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asidian · 3 months

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One thing I haven't seen talked about is Crystal's character arc, and specifically the way the timing of it interacts with Charles' arc. They stumble over each other in the worst possible way en route to their respective character growth, and from a narrative perspective, it's absolutely genius.

I'm going to preface all this by saying: none of this is a criticism of Crystal. Part of what makes her such a dynamic, refreshing character is that you don't get to see women in fiction written the way she's been written. You don't get to see women with her flaws that aren't throw-away mean girls or villains. You especially don't get to see women with her traits who learn and grow and become better people. So yeah, I'm going to talk about Crystal's character flaws. No, this isn't Crystal hate. We love our girl in this house. Okay? Okay. Let's start.

Crystal's character arc, at its heart, is all about her learning to be a better person because she has good influences that love and support her for the first time.

When the show starts, Crystal is not a nice person. She's abrasive in a way that's specifically designed to push people away. She's used to getting her own way, and it shows. She's used to having no meaningful connections with anyone, and it shows. She's breathtakingly selfish, in the very literal sense of the definition. She is focused on her self. Her problems are front and center to her; everything is about what she needs, and what she wants, and how she's struggling.

Jenny calls her out very early on. In episode one, Crystal is complaining about the boys, and Jenny, for all her cynicism, strikes right at the heart of the problem. She tells Crystal, "Everybody is always thinking about themselves, all the time." People only care about their own problems. And she says, correctly, that that's what Crystal is doing, too.

This moment is a revelation for Crystal. For the first time, she considers what her behavior looks like from another person's perspective. As she says, she gets mad at herself over it, and that awareness allows her to do something selfless for the first time in the series. She takes a step back and insists that instead of focusing on her problems, they go to help a little girl. It's a big moment for her.

But importantly, she's not done growing as a character here. She's only just getting started.

On my first watch through, I didn't realize how often, over the next few episodes, Crystal redirects things to her problems during conversation, but it's quite a lot. She's still focused on herself – selfish, in that most literal definition of the word. The issues most important to her are her issues. She's starting to learn to think about other people, but she's not there yet. The process is still underway.

Which brings us to Charles.

Charles' arc is a different sort of self-reflection. He's terrified that he's a bad person the way his father was and the way the boys that killed him were.

During the course of the show, he gets systematically stripped of his confidence and made to feel helpless, and just like Crystal needs outside influences to help her reach a more stable place, Charles does, too. He desperately needs reassurance that he isn't everything he's afraid he is.

But my goodness, the timing in their arcs is such a trainwreck when you put them together, and it is brilliant.

Let's start with the Devlin House.

Crystal has some amazing character growth here. She displays genuine concern about Charles, makes an attempt at comforting him, and learns to work with Edwin even though she still doesn't particularly like him at this point.

Charles, meanwhile, is beginning to fall apart. He's just had the worst night of his afterlife. He's been viscerally reminded of how helpless he is. He couldn't stop the Devlins from being killed over and over, just like he couldn't stop his own father's abuse. He messed up his attempted rescue so badly that he was completely out of commission until the case was finished. He managed to help not one single thing. He made no impact at all. He couldn't help those girls any more than he was able to help himself, while he was still alive.

So they get back to the butcher shop, and what do we see? Monty immediately coopts Edwin. Niko doesn't know what's happened because she wasn't there and Charles has been all fake smiles with her. And Crystal goes off with Niko, leaving Charles to flounder on his own in the wake of everything. She's still learning how to support other people. She isn't there yet, and it's extremely on display in this moment.

Then we get the lighthouse episode, and they both get put through the wringer here. Crystal gets her hopes and expectations jerked around by the Night Nurse in the very worst way, and Charles gets hit with a whole pile full of trauma. All that helplessness wells to the forefront again. Combined with being forced to relive some of his worst memories and the desperation to keep Edwin safe from hell, Charles lets himself act on his anger for once.

And what does he get in the aftermath? Horror.

Everyone who cares about him is horrified by what he's done. Edwin goes so far as to call it extreme. They don't know the half of it, of course; they haven't seen what the Night Nurse just put him through. But in this moment Charles is at his absolute lowest, and all he sees is confirmation that he's exactly as terrible as he thinks he is.

That's why Charles shrugs off Edwin's attempt at comfort, here. When he needed to be able to do something to protect Edwin and also himself – when he needed to believe that he could be better than what his father always was – all he sees is the confirmation from the people he cares about most that when push came to shove, he really is a bad guy.

Then comes the aftermath. And this moment is such a brilliant, awful clash of both of their character arcs. It is so delightfully messy.

Because Charles starts to open up to Crystal here. He starts to lay himself bare, the way he ends up doing with Edwin in episode 5. He's on the verge of admitting something that he's been worried about for literal decades. He tells her, "I've been angry for such a long time."

And what does Crystal do? She's still in the midst of her own character growth. She's still struggling to support other people. She's still learning how to. In a lot of ways, though she's made progress already, she's still that selfish girl that Jenny called out in the very first episode.

And she shows it here it with the absolute worst possible timing. No sooner has Charles started to talk about what's bothering him than she cuts in with her own problems. She's tired of riddles and spirits and demons and not knowing who she is. And the look on Charles' face. The moment when he visibly sets aside his own problems, because Crystal doesn't need any more disasters on her plate? It's heartbreaking. You can actually track the subtle change in his expression there. The actor does a phenomenal job.

And then comes the kiss. And what spurs it? Crystal saying she needs something real.

This moment isn't about light-hearted attraction, the way the earlier flirting is. It's Charles setting aside what he needs – comfort and reassurance and a moment to talk through the things that have been tearing him apart – to give her what she says she wants. He can't even feel it. And Crystal isn't far enough along in her character growth here to realize how selfish she's being. Like Jenny said way back in episode one, she's only thinking about herself.

And then comes the absolute unmitigated disaster of episode 5.

Straight out the gate, Charles leans in for a kiss. From his perspective, they have something together; there's affection there. Charles "I think I'd miss kissing" Rowland, who has been starved for meaningful physical contact for thirty years, is not in a hurry to give this up.

But Crystal is fresh out of a nightmare where she conflates Charles with her abusive ex. She withdraws; she calls what they had a distraction. She cuts it off almost as soon as it's started, so focused on her own worries here that she misses how damn fake Charles' smile is, to cover up that he's coming to pieces.

To be clear, she's absolutely not in the wrong here. It is 1000% her prerogative not to jump into a relationship again while she's still struggling to work through what happened with David. But the arc of her narrative is still early enough that she does it all without so much as the awareness that her focus on her own issues has hurt Charles terribly.

And then the episode really kicks off, and both of them are in shambles in very different ways.

Crystal is projecting her issues with David onto Charles. She has a lot of history, and David seems as though he's exactly the right sort of toxic to leave lasting a lasting impact. But Charles hasn't done anything to deserve her assumptions, and he takes the brunt of her temper here and throughout the episode.

Charles is desperately projecting onto the dead jocks. He very badly wants them to be good guys, because he sees himself in them and he needs himself to be a good guy. He snipes back at Crystal for the very first time in this episode, and he does it in the worst way possible, accidentally prodding her where it will do the most damage.

They're both hurting. They both say some truly painful things to one another.

She does not need to hear that she has unsorted hangups about David still plaguing her while she's unable to move past them. He desperately does not need anyone to tell him that he has rage issues while he's still struggling to think of himself as a decent person.

They apologize, in the end. They start to move past it.

But it's telling that Charles doesn't try to open up to Crystal again. He goes to Edwin instead, even though Edwin is the one who called his actions regarding the Night Nurse extreme. He gets the reassurance he needs so badly; he gets the connection he was looking for with Crystal from Edwin, instead. (I have a lot of thoughts on why Charles initially tries to open up to Crystal so quickly, but it is very much an aside, and this is already extremely long, so it will have to wait for another write-up.)

But the important thing here is, Edwin is the one to offer Charles what he needs to overcome the self-doubt eating him alive. Edwin provides the physical affection Charles was seeking in the form of that long-overdue hug. Edwin is the one who's able to reaffirm for him that he's not just a good guy, he's the best person Edwin knows.

And for all intents and purposes, Charles' major character arc ends here.

Charles has a few last little moments to go on the path to rebuilding his own self-image, after this, but for the most part his concerns have been resolved. He saves Crystal in episode 6 and Edwin in episode 7, proving to himself that he's able to make a difference in the face of overwhelming odds. He's not helpless, no matter what the Night Nurse told him; he can be a force for good in the world. By the end of the series, his crisis of self-doubt seems to have been largely overcome.

But it's the conversation with Edwin at the end of episode 5 that really allows him to work through his most pressing issues. Edwin is there to help support him when he stumbles. Edwin provides him the comfort he was looking for while Crystal was too worried about her own problems to notice how badly he needed the help.

Crystal, meanwhile, still has a ways to go after episode 5. The last three episodes are where she does her most important character growth.

In episode 6, she learns some hard lessons about keeping secrets and letting people help and appreciate you even when you can't offer them anything in return. And Charles, importantly, is there for her every step of the way. He consistently offers her physical and emotional support. He models for her, in a very real way, what it looks like to have someone prop you up when you need the help.

And in turn, Crystal steps in to save the boys. She's the big damn hero at the end of this episode.

The breakthrough continues into episode 7. She's so intent on helping to get Edwin out of hell that she literally goes to face her own demons, not for herself for once – not for her own purposes or needs or wants – but because she wants to help someone else.

And episode 8, at long last, brings her to the culmination of her character arc.

Crystal is at her absolute lowest here. Her family, the people who were supposed to love her unconditionally, didn't even realize she was gone. Her precious memories, that she's spent the entire series trying to regain, have showed her that she's not the person she hoped she would be. She's overwhelmed enough that she means to flee, to cut herself off from her new friends entirely.

Then the boys get kidnapped. And just like that, she makes up her mind.

For the first time since the start of the series, she sets aside her most important issues in order to let what other people need take precedence. She disregards all of her own personal concerns and focuses instead on others. She's finally stepped out of those selfish impulses that Jenny calls her out on, all the way back in the first episode. She's finally learned how to support other people when they need it.

Crystal has finally figured out how to be there for others, despite having troubles of her own.

It's a lovely arc, and it's beautifully done.

Charles' is just as touching.

And god damn, but it was a brilliant narrative choice to have their character arcs line up in exactly the wrong way.

#dead boy detectives #dbda #dbda spoilers #charles rowland #crystal palace #edwin payne #meta commentary

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koolaidoverwriting · 2 months

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GENERAL DATING HEADCANONS

CHARACTERS: Eyeless Jack, Jeff the Killer, Gender Neutral Reader

Request. I wasn't sure if you meant Jack x Jeff. I stuck to separate SFW and NSFW headcanons. But you can send another ask to clarify! :)

CW: Explicit Sexual Content, But Also Romantic Fluffy Stuff, Blood, Self-Harm, Cannibalism, Biting, Not Graphic

NSFW UNDER CUT! MINORS DNI!

EYELESS JACK

SFW:

Jack doesn't feel as much empathy or sympathy as other people. It definitely takes a long time for him to warm up to you, let alone get comfortable enough to date you.

Jack is an outlier in the mansion. He likes being alone, doing his own thing. Plus, a lot of people don't like his bluntness and sarcasm.

His tar spills faster when he's upset, but it's pretty much gone when he's happy. That's why he hardly cries tar around you.

He has a hard time showing affection through his words, but you know he loves you. Sometimes, he just pops up and holds your hand, or wraps his arms around you.

When you're hurt, he tends to your wounds, cooks you warm meals, and stays by your side. It's a mutual silence where you're just enjoying each others' presence.

Jack is a bookworm. You spot the books he reads and you check them out. Jack is over the moon when you randomly reference his favourite book. "Did you really read that for me?"

Surprisingly, Jack talks a lot. He rants about his interests in gardening and science.

Speaking of gardening, he'll most definitely grow your favourite flowers for you. He'd give you handmade bouquets and flower crowns, as well as perfumes and scented candles.

Jack isn't against light–hearted teasing. He says flirty things just to catch you off guard since you aren't used to it. Most of these "flirty things" are phrases he heard from TV shows.

He does try to get you to try kidneys. If you refuse it because it's raw, he'll cook it for you. If you refuse it because it's gross, he'll shrug a shoulder and eat it himself.

NSFW:

Jack is gentle with you. He knows how much smaller you are in comparison, so he makes sure he doesn't bruise you.

If you allow it, he'll bite you enough to draw blood, but nothing more.

His ears are sensitive! Licking or biting them gets him all worked up.

Jack has three tongues that overlap in his mouth, meaning he's a fucking demon with oral sex. His tongues squirm inside of you, hitting all the right spots. He could eat you out for hours before substituting his tongues for his cock.

When he sees you're close, he only fucks you harder.

Jack's cock doesn't fit inside you all the way. Your senses leave you, and you're a drooling, blubbering mess as he rams into your entrance.

After you're done, he'll clean up any blood that spilled and kiss your bite marks. While cuddling, he asks you what you want to eat. He'll cook anything for you.

JEFF THE KILLER

SFW:

Jeff lives in the mansion and has been living there since he was 17. Before that, he lived with a blind old woman who thought he was her grandson.

Dating him means you're going to have to get used to his angry outbursts until he learns how to control them better. He tends to lash out and then apologise later. You're sure with enough patience, things might get better. Especially because you know he's trying his best.

He loves emo music. In fact, he collects merchandise from the concerts he sneaks into. At night, you get to cuddle with Jeff while some emo song blasts on his speaker.

He also plays the electric guitar and would love to teach you how to play. And if you already know how to play, he'll get really excited about duetting with you.

Jeff has had self-esteem issues since the incident. He tries everything to make himself "beautiful", taking extensive care of his skin, hair and clothes.

He believes the scar makes him look better, maybe because it distracts from other parts of his face he's insecure about. He refreshes his cut every month.

You have to remind him that he's beautiful just the way he is. There are nights where you argue over it, but you try everything you can to help him overcome his insecurities — or at least accept his flaws.

He has a knife collection. He paints the handles of his knives all different colours. Some days, you could sit and talk with Jeff while you paint knife handles together.

"Can I test the sharpness on you?" "What?" "...I'm joking."

Jeff isn't a good cook. He never put time into learning how to cook. You, knowing he has to learn at some point, convince him you're on a "cooking date" whenever you want to teach him how to make a meal.

NSFW:

I already have a NSFW post for Jeff, but these are softer alternatives for when he's in a relationship.

Known fact: Jeff will use his knife during sex. He enjoys grazing it across your skin, smiling at your "cute" reactions.

The tip of the knife scratches your thighs. Your legs twitch as he looks into your eyes with a needy look.

Jeff likes seeing your desperation. He loves it when you grind against him, begging for his cock. He'll keep his hands off you, forcing you to grind helplessly. "Horny little bitch... Yeah, tell me how much you want me."

He fucks you at a rough, unstable rhythm as he tries to reach his peak. When he's in the zone, it's only his orgasm that matters to him.

Jeff mutters profanities under his breath with almost every thrust. It's a mixture of praise and degradation. "Fuck... D–Damn slut... You feel so fucking good..."

For aftercare, he doesn't do much. Just small things like giving you water and cuddling with you in bed. It's simple and it's nice.

!!! i'm very sorry if you meant "jack x jeff"! feel free to let me know in another ask, though!

#requests #jeff the killer #jeff the killer x reader #eyeless jack #eyeless jack x reader #creepypasta smut #jeff the killer smut #eyeless jack smut #creepypasta x reader #creepypasta headcanons #creepypasta x y/n #jeff the killer x you #eyeless jack x you

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asterlark · 10 months

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me and den @unloneliest were just talking about murderbot and ART's relationship and i want to discuss how they quite literally complete each other's sensory and emotional experience of the world!!

there's a few great posts on here such as this one about how murderbot uses drones to fully and properly experience the world around it (it also accesses security cameras/other systems for this same purpose). but i haven't seen anyone so far talk about how once MB stops working for the company and consequently doesn't have a hubsystem/secsystem to connect to anymore (which for its entire existence up to that point had been how it was used to interacting with its environment/doing its job), after it meets ART, ART starts to fill that gap.

ART gives MB access to more cameras, systems, and information archives than it would normally be able to connect with while MB is on its own outside of ART's... body(? lol), but also directly gives MB access to its own cameras, drones, archives, facilities, and processing space. additionally, so much of ART's function is dedicated to analysis, lateral thinking, and logical reasoning, and it not only uses those skills in service of reaching murderbot's goals, it teaches murderbot how to use those same skills. (ART might be a bit of an asshole about how it does this, but that doesn't negate just how much it does for murderbot for no reason other than it's bored/interested in MB as an individual.)

we all love goofing about how artificial condition can basically be boiled down to "two robots in a trench coat trying to get through a job interview" (which is entirely accurate tbh) but that's also such a great example of ART fulfilling the role of both murderbot's "hubsystem" and "secsystem", allowing it to fully experience its environment/ succeed in its goals. ART provides MB with crucial information, context, and constructive criticism, and uses its significant processing power to act as MB's backup and support system while they work together.

from ART's side of things, we get a very explicit explanation of how it needs the context of murderbot's emotional reactions to media in order to fully understand and experience the media as intended. it tried to watch media with its humans, and it didn't completely understand just by studying their reactions. but when it's in a feed connection with murderbot, who isn't human but has human neural tissue, ART is finally able to thoroughly process the emotional aspects of media (side note, once it actually understands the emotional stakes in a way that makes sense for it, it's so frightened by the possibility of the fictional ship/crew in worldhoppers being catastrophically injured or killed that it makes murderbot pause for a significant amount of time before it feels prepared to go on. like!! ART really fucking loves its crew, that is all).

looking at things further from ART's perspective: its relationship with murderbot is ostensibly the very first relationship it's been able to establish with not only someone outside of its crew, but also with any construct at all. while ART loves its crew very much (see previous point re: being so so scared for the fate of the fictional crew of worldhoppers), it never had a choice in forming relationships with them. it was quite literally programmed to build those relationships with its crew and students. ART loves its function, its job, and nearly all of the humans that spend time inside of it, but its relationship with murderbot is the first time it's able to choose to make a new friend. that new friend is also someone who, due to its partial machine intelligence, is able to understand and know ART on a whole other level of intimacy that humans simply aren't capable of. (that part goes for murderbot, too, obviously; ART is its first actual friend outside of the presaux team, and its first bot friend ever.)

and because murderbot is murderbot, and not a "nice/polite to ART most of the time" human, this is also one of the first times that ART gets real feedback from a friend about the ways that its actions impact others. after the whole situation in network effect, when the truth of the kidnapping comes to light and murderbot hides in the bathroom refusing to talk to ART (and admittedly ART doesn't handle this well lol) - ART is forced to confront that despite it making the only call it felt able to make in that horrifying situation, despite it thinking that that was the right call, its actions hurt murderbot, and several other humans were caught in the crossfire. what's most scary to ART in that moment is the idea that murderbot might never forgive it, might never want to talk to it again. it's already so attached to this friendship, so concerned with murderbot's wellbeing, that the thought of that friendship being over because of its own behavior is terrifying. (to me, this almost mirrors murderbot's complete emotional collapse when it thinks that ART has been killed. the other more overt mirror is ART fully intending on bombing the colony to get murderbot back.)

in den's words, they both increase the other's capacity to feel: ART by acting as a part of murderbot's sensory system, and murderbot by acting as a means by which ART can access emotion. they love one another so much they would do pretty much anything to keep each other safe/avenge each other, but what's more, they unequivocally make each other more whole.

#the murderbot diaries #murderbot #asshole research transport #network effect #mine #idk what else to tag lol #BIG thanks to den unloneliest for helping so much with the drafting/editing of this!!!#we both were having some brain fog issues yesterday so we joked that with our combined forces we can make one (1) post lol #just like mb and ART fr!!!!#anyway im so fucking emotional over themmmmm #murderbot meta #the murderbot diaries meta

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moodymisty · 3 months

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[ 𝕸𝖔𝖔𝖉𝖞𝕸𝖎𝖘𝖙𝖞'𝖘 𝕸𝖆𝖘𝖙𝖊𝖗𝖑𝖎𝖘𝖙 | 𝕬𝖔3 ]

Author's Note: Inspired by this conversation. I'll be making one that takes place while Reader is alive as well, but the one where you aren't just got finished first. Enjoy.

Warnings: Sanguinius/Fem!Reader, Major character pseudo-death(Reader), Worship, i don't know consider this a sort of writing practice type thing for me

Guilliman finds himself having to hold the vile taste in his throat down, as he looks upon the scene in front of him.

...He remembers you.

He remembers the friendly smiles you gave him, and he remembers the smiles you would reserve just for Sanguinius. He always wondered what Sanguinius found worthwhile in being with you; In managing his legion, the expectations put on him by the entire galaxy, The demands of the Emperor, and a relationship with you. But then he would spot the way Sanguinius would look at you, like you were everything he had ever hoped for, and Guilliman would feel a twinge of something. He never quite figured out what it was.

And now you're here. Dead.

At least Guilliman would've wished as such, but instead you lay in an eternal state of unrest much like he was, not too long ago.

Sanguinius had once voiced to him that he was worried his sons would idolize you much like they did him. They were already beginning to towards the start of the Heresy; You'd become less of a person and more of a ideal, an extension of Sanguinius' own supposed anglicism. Sanguinius had found it distressing. He didn't want them to blindly follow something because of a holiness put on them. Sanguinius could handle that sort of thing, persuade those thoughts away and order them to stop, but you couldn't. You weren't meant to.

Guilliman had appreciated him confiding in him at the time, but hadn't offered much to soothe his worries. Perhaps that had been a mistake. He remembers exactly where they were, how the sky had looked. And each time he remembers it, he wants to yell at his past self to say something; To spurn some sort of action and prevent this.

"She still looks the same,"

The primarch mumbles, remembering your face in the last snapshot of his mind. Your skin had been pallor, you were falling ill, but you still soldiered on. You had to. While you had given most logistical and battlefield duties to Chapter Master Raldoron after Sanguinus' death, you still held significant sway in the chapters rituals and other types of decision-making. They wouldn't allow you to divert those duties, the anglicism they had put on you had begun to grow and grow even back then, wearing down on you like a disease.

Sanguinius' genesons had nothing less than the utmost respect for you, which Guilliman had watched morph into the thing that Sanguinius had feared the most. It wasn't his place to step in, so he never did.

The glass coffin which holds you does nothing to hide a single thing, displaying you and the delicate lace gown you lay in. It was the dress you'd worn when you married Sanguinius, and Guilliman doesn't know how to feel about it. The sleeves do well to hide the tubes and machinery that digs into your wrists, deep into your lifeless veins. They keep your body psudeo-alive, he presumes, to stay off decay.

However it seems it's drawing blood out, which he finds interesting. Though he doesn't have the time nor the desire to dwell on why such a thing would be needed.

"You remember The Mother Angel?"

Dante is more composed than most of the other Blood Angels, but Guilliman can still sense the awe in his voice from the primarch's eyes having touched their Mother Angel in life. He stands across from him, having decided to show Guilliman this sacred place.

"Her name, It was,"

Guilliman can't find himself to say it.

"I remember her, yes. Quite well."

Dante stands in reverence as if he's waiting for Guilliman to continue.

"I remember her voice, her face; I remember her wedding. I remember her putting Sanguinius' fallen feathers in her hair and dancing a fool." He clears his throat before continuing. "She lead the Blood Angels for a decade after Sanguinius. Then she fell ill. I always respected her tenacity and ability to lead a legion of Astartes despite her limitations."

Guilliman feels regret. He wishes he would've said more to Sanguinius when he'd voiced his worries, perhaps it would've spurred more action to prevent this outcome.

Sanguinius was the only one of them to find love, and look what happened; You got desecrated by it. Perhaps Corvus and Fulgrim were right to abandon the prospect all together. It seems to bring nothing but horror in the end. The only one of them to find love and that love got turned into it's own hideous creature, completely removed from what it had stood for.

His brow furrows, and he purses his lips in preparation to speak words that he just ends up swallowing.

"This, this is..."

Guilliman cuts himself off. He knows he shouldn't say these things in these chambers they call hallowed, in front of their Chapter Master. he needs Dante, he needs the Blood Angels more than he needs to protect a promise he never made in the first place.

"What, Lord Guilliman?" Dante urges him on, curiosity on his face.

"With all due respect, Master Dante," Guilliman looks to him, face stoic.

"If I were to say how I truly felt about all of this, I imagine you would no longer be willing to lend even a single man to assist the Ultramarines."

Dante looks at him confused, but doesn't show anger regarding his implications. Guilliman can see his lips twitch, eyes flickering down to your glass coffin for a moment.

But Dante just doesn't see it, and Guilliman knows it.

You've been like this for thousands of years, none of them see this as anything unusual. Generations of Blood Angels have been reared on you being this deity, the wife of an Angel, and there is no possible way to raise them out of that. What is done is done.

Guilliman is the only one seeing it as something wrong, as he is an outsider.

"Now, what is it you wished to discuss with me, Lord Dante?"

Guilliman changes the subject and turns away from the centerpiece of this cathedral, only allowed entry by the most elite of Blood Angels. He attempts to forget your body is even there, as there isn't a single thing he can do about it now.

He hopes Sanguinius will have mercy on him, next they meet.

#sanguinius x reader #primarch x reader #warhammer 40k x reader #reader insert #reader #mywriting

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korrasamiweek2024 · 4 months

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Korrasami Week Prompts

Thank you all so much for your submissions and votes!! So excited to share the winners and the finalized event schedule:

Day 1 - Sunday December 15th:

Sparring ☆ Jealousy ☆ Rivals

Day 2 - Monday December 16th:

Tattoos ☆ Bi Pride ☆ Disability

Day 3 - Tuesday December 17th:

The Beach ☆ Festival ☆ Spirit World

Day 4 - Wednesday December 18th:

Domestic ☆ Hurt/Comfort ☆ Cooking/Baking

Day 5 - Thursday December 19th:

Dancing ☆ Marriage/Wedding ☆ Poppin Bottles

Day 6 - Friday December 20th:

Band AU ☆ Bodyguard ☆ Period Piece

Day 7 - Saturday December 21st:

Car Trouble ☆ Gay Bar ☆ FREE DAY

There are three prompts to choose from each day–you can pick just one, or combine them in whatever way makes sense to you! They're meant to be inspiring, rather than restrictive. Can't wait to see what you all come up with💖

Rules and guidelines for the event are below the cut, and as always, if you have any questions, don't hesitate to ask!

Rules & Guidelines

1. What's allowed? Pretty much anything! Artwork, fanfiction, gifsets, headcanons, analysis/meta, memes, etc. are all welcome, as long as they're your own work and are Korrasami-focused.

2. Explicit content is fine, but the characters need to be adults, and everything depicted MUST be consensual.

3. Please abide by Tumblr's guidelines about explicit content, otherwise there's a chance Tumblr might delete your submission! If you're not sure, you can always post your work to another site (AO3, twitter, etc.) and then link to it here. All explicit content posted and reblogged here will be tagged "nsft" so be sure to block that tag if you'd like to filter out such content!

4. No whitewashing, racism, misogyny, transphobia, ableism, or other bigotry of any kind. Content that explores these themes is ok, but they shouldn't go unchallenged in the piece, and they should be tagged with the appropriate warnings.

5. When submitting visual or audio media, please include a description either in ALT text or in the body of the post itself.

6. Other characters and relationships from The Legend of Korra are welcome, but your submission should be primarily about Korrasami.

7. Be kind. No criticism ("constructive" or otherwise) of other people's work unless the creator explicitly requests it. If you don't like something, just keep scrolling!

8. Follow the prompts if you can! They're meant to be helpful, but if you get inspired by something else entirely, please feel free to submit whatever you make!

9. Tag for content warnings if you think something might be triggering. Use your best judgment, but if you aren't sure whether a CW is needed, it doesn't hurt to ask!

10. Submit your fanwork either by mentioning @korrasamiweek2024 in the body of your post and using the #korrasamiweek2024 tag, or by submitting it directly to this blog. You can also add it to the Korrasami Week 2024 Collection on AO3. All submissions for each prompt will be reblogged or posted by the end of the day.

11. There's no such thing as a stupid question, so if you're unsure about something, feel free to ask!

#korrasami #korra #asami sato #lok #tlok #korrasamiweek2024

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antianakin · 21 days

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how do you interpret codywan?

I suppose I should've seen this one coming.

So, the appeal for me with Codywan is the idea of these two people in impossible positions during what is a really dark time for them both overall learning to rely on each other and trust each other. They come from such radically different backgrounds, but somehow those backgrounds also allow them to understand each other in a way few others have (discounting the Jedi for Obi-Wan and the clones for Cody). There's a feeling of equality and respect between them as they fight beside each other and the other person starts to become more real because they can see the other person get tired and bleed, mourn and celebrate. And from that, they start picking up on the other little things about each other that turn them from General and Commander who respect each other professionally to friends who care about each other personally.

They AREN'T the most important person in each other's lives. They don't necessarily understand each other better than literally anybody else they've ever met. Cody will have relationships with other clones that are very meaningful to him, and lots of shared history with other clones that Obi-Wan simply cannot hope to replicate. Likewise, Obi-Wan has relationships with other Jedi that have lasted DECADES before he ever even meets Cody, and other Jedi will have a deeper understanding of that part of Obi-Wan that Cody just doesn't and never will. But Cody and Obi-Wan do go through an experience together that binds them, an experience that is uniquely their own. They mean a lot to each other and they are important to each other, but they aren't necessarily the center of each other's lives nor does their relationship eclipse everything else they care about.

Cody and Obi-Wan are one of the relationships that, to me, is most appealing when it's VERY Jedi in nature. From an outside perspective (a non-Jedi one), it might not even look like they're in a romantic relationship at all. Their relationship is their business and neither one feels the need to flaunt it publicly. They're happy the way they are and just because they don't follow the usual standards of what constitutes a romantic relationship doesn't mean they're doing it wrong or that it doesn't exist. I mentioned in the last ask about shipping that I'm aroace, and that tends to impact my view of Codywan, too. I tend to like interpreting them as something in the realm of a qpr (which is how I define ALL Jedi relationships because I don't think most Jedi relationships that work and/or last would look all that similar to what society tends to portray as a typical romantic relationship). In a happy fix-it AU scenario, Obi-Wan and Cody aren't necessarily spending all their time in each other's presence, they may not even live together, they're not constantly touching or making sexual innuendos with each other, they don't have pet names for each other or use endearments.

They both have such a strong sense of duty that meshes well together. Obi-Wan is a staunch Jedi and that means he feels compassion for everyone in the galaxy and is dedicated to helping everyone in the galaxy. Cody is someone who was forced into a life of service, but I like to interpret him as someone who, after meeting the Jedi and getting to know them better, decides that he still WANTS a life of service if he gets the opportunity to choose. He wants, more than anything, to be able to help people. He wants to bring peace and protect people when he can, he wants to represent something greater than himself. This allows them to be happy and fulfilled in their relationship without either of them needing to prioritize the relationship above everything else in their lives.

Obi-Wan enjoys Cody's wit, his steady presence and level head in a crisis, and that he's a sponge for any knowledge he can get his hands on. Cody enjoys Obi-Wan's compassion for life, his zest for learning and desire to pass on knowledge, and his thrill for adventure (whether Obi-Wan would call it that or admit to it or not). They both know they can rely on each other to get the job done without letting emotions get in the way, but they also know that at the end of the day, they can relax and be themselves with each other and find acceptance no matter what. I think Cody probably grows a lot through his relationship with Obi-Wan, that it allows him to understand himself in a way he hadn't been able to do before, and Cody provides an anchor point for Obi-Wan during a time when he's often separated from his regular support system.

I've seen people say that the appeal of Codywan for them is the yearning, but I don't think that that's it at all for me. The appeal in it for me is that it ISN'T something that causes them pain, but something that only really ever brings them joy. Even with Cody being pretty new to relationships in general, I think that he and Obi-Wan are both people who just end up enjoying the feeling of being in live, regardless of whether you think that person is in love with you back or not. They both glean pleasure from making the other person happy or even just SEEING the other person happy. Their relationship flows pretty easily from a professional respect to a friendly rapport to love without there being an obvious distinction between the different stages. They love each other, and it's not an issue that needs to be solved, but an experience to be savored.

None of this means that they never have disagreements or things like that, but Cody's steadiness combined with Obi-Wan's Jedi teachings means that they're pretty good at managing their disagreements without them becoming full-blown fights or major conflicts. Communication would not be one of their problems.

One of the things I like about Codywan is that what we know about them lends itself to an interpretation that they are the OPPOSITE of Anidala. Anidala is defined by its desperation, its secrecy and lies, its lack of healthy communication with each other, its melodrama and heightened emotion at all times, and the pain and fear at its core that leads to its own destruction. My personal interpretation of Codywan is the opposite of all of that. It's not defined by desperation and pain and fear and melodrama, but by smaller things that perhaps make for a less compelling story to people. So many fics turn Codywan into a variation of Anidala, with one or the both of them unable to admit to their own feelings and stuck in a cycle of their feelings for each other causing them little but pain. But if I wanted Anidala, I'd just read or watch Anidala. I want Codywan to feel DIFFERENT than Anidala in pretty much every way. I want their relationship to be based on honesty and trust and simple small moments feeling more romantic than grand gestures. There's no melodrama in my version of Codywan unless they're playing it up as a joke in front of somebody else.

#star wars #codywan #obi-wan kenobi #commander cody #marshal commander cody #anidala critical

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necroangelz · 1 month

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RARE EDITBLR SHOCKING HOT TAKES THAT WILL SHOCKINGLY SHOCK YOU!!!!!

following trends and doing what's popular is okay because it allows people to gain interactions and a bigger following by doing what's popular!! and it's also okay because trends are usually what people like, so it makes sense if someone genuinely enjoys following a trend!! people can branch out, do their own thing, and find their own style later!

actively expressing positivity, and helping or encouraging each other is what will help a community. making big rant posts, or rant accounts centered around negativity, without offering even a simple solution to fix the problems you're calling out, is not helping!!

(the other ones are under the cut. also feel free to reblog with editblr hot takes that will shockingly shock you!!)

sometimes things just... aren't a big deal. sometimes it genuinely does not matter

another person's personal business, creative decisions, etc. is not your business!

if you see someone who's not really educated on a certain topic or issue (and i mean, genuinely not educated. i don't mean people who are ignorant), the best move to take is to: patiently and kindly educate them! the worst move to take is to: yell at them and cancel them for not being as informed as you are.

people need to be careful with the words they throw around. it's not good to overuse words that have a very big weight on them, because those are important and sensitive words that shouldnt lose their meaning because people kept using them lightly. (what i mean is: people who throw around the words racist, ableist, etc. all the time even when what they're complaining about is not really either of those things.)

on the topic of words: it's important to be careful of the words you use online, and it's also important to be patient with people who worded their statements badly on accident.

don't treat every person like they're your friend. be aware of their boundaries and don't be overly comfortable with them if you don't actually know them. you are not automatically entitled to someone (or their personal business, or anything else) just because you're mutuals.

don't treat every person like they're your enemy. maybe you don't really need to be doubtful and passive aggressive towards a random person you see online.

gatekeeping kinda sucks tbh

god sometimes i find editblr so stupid like how do you create so much drama from a community that edits anime characters. how just HOW. and why.

please don't forget the other people behind the screen. the network of other people behind their screens. please.

sometimes people take the littlest problems and turn them into something HUGE even if it could all just be solved by a couple of civil conversations in dms. sometimes people take the littlest things and slap the "PROBLEMATIC!!!!!!!" label on it without even trying to understand what it is they're labeling as "PROBLEMATIC!!!"

people get followers then their ego becomes so high and they treat other people like dirt and think that their word is fucking scripture or something

oh yeah another hot take: i don't really like low contrast cluttered maximalist edits but if it's actually someone's style then I'll let it pass especially if it's good /silly

#💫﹕ the stars glow 𝜗𝜚 ︵#editblr

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moonstrider9904 · 5 months

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That Old Song

Pairing: Crosshair x Female Reader

Summary: After pining after him for months, you get the chance to see Crosshair one more time before he ships out with his squad to Kaller.

Tags: SFW. Kissy-kiss, pre-relationship, general softness, implied tragic romance

Word count: 1693 words

Read on AO3 | My one-shot masterlist

This one was inspired by That Old Song from the Slime Rancher soundtrack because it gives me tragic romance vibes and even though I always wanna give Crosshair a happy ending, I really felt inspired to explore the more tragic side of canon because we all know what happens to him by this point (and season 3's not even over lol Lord help us)

The sky turned purple as the sun on Anaxes began to set. The warm toned twilight would always bring a sense of foreboding with it, but you were used to it. The hangar on Anaxes was not a front line, but it was still a warzone, and war didn't discriminate. It took away, it destroyed, it forced goodbyes, but like the stars that were rising in the ever-darkening sky, there were always gleams of hope that traced finer, beautiful shapes if you knew how to look for them.

He was such a glimmer, at least to you.

You hadn't stepped a foot inside the base since the Havoc Marauder landed. Though repairs and refueling were insistently handled by the team's own engineer, you had the honor of being the only mechanic around whom Tech would even allow to set a finger on the hull of the modified Omicron-class attack shuttle. While he was off running diagnostics and the rest of the squad loaded up on rations, you were finishing up putting away the supplies you'd needed for a standard oil change. You caught the scent of the oil coming from your gloves, which you carefully removed to reveal your hands, the skin on them soft and surprisingly well taken care of despite your profession. At that moment, you could hear the subtle pacing behind you, and a gentle smile formed on your lips. You'd had so many encounters with them that, while short, had already allowed you to recognize how each of the defective clones walked - you'd gotten the chance to know such a detail from many clone battalions, but you didn't enjoy knowing any of them as much as you did for Clone Force 99.

The steps approaching you were light as a feather resulting in lifelong training for stealth, and long resulting in a tall silhouette. Carefully paced one after the other, you knew he was already smirking at the sight of you. It was simply who he was.

You turned around and your eyes landed on the silver hair and the deep brown eyes that would reflect sunlight so beautifully whenever a golden ray hit them just right - that was the only thing that made you yearn for sunshine in the middle of that twilight. Regardless, you couldn't help but grin at the man approaching you. Being in his presence was everything that occupied your thoughts when he was gone.

"Thought you'd be here," he said while chewing on a toothpick.

The giggle that left you was just a bit too obvious for your taste, but you muscled through it. "Aren't you smart."

"I hope you haven't been here all week," he teased. "I don't tell you when I'll be here in my letters for you to tie yourself to the hangar."

"It might surprise you to know I'm always exactly where I need to be," you smirked, your hands traveling to your hips. "I just happen to be needed here right now."

Crosshair, who was always so stern and so serious, let out a chuckle in front of you. The way others talked about him, even his brothers, you were already sure by then that you were one of the only people he ever did that around, and the low sound of his laughter and the way his chest fluttered when he did made you feel your knees giving out on you. Finally, Crosshair took a couple of calculated steps toward you, decreasing some of the distance between the two of you. He looked down at you, silent for a moment, so peaceful you could hear the wind blowing at your sides. Despite the cool breeze, all you could feel on your skin was heat.

"Have you heard the rumors?" You asked him.

Crosshair nodded, the seriousness returning to his face. "Yeah. War's ending soon."

Sarcasm flooded his previous remark, and you gave him a bittersweet smile. "You don't seem all that happy about it."

"It's not that," Crosshair replied. "I'm not in a position to assert or expect anything."

"Right," your mind went back to your initial pondering on the cruelties of war, but you decided to focus on the man in front of you. "Will you be headed to Coruscant?"

Crosshair shook his head. "We're needed on Kaller."

"Oh," you said. "I see. Kaller... snowy, full of clankers."

"My specialty," Crosshair purred.

You giggled. "So... maybe it's safer to say that I'll see you again soon?"

As you were talking to him, you inched closer to Crosshair. Your hands were down at your sides, but you couldn't help but notice how close his hands were to yours, and how easy it would be to reach out and touch his gloved fingers with your bare ones. What you hadn't realized up until that moment, even with all the letters and the hours you'd spent thinking about Crosshair, was how desperately you needed to hold him, and to be held by him.

But Crosshair sighed, hesitant. "Darling..."

"We haven't been sending each other letters for months now just because," you whispered. "Have we?"

A faint smile appeared on his thin lips. "No."

Your own smile, though soft, grew at him, and your eyes seemed to sparkle.

"Crosshair..." You sighed, the dreaminess finding its way into your voice.

He couldn't help but laugh again. "Well, damn. You really are smitten."

Flustered, you looked away, but Crosshair reached out to gently hold your chin and have you look up at him again. He took in the way you were looking at him, with sparkling eyes and an adorable smile, your cheeks warm and your silhouette glowing with hope, like a girl first entranced by puppy love. Your hand went up to perch itself over his wrist, but as you did, your romantic heart stilled itself when the thought of him leaving soon bled into your mind, forcing the smile to slowly disappear from you.

"What is it?" He asked.

You chuckled bashfully. "I just..."

You feared the effect of your words, you feared that it would put a pressure on him that he didn't need, one that no soldier deserved to be burdened with. But inside you, a flame burned, one that prompted you to simply speak now, to not hold back, to not reduce yourself and your feelings to letters and comms. Crosshair, the man of your dreams, finally stood before you, his hand on your skin. You would never forgive yourself if you wasted this opportunity now that you had it.

Because how in the world could you have known what happened next?

"I just don't want you to leave," you whispered. "I never do."

Crosshair gave a soft exhale as he rolled the toothpick to the opposite corner of his lips and spat it out to the side only to look at you again, his gaze turning gentle on you. His other hand traveled up to your face, and now he cupped your cheeks with a steady, soft grip.

"Would it help if I told you I don't want to leave you here either?" He asked.

You smiled softly. "It's nice to know that."

Your eyes met, and you were overtaken by the desire to collapse in his arms and become one with him. You valued each second you'd been gifted to look at his face; your gaze traced the tattoo over his right eye, memorizing the little textures where the ink seemed to falter - you'd never noticed it wasn't a solid line, it looked like it'd been drawn over the artisanal canvas of his skin. You basked in his warmth as your hands reached out to his waist, and you pulled yourself closer to him, and while you did, part of you wanted to curse and lash out at the fact that you hadn't done this sooner.

But you were there now, and that was enough to calm you. And if the war was ending, you wanted to cling to the hope that you'd be in the arms of your beloved again soon.

"Crosshair?" You asked.

With his gaze, he prompted you to continue.

"I..." you said. "I want to kiss you."

Crosshair didn't wait longer, and he slowly lowered himself to gently press his lips to yours. You felt as if every star in the sky above you would explode at that moment, and your arms slid up around Crosshair's shoulders while his slid around your waist. A kiss that started out softly didn't hesitate to become what you could only describe as romance itself, fully engulfing you both in one wavelength as your lips danced together, timeless in your own right. Softly, you moaned at his taste, and you vowed never to forget the sensation of his lips on yours, warm and intoxicating, like it would give you everything you'd ever need for the rest of your days.

You never wanted it to end, but the time came for Crosshair to set you down again. You hadn't even noticed when you'd started to stand on your toes, but when the soles of your feet were back on the ground, you looked up at him with hope, with love, and with the unspoken desire to scream "don't go" building up and eating you up inside.

With all those feelings in your gaze, looking at you nearly broke Crosshair's heart.

Your hands gently traveled to Crosshair's cheeks and you felt his stubble growing in beneath your fingertips. You gave a light chuckle and added that detail to the many you'd remember from that night, and finally, you smiled brightly at Crosshair.

"Let me know where you end up after Kaller," you said.

Crosshair smiled softly. "You know I will."

You knew it would be time for him to leave soon, so you resolved to be with him in the time you had left. You threw your arms around Crosshair and held him tighter than you'd ever held anyone. You didn't mind the armor under your soft body, all that mattered was you were holding him.

And fervently, during those last few moments, you prayed neither Kaller nor whatever came after it would take him away from you.

Thank you for reading! Reblogs and comments are greatly appreciated!

#moonstrider writes #tbb crosshair x reader #tbb crosshair x you #crosshair x reader #tbb crosshair #tbb reader insert #the bad batch fanfic #tbb fanfic #the bad batch fanfiction #crosshair #clone force 99 #the bad batch #tbb x reader #the bad batch x reader #crosshair x you #tbb

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shiroganejpg · 23 days

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There's sooo so much to say about kabumisu and the parallels between Kabru and Mithrun in their individual characters and how both their similarities and their fundamental differences make them absolutely perfect for one another, both in the sense that they work together romantically and that they both helped one another grow as individuals to such an immense degree. They were each exactly what they needed, even when they have different values or alignments.

But something that just Gets Me is that. Both Kabru and Mithrun exist with one specific goal in each of their mind's. Kabru might seem less single-minded that Mithrun, but you have to consider how he goes about pursuing his goal: getting people to like him. He uses his charm and likeability, flexes his relationships, and gathers information - but it all comes back to the goal he has: preventing a second Utaya. We're told from the start that that is Kabru's goal and we see it reinforced multiple times on the way through the manga.

I feel like a lot of people in fandom overlook the impact Utaya had on Kabru and how it impacted his psyche and his motivations. But here's the thing: I think to some degree, this was what Ryoko Kui was intending. Kabru's overall intentions are well stated, I think, but we then see a lot of his actions and words that don't always seem directly related to this one-track mission, and it allows us this room to kind of question it and wonder if there's something else at play here.

Mithrun, on the other hand, seems relentlessly and directly devoted to his goal. He doesn't act on things that aren't directly related to his cause -- that is all we see in him. We don't have the same room to wonder about his intentions or motivations because we can plainly see that everything is directly related.

It's incredibly interesting to see how these two overlap: They both have their own one-track goals, but go about them in completely separate ways. Kabru uses his likeability and his charm to get what he needs to fulfil said goal, and sometimes that involves "detours"; Mithrun doesn't have the capacity for that, and he just runs straight at the issue. Neither Kabru nor Mithrun's story is fully revealed to the reader - we hear of Utaya, we hear the story told, but the flashes we see are only that: Flashes. A lot of Kabru's backstory is not revealed to the reader. Mithrun's story, on the other hand, is revealed through an unreliable narrator who we know cut out significant portions. Kabru is the one to tell Mithrun that he deserves to have his privacy, and that the world doesn't need to know everything, because Mithrun overshares to a point that could be self-detrimental.

They both have a goal, and a one-track mind for said goal. But they have so much they can learn from one another - and do learn from one another. They are both underhanded, they disregard themselves and don't take care of themselves the way they should, they're relentless in the pursuit of their goals... but they're also polar opposites in some things.

And all of this, when put together, forms them into two perfect puzzle pieces. These characters could have been made for one another in terms of helping each of them grow as individuals: each one is exactly what the other needed to aid their growth. They're insane. I love them.

#this is probably absolutely nothing it's 1am but I'm in my feels #they're so. AUUHGHGUGHGHGU #kabumisu #mithrun #kabru #dungeon meshi #delicious in dungeon spoilers

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flower-boi16 · 7 months

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Hellaverse's World Building Problems (100 Follower Special!)

World-building is one of the most important things in any fantasy show, it fleshes out the setting the characters live in and tells you how things work. Unfortunately, Hazbin Hotel and Helluva Boss have several issues when it comes to they're world-building that harm both series and in this post, I'm going to discuss them.

1. Obsession with Pride

An issue I have with Hellaverse's world-building is that, for some reason, sinners aren't allowed in any other ring outside of the pride ring. So, this creates a few problems. The first is that Hazbin Hotel can now only use one setting rather than the other six it has because the characters are forced to be stuck there, so we'll have to use the same exact setting in a world with six more.

This wouldn't be such a problem if it weren't for the fact that the pride ring itself is an extremely boring setting, it just looks like our world except red, and there's nothing unique or interesting about it aside from there being demons there.

The only place in the pride ring that has any potential to be interesting is cannibal town, and even then, it just looks like a normal town, there isn't exactly any cannibalization in it to be seen.

The other rings at least have interesting themes to them that make them distinct from each other, the pride ring is just some boring city painted in red. Then there's the issue of why sinners are even kept in the pride ring at all?

I'll go into this more later but the hierarchy in hell is very inconsistent at times. Imps are supposed to be lower class than sinners yet they have access to all the rings while sinners can only be in one. So why would Lucifer keep the sinners in the pride ring and only in the pride ring? The show doesn't bother giving an explanation for this at all.

I've seen the argument go around that it makes the exorcists do their job more effectively which while does make sense...it also doesn't exactly do very well for Lucifer as a character if he intentionally kept his own people in one ring so killing them would be easier. It loses a lot of sympathy points for him for me.

Besides, the show itself still needs to explain these plot holes rather than forcing fans to make fan theories over it. Seriously, I searched this question up on Google and I found so many people asking this, and all of the responses to the posts were people just making educated guesses because the show itself never bothered to actually EXPLAIN this.

So it's not even all of Hell having an overpopulation problem, it's just the pride ring specifically because sinners are confined there forever. If Charlie wants to solve Hell's overpopulation problem, why not ask her daddy to let sinners into other rings? (Assuming she doesn't know the actual reason why Heaven does this which totally does create serious issues with the show) Again, it's just the pride ring having an overpopulation problem, not all of Hell, so why Charlie never figured this out is beyond me.

But confining the characters to the pride ring creates more issues than just that, because now the show can't flesh out the other rings because it forces the characters to be stuck in just one.

So, you get the next issue with Hellaverse's world-building...

2. Packing World Building in a spin-off

Because Hazbin Hotel can't flesh out its world itself, it needs to rely on its spin-off, Helluva Boss, to flesh it out instead. This becomes a problem when you look at Hazbin as a stand-alone show separate from Helluva Boss; if you did not watch Helluva Boss, Hazbin's world-building would come across as fairly underdeveloped due to the characters being confined to one ring, so the other rings wouldn't get much fleshing out or development causing Hell as a setting to feel underdeveloped.

Hazbin Hotel is the main series of Hellaverse, it should be able to stand on its own as a stand-alone show and should not need a spin-off to flesh out its world-building. A new viewer should not have to watch a spin-off show to get more out of the main show's world-building, the main show should've fleshed out its world itself rather than rely on a spin-off for it.

This is why confining the characters to just the pride ring is a bad idea, the show can't flesh out its world now and it has to rely on a spin-off series to do that, so in order for a new viewer to experience more of the other rings, they would need to watch a spin-off show which is entirely supplemental material that one normally does not need to watch to understand things about a story.

Without HB, the other rings in Hazbin are very underexplored and underdeveloped, because we never get to see them or flesh them out. It needs to rely on its spin-off to flesh out its world, and that's bad because a spin-off is SUPPLEMENTAL MATERIAL. A viewer should not need to watch supplemental stuff to understand things about the main show, it should not be a required watch to get more of the world-building fleshed out.

Though, if anything, Helluva Boss just creates more world-building problems within the franchise, such as...

3. Hell's Hierarchy

So, in the Hazbin Hotel, there is a hierarchy in Hell. The order from most power to least is...

Lucifer

Charlie and Lilith

The Seven Deadly Sins

Ars Goetias

Overlords

Sinners

Hell Borns

Imps and Hell-Hounds

The problem here is that Hell's hierarchy is constantly ignored or broken by both of the shows. For example, Sinners and Overlords are confined to only the pride ring, meanwhile, Imps and Hell hounds, who are LOWER CLASS than Sinners and Overlords, are allowed to go to any ring that they like.

Then there's Beelzebub, whose mere existence causes issues. Let's get the obvious out of the way; why is a HELLHOUND one of the deadly sins when those are supposed to be just as lower class as imps? This could work if Beelzebub specifically had the least amount of power of the sins, but she doesn't.

FURTHERMORE, once we just ignore the fact that Beelzebub is a sin despite being a hellhound, we then have to open the can of worms that is her having a boyfriend who is also a hellhound, and...nobody cares about this?

I'm sorry, if a sin is perfectly allowed to date a hell hound in public, then why is it such a big deal when Stolas and Ozzie are caught fucking imps? Do the other sins not know about this??? Does Lucifer not know about this??? If so, why not??? Surely one of them being in a relationship with a hellhound would get they're attention...right?

And if they do know about this then again, why is it such a big deal that a Goetia Prince is sleeping with an imp and a sin, who is ABOVE HIM IN TERMS OF POWER, being in a relationship with a hellhound, who are just as if not MORE lower-class than imps, not? It's a confusing inconsistency.

Also, and I JUST REALIZED THIS, but what even happens when a sin or goetia is found out to be fucking an imp or hell hound? Seriously, what consequences does that sin or goetia even face? Stolas has been exposed for fucking Blitz ever since the end of season 1 yet he has received NO consequences at all, and like I said, Beezlebulb is allowed to be in a relationship with someone who is on the SAME LEVEL AS IMPS.

So why would Ozzie even need to hide his relationship with Fizz at all? What are the consequences for being in a relationship with a hellhound or imp? So far, there appears to be absolutely none! So why is it even that big of a deal when Stolas gets found out? Why does Ozzie need to hide his relationship with Fizz if there aren't going to be any consequences for it?

These plot holes hurt my BRAIN to think about. There is no consistency here, Hell's Hierarchy barely fucking matters in either of the shows, and characters higher up in the hierarchy are allowed to do SEVERAL things with lower classes and face no consequences despite the show trying to say they would. Oh, but all of what I just mentioned are just issues with HELL's world-building, now it's time to get into...

4. Heaven

I already talked about the problems with Heaven in the show so I won't dwell on the issues I've already talked about too much, however, Heaven still has many world-building issues like Hell does. For one, as I've already pointed out, we don't even know how Heaven even WORKS.

I already asked these questions before but like. How does one get into Heaven? What are the requirements for what make a good or bad person? We don't actually know and we never will because Heaven for SOME REASON doesn't have it's own criteria for what does or doesn't make a good person...

...WHY??!? Why don't they have this??? So how does one even GET into Heaven at all???? We have no idea of how Heaven works because the show never actually bothers putting in the effort to explain that.

Who even decides whether or not to get into Heaven??? Who is in charge of that??? Answer: We don't fucking know. Sera mentions the "divine judgment", which, after a quick Google search, says "the action of God's retributive justice by which the destiny of rational creatures is decided according to their merits and demerits"

So basically god decides who goes into Heaven or Hell, which would make sense...if it weren't for the fact, from what I've heard from other blogs...Viv said that god doesn't exist in HH or HB...so...

...divine judgment by WHO EXACTLY???? The lack of explanation of what does or doesn't get somebody into Heaven is made worse with Pentious getting into Heaven in the season finale.

I have already complained about this multiple times but like. HOW DID PENTIOUS GET INTO HEAVEN???? WHY DID HE GET INTO HEAVEN???????? He literally got killed by Adam! He should be a bunch of energy right out according to the wiki! Yet he makes it into Heaven anyway???? WHY????? The show never explains this at all! The only thing resembling a logical explanation I could find was on the wiki and even then the article was just speculating because again, the show didn't bother to actually explain this.

Viv. Can you PLEASE for the love of god (no pun intended) actually explain the rules of your world and its world-building? People should not have to create theories to patch up plot holes in your world-building, actually, EXPLAIN this shit for once.

Oh, and I'm still not done, because now there's the fact that the entirety of Heaven and most of Heaven's higher-ups except for Sera never knew of the exterminations, which creates MORE plot holes.

Did none of Heaven's citizens or other higher-ups question why the exorcists had BLOOD on them when they came back from Hell? Wouldn't have any of them put two and two together and think "Hey so they are probably killing people down there". Did none of them even question what was the point of the exorcists at all? How was Sera able to hide this stuff? Once again, the show doesn't answer ANY OF THIS.

Oh, and I'm STILL not done, because now, it's time to open the can of worms that apparently does not exist in this universe.....WHY?!?!? According to Google, the angels were created BY GOD. So, if he doesn't exist, how did the angels exist either? Who created them??? Heck, who even created HEAVEN ITSELF?????? Removing god from this universe creates so many issues and breaks the entire show. sigh, ok, I think that's enough....

5. Conclusion

So, Hellaverse's world-building has MANY issues. There are a lot of plot holes and thoughts about it that don't get answered, as well as hell itself, specifically the pride ring being incredibly boring visually. Not to mention a lot of the world-building is packed into a SPIN-OFF SHOW. So...ya, hope you liked my post, and thank y'all for 100 followers! So...bye.

#vivziepop critical #hazbin hotel critical #helluva boss critical #helluva boss criticism #vivziepop criticism #hazbin hotel criticism #spindlehorse critical #spindlehorse criticism #hellaverse critical #hellaverse criticism #thx for 100 followers!#tumblr milestone special

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sophieinwonderland · 7 months

Text

Hiveminds and Multiplicity

When thinking about Hiveminds, I realized that hivemind connection is a spectrum, with many plural or plural-like experiences across it.

At the same time, both the beginning and end of this spectrum are singlet experiences. I decided to represent this with my own horseshoe theory.

Unconnected Individuals

This is pretty self-explanatory. These are totally separate individuals with their totally separate bodies. These are not even the slightest bit plural. Or, at least, not for any hivemind related reasons.

Mind-Linked

Now we drift into plural territory.

At this point, the individuals have some sort of mental link to each other. Mind links can range in levels of complexity.

At a low level, this may mean feeling each other's emotions or sensing when something really bad happens with no words or other communication. The most basic form of this might be "twintuition" in shows, where twins can magically sense when something happens to another no matter where they are.

At high levels, this can come with full verbal communication and other hallucinatory experiences.

Mind-linked systems often have strong barriers between them, only being able to transfer limited information, and maybe only in specific circumstances.

But the mind-linked are having plural experiences. They have someone else feeling their emotions, hearing their thoughts. It's very similar to sharing your mind with headmates. As this connection grows, they may end up becoming...

The Multiple Hivemind

At the top most point of the horseshoe, all mental barriers have been torn down.

They're still multiple people. They still have their own individual identities. But the link has become so great that they can read each other's thoughts whenever they want. They can share memories and skills freely between them, being both multiple and completely connected at the same time.

The Median Hivemind

Having achieved perfect connection, identity starts to erode. The median hivemind starts becoming its own collective identity.

Individuals in the median hivemind still retain agency and sense of self, but are also blending together more now and feel less like separate people.

The True Hivemind

At this point, there is no distinction between identity of the members. The hivemind is now one singlet spread across multiple bodies. A contrast and opposite to traditional plurality, which is multiple agents in one body.

...

We Can Get Weird With This...

Okay, that's a basic overview of how hiveminds work and evolve with singlets. But... what if some members of the hivemind aren't singlets?

Now things are going to get weird because hiveminds and mental links enable a lot of peculiar things that wouldn't be possible otherwise.

What if an old headmate goes dormant for years. In that time, the system becomes linked to a hivemind and specifically become either a median or true hivemind where they all identify as the same thing? What if that headmate comes back to find everyone else in the system is part of this hivemind with their identities melded into it, but the new headmate is still separate?

Or what if a multiple hivemind enabled headmates originating in the same body to front in multiple bodies at once, essentially allowing system hopping as a thing in those specific circumstances? What one of the members of an in-sys relationship used someone else's body (consensually) to be with their partner?

Or what if, for whatever reason, only one member of the system had the connection to the hivemind while the rest didn't?

Or... imagine that there are two systems with a strong mental link. They become a multiple hivemind with headmates able to speak freely to each other and even share an inner world. Then two headmates, one from each system, interact more and end up fusing. What does this mean? Which body is theirs? What happens if the link is severed?

Or in the same vein, what if a hivemind starts out as existing between 5 singlets? They become connected and end up being a multiple hivemind, and share an inner world. What if the hivemind created a tulpa together in this inner world, and none of the members are sure whose tulpa it actually counts as?

...

Anyway, if there's any takeaway from this, it should be that plurality is weird. Hiveminds are weird. And put them together and you get a weird sandwich. 😁

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ginnsbaker · 1 year

Text

In Losing Grip On Sinking Ships (16/22)

Chapter summary: You go through a difficult period following your breakup with Yelena, and you and Wanda end up falling down the rabbit hole for the second time around

Chapter word count: 6.4K | Warnings: Angst, Mild smut | Ship: Wanda x Female Reader

Author's note: Before you say anything, I have a plan. Enjoy :) P.S. My requests are open

AO3 | Masterlist

Next chapter: Seventeen Part One

Sixteen

“And then she kissed you?” Agatha asks. She looks the same way she does when she’s actively participating in gossip, hanging onto every detail of the latest scandal that keeps most people entertained in their insignificant lives.

Wanda solemnly nods, as if validating a piece of tragic news.

“Why aren't you thrilled?” Agatha observes quietly, picking at her tooth with her fingernail. “I mean, doesn't that confirm that she still has feelings for you?”

“You remember what happened last time, right? When she did more than just kiss me?”

Agatha grimaces, “Right, of all places, in our stockroom." Then, her tone morphs into a more probing one, “But, did the kiss feel as if she just wanted to get into your pants?”

Wanda lets out a sigh, her heartbeat quickening as she reminisces about its tenderness. It felt akin to a first kiss—vulnerable, slightly apprehensive, tinged with anxiety, and yet, at the same time familiar—like finding her way back home.

It was perfect in every sense.

But it was tainted by its very nature. It was a betrayal. And if there were truly raw feelings behind it, then it’s worse—it would mean that you have been emotionally unfaithful to Yelena.

Wanda may have ruined yet another relationship.

In the midst of her internal struggle, she finally manages to answer Agatha, “It felt like hope,” giving voice to her undeniable feelings for you. “But she’s with Yelena.”

“I never really had faith in that relationship to begin with,” Agatha retorts dismissively, cleaning her hands with a towel before reaching for one of the cookies on display.

“That's a terrible thing to say,” Wanda chides.

“I’m only being honest,” Agatha says, unapologetic in her bluntness. “You were fucking each other like rabbits and then a few weeks later, she gets a girlfriend. That's a classic rebound scenario. I'm surprised the woman she's with allowed herself to be used like that.”

Wanda finds Agatha’s uninhibited words a little offensive, though she understands that their deepening friendship has allowed for such unfiltered honesty between them. Even though she's jealous of Yelena, Wanda understands that she is good for you. She doesn't like how Agatha talks about Yelena as if she's too naive to try a relationship with you.

Wanda feels she can relate with Yelena. Often, love makes us scared that we might never get a second chance, so we choose to take a leap of faith, despite the warning signs.

“So, what are you planning to do about it?” Agatha asks, taking a bite of her favorite cookie. Wanda makes a mental note to deduct that cookie from the stock count.

Wanda shakes her head, replying, “Nothing,”

Agatha pauses mid-chew, her eyes wide with shock. Wanda can't help but observe the crumbs of food lodged in her teeth. “You're not going to seize this opportunity?” Agatha questions, disbelief coating her voice.

“Y/N needs to sort things out,” Wanda lets out a heavy sigh. “Without my interference.”

“You’re not afraid of missing out on this chance?”

Wanda sidesteps Agatha's question with one of her own. “Why are you suddenly supportive? It wasn’t long ago when you couldn't stand her.”

“I’m supportive of you. I’m rooting for your happiness, dear. But I’ve seen you at your worst, and I think you’re putting on a brave face right now.”

Wanda's eyes dip down. Her friend isn’t entirely wrong.

“What happens if she decides to stay with Yelena?” Agatha probes further.

Wanda's response isn't immediate; she takes a moment, seemingly lost in thought, before replying softly, “Then I hope she’ll be very happy with her.”

Agatha rolls her eyes, because of course, Wanda would say that. Even if you were being served to her on a silver platter, she’d worry for your happiness over her own.

“And where does that leave you?” Agatha asks, folding her arms across her chest.

Wanda lifts her shoulders in a casual shrug, her face unreadable. “Living life as it comes, I guess. Just one day at a time.”

At this, Agatha decides to drop the subject. She has a strong feeling that Wanda’s just waiting for you to come to her, and when you do, she's certain that Wanda won't maintain this pretense of indifference. As for Wanda, she doesn’t want to obsess over what you’re doing or thinking. She doesn’t want to make the same mistake of hoping for an outcome that only you can decide.

Switching topics, Agatha raises an eyebrow and asks, “And the pup? Is he doing okay?”

Wanda smiles faintly, “I brought him home yesterday.”

“Well, that's a relief,” Agatha remarks. “Do you reckon Sparky masterminded all this to get Y/N to your place at an ungodly hour? Can dogs be that crafty?”

Wanda throws her an incredulous look. “Are you being serious right now?”

A wicked giggle slips from Agatha, spreading until Wanda finds herself laughing along. She doesn't notice the arrival of a guest until the distinct sound of the call bell jars her attention.

It’s Valkyrie, casually leaning against the countertop, looking awkward and so unlike her usual self.

Agatha casts a sly glance at Peter, who's been trying to catch her eye ever since Valkyrie stepped into the cafe. When Agatha isn't around, Peter fills her in on the latest happenings, a reliable source of juicy tidbits. Peter quirks his brows and discreetly nods towards Valkyrie, his mouth miming a silent message. Reading his lips, Agatha pieces together that this is the woman who recently found herself entangled in Wanda's intricate web.

Agatha sweeps her eyes over the woman appreciatively. Not bad. Not bad at all.

Wanda rubs her palms together, a habit she’s developed before taking a customer order. “Hi, Val! What is it for today? We have new beans delivered all the way from Niseko–”

“Actually,” Valkyrie softly cuts her off. “I was hoping we could talk?”

Agatha watches their exchange, an eager twinkle in her eyes. With the pace at which interesting events are unraveling, she may as well pop a bag of microwave popcorn to truly savor the unfolding drama.

Wanda nods and moves away from the counter, temporarily handing the reins to Agatha. They pick a spot in the furthest corner from the kitchen, well out of earshot, much to Agatha's disappointment.

“First off, I owe you an apology,” Valkyrie begins. “I’d blame it on the alcohol, but there’s no excuse for me pressuring you too much to take shots. That wasn’t cool at all. You already said no several times and I ignored you.”

Wanda waves her off casually. “Oh, it's alright. I appreciate the apology, but it wasn't that big of a deal. You couldn't have forced me to drink if I really didn't want to, right?”

Valkyrie's frown dips further at Wanda's easy dismissal of the issue. “No, Wanda. If I'd kept on, I might've pushed you into it even if you didn't want to. I'm just glad Y/N stepped in when she did.”

Something flashes in Wanda’s eyes at the mention of your name. Valkyrie catches it but opts to ignore it for the meantime.

“Yeah, I did feel a bit cornered that night,” Wanda concedes, a smile returning to her face. “But it's water under the bridge now. Was there something else you needed to discuss?”

“You sure don't beat around the bush, do you?” Valkyrie attempts to lighten the mood, but her tension is evident in her shaky voice and the way her fingers fiddle with her watch.

Wanda chuckles. “It's a skill I've been honing lately.”

Taking a deep, measured breath, Valkyrie gathers her courage. "Alright, here it is..."

Wanda tilts her head at her curiously, wondering what it’s about.

“I like you,” Valkyrie blurts out. “I don’t normally confess to someone I’m not even dating, but you’re… incredible. That's how I feel about you and I thought you should know."

“Oh! Uh…” Wanda trails off, blushing at Valkyrie’s confession.

Valkyrie nibbles at her lip, observing as Wanda fumbles to put her thoughts into words. She silently hopes she's left Wanda speechless in a good way.

“There’s… someone,” Wanda manages to utter out eventually. “I've been in love with her for the better part of my life.” Or maybe her whole life, if she’s being brutally honest.

Valkyrie nods, her throat tightening to hold back the sting of rejection. “It's her, isn't it?” she ventures, silently alluding to you.

Wanda diverts her gaze and emits a modest laugh. She must have made her feelings too obvious for anyone to see.

“She’s my ex-wife,” is all the explanation Wanda offers.

“Wow,” Valkyrie looks taken aback by the revelation. “That sounds messy.”

“It's beyond messy,” Wanda retorts.

“Go on,” Valkyrie encourages.

Wanda looks at her, thoughtful. “Are you sure you want to delve into my past? It might take some time.”

Valkyrie smiles, already leaning in closer to signify that she’s all ears. “I made time this morning specifically to talk to you. I want to understand, at least, why I'm being rejected.”

Wanda chuckles softly at the gesture. Collecting her thoughts, she starts to narrate a condensed version of the turbulent history she's had, of how she ruined everything that’s good in her life.

When Wanda wraps up her story, Valkyrie simply says, "Wow, that's... pretty fucking messed up."

“I’m sorry I didn’t tell you sooner,” Wanda admits, biting her lower lip, anxiety swirling in her gaze. She worries that revealing her darkest past may have cost her a budding friendship. “I think I saw your interest, but I didn't want to jump to conclusions and have the wrong idea. I just wanted us to be friends. I still do, if that's okay with you.”

“Of course, I want to be friends with you, Wanda. More than the fact that you’re hot, we have a lot in common too.”

Wanda's cheeks tinge a soft pink at Valkyrie's flippant comment about her being ‘hot’.

“So, friends then?” Valkyrie extends her hand.

Wanda smiles in relief. “Friends.”

***

A phone call rouses you from sleep. You groggily glance at the clock and realize you've overslept.

“It’s done,” your lawyer's voice cuts through the grogginess as soon as you pick up the call.

Disoriented, you squint against the daylight streaming in through the window. “What are you referring to?” you inquire, your voice hoarse from sleep.

“Vision has settled,” she elaborates, her words crisp and distinct. “And he caught a flight to Tokyo last night.”

“He's gone?”

“From what I've heard, he intended to use the settlement money to finance his studies overseas. He won't be returning in the near future. But even if he does decide to cut his trip short, you're safe. He has no legal means to trouble you anymore,” she assures you.

“You've got snitches now?” you quip, your eyes narrowing in suspicion even as the beginnings of a smile tug at the corners of your mouth.

Her laughter rings out through the phone, followed by a breezy, “You're welcome,” before she ends the call.

It's over. A chapter of your past has finally closed. Vision has physically left the city, and you've literally paid your dues. You hadn't realized you were in a kind of self-imposed cage until now, when a sense of liberation pulses through your veins.

Before you can fully indulge in the relief provided by your lawyer's news, however, a persistent knock at your door breaks your reverie. You can't help but wonder who it could be, and how they bypassed the building's security without a notification from the concierge.

As you pull the door open, you find yourself face to face with the last person you expected to see.

“Nat?”

She appears ready to tear you apart. For a moment, the thought crosses your mind, 'this is it, this is how I go, at the hands of my best friend'. Strangely, you're indifferent to whatever she might inflict on you. Having her here at least affords you an opportunity to have a conversation.

Yet, Natasha doesn't respond. She doesn't even spare you a glance. Instead, she brushes past you and starts gathering random items into a large duffel bag she brought along.

“Nat, can you please just talk to me?”

“What for, Y/N? I have nothing to say to you.”

“Yelena broke up with me,” you say.

Natasha scoffs. “Yeah, no kidding.”

“Nat, please,” you plead. “You can’t just cut me out forever. I’m your best–”

“Are you?!” The outburst that tears from her is enough to make you recoil. “Are you my friend, Y/N? I woke up to my sister on my doorstep, in shambles. All thanks to my ‘friend’.”

You wrap your arms around yourself as tremors course through your body. Tears start to flow down your cheeks at the mere mention of Yelena.

“You want to talk? Fine, I’ll talk,” Natasha rages on. “I stood by you through thick and thin. I held your hand through all the shit you went through last year. I brought you into my home. I took care of you. I loved you–” Natasha's voice catches on 'loved', and your heart shatters at her use of the past tense.

“–and you just betrayed me, like I meant nothing. You betrayed my sister like she meant nothing. We both cared about you, Y/N.” Her voice dwindles near the end, her next words coming out just above a whisper. “So, no, we’re not friends. Not anymore.”

“Nat, I’m s–”

“You know what? I can’t fucking do this. I’m just gonna send someone to collect Yelena's things. If I don’t, just throw out her stuff like you did with your relationship. Goodbye, Y/N.”

The door slams shut behind her. You find yourself on the floor, curled into a ball, as you grieve the friendship you’ve known all your life.

***

Dark screens and unreturned messages follow.

Yelena has blocked you on every possible platform, cutting off any form of communication. Natasha hasn't, but she leaves all your messages unread, allowing your calls to go unanswered, seemingly enjoying your desperation. Clint ignores your texts, and Kate only responded once, promising to try and speak to Yelena for you. That was a week ago, and there's been no word since. You didn't think you'd be back in the dark place you were in a year ago, and the worst part is, you brought it on yourself this time.

The only news you get about Yelena is from your own mother. A few days after Yelena left your shared apartment, your mother called to ask what had happened. Apparently, Yelena had told her the news herself and asked her to take care of you and make sure you were alright. Throughout the call, you cried silently, feeling the remnants of Yelena's care for you even after you broke her heart.

And your mother, perennially at odds with handling emotions, simply offered her condolences. Although by doing so, she offered more support than she did when you were weathering your divorce from Wanda the year before. With your latest tragedy out of the way, she proceeded to ask if you could make time to visit Montauk over the holidays.

***

Drinking is… a problem. Again.

But you approach it with more caution this time. You don’t drink as much at home so you can avoid not showing up at work the next day. Rather, you sneak in a flask in the office, sipping from it from time to time to keep you the right amount of…adrift. You’re too good with numbers that even with a little haze in your head, the alcohol doesn’t interfere with your work.

It interferes with other thoughts.

***

When Kate finally calls you, you’re in the middle of a disastrous presentation at work. Her words had been brief, only giving you the time (three in the afternoon) and location (The New York Public Library) where she wanted to meet.

It takes some time for you to locate Kate within the vast elegance of the Rose Main Reading Room. She's tucked away in the northeast corner, engrossed in her work, even on a Sunday. A towering pile of books rises to her eye level on her desk.

“I can’t believe I was wrong about you.” Kate says without looking up as you settle on the vacant seat next to her.

“Wrong about me?” you ask, keeping your voice in a hushed tone.

“I had this fleeting thought that you might actually be a good person.” she says.

Swallowing hard, you struggle to find a response, well aware that Kate is just laying out the facts. What kind of person would cheat on their best friend's sister? What kind of person would throw away years of trust and a lifelong friendship?

“She told you?” you finally manage to ask.

“Yelena didn’t say much,” Kate says with a hint of sorrow. “But I've never seen her look so…” she trails off, struggling to find the right words, and eventually concludes, “She doesn't look like the Yelena I know.”

You’re afraid to ask what she means by that. You haven’t looked in the mirror yourself, in fear of seeing the results of your own wreckage.

“She quit today, you know?” Kate reveals, setting down her pen to give you her full attention. You don't see resentment in her eyes, only caution. This is the most compassion you've been shown since your relationship with Yelena fell apart.

The news of Yelena's resignation hits you like a punch to the gut. She had a promising career ahead of her, and she'd found a supportive environment in her workplace. It's hard to believe she'd just abandon that so abruptly. You feel a wave of nausea at the thought.

“I sort of saw it coming,” Kate adds. “Not her resignation–God, I tried my best to talk her out of it, but she wouldn't budge. I… I saw you running back to Wanda.”

Your eyes narrow curiously as you regard Kate. “How?”

Kate sighs, pushing a pile of papers to the side to give you her full attention. “It's not a secret, you know. You might think you're being discreet, but you’re more transparent than you'd like to believe. You’re a completely different person when she’s around. I saw it during the 6-miler event we all joined by chance.”

There’s no point in denying any of that. The weeks that follow after that, you were crying to your mother regarding your conflicted feelings about Wanda. But if you had been aware of the signs as early as then, would things be different somehow?

“I didn't mean for any of this to happen, Kate,” you say, the words sounding weak and inadequate to your own ears.

“I know,” Kate says quietly, and there's a touch of sympathy in her eyes that makes you feel even worse. “But that doesn't change the fact that it did happen. And people are getting hurt because of it.”

You can sense that Kate is one of those people–by hurting Yelena, the girl she clearly loves.

“I’m… I’m sorry,” you whisper. You wish there was another way to convey how sorry you are–a keyword to make it all go away.

“Yeah, me too. Mostly because I have to tell you that we can no longer be friends.” Kate says, looking genuinely upset about her decision, her gaze dropping to her hands as she twirls the pen between her fingers.

“I know,” you nod, appreciating her honesty. “Thank you.”

“Look, I have no idea how deep your thing with Wanda goes. All I know is you can’t keep running away. You can’t keep hiding behind the comfort of other people.”

You bob your head in acknowledgment, even though you're uncertain how to put her words into practice.

"Can you pass on a message to Yelena for me?" you ask, wringing your hands together nervously.

Kate lets out a sigh, her fingers halting their movement on the pen. “I’ll try. No promises though.”

“Could you tell her that I'm sorry...that I truly loved her?”

A moment of silence follows your request as Kate studies you, her lips pursed. It might seem hypocritical of you to make such a claim, but she refrains from passing judgment. But seeing your bloodshot eyes and your pale chapped lips and the lack of life in you, she thinks there’s probably some truth to it.

***

It takes you an additional week before you summon the courage to visit Wanda's apartment.

Truth be told, you've been hiding away in shame, confining yourself to either your bedroom or your office, instructing your assistant to keep the door closed and not to disturb you, secluding yourself from the outside world. Aside from interactions at your work, you haven’t talked to anyone.

A moment of misjudgment led you to lose everything that you were left with when you lost Wanda. But gradually, even as you were beating yourself up over and over again with the dissolution of your relationship with both Romanovs, Wanda became the only one you can think about. You can't escape her pull, no matter how hard you try.

Eventually, you devolve into nothing more than a compulsion; a compelling need to see Wanda. Which is what brings you here, with your fist poised to knock on the door. But just before your knuckles make contact with the wooden panel, the door swings open, and Wanda's voice unthinkingly spills into the hallway where you stand.

“–let me ask if the neighbor has some sugar–” Wanda halts dead in her tracks as she comes face to face with you.

The timid smile on your face drops as soon as you realize she's not alone. Behind her, comfortably perched on the couch is Valkyrie.

“Seems like you're already entertained. I'll head out,” Valkyrie proposes, getting up on her feet. “I'll pick up my shirt when you come around for the run next week, sound good?”

Wanda nods in a daze to that, her eyes never leaving you.

"No, I should leave," you counter weakly.

“No, Y/N, please stay,” Wanda implores. “See you later, Val. Thanks for the shoes.”

You stiffen and step aside as Valkyrie moves to gather her belongings. When she finally approaches the door, standing next to you, she tilts her head to murmur a parting sentiment intended for your ears only.

“You’ve got it all wrong. I had a spill on my shirt. Don't let her down this time,” she whispers.

Her words stun you into silence long after she's left.

“Y/N? Please, come in,” Wanda invites you, her voice trembling slightly. Nodding silently, you step inside.

You regard each other quietly, simply observing one another for what feels like an eternity. This isn’t how you imagined things would go when you thought about coming here this morning. You wanted to see Wanda because you needed to be with her. But now, all you can think about is Wanda and Valkyrie being all over each other.

“It’s been awhile,” Wanda offers, not really sure how to begin as you stay awkwardly near the door–as if you’re strategically placing yourself there in case you decide you want to run. She studies you, attempting to read your expression, to figure out what this could be about. She’s been thinking about the thumb drive that contained the video of her and Vision. Did you finally see it? Did you decide to pay him off?

Or is this about Yelena? Wanda’s been thinking if you came clean to your girlfriend about the kiss, wondering if you've managed to patch things up, and if Yelena has forgiven you.

If you’ve chosen to be with Yelena after all.

“Yeah, Valkyrie was here pretty early, wasn't she?” you state more than ask, a hint of bitterness edging your words. You glance at your watch, adding, “At 6:30 in the morning, no less.”

Wanda furrows her brows at your tone, as though she's on the receiving end of an unfounded accusation.

“She was on her morning run, dropped by to hand over a pair of shoes from her club's sponsor. Nothing more,” she explains.

You snort, "Sounds awfully convenient."

Rather than entertain your skepticism further, Wanda redirects the conversation elsewhere. What you presume about her and Valkyrie is the last of her worries right now.

“Why are you here, Y/N?” Wanda asks, her voice a little unsure. When your eyes meet hers, Wanda sees the signs of sleepless nights and a certain emptiness that paints a clear picture.

You and Yelena are done.

And it's breaking you. Her heart aches, even knowing that you're now, technically, available. She never wanted this for you. And she can't help but feel that she messed up your happiness once again.

“I just... I needed to see you,” you admit with a half-hearted shrug. “Looks like you didn't waste any time though.”

“Valkyrie and I are just friends,” Wanda insists, the edge of her patience beginning to fray.

“You seriously think I'll believe that?” you shoot back.

Wanda heaves a sigh, exasperation seeping into her tone. “Believe whatever you want, Y/N. Doesn't change the truth.”

“She was wearing your shirt.” you highlight, not quite ready to drop the issue.

“She spilled coffee on herself. I gave her a clean one. That's it.”

“And I'm supposed to accept that at face value?” you challenge, an eyebrow arched skeptically in her direction.

“Yes, you are!” Wanda says firmly. “Because it's the truth. I wouldn't lie to you.”

I wouldn't lie to you. Her words reverberate within your skull, playing on repeat like a broken record.

And that's the crux of it, isn't it? You're not sure whether you can still believe her.

“Y/N, please,” Wanda's plea rings out, sounding lost and desperate. She isn't even certain what she's asking for. What she does know is that you're teetering on the edge of a breakdown, still reeling from the pain of your breakup.

You don’t look like you’re in the right mindset to talk about what you’re going through. About how you both left things. And as much as Wanda wants to figure this out with you, she can’t do anything if you’re not willing to trust her.

“Wouldn’t lie to me?” you repeat, your voice laced with sarcasm and a painful sort of humor. “Alright, let's put that to the test, shall we?”

Wanda's throat tightens. She's unsure where you're heading with this.

“Yelena and I broke up. She left me that same morning,” you start off casually, as if discussing the weather. “Because she deserved better. Because I am, as it turns out, selfish and deceitful, right?”

“No–”

“You said you wouldn’t lie to me.”

Wanda's mouth snaps shut at your words, a sense of finality creeping into her. “...yes,” she admits quietly.

Slowly, you advance towards Wanda, your steps intentional and calculated. She remains rooted in her spot, refusing to back down.

“Do you feel happy that Yelena and I have broken up?” you ask.

Wanda looks hurt by your question. "Y/N, no, of course not–”

Your stoic expression tells her you're not buying it.

“Do you regret our kiss?” you probe, stepping closer, until Wanda finds herself backed against the wall. You lean in, foreheads almost touching, your dark eyes daring her to lie to you.

Wanda takes her time to answer, but when she finally does, her expression is resolute, as though she's trying to prove a point to you. “No, I don’t regret it,” she murmurs, her words a mere breath against your lips. Wanda looks so taken by the hungry look in your eyes that she fails to see what comes next.

The kiss this time is a stark contrast from the last. There’s an edge of danger to it, almost like the kiss that started Wanda’s downfall that culminated in a near-death experience, the kiss that was punishing and every bit of the hatred you harbored for her.

But there's also a desperation to it–as if you're sinking and this kiss is your lifeline; a frayed, ragged lifeline that could only be the one to pull you back to the surface.

As Wanda's head hits the wall with a soft thud, a pang of concern breaks through the haze of your fervor. Swiftly, you slide your hand between her head and the hard concrete, cushioning her as the urgency of your kiss escalates. Wanda almost sobs at the subtle tenderness behind your action, the considerate gesture leaving her somewhat taken aback, considering the harsh exchange you'd had just moments before.

No, this is nothing like your previous encounter.

You're not biting down to break skin. Your fingers aren't pressing into her hips hard enough to leave bruises. Your tongue isn't demanding or invasive, it's simply there, matching her rhythm and intensity. Wanda is unable to do anything but moan under you and rub her thighs together to relieve the pressure that’s building there.

Yet, you still don’t let her touch you. You don’t let her fingers venture up your stomach from under your shirt. Instead, you catch her hands, lacing your fingers through hers, and pull her arms above her head. All the while, your lips deftly trace a path down her throat. It’s soft and wet and so utterly delicate–everything Wanda thinks she hasn’t earned.

Nothing prepares her for the moment your hand makes contact with her core, even through the fabric of her shorts. She realizes just how much you’ve been holding back when you cup her forcefully, groaning from the heat and dampness that hits your palm.

If this means what Wanda thinks it means, she doesn’t want it to happen against the wall of her living room.

“Y/N?” she whispers raggedly in your ear, feeling the heel of your hand starting to grind against her clit.

“Yeah…?” you moan against her heated cheek as your fingers slips beneath her panties and find wet, wiry curls.

“Fuck–” Wanda whimpers at the contact. “B-Bedroom, please.”

Following her lead, you hoist Wanda up and her legs instinctively coil around your waist. She directs you towards her bedroom with verbal cues, realizing you're far too engrossed in lavishing attention on the skin just above her breasts to care about bumping into furniture. Your hand drifts up her back, finding the clasp of her bra and skillfully unfastening it.

And then no words are spoken at all after that.

***

Wanda stirs awake near noon, realizing that she's skipped her therapy appointment. Instinctively, her hands reach out to the area beside her, expecting to feel your warmth. However, she is greeted only by the cool sheets of the bed, the space vacant.

You're gone.

While she had been lost in dreams where she had a second chance at the life she yearned to have with you, you had quietly dressed and slipped out of her apartment, leaving no trace or note behind. You had vanished as silently and swiftly as a dream at daybreak.

Wanda arches her back, mimicking the languid stretch of a cat, the resulting pops of her spine easing the tension more than the action itself. The sex was… phenomenal. She couldn’t think of a better word to describe it.

When a bit of the afterglow wears off, she is haunted by a question: What happens now?

More importantly, are you coming back? Or is this a one-time thing for you?

With a weighty sigh, Wanda allows herself to collapse back onto the mattress. Doubt creeps in as she begins to question whether her decision to let this unfold was the right one. After all, you’ve both been down this path before, sex was not a magic remedy that mended everything.

What she couldn’t deny, however, is how gentle you were with her. You were making love to her, and nothing could sway Wanda from this belief. It sparks a tiny ray of hope within her that perhaps this time, you're ready to give her another chance.

Maybe, just maybe, you're open to trying again.

Yet, the vacant space next to her feels almost accusatory. Wanda has never been fond of waiting. But it’s the only thing she can do for now.

After all, beggars can’t be choosers.

***

The call from her therapist comes at around nine in the evening. Wanda considers it a little unprofessional, given the late hour, but she supposes that Calliope sees at least a dozen patients a day. Truthfully, she’s been anticipating this call all day, especially after she deliberately skipped her session to–

A soft snore escapes from your half-open mouth, drawing Wanda’s attention momentarily.

–spend time with you. Wanda can’t explain it, but she’s afraid to bring this up to Calliope. And she knows that if she sees Calliope or talks to her, it would open the floodgates and everything will come rushing out before she can stop them.

She's missed two calls now, but the phone in her hand vibrates again and Calliope’s name stares back at her.

Taking a deep breath, Wanda finally picks up.

“Hello, Wanda?”

“Hi,” Wanda replies, aiming to sound cheerful.

Calliope wastes no time getting to the purpose of this call. “You missed this morning’s session. Did something happen?”

Wanda's gaze drifts to you, sleeping soundly, your hair a mess as it spreads out in every direction. The sheets have slid down, exposing your bare back in a manner that makes her want to abandon the call and join you.

“Oh, uh... I just got tied up at the cafe. Sorry for not informing your secretary,” she hastily lies.

“So, everything's okay then?”

“Yes,” Wanda confirms, her eyes never leaving you as she replies honestly this time. Calliope seems satisfied with that and proceeds to book a slot for Wanda two days hence before ending the call.

You open an eye at her lazily, your voice muffled by the pillow as you ask, “Who was it?”

“No one,” Wanda says without batting an eye. “Just a supplier for the coffee shop.”

Your response is a drowsy murmur, your face sinking deeper into the pillow as you pursue the lingering traces of Wanda's scent. A smile tugs at Wanda's lips at the innocence of the gesture, despite the fact that you’re very naked under the covers. She hadn’t anticipated she’d see you again so soon, moreso that she’d sleep with you again right away when she does. But you had showed up unannounced, yet again, and casually asked Wanda if she'd eaten dinner already. Wanda had barely gotten the word ‘yes’ out, before you’re urgently reaching out and snatching her into a hungry kiss.

And then it was all lips and touches and her coming into your mouth three times until she had to literally cover herself with her hand just to get you to stop.

Wanda's cheeks warm as she surrenders to the memory of your fervent reunion from only a few hours prior, but your sleep-laden murmurings, muffled as they are by the pillow your face is buried in, yank her back to the present. She chuckles lightly and perches herself at the edge of the bed, drawing a line along your back with her fingertips, raising goosebumps along the path.

"Can you repeat that?" she prompts, massaging your neck.

You lift your head slightly, your eyelids still heavy with sleep. “I said–do you need me to go?”

Wanda shakes her head, even though you can't see her. “Let’s just sleep,” she whispers.

Wanda gets up to remove her shirt over her head. Then, she slides back under the sheets and curls up against you. She presses her bare body to your back, fitting herself perfectly against your shape. Your warmth seeps into her, filling the cold spots that your absence had left behind.

Wanda notes that this is the first time you’re willing to stay since before you found out she cheated on you. She closes her eyes and allows herself to drift away. If you’re staying, then there's an opportunity to talk about this tomorrow.

***

Leaving a slumbering Wanda behind is not easy. You have to gingerly disentangle yourself from her grip to avoid waking her up. Initially, sleeping with Wanda was not part of your plan, but seeing her with Valkyrie had stirred a sense of jealousy within you that led to a powerful desire to claim Wanda as yours.

And so it kept happening, again and again–like a drug you just couldn't shake off.

You haven't really thought about what it all means. To be honest, you've been actively avoiding it. A week of overthinking has left you stuck at a dead-end, feeling numb and desperate to feel something, anything at all.

And in all this, Wanda is the only one who seems to fill the void, the only one who doesn't make you feel so alone.

***

“Dr. Williams?” Pietro says hesitantly as he picks up the call.

“Hi, Pietro. I hope I'm not catching you at a bad time,” comes Calliope's voice, clear and loud.

“No, I was just–did we have a scheduled meeting that slipped my mind?” he inquires, wondering about the suddenness of this call.

“We didn't,” Calliope assures him. “I'm actually calling about Wanda. Have you had a chance to speak with her recently?”

Pietro doesn’t like the sound of this. “No, I haven’t. Is she okay?”

“She missed her appointment this morning without notice. It’s the second time in a row. And I just got off the phone with her… she was deflective.”

“I'll check in with her,” Pietro promptly assures, before adding more softly, “Should I be worried?”

“She has agreed to meet me on Tuesday,” Calliope replies, deftly skirting around his question. “So, it may not be a pressing matter. I apologize for disturbing you.”

“No problem at all, Dr. Williams. Feel free to call anytime.”

As the call ends, Pietro is left alone with his thoughts. His mind is whirring with worry for Wanda, and he sits there for a moment, lost in thought. With a sigh, he places his phone back on the coffee table, a frown etching itself onto his face.

Feeling restless, he picks up his phone again, fingers swiping the screen with a certain degree of nervousness. His gallery opens up, a collection of countless memories frozen in pixels. He scrolls through it, stopping at a particular picture that still haunts him.

It's a hard image to look at, a memory of a particularly painful day. But he keeps it, just in case he needs it, a ghost hiding in his phone.

He knows, if push comes to shove, he has this to fall back on.

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