#tg timeline

[kyanitedragon]

Continuing the timeline for the second half of Tokyo Ghoul!

There's a timeskip of 6 months, which brings us into June 2012.

Chapter 89 is specifically July 1st (Touka's Birthday).

And since only 9 chapters are before this, and it seems like not many days pass by in that time (personally I calculated 4-6 days), the timeskip must start in late June.

By Chapter 125, it's not quite Summer Vacation yet. And the Anteiku Raid either starts that very night, or the following night.

For Japanese schools, Summer Vacation starts mid to late July. (The dates change depending on the year and school, but I did see one example as being July 20th, which coincidentally lines up with a Friday for 2012, so I used that date here. But keep in mind this is just an estimate; it could have been sometime within the following 2 weeks)

Which means that the Kanou Lab Arc & Anteiku Raid Arc (Chapters 80-143) takes place over, at most, 1 month's time!

(Also, it's worth noting that Japanese schools begin in April. Summer Vacation is simply a school break, it doesn't separate the school years like it does in other countries. So Touka graduated from her 2nd high school year and began her 3rd (final) high school year over that 6 month timeskip. So when Anteiku was raided, her school year was still beginning; she still had several more months of school to go - until March.)

Have you ever wondered the exact timeline of Tokyo Ghoul?

Notes:

Tokyo Ghoul takes place in 2011-2012, as seen on Kaneki's school notebook in chapter 23

September:

Kaneki's date with Rize is never given a calendar date in the manga, nor the exact amount of days between him scoring a date with Rize and going on the date itself, but between Rize's Takada Building kill being found on Sept 28th, and Kaneki's "weeks" spent in the hospital before his discharge on Oct 21, we can estimate their meeting and date sometime after Sept 28th through the first week-ish of October

October:

Based on the dates of Hide's texts to Kaneki in Chapter 2 (Oct 21) and Chapter 6 (Oct 31) we know that 10 days has passed in that time.

(But personally I find it unclear which manga scenes specifically fall on what days. Technically all that's important to know is that Kaneki's been starving on his own for 10 days, in addition to "weeks" in the hospital.)

November:

The Nishiki vs Kaneki fight doesn't have a canon date but based on the other dates we have, it must happen sometime between Oct 1 - Oct 4

Touka takes Kaneki to meet Uta on a Saturday (Ch 11)

As seen on Hinami's wanted poster in Ch 20, Ryoko died around 7:30pm on Nov 9

As stated in Ch 22, Kusaba was killed at 10:30pm on the 10th of the month.

Chapter 30 states that it's been about 10 days since Kusaba's death, which brings us to Nov 20, but given that its a school day I added 1 more day to make it Monday not Sunday.

In Chapter 33 Tsukiyama invites Kaneki on a "date" in 3 days' time on Sunday

I'm not entirely sure when Kimi's kidnapping and the resulting church fight happens. I think Kaneki says he's been staying days (plural?) in Anteiku after the restaurant ordeal, but visually it looks like its only been a single day? So its possible that might be pushed a few days further

December:

Kaneki's escape from Yamori is confirmed to be at 12am on Dec 20 (which is also his birthday). The other dates you can find by working backwards from this.

Yoshimura stated the CCG would need 18-20 days to prepare to raid Aogiri (Ch 66)

Banjou's escape plan needed to wait 5 days for the safest day, as of Kaneki joining them (Ch 55)

Kaneki was kidnapped in Ch 52, Ch 53 shows a full day has passed, up to 23:33 aka 11:33pm, which then transitions to Kaneki waking in ch 54 and being brought to Tatara.

My december estimates on the calendar are using the shorter estimate of 18 days (I mean, Hide did give the CCG the exact location of Aogiri for free so...)

[angelica-arcia]

REVENGE! That close up of Arthur is honestly the best panel here. excuse my garbage hand writing. @oneeyedsparrow

[ipsen]

the post-aogiri arc, summarized

[whichwoods]

if lucemond got together in high school i fear aemond would be that mean boyfriend who punts luke's stuffed animals off the bed

[frauleinandry]

been playing the AA investigations collection lately, and the sheer amount of joy i've been experiencing has really hammered home how much i don't care for any ace attorney game set outside the OG trilogy

[regina-del-cielo]

Se potessi tornare indietro nel tempo vorrei andare da Urbano Cairo vent'anni fa e vedere la sua faccia mentre gli dico che nel futuro la sua TV privata sarà il baluardo dell'informazione di sinistra in Italia

[thewertsearch]

I guess everyone is reacting to their parents' deaths in this arc. Dave's relationship with Bro has always been a little... complicated, so this should be a very interesting conversation.

TG: oh my fucking god […] TG: we just got done talking and agreed it would be awesome if you didnt bother me for a while […] GC: OH GC: TH4TS R1GHT GC: 1 FORGOT! TG: it was five seconds ago

Girl, get your damn timelines in order!

GC: D1D YOU LOV3 H1M D4V3? TG: no

I believe you.

There's something about the Strider brothers which I noticed a while ago, but haven't had the opportunity to talk about. This is the perfect moment to discuss it, though, because it explains a lot about why Dave is the way he is.

So - let's talk about the Strife fights.

When John first attacked his father with a hammer, I decided to roll with the assumption that this fight was symbolic, rather than literal. John loves his dad, and it can be safely assumed that he doesn't want to kill the guy.

Instead, this scene serves as a stand in for the familial strife between father and son. John finds his father's parenting style to be mildly frustrating, and their interactions sometimes feel like a fight to him.

Likewise, Rose (probably) isn’t actually going for Mom with those needles. Instead, their fight represents Mom’s 'ironic' negligence, and the gifts that Rose refuses to believe are from the heart. The Lalonde relationship is clearly more fraught than the Egbert one, but I don't think Rose actually wants to skewer Ms Lalonde.

Jade doesn't really fight her Grandpa, but their Strife clearly demonstrated how deeply in-denial she is - not about his death, but about the fact that her life isn't normal. She's desperately trying to have the same childhood that John and Rose are describing, but she can't, because she doesn't have a parent to bicker with.

Now, I'm sure you've guessed where I'm going with this. What, exactly, did Dave's Strife scenes represent?

Well...

...first of all, it's worth noting that Dave is the only Player to explicitly describe the events of his Strife to a third party. We've never heard John reminiscing about bludgeoning Dad, but Dave's constantly complaining about getting beaten up by puppets.

And - rather more worryingly - Dave is the only Player to retain his Strife injuries, even after this ostensibly 'metaphorical' fight is over.

In fact, one of those Strife injuries still marks him to this day.

The point I am obviously dancing around is that I don't think Dave's Strife was a metaphor at all. Unlike his friends, there's no pretense to these fights. They're literal. Dave's brother routinely attacked him.

Odds are, this was Bro's way of 'preparing' Dave for the game he surely knew was coming - but you don't need me to tell you that he took it way too far. The guy might have been Dave's assigned Guardian, but he really shouldn't have been raising anyone.

[caligvlasaqvarivm]

Why the Alpha Timeline is the Alpha Timeline

I figured I'd make a post, since it's pretty subtle and I think it genuinely passed a lot of people by? Homestuck is made up of a lot of words, haha.

The alpha timeline is described by Doc Scratch, functionally, as "the timeline that causes LE to exist."

The path which alone has my absolute mastery is the alpha timeline, a continuum I define as that which boasts exclusive rights both to my birth and to my death, two circumstantially simultaneous events.

Aranea also gives the explanation that the alpha timeline is the one where reality is perpetuated.

AG: Reality itself is using you and many others to propagate its own existence. Strictly speaking, there is only one path to its successful propagation. 8ut it still permits you to make choices.

Caliborn also states that his quest as a Lord of Time is coming to terms with the inevitability that everything, ever, in all of time, will be because of him - that he'll be the one to shape it, including the circumstances of his own defeat.

uu: AS A LORD OF TIME. I THINK I'M GOING TO MASTER TIME. NOT WITH MY BRAIN. WHICH WOULD BE TOO HARD. BUT WITH MY INSTINCTS. uu: LIKE IN A WAY THAT WORKS WITH MY NATURAL IMPULSES. SUCH AS MY AMBITION. MY WILL TO COMMIT MAYHEM. MY DESIRE TO PUNISH THOSE I DESPISE. uu: SO IF I WANT YOU TO BECOME STRONG. SO YOU CAN CHALLENGE ME LATER. AND I SEE EVIDENCE. THAT YOU PROBABLY BECOME SUCCESSFUL. uu: I THINK TO MYSELF. WHY SHOULDN'T I BE THE ONE TO MAKE THAT HAPPEN? IF IT'S GOING TO ANYWAY. uu: I THINK PART OF MY PERSONAL QUEST. IS TO BECOME AT EASE WITH THE FORCES OF INEVITABILITY. uu: INEVITABILITY THAT ALL THINGS SHOULD AND WILL FALL IN MY FAVOR. THAT ALL CAUSALITY ANSWERS TO ME. AND THAT ALL OUTCOMES NOT ONLY SERVE ME. BUT CONSIST OF MY BEING. uu: SO I FEEL THAT. THE MORE I GROW IN POWER. uu: THE MORE STUFF IT SHOULD TURN OUT I AM RESPONSIBLE FOR. uu: UP TO AND INCLUDING. EVERYTHING THAT EVER HAPPENS. uu: EVEN IF IT HAS TO BE. uu: RETROACTIVELY.

Aradia's stint as stewardess of the afterlife is explicitly described as "service to the lord of double death," and Dave explains that he acts instinctively - like Caliborn does - to fulfill the conditions of the alpha timeline. It's also worth noting that their classes, Maid and Knight, are roles that directly serve a Lord in the real world.

TEREZI: LUCK1LY YOU M4K3 4N 4DOR4BL3 H4NDM41D TO TH3 M4ST3R OF D34TH, 3SP3C14LLY 1N YOUR CUT3 CH3RRY P1X13 3NS3MBL3 ARADIA: you think so?

GG: well youre from the future right? GG: dont you know already if itll work? TG: yeah more or less TG: i never really studied how it went down all that closely TG: i just figured when the time came to sort it out the right thing to do would be obvious TG: like it is now TG: managing the loops is a balance of careful planning and just rolling with your in the moment decisions TG: and trusting they were the ones you were always supposed to make TG: by now im pretty used to having my intuition woven into the fabric of the alpha timeline

I'm starting with all that so I can explain that the GAME OVER timeline doesn't end when the time players disappear from it, like doomed timeline offshoots normally do, because it IS the alpha timeline: the sequence of events that causes GAME OVER to occur is the sequence of events that Caliborn/Lord English have chosen: one where (nearly) everyone dies, all hope of victory is lost, and his servant, the Condesce, gets to claim the Ultimate Reward, perpetuating the same misery and oppression in the new universe, and presumably all universes to come.

We see from Caliborn's chess match with Calliope that his (and by extension, LE)'s modus operandi is to follow the rules to the letter, while manipulating his opponent, tricking them with "shitty twists". It's always been explained that LE's actions have been "sanctioned by paradox space," that is, everything he's doing is explicitly allowed, nothing he's doing is against the rules - including the fact that he must be defeated. He has, via his mastery of time, perfectly engineered a situation where the only viable reality is the one where yes, he IS defeated... in the dream bubbles, by the dead and doomed, whom he sent to the dream bubbles in the first place via Condy, Jack English, and all the other boss fights. And his will, his ideals, are imposed on the new universe in spite of his defeat.

In a completely Watsonian read of the text, Lord English is an incredible villain because - subtly and unsublty - he IS basically responsible for every bad thing that ever happens, ever, to everyone. He has legitimately been the puppetmaster pulling the strings the entire time, pretty much all because Caliborn is a huge asshole who loves to hurt other people, and wants to do it as much as he can, to as many people as he can, for as long as he can.

But I think he's especially interesting through a Doylist perspective, through a reading of the text as a coming of age. Homestuck is a worth riddled with theme and symbolism, and thematically, Lord English represents everything that these kids need to overcome in order to mature into kind, empathetic adults who will be one day responsible for the care and oversight of a new universe. He represents selfishness, sadism, greed, destruction, oppression, fascism, murder, genocide, and hatred. And also literally the patriarchy.

And, you know what? Don't take my word for it. Here's Andrew Hussie's commentary from Book 6 Act 5 Act 2 Part 2:

Much of the logic [for who contributes to Lord English] orbits around these negative traits associated with men, or more specifically, the “toxically masculine” aspects often linked to certain male personalities. Dirk has a lot of these traits, which are central to Dave’s feelings of tension and abuse concerning his bro. The intellectual aggression, the power of assertion, the knowitall-ism, the mansplaining. That’s a lot of Dirk stuff when he’s at his worst. Equius shares a lot of those traits too, with some different points of emphasis. Both of them have this creepy-guy streak running through them, with strange or offputting interests, and seem to get a quiet kick out of making others uncomfortable through demonstrations of these fascinations. They are actually pretty similar characters in this way.

He's invited into the trolls' universe (and, by extension, the kids' universe) via the Dancestors, in an original sin kind of way. I'll let Hussie explain on their Formspring (emphasis mine):

We learn more about the troll race, as a once peaceful species and such before kid-ancestors as players scratched their session, though the short term relevance of this is mainly as a preamble to Scratch's religious story. Establishing an Eden-like paradise from which there is some departure through sin is sort of the boilerplate basis for religious lore. ... The failed players from peaceful Alternia made a classic "deal with the devil" move by causing the scratch after being given a choice by the mother of all monsters. (Echidna. Hey, she's a big snake!) By doing so they brought Scratch into their universe, and therefore all the things you'd expect that comes with summoning the devil.

The Dancestor's "departure through sin"? It was the fact that they couldn't get their shit together and grew up inside the Medium. That's why they're the age they are, 9 sweeps - adulthood by troll standards. They aren't kids anymore because that's the ultimate sign of having failed to do a coming of age. Symbolically, the Dancestors represent a prior generation of grown-ups that fucked everything up, leaving a huge mess for their descendents to clean up after. In fact, Doc Scratch even describes the alternate choice Echidna gave them:

The heroes could either accept their defeat along with the extinction of their race, and put no others at risk.

In other words, they could have stopped LE if they'd simply chosen not to Scratch. But once more, in line with their behavior up until that point, they chose the selfish option, and bore descendants into the world they ruined. They're immature, nasty, mean-spirited, cruel, callous, and shallow on purpose, because their role in the story is antagonistic. They're aligned (even if unwittingly) with Lord English, as they're the ones who directly invited him in via their failure to grow the fuck up.

There's also a reason why SBURB/SGRUB directly tie achieving godhood and reaching the Ultimate Reward to planetary quests fundamentally designed to help children mature. God-tiering is supposed to come at the end of one's quest, as achieving it directly teleports you to the Battlefield for the final boss.

AG: I really think how successfully they mature is tied to success in the game. It challenges the players in all the ways they need to 8e challenged to grow, which is different for every individual, and veeeeeeeery different for every race. AG: I don't think we were so hot at that aspect of the game. In fact, I'm sure we were quite awful. Hell, even I wasn't that gr8 at it! I actually just kinda fell ass 8ackwards into the god tier, to 8e honest.

And there's a perfectly functional Watsonian explanation for this - in order to increase the odds that the new universe will successfully propagate new universes, it's ideal to leave it in the hands of kind, mature people. But the Doylist explanation is, again, even more interesting.

Hussie has spoken extensively about the comic having always been about two things at its core: first, a creation myth... and second, a coming-of-age. These are complimentary themes, as Homestuck also makes statements about society and its effects on kids. In the real world, the kids of today become the voters, revolutionaries, and lawmakers of tomorrow. In Homestuck, they create, and are responsible for, a new universe.

I always saw HS as an exploration of young people developing relationships over the internet […] There’s a lot more to HS than just that obviously, but if there’s anything which it’s been about through and through, it’s modern kids relating to each other from afar, developing as people and growing up.

In fact, all the initial kids' entry artifacts are metaphors for "departures, loss of innocence, and sometimes the journey from childhood to adulthood outright." John biting an apple, symbolizing the act that cast Adam and Even from Eden. Rose breaking a bottle, the act of christening a boat, and an item integral to the main means by which she relates to her mother, alcohol - an adult substance. Dave hatching an egg, literally the act of bringing new life into the world. Jade shooting an effigy of her dog, both symbolic of Old Yeller, and of breaking a pinata, an act often done at quinceneras.

There comes a point in childhood where the child stops being a child - the safe, familiar, comfortable world that they knew stops existing, and they can never get it back. They are thrust into a world that is alien and massive, and forced to grapple with the weight of their future duties. They deal with losing their guardians and finding direction in their absence. They must decide how they want to grow up, and then are responsible for shaping the society that comes after them. In other words, SBURB/SGRUB in this metaphor represent adolescence.

Within that context, God-tiering is actually interesting because it symbolizes adulthood - a semi-permanent state that a child is supposed to reach at the end of their SBURB/SGRUB journey. And, in fact, it's treated that way - none of the characters reach god-tiering the "proper" way... and of our god-tiered characters, nearly all of them have some sort of emotional struggle with growing up too fast. Vriska with the expectations of her shitty society, Rose with her emulation of her mother, Dave with his abusive brother, and the Alpha kids with substance abuse (the jujus) and romantic drama.

Anyway, sometimes when Mario's running sideways he gets a star that makes him magic and invincible. OH. YOU MEAN HE BECOMES TRICKSTER MARIO. Yes, but less stupid. So for a while he becomes flashy and hyperactive and nothing's challenging anymore. He just starts barreling over mushrooms and leaping over pits as fast as he can, then gets to the end and jumps on the flagpole and that's it. Mario "wins". But the point is, he didn't really win. That magic star was actually devastating to his development as a human being. WHY. Because he skipped over many critical trials on his spiritual journey. Mario NEEDS to stomp on all those mushrooms. He NEEDS to bonk those bricks with his head, for the sake of his personal growth. By using the star, he is denying himself many powerful moments of catharsis.

Like... I dunno... seems pretty blatant to me!

So with Homestuck so firmly being a coming of age, and with the Dancestors - whose primary failure is that of unrelenting immaturity - being cast in an antagonistic role, doesn't that make Caliborn's position of ultimate final boss extremely fitting when we take this conversation into account?

You may be destined for bigger things, but you’re still an atrocious, stupid child. And you may have won the “game” with your sister, but that doesn’t mean it was the best thing for your development as a person. You had her dream self killed, which is not an opportunity your species typically gets. So she died prematurely, instead of allowing the conflict within you to settle itself naturally. In short, you forced your predomination to happen a little too early, and now you’re stuck. STUCK? Yes. Your personality is stuck in some sort of cantankerous prepubescent limbo. You are going to be a stunted, miserable tool forever.

He's literally a child who chose to stunt his own growth so that he could reap all the game's rewards for himself. Someone who so stubbornly desired the selfish, greedy, and immature option that he was willing to hurt himself to achieve it. Caliborn - and by extension, Lord English - is a direct symbol for the refusal to mature, to be kind, to care about other people. By including Dirk, Gamzee, and Equius at their worst, he also comes to represent misogyny, toxic masculinity, the patriarchy. He's the Condesce's master, and so by extension, he represents fascism and oppression; as Doc Scratch, he gets off on abusing girls, and so he also represents predators and abusers. And his goal is to perpetuate himself, his ideals, what he symbolically represents, down every successive generation. Much like how these cycles of abuse and oppression seek to perpetuate themselves in the real world!

And that's why the alpha timeline, the GAME OVER timeline, is the way that it is: it's one where Lord English WINS. In Lord English's version of the story, everything is fucked up forever. He might be defeated, as is the timeline's inevitability, but his politics, his bigotry, and his ideals live on.

Except.

Our Breath player gains a power that literally unsticks him from time.

Now, personally, I don't believe that the ending we got is the one that was originally intended. I don't feel the need to elaborate upon that here, but suffice to say, given how clearly and consistently these themes are set up throughout the entire rest of the comic, it just makes sense to me that the ending we got, where characters stay dead, never finish their character development, etc. etc., is a MASSIVE tonal and thematic departure, which smacks of external pressures and influences. Everything after [S] GAME OVER is soft canon to me for this reason. But there's things that survive in it that are really really interesting, so I'll mention some.

First, the pre-retcon versions of the characters still exist, as we see from (Vriska). That means that everyone who died in GAME OVER would not necessarily have stopped mattering to the plot. I firmly believe that the original ending would've seen Lord English confronted by the GAME OVER (characters), who would also have the most karmic claim to beating Lord English's face in. This would also satisfy his whole deal of playing by the rules - he knows he HAS to be defeated, he just gets to choose the circumstances of his defeat; without realizing that John's retcon powers can rewrite a timeline, he would've set up his own death to be in the bubbles, at the hands of the already-dead, while Condy claims the Ultimate Reward - thus making it so that he still wins in the end.

But Breath represents freedom, choices - and the retcon powers are something John gains mastery over after completing his personal quest, which we've established is directly tied, both literally and symbolically, into growing up and maturing. By becoming a kind, empathetic, mature adult, John is able to choose something else.

Second, that the Ultimate Self is brought up at all, which seems to me like it would mitigate the bittersweetness of the (characters) from GAME OVER staying dead - because, in my head, the original plan for the retcon was that it would bring everyone back, and therefore, all the (characters) from GAME OVER would live on through the surviving post-retcon gang, who will eventually achieve Ultimate Selfhood, as Davepetasprite^2 says they will. This would also directly mirror the words Godtier!Calliope gives to her counterpart:

CALLIOPE: bUt then... CALLIOPE: what shoUld i do? CALLIOPE: you don't need to do anything. CALLIOPE: be who you've become, and who i didn't. CALLIOPE: consume the fruits of an existence i could never understand. CALLIOPE: live.

Third, there's just so many outstanding plot threads, even for the characters that DO survive. Jake's prophesized to defeat Lord English, Dave never actually gets over his hesitance about time travel and defeating Lord English, Karkat has multiple means of bringing his dead friends back to life and doesn't say anything, Vriska and Terezi still aren't 100% reconciled, Gamzee's tragedy is never addressed, Jane, Dirk, Jake, and Roxy never really figure out their situationship, etc. etc. etc. ... to say nothing about all the plot threads left dangling for the characters that stay dead.

And finally...

Isn't that just kind of a better story? One where the kids get to grow, change, learn from their mistakes, and create a better, kinder universe, after defeating the avatars of cruelty, oppression, and immaturity?

Is it just me? Haha.

[lovl3igh]

"they made greens worse in show to push blacks agenda" "they made blacks worse in show to push green agenda" truth is they made daemon and viserys worse and greens are now arouse sympathy and rhaenyra is made more soft and all that destroys mostly female characters and is for more drama and to push whole tg vs tb thing for bigger marketing while saying that's not what we supposed to do (season 1)

and yes, greens are worse in the books, making alicent innocent in the beginning and stating murder of luke as accident was to make them look better. and yes daemon was more "grey" character in the book, while in show almost every scene who was supposed to make him look like good father, husband or just vulnarable guy was cut out or belittled, his relationships make him look like bad guy - killing rhea, admitting to not fully loving laena, abusing nyra - instead of book!daemon who is against everyone but his family (except of green side), there's show!daemon who goes against his family or ignore its' members. and yes there are things when the greens are shown worse than in the books and black better than they were written

but changing ages of characters harms team black only. and since there's many changes of those and that's of many important characters it DOES make team black look worse and makes team green victims

1. alicent instead of being adult woman going against little girl (alicent 18yo and rhaenyra only 9) is now teenager sexually abused by viserys who is even older than her in the show than in f&b. being rhaenyra's peer - and her former friend - also changes the dynamic because now people claim rhaenyra caused break up of their friendship as if she wasn't just suffering 14yo. no, alicent is no more adult woman climbing for power and acting against child, it's a teenager abondoned by her best friend after being force into relationship with much older guy

2. jace, luke and dragon twins aged up - now in book it was 10yo aemond who attacked 3yo joffrey and then fought 4yo luke and 5yo jace*. in the show 11yo (according to s2 timeline) aemond is fighting four kids in the age from 8 to 10. so he doesn't attacks children at least 2x younger than him but is jumped by almost his peers. poor aemond, right?

*before someone say "jace was 6 and luke 5" - jace was born in late 114 AC and luke in late 115, meanwhile laena died at the beggining of 120 AC, which makes them 5 and 4 years old respectively

3. we don't have actual age of twins but looking at actors' ages, jaehaerys and jaehaera were 4, maybe 5 years old, tho in s1 they looked like toddlers. now it's not a big book to show change, 6 to 4yo, but it still look kinda worse to murder boy who barely stopped being a toddler than 6yo

4. daemon fell in love with laena when she was 22 (!!!). she wasn't a teenager. she wasn't also 12yo when offered by her parents to viserys. making her younger in the show made daemon, corlys and rhaenys look worse than in f&b (the only person who looked "better" - there's no good word for that i'm afraid - in that situation was viserys, who decided to marry 15yo and not 12yo. good for you, pedo?)

5. joffrey being 6yo with baby dragon makes rhaenyra look worse and like an oathbreaker. sending baby dragons to the vale instead of dragon who can at very least carry his rider doesn't look cool even though was funny for a second, because she technically didn't break her word, she DID send a dragon, even two, but that was a loophole

6. not exactly the same but - fabien frankel and matt smith' casting. i'm not saying they don't play their characters well or anything. that's not the point. the point is that fabien was born in 1994, matt smith in 1982 and milly alcock in 2000. there's 12 years age difference between fabien and matt but between cole and daemon is supposed to be only a year. now daemon is still called a groomer and cole is not because he is played by a guy only 6 years older than milly. and there are also people who now call him a victim and not rhaenyra

so yeah, i don't really wanna see anymore how much blacks look better in the show than in the book and greens worse... because that's not true. yeah, there are things done that make tb look a bit better but the show started with making the greens victims they weren't at all in the book and a lot of that has to do with ages changing

[justenjsdoodles]

Roughs for a TGS animation I’m working on!! Based on the drawing under the cut :)

I’m still a newbie to animation so if anyone has any criticism or tips let me know!! (Also pls ignore the timeline for the frames, I’m still not used to using them and I’m pretty sure it doesn’t make any sense)

[badlydrawn-brostrider]

TG: uh... TG: ...dirk? TG: what the fuck-

@badlydrawn-alphadave

BRO: Well you ain't wrong. Definitely ain't your Dirk, though.

BRO: Not my D either, guessin' you're from a different timeline. Christ, I just can't catch a break can I.

BRO: I'm guessin' this is your first time meetin' an alternate version of your kid? Get used to it, you're gonna see a crap ton of the fucker runnin' around.

BRO: Call me Bro. Nobody really calls me Dirk anymore. Feels fuckin' weird.

[stewieonthewall]

Alright i’m putting down my official timeline

2017: met and became bsfs

2018-2021: imma say summer of 2018 is when they started being fwb based on what we now know and remained just that until late 2021

Late 2021/early 2022 to present: officially dating

I know there’s a bit of debate on when they became official, and that the other theory is august/sept 2022 after p got injured but i always think back to mackenzie’s “chill people girlfriends are on this app” comment so i really do think they were already official by early 2022

Anyway none of this is that groundbreaking since i’m assuming this is what a lot of people prolly think. And i just don’t think they would have been serious in high school (as much as i’d love the idea of high school sweethearts, i think they really were just messing around pre-college).

Also, i do believe they’re very much tg rn, like everything we’ve seen in the past year, heck in the past few months seems to indicate that and them at draft night just kinda sealed the settled ma and pa vibes ya know 😅

ok speak your truth anon!!

see i was gonna say i disagreed w when they became official (believer of the post-injury theory) but i def see the vision w the gf comment now that you say it

like if my friends were in this weird fwb-but-definitely-strings-attached situation, i would not be throwing the word “girlfriend” around within 500 feet of them

so you’re making me think they were either still super casual at that point or already tg, and tg seems more likely to me

and yeah everything else is pretty standard assumptions w them but i think you got it!

[shadaofallthings]

An Alfabusa Fan's Retrospective

So, lets start out easy with where I started: Like many people it was with "If The Emperor Had A Text To Speech Device". The first few episodes really betray how it all began: A bunch of /tg/ nerds (or at least /tg/ adjacent) fucking around making in lore jokes about how pissed the Emperor would be. You can tell very quickly though that something changed. They stop using slurs by like the 5th episode (or at least real life ones that still are being used to harm people). And then eventually all those bits of "Haha gay people" were recycled into a slow burn, likely gonna be tragic arc of two people who never had a chance to be together falling for each other. And of course, the custodes being given the "Its not cause you are gay, its not even cause you like showing your muscles off, its cause you are an asshole" treatment". It was fun to watch this silly parody turn into a real plot that wanted you to take it at least somewhat serious. It was also honestly pretty touching to see the creators become more aware people and to see things previously used for cheap jokes turn into real drama, instead of just a bunch of jokes where the punchline is a slur. And then there's Hunter the Parenting. See, TTS was in a lot of ways a test run. It might not have been that originally, but it was where a lot of the growth as artists that the crew went through happened. It was also their test run for making things bright and cheery and even fun without qualifier in a grimdark setting. But Hunter the Parenting is what they made with all that knowledge already in the bag. And WOW does it fuckin do it well. Its got action, mystery, intrigue, interpersonal drama, a canon gay couple who are totally not Kitten and Magnus made into normal people and who are canonically gay at each other in the first episode. Its also one giant mess of WoDfans kinda knowing what's happening behind the scenes and the authors making it even more fun when they give us more hints that imply its way bigger than what we began to imagine. There's something for everyone, aside from the homophobes, and that's beautiful in my eyes. And then there's Zero Viscosity. The Halflife Fanfic I didn't know I needed but now am excitedly wanting more of. They got the vibes down perfect, they know more lore than I ever will about that series, and they are having fun with the narrative sandbox that valve constructed for themselves. Its deeply fun to see the differences in perspectives at play between characters, and that punkish vibe of a bunch of weirdos society would reject under any other circumstances slowly finding themselves in situations where heroism is necessary.

Over all, Alfabusa content has been a wild ride where the people behind the name seem genuinely interested in being better people and making better and better work. It shows in the timeline of their work clearly, and I am excited to see where it goes in the future. They are some of the few creatives that can immediately and heavily get me invested in something new before I even see it and its cause they simply do not fucking miss with their core shit, and even when they miss with the peripherals they always try to make up for it. The list of people who can say that in my mind is fucking tiny and they are up there on it.

[frootytootyyy]

Some of my predictions before Arcane s2

Jinx is on an air ship (she has had an airship theme and said she would ride one in act 1) either she got another or turned her workshop (an inactive airship engine) into one?

Caitlyn and Vi kissy kiss. BECAUSE YES

and Jinx and Ekko team up AND I HAVE PROOF bc he has an X on his shirt

i think the bag that Jinx is running with is Sevikas arm but maybe its pow pow because Vi broke it in the trailer?

Isha is Jinxs child. TRUST. and then she understands Silco or Vander?

also, NO. THE GINGER NEXT TO THE ENFORCERS ISNT MARCUS’s DAUGHTER OK SHE WAS LIKE 7??

also cool parallel between Powder and Ambessa

and since Caitlyn is vulnerable after her mother.. eh yk i predict Ambessa will exploit this and use her to fight zaun and yadda yadda

also i swear jinx got a Vi tattoo pls IT LOOKS LIKE IT

timeline predictions

i think a1 will just be the aftermath of ep9, and maybe Vi will do her pit fighting then. or she does it after being an enforcer or after realizing Caitlyn changed and thats why she hallucinated *old* Caitlyn. a2, enforcer time and a3 is when jinx bombs Piltover and stuff? and when we see vi and Ekko working tg thats either in a3 bc Vi realized Caitlyn changed (sorry for repetition) OR its in a2 before her enforcer arc

also predict vi kills Warwick bc we don't rly see him in many trailers. i also saw something that said ‘act 2 father vs daughter’ so it could be in a2 after being an enforcer? though, that doesnt make a lot of sense? OR vi is an enforcer then a pit fighter then she teams with Ekko in act 3 AYYY i’m a smartie

WAIT update so i theorize Vi is pit fighter to an enforcer to the sheriff bc in her black outfit we see her silver badge but in her blue enforcer outfit shes got a gold one OR shes an enforcer after shes the sheriff bc in LoL Caitlyn is the sheriff and id assume we gotta make way for that or maybe an enforcer to a pit fighter to a sheriff or other way around but probably not THIS IS CONFUSING AND IM NOT MATPAT

lets see how many of these are right…

[youokaybucky]

MOTA/TG'86 crossover headcanons that nobody asked for...

I've kind of focused on clegan and icemav here cause I'm insane about both, and don't focus on a timeline cause there isn't one.

Bucky and Mav doing really shit but enthusiastic karaoke together while Buck and Ice watch them like "They're idiots... but they're our idiots."

Bucky choosing Blue Skies as their first karaoke song and Mav choosing You've Lost That Lovin' Feelin' as their second

Mav will be tiny next to Bucky so I want a friendship where Bucky just comes up behind Mav and picks him up for the hell of it and Mav always protests (think Bucky and Curt)

mota boys vs tg '86 boys in a beach volleyball tournament can I get an amen (they are all legally required to be shirtless)

Gale and Ice bonding over being nerds (affectionate)

Ice taking Gale up in the RIO seat of an F-14 so "I wanted to be a fighter pilot before I fell in love with the big birds" Gale can experience flying in a fighter jet

Someone calling a "bike race" and Mav turns up on his Kawasaki like "oh you meant bicycles" (Bucky proceeds to beg Mav to let him have a go, Buck knows there are a million ways this could go wrong)

Mav talking/bragging about being infamous for "buzzing the tower" and cause Bucky knows Gale won't say it, he starts telling the story of "no engine Cleven"

What inspired this post below the cut:

[delicate-dollies]

was trying to make my own jekyll and hyde design ik they dont fit as much for the timeline in the original story BUT I WANT THEM TO LOOK SUPER CUTE SO UM i need to fix jekylls general personality though just cause i dont think its entirely accurate to the book ill have to read it again teehee

also if it isnt obvious i was inspired by the tgs version of jekyll and hyde because i like those colours hahah