#thanks for reading my insanity

[ghostlyfanparadise]

Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

[saragrosie]

Some really stupid season 3-4ish mag sketches plus obligatory crumpling Jon up into a ball (And also s1 Jon is there writing his gay little statements whatever).

I say s3-4 cuz Helen ya know here's another Helen under the cut my beloved they could never make me hate you. You are the not a who but the moment the icon the legend:

I'm sharing some more dumbass things I've drawn in another post cuz there are early season 5 references (I'm on MAG 169) so check that out if you're caught up to there if not begone no spoilers for you ok byeeeee

[qiornono]

PLEASE PLS PLS read in memoriam by alice winn this book changed my freaking life!!!!!

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[ash-and-starlight]

and i’ll do anything you say (if you say it with your hands) chapter 10

“You came looking for me,” Sokka says. Zuko’s already soft eyes melt further.

“Of course I came looking for you,” he says. Like it’s obvious. Like it doesn’t knock the earth off its axis.

For a second, Sokka forgets about the pain, past and present. All he feels is a treacherous bubble of hope – inside his chest, under his skin, stuck in his throat.

or read it from the beginning if you haven’t

[choccy-milky]

I've been wanting to paint Clora for a while but was brain empty 😣

Then I saw this dress set and HAD to put her in some version of it 🥰🥰🥰

I've been banned from buying more clothes for the rest of the year so let me live vicariously through her (but also I'm not a ravenclaw) also also I hope that link I embedded works

OH MY GOD MERRY CHRISTMAS TO ME🎅🎅🎅🎁🎁 WHAT THE FUCK!!!!!! the way i clicked on my inbox and then got JUMPSCARED (IN A GOOD WAY) BY THIS!!! im serious the way my mouth popped open in shock and awe was so cartoonish LMAOO. like wdym FOR FREE??😭😭😭your art is so beautiful and you're such an amazing painter IM SO MINDBLOWN RN THAT I GET TO SEE CLORA DONE BY YOU SHE LOOKS AMAZING and in such a cute fit too🧎‍♀️🧎‍♀️ i fear i shall never recover from this...found dead in my apartment and its kemiichis fault.....ILL STOP YAPPING NOW but srsly im HONOURED THANK YOU SO MUCHHHH🥹💖💖💖

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[mipexch]

dance with me one last time

[arcanegifs]

This is the last time I'm going to be annoying about this, I swear.

A few examples of that I, a gifmaker, personally love seeing under the tags:

Analysis of said scene, show, or character, especially the long ones going in depth that span like 1000 words

People saying how crisp the GIFs look and how nice the coloring is THANK YOU. ILY GUYS. That's always huge praise for me.

Reacting with how emotional you got with the scene. How painful and emotional or how touching a scene is.

People making funny jokes, memes, comments, etc.

Literally ppl horny posting LMAO. It's super funny to read and I love seeing all the unhinged comments.

Seeing how much you loved the show and its characters

Things I don't like seeing under the tags. And these are just two very specific things:

How much you hate the show, how much you think a scene is bad, how much you hate a character, the ship, the creators, etc. or how much you dont like this ship anymore, calling a ship horrible because ____ reasons. OKAY! I get it! But I don't want to see that. Make your own hate post on your own blog! You're free to have an opinion on how much you hate something. Just do it on your own blog.

Asking why I leave out certain scenes out, why I decided to gif this scene, or not gif more of these characters. Sometimes, I'm just exhausted. I can overlook things. You guys don't know how draining making gifs can get to me, especially the scenes that are really long. But I do it because I LOVE Arcane, the story, and the characters, and the particular scenes that I make gifs of. I have my own biases too. Of course I’m making them first. Please, just make them yourself instead of complaining under the tags of my edits. Yes, I can see them.

Don’t get me wrong, I wholeheartedly appreciate everyone who supports and follows the blog. I want to make a million more HQ gifs of this amazing show, but sometimes, the very rare negativity can still get overwhelming, to the point where it demotivates you.

Arcane is extremely special to me because it's such a fantastic show, and that alone motivates me in trying to create more GIFs. Honestly, if it was any other fandom or show? I would've probably left already. Arcane is THAT great.

I know the block button is there. I use it too, but sometimes, the amount of effort and time you exert to create FOR FREE just isn’t worth it. And that’s why gifmakers and creators stop making things for fandom. It’s not fun anymore. It’s not worth it.

Some people think that making my style of GIFs is easy. Then great! Since you think so, then do it yourself and help create for the fandom too! I wholeheartedly encourage you to do it!

TLDR: Don't be rude on people's fanwork, especially when they are created FOR FREE. If you don’t like their fanwork, you can make them yourself.

[hoshiina]

pairing: hoshina soushirou x gn!reader (no prns)

request: a reader that keeps messing around w him and at some point they mention they like him but then hoshina thinks theyre just playing... ..but they r not and he doesnt quite get it at first because hes so used to them joking around and then he ends up overthinking the whole thing until reader actually goes up to him to kiss him (or hug him very tight!!!!!!!! or both maybe!!!!!!)

maybe he liked them too but that thought didnt sit right with him because he doesnt believe hes worthy of something like that

notes: mentions the reader's face "flushing", reader is rather lively/outgoing, reader is not a fan of horror and is more a fan of romance, reader is a hoshina stan, one part is inspired by a scene in wakaba no komorebi, omg why are there so many notes I'm so sorry TY FOR THE REQ!!

wc: 2800

A new day, a new chance for you to shoot your shot at none other than your vice-captain of the third division.

You were always messing with him. This ranged from embarrassing pranks a grade school boy would menace his crush with, all the way to borderline hitting on him. There wasn’t a single day you’d forget to remind him he was stunning, and you’d always be bragging about him to the officers in the first division, regardless of the fact that you had absolutely nothing to do with the things you were bragging about. Simply put, you were loud about Hoshina.

Yet, every day, he'd brush you off and tell you to get to work. You didn't let that mind you much though, because you could tell he wasn't actually upset. You liked him unconditionally, and as long as you weren't actually bothering him, you couldn't care less if your feelings weren't returned. Well, you did care, but that wasn't going to stop how you felt for him.

Now, you said all of that, but naturally, you were still scared to just put your feelings out there so you hadn’t actually told Hoshina you liked him. You assumed he knew, but if you said it out loud, you’d have to hear an answer. And that, you were not ready for.

However, you weren’t going to stop messing with him anytime soon. Hoping one day he’d actually fall for you and one day you’d have the courage to properly tell him how you felt.

You were in the cafeteria with the rest of the division, having your breakfast while mindlessly scrolling through your phone, when you saw a post about a new movie in theatres. Immediately your mind went to possibly inviting Hoshina and you scrolled right back up, trying to find out what it was about. Horror. You sighed and continued to scroll. Horror was absolutely not your favourite.

“Oh, is it finally out?” you heard a voice from behind you say— your favourite voice say.

“Would you like to go?” you asked, whipping your head back to see none other than Hoshina Soushirou. Just the sight of him and your heart would flutter. How you loved him. “Together? Us? Just us? You and me?”

“Oh, like we have time to go,” he said.

“Man,” you said, knowing he’d say that. The entire defence force in general had been a lot busier ever since the appearance of so many identified grade kaijus. However, it did make you wonder if that meant he would if he did have time. No, he’s just declining your invitation politely, you’d tell yourself, bringing you back to your senses.

You’ve done this since always, and you do this every time without fail. Whenever a new shop had opened, or a new movie to watch had come to theatres, you'd always shoot your shot— hoping he'd say yes one day. Yes to a date.

Although you were used to getting turned down, it still wasn’t the best feeling. Recently, you've been letting it get to you far more than you used to. Maybe after all these times, the rejection did start to have an affect on you. Maybe you were falling for him even harder recently, or maybe you were starting to hope for your feelings to be returned.

Perhaps a relaxing day at the movies was exactly what you needed. Maybe you’d ask for a day off next week— just to go watch a movie you liked.

So you did exactly that, you filed a form to Captain Ashiro, requesting a day off anytime the next week. Preferably on a Tuesday, because movie tickets were cheaper on Tuesdays.

A few days later, you were called over to her office. You assumed it was just to let you know if you could have your day off and if so, when it was. To your surprise, when you walked in, it wasn't Ashiro but rather Hoshina there, working away.

“Hoshina?” you asked, pleasantly surprised. “I didn't expect to see you today.”

“You didn't?” he asked, genuinely perplexed. “But this is my office?”

“Your office? I thought it was Captain Ashiro’s?” you said.

“It used to be, but I took it over a little while back,” he said. “It's just a lot faster for me to do the paperwork.”

“Oh… I see,” you said, rather surprised you weren't already aware. There was a moment of silence.

“It was rather recently that I had officially started working here,” he said, somehow noticing that you were dejected. Oh, how did he always know exactly what to say? You were never going to get over him at this rate. “Anyways, you requested a day off next week?”

“Um… yes,” you said. Now you felt a little awkward about going to a movie alone, and you really hoped he wouldn't realize where you were going.

“On a Tuesday… are you going to see that movie after all?” he asked and he noticed you stiffened a little, so he immediately followed with, “Sorry, you don't have to answer that. You're absolutely free to take that day off.”

“I am,” you said. Half a lie, because there was no way you were watching a horror movie, let alone by yourself. But you were going to the movies. That was true. “It's been a while since I watched a movie in theatres, I realized.”

“I've never gone alone actually,” he said, imagining you were planning to go alone. “Or are you going with someone?”

“No, I'll be by myself,” you said, but instinctively you asked him out again. It was practically in your subconsciousness to do so. “Unless you'd like to tag along?”

There was a long pause before he said anything, and his unreadable expression only made the silence feel longer. You were expecting a quick rejection again, so the silence was absolutely killing you— you hadn't expected it one bit.

“Actually, I'd like to,” he said. “If that's okay with you, of course.”

You couldn't believe your ears. What did he say? You couldn't have possibly heard that right. What had he said?

On the other hand, he had no idea why he said yes. Why after turning you down all these times? Why now? He had turned down every offer of yours because he knew you were just messing around. You didn’t feel about him the way he felt about you. He knew this because you had done this since the moment you joined, and you couldn’t have liked him back then— you hadn't even know him yet.

But still, he hoped you were serious.

“You're joking,” you said.

“Were you?” he asked. This must be why he said yes. He wanted to know so badly— he was rather exhausted of playing the guessing game with you.

“Not at all,” you said. You thought he had known, but perhaps not. “I've never been. Not for a moment.”

“Then, let's go,” he said with his poker face on, but he was a little shaken. He didn't think you were at all serious, let alone that serious.

“Hoshina, is this a date?” you asked, and you could tell your cheeks were flushed. However, there wasn't much to be embarrassed about at this point, so you might as well have asked before you drove yourself insane.

“Okay…” you said, but you were spaced out. You had no idea what had prompted this all of a sudden, but this was the moment you had been waiting for, for your whole life. Yes to a date.

A date? Was it a date?

“Would you like it to be?” he asked. You had no idea what he was thinking.

“Yes,” you said. “Of course…”

“Then, let's go on a date,” he said. “On Tuesday, at 2pm. I'll pick you up from your unit and we'll go and watch a movie.”

It was yes to a date. A date with none other than the love of your life. You were going on a date with Hoshina Soushirou.

You left the office soon after, thanking him as you left, and you were lost in thought. You truly felt like the world around you had stopped, but at the same time, the time passing was a blur. You thought it’d be forever before your long awaited day, and you’d have plenty of time to calm yourself down and prepare, but it had rolled around before you knew it.

You put on what you personally thought was your best date outfit, but you had no idea if he’d like it. You really hoped he would. Now, you were sitting around, waiting for him to come pick you up. It was still 10 till 2, but he was always ahead of schedule— he hated making people wait, so he was always early. A few minutes later, you heard a few footsteps and some rustling outside your door, and you were pretty sure it was him. You waited for a knock, but it wouldn’t come.

Quickly, you opened the door and it was him, waiting by your door with his phone in his hand, opened to your messages with him.

“Oh,” he said. “Sorry, were you waiting?”

“No,” you said, immediately. “I just finished getting ready. Why didn’t you knock?”

“Well, I’m early,” he said. “Didn’t want to rush you.”

Gosh, you were on a date. With him. You had actually never seen him in anything other than what he wears at the defense force, and as much as you liked that training shirt he had on, he looked so incredibly gorgeous today. And this was just for you. He wore a black corduroy turtleneck, and a simple long coat to go over it. You were still so lost, how had you gotten to this point in the first place?

“You’re stunning today,” he said to you as he smiled a little and you swear you felt your heartrate spike. Did he even know what he was doing?

“Not to mean you aren’t usually…” he said immediately. “Sorry, I never say the right things when they count, do I?”

“No, I thought my heart was going to stop,” you said, frankly. This was the way you always were, there was no point in getting flustered all of a sudden. “You’re gorgeous everyday, but even more so today.”

“Well, I’d have to be glad our date is today then,” he said.

While the two of you walked to the theatre, it was rather quiet. Far more quiet than you usually were. Suddenly, you were so nervous, and there was nothing to say to him. So many questions filled your head but none of them felt appropriate to ask. You felt like the spell would break if you took one wrong breath. You wanted to know why he was here with you today. Why he said yes all of a sudden, why he took a precious day off to go on a date with you, and what he was thinking when he said yes. You wanted to know how he felt about you, or at least how he felt about this date.

“I’ll go get us tickets,” you said, as soon as you got to the theatre. “Please pick a snack and a drink in the meantime, I’ll get the tickets quick.”

“Oh, don’t be silly, I’m getting the tickets, and the drinks and snacks, for that matter,” he said. “Besides, we haven’t even decided on a movie yet.”

“We haven’t?” you asked. “I thought we were watching the movie that came out the other day?”

“What? Why would we?” he asked, genuinely confused. “You don’t even like horror." He pointed at another poster on the wall. "Why don’t we watch that one? Romance is more your type of thing, isn’t it?”

You thought you’d cry. If there was one thing that was worrying you about this date, it was the movie. Horror really wasn’t for you, and you weren’t sure if you could watch the movie without showing it.

“How did you know?” you asked.

“It’s obvious,” he said. “You’ve never asked me out to a horror movie, have you?”

Just how did he notice? “But didn’t you want to watch that one?” you asked.

“Please, I can watch that whenever, on my own,” he said. “I’m here with you today. I’d be a horrible date to make you watch it with me.”

“Thank you,” you said, starstruck. “At least, let me pay for it then?”

“No way,” he said. “I’m taking you out today.”

“No, I asked you out,” you said.

“Don’t care!” he said and went off to get the tickets and snacks.

You were in love with him, and you were going to tell him. You were sure he knew, but you had to tell him properly. It wasn’t even that you were hoping for him to return your feelings, you just wanted to tell him.

You thought you wouldn’t be able to focus on the movie at all, but you were, strangely enough. You were watching a cliche romance movie that couldn’t possibly be about you and Hoshina, no matter how much you tried to stretch the narrative, but you loved it. It was a sweet movie, a type that you've always loved, and you were watching it with the one you always loved. You couldn’t be happier.

So as soon as the movie was over, you went for it.

“Hoshina, I love you so much,” you said, and kissed him. On the lips.

His eyes were wide and his cheeks were faintly flushed. You weren’t expecting that, not even for a moment.

“You’re serious?” he asked.

You were confused, did he think you were playing around all this time? “Yes, of course,” you said. “I’ve loved you for forever.”

“Since… when?” he asked.

“Since the day you saved me, 3 years ago,” you said, immediately. It was like you had waited all your life to answer this. “You definitely don’t remember, but I remember like yesterday.”

He wouldn’t reply, but he was still looking at you surprised, so you continued on.

“I thought I had told you this actually. Not the part that I liked you, but the part that you saved me. I joined because of you, Hoshina,” you said. “Yes, you’re my vice-captain and the love of my life, and I’m one of your officers, but you were my hero and I was your biggest fan for all this time.”

Something in him shifted. It felt like someone had woken him up from a weird haze, and showed him how much colour there is to the world. You joined for him. Not for Mina, not for Gen, but him. To you, he was a hero. To the one he treasured most, he was irreplaceable.

“I love you too,” he said, with the softest smile you had ever seen from him. He was serious, you could tell.

“No way,” you said.

“I do,” he said, but he could tell that you were a little skeptical, or at least puzzled. “I love the way you work hard, the way you joke around, but actually care so much. I love the way you give everything your all. I love the way you always smile when you see me— it makes me feel so special. You make my day, absolutely every single day.”

It took everything in you to stop yourself from sobbing, but that made Hoshina laugh. He kissed you this time, and tears rolled down your cheeks anyway.

Wiping your cheeks with the pad of his thumb, he kissed you on the forehead.

“I absolutely adore you.”

BONUS:

Later that day, you were going to open up the one cardboard box you still hadn’t unpacked. The one filled with your posters and merch of Hoshina you had collected through these years. You were hiding them, because you thought it’d be a little too weird if you had those just hanging around, but finally, they’d see the sunlight. You would never have even imagined this day when you had those in your room, dreaming of him. If only you could tell your past self— just how thrilled you would’ve been. Well, not that you were any less thrilled now.

The next time Hoshina came to visit you in your room, he was utterly flustered, it was absolutely adorable. He couldn’t believe people actually bought the merch they sold of him, let alone put them up— and in the room of his loved one nonetheless. But he’d be lying if he said he didn’t like it, because it made him so incredibly happy.

He was thrilled that you did, in fact, love him the way he loved you.

[mummer]

just saw asteroid city last night, pls explain the proposed significance of the kiss!!

answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****

i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!

the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[love-jelly]

THE VALIDATION.

sypnosis: precious, sweet choso would never ever deny you in any way, always opting to let you do whatever you wanted for your own entertainment and satisfaction, even if it includes giving you his heart and body.

contents: tutor!choso, sub!choso, dom!reader, pet names (choso: cutie, baby, bubs, darling, pretty prince, good boy | reader: mommy), dirty talk, hair pulling (m!receiving), unprotected sex, semi-public sex (does this even count idk), choso is desperate for some puthy (YOUR puthy), overstimulation (m!receiving), praise kink

word count: 1.4k+

a/n: based on this idea by @hotlinemurder ! tysm to maki for blessing my tl with this idea and i hope i did it justice !! hope u enjoy !! minors dni. ageless / blank / minor blogs will be blocked if seen interacting!

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choso tutors you every wednesday and friday afternoon from twelve pm to two pm every other week in the university library. a timeline you both come up with to nicely accommodate both of your schedules- him with his studies and you with your parties and whatnot. not to say you don’t focus on school, you do, life’s just easier when you can ignore all the pending assignments that are due at 11:59pm and all the teachers that seemingly have it out for you.

but choso is sweet, unnecessarily so even when you try to quietly yawn at his rambling that seems to bounce off the walls of the study room you two rented. even when you start doodling in your notebook, when you’re supposed to be writing down what he’s trying to teach you. life is just more fun when you let go, something you’re sure choso doesn’t know how to do when you don’t show him how to.

choso is a straight-a student and tutor, teaching you topics better than any of your professors on the surface. but when you have him in the palm of your hand, with actions that are only a little suggestive? you’ll surely have him fucking you better than any of them too.

a few taps from the tip of a black pen on your notebook shakes you from your thoughts, choso gazing at you with concern evident in his eyes and a cute frown.

“you do know midterms are two weeks away, right?” the concerned lilt in his tone is cute but not cute enough for you to really care, knowing you would rather be doing anything else than studying calculus four.

you look up and smile apologetically, “sorry, cutie, but partial differentiation of functions is not on my mind right now.”

he blushes softly at the pet name but holds his ground, “but you didn’t come to any lecture last week. these questions are gonna be on the exam, you have to know them.”

you stand up, going behind him to undo the two buns he keeps atop his head, “‘s alright, i have you, don’t i?” the locks of hair unravel like a pretty present as you massage the mop around, evening the spread of his pretty brown hair.

“that’s why i’m trying to teach you right now but you won’t even listen,” he softly whines in slight protest, distracted by the feeling of your fingers combing through his hair.

“i have a better idea- don’t you wanna have fun?” you twist yourself onto his lap, thighs fitting atop his as you straddle him. you twist your hand into a fist to garner a hold of his hair, pulling it back to lift his head to expose his pretty wide eyes.

“b-but-” he stammers, moving his head to the side to avoid your eye contact, not sure what excuse to use. you roughly pull his hair again to force him to face you again, a mewl falling from his lips.

you cut him off with a soft voice, “you want me to stop?” you press chaste kisses to his jaw and throat, leaving an especially hard one on his adam’s apple, a soft sigh slipping out from his mouth.

he groans, unable to find an answer in his now-muddled brain. “please-”

precious, sweet choso would never ever deny you in any way, always opting to let you do whatever you wanted for your own entertainment and satisfaction, even if it includes giving you his heart and body.

“please what, baby?” you smile lightly, knowing he would always give into pleasure, give into you. 

“please make me cum,” his usual honeyed, deep voice is exchanged for a separate breathy, higher tone that’s reserved for your ears and your ears alone.

“all you had to say, bubs,” you lightly grind your core to his hardening, twitching cock, that seemingly was begging for some sort of stimulation that could help relieve the hot bubble that was forming in his lower belly.

something between a whine and a groan erupts from choso’s lips as you go in for another kiss, you swallowing up his sounds by connecting your lips.

“we’re in the library, darling. remember to be quiet, ‘kay?” you remind him with a sweet smile as if you weren’t the reason for his loud volume.

he whimpers, “s-sorry, mommy, please-” he chokes out, “c-can i put it in?”

you reach down and pull his cock out of his pants and give it a few jerks. “do you deserve it?”

choso scrunches his face in pleasure, eyes shut and lips wet with both his and your saliva. he manages to open his eyes a bit and breathe out, “yes- yes i do- please?” his brown orbs plead with you for stimulation- for pleasure- for mercy.

“put it in then, show me how desperate you are for me,” his fingers are fumbling around, pushing your skirt up and realizing you’re wearing his favorite lacy violet panties underneath, he groans quietly to himself admiring the wet spot on it for a second. set back on his prior mission, he pushes his cock into your panties, creating a large wet spot as he humps the scratchy material to find pleasure.

“my pretty prince, right? look at you, you just wanna get off, huh? i’ll let you use my pussy- so you better use it well.”

“thank- you, mommy,” he mewls softly before aligning himself with your hole. he quickly shoves it in- catching you off guard, forcing a hiss and moan from your lips that he quickly shuts up with a kiss that you dominate early on.

his hands have you in a vice-like grip that’s sure to leave bruises, holding you a few inches above his own body as his hips uncontrollably rut up into you, balls slapping on your buttcheeks.

“f-fuck- what would your parents say about this, huh? their p-precious little boy so desperate to cum inside of a woman?” you bite his earlobe, moaning directly into it, only serving to make choso’s dick impossibly harder.

“do-don’t-”

“don’t what, bubs? don’t tell your parents? but with how much you c-cum inside me, won’t we have to tell them when we have a b-baby?” you chortle in his ear, his face tinted red from embarrassment but still rutting up into you, desperately searching for release that feels so close with the way you’re clenching around him, still wanting to cum inside you as if it was his lifes goal.

“c-can’t- please- please let me cum inside.” he nearly sobs, his orgasm feeling like it’s approaching.

“don’t stop, don’t stop. you’re doing so so good for me, bubs. keep going- just a bit more, you’re almost there, baby,” you whisper into his ear, keenly aware of the effect your words have on him.

“please, please, please- let me-” 

“you wanna cum? you wanna cum in me? give your parents a grandbaby? you want that huh- you want your parents to know what a dirty whore you are for wet pussy- my wet pussy? come, come inside me.” your filthy words spill out of your mouth and into his flushed ear like whispers of an eternal bliss in hell.

a chain of “yes”s leave his lips in needy murmurs as he nears his climax. his thrusts into you become shorter and sloppier as you hug him closer, quieting your own moans by putting forth effort in marking up his neck.

a long, languid moan is ripped out from choso’s chest with his hips still rutting into you, albeit slower now, steadily fucking his cum into you, although his cock is still semi-hard. “let me- let me make you cum, please?”

you breathily laugh, “keep fucking me, baby, i’m almost there.”

choso continues his actions through strained movements, overstimulating himself, still roughly but quietly moaning through his own pain and pleasure. pulling you closer and staring at your pretty face filled with pleasure, he seems to be mesmerized by every feature on your face that contorts to prove that you were finding as much bliss in this as he is.

“fuck, i’m close, baby. gonna make me cum? make me cum,” choso quickens his pace, grunting in exertion. with a hand slapped over your mouth to hold back your shriek, you cum, spasming around his cock. fucking you through your orgasm, choso whines. he was so focused on making you cum that he didn’t realize he was nearing his second orgasm and with one last thrust into you, he spills a second load into you.

“good boy, choso. you did so well,” your validation makes him feel tingles all around his stomach, butterflies awakening in his stomach.

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if you enjoyed this, please reblog and/or consider following me!

a/n: honestly i hate this n i felt like it was WAY too fast paced. BUT i promised a fic so here's one amidst my busy schedule :') life stop fucking me in the ass when :/ thank you for reading !!!

[sayurinn]

Got home from a party very drunk last night and somehow drew this 😭😭😭 I guess drunk drawings are sober headcanons so pls accept my Polnareff silly y2k earthtone fits :3 🤎⭐️

Also another version of pol’s shirt and divorce 😔💔 idk why I drew that😭😭😭😭 i think it’s from a Pinterest screenshot…

[lightsauce9999]

There's a lot of valid reasons to like TMA but I'm kinda surprised at how little the horror aspect is brought up.

I started listening because someone told me it was sad and horrible and I jumped at that alone. I love horror, I love tragedy. I didn't even think about shipping until season 3 when Jmart first occurred to me. I love listening to those terrible statements because that's some good quality horror.

Just. Where's the love for the horror aspect? I have so much for it. Just. AAAAHHHHH

And Jonny Sims as a horror author doesn't uses the commonly used tropes that I can't stand and safe horror is such a wonder. I can get my grubby little hands on something he wrote with zero research and I know it will be good and won't cross any lines.

Anyway this is a Jonny Sims and his horror writing appreciation post.

[iilmunchkiin]

Doodle Dump

Just realized i didnt show yall how i draw Dalv oops

HC: Dalv doesn't know that corn can become popcorn and is amazed by this fact (+ maybe Starlo too but he prop knows)