invested in those characters and didn’t agree with how their characterization was approached#and I think that there’s value in trying storytelling that’s not beholden to all this long-standing continuity#but also- I just want to know everything and have the context for everything and read everything sometimes#it’s fine I just gotta have a balance and variety in my comics readings#marvel#tony stark#my posts#comic panels
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starstrike · 10 months ago
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Mithrun's desire as an SA analogue
TW discussion of SA and detailed breakdown of aesthetics evoking SA. The way I discuss this is vivid in a way that may be triggering, though there is no discussion of actual sexual assault. Just survivor's responses to it.
People relate to Mithrun and see his condition as an analogue for a few different things, like brain injury or depression. And I think all of them are there. But I also see Mithrun's story as an SA analogue, and Ryoko Kui intentionally evokes those aesthetics. I think it's a part of Mithrun's character that a lot of people miss, but I very much consider it text. This is partially inspired by @heird99's post on what makes this scene so disturbing; so check out their post, too :)
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So to start off with, the demon invades Mithrun's bed, specifically. There's even a canopy around it, which specifically evokes this idea of personal intrusion; the barrier is being pulled apart without consent or warning. The way the hand reaches towards Mithrun's body from outside of the panel division makes it almost look like the goat stroking over his body. It's an especially creepy visual detail; similarly, the goat's right hand parts into the side of the panel as well. It's literally like it's tearing the page apart; but gently. So gently.
Mithrun is in bed. It is his bed that the demon is intruding on. He's in a position of intimacy. The woman behind him is a facsimile of his "beloved" that he left behind; the woman who, in reality, chose Mithrun's brother. He is in bed with his fantasy lover, who is leaning over him. While this scene isn't explicitly sexual, it is intimate. And it is being invaded. The goat lifts Mithrun gently, who is confused, but not yet struggling.
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The erotics of consumption and violence in Ryoko Kui's work(remember that the word 'erotic' can have many different meanings, please) are a... notable part of some of her illustrations. I would say she blurs the lines between all forms of desire: personal, sexual, gustatory and carnal, in her illustrations in order to emphasize the pure desire she wants to work with and evoke to serve her themes. Kui deploys sexual imagery in a lot of places in Dungeon Meshi, and this is one of them.
In this case, horrifically. The goat's assault begins with drooling, licking, and nuzzling. The goat could be enjoying and "playing with" its food. But it can also be interpreted as it "preparing" Mithrun with its tongue as it begins to literally breach Mithrun's body. The goat also invades directly through his clothing; that adds another level of disturbing to me. There's nothing Mithrun can do in this moment of violation. Mithrun is fighting, but he is fighting weakly, trying to grip on and push away when he has no ability or option to. All he can do is beg the goat to stop. And it doesn't care. This all evokes sexual assault.
The sixth panel demonstrates a somewhat sexual position, with Mithrun's thighs spread around the goat's hunched over body. In the next, the goat pulls and holds apart Mithrun's thighs as he nuzzles into him. The way the clothing bunches up looks a bit as if it has been pushed up. It has pinned Mithrun down onto the bed, into Mithrun's soft furs and pillows. It takes a place made to be supernaturally warm and comfortable, and violates it. It's utterly and intimately horrifying. To me, this sequence of positions directly evokes a rape scene. I think Kui did this very explicitly. These references to sexual invasion are part of what makes this scene so disturbing; albeit, to many viewers, subconsciously.
This is also the moment the goat takes Mithrun's eye. Other than this, the goat seems exceptionally strong, but also... gentle. It holds Mithrun's body tightly, but moves it around slowly. It doesn't need to hurt Mithrun physically. But in that moment, it takes Mithrun's eye. Blood seeps from a wound while an orifice that should not be pierced is penetrated. This moment, the ooze of blood in one place specifically, also evokes rape. That single bit of physical gore is a very powerful bit of imagery to me.
Finally; it is Mithrun's desire that is eaten. After his assault, Mithrun can find no pleasure in things that he once did. He is fully disassociated from his emotions. This is a common response to trauma, especially in the case of SA. It's not uncommon for people to never, or take a long time to, enjoy sex in the same way again; or at all. They might feel like their rapist has robbed them of a desire and pleasure they once had. I think this makes Mithrun's lack of desire a partial analogue for the trauma of sexual assault.
Mithrun's desire for revenge was, supposedly, all that remained. Anger at his assaulter, anger at every being that was like it; though, perhaps not anger. Devotion, in a way. To his cause. I don't know. But the immediate desire to seek revenge is another response to SA. But on to Mithrun's true feelings on the matter.
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This is... So incredibly tragic. Mithrun feels used up. Like his best parts have been taken away. Like he's being... tossed aside. This certainly parallels the way assault victims can feel after being left by an abuser. Or the way assault victims feel they might be "ruined" forever for other partners. These are common sentiments for survivors to carry, and need to overcome. In the text, it's almost like Mithrun feels the only being who can desire him is a demon who might "finish devouring" him. That that's his only use. It's worth noting that Mithrun trusted the demon. Mithrun's world was built by the demon, and Mithrun, in that way, was cared for by the demon. I think this reinforces Mithrun's place as a victim.
There's also something to be said about Mithrun as a victim of his own possessive romantic and sexual desire. The mirror shows him his beloved just dining with his brother, and it infuriates him. He doesn't know if the vision is real, nor if she has really chosen his brother as a romantic partner. The goat then creates a whole fantasy world where she loves him. As Mithrun's dungeon deteriorates, she is the only person that continues to exist. Mithrun continues to have control over her. And that is the strongest desire the demon is eating, isn't it? There's something interesting there, but I don't know what to say about it.
In conclusion, I think Mithrun's story is an explicit analogue for sexual assault-- though, certainly, among other things! The way the scene plays out and is composed explicitly references sexual violation and invasion of the body. His condition mirrors common trauma responses to sexual violence. And, at the end, he finally realizes he can recover.
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Let's end on a happy Mithrun, after taking the first step on his journey to recovery :) You aren't vegetable scraps Mithrun. But even if you were-- every single thing in this world has value. Even vegetable scraps.
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call-me-strega · 1 year ago
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Dc x Dp Prompt #3: Of Apples and Academic Frenemies
Au where Jason and Danny are attending the same college course on mythology and classical literature and they are always getting into debates about the depictions of the characters and the historical context of stories and stuff bc the both have a different exposure to the myths. Like Jason knows literal demigods and Amazons but Danny knows Pandora and the Greek myth related ghosts plus time travel from Clockwork and the infi-map. The debates can get heated at times but the respect each others intellectual takes.
This creates a peculiar situation where everyone in the class thinks they are academic rivals who hate each other (except for the few with their shipping goggles on and sense the homoerotic tension underlying their debates) and are deeply invested in watching them interact like their own personal drama even thought at this point in time they are at best friendly acquaintances and at worst annoying classmates.
Jason rants to his family about his debate partner/rival bc he’s happy to have some who will talk to him ad-nauseam abt this stuff but also bc he wants to complain about how Danny's a “smart but annoying little twink who’s got some real audacity”. And while the batfam is happy that Jason is experiencing some normal life things like an academic frenemy they’d love to stop hearing about this guy's “smug fucking smirk” and the “annoying gleam in his eyes". They are worried that Jason will snap and beat this guy up for being too annoying. Well, except Tim who thinks Jason would rather make out with this guy than debate with him.
One day the course decides to do a big themed party/fundraiser to save up for a class trip to an excavation site of some temple ruins or something. Both of them volunteer for the organizing committee bc of the offered extra credit. This encourages the two of them to start seeing each other more and to hang out outside of their classes so the can work on event planning. Over time they actually become pretty good friends (Danny's presence filters Jason's toxic ecto and cures pit rage due to increased exposure. It was happening anyways as classmates but the close proximity sped up the process) and Jason and Danny develop mutual crushes on each other.
For the event they do, like an Olympic games style format and have people sign up in teams for events a couple of weeks beforehand. Anyone in any sort of classical/mythology related course can join and they opened the event for public spectating. They have a few traditional events like a foot race, long jump and chariot race. But the also have some silly ones like Medusa's Snakes, where they shove their faces into bowls of whipped cream and fish out gummy worms, Pandora's Amphora, where they stick there hands into a box/jar of mystery contents (grapes, slime, a live animal like rats or kittens, a bunch of glitter, soda, etc.) and whoever keeps their hand in the longest wins, and Gladiator Fights, where they try to knock each other into a foam pit with those foam and rubber jousting sticks and the such.
Neither Danny, nor Jason want to participate for fear of their physical/supernatural abilities being discovered so the both get talked into doing the emceeing and commentary for the events. They make a really good duo, snarking and bantering with each other, playing off each other's energy and providing fun commentary to the events. Everyone, including the batfam who came to spectate, is a bit baffled by how well they are getting along bc last they checked these two were rivals of a sort, mildly annoying at best and actively antagonistic at worst. However, they really seem to be enjoying themselves.
The last event of the day is a trivia contest, which they both decide to take part in and let someone else take over the emceeing. The final winning trivia question is "what trope was falsely understood as a marriage proposal or declaration of love by misinformed media, that was actually closer to a ploy of seduction and indication of sexual desire according to Greek texts" and the both ring in at the same time to say "tossing an apple to someone" and an tie for the win. They both go up on stage to receive the prize (idk a gift card or smth) and shake hands before walking away in opposite directions.
Then suddenly Danny calls out to Jason just before he leaves the stage and chucks an apple he seemingly produced out of nowhere at him. The apple has a note with the time and date of a dinner reservation on it and when Jason looks back up at Danny he see the slightly flushed boy tentatively smiling at him.
" What do ya say Jase? Will you go out with me?"
And instead of replying Jason just straight up kisses him in front of everyone. Everyone else is gobsmacked by this whole turn of events except Tim who's cackling his head off, screaming "I FUCKING KNEW IT". When the two of them break apart they grin at each other widely and Jason drags Danny of the stage presumably to go make out somewhere.
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kiwriteswords · 1 month ago
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It's strange what desire will make foolish people do
Part I in the Wicked Game Universe (Can be read on its own, though!)
Masterlist || Ao3
AN: I can't stop writing Hotch x 'someone from his past' stories. I loved writing this one, though. I'm really excited to share this one with you. I have taken a break from some of the shy!reader fics and really, truly leaned into a reader (I probably embarrassingly identify with too much)...the bold, unapologetically-flirty!Reader, who tends to let her mouth get her in trouble more often than not! Also, thank you to @spoonpine for walking through this idea with me in the comments of my o.g. post!
Pairing: Aaron Hotchner x Female Reader
Word Count: 11k
Tags/Warnings: Slow Burn, Fluff, Angst, Sexual Tension, Undercover Mission, Mutual Pining, Unresolved Sexual Tension, Banter, Teasing, Emotional Vulnerability, Flirting, Team Dynamics, Slightly Suggestive Themes, Brief Mentions of Violence (related to the case), Tension Build-Up, Slight NSFW, professor!reader if you squint
Sypnosis: After years away from the BAU, you return to the team you once called home. Some things feel familiar, but your dynamic with Aaron Hotchner has changed. What started as playful banter now carries an undercurrent of something more, and the line between professionalism and desire begins to blur. In a world where control is key, the tension between you and Hotch is about to reach its breaking point.
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It had been years since you last walked the halls of Quantico. 
Back then, things were different. You were a profiler, standing shoulder to shoulder with the likes of Agents Gideon, Rossi, and Hotchner. 
You had a deep understanding of how the human mind worked—specifically, how it could be unraveled and manipulated. Your background in psychological torture had set you apart from most, and it wasn’t long before your work at the BAU made you a name within the Bureau.
But as the years went on, you found yourself taking a different path—one that led to the world of academia. Teaching at an Ivy League university seemed like the natural next step. It gave you the chance to share your knowledge, write books, and shape the next generation of criminologists. But as fulfilling as it was, something was missing.
The adrenaline. The stakes. The feeling of being out in the field, making a difference in real-time.
At the BAU, Rossi had seen it for a while now: the way Hotch carried the burden of the job, rarely letting himself relax. 
It wasn’t about setting him up with someone; it was about challenging him, waking him up again. You—sharp, confident, and always able to push his buttons—had a way of doing just that. 
Years ago, there had always been a fire between you, something unspoken yet undeniable. 
Rossi didn’t need to fan those flames—he just knew that having you nearby would reignite something in Hotch, force him out of his controlled, measured existence. You were one of the few who could challenge him in ways no one else could.
It wasn’t just about making Hotch feel young again but making him feel alive.
When Rossi reached out, you hadn’t needed much convincing. The new age of teaching wasn’t what it used to be anyway, and the BAU--it had always felt like home.
“Come on, kid,” Rossi’s voice crackled through the phone. “You know you miss the action. Sitting behind a desk teaching criminology to a bunch of Ivy League kids? That’s not you.”
You chuckled, leaning back in your chair. “Don’t knock it, Rossi. There’s a certain charm in watching them squirm when they realize the real world isn’t as glamorous as they thought.”
“Maybe,” Rossi replied with a laugh, “but you belong in the field, not in front of a chalkboard. The team misses you.”
You smirked, unable to resist teasing him. “The team, huh? Or is this your way of saying you’re getting old and need someone to keep you on your toes?”
“Please,” Rossi shot back, “I’m timeless. But we could use a little more… fire around here. You always had a way of lighting things up.”
“Is that your way of saying you miss me, Rossi?”
“Maybe,” he replied smoothly. “And maybe Hotch could use the challenge, too.”
“Ah, now I see. You’re just trying to stir the pot,” you teased, your voice light. “Fine, I’m in. But don’t think I won’t be bringing my own brand of chaos.”
“I wouldn’t expect anything less,” Rossi said, a smile in his voice. “Welcome home.”
When you worked together years ago, before Hotch became Unit Chief, there had always been something between you—unspoken, simmering beneath the surface. The chemistry was undeniable, though you both kept it buried under layers of professionalism. 
At the time, Hotch was married to Haley, and you had been in a relationship of your own. The affection you had for Haley, knowing how much she meant to him, made the idea of crossing that line impossible. There was a mutual understanding that, no matter the tension between you, it couldn’t be acted upon. 
But that didn’t mean it wasn’t fun to play around. 
You were always a natural flirt. Charisma came to you as easily as breathing, and sometimes, you didn’t even realize you were doing it. 
But with Hotch… it was different. He was reserved, controlled, and steady in a way that made the small cracks in his composure so satisfying to witness. And it became impossible to resist pushing him, just a little. 
Watching him squirm under the weight of your words and subtle glances became a game—a game where you were always two steps ahead. 
You knew how to push his buttons, and he let you.
He always had.
The distance between you, built by circumstance and respect for your respective relationships, had kept everything in check back then. It was that very distance that allowed the two of you to maintain your professional connection without ever letting the attraction get in the way.
The two of you had kept in touch over the years--various bureau events…the typical bureaucratic crap that you two would often bond over rolling your eyes at. 
But now, things were different. There were no more barriers. Haley was gone, your own relationship had long since ended, and that old chemistry still lingered—stronger, maybe, after all the time and distance. And this time, there was nothing to stop it from burning brighter.
There was something freeing knowing you could push a little further. The idea of it, acting on this attraction you couldn’t even deny you’ve had over the years, was thrilling.
On your first day back, the team gathered in the briefing room. Rossi had greeted you like the old friend you were, a sly smile on his face as if he already knew what was coming. Hotch stood off to the side, arms crossed, his eyes catching yours as the rest of the team exchanged introductions. He stepped forward, and for a moment, it was like no time had passed.
“It’s good to have you back,” Hotch said, his voice steady but lower than usual, as if acknowledging the weight of the years that had passed since you last worked together. “Things have changed a bit.”
You shook his hand, feeling the weight of familiarity settle between you, his grip warm and steady. “Yeah, I noticed. You’re the boss now,” you said, tilting your head slightly, your tone playful but your gaze steady. “Guess I’ll have to get used to taking orders.”
Hotch didn’t respond immediately, but his brow lifted just slightly, a rare flicker of amusement in his eyes. His thumb brushed across your hand before he released it, stepping back. “We’ll see how well that goes.”
The others—Morgan, JJ, Reid, and Prentiss—had heard of you, of course. Your name was well-known in FBI circles, especially since you’d been one of the few women to pave the way for others in the Bureau. They respected you immediately, not just because of your accolades, but because of how you carried yourself—confident, self-assured, commanding respect without demanding it.
The case briefing began, and Hotch, ever the professional, gave the rundown of the unsub’s profile. You couldn’t help yourself. As he stood in front of the team, rattling off key details, you crossed your arms and leaned back in your chair, a small, teasing smile tugging at your lips.
“Still delivering profiles like they’re carved in stone, Hotchner?” you teased casually, just loud enough for the others to hear.
Hotch’s eyes flickered toward you, a brief flash of something behind them before he cleared his throat. 
“I prefer to think of them as accurate,” he replied, his voice smooth but with an edge. “Just like always.”
The corner of your mouth lifted into a knowing smile, and you saw it—the tiniest twitch of discomfort in his jaw. 
Oh, you still had him.
Rossi, sitting nearby, chuckled softly. “Watch out, everyone. The professor’s back.”
The rest of the team exchanged glances. JJ leaned toward Emily, whispering, “Is it just me, or is there something… more there?”
Emily raised an eyebrow. “You’re definitely not imagining it.”
In the days that followed, it became clear to the rest of the team that there was a thick tension between you and Hotch—an almost palpable current that crackled whenever you were in the same room. 
You couldn’t help the way you flirted with him. Sometimes, it was a subtle comment, a lingering glance, or the way you stood just a little too close during case briefings. Other times, it was more overt—a casual touch on his arm, a playful quip when you knew the team was listening. 
You’d always had a rebellious streak when it came to authority, sometimes you wondered how you got as far as you did in your career with that mouth of yours.
Hotch—rigid, rule-following Hotch—was just too tempting a target. You’d once jokingly referred to yourself as a “brat” when it came to pushing buttons, and in your case, that usually meant defying authority with a smile on your face.
But something was different now. Back when you worked together years ago, Hotch would brush off your teasing with calm professionalism, barely giving you a reaction. He’d remain composed, seemingly impervious to your provocations. Now, though, he seemed more willing to engage, to push back just a little more than you expected. 
You weren’t often surprised by people, but Hotch’s newfound ability to meet your wit with his own had caught you off guard.
It wasn’t just his typical stoic self anymore—there was an edge to his responses, a glint in his eye that made it clear he wasn’t just enduring your teasing; he was playing along. And it threw you off balance in a way you didn’t quite anticipate.
It wasn’t just in front of the team, either. In private, away from the others, Hotch’s responses had started to take on a different tone—quieter, more personal, laced with something you couldn’t quite put your finger on. There were times, especially late at night when the office was nearly empty, when his voice would drop low as he answered one of your playful jabs, turning the tables on you in a way that made you squirm just a little.
And that was something new. You weren’t used to being the one caught off guard. Hotch had always been steady, collected. But now, you noticed the way his eyes would flicker down to your lips when you spoke, the way his voice dropped just a little lower when he addressed you directly. He never let it show, at least not on the surface, but you knew. You always knew.
It was late, the bullpen quiet save for the soft hum of computers and the occasional shuffle of papers. You had finished most of your report and were about to call it a night when you spotted Hotch still in his office, the faint glow from his desk lamp highlighting his focused expression. Naturally, you couldn’t resist.
You knocked lightly on his door, smirking as you leaned against the frame. 
“Burning the midnight oil, Hotchner? You know, even you need sleep sometimes,” you teased, the playful lilt in your voice familiar.
Hotch didn’t look up right away, but you saw the small smile tug at the corner of his lips. “Funny, I was going to say the same to you.”
You stepped into his office, crossing your arms as you leaned against his desk. “Well, unlike you, I still know how to have fun. Late-night drinks can be productive, you know.”
This time, Hotch raised his eyes to meet yours, his expression calm but something else lurking behind it. “Is that an invitation?”
You blinked, caught completely off guard by the unexpected shift in his tone. “I—what?”
He closed the file in front of him slowly, standing up from his desk to face you fully. His voice was steady, a quiet challenge in his words. 
“You said late-night drinks could be productive. If you’re offering, I might just take you up on that.”
For a moment, you were at a loss for words, something that almost never happened. You could feel your pulse quicken, the confidence you usually wielded slipping as Hotch’s eyes stayed on yours, unflinching.
Recovering quickly, you gave him a slow, teasing smile, though your heart still raced. “Are you sure you could handle it, Hotch? You don’t strike me as the type to let loose.”
Without missing a beat, he tilted his head slightly, his gaze unwavering. “Maybe you’ve underestimated me.”
There it was. The subtle, confident way he turned the tables, leaving you scrambling for a response. You weren’t used to being on the receiving end of this kind of banter, especially not from Hotch.
You felt a flush rise in your cheeks, and Hotch’s eyes flickered down, just briefly, as if noticing. When he looked back up, there was a slight smile playing on his lips, but he didn’t push further, leaving the weight of the moment hanging between you.
“I’ll keep that in mind,” you replied, your voice a touch quieter than you intended, the flirtation still there, but now with an undercurrent of something else. Something deeper.
Hotch simply nodded, his expression softening, though his gaze didn’t falter. “Good night, then.”
You turned to leave, feeling the warmth in your cheeks as you walked out of his office, your mind spinning from the unexpected encounter. You had always been able to push his buttons, but tonight… it seemed Hotch had learned how to push yours.
Over time, the team grew used to the rapport between you and Hotch, much like how they had come to accept the flirtatious banter between Penelope and Derek. But with you and Hotch, it was different—sharper, more restrained, but no less intense. 
The others would exchange knowing glances when your conversations got a little too charged, but they respected the unspoken boundaries you and Hotch danced around.
And the truth was, those boundaries wouldn’t stay unbroken forever.
There was this push and pull—a game of tug-of-war. You both knew how to push each other's buttons, but you also knew when to let go before the rope broke or one of you fell flat on your faces. It was a delicate balance, and somehow, neither of you ever crossed the line. At least, not yet.
It was late, and the harsh lighting of the local police station did nothing to alleviate the exhaustion that hung over the team. 
The case had finally been wrapped up, and now it was just a matter of packing up and heading home. Everyone was scattered around the room, collecting files and closing laptops, the weight of the long hours evident on all of your faces.
You were finishing up, leaning casually against one of the cluttered desks near Hotch, who was meticulously stacking paperwork into his briefcase. He always took his time—never rushed, even at the end of a long case. It was one of the things that both fascinated and frustrated you about him.
“Come on, Hotch,” you teased, watching him with a smirk. “You ever think about leaving the paperwork for tomorrow? Or are you afraid the world might end if you don’t have everything perfectly organized before we leave?”
Hotch looked up from his task, his expression as stoic as ever. “The sooner it’s done, the sooner we can all go home,” he replied, his voice even and calm.
You couldn’t help but chuckle. 
“Home? You mean you’re actually going to leave this place?” you asked, your tone playful. “I always thought you just… stayed at the office, brooding until the next case rolled in.”
Across the room, Morgan and Prentiss were packing up their own gear, but your voice was loud enough to catch their attention. Morgan glanced over, smirking. “Brooding’s definitely on-brand for Hotch,” he muttered to Prentiss, who hid a smile behind her hand.
Hotch closed his briefcase and stood up, straightening his posture as he turned to you, and this time, there was a flicker of something in his eyes—something that caught you off guard. 
“I don’t brood,” he said, his tone just a little too smooth. “And I think you’d be surprised at how well I can unwind.”
You blinked, momentarily thrown by the unexpected comeback. “Oh yeah?” you challenged, crossing your arms and leaning against the desk a bit more. “Guess I’ll need proof of that. Can’t have the Unit Chief pretending to be fun when there’s no evidence.”
Hotch didn’t miss a beat. He stepped closer, his voice dropping just enough that only you could hear, though the team was watching from across the room. 
“Careful,” he said quietly, his gaze unwavering. “You might not be able to keep up.”
Your breath hitched slightly, your pulse quickening in response to the subtle challenge in his words. You weren’t used to Hotch pushing back like this, and it caught you off balance for a second. You had always been the one to make him squirm, but now… now, he was the one getting under your skin.
“Did Hotch just—” Prentiss began, her eyebrows raised as she glanced at Morgan, who looked just as surprised.
Morgan leaned back in his chair, a slow grin spreading across his face. “I think Hotch just played her at her own game.”
Prentiss smirked, shaking her head slightly in disbelief. “I didn’t know he had a game.”
Morgan chuckled. “Oh, he does. He’s just been keeping it locked away until now.”
Across the room, Rossi, who had been quietly observing the exchange, gave an almost imperceptible nod, clearly pleased with what he was seeing. He had known you would be good for Hotch, and seeing the dynamic between the two of you now only confirmed it.
You quickly regained your composure, leaning in just slightly as you shot back, “I’m pretty sure I could handle it, Aaron.”
Hotch’s lips quirked in a subtle smile, but he didn’t respond right away. Instead, he stepped back and grabbed his coat, leaving the challenge hanging in the air. 
“We’ll see,” he said, his voice calm, but there was a teasing undertone to it now.
As Hotch walked toward the door, the rest of the team finally let out the breath they had been holding.
“Wow,” JJ said, eyes wide. “Did we just witness Hotch flirting?”
“I’m not sure I believe it,” Reid chimed in, looking genuinely puzzled.
Morgan crossed his arms, a wide grin spreading across his face. “It’s about time someone shook things up around here.”
Rossi walked past you, slapping a hand on your shoulder as he did. “Keep it up, kid,” he said with a satisfied grin. “Looks like you’ve got him right where you want him.”
You rolled your eyes, though a smile tugged at your lips. “I think he’s the one keeping me on my toes now,” you muttered under your breath.
As the team gathered their things and headed for the SUVs, you couldn’t help but steal another glance at Hotch. The way he had engaged with you tonight—subtle, teasing, but undeniably flirtatious—left you with a strange mixture of excitement and surprise. You’d always known how to push his buttons, but now? Now it felt like Hotch was finally ready to play the game.
And for the first time in a long while, you weren’t sure who had the upper hand.
Weeks had passed since that night, and though the tension between you and Hotch still simmered beneath the surface, the team had moved on to a new case, throwing you both back into the rhythm of work. The dynamic had shifted, but the game remained—unspoken but always present. Now, out in the field with Morgan, the familiar tension crept back in as you prepared to relay critical information to Hotch.
The case had taken a sharp turn, and every second mattered. You dialed Hotch’s number, knowing the information you were about to relay could be critical. But, as always, the tension had you slipping into your usual rhythm of teasing—almost like second nature when things got stressful.
Hotch answered on the second ring. “Hotchner.”
“Hey, got something for you,” you said, catching a breath. “We spoke to a witness. Black SUV, partial plates, seen leaving the scene about an hour ago. I’m starting to think I’m carrying this whole case. You sure you don’t need me running things for you while you take a day off?”
Morgan shot you a sharp look, trying not to laugh. The timing wasn’t great, and he fully expected Hotch to cut you off with a firm, no-nonsense response. After all, this was Hotch.
There was a brief pause on the line, and Morgan mouthed at you, “He’s gonna kill you.”
But then, Hotch’s voice came through, low and steady. “Careful,” he said, his tone calm but carrying an unmistakable note of amusement. “If you keep talking like that, I’ll start thinking you’re trying to get yourself reassigned to paperwork duty.”
You blinked, momentarily stunned. That wasn’t what you expected at all. Was that… Hotch teasing you? It was subtle—typical Hotch—but unmistakable. Your mouth opened to respond, but for once, words didn’t immediately come.
Morgan’s eyebrows shot up, clearly floored. “Wait, did Hotch just—” he started, but you waved a hand to silence him, still processing the fact that Aaron Hotchner had just flirted back, in his own serious, dry way.
“Well,” you finally managed, “as long as I can file it in your office, I’m sure I’d manage just fine.”
Another pause. “I think you’d find my office much less entertaining than you imagine,” Hotch replied smoothly, the same playful edge to his voice.
Morgan let out a disbelieving laugh, throwing up his hands in mock defeat. “Okay, what is happening right now?”
“I—uh, yeah, I’ll get those plates to you,” you said, trying to regain control of the conversation, but there was a heat in your cheeks that wasn’t from the work. “I’ll, uh, check in when we’ve got more.”
“Understood,” Hotch said, his tone back to business, though you could still hear the amusement lingering beneath the surface. “Keep me updated.”
Something shifted. The playful banter that had always come so easily felt heavier now, charged with something unspoken. For the first time, you both sensed it—this wasn’t just a game anymore. The teasing, the flirting—it had blurred the line between fun and something far more real. Neither of you said it out loud, but you could feel it in the weight of every word, in the way the silence lingered a second too long after each response.
When the call ended, Morgan stared at you like you’d grown a second head. “You gotta be kidding me. Hotch? The man barely cracks a smile, and here he is giving you hell?”
You shrugged, trying to act nonchalant despite the lingering warmth in your face. “He’s still my boss,” you said, playing it cool. “He’s just… keeping me in line.”
Morgan snorted. “Yeah, right. If I said half that stuff to him, I’d be doing desk duty for a month. You’ve got some kind of magic over him, I swear.”
Meanwhile, back at the local precinct, Hotch ended the call and glanced up to find Rossi watching him with a knowing grin. Rossi had caught the tail end of the conversation and didn’t need to ask to know what had just happened.
Hotch raised an eyebrow at him. “Something you want to say?”
Rossi chuckled, shaking his head. “Nothing at all, Aaron. Just nice to see you loosening up.”
Hotch gave him a steady look, but the faintest hint of a smile tugged at the corner of his mouth. “Someone has to keep her in check,” he said, slipping his phone into his pocket.
“Sure,” Rossi replied, clearly enjoying the exchange far too much. “Though I don’t think you’re trying that hard to stop her.”
Hotch didn’t respond, but there was a quiet understanding between them. Rossi had always known how to read between the lines, and Hotch’s small smile confirmed that Rossi’s instincts were right.
Back in the field, Morgan still hadn’t let it go. “I seriously don’t know how you get away with it,” he said, shaking his head as you both climbed into the SUV.
You shot him a sidelong glance, the smirk creeping back onto your face now that you had recovered from the surprise. “What can I say? I’m special.”
“Yeah, well, you better be careful,” Morgan teased, pulling out of the lot. “Because if Hotch ever does snap, it’s going to be spectacular.”
You laughed, leaning back in your seat. “I think we both know he likes playing this game as much as I do.”
Morgan chuckled but didn’t disagree. As you drove away, you couldn’t help but think back to Hotch’s voice on the phone, how he’d turned your usual banter right back on you. For once, he had left you the one a little off balance.
Later that day, as you and Morgan returned to the bullpen, Penelope swirled into the room with her usual dramatic flair. 
"Well, well, well," she began, her eyes twinkling with mischief. "I heard a little birdie tell me there was some serious verbal sparring going on between you and the boss-man in the field today. Dare I ask how it ended?"
Morgan chuckled, throwing you a knowing glance. "Oh, it ended alright. But for once, I think Hotch had the upper hand."
Penelope gasped in mock horror, her eyes widening. "Our resident queen of sass, left speechless by Hotch? This I have to see."
You rolled your eyes, but couldn’t help the small smile tugging at your lips. "It’s nothing I can’t handle," you said, but the truth lingered in your mind. This was only the beginning, and even you didn’t know where it would lead.
As the days passed, you found yourself thinking more and more about that shift with Hotch, but before you could dwell on it too much, the next unavoidable event crept up on you—a formal Bureau gala.
It was a rare occurrence—one of those formal Bureau events where the invitations were non-negotiable, the kind you couldn’t avoid no matter how much you wanted to. This time, it was a benefit gala, an annual gathering of Bureau brass and political figures. Most of the team had managed to find a way out, but you, Hotch, and Rossi had drawn the short straws.
Rossi, ever the diplomat, had no issue attending these sorts of events—especially since Strauss had already invited him as her plus-one, an arrangement that left you and Hotch both slightly bemused.
“Looks like it’s just you and me,” you teased when you and Hotch were left figuring out your own arrangements.
Hotch looked at you for a moment, something unreadable in his expression. Then, to your surprise, he said, “You could come as my date.”
You blinked, caught off guard for a second. Hotch rarely flirted so openly, and the ease with which the words left his mouth left you momentarily speechless. 
“Your date?” you repeated, a smile tugging at the corners of your lips. “You sure you can handle that?”
“I think the better question is whether you can behave,” Hotch replied, his tone measured but carrying that dry, teasing edge you were beginning to recognize more and more.
You raised an eyebrow, recovering quickly. 
“Behave? Where’s the fun in that?” you quipped back. “Alright, deal. But you better not leave me to fend off the Bureau’s old guard on my own.”
Hotch gave a small, amused smile. “Wouldn’t dream of it.”
The night of the gala approached faster than you expected, and soon enough, Hotch was back in his office, preparing for the evening ahead.
As Hotch finished straightening his bow tie, he heard the familiar knock on his office door. Rossi stepped in, leaning casually against the doorframe, his eyes sharp as ever.
“You clean up nice,” Rossi said with a smirk. “But that’s not what’s got me concerned.”
Hotch looked up from his desk, brow furrowed. “What’s that supposed to mean?”
Rossi stepped closer, his tone softening just slightly. “Aaron, I’ve been watching you. You’ve got that look—like you’re fighting something inside.”
Hotch sighed. He didn’t have to ask what Rossi meant. “It’s complicated, Dave.”
Rossi gave him a pointed look. “It’s only as complicated as you make it. Look, I know you. You’re holding back because that’s what you do. But maybe this time, you don’t have to. Let loose. Lean into it. You deserve that.”
Hotch’s jaw tightened. “I’m not sure I can afford to.”
Rossi smiled knowingly. “You deserve to feel alive again, Aaron. Don’t miss your chance.”
Hotch didn’t respond, but the words stayed with him long after Rossi left the room. He just continued to run through his thoughts as he grabbed his keys and made his way to the SUV to go pick you up. 
You’d never have imagined Hotch picking you up in a tux, let alone for a Bureau gala where you’d be going as his date. 
It had started as playful banter, something you never thought would lead to more. But the moment you accepted his offer to be his date, something shifted. There was a weight behind it, an unspoken connection that ran deeper than either of you had let on. 
And now, as you smoothed your dress one final time before he arrived, a flutter of nerves settled in your chest. This wasn’t just flirting anymore. You could feel it—something real, something that went beyond the game you’d been playing for months.
When Hotch pulled up in front of your place, he stepped out of the car to greet you, and the sight of him in a sharp black tuxedo made you momentarily lose your train of thought. He was always put-together, but tonight? Tonight, there was an extra edge to his appearance, something that sent a shiver down your spine.
“Right on time,” you quipped as he opened the door for you. “Very punctual, as always. Does that come with being Unit Chief, or is that just your way of keeping everyone else on their toes?”
Hotch gave you a small smile, his eyes flickering over your dress for just a second longer than usual. “Some habits are hard to break,” he replied evenly. “You look great, by the way.”
You slid into the car, throwing him a playful glance. “You too, Hotch. I didn’t even know you owned anything that wasn’t a suit. What, no bulletproof vest tonight?”
He chuckled under his breath as he started the car, his hands gripping the wheel in that familiar, controlled way. “I figured it wasn’t necessary for a Bureau gala.”
You leaned back in your seat, smirking. “Well, you never know. Some of those higher-ups look like they could start a fight at any moment. Good thing you’ve got me as backup.”
Hotch gave a small shake of his head, amusement flashing in his eyes. “I’m sure you’ll be able to handle yourself just fine.”
As the car sped through the city streets, you couldn’t resist pushing him a little more. “Come on, Hotch. You’ve got to be at least a little excited. Big fancy event, all dressed up. We might even see you smile tonight.”
He glanced at you, his expression calm but with that familiar, dry edge. “You might want to lower your expectations.”
You grinned, leaning a little closer to him as you teased, “What, are you saying I’m setting the bar too high?”
His eyes flicked to you briefly before returning to the road, and you caught that subtle tension in his posture. “I’m saying you always seem to enjoy pushing limits.”
You blinked, momentarily thrown by the way he’d turned the banter back on you. You opened your mouth to respond, but his quiet confidence left you feeling like he had gained the upper hand.
“Well, someone’s gotta keep things interesting,” you muttered, trying to regain your footing.
For the rest of the drive, you continued to pepper him with lighthearted comments—teasing him about his serious demeanor, joking about the politics of Bureau galas, you even talked about Jack a few times—but underneath it all, there was a tension growing. Each time Hotch shot back with his calm, dry responses, it felt like a game you were both playing, and you were starting to realize you might not be in control of it anymore.
When you arrived at the gala, Hotch stepped out of the car and opened the door for you, offering his hand as you stepped out. You were about to throw another teasing comment his way, but when you looked up at him, standing there in that tux, the words caught in your throat.
He met your eyes with a steady gaze, and for a moment, neither of you said anything. The teasing, the banter—it all fell away, leaving behind the raw tension that had been building since he picked you up.
“You alright?” he asked quietly, his voice just loud enough for you to hear over the sounds of the city around you.
You blinked, quickly recovering. “Yeah, just… surprised that you’re really here, taking me as your date.” Your eyes flicked over him, taking in how good he looked, even though that wasn’t the real surprise. “But, I mean, you do clean up nice, Aaron.”
Hotch tilted his head slightly, a small smile tugging at the corner of his mouth. “Surprised I asked you?” His voice was calm, but there was a flicker of something deeper in his gaze. “I thought it was about time.”
You smiled, the tension between you thickening. “Maybe I am
Inside the gala, the atmosphere was elegant, with the sounds of soft music and quiet chatter filling the room. You and Hotch had already made your rounds, engaging in small talk with Bureau officials and shaking hands with people you didn’t particularly care for. But through it all, the tension between you and Hotch lingered.
After an hour or so, you found yourselves at the bar, taking a moment to escape the crowd. You leaned against the counter, watching Hotch as he ordered a drink for himself and one for you.
“See?” you said, giving him a teasing smile. “This isn’t so bad. You’re surviving, and you even managed to crack a joke or two. I think we can count this as a win.”
Hotch raised an eyebrow, “You’re the one who said I needed to loosen up,” he said evenly, his voice carrying that quiet, playful edge. “I’m just following your advice.”
You grinned, the energy between you shifting, the tension you’d been playing with all night coming to a head. Now was as good a time as any to test his limits a little further. 
“Oh, I’ve got plenty of advice for you, Hotch,” you said, leaning in just enough to catch his full attention, your voice dropping to something more suggestive. “And I bet if I really tried, I could get you to loosen up a lot more.”
Hotch’s gaze sharpened, lingering on yours longer than before. There was a flicker of surprise there—just for a second—but it quickly turned into something else. Amusement. Challenge.
“You might want to be careful,” he replied, his voice still smooth but now edged with something darker, something more dangerous. “You’re playing a game you might not be ready to finish.”
You laughed softly, unbothered by his attempt to warn you off. If anything, it only made you push harder. “I don’t think you’d mind that one bit,” you said, your tone bold. “Besides, I’m not the one who’s holding back.”
Hotch’s lips quirked into the faintest smile, but there was a glint in his eyes that told you he wasn’t going to let you off that easily. “Is that what you think? That I’m holding back?”
You tilted your head, “Oh, I know you are. You’ve been doing it all night.”
For a moment, there was silence between you, the tension thick enough to cut through. Hotch’s eyes flicked down to your mouth for a second before returning to meet yours, and when he spoke again, his voice was lower, almost a growl. “You might be playing with fire.”
The words sent a shiver down your spine, and for the first time that night, you wondered if you had pushed him a little too far. But then again, that’s exactly what you’d been trying to do, wasn’t it? Test the waters. See how much you could make him bend before he snapped.
But Hotch didn’t snap. Instead, he leaned in, his breath warm against your ear as he whispered, “I’m not the one who’ll break first.”
Your breath caught, and before you could respond, the bartender breaking the moment. You took a step back, trying to compose yourself as Hotch straightened, his expression calm and controlled once again—though the look in his eyes told you the game wasn’t over.
“Here you go. Anything else for the happy couple?” The bartender placed the glasses in front of you both.
You froze for a second, the bartender’s words hanging in the air. You were about to correct him when you glanced at Hotch, curious to see his reaction.
Hotch, to your surprise, didn’t immediately deny it. Instead, he gave the bartender a polite smile and said, “We’re fine, thank you.”
As the bartender moved on, you turned to Hotch, raising an eyebrow. “Happy couple, huh?”
Hotch shrugged, taking a sip of his drink. “It seemed easier than explaining.”
You couldn’t help but laugh, shaking your head as you leaned in closer. “I think you’re enjoying this a little too much.”
He met your gaze, his expression calm but with that unmistakable glint of amusement in his eyes. “Maybe.”
The air between you felt heavier now, the flirtation and tension building to a point where it felt like something was bound to break. You weren’t sure how much longer you could keep up the banter without it tipping over into something more.
“You know,” you said softly, your voice dropping, “if we’re going to play the part, we should at least make it convincing.”
Hotch’s eyes flickered down to your lips for just a second before meeting your gaze again. “Is that what you want?”
For once, you weren’t sure what to say. The teasing had turned into something real, something you hadn’t expected, and now you were standing at the edge of a line neither of you had crossed before.
“I don’t know,” you said, your voice barely above a whisper. “Maybe.”
Hotch didn’t move, but the weight of his gaze stayed locked on yours, the tension between you stretching tight, waiting to snap.
“Are you ready for what comes next?” he said quietly, his voice soft but firm, and you knew—whatever happened next, you wouldn’t be able to go back.
Your pulse quickened at his words, but before either of you could act on the weight of the moment, the evening continued on, pulling you both back into the motions of the event. 
As the night was winding down, you and Hotch found yourselves standing with Rossi and Strauss near the exit. The tension between you and Hotch had been brewing all evening, and Rossi, as always, hadn’t missed a thing.
With a dramatic sigh, Rossi glanced between you two before smirking at Strauss. “You might want to start drafting those HR consensual relationship forms, Erin,” he teased, eyes twinkling. “Looks like there’ll be a couple on your desk by Monday.”
Strauss rolled her eyes, but there was a smile tugging at her lips. “Oh, and what about your paperwork, Dave?” she shot back, raising an eyebrow at their own not-so-subtle fraternizing.
Rossi grinned, unbothered. “I’m grandfathered in. But these two?” He gave you and Hotch a knowing look. “Better watch out.”
You chuckled, shaking your head, while Hotch remained calm, though you saw the flicker of amusement in his eyes.
“Duly noted,” Hotch said, his voice steady, but you could feel the charge between you.
Strauss sighed, giving one final glance between you and Hotch. “Just make sure I’m not dealing with fallout from both of you by Monday.”
Rossi patted her arm, chuckling. “Only if you sign the forms first.”
As Rossi and Strauss headed out, you turned to Hotch, smirking. “Looks like we’re on notice.”
Hotch’s lips curved just slightly. “Seems that way.”
You both shared a brief, knowing look, the tension still simmering beneath the surface.
The night had stretched on, and as the crowd in the ballroom began to thin, the tension between you and Hotch had reached a breaking point. 
The teasing glances, the subtle brushes of his hand, and the simmering heat had become too much. Hotch, ever composed, had kept his professional demeanor in front of the others all night, but you could feel the pull between you both—like you were walking a tightrope.
You both stood off to the side after the last round of handshakes, observing the room in comfortable silence. But out of the corner of your eye, you caught Hotch glancing at you, his expression unreadable, though there was something different in his gaze tonight—something less guarded.
“Need some air?” he asked quietly, his voice just loud enough for you to hear.
You hesitated for a second before nodding. “Yeah, I think I could use a break from all the small talk.”
Hotch didn’t say anything more, but you followed him as he led the way toward a quieter part of the venue, away from the buzz of the event. 
It was a subtle move, deliberate yet not rushed. You could feel your heart beating a little faster, though neither of you had said anything more.
He pushed open a door to a quiet, unused room, likely an office set aside for event staff, and gestured for you to follow him inside. You did, your breath catching slightly at the realization of how close you were now to being truly alone.
Once inside, the door clicked softly behind you, and the hum of the gala faded into the background, leaving the two of you standing in the dimly lit space. Hotch remained still, keeping a respectful distance, though the tension in the air was palpable. His body language was controlled, but the way his eyes flicked to yours made it clear he wasn’t unaffected by everything that had passed between you tonight.
“You okay?” he asked, his voice steady, but there was a subtle edge to it—like he was testing the waters, gauging where you stood.
“Yeah,” you replied softly, meeting his gaze. “Just… a lot tonight.”
Hotch nodded, his eyes lingering on you a moment longer. 
“You know exactly what you’re doing,” he said, his voice quieter now, low and controlled. There was no accusation, just a quiet acknowledgment of the game you’d both been playing.
Your breath hitched, but you couldn’t help the smile that tugged at your lips. “You seem to be holding up pretty well.”
“Barely,” he murmured, his eyes flicking to your lips. His response surprised you, but also intrigued you. 
He moved in closer, his presence almost overwhelming as he pressed you gently against the wall, his hand bracing beside your head.
For a second, neither of you moved. His body was just inches from yours, and you could feel the warmth radiating from him. The tension, the push and pull of the game you’d both been playing, was about to snap.
Before you could say another word, Hotch’s hand moved to your face, his thumb brushing the corner of your lips, lingering there in a way that sent a shiver down your spine. His touch was soft but deliberate, and it took every ounce of restraint not to close the small gap between you.
Just as you leaned in, lips almost touching, Hotch’s phone buzzed in his pocket, the sound cutting through the moment like a knife. He sighed, the frustration clear, but he didn’t pull away. Instead, he fished out his phone with his free hand, glancing at the screen.
“Hotchner,” he answered, his voice immediately shifting back to its usual authoritative tone, though his body stayed pressed close to yours, his hand still resting on your face.
You thought he might step back, put some distance between you, but he didn’t. 
Instead, as he spoke into the phone—likely discussing the logistics of the case—his thumb traced the curve of your bottom lip, soft and slow, like he couldn’t help himself. 
It was such a contrast to the professional tone of his voice that it made your head spin.
You tried to focus on what he was saying, but the heat from his touch, the way he stayed so close, made it impossible to think clearly. You felt every breath he took, the tension between you even more potent now that you were both so aware of it but unable to act.
After what felt like an eternity, Hotch finally hung up the phone, but he still didn’t pull away. His eyes locked onto yours, the intensity of the moment thickening all over again.
“We’ve got a case,” he said softly, his voice a little rough, like the weight of what almost happened hadn’t left him unaffected.
You exhaled, a frustrated but soft laugh escaping your lips. 
“Figures,” you murmured, your heart still pounding.
Hotch’s thumb brushed over your lip one last time before he finally stepped back, giving you just enough space to breathe again. But the tension between you remained, unbroken.
“We’ll finish this later,” he said quietly, his eyes holding yours for a moment longer before he turned toward the door.
As you both walked out of the room and back into the world of the FBI, you knew he wasn’t making an empty promise. Whatever had started tonight, it wasn’t over. Not by a long shot.
Whatever was staring you two in the face was too good to ignore. 
Within the hour, the team gathered in the briefing room, the atmosphere charged with the usual mix of focus and adrenaline that came with starting a new case. You were still thinking about the gala—about how close you and Hotch had come to crossing that line before the case pulled you away. Now, the professional walls were back up, and things were business as usual. Or so you thought.
Garcia had laid out the details of the new case on the screen, and you listened as she explained the suspects and their patterns. The unsub was targeting high-profile events, blending in by posing as part of the upper-crust social scene while his victims were unaware. 
The most recent lead? A high-end party happening the next evening, where undercover agents would need to infiltrate to catch the suspect in the act.
Rossi glanced around the room, his gaze landing on you and Hotch, a spark of amusement in his eyes. 
“Well, looks like we need a couple,” Rossi said, his voice casual but with a teasing edge. “A couple that can really sell it. High-class, a little… steamy.”
You felt your stomach flip slightly, the underlying tension from last night creeping back in. Hotch remained composed beside you, his expression as unreadable as ever. But before you could respond, Morgan leaned forward, grinning like he knew exactly what was about to happen.
“You know,” Morgan began, his eyes darting between you and Hotch, “I think we’ve already got the perfect pair for this.”
You blinked, your eyes widening slightly as the attention in the room shifted toward you and Hotch. “Wait—us? No.”
Morgan leaned back, smirking. “You two would be perfect. Got that whole chemistry thing down already.” He gave a mock shudder. “Not sure I’m ready to see what happens when you actually lean into it, though. Might witness something real go down out there.”
Hotch shot Morgan a brief but sharp look, clearly unimpressed with the teasing, though you could see the faintest hint of discomfort in his posture. 
“I’m not sure this is the best idea,” Hotch said, his voice calm but firm.
Rossi raised an eyebrow, his expression amused. “Come on, Aaron. You and her? The chemistry’s already there. Plus, you’re both the best at keeping your cool under pressure.”
You opened your mouth to protest, unsure how this had suddenly turned into you and Hotch going undercover as a couple, but JJ spoke up before you could.
“They’re right,” she said with a soft smile. “You two could pull this off. If anyone can make this look convincing, it’s you two.”
Hotch’s jaw tightened, and you could feel the weight of his gaze on you, but he said nothing. You, on the other hand, decided to lean into the banter, if only to diffuse the tension.
“Well,” you said with a grin, glancing at Hotch, “I guess I’ll have to be on my best behavior. Don’t want to push your buttons too much while we’re out there.”
Morgan let out a low chuckle, and even Reid smirked behind his stack of files. “I think the real question,” Morgan said, glancing at Hotch, “is whether he can keep it together when you start leaning into the role.”
Hotch’s eyes narrowed slightly, though his composure remained intact. “I’m perfectly capable of maintaining professionalism,” he said, though the tension in the room suggested that everyone—including Hotch—knew this undercover assignment was going to be anything but easy.
With the decision made, the plan was set: you and Hotch would pose as a couple attending the high-end party, posing as wealthy socialites while the team monitored from a distance.
As the meeting wrapped up, you caught Hotch’s gaze, the weight of everything unsaid between you settling back in. This assignment was going to test both of you, and it wasn’t just about catching the unsub—it was about how far you could push the chemistry that had been simmering between you for months.
As the team dispersed, Morgan walked by, shooting you both a playful glance. “Good luck out there. Just don’t make it too real, alright?”
You shook your head, giving him a light punch on the arm. “Don’t worry. I’ll try not to break your Unit Chief.”
Morgan laughed, but before he could respond, Garcia’s voice piped up from behind, her eyes wide with dramatic flair. “Oh, sugar, please keep it together out there. I don’t think the universe can handle you two actually playing couple for real.”
Emily smirked, glancing between the two of you. “I have to admit, I’m almost curious to see how well you sell it. Key word: almost.”
You rolled your eyes, fighting the smile tugging at your lips. “I’ll behave. Promise.”
“Better you than me,” Emily added, giving you a playful wink before heading off with Garcia in tow.
Morgan chuckled as he walked away, leaving you and Hotch standing there for a moment. The teasing from the team faded as the reality of the situation set in, the tension between you suddenly palpable.
“You sure about this?” you asked quietly, your voice carrying more weight than before.
Hotch’s eyes softened just slightly as he looked at you, but his voice was steady. “We’ll make it work.”
There was something in the way he said it that made you believe him, even as your heart raced at the thought of what was about to unfold.
The small, dimly lit prep room had been quiet as you finished getting ready for the undercover assignment. 
You adjusted the delicate lace garter holster on your thigh, securing the small, discreet weapon inside, while slipping the matching lingerie into place. The deep red fabric, though meant to be functional, added an unexpected level of sexiness to the outfit—a necessary piece of your undercover role, but one that made you feel the weight of the assignment in a different way.
You were just about to slip on your dress when there was a soft knock on the door. “It’s me,” Hotch’s familiar voice came through, steady and calm as always.
“Come in,” you called, expecting him to go over last-minute details. But when the door swung open, Hotch stepped inside and froze.
His usual calm composure faltered for just a moment as his eyes fell on you, standing there in nothing but your lingerie and garter holster, the silk and lace framing your body in a way that was far from professional. 
He didn’t speak right away, his dark eyes taking in the sight of you with a stunned silence that was so un-Hotch it made you smile.
“Cat got your tongue, Aaron?” you teased, feeling the tension rise between you like a thick fog. The way he looked at you—completely unguarded, caught off balance—was more of a reaction than you’d ever expected.
He cleared his throat, his jaw tightening slightly as he tried to regain his composure, but the subtle flush in his cheeks told you all you needed to know. 
“We have… ten minutes before we leave,” he said, his voice sounding a little rougher than usual.
You smirked, turning to grab your dress from the hanger. 
“I know. Just finishing up,” you said casually, like the air between you wasn’t crackling with tension. 
You slipped the dress over your head, the soft fabric falling against your skin, but the zipper in the back was out of reach.
Without missing a beat, you turned your back to him, lifting your hair with one hand and glancing over your shoulder. “Help me with the zipper?”
Hotch hesitated for a second before stepping closer, his fingers grazing the smooth fabric of your dress as he reached for the zipper. His touch was light but deliberate, and as he slowly pulled the zipper up, you could feel the tension building with every inch.
The proximity was dizzying, the heat of his body just behind yours making your pulse race. You could sense his restraint, the way his breath caught slightly as his fingers brushed the bare skin of your back.
When he finished, his hands lingered for just a moment too long, and you turned to face him, the atmosphere between you thick with unspoken desire.
“Thanks,” you said softly, your eyes locked on his. You could see it—he was fighting it, the same tension that had been building between you both for months.
Hotch stepped back, his jaw tight, his expression unreadable but his eyes giving him away. 
“We need to stay focused out there,” he said, his voice low, though there was an edge to it now, a struggle between control and something else.
You smiled, that familiar spark of playfulness returning to your voice. “Relax, Hotch. We’ve got this.” You took a step closer, your eyes gleaming with mischief. “Unless you want to practice playing the part before we go out there? You know… make sure we’ve got the chemistry down.”
For a moment, Hotch didn’t move, the weight of your words hanging between you like a challenge. His eyes flicked to your lips, his breath steady but shallow. The tension was unbearable, thick with everything unsaid.
He leaned in just slightly, his voice barely above a whisper. “We both know there’s no time to finish what you’re starting.”
Your heart skipped a beat, but before you could say anything else, he stepped back, the tension breaking just enough for him to regain his composure.
“Let’s go,” he said, turning toward the door, though his voice carried the weight of everything still lingering between you.
You smiled to yourself as you followed him out, knowing that the real game was just about to begin.
The ride to the event was quiet, the tension between you and Hotch hanging in the air like a storm waiting to break. You could feel the weight of his gaze on you as you both stayed focused on the task at hand, but every glance he threw your way only reminded you of the moment back in the dressing room.
The team had set up their surveillance positions nearby, and you both stepped out of the car in full undercover mode. 
The luxurious mansion in front of you was buzzing with high-profile guests, and as soon as you stepped into the party, you both had to sell your roles.
It wasn’t hard for either of you to slip into your roles. The emotions you had to display today felt natural, blurring the lines between the act and the very real tension coursing through both of you.
Hotch offered you his arm, and you slipped your hand through it with a practiced ease, the two of you moving through the crowd like you belonged there. But as you leaned in to whisper in his ear, part of the act, the tension returned full force.
“You’re playing the part well,” you teased softly, your lips brushing just close enough to his ear that it sent a shiver down your spine.
Hotch didn’t falter, but you could feel the slight shift in his body. “Just doing my job,” he replied smoothly, though there was an edge of heat in his voice that didn’t go unnoticed.
As you mingled with the guests, you stayed close, playing the part of the affectionate couple. His hand rested on the small of your back, his touch burning through the thin fabric of your dress, reminding you of every charged moment you’d shared.
At one point, you found yourselves standing at the bar, close enough that your bodies brushed together as you ordered drinks, keeping up the charade. Hotch leaned in, his voice low in your ear. “We’re being watched. Stay close.”
You nodded, feeling the warmth of his breath against your skin, the moment too intimate for comfort—but necessary for the mission. You leaned into him, playing along, your fingers lightly trailing down his arm as you whispered, “I’d say you’re enjoying this a little too much.”
You couldn’t resist the teasing grin that spread across your face. “Should we put on a show?”
Before Hotch could respond, a voice crackled through your earpiece—Morgan's voice, full of amusement. “Easy, you two.”
His gaze flickered, caught between amusement and caution, and he opened his mouth to respond—but then your eyes caught a sudden movement in the corner of the room. Your heartbeat quickened, not from the tension between you, but from the job itself. One of the suspects.
You straightened, your body still close to his but your focus shifting, your muscles tensing. “Target spotted,” you said softly, your eyes never leaving the suspect.
Hotch’s hand lingered for a second longer before it withdrew, his expression sharpening, professional mode slipping back into place. His eyes met yours—still aware of the heat simmering between you both—but the job came first.
“Let’s move,” he said, his voice low and controlled, his attention now fully on the mission.
Just like that, the tension between you was replaced by the sharp focus of the mission, though the heat between you never fully disappeared. It was there, simmering beneath the surface, waiting for the next moment you’d be forced to confront it.
As you and Hotch made your way back to the car after the undercover operation, the air between you felt different—heavier, quieter. The playful tension from earlier had faded, replaced by something more serious. Neither of you spoke for a few moments, the sound of your footsteps filling the space.
Finally, Hotch broke the silence, his voice low. “You played the part well.”
You glanced at him, searching his expression. His usual guarded demeanor was still there, but the weight behind his words told you there was more he wasn’t saying. “So did you,” you replied softly, your own voice a little more vulnerable than before.
He nodded, his gaze fixed ahead. “It felt… real, at times,” he admitted, his words careful, like he was testing the waters.
You swallowed, feeling the gravity of what he was saying. “Yeah,” you said quietly, the teasing tone gone from your voice. “It wasn’t just an act, was it?”
Hotch stopped, turning to face you. His eyes met yours, and for the first time, there was no pretense. No game. “No. It wasn’t.”
The silence that followed was thick with understanding, and for once, neither of you felt the need to fill it with banter. This moment—whatever it was—was real.
The drive back to the BAU had been quiet, filled with unspoken words that neither of you seemed ready to address, but now, with the case behind you and the rest of the team gone, the tension that had built throughout the night felt heavier than ever.
The rest of the team had gone home, leaving the building unusually still. Hotch had stayed behind to finish reports, the soft glow of his office light spilling into the empty hallway.
Standing outside his office, Hotch paused, his hand hovering just above the door handle. For months, he’d kept this quiet, simmering tension between them at bay—tucking it away into the same compartment where he'd stored every personal feeling since Haley’s death. It had been easier that way. Safer. But now, with the team gone, the quiet hum of the building around him, and the weight of tonight pressing on his chest, it felt impossible to ignore.
Maybe he was tired of being safe.
Maybe, after everything he’d lost, he deserved to feel something again.
He pushed the door open.
You were sitting on the edge of his desk, legs crossed, a knowing smile playing on your lips as your eyes met his. The sight of you—so calm, so collected—sent a shock of tension straight through him.
“You’re here late,” he said, his voice low and steady, though the crackle of something darker threaded through it. He closed the door behind him, the lock clicking softly as if sealing the two of you in.
“I figured we had some unfinished business,” you replied, your fingers lightly tracing the polished surface of his desk. “And I’ve always wondered what it would be like to sit here.”
Hotch didn’t respond immediately, but his eyes darkened as he took a few slow, measured steps toward you. He kept his composure, but you could see the tension in his posture, the tightness in his jaw. He stopped just in front of you, his presence overwhelming, but still he held back.
“Why my desk?” he asked, his voice even quieter now, as if afraid of where this might lead but unable to stop it.
You leaned back, resting your weight on your hands, your gaze unwavering. “It just seemed… fitting,” you said softly, your voice filled with the same playful edge you’d always used to push him. “I’ve imagined this. Right here.”
Hotch’s breath hitched just slightly, his control slipping as he stepped closer, his hand resting lightly on the edge of the desk beside you. “You’ve imagined this?” His voice was deeper now, his eyes searching yours as if he was still trying to convince himself this wasn’t happening.
You raised an eyebrow, your lips curving into a slow smile. “Haven’t you?”
His silence spoke volumes. The tension in the room was palpable, the space between you charged with all the things neither of you had said for months. He stared at you for a long moment, the weight of his hesitation hanging in the air—until finally, the walls he’d built around himself crumbled.
Hotch’s hand slid to your waist, tentative at first, as if testing your reaction. When you didn’t pull away, he stepped even closer, the heat of his body pressing against yours. “I shouldn’t,” he murmured, his thumb brushing over your hip, though the way he looked at you said something entirely different.
You leaned in, closing the small gap between you, your breath brushing his lips as you whispered, “Then don’t.”
That was all it took. In an instant, the restraint he’d been holding onto for so long shattered. His hand slid up your back, pulling you toward him as his lips crashed against yours, the months of tension between you igniting in a kiss that was both hungry and desperate.
You wrapped your arms around his neck, pulling him closer as his hands gripped your waist, lifting you slightly so that you were perched on the edge of the desk. His kiss was firm, controlled at first, but as you responded, matching his intensity, it deepened, the urgency between you building with every second.
His hands moved over you—up your sides, along the curve of your back—claiming every inch of you as if he was trying to make up for all the time he’d spent holding back. Your fingers tangled in his hair, pulling him closer, pressing your body against his as the kiss grew hotter, more demanding.
He pulled back for just a moment, his breath ragged as he looked at you, his eyes filled with something raw and unguarded. “You’ve been driving me crazy,” he murmured, his thumb brushing your cheek, his voice barely above a whisper.
You smiled, your fingers tracing the edge of his jaw. “Good.”
Without another word, he kissed you again, this time deeper, more insistent, as if there was no going back now. He moved you farther onto the desk, stepping between your legs as his hands roamed your body, your lips parting for him as the kiss deepened.
The world outside his office disappeared, the only sound the soft, ragged breaths you both took between kisses. Hotch’s control had always been something he prided himself on, but now, in this moment, with you, that control was gone. The only thing left was the heat between you, the connection you had been avoiding for so long.
His hands tightened on your thighs, pulling you impossibly closer as he trailed slow, heated kisses along the side of your neck, his breath sending shivers down your spine. The feel of him, so close and unrestrained, made your mind race, the fantasy you had harbored for so long now becoming a reality.
When you whispered, “I’ve wanted this for a long time,” his movements paused for just a second. He pulled back slightly, his forehead resting against yours, breath ragged as he took you in—your flushed skin, the hunger in your eyes. His gaze dropped to your lips, then back to your eyes, dark and filled with desire.
“Is this what you imagined?” Hotch asked softly, his voice thick with heat as his hands slowly slid up your thighs, teasing, testing your resolve. He lingered close, the teasing tone in his words a rare show of vulnerability mixed with control.
You swallowed hard, your breath catching in your throat as the intensity of the moment deepened. “It’s better,” you whispered, your voice shaking slightly, your fingers tangled in his shirt as you tugged him closer. “But I was hoping we’d get to… the next part of my fantasy.”
Hotch’s lips quirked into the faintest smile, and he let out a low, deep hum, clearly enjoying the way you were unraveling beneath him. “The next part?” he murmured, his lips grazing yours as he spoke. “What exactly did you have in mind?”
You couldn’t help the small smile that played on your lips as you held his gaze, the tension between you electric. “I’ll show you,” you breathed, your voice filled with a teasing edge, daring him to let you take control.
Hotch’s eyes flashed with a mixture of amusement and desire, and he shifted slightly, his hands roaming back to your waist, pulling you closer. “Go ahead,” he whispered, his voice low and rough, “show me.”
The challenge was clear. He wasn’t going to stop you. He was going to let you guide him through the very fantasies you had imagined on so many long nights.
And with that, whatever was left of the restraint he’d been clinging to dissolved completely.
Tag List:
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shaniacsboogara · 8 months ago
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jojo siwa claiming she's revitalizing gay pop and releasing 'karma' on the same night as conan gray's 'found heaven' and chappell roan's 'good luck babe' is so poetically ironic. it's like the universe WANTS to draw a comparison between jojo and queer pop artists.
the thing that makes queer pop compelling as a genre is the unique storytelling and experiences of queer artists told through their music. that doesn't necessarily mean every song by a queer artist has to be about their queerness. they don't have to scream "hey i'm gay!" in every single song they write. but claiming to be "reinventing gay pop" should mean you're telling interesting stories about your queer experience, right???
'found heaven' by conan gray is about growing up as a queer kid with religious guilt and disapproving parents. he equates being in love in an authentic way to "finding heaven", and the piece as a whole resonates with a TON of queer people in different stages of their lives. some people can look back at their childhoods and how much they've grown since then, some can relate because they're currently going through what conan's written about, and some people can sympathize with the way some queer people are treated, even if they aren't necessarily queer themselves.
'good luck babe' is a song about queerness and compulsory heterosexuality. chappell sings about a woman she was in a relationship with who decided to settle down in a conventional marriage despite being queer. the song reflects the denial a lot of queer people go through (specifically regarding the lesbian experience) and the unfortunate way a lot of them end up repressing who they are to conform to societal standards. it's fun, it's campy, but its message is still poignant.
as for karma… there's nothing inherently queer about that song. the music video for the original version, ‘karma’s a bitch’ by brit smith, featured a heterosexual storyline. jojo buying the rights to a song she didn't write isn't inherently a bad thing, a lot of mainstream artists do that all the time. however, if you're claiming to be a pioneer of the “gay pop” genre and your music doesn't reflect any queer themes or experiences, is it really “gay pop”? again, queer artists don't have to write exclusively about their queerness, but if you try to present yourself as a voice for the queer community without telling any of their stories, you're not going to be lauded as some revolutionary figure. if any of the songs on jojo’s album are actually about her experience as a lesbian or contain any queer themes, then i think she'd qualify as a “gay pop” artist. but so far, she's given us a faux edgy, generic pop song and tried to market it as some insane never-been-done-before feat. and honestly, if her entire album is like this and she continues to market herself this way, it's a slap in the face to all the genuine artists and storytellers in the queer community.
but let's stop talking about jojo siwa and start talking about the incredible queer artists who are truly breathing life into the "gay pop" genre: chappell roan, renee rapp, ben platt, conan gray, girl in red, kevin atwater, baby queen, mitski, clairo, dodie, and SO MANY MORE (feel free to add on some of your favourites because there are so many wonderful artists out there <3)
also: if you have a different perspective on this situation i would absolutely love to hear what you think and if you agree / disagree with this! i love discussing topics like this so feel free to reblog with your own take
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flavorcountry · 6 months ago
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I got a cold and watched that Jenny Nicholson video about the Star Wars hotel (it's very good) and fully lost my mind: even after experiencing a comprehensive four-hour deconstruction of why it didn't work for Star Wars, I still think a version of this would absolutely work for Star Trek. Take my hand and walk with me on my journey into madness, where I have infinite money, talent, and team to make it all happen!!
Overall vibe
If you want to make a hotel/resort experience that takes place inside a fake spaceship, I still think Star Trek is the way to go: so much of Star Trek takes place on ships, and we've seen the rooms are pretty nice!! Like the Star Wars one, my Star Trek hotel is also a simulated starship, but with better rooms and more fun stuff to do.
Are you ready for this shit
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Can you tell I drew this myself
You'll arrive at Farpoint Station,* where the concierge checks you in and your luggage gets whisked away by station staff. Gift shop's also here. When you're checked in and ready to head to your room, you're brought to one of several transporter rooms. If you never went to the Star Trek Experience at the Vegas Hilton when it was active, I am truly sorry for you, because they had a ride whose boarding process included getting beamed away: you and your pals were herded into a zone where you were clearly meant to board a run-of-the-mill 20th-century simulator ride, and then there were jets of mist and a sound and suddenly you were in a transporter room on board the goddamn USS Enterprise NCC-1701-D. It was fucking magical and I never, ever want it explained to me. Anyway, that's what happens to you at my Star Trek hotel: you step onto a transporter pad and get beamed from Farpoint to a Galaxy-class Federation starship. Exit the transporter room and walk down the ship's corridor to take the turbolifts to Cargo Bay 1, where a "temporary muster point" has been set up (this is where the guest services desks will be), or just follow the lit-up companel signs to your cabin. Yes, it will look like guest quarters aboard the Enterprise-D, more or less — maybe a little smaller — but it'll have the carpet, the plant, the glass coffee table, and most importantly a window that looks out into space.
Or!!! If you booked the resort, keep heading down the hallway and take another turbolift to a different section of the ship where the holodeck entrances are. The holodecks, naturally, are running a Risa program, so you walk through the doors and under the arch and suddenly you're outdoors looking at a beautiful landscape with a pool and whatnot, plus the resort accommodations where the more conventional fancy rooms are, and also the restaurants and entertainment venues, all themed. There's a Quark's. There's a Klingon bar and grill. A Bolian salon/spa. Talaxian arcade?? Nausicaan axe-throwing pit?!?! Come on!!!!!!!!!
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Here, have a floor plan
Key learnings
Two things stuck out to me that the Star Wars hotel fucked up that I think the Star Trek version can do better:
🤷‍♀️ LARP too complicated: Give 'em credit where it's due, the Star Wars hotel fucking swung for the fences trying to make a multi-hero story guests could integrate with, but it just didn't work. Technical failures! Possible conceptual flaws! Too much stuff packed into the schedule!
The fix: Just make it mostly a hotel most of the time. One or two weekends a month, there's a two-day fully-immersive LARP adventure that people explicitly book separately, and it's more expensive (more on that later). But at all times, hotel staff will be in uniform with division colors that make sense: concierge and guest relations in red, support and janitorial in gold, teal for any medical personnel. I think that means the people working in food services have to wear that plaid/vest combo the Ten-Forward staff have on, but there are certainly worse outfits.
🌴 No resort: The food at the Star Wars hotel was good, but there was no pool and no other luxury resort type stuff to do. It didn't sound relaxing.
The fix: Putting an actual resort in the Star Trek hotel under the guise of a permanently-running Risan holodeck program. The sheer elegance of it!! When the weather is bad, hotel staff in gold uniforms can make apologetic comments about how the sim's malfunctioning.
Roleplay though
People are going to want to stay onboard the ship. That's good! The thing about the ship cabins is you can build them in maybe two semicircular layers (the rooms will need to be curved because these are quarters onboard the saucer section, naturally) and just bury them underground. They don't need real windows — you're putting screens in that'll show a space view, especially when the ship goes to warp and you can see those rainbow trails. Inside the semicircle there's a lot of space where you can put the other, bigger sets: the bridge, main engineering, Ten-Forward, etc. None of those have real windows either, and also I don't think it matters where you put them physically: just stick a pretend turbolift in front of all the entrances and make guests take those whenever they need to go there! One thing we're also doing is putting little hidden speakers everywhere that put out a small amount of shipboard white noise; it may not even be noticeable on a conscious level, but it'll be there and it'll be soothing. This speaker network is also a great way to make an actual announcement if there's a real park emergency.
During most of the month, I think the bridge and main engineering are mostly just photo ops — maybe you have to book a timeslot? Just so you're guaranteed some time with just you and your buddies? But I also think there should be opportunities for what I'm going to call mini-LARPing: you and your pals can book an hour-long session and the staff trains and then runs you through a short scenario. If you've ever played Artemis or the actual Star Trek VR bridge crew game they put out a while ago, you know where I'm going with this: for however long, you and your friends are now the crew of a genuine-ass Federation starship trying to survive a battle! It's fuckin' Kobayashi Maru time, motherfuckers!! Everyone gets their own station! Lights flicker! Mist shoots out of stuff! The whole bridge shakes! There might be a warp core problem — better call down to main engineering! Whoever's down there gets escape room-style minigames and puzzles to work out and help their shipmates. At some point — and this will happen in every run of every scenario — there'll be a very mist-forward "coolant leak" near the warp core that forces whoever's in the room to duck and roll beneath a descending garage-style blast door before heading up to the bridge to activate their station up there; bonus points if the player can work in a "We lost a lot of good people down there, Captain." Maybe there's an actor in makeup who menaces the crew on the main viewer from time to time (pick beforehand from a list of villains! want to fight Klingons? Romulans? a rogue Borg tactical sphere? etc). Can you see it? I can see it, and it fucking rules.
I must at this point mention that in my world, you can buy an add-on where a camera crew joins you, and they cut up the footage afterward to make you and your pals your very own mini-episode. Yes the editing and post-production are expensive and time-consuming; I'm creating jobs here!!!! Maybe …… okay, hear me out: there's an array of hidden fixed cameras and microphones built discreetly into the set, and also players are issued a combadge with an individual RFID tracker that pings the cams and mics, so they only save footage when a player comes close. After the players are done, a machine algorithm uses the data gathered to assemble a rough timeline of each player's material and create a draft movie that a human editor can pick up and fine-tune. Yeah?? When you check out, you get handed a USB drive that looks like an isolinear chip with your mini movie on it, and maybe another one with all the raw footage just in case you're feeling ambitious!!!!
For one or two other weekends during every month, there's a heavily advertised, much more involved, and way spendier LARP for people who really want to get into it. It takes place over two days. There are lots more actors portraying characters necessary for the plot/gameplay. Don't bother packing for the daytime: all players are issued a uniform they get to keep afterward. Do I have any details on the scenario or RP? I do not. But I fully believe it's possible to construct something you could run over the course of a weekend that would keep a hundred paying guests occupied, amused, and delighted, provided you have a truly ridiculous amount of money and people, which I do because this is utter fantasyland.
Also it probably won't cost six grand. Probably??
Let's gooooooooooooo
The rest of the time — and I cannot stress this enough — the Star Trek hotel is just a very heavily and specifically themed all-inclusive resort that has nice, fancy rooms and luxury amenities plus bookable ship cabins and opportunities for photo shoots or quick one-shot roleplay adventures for the real heads. You don't ever have to enter those latter parts if you don't want to! You can just hang out at the resort and have fun with all the themed entertainment, which I must stress is going to be both in-universe plausible and great, with something for everybody. Yes, there'll be a daycare, and yes, Flotter will be there in some capacity to entertain the kids. The food hall is my favorite part by far; I could pitch you Trek restaurant concepts all day. Romulan gourmet soup stand. Gummi candy store staffed by Ferengi where all the offerings are shaped like alien bugs. A vending machine where you can get a jumja stick or a three-pack of those nutrient pucks Picard and his new friends kept getting in "Allegiance." There will be an entire plant-based food vendor with a wide variety of delicious options for all meals, and it will be run by Vulcans.
A word on the gift shop
Question for you: have you ever watched a Star Trek show and seen a Starfleet officer pull on a jacket or shoulder a duffel bag that had the words "STAR TREK" on it? If so, then friend, I want to know where you get your hallucinogens because I want to experience this exactly once. All of the gift shops on my hotel grounds sell responsibly sourced, highly thought-out, well-made items that would be in-world plausible and have no obvious branding. Of course you can get a hand-carved horga'hn, but let's go bigger. Why not a light-up Tox Uthat for your nightstand? Ressikan flute for you, queen? How about a whole-ass knife store that's nothing but various kinds of Klingon cutlery? There will absolutely be an entire tailor's shop whose whole job is to put you in the Starfleet uniform of your choice; there may or may not be a Cardassian managing the place who's got a 50/50 cheerful/menacing vibe going on. There'll be not one but two stores that sell little models of ships: the regular ones and the gold ones. Don't tell me you can't picture it!!!!!
I think that's about it
Thank you for coming along with me on this bespoke journey into 100% insanity; now can somebody put me in touch with the Star Trek licensing people and also give me a billion dollars to build all this? Okay, thanks a lot!!
For timeline purposes and because it's fun, I'm positing a version of Farpoint that got built after the events of the TNG premiere where the Denebians got their act together and just built a normal surface base without suborning an interstellar lifeform.
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ladyazurith · 6 months ago
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So both of my current hyperfixations are Disney related. (Twisted Wonderland and Lorcana). And because of this I can’t help but think of the Lorcana cards in relation to Twist. 
If you don’t know what Lorcana is, a brief explanation is that it’s a TCG (Like Magic the Gathering, Pokemon Card game, Yugioh etc) but Disney themed. And it has three types of character cards, Storyborn, Dreamborn and Floodborn. 
Storyborn is basically the characters as they appear in their canon story. Dreamborn is basically what they dream of becoming. Easy enough (There are cards for instance where Maleficent wins)
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Floodborn, is where the characters have been altered by the ink. Their story changes completely. That's how you end up with things like “Gaston: Intellectual Powerhouse” where he’s a mechanical genius. (one of my personal favorites because of how funny it is.) 
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There is also Lady Tremaine who became queen: 
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My absolute favorite Floodborn story is Cinderella’s. In her Floodborn story, she becomes a royal knight. Given I am a believer of the Caterella theory, it opens up a lot of possibilities for that dynamic. 
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And while I know the only thing the two projects have in common are that they are both Disney IP’s, It’s easy to imagine Twist as part of Lorcana, an entire Floodborn world where the character’s stories were altered, giving us the Great Seven. Esteemed heroes of their world, rather than evil villains.
There are a lot of other examples too, and all would be fun playing with the different Twist characters.
This one would be very relevant for Silver:
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And this one just absolutely screams Vil :
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Anyway, I've always enjoyed AU's so Lorcana is definitely fuel for that fire where Twisted Wonderland is concerned. Also wonder if there is anyone out there who plays both games like I do.
Follow ups:
Part 2
Part 3
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golddust-if · 10 months ago
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you're a wanted person. that isn't new to you, but after years of working, someone. no. something is after you.
you were taught by the best, your mother, she was an amazing woman but she was too trusting and in the end, that was her downfall. you won't make that mistake. you're a killer, but a righteous one. you kill those who deserve it, the disposable.
with your abnormal abilities, of which only twenty-five percent of the population is gifted with. you can succeed in what she was never able to do, rid the world of sinners.
you work for the slaughterhouse, a bar... with a dark side; in a rowdy part of the city. your mother was the owner but she didn't pass it down to you, she passed it your younger twin siblings. she believed you were far too talented to sit behind a desk, dealing with paperwork.
you've traveled all over the world, exterminating. you've claimed plenty of people, but perhaps this time you went after the wrong one. having no other choice you flee back home, but you aren't safe there either, you never are.
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play with a customizable mc [gender (male or female), physical appearance, personality, sexuality]
protect those you care about or turn your back on them when they need you.
romance, befriend, or make enemies between any of the sixteen characters. four gender selectable, six male, and six female.
decide what supernatural ability you were gifted with; telepathy, telekinesis, or teleportation [figure out how to develop it and what other ability you have]
define your mc's signature weapon, fighting style and overall skillset; how you feel about killing, and the supernatural abilities you were gifted with.
this story is rated 18+ for sexual themes, substance (drug and alcohol) use, explicit language, and violence. [more themes might be added later]
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the tattoo artist [male or female] [ro] wren price – partner in crime. they've been by your side since you can remember. always with a bright smile and cheeky remarks, you can't think about how your life would look without them. though they act differently with others, more serious, with a glint in their eyes you can't quite figure out. they never look at you like that.
the bodyguard [male] [ro] theodore price – the older brother of your best friend. there's no doubt in your mind that they're related. he's protective over you, although you can't hold that against him as that's what he does for a living. protect people. he's hard to get to know on a deeper level and you can't help but wonder what's going on in his mind.
the detective [female] [ro] rori hayes – now, if you weren't yourself, perhaps you could have been friends with her. but unfortunately for you... she's extremely suspicious of you and set to bring you to justice. she's recently been promoted and she cannot afford to fail, not when her family is counting on her.
the chief deputy sheriff [male] [ro] charles butler – good ole charlie, you're acquainted with each other. he can't say he isn't a little impressed with you. but you're endangering the citizens of his city and that includes his little girl. he may not have any evidence on you but you need to be brought down, and he's going to be the one that books you.
the model [male] [ro] julien ripley – son of the sheriff. he always looks uncomfortable with his own father. he’s never talked to you before and you’re almost positive he has no opinion on you. he’s a very well known face, although you can tell he doesn’t like being stared at and overall talking to anyone. *male mcs only
the journalist [female] [ro] sloane campbell – she's fast alright and always seems to know your moves. too bad she isn't on your side. always trying to announce to the world, where you are and what you're planning to do next. good thing she's overlooked at her job, consistently being handed stories that, even you know, aren't going anywhere.
the bartender [male or female] [ro] hale/hart vaughn – a family friend, and your sister's best friend. with their tantalizing words, they don't know the meaning of being serious. they are quite insufferable and you can't seem to be able to get rid of them. you have a feeling if you did, your own sister would come after you.
the florist [female] [ro] paris graham– at first glance she doesn't appear to be anything special, but that would be wrong. she's a firework waiting to explode and you want to be there when it happens. her work doesn't suit her but you have a feeling, that being a florist isn't all that she does. *female mcs only
the apartment owner [male] [ro] nolan adams – he knows about you and what you do, but he doesn’t give off the feeling of someone who’d go running to tell. you’ve always come back to lay low at his apartment complex when you need to and as long as you pay on time he doesn’t care what you do. 
the actor [female] [ro] ophelia wylie – a face from your past, one you can’t say you particularly enjoy facing again. she seems remorseful for what she did to you, in fact she looks like a completely different person and she’s offering to help you, but for what in exchange… after all, no one gives anything for free.
the crime lord [male] [ro] louis foster – of course you’ve heard of lou, you’d be an idiot if you didn’t. he's tried and failed to recruit you and he never fails. you’ve been warned before, it would be a mistake to make an enemy out of a king.
the informant [male] [ro] vincent sutton – it’s rare to ever see him out, only ever seen accompanying lou. if you had the ability to feel fear, you’d fear him. he shows every sign of being against you, but then again, it seems as if he does that to everyone around him as well. 
the chef [male or female] [ro] mateo/melanie olsen – you see them quite often, as their restaurant is one of your favorites. they always serve you with a smile and if they do know you, they play oblivious. they're just happy to have a customer who enjoys their food.
the doctor [female] [ro] eileen yates – serene and calming, a voice who always knows exactly what to say. she may look innocent but she’s far from it, you’ve known her for years yet you don’t truly know her, for all you know eileen may not even be her name. 
the accountant [female] [ro] felix price – the youngest of the price siblings, she helps out with all the money coming into and out of the slaughterhouse. she’s always been compassionate and reasonable. you can't imagine her hurting a fly.
the rival bar owner [male or female] [ro] kinslee dean – they own a bar just a couple streets down from yours. it’s always been a problem and they’re actively trying to shut down the slaughterhouse. but they’re surprisingly level-headed and want to 'handle' this problem with logic.
the owner of the slaughterhouse [male] archer – your younger brother, he’s honestly kind of a mess. he was not ready for this responsibility but he’s trying. the mischievous boy you grew up with, you don’t know where he is anymore.
the owner of the slaughterhouse [female] iris – your younger sister, she’s always been loud and bold. but she’s changed too, she’s calm and collected. she’s trying her best to help her brother along too.
the sheriff [male] lazlo ripley – a pompous man with nothing else to do but terrorize those he thinks are inferior to him. 
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DEMO [Coming Soon]
warning: this story is still under development, all elements are subject to change!!
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