#talk to me about worldbuilding

[transcendragon]

I'm adding new art to my Redbubble again! I'll probably add more soon. As the holidays are coming up you might want to check it out, especially if you're getting gifts for anyone who's nerdy and/or LGBTQ+ (and this is tumblr, so you probably do). It has notebooks, mugs, clothes, magnets, pins, coasters, and more with my art!

Here's some of the new art I recently added, please feel free to request that I add any piece of mine to Redbubble that you like!

[jvlianbashir]

"the creator said in a reddit thread -" "the official twitter account posted that -" "the actors confirmed in a livestream that -"

i don't care and that's not real to me. put it in the text.

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[regheart]

there's something i find particularly annoying in this fandom and it's the way purebloods are written as highly sophisticated extremely rich and straight up a rip off of regency period novels

i understand the choice of this specific portrayal, i can see it as an approximation to historical drama, where the social restrictions are compelling and are relevant to the story, and a good writer can make any concept believable and good

HOWEVER as much as the worldbuilding on wizarding costumes (and a lot of other things) is extremely inconsistent and gets progressively worse towards the later three books, the implications that i see don't point towards this version of a sophisticated performatic elite who interacts only with itself

while i tend to see the blood status in the harry potter universe as a distinction of class and not at all a distinction of race, i don't think the difference is, in practice, as marked as it is in real world contexts, mostly because of how numerically small and insulated the wizarding community is

this post is part of my personal vendetta against purebloods as charming aristocrats & what appears to be the necessity of writing each and all of them as so very well spoken and politically savvy and never-caught-dead-speaking-to-a-half-blood

for once, the sacred twenty-eight is extra canon information and is disputed IN UNIVERSE, because it was anonymously published and received backlash for the inclusion (weasley, ollivander) and exclusion (crabbe, goyle, potter) of certain names

the malfoys are the only extremely rich family we see in canon. extra canon information tells us they made money before the statute of secrecy by trading with muggles

compare that to the potters who are also very rich (there's no scale to tell us who is the richer family), but made most of their money from the invention of sleakezy in the 20th century

the blacks are also implied to be wealthy: sirius manages to live off his inheritance after buying harry an expensive broom, and he says his grandfather likely paid for an order of merlin

there's a lot to be said about the blacks (e.g. they should have at least a couple more properties other than grimmauld place), but the big picture and the similarity with the gaunts (not about the incest, stop fixating on that) suggest they were a family in decadence by the time sirius was growing up

i believe that the implication is that neither of them had a proper job, which creates a similarity with gentry, but gentry lived off rentals and while it is possible they had a country state i don't think grimmauld place was making a lot of money

lucius malfoy also didn't work and spent a portion of his time being a school counselor (and obviously not being paid for it, as it was a way to exercise his political power over the main learning institution in his community)

it's also extra canon that the nott family had equal footing with the malfoys, so we can assume that crabbe, goyle, parkinson and bulstrode were slightly beneath them, either in social standing or money, despite the later two being part of the sacred twenty-eight (or it could appear to be so because pansy and milicent are girls)

the weasleys are obviously the main example of a poor sacred twenty-eight family, as were the gaunts

the crouch family was most like rich (they could afford a house elf), but it's likely that most of that money came from mr. crouch having a high level ministry job. his family and connections were probably an advantage to getting the job, but it's possible he wouldn't be able to maintain the lifestyle without work

longbottom, prewett and macmillan are families that appear to be very traditional, but not remarkably wealthy

other working members of the sacred twenty-eight are: horace slughorn (school teacher, but it can be argued that teaching hogwarts is a prestigious position), garrick ollivander (wand maker and shop owner, but, again, the only wand maker, which holds a certain prestige in itself), mr. burke (shop owner), arthur weasley (ministry employee), frank longbottom and kingsley shacklebolt (both aurors). amycus and alecto carrow are also temporary hogwarts teachers

the blacks married out of the sacred twenty-eight many times (max, gamp, crabbe, potter)

all of these people and every single muggleborn goes to the same school, buys magical supplies at the same place, drinks from the same pubs, etc. that alone should serve as evidence that there aren't many exclusive pureblood hangouts around

the only place that seems to attract the malfoys (arguably the richest and most important pureblood family in the 90s) and not most other people, is the knockturn alley, which is hardly a high brow sophisticated spot

except for malfoy and flint, no slytherin quidditch player during the 90s is in the sacred twenty-eight, so that's hardly a criterion for making it into the team

mulciber is not a sacred twenty-eight name, they could very well be half-bloods

tom riddle and severus snape were half-blood students who formed ties with purebloods while in school and held blood supremacist views, assimilation to a certain level was possible

[chiropteracupola]

"...and Ardroy was a dragon's favourite if ever he had seen one. But then, Keith could not blame her."

Another illustration of Luzula's excellent Flight of the Heron/Temeraire crossover fic, 'The Flight of Dragons,' this time of Pràiseach and Ewen Cameron.

[tracklessreason]

Fallen a bit in love with the bittersweet idea of some bots being voluntary carriers (Carrys) during the war. All they do is try to repopulate.

Some of them enjoy the job, they want Cybertron to thrive and love bearing sparklings.

Others get too attached, they lapse into depression with each sparkling taken from them after birth, knowing they may never see the bitlet again, and the child may die a footsoldier before ever seeing peace on Cybertron.

It's a taboo job as well. Despite there being plenty of asexual reproduction methods, bots who take on this role are often seen as lesser, and derogatively referred to as "oil bots", the Cybertronian equivalent of hookers.

Best case scenario is being treated like a useful tool. You don't have the respect of an average mech, but at least you aren't viewed as worthless or used.

[she-posts-nerdy-stuff]

God I wish we knew more about Dunyasha

[emry-stars-art]

A first rough try at common upper class clothing for royal au Evermore and Palmetto kingdoms respectively! Featuring second King Ichirou and Lord Abram Minyard, naturally

[mohntilyet]

same anon, do not apologize about taking an excuse to rant because it was a very enjoyable read 👍 especially because i share similar frustration regarding the lack of lore on rivain and even less lore on the lords as a faction. My very first rook was a lord and it was honestly kind of a miserable playthrough roleplaying wise 😭 i think i only got like five faction related dialogue options throughout the ENTIRE game!!! That combined with rook acting like they dont know anything about their own factions or even their own nation was absolutely maddening… anyway whoops sorry for my own little rant

RIGHT.... you do not have to apologise either anon i am right there with you. the map surrounding rivain being so nothing is just insult to injury when 1) like you said, almost no dialogue choices, 2) jack all content because i was running around for 70 hours hoping to find decor related to them/finding none because there IS none/absolutely nothing in the lighthouse being customised as a result and 3) they have decided the only thing you get to say about being a lord is repeating their catchphrase like this shit is scooby doo

the art book also has some pages on the lords that gave me mixed feelings lol spread that i scanned under the cut

i really thought that they would lean into the "mix and match" thing especially because even when i was designing my rook pre release, i was trying to incorporate elements of this! i was looking at duncan's armor to try and patch together something that reflected rivain! but when the game comes out it's just. orientalist. and there's a bull on my crotch. even though the art book discusses this idea of the lords having patchwork armor that they've stolen or put together because they're so diverse. there's a few designs in here that i would have loved to see in the game with the more piratey longcoats and hats, and if they were going to draw inspiration i wish they'd looked more at mauritius and south india (kerala, tamil nadu) instead of . i'm not actually sure what the fuck they were doing here. my first thought when i saw the jewelry and design in game had been indigenous south american? but ofc the longer i looked the more i leaned away from that initial judgement and the more i got confused, and what little we know of rivain is obviously inspired by south asia (asha's maiden name being bahadur, bharv, hari, etc. but there's also mateo?) so i think it is the tried and true method white people looove to do where they mishmash cultures into one place and then get defensive when poc say "we aren't interchangable like that"

visually i think veilguard is so so successful in most cases with that consideration of shape language, colors, etc (though sometimes i think it goes too far. let the crows wear black again) but rivain/the lords is one of the weaker ones because i wish there was something specifically rivaini that tied it all together. like if dragons are found here (presumably. taash has a reputation as a dragon hunter. they would need to hunt dragons in rivain) then maybe scale armor as an identifier. or if rivain is known for pearl farming then it features more in their armor. or if the climate is hotter, so the fabric they wear would be linen and would actually cover more of their skin to avoid sunburn! or if they wear lots of blue, is that because they're a producer of that dye? just worldbuilding things like this completely ignored to make their main thing 'lots of gold and it should be revealing' and be weirdly racist/orientalist in the process.

[jesncin]

Thank goodness white martian and green martian live together in harmony in your comic. Not the stupid unbelievable thing about how green martian oppressed white martian treat them like second class citizen not perfect allegory of racism

Does green and white martian ever married to each other

Green and white martians can't become life partners. They're two different categories of martians (average martians vs cosmic martian). Since Mars itself creates white martians, there isn't an inherit need for white martians to have to procreate or have romantic relationships. A few white martians do make romantic connections with each other though.

and if they do you should!! Run immediately!!

[telesodalite]

I love the idea that, whenever a Cybertronian space-faring vessel lands or docks within a predominantly non-Cybertronian space station or port, that it's required that they either confirm or deny whether their vessel is sentient or not before being permitted to land.

1. For proper accommodation and clarification, along with the chance for communication between the vessel and crews working the station/port.

2. Because there has been... incidents... incidents that have led to the requirement of the above reasons.

[bonesdontmelt]

The world building in Toriko is legitimately so good, and the power crawl is I kid you not probably the best I have ever seen in a shonen and these are SO related guys

Like Toriko shows up and you know he and the others are the Four Heavenly Kings and you THINK this means they're the Most Powerful Dudes Ever right but turns out that, no, they're literally just the IGO darlings because they're a bunch of orphans raised in the public eye and they ARE powerful, regular people understand that, but people don't get that they're STILL the IGO darlings -- at the beginning of the show none of them would stand a chance against Ichiryu or any of the other higher ups.

They're still very much seen as Babies and this is driven in when they reveal OHOHO there's a whole gourmet world out there that most people can't survive five seconds in--and guess what the 4 heavenly kings are NOT among the number who can. Gives them a goal, something to work towards.

ALSO usually the worst thing to do in a fantasy world is start throwing arbitrary power levels on things (7 deadly sins, DBZ I am looking at YOU) but Toriko does it and it works because they give a basic, easy meaning for each unit (capture level 1 means it would take 10 normal people to get it or something) and then it sticks to that (I think the highest we ever see is the Final Boss of the manga with a capture level of 30,000 which is a ton but sure is evocative)

And this isn't just done with the fighter people either! Komatsu gets this just as much, and it's probably one of my favorite world building things because they use our knowledge of the real world against us as readers to achieve it. Komatsu is introduced as a cook in a five star restaurant and obviously we're like "aha so he's a very good chef" only to reveal several arcs in that, in this food-focused world, the cap is actually ten stars and Komatsu is actually a solidly mid ranked chef at the start.

There are so many more things because the worldbuilding of Toriko is in turns mind-blowingly brilliant and absolutely unhinged and I love that but basically they do an amazing job managing the audience's expectations by leveraging our knowledge of the real world and tropes commonly used in similar media to set up and then pulling the rug out from under us and I love it.

[bengallemon]

< It's cold. That's how night works. The beach you are on is not lightless. Like home.

< It was dawn before. When you woke. That's how time works. You did not understand where you were.

< It hurt to stand. That's how exhaustion works. You struggled to get up before beginning to wander further inland, to try and find home.

< The heat blinded and stung. That's how the sun works. You headed forward until you saw houses alongside the water and beach. Almost like home.

< There was movement ahead, people seeing and rushing forward. That's how life and curiosity works. They stopped when they reached you, extending their hands.

< However. The strange ones only had arms to reach to you for, only legs to run to you on.

< You extended out your limbs to them, opened your mouth to ask where you are, why you're on a beach you cannot recognise-

< They freeze. The people stop and draw their hands away, their feet already ready to run.

< They do not recognise you as one similar to their kind, their strange, four-limbed existence, their flightless lives.

< The strange ones panic. They speak static to you, rising to show how they are afraid.

< You continue to reach, to ask, to understand. The closest figure raises their fists.

< You scream and fall back. That is how injury and pain work.

< You.

< Turn. And run.

< You do not stop running. Not for a second. This is how fear works.

< ...

< It's cold. That's how water works. It splashes against you, over you, around you. It's.... comforting.

< ...

< You realise.

< You do not know where you are.

< You do not know how to get home.

< You cannot remember where home is.

< You....

< Cannot remember home.

< You are alone, without name nor family nor memory nor home.

< This is how life will work from now on.

[elbiotipo]

Question: he would the hair in cat ears work for catgirls? do they get the same hair covering the ears as the rest of the head or would it be shorter for the ears only? if a catgirl has long curly hair, is the hair covering the ears also long and curly?

I would have to research that, but given I have a research subject next to me (my cat) cats do seem to have shorter hair in their ears by default, which makes sense because ears are well, ears, and they need to be mobile and clear of obstructions.

You can see here that this cat (not mine, he went away as I was writing this) has medium-length fur but the hairs covering the ears are rather short. It makes sense it would be the same for catgirls.

Now, does this mean that cat-people hair would be the same as their fur? Do notice that cat fur has a very different length and texture from human hair in that human hair doesn't have that layered thing that makes most mammal fur, individual hairs are also much longer. Furthermore, humans are WEIRD, just plain WEIRD in our hair distribution. No other mammals are like us, there are certainly hairless mammals, for sure, but the human distribution of hair is very much unlike other primates, with our hairy heads, stomach/pubic areas, beard and armpits, while those are usually bald in other primates. There is still considerable debate on the evolution of hairlesness in humans, from endothermic regulation (better sweating) to sexual selection (which might explain the persistance of, well, hair and body hair instead of complete hairlessness). What's interesting is that genes for a full fur (hair, I guess) coat in humans are still there, just disabled into vellus hairs which are a lot less prominent. If you want more on the subject, I warn you, it's a deep dive, but you can start in Wikipedia.

BACK TO CATS THOUGH, something that people often forget is that whiskers are indeed another kind of fur, but not only that, they are active sensory organs that take a big part of brains in many mammals. One we also lack. Humans are strange. But while cats can live without whiskers, it's still something very important to them. So I think that is something we forget about felines and feline characters.

It would also be a real interesting thing if cat-people had different hair, as in the thing in top of our heads (which seems to have evolved to protect our stupid big brains from the sun) similar to cat fur. Perhaps a catgirl would look pretty much human, but from touching the hair, seeing her eyes, perhaps even whiskers, you would see different stuff (assuming a fantasy or such setting). Given our genetics, it's not exactly implausible to have people whose fur just sticks to their hair and tail. It's just, well, I really need to make a post on this sort of stuff one day.

For a VERY fun deep dive into cat coat and eye genetics, I found this site full of deep explanations and charts about cat genetics. Including HYPOTHETICAL cat coats:

Honestly, don't miss it if you're doing cat-like characters. This is way more fun that just sticking ears and a tail and be done with it. Put the cat in catgirls again, that's what I say.

[dirwael]

thirteen really puts mc's death and the related angst into a new perspective... unless she tampers with their life candle, she's forced to watch as it slowly melts until the flame finally goes out. she'll likely be the first person to know of mc's death unless they're with others. but what will she do afterwards? will she get to handle their soul? will she let them go? will she keep them?

could she even revive mc?

[bruhstation]

special thanks to these pez dispensers for accompanying me during my stay at the hospital. glory to canada