#that I still have very far to go

[devotion-disorder]

recently I've received a couple of anons asking about a tutorial on how I render stuff. While im really happy that some of you might want to learn from me, I'm hesitant to answer them because I don't think I'm qualified to be teaching anyone about rendering/coloring! I mean, hell, I post a rendered artwork, like, once a month LOL

I think the way I colour is still extremely amateurish, and I've got a lot to learn myself in terms of actual theory and stuff. And to tell the truth, my process is mostly intuitive - hence why its amateurish and sometimes straight up Not Good my dawg!!!!!!!!!

The only advice I can give is that there's a lot of great resources online for free, especially on youtube. Also you can study your favourite artists' work in detail, try to pinpoint specifically what is it that makes their work appeal to you. Eventually you'll develop a sense for this kind of stuff I think!

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[cutiesigh]

❤️🖤🩷

Wuthering Waves has taken over all of my free time recently, so here's a sketch of Scar!Ren I originally shared in da 14DWY Discord!!

[darksvster]

okay i was asked to post this on tumblr since i posted a mini essay about it on twitter so here it is, i added some more examples and elaborated on my points that i couldn't over twitter.

so, when i first watched episode 207 i thought it was weird how religious rhaenyra was, until ryan condal mentioned the cult imagery. now i think instead of the show making her paranoid and neurotic in the final arc, they're going to make her more of a cult leader figure.

i think rather than leaning into her paranoia and the idea of a "hysterical paranoid mother" after she loses her sons, they're going to have her drink her own kool-aid more and more. it's interesting that this is what emma and ryan discuss in this scene with the dragonseeds in the inside the episode.

i think it's interesting that instead of the show positioning her like "a leader amongst the smallfolk," this episode positions her in a darker light, like someone who is manipulating the people there for her own goals. and when vermithor turns on the bastards, she doesn't let them run, the guards keep them barricaded in.

she is literally enraptured by the fire in these scenes. now that she knows it's possible for others to claim the dragons, she has been vindicated and wants more. this is not a merciful queen who is reaching out a hand to the smallfolk, she's throwing stuff at the wall and seeing what sticks. after all, these are just smallfolk. bastards with no honor. ryan literally describes the scene as a ritual sacrifice.

and who do you conduct sacrifice for? the gods. but in this case, the gods the seven or the old gods, they aren't even just dragons, but the fact that rhaenyra sees herself in the dragons. she says as much in the literal pilot of the episode when viserys asks her what she sees when she looks at the dragons. she understands the power they wield.

she knows that their power lies in the dragons. but she doesn't reflect viserys' belief that they are a power that man never shouldn't have trifled with. she leans into the chaos and fire and blood of the dragons, we see that in the sowing, clearly.

rhaenyra inherited the worst of both viserys and daemon and that will lead to her madness. she's got viserys' strong belief in prophecy (one now exacerbated by her desperation).

we see that faith in the prophecy falter but never truly fade. rhaenyra has always taken is seriously, to the point that everything she's done this season is in response to the prophecy. her pacifism isn't just due to avoiding bloodshed. she makes it clear to jace that before plunging the realm into war she had to know there was no other option because of the burden of the prophecy.

even though daemon has never believed in prophecy or superstition. she's also got daemon's desire and lust for power and strength (something she confessed wanting specifically because daemon is a man when she was speaking to mysaria).

it's a great deconstruction of the chosen one archetype to have her drink this koolaid and believe herself the chosen one only to have that belief corrupt her. emma d'arcy speaks on this in their interview with gq when discussing rhaenyra's growing fanaticism.

I think something that has been happening for Rhaenyra throughout the series is a growing religious fanaticism. After her father’s death, there is this desire to be connected to him in some way. And losing him happens at the same moment as having her throne usurped. And so that thing that would have been such a direct connection to him is also stolen. So in lieu of that, there’s that searching [through] the histories. I think imagining that at some point her name will feature next to her father’s is in some way comforting, and I find it very moving to see a person who in grief has committed themselves to the history books. As the series goes on, I think we see her more and more invested in her faith. She returns to the old gods. I think all of these actions are in search of her right; the thing that she thought she had received from her father, she is looking for evidence again and again. And part of it, I’m sure, is a choice. I think sometimes in times of loss, we can choose the anchors that we are going to cling to, and her faith becomes one. But I think there’s a narcissism in it. I think her connection with her religion is about wanting to reinforce a divine right. And I think, looking at [episode] seven when this miracle takes place, and this man claims Seasmoke, I think she feels that it’s a gift from the gods. I think it’s what allows her to ride roughshod over Jace’s very legitimate concerns about his own status. I think it’s what allows her to stage a massacre, essentially. She feels that she is riding on the wings of her faith. But her faith, and her belief that she is the ruler that is supposed to sit on that throne, are completely enmeshed.

They continue:

What is going through Rhaenyra’s mind as she watches the Targaryen bastards be devoured and torched alive? I think she feels like a god. I think she feels super proud. I mean, I think it’s uncomfortable. I think there’s something, actually, also that ties into the religiosity — even being back in proximity to dragons, to that fire, is to somehow be living her birthright. To be soaking up the divine, somehow. And do you think that she feels as though the decision to essentially stage a massacre, as you say, is vindicated when the two new bastard dragonriders are found? Totally. Without a shadow of a doubt. I mean, it’s horrendous, but I think she is now this sort of emboldened fanatic, [and] I think she’s experiencing events within a far bigger timeline. She’s imagining the history books. And you know, what’s happening right in front of her is awful. But in 300-400 years, what will be documented is possibly a very short war; a huge civil war that was averted, that this was the first ruling queen, that this ruling Targaryen queen expanded the Targaryen’s ability to have dragons within their armoury.

emma's read on this supports what we see on screen when it comes to rhaenyra's newly found zealousness. the religious aspect could lead her to do things that might have been seen as atrocities by her. it could lead to mysaria abandoning her, her riders turning on her, and we would see more of that targ madness.

gods are mentioned several times in 207. first by addam, who says that the gods are calling him to greater things. rhaenyra has never been the extremely religious sort but, in this scene, she looks like she's had a moment of clarity.

importantly, rhaenyra doesn't know who addam's father is, or hugh's or ulf's. this is simply the first time in history that a non-targaryen (at least in her eyes) has claimed dragons. it's something that she believed impossible. it can feel like destiny to the desperate and she's been extremely desperate after losing daemon, rhaenys, and continuous loss after loss with no hope of recourse.

mysaria says that rhaenyra is lucky addam chose to bend the knee to her rather than himself. and her reply is that it is ordained. this religious vocabulary being used is intentional!

her complaint against the lowborn is that there is an ancient fealty from highborn houses. she essentially implies that bastards do not have honor. mysaria corrects her by pointing out that her legitimate half-brothers aegon and aemond aren't exactly delights, but that doesn't make rhaenyra see the light. instead she recognizes that there's fealty to be had from lowborn people too. the order of things have changed, as mysaria says, so she realizes that she can lift up people who have been historically stepped on and give power to the powerless, calling them her army of bastards.

but when jace calls this out, predicting that someone (perhaps hugh?) could lay claim to her throne if she legitimizes these bastards if not by name then by offering them the power of gods. obviously, jace's concern is real, his entire legitimacy lies on both viserys' past support and also the fact that he has a dragon of his own. if any bastard can claim one, what does that make him? but rhaenyra's response isn't logical. she believes that the throne is part of her and her son's destiny. their right.

for years, on some level, rhaenyra has believed that even though people have insulted her sons, they are full-blooded targaryens. she says herself that if she was a man she could father a dozen bastards, and as heir, she gives birth to three without hesitation. these aren't strongs or velaryons to her, her sons are targaryens.

but even when jace essentially begs his mother not to give commoners dragons, bringing up her past sins and pointing out his own struggle knowing that he's harwin strong's son, her response is somewhat cold. she says now that the gods have laid this in front of her and she has no choice.

the dragonkeepers call what she's doing blasphemy and note that it isn't the gods who brought the dragonseeds to her, but she herself has done that.

Dragonkeeper Elder: This is an abomination. You sent an Andal before a dragon. The judgment was delivered. Now you would send more. Rhaenyra: Ser Steffon Darklyn was the blood of the dragon. Dragonkeeper Elder: It was a blasphemy. He was no dragonlord. Neither are these. Rhaenyra: And yet the gods have set them before us. Dragonkeeper Elder: You have set them before yourself! The dragons are sacred; they are the last magic of Old Valyria in this sad world. They are not pieces on a board for the games of men. Our order will take no part in this.

to the dragonkeepers, she's using these bastards and dragons like chess pieces in her war. but to rhaenyra, who has seen addam claim seasmoke, it seems like this is a divine right — a sign from the gods. and that's proven again when hugh claims vermithor.

addam claiming seasmoke changed everything for her. she talks about claiming a dragon as a transformation, and, in many ways, this claiming has transformed her as well. she tells the dragonseeds that their purpose now is the end the hardships of war.

she paints a lovely image promising them peace at the end, but it is a wholly false image. with vermithor and silverwing now in her arsenal, there will be more suffering, more bloodshed. there are no promises of peace now that the war has been given to the dragons, not until everyone is dead. and if that happens, well, the gods willed it, not her.

in this moment, when she says "may the gods bless you" i have to wonder, is she talking about the seven? or the valyrian gods? or the dragons? i don't think she's fully in deep, but i can see the set up for a much darker storyline for rhaenyra rather than the book plot. every time her beliefs are proven or something impossible happens, that could reinforce her zealousness.

i have always said that rhaenyra is a combination of viserys and daemon, and i think that still. i think that she has both of their madnesses within her. as she loses more, the only thing she'll have to hold onto is that prophecy and the divine right she believes in now.

even this scene from the finale promo has over-the-top messiah, chosen apostles, last supper vibes. her saying "i have entrusted you with a power only few have known" as if she wasn't desperate for them and had no say in who the dragons chose. i love it!

honestly i'm totally here for it, i think it's an exciting direction to take. i don't think rhaenyra was always like this, she might have had the proclivity for it growing up under viserys' wing, but it's the war that's pushed her to this point. desperate people will turn to things like faith in order to guide them when the real world disappoints. i think it's a far more nuanced look at a sort of "madness".

and i'm here for the conflict that will happen with daemon as a result. i think daemon will be in direct opposition to this. he's NOT the type to follow cult leaders. this will be their conflict on top of the existing power struggles. this, to me, is far more interesting of a struggle as opposed to nettles causing romantic tension. this show has a tendency to lean away from harmful stereotypes about women. pitting woman against woman is one of them, as is the hysterical woman.

daemon dying for her could be a form of devotion, or perhaps even a command from a delusional rhaenyra who believes he will survive it. daemon could end up drinking the kool-aid too after the devastations of the war or simply realize that this is the last thing he can offer to someone who is too far gone to be saved.

THIS IS THE FIRE I WANT FOR RHAENYRA. this is the mad queen setup that we could have had! targ exceptionalism and completely going off the deep end as a way of coping with an unwinnable conflict. without viserys, without rhaenys, no one is there to temper the fire within her.

[monkesupreme]

Maybe i SHOULD draft out my ‘Clark is a SuperPlant’ propaganda post

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[womendeservehumanity]

When will women wake up? When will they stop with the incessant coping? That it’s just a few bad apples that hate women. The vast majority of men vehemently hate women. They show it both on and offline. More overtly online though. And the amount of likes for all of these posts (all of which are from gimmick accounts with 10-100k+ followers dedicated to hating women) shows that. Men do not see us as human beings. Straight men’s interest and attraction to women starts and end with sexual gratification. And there’s no reason to even explain this to other women as if it’s some hidden truth. They will literally tell you. They will get online and tell you they aren’t emotionally and romantically interested in women. That the concept of actually caring for and loving a woman is foreign to them. That you’re a sex doll and a set of holes to them.

Like who needs feminist theory to dissect all the ways in which misogyny manifests when it seems men are doing everything in their power to show women how much they fucking collectively hate us. Even blatantly regarding us as holes and sex dolls.

Also find it so interesting that these are tweets with millions of views but so called progressive twitter NEVER sees them or condemns them and instead opt to give attention to some random radfem with 300 followers saying men bad. THATS what’s a pressing issue to them. THATS proof that misandry is as prevalent and troublesome as misogyny meanwhile this is what women are subjected to.

[arcanegifs]

God, I'm (yet again) exhausted. What a show. I will say, flaws and all, it's still one of the best animated series I've watched. Ever. No, I don't think it deserves the vitriol it's getting on social media.

I have a LOT of emotions right now. I don't think I'm even thinking straight after watching through everything once. It definitely needs to be re-watched multiple times. No, I'm not offering any kind of insights or anything like that. I think I'm just too emotional seeing my favorite show end.

I really wanna thank the writers, directors, artists, animators, producers, and everyone else who worked on this show for this work of art. It was beautiful, and it's why I love making gifs of this show.

And just because this show has ended, doesn't mean I'll stop making things. There's two whole seasons to work with now. I hope I can have enough free time to post regularly. I still need to make some 8k wallpapers and a ton of gifs haha.

I'll take a break and sleep for now. I'll see what I can make when I wake up tomorrow. I have so many things I want to do, but I also feel like crap and I too, have a life LMAO.

Oh, and I'm still looking forward to the next stories that they tell us! Runeterra truly has amazing lore. Excited to see what's next!

Thank you for all the likes, reblogs, and support you guys give to my lil sideblog! I appreciate you guys so much <3

[deoidesign]

when your main characters start dating after years of writing so they finally get to be like this

[krysmcscience]

Don't mind me, just slacking on a big Billford comic by making other far more ridiculous Billford comics and also some AU art (please excuse my slapdash human!Bill thank you please, also before anyone asks the art style is messy and all over the place because idgaf LOL)

This started out as an excuse to design a Bill Cipher-inspired "wedding" dress, but then spiraled wildly out of control. Various rambles and a bunch more human!Bill arts under the cut, including another silly little comic at the end! (Feel free to skip the rambles, I won't be offended. I know I'm bad at shutting up. XD)

I may or may not write some comedy stuff for this AU, which I'm calling 'For Better Or Worse (But Mostly Worse)'. While Ford DOES remember getting sloshed enough for one thing to lead to making out with another after karaoke, neither he nor Bill remember this wedding, At All. The Love God did nothing to dissuade them from going hog wild on their marriage spending, either, so it got...uh. Exorbitantly Expensive. As in, the grand total could probably buy the entire fucking MOON sort of expensive. (It's fine, don't worry, Bill's good enough at crime to be able to afford it.) Also, because the logic of this AU is mostly dictated by Rule of Funny, the Love God's powers are close to unlimited when it comes to matters of romance, but ONLY when it comes to matters of romance. (Like weddings!)

Want an empty human vessel to smash the soul of a triangle into for date nights or when it's convenient, or perhaps even when it's NOT convenient? Easy peasy! Want the marriage to be recognized in every corner of the multiverse from now until the end of time, thus making any potential future divorce nigh-on impossible? Can do! Want to buy an entire beach for the ceremony and honeymoon and in general, and totally not at all because it would be Super Hilarious to prevent any specific movies from being made on that very same beach in the future? Fine, whatever, it's not his finances he's ruining!

Does the Love God also provide special rings that just so happen to turn incorporeal as long as the "happy couple" doesn't remember that they barged into his dreams to bully him into presiding over their marriage? ...No comment!

He spends the next thirty years trying and failing to get in touch with either of them for payment. This is why you should always demand half the money up front, my guy!

Also it's absolutely a traditional Jewish wedding, because I like the idea of Bill demanding all the keepsakes from the marriage that he paid for, and being completely confused when one of the things he's handed is a fancy container full of broken glass. He gets it later, but in the moment, he thinks the Love God is just fucking with him some more.

Ramble over! Here's the full dress that caused the comic to happen, along with what Ford wound up wearing at the wedding (and begrudgingly agreeing to put on again later for Reasons), aaaaand also a close-up of Bill's ring:

I may have forgotten to draw Bill's hair floofier when drawing the back of the dress, lmao

Since double ring ceremonies have been leaking over into Jewish wedding customs for a while now, Ford also has a ring, but his is the much more traditional plain gold band. There's definitely a message engraved on the inside - embarrassing, cringe, or incriminating somehow - but I haven't decided what it is yet, so use your imagination for now. XD Bill, on the other hand, saw the phrase 'traditional plain gold band' and said "No Thank You" before proceeding to embellish his ring to his liking. And because he's a secret sap who adores Ford's extra fingers, the triangle points add up to twelve, as do the engraved stars. Yes, they're stars, not dots, I just got lazy. There's also six lashes on the eye gem, and probably an eye engraving on the inside with another six lashes. (Bill's got it BAD, okay? We all know this.)

Here are the initial scribbles of Bill's custom vessel in more casual attire, please ignore the wonky anatomy and the fact that I flat out refuse to ever draw him with a proper top hat:

He does actually need a cane in this vessel; since Bill tends to possess men and especially Ford more often than not, he's used to having a higher center of gravity when in a human body, so his ability to balance is pretty garbage. (He may or may not topple over with concerning regularity.) As for his empty eye socket, his bangs don't do much to hide it since he's so high-energy (dude is constantly on the move), and he also refuses to wear a patch over it, because 1.) why bother, and 2.) it's more fun to freak people out.

To better align with Ford's attraction towards the strange, the vessel was designed with super minor shapeshifting ability - Bill can look like a perfectly normal human, but he can also make the teeth and fingers sharper whenever he likes (which is mostly just when he's angry or being more of a menace than usual), as well as slit down the pupils or outright ditch the irises altogether. He can also have whatever he wants in the downstairs department, just because I'm an indecisive bitch on that front, lmao. Maybe he can have boobs if he wants them, too, but I ain't drawin' tits on no triangle, nuh-uh, no sir. His powers are otherwise limited down to what humans can do, because for some reason, the Love God doesn't trust Bill to not snap into Immediate Apocalypse Mode if he's given a physical form that's actually all his and no one else's.

Due to the body being all his and no one else's, it's also not really a standard possession so much as it is just...Bill being temporarily human. He's a lot more aware of and in tune with his human body's senses than he ever was with his "puppets", which makes things like pain a lot more intense. (He is mostly fine with this, because he's a fukken masochist.)

A bit more fashion stuff, including beach and party attire~

The beach outfit was mostly me trying and failing to nail down his body shape, which is still not bottom-heavy enough. I then decided to slap a bikini on it, before making it supremely unsexy with a pair of fugly shorts, because Bill's fashion choices are not allowed to be conventionally attractive. Meanwhile, the party outfit was mostly me looking at the casual attire I designed, asking 'how would Bill make this Worse', and then drawing the result. The mismatched thigh-highs are killing me inside! :D

No, his vessel can't actually summon fire, I just drew it for funzies before I decided on said vessel's limitations. Yes, the gold brick tattoos are absolutely a reference to the fic 'Knowing Me, Knowing You' - I simply could not resist.

I also HAD to draw Bill in one of his canonical(?) shirts, just made tank-top'd:

He is absolutely about to over-correct and fall backwards after this. USE YOUR CANE, GOOFBALL!!! (I meant to draw Bill closer to this degree of bottom-heavy in the other images, but. Alas. I am bad at anatomy, LOL)

And, last but not least before More Comic Time, I attempted to draw him closer to Gravity Falls style:

Jury's out on whether or not I succeeded, but - hey. I tried. Now have some Handyman Bill AU, but with my goofy human design, instead:

Hey, it's a 'mystery snack', and the guy wanted A BITE to eat - the joke was right there, guys!!! (Based on this post, because it just screamed BILL CIPHER to me.)

whoops i forgor bills ring and cracks ahaha too late now

I WILL SHUT UP AND STOP RAMBLING NOW K THX BYYYYYE

[bogkeep]

i reread captive prince trilogy for the third or fourth time recently

[mechieonu]

i know that disney is too big to boycott effectively but that shouldn't translate to "and so we should keep buying their products like normal" but rather "at the very least we should try"

[xxplastic-cubexx]

Hi!! I really love and enjoy the way you draw Charles and Erik! You're so good! ಡ⁠ ͜⁠ ⁠ʖ⁠ ⁠ಡ

thank you !!!!!!! i look forward to drawing them a million more times :]]]

[sysig]

Those wacky skeletons ♥ (Patreon)

[wolves-in-the-world]

the thing about eliot spencer as a character, right. the thing about him.

(and as always your mileage may vary on my analyses so if we disagree that's cool actually)

is that he is in fact a somewhat emotionally constipated idiot who is occasionally sensitive about his perceived masculinity and gets defensive about emotional intimacy around other men (largely hardison, who's much more comfortable expressing affection and embracing a softer kind of masculinity), but eliot displays enough emotional awareness and sensitivity and respect for women etc etc that anyone who's been subjected to that era of television will put on rose-tinted glasses without even looking twice.

(and he is, don't get me wrong, incredibly emotionally aware for a professionally punchy guy with enough trauma to sink the titanic. it still startles me to see.)

on top of which we have the layers and the accessories and the excellent hair with the secret braids and the way he barely has an ego and he's good with kids and protective of his team without taking it too far, and some of us never stood a fucking chance.

[retributory]

kind of irritates me a little bit when people act like it's weird or wrong or ooc for sy to have internalized homophobia as if that isn't probably the most realistic thing about the plot to begin with. he's a chinese man who grew up in the late 90s - early 00s and spent all his time online i would be frankly more surprised if he had ZERO hangups about being gay. this is explicitly presented as a character flaw so i'm not sure why people act like mxtx is homophobic for writing a guy with internalized homophobia. also he like gets over it in volume 4 anyways you gotta give him some time dude he died like 3 times and he keeps getting force-fed blood he's got a lot on his plate