#that boy can sing

[blossoms-and-possums]

if anyone needs me i’ll be rewatching glee

[krazieka2]

Here's a big old Fire Emblem Search & Find I did for the FE3H Masquerade Zine! Find the Golden Deer, but see if you can't find the rest of the students as well! For the ultimate challenge, see if you can't name every character! (Disclaimer two characters are NPCs with no names)

[spielzeugkaiser]

I am back for a hot second with the baby! Let's be real, Geralt gets a lot of heat in this au, but I do think he was very clear about what he could and couldn't be for Jaskier when they started this thing. Listening to this song later, and realizing that Jaskier was already in love with him at this point ... uff. Also a song about sacrifices in this au, from Jaskier??? *chef's kiss* also let's not think about essi in this au let's not let's just ignore this

[kickbutts-singsongs]

I’ve said it before and I’ll say it again

HE HAS THE RANGEEEEE

[mountainsoftreatos]

Knowing that Jayden Revri can sing, they really need to find a reason for Charles to sing in season 2.

Serenading Edwin being top of my list. But literally any reason.

[jesterjaxx]

Happy pride guys have yearning doomed yaoi 10 years later duntrent au wip

As a treat

[aroaceleovaldez]

im really not a fan of Rick's recent trend of recycling bits of his writing that got a good reaction the first time and acting as if that's a valid substitute for. actually bothering to write something original a second time around. It's clearly just there as a callback and nothing more.

It's "Nico's rage exploded" and "Percy's rage exploded" with the exact same paragraph formatting. It's CoTG having titles like "My Singing Makes Things Worse, and Everyone Is Totally Shocked" (reference to TLO, when Percy says he thinks his singing would cause an avalanche) or "Pretty Much the Best Good-Night Kiss Ever" (reference to TLO "Pretty much the best underwater kiss of all time") or any other number of near word-for-word references to the first series. It's Nico calling Percy "seaweed brain" in Un Natale Mezzosangue (when Percy says in TTC that anybody but Annabeth calling him that is a major offense). It's Nico and Will falling into Tartarus in TSATS word-for-word referencing Percy and Annabeth in House of Hades, despite it not making any sense for their characters (and otherwise being written as Percabeth 2™). It's the show making huge changes but keeping random "fan-favorite references" (mostly overusing "seaweed brain" and "wise girl" and emphasizing percabeth) only because they're popular in-jokes and considering that a faithful enough adaptation to market it heavily as such. It's lazy writing.

And it's a disservice to the series and to the audience, because it clearly shows Rick doesn't have original ideas anymore (though given all his writing is heavily derivative to begin with, it begs the question how much was original in the first place and how much he has difficulty when he doesn't have a structured mythological plot to work from) and that there is an expectation that the audience will just sit down and accept that behavior hook-line-and-sinker. Everything recently is clearly such lip-service to the audience, either in retcons that are overt speaking-to-camera acknowledgements of things he's been criticized on or wink-wink-nudge-nudges of community in-jokes that have no business in the actual text (see: over-use of ship names in canon). Especially since Rick tends to be about 5 years behind on the fandom uptake. It's just so disappointing to see.

[cnl0400]

TRIWORLDS SONG FUCK YEAH!!!

[theboyskisser]

Cute date idea: crash and ruin the concert your boy toy ditched you for 🥰

[strangersteddierthings]

The Response

Part Two of The Interview [Part One] [Ao3]

With no exact time given by Robin, Eddie's left to kill time. He drags himself from the YouTube spiral to try and track down Steve on social media. After two hours, he concludes that either Steve has his (and official Corroded Coffin's) socials blocked, or Steve just doesn't have any. He's a bit baffled that people can even find Steve to send hate mail to him.

He shoots a text to Gareth. Can you find Steve on any socials?

He gets an instant reply.

DO NOT CONTACT!!!

WAIT FOR RESPONSE

DONOT MAKE THISS WORSE MUNSON

Eddie frowns down at his phone but doesn't argue. He probably would make it worse. He sends back 'k' and looks back to the laptop. Watches it auto-refresh but Robin's feed hasn't changed.

God, what will Steve have to say?

It's mostly true, that Eddie hasn't thought about Steve in years. That's been deliberate. Eddie was so furious back then. Robin wasn't wrong about him venting his feelings into a song, but how was he supposed to know Hey Steve would be the song the catch the ear of the people? And yeah, the lyrics are very unflattering.

A lot of their first songs were filled with rage. The whole first album is just their collective high school experiences. Songs about growing up in Hawkins and how shit that was for them, a song about Eddie's complicated feelings towards his dad, songs about dungeons and dragons disguised as fantasy ballads, things like that. And, of course, Hey Steve.

He can admit that years ago he reevaluated the lyrics and found it to be more harsh than was warranted. But he figured there was no point worrying about that. People exaggerate in songs all the time. The song is out, people still plead for it to be played during encore performances. Eddie hadn't thought it was hurting anyone to play it.

Hey Steve had taken Eddie less than two days to write. He did almost nothing for those two days except write. Fuck. He was still just a dumb kid when he wrote it, barely graduated high school. And the reason for writing it...

Eddie had know Steve wasn't out to his parents when he'd asked Steve to essentially runaway with him. Steve had worried about things like money, and living situations, and getting food. It had all sounded like excuses to Eddie back then. Like Steve was picking the safety of Hawkins and his parents' house over going out into the world to be with Eddie freely.

They'd fought about it. The worst fight they'd ever had. Yet, here Eddie is, a decade later and unable to recall anything that was actually said. Just a summary of that conversation exists in his mind, now. Steve wanting to wait. To save more money now that his hours at the grocery store would be changing from part time to full with him no longer being in school and able to work the morning shifts. Wait to get his car fully transferred to his name from his parents.

All things that adult Eddie can now see as reasonable. Jesus Fucking Christ. He remembers he'd given Steve some sort of ultimatum. He was leaving on the last Grey Hound from Hawkins to Indy. Steve could meet him at the bus stop or stay, but Eddie was going, with or without him.

Steve had shouted back. He knows they just got louder and nastier until Steve finally told him that he would be going without him, then, because they were over. Even as angry as Eddie had been, he'd held out hope. But that last bus left Hawkins with Eddie on it and no sign of Steve in sight.

So Eddie did what he did best. Channeled that hurt into anger and wrote a song. Never in a million years did he think that, in the very first bar they played at in Indy, they'd meet a man who wanted to take a chance with them and get them a demo. All they needed to do was get from Indy to LA. Eddie had a van and the motivation. The next year of his life was too busy for him to even think, much less worry about Steve and his breakup.

Well, that was a lie. He thought about it constantly and shoved the thoughts aside as quickly as they came. Easier to do when he had no way to check up on Steve. He left Hawkins with no laptop and a pay-per-text flip phone he'd bought at a gas station. Wayne tried his best to provide for Eddie, and that meant they'd had one cell phone between the two, and Eddie had insisted that Wayne keep it.

By the time he got a laptop and internet, Steve had blocked him on Facebook and Twitter. That was the conclusion Eddie had come to when he finally worked up the nerve to swallow his pride and apologize and couldn't find Steve on either platform. Another thing that had filled Eddie with anger and hurt. Steve had broken up with him and then made sure Eddie couldn't reach back out.

Now he wonders, did Steve block him, or did Steve delete his socials to stop the hate mail?

Eddie feels nauseous.

Fuck!

What's worse is that, before the fight, Eddie had been so sure he was in love with Steve. But how can he say that with how quickly he dropped him? With how he's acted ever since? He could justify it to himself when he was still freshly broken up with and hurting but that faded away as fame took over.

Hard to be sad about not having a boyfriend when there were plenty of people lining up to be with him.

He pulls himself from his head to look at the laptop. A new tweet shows on Robin's screen and he scrambled to turn off the auto-refresher.

It's a short tweet, and Eddie sees she's changed her name as well.

Clicking the link takes him to a YouTube video.

It starts with the camera slightly jiggling, presumably from someone hitting record. It's been set up in a recording studio. A stool in front of a mic that's suspended from the ceiling is the only thing in the frame.

"Alright, dingus, last chance to change your mind about this," Robin's voice is picked up from off screen.

"You can't talk me out of this," says a male voice, and without any thought about it, Eddie's hand flings out and slaps the space bar, pausing the video. His heart is pounding, and he has to take a few deep breaths. That was Steve's voice. Of course, it was Steve's voice, it's his statement video, but hearing it again. Hearing it spoken softly but determined.

Swallowing feels difficult. Eddie's last memory of Steve's voice was screaming. This is... this is the Steve he never thought he'd hear again, and hasn't realized how much he desperately wanted to. With shaking hands, he presses play again.

Steve steps into frame, takes a seat on the stool. He looks in the direction of the camera, and Eddie has to pause again, to take him in. His hair is longer than it was in high school, the ends of it touching his shoulders. He's got it pulled up in a half updo, keeping the hair out of his face. His face is familiar and yet so different. He certainly looks older but not in a bad way. The biggest difference is his nose; it's not as straight as it once was, like it's been broken and healed wrong. His strong, square face is as handsome as it ever was, perhaps more so now. Eddie's eyes are drawn to the two moles on his cheek; his eyes have always been drawn there. It was his favorite place to kiss Steve.

He's wearing light wash jeans and a deep blue Henley. And fuck if it doesn't make him look good.

Eddie unpauses again, and waits to hear the retribution he deserves.

"This good, Robin?"

"Yeah, you're perfectly in frame."

"Good. Uhh, hi. I'm Steve. Robin told me that there was a lot of fuss regarding a certain Corroded Coffin song, and that people wanted to hear from me. Which is wild 'cause like, I'm just some guy and I don't really have much to say-" Steve is saying, with a shrug of his shoulders.

"Steve!" Robin interrupts him, "I just had to help you move because someone threw a brick through your window! What do-"

"Okay! I get it! But that's not Corroded Coffin's fault. They do that whole anti-bullying thing! It's not like they don't address harassment and bullying. I-" Steve cuts off, seeming to remember he's on camera. His face turns pink. "We can argue this later. Uhh, anyway. There is something I want to say to Eddie Munson, so I hope he's watching."

He makes a 'give it to me' gesture and Robin enters frame, handing him an acoustic guitar. "I thought I'd answer using the one thing Eddie understands best. Music. So, uh, I wrote this song with Robin's help. Lyrics are mine but the melody is Robin. The song doesn't have a title but, uh, okay. Here it goes."

And then, Steve starts to sing, looking down at the guitar for correct finger placement more than singing into the mic but it picks him up well regardless.

"Do you think I'd give up? That this might've shook the love from me? Or that I was on the brink? How could you think, darling, I'd scare so easily? Now that it's done There's not one thing that I would change My life was a storm, since I was born. How could I fear any hurricane? If someone asked me at the end I'll tell them put me back in it-" Eddie is sitting down, and still he feels the floor fall out from under him.

"-Darling, I would do it again, ah, ah If I could hold you for a minute Darling, I'd go through it again, ah, ah."

Eddie doesn't hear the rest of the song because of the blood pounding in his ears. This can't be- it doesn't mean- after all this time? After everything that's happened, everything Eddie let happen, unintentionally or not.

His phone buzzes against his leg. He ignores it in favor of restarting the video and listening to the video from the start. He listens to the whole song and it ends without anything else. Once Steve's strummed the last chord, he just stands up, walks to the camera and the video ends.

He restarts the video again, and again, and again. Hears Steve sing How could you think I'd scare so easily and I would do it again if I could hold you for a minute and though I know my heart would break I'd tell them put me back in it.

It's through the tenth, or eleventh, playback that his phone buzzes again and he fumbles to answer blindly, unable to pull his eyes away from Steve on the screen of his laptop.

"Gare- It's not- what did I do Gare? Everything I thought Steve would have to say never came close to what he just sang. I can't- I don't know what to do," Eddie sobs into the phone.

There's a pause of silence before what is very much not Gareth's voice says, "Well, dammit Munson. I was calling to rip you a new one but you're already crying."

It takes Eddie a moment to place the voice, "Robin?"

"Unfortunately, yes," Robin says. "I think Steve's let you off easily, but I also know I kick a hornet's nest with my interview so I think we should work on getting this cleared up, both publicly and privately."

"How did you get my num-"

"Gareth. Keep up, Munson. I'd like us to be able to call off each other's fans. Your PR team and whoever you employee to do that anti-bullying campaign have done a pretty good job so far in telling people to back off, politely. Helps that Jeff has been on top of this from the beginning. Honestly, I think the best decision you've ever made in your life was making Jeff the front man of your band and not yourself. He's much more pleasant to talk to, and so good with people."

"Robin!" Eddie has to shout because Robin keeps saying words and they don't make sense. "What?"

He hears a sign from the other end of the phone. "You are annoying. You know that, Munson? I'll work with Gareth to get this done. I think we should be seen together, publicly. Maybe getting a coffee. So everyone knows we've made up, or whatever it is Gareth and I decide is happening. We should also meet up privately. There's a lot to talk about."

"I'm so confused."

"Nothing new. Now, when are you free to get on a plane to Pendleton, Oregon?"

"Pendleton?"

"Munson!" Robin snaps, "we just established that you live in a perpetual state of confusion. Instead of questioning me, how about you answer my questions. Now, when are you free?"

"Anytime."

"Smart answer. Get your ass to Pendleton by the morning of the twenty-third. I'll work with Gareth for all the other concerns. He's easier to deal with."

"Can I ask one follow up question at least!?"

"You just did but I'll allow one more before I hang up."

"Why Pendleton?"

"It's the nearest airport to our destination. I am not having a private conversation with you in California. I don't want to be caught speaking to you until Gareth and I have a chance to work out the details."

And then Robin hangs up.

Eddie leans forward and restarts the video on his laptop before looking up plane tickets. Fixing things with Robin might be the first step in ever getting try and, he doesn't know, apologize to Steve? Maybe even have a conversation one day.

He doesn't deserve that chance, he thinks, but he's a bad enough person to want it anyway.

[makemeimmortalwithahug]

[ellie-24]

[steddio]

Eddie can’t listen to music anymore. God knows he wants to, would give anything to lose himself in a particularly intense guitar riff, or bang on the steering wheel of his van like it’s a drum kit, or just generally annoy those in his vicinity by refusing to turn down “that noise” (as his neighbors call it). Music was his life, his sanctuary, his whole reason for being on this stupid, fucked up planet.

But now, music makes him jumpy, panicky. Hands clenched into fists, the back of his neck prickling. He can’t help but look for the threat, for the reason music is being played. Eddie finds himself sitting in silence now, when before he couldn’t stand it. His bedroom eerily quiet, cassettes shoved in a shoebox, stereo covered with an old t-shirt. He drives with the windows down, radio off, listening only to the mundane sounds of small town Indiana.

He can’t even play guitar. Three days after he woke up covered in bandages, head aching, Wayne had brought Eddie his sweetheart, mumbling something about not wanting Eddie to be bored in the hospital. Eddie had tried to play, he really had. But just touching the strings sent him back into that life-or-death mindset, and suddenly his mouth felt like it was filled with blood and he couldn’t breathe, and the nurse had to rush in and help him release his death grip on the guitar, take deep breaths, count to ten.

After, he threw the provided pamphlets about Post-Traumatic Stress Disorder in the trash and tried to convince himself he didn’t really need to play guitar anymore. As Dustin is so fond of reminding him, he already lived the most metal moment of all time, embodied it, played for the lives of everyone he loves, for Chrissy’s death, for Hawkins’s survival. His sweetheart helped save the world, and now it’s enough that she’s only decoration in their new government payout trailer. It has to be enough, because he can barely look at her, can’t touch her without shaking, without almost throwing up.

His friends must notice. They must, because he’s been avoiding band practice, hasn’t scheduled any D&D sessions, staying far away from everything that used to bring him joy because it doesn’t. Not anymore. And sometimes he wishes they would say something, that anyone would acknowledge this 180 degree shift in Eddie’s entire being. But Jeff and Gareth are giving him space, letting him heal. And the kids are kids, dealing with their own trauma and shit. So it’s just Eddie and the silence.

—

Eddie is listlessly staring at his bedroom wall, actively trying to think about nothing, when he hears a car horn honking. He ignores it, sure that it’s irrelevant to him. The horn honks again. Then a third, fourth, fifth time, followed by, “Munson, dude, I know you’re in there!”

And what the fuck. Because Eddie knows that voice, and there’s absolutely no reason for Steve Harrington of all people to be outside his trailer. They’re not even friends! They’re just… trauma bonded. Or whatever. Maybe Eddie should have read those pamphlets.

He peeks his head out the window to see Steve shading his eyes with one hand, the other on his hip. Eddie waggles his fingers in a hesitant wave, even more surprised when Steve’s face breaks out into a grin.

“There you are, buddy! Come on, let’s go!”

Eddie begrudgingly grabs his jacket, swinging it on as he slams the door of the trailer behind him.

“Um, dude, what’s up?”

Steve only waggles his eyebrows in response. “You’ll see, but c’mon, we’re running late.”

Eddie slides into the front seat of Steve’s BMW, eyes glancing to the radio, which is blasting some Top 40 station that not only sounds like nails on a chalkboard but is already making Eddie uneasy. Steve hops in the drivers seat and, as if he can read Eddie’s mind, turns the radio off before pulling out of the trailer park.

The ride is quiet, but comfortable. Steve has the windows down, it’s a breezy summer day, and Eddie feels something underneath the listlessness that has infiltrated his brain like cobwebs. Anticipation, maybe even excitement.

Steve pulls into the Wheelers’ driveway, and Eddie follows him inside the house, down to the basement, where Dustin, Mike, Lucas, and Will have set up their D&D table, Will at the head wearing… is that a wizard hat?

“Welcome back from banishment, Eddie!” Dustin shouts as soon as he sees him, smiling widely. And Eddie can’t help but smile back. Because these are his kids, and he missed them, and he really did feel banished even if it was somewhat self-imposed.

Four hours later, after part one of a thrilling campaign led by Will (who really is a promising DM, Eddie has to admit), he no longer feels like that. He’s glowing, breathless, warm. The feeling buoys him through the car ride home, Steve having left and then returned to drive Eddie back. And if that good feeling allows Eddie to glance a little too long at Steve’s hair blowing in the wind, his left hand loosely resting on the steering wheel and his right on his thigh, then that’s Eddie’s business and no one else’s.

They fall into a routine. Steve picks Eddie up, drives him to the Wheelers’ house for an afternoon of D&D, and drives him home. Eddie tries not to be too obvious in his appreciation of Steve in the summer sun but he’s just a man, okay, and Steve didn’t earn his reputation for nothing.

Every time, Eddie offers to drive himself, but Steve just laughs, shakes his head. “Get in the car, Munson.”

And every time Eddie does, Steve turns the radio off. Doesn’t say anything, doesn’t acknowledge it, but their car rides are blissfully quiet. Light and easy in a way that silences aren’t when he’s alone.

—

It’s pouring rain one afternoon, rattling the roof of the trailer. Eddie is contemplating whether he can get away with smoking out his bedroom window when he hears a familiar car horn. As he approaches the car, Eddie hears what can’t be, but what is unmistakably the sound of Steve… singing? Softly, almost under his breath, Steve is singing along to the radio. He cuts off when he sees Eddie, offering a half wave and a lopsided grin. As Eddie slides into the front seat, Steve turns the radio off.

“Hey why do you do that, man?” The question slips out before Eddie can stop himself.

“Do what?” Steve looks confused.

“Turn the radio off. When I get in the car.” Now that he’s asked, Eddie finds that he needs to know. Why of all possible people, it’s Steve who’s been the most accommodating.

Steve shrugs, puts the car into drive, turns onto the main road before answering. “It bothers you,” he says simply.

Eddie must look confused when Steve glances over because he continues. “I never see you listen to music anymore. I figured it must bother you. And hey man, if anyone understands fucked up reactions it’s me. I can’t hear fireworks or see Christmas lights anymore.”

Eddie barely manages to nod his thanks, to present a facade of normalcy while his mind is racing a million miles an hour. He knows that Steve has been through some shit, clearly he had even before Eddie walked headfirst into whatever the fuck is going on in Hawkins. But he never expected Steve to be so… observant. Not of him at least.

The D&D session takes his mind off the mortifying knowledge that Steve is paying attention to him. They’re approaching Will’s grand finale, and Eddie is caught off guard by how normal it feels. To be excited about a campaign, to mess around with the kids. To laugh, unironically.

The ride home is tenser than usual but as they pull into the trailer park, Eddie musters the courage to reach out. To touch Steve’s arm and mumble a quiet but sincere “thank you.” He doesn’t stay to see if Steve responds, but the pads of his fingers burn where they met Steve’s bare forearm, and he falls asleep that night with the ghost of a pop song in his head.

—

A week later, Eddie finds himself in the backseat of Steve’s car, his usual shotgun seat occupied by Robin. In situations like these, it’s hard not to feel left out, like a third wheel. Steve and Robin orbit around each other in a way that Eddie never has with anyone. But their jubilance is addictive and Eddie can’t help but be drawn in. A lone planet in their binary star system.

They’re telling some inside joke, something about Muppets, and Steve is glowing in the way he only ever does with Robin or Dustin, beaming like a carefree teenager instead of gazing sadly out of eyes that look too old for his face. Eddie is breathless, finds himself laughing along, eyes glued to Steve’s mouth (his smile, not his lips, Eddie lies to himself). Robin launches into song and there’s a moment when Steve joins in, and it’s ridiculous but possibly the most glorious thing Eddie has ever heard because it’s music. It’s music and it makes him feel safe.

After a blissful few seconds, Steve cuts off, as if catching himself, turns to meet Eddie’s eyes, face halfway between joy and panic. Robin doesn’t seem to notice, and Steve has one hand up as if to stop her before Eddie shakes his head slowly, starts to smile. Steve’s face begins to relax again, one eyebrow raising in question.

“Don’t stop,” Eddie mouths.

Steve turns back to Robin, picking up the thread of their foolish imitation. And maybe Eddie is still lying to himself because is this really music? But he thinks it might be the most beautiful sound regardless.

They drop Robin off at home and Eddie climbs up to the front seat, winking at Steve’s feigned outrage about “the leather, dude!” Steve backs out of Robin’s driveway, gets halfway down the block before he pulls over.

“Hey I’m sorry about earlier,” he starts softly. “I got carried away. I hope—. Well. I hope you’re okay, man. I know music bothers you.”

Eddie feels a blush rising at this ridiculous, lovely man and his concern. Steve is looking at Eddie, brow furrowed, assessing every minute detail of his face as if searching for evidence of injury. Eddie wants to reach out and smooth it with a touch, to make Steve laugh again in that carefree way. He settles for reaching out in a different way, laying a piece of himself bare.

“It doesn’t. Bother me, that is. Not when it’s you.”

The silence that follows is expectant, Steve’s expression hard to read. They’ve been on the precipice of something for weeks now, and Eddie has stepped off the ledge. But as always, Steve is there to catch him. His grin is lopsided, eyes warm, as he sings softly,

“But I know, uh-huh, that you're sad. And I know I'll make you happy with the one thing that you never had, baby I'm your man.”

And Eddie has half a second to think Wham!? Really? before they’re kissing. They’re kissing in the front seat of Steve’s car and Eddie has the sudden, embarrassing, wondrous urge to turn the radio on. So he does.

[fairyofshampgyu]

he’s literally so beautiful and handsome

[stumpgirl]

Now we have the DILF with the hair sticking to his face 🤤. I managed to capture all 4 handsome men in this one 🎉. Andy was so hard to film because of his position on the stage.

[missjashin]

Steve and Eddie having to drive the kids somewhere and since there’s nine of them in total, ten if Robin is tagging along, they have to take two cars so obviously the ones with actual licenses have to drive. And Eddie is immediately like “I’ll take the boys, you can take the girls” but starts to doubt his decision right away because uhm why does Steve seem so happy about that?

Eddie really thinks it would be easier this way. I mean he knows most the boys little better and. They’re all guys? Nerdy guys too. He can handle them. Steve can try to deal with the girls. Like Robin is a force to be reckoned with and he has to have Max AND Erica in the car with him as well ? With the addition of a girl with actual super powers? Yeah sure Eddie is the one who’s gonna have it easy…

Or so he thinks. He just forgot to take into account the fact that the girls? They all get along just fine. Meanwhile the boys? Sure they are best friends but they can have a debate over EVERYTHING. And they will too.

This would be most hilarious comedy scene honestly. Showing Steve and the girls in the car. The music is nice and everything is calm and they’re all smiling and having fun. Switching to Eddie and the boys and it’s all heavy metal and screaming and rage and something might be on fire too- and cut back to Steve and girls and they’re just happily singing along their pop tunes.

Eddie is gonna need a vacation after this car trip.