#sure these panels are newer but I feel that it just shows what the character has evolved into | Explore Tumblr posts and blogs

ectonurites · 4 years ago

Note

idk how to quote tags on mobile where is the conner kent essay i NEED it

ALRIGHT OKAY! here’s 5k+ words plus panels & screenshots of me comparing and contrasting the two drastically different versions of Superboy (comics vs young justice cartoon) and going over what makes them such distinctly separate characters. someday i’ll refine this a bit more its kinda just a word dump that’s been living in my brain that i wanted to actually articulate after i read through Reign of the Supermen but here we go:

Pretty frequently I see the question “Why is Superboy so different in the Young Justice cartoon?” float around in DC circles. I think there are two main approaches to answering this:

Why did the writers of the cartoon decide to create a very different version of Superboy?

What factors make this Superboy so different from the comic version?

For the first approach the answer is relatively straight-forward, from the start Young Justice as a cartoon was never meant to be a direct adaptation of the comics. They just used the title and a few elements so they could create their own approach to the DC universe with a focus on younger heroes. For example, Artemis Crock in their show is also COMPLETELY different from her comic counterpart, Zatanna is aged way down to be a member of the teen team, and Kaldur’ahm was created for this show (and integrated into the comics as Jackson Hyde). They were always trying to do different things than the main comics universe, so them making a different version of Conner also makes sense. Their approach to him is also very clearly influenced more by how he appeared in the Teen Titans comic run that was still coming out as Young Justice started airing (his design, and some other elements we’ll discuss along the way), as opposed to his original version from the 90′s/the Young Justice comic.

So the basic “why” is that from the start they wanted to create something unique to their universe, which they definitely did accomplish.

The much more interesting subject to dive into, though, is looking at the differences in Superboy’s story that contribute to him becoming such a different person.

The drastic changes made to the following factors are what I view as the main source of his differences in personality/outlook/characterization:

The conditions and history of the world at the time he is introduced

The circumstances around him being introduced/leaving Cadmus

The reaction Clark has to him and how their relationship starts

The people he first interacted with & became close to, and how he interacts with the world

The timing of him finding out about his connection to Luthor

The State of the Worlds

In the comics, Superboy is first introduced in Adventures of Superman #500 by iconically saying “Don’t ever call me Superboy!”

during a 1993 event called “Reign of the Supermen”, a follow up to the 1992 event “The Death of Superman”. Based on the title of the 1992 event, I think you can, uh, guess what one major difference in the setting here was vs. the state of the world at the time he was introduced in the cartoon. Obviously Clark didn’t stay dead forever, but Superboy first comes onto the scene as a young clone of Superman who insists he is the new Superman (one of the four characters trying to do so during the event). This is in the main DC universe in the early 90’s, which means that heroes in general, including teen heroes, aren’t a new thing! Not only has the Justice League been around for a while but so has the Teen Titans. Once Clark is alive again, Superboy goes off on his own to establish himself as an individual teen hero.

So how is that different in the cartoon?

In the cartoon, Superboy is first introduced in the pilot episodes “Independence Day” and “Fireworks”

on the 4th of July in (what most people consider to be) 2010. This was supposed to be the day that Robin (Dick Grayson), Speedy (Roy Harper), Kid Flash (Wally West), and Aqualad (Kaldur’ahm) would get to see the true Justice League HQ at the Hall of Justice, which... doesn’t go exactly as planned.

In this world, superheroes are a newer thing, this is something that the creators have talked about before. At this point, while there is an established Justice League, there are no known teams of teen superheroes. Just the fact that as of season one Dick Grayson is still Robin is a pretty good indicator that this world is early in it’s time with a Batman. Now, the sidekicks aren’t a secret, as they appear very publicly in this first episode, but they are almost always seen acting with their mentors at this point. Again, there is no Teen Titans in this setting, and there never has been.

So when they do form the first teen hero team? It is kept covert-ops. They do not publicize that they act as a superhero team, and the members who weren’t already publicly known heroes (mainly Miss Martian and Superboy) end up being pretty… unknown to a lot of the world outside the hero/villain community! Again their existence is not strictly kept a secret, but they keep the fact that there’s a team of minors who are heroes going on independent missions VERY under the radar on purpose. Thus, those who aren’t going around doing super public hero activities just don’t have nearly as much of a presence.

So to summarize:

In the comics, Superboy is immediately put in a spotlight (he befriends a reporter and is all over tv and literally trademarks the name Superman) becoming known to the world and establishes himself as a solo acting hero YEARS before joining any teams.

In the cartoon, Superboy is kept relatively out of the spotlight, immediately becomes part of a covert-ops team and doesn’t act solo very often. The well known teen heroes in this setting are sidekicks working under a mentor, and Superboy does not actually act as a sidekick.

What does this mean for Superboy?

Superboy in the comics gets to, right away, act on his own and get a taste of what being Superman is like. In the cartoon, he’s brought into the world at a time where there already is a Superman. I think back to this bit from the therapy episode, where he says:

“See, from the moment I first opened my eyes in that Cadmus pod, there’s been one thing I’ve wanted, and feared. To know what it is to be Superman.”

Comics Superboy started out getting to do that! He immediately got a shot at filling that role, and he then makes the choice to relinquish it back to the original once he’s alive again. He (begrudgingly at first) understood that it wasn’t yet his time to be Superman, and knows he’ll someday fill those shoes for real- but in the meantime being Superboy is gonna be his own thing and he’ll embrace it and make it work.

Cartoon Superboy is left in a shadow, not ever truly knowing what it’s like to fill those shoes (except in a doomsday scenario training exercise gone awry that he then just feels intense guilt over). This leaves him a lot more frustrated and lost, and I think is a major contributor to how angry this version of Superboy is compared to his much more ‘chill go with the flow’ attitude in the comics.

Cadmus

In the comics, in that same issue he’s introduced, we find out that Superboy broke out of his cloning tube prematurely and left Cadmus with the assistance of the second Newsboy Legion, who also gave him his first leather jacket, before the programming that would allow Cadmus to control him was implemented.

He quickly gets up to speed with the situation, that Clark is dead. So he comes on the scene starting to save people and saying he is Superman, or at least the clone of the original one. A major thing that does influence his character here is the fact that… this is the 90’s. He is designed around the idea of what is ‘cool’ back in 1993. (look, even his original character design sheets call him cool)

So right off the bat he’s got a stereotypical ‘cool teen guy in that era’ personality, which is often played for comedy to add a little lightness to some of the dark things happening during this event.

Anyways, he has left Cadmus, he’s acting on his own, and he starts realizing that his powers aren’t exactly the same as Superman’s over the course of the Reign of the Supermen story.

After the main conflict is settled and Clark is fully alive and acting as Superman again, the two of them end up going back to Cadmus to find out what the exact deal is with him. I’ll go into this more in a later point, but they find out he’s not exactly a clone of Superman (or Lex- him being actually involved as a DNA donor is a retcon that happened a decade later). They agree to let someone from Cadmus (Dubbilex- the grey guy with the horns in this pic) leave Metropolis with him, as he sets out on a press tour to establish himself as Superboy now that he relinquished the trademark on the Superman name back to Clark.

Let’s pause and look at how this is different in the cartoon.

In the cartoon, when the trio of Robin, Kid Flash, and Aqualad decide to prove themselves to their mentors they run off on their own to attend to a fire at Project Cadmus when the Justice League got called off to do something else. Upon arriving, they accidentally uncover some weird things about Cadmus, like the crazy amount of sublevels, the creatures roaming around, and the fact that it’s not on the main power grids. They eventually find Superboy, still in his cloning tube. They break him out, but then get captured themselves.

When they are then put into tubes by Cadmus personnel, they manage to convince Superboy to help free them by promising him things like getting to meet Superman, and see the moon. The group of four now working together manages to escape from the building and it topples down, where they are then greeted by the Justice League who are Not Happy.

Superman flies away shortly after, and the group of kids explain to their remaining mentors that sure, they disobeyed orders, but they accomplished something good here, and they are going to keep doing it, whether the League likes it or not. The compromise is the formation of The Team, to be covert-ops while the Justice League acts publicly, and the boys are joined by Miss Martian.

So to summarize:

In the comics, Superboy leaves Cadmus pretty independently (with some assistance) to go act on his own as a hero immediately. He returns to Cadmus later for more information, and they reveal truths to him about his existence. After he knows his truth, he goes off to continue establishing himself as a solo hero but lets Cadmus still supervise what he’s doing through Dubbilex.

In the cartoon, Superboy is rescued from Cadmus by Robin, Kid Flash, and Aqualad, without knowing pretty much anything about himself besides the fact that he is a clone of Superman, and is immediately put on the covert ops team.

What it means for Superboy:

Comic Superboy goes to act on his own, even after he admits he’s not the real Superman anymore. Yes he’s not 100% alone in terms of ‘he’s got people (Rex, Roxy, Dubbilex, Tana) around him’, but as a hero he’s a solo act and ends up taking residence in Hawaii. In the cartoon, by joining a team right away, he’s taking on a very different style of being a hero, especially because the team itself is covert-ops. Rather than regularly saving the day all on his own much like Superman, which can help comic Superboy feel like he’s still living up to the name more, cartoon Superboy is working under the radar in a group setting, while still wanting to desperately fill those Superman shoes.

He is overconfident in his abilities and wants to be the hero he was created to be, so him being put into this very different type of superhero situation is another major contributor to the frustration/anger. Even later on when comics Superboy is part of forming the Young Justice team, they were never a secret covert-ops team, they were always publicly known. (hell, a reporter is the one who gave them the team name Young Justice because he’d misheard Bart)

Superboy & Superman

In the comics, as we have established, Clark was dead at the time Superboy first came on the hero scene. Clark comes back to life, during a little bit of a lull in the middle of the huge conflict. He immediately accepts that Superboy is one of four who came forward to try to replace him, and one of the only two (Superboy & Steel) who genuinely only had good intentions in doing so. Clark, Steel, Supergirl, Hal Jordan, and Superboy then all work together in the big battle against the Cyborg Superman.

Once things are settled, Clark is curious about him, and where he came from and his origin, so they end up going to Cadmus together with Guardian and learning more about him, as I previously mentioned. Once it is established that Superboy is in fact a metahuman clone who was created to mimic Superman, but is not actually a clone of him, Superman still accepts him and thinks he’s earned his right to continue using the ’S’ shield and have the name of Superboy.

They part ways so Superboy can go on his press tour, but in general they have pretty positive interactions where they mutually respect each other! Not too much later in the comics even (I forget exaaactly when this happens but it’s definitely before the 1998 Young justice comic), Superman is the first one to give Superboy a real name, “Kon-El”, something he is so happy about he literally cries.

How is this different in the cartoon?

When the boys first escaped, and Superboy first meets the Justice League, Clark is standoffish. Other members of the league need to nudge him over to go actually talk to Superboy, and it’s not much of a conversation before he flies off and away, leaving Superboy frustrated and alone.

This… turns into the standard for almost the entire first season. Other characters constantly telling Clark that he needs to reach out and be support for the boy (like in this iconic diner scene with Bruce and Clark), but Clark consistently being too freaked out by the fact that someone made a clone of him without his knowledge to properly accept Conner. While this does over time get better, this being the immediate reaction when Superboy is brand new in the world definitely… has an impact!

He is rejected by the person he idolizes, and feels neglected and abandoned, and definitely kinda overcompensates with ego to try to make up for it.

So:

In the comics, Superman and Superboy work together from the start, not falling into a hero/sidekick situation but rather acknowledging each other as individual heroes with respect for one another. They grow to see each other as family much faster, and little tension between them. A crucial difference in situations, though, is that at the time these versions first meet Superboy is not actually a clone of Superman.

In the cartoon, Superman at first avoids Superboy, and does not offer guidance or mentorship or anything the boy needs. It is clear that he wants to work with Superman and be like him, since it was what he was created to do. It takes a lot of time for Clark to accept Conner in this setting, and there is a lot of tension for the first several months Conner exists. (they seem to settle this towards the end of season 1/during the gap between season 2, but it still has it’s impact on who Conner is early in his life)

What does this mean?

I feel like this is another major factor that contributes to Conner being so angry all the time in the cartoon, he feels immediately rejected by the person he’s supposed to be someday, rather than accepted by him. Again, very different from how comics Superboy got a chance to be Superman, and a chance to then work with the real deal as equals.

Friendships, Relationships and Identity

When Superboy is freed by the second Newsboy Legion, it’s primarily out of a ‘we’re clones who are stuck here, but you need to be out there, you’re what Metropolis needs right now!’ kind of idea. The first person he actually becomes close to is a reporter named Tana Moon.

Tana and Superboy’s relationship is… bad once it actually becomes romantic due to their huge age difference (she’s around 23, he is for all intents and purposes 16), but during the Reign of the Supermen where they’re still just friends for the most part, it’s not as bad. Tana becomes the GBS correspondent who focuses on everything Superboy (at this time still insisting he is the new Superman) is doing as a hero, and they become close friends.

GBS then also brings in Rex Leech (and his daughter Roxy) to be his agent, to promote Superboy and manage things for him. Rex is exploitative as hell, but Roxy does become another really important person to Superboy. These characters along with Dubbilex are his main supporting cast at the start of his solo comic when he’s in Hawaii.

In this whole era, Superboy is pretty much a celebrity. He’s cool, he’s a superhero, and I think it’s very notable he does not have a secret Identity. For a decent chunk of time, he is always just ‘Superboy’ (until, as I mentioned earlier, Clark gives him the name Kon-El. Even so, he doesn’t adopt a regular secret identity [Conner Kent, although he actually used a different one, Carl Grummett, before that!] until he begins living with the Kents in the early 2000s). By the time he joins any teams, Kon is pretty damn confident in who he is as a hero and has a relatively good grasp on who he is in general, if anything he’s a little too confident.

Young Justice was created in the aftermath of World Without Grown Ups when the trio of Superboy, Robin (Tim Drake) and Impulse (Bart Allen) had teamed up. After they saved the day they realized they worked well together and formed their team, utilizing the old Justice League base in Mount Justice. They were eventually joined by more members, especially relevant here is Wonder Girl (Cassie Sandsmark) who Kon later dates for a portion of the Teen Titans run that these four are in after Young Justice ends.

The four of them become close, and when Kon dies during Infinite Crisis it rips a hole in everything they had established growing up together over the past several years (Cassie joins a cult dedicated to bringing him back, Tim tries to clone a new Kon, Bart got aged up and took on the mantle of the Flash, etc) and Bart’s death that followed similarly shook the remaining Cassie and Tim. This group eventually does get to reunite, with Kon and Bart coming back during Final Crisis, solidifying how even things like death don’t keep them apart for long. It’s hard to look at the comic book versions of these four characters and imagine how they would be without their connections to each other... until you look at the YJ cartoon and see a world where they’re not even all part of the same generation, let alone a friend group.

Now in the cartoon…

The first people Conner primarily interacts with are Dick, Wally, Kaldur, and M’gann, along with the League members who interact with The Team pretty regularly, Red Tornado, Batman, and Black Canary. He’s shown to be friends with the other memebers of the team and get along with them relatively well, but in general he’s not much of a social person.

Much like in the comics, Superboy is considered very attractive, and immediately upon their meeting, M’gann is interested in him. Very, very interested in him.

At first it definitely does seem more just like an innocent crush, but it’s later revealed to be a little more… concerning than that. As in ‘Megan subtlety influencing Superboy to become her dream boyfriend based on a TV show she likes’ concerning. Like… she literally gives him the name ‘Conner’ after the TV show character that was the boyfriend of the character she bases her human self and entire identity on. The two date and once that becomes a thing, a lot of their plot lines in the following seasons revolve around the ups and downs of their relationship.

In general in this show, Superboy doesn’t really get much of a chance to establish himself on his own terms. Within months of him leaving his cloning pod, he and M’gann start going to high school with secret identities, so he’s already having to hide who he truly is to blend in with other people, before he even knows who he truly is.

So to compare:

In the comics, Superboy gets to figure out who he is as Superman’s Clone/Superboy very publicly, has multiple love interests and a celebrity status, and over time becomes part of a tight-knit group of friends. He doesn’t use a regular secret identity for the first several years he’s active.

In the cartoon, Superboy has one love interest with a very large impact on him, not nearly as much focus is given to his other friendships, and he immediately adopts a secret identity meaning he needs to hide who he is from the start.

What it means:

These factors play a big difference in his attitude, particularly highlighting how extroverted his comic version is and how introverted his cartoon version is. Comic Superboy never really needed to hide who he was until years into his career, vs being told to do so early on in his life. When you get used to needing to hide things so early, that can definitely lead to being more private/disconnected from others. Also somewhat related- in the comics, when Kon is given knowledge in his cloning tube, more pop culture got included. He mentions knowing Star Wars without having seen it, and references a ton of TV and Movies, vs the cartoon version of him that seems to have been given a lot of history of the world but not the current fun stuff. It’s the difference between knowing what’s going on in the world and what’s popular, vs only knowing the past and what’s fundamental. Not knowing pop culture like this can also really contribute to feeling alienated and lead to introversion. (I just... I think about how in the comics Kon’s favorite TV show is Wendy The Werewolf Stalker, in the cartoon Conner just... watches white noise static)

Also, having a completely different set of friends with different personalities has a big effect, people are always gonna be influenced by the people they’re close to to some extent. Bumping Conner up to Dick’s generation of heroes instead of Tim’s not only gives him completely different friends, but it also puts him in this position of being one of the ‘Original Team Members’. By this I mean, a member of the first iteration of the only teen team, one of the people that younger heroes coming onto the scene and joining the team in later seasons see as an experienced and older team member to look up to (despite the fact that cartoon Conner is permanently 16- they never fixed that for him like in the comics). That just creates a different dynamic entirely, because in the comics even when the Tim/Kon/Cassie/Bart group are more experienced on their team late in the Teen Titans run, they are still always going to have heroes like Dick Grayson, Donna Troy, Wally West etc as the older generation of ‘original teen heroes’ who came before them.

Also, while I am talking mostly about in-universe reasoning here, I do wanna bring up one slightly more meta reason that might also have contributed to them choosing to go for a more ‘introverted brooding hero’ characterization with him: the fact that their version of Wally already filled the ‘flirty jokey’ archetype original Comics Kon fits into. Having two characters like that in the show from the start would definitely get... overwhelming. And at the time this show was first airing, in the comics, he was relatively devoted to Cassie and not nearly as flirty anymore anyways.

Lex Luthor / Details of Cloning

In the comics, as I have already mentioned and will now actually explain, when Superboy was first introduced he was not the clone of Superman and Lex Luthor as we know him to be today. Kon was a metahuman clone, made with the DNA of Paul Westfield who worked at Cadmus, that they genetically altered to look like Superman, and gave powers based on the energy aura they discovered to exist around Clark’s dead body. This telekinetic field gave Kon the distinct powers he had for his first decade of existence: His Tactile Telekinesis (often referred to by him as TTK)

Lex Luthor was originally not directly involved in his creation, but he was aware that it was going on as is revealed during the Reign of the Supermen arc. Kon’s TTK allowed him to mimic Superman’s flight and strength, but not all of his powers. TTK also gave him powers Superman DOESN’T have, such as his ability to dismantle machinery or mold materials he is touching into different shapes. (The reason this is called Tactile Telekinesis is because there needs to be a tactile element, he needs to be touching the things)

It is not until 2003, a decade after Superboy was created, that writer Geoff Johns in his Teen Titans run decided to alter Superboy’s origin. He established that Lex Luthor had been the real human DNA donor and that Superman’s Kryptonian DNA was actually used in the cloning process. Around this time, Conner also begins to exhibit more of the typical Kryptonian powers, like Clark did around this age.

This information is at first only known by Conner and Tim, because the email had actually been sent to Tim directly. The two keep it a secret as Conner was not ready to tell the rest of the team, because he fears the implications it has, and is afraid of becoming evil or being rejected. This revelation about Lex being one of his ‘parents’ DNA-wise coming years into his hero career changes a lot of things for Conner, and makes him begin to question who he is. Unfortunately, Lex does at one point take control of Conner and force him to break Tim’s arm and attack Cassie directly (as well as the rest of the team, but these two specifically are what Conner expresses the most guilt over after the fact). This era of Conner in the comics is where he’s definitely closest to his cartoon counterpart, because he’s very troubled and dealing with a lot of heavy stuff regarding himself as a person. Yet there’s still traces of who he has always been in there. I mean, if you’re only familiar with cartoon Conner, can you really imagine his final words as he’s dying after saving the world being “Isn’t it cool?”

Now, looking at the cartoon…

Conner finds out about his connection to Lex in November, only a few months after having existed outside of a cloning tube. He finds it out on his own, from Lex speaking to him directly, after Conner went back to investigate the remains of Cadmus and ended up having a fight with Match (another clone who is able to pass for Conner’s duplicate who they… their version of Match is another thing they drastically changed from the comic version but as we’ve established that’s something they like to do so I’m not gonna dwell on it).

In the cartoon, Conner’s powerset is, from the start, different from both Superman and comic Superboy. Here he has heightened senses and strength and the ability to leap really far, but he lacks actual flight and some of the other standard Kryptonian powers, and has no TTK. The cartoon explains these gaps in his powers as being due to his half human DNA, and they introduce these patches that are able to suppress his human DNA and give him temporary access to full powers. Lex uses these patches as a way to manipulate him. Much like in the comics, Lex has a code word programmed into Conner that effects him, although it isn’t quite used for the same amount of ‘total mind control’, and he doesn’t get fully brainwashed and turn against the team or anything. Instead, the code word (here “Red Sun” rather than “Aut vincere, aut mori” [Translated as “to conquer or die" / "victory or death”]) just leaves him stuck in a hypnotic trance.

So:

In the comics, Kon finds out after years of believing he was a metahuman clone who was given powers to mimic Superman, that he is actually a clone of Lex Luthor and Superman, which alters his entire perspective on himself! This causes him to become a lot more unsure and anxious about who he is, in stark contrast with how confident he was before. There are still traces of his old self within him, but this is a development in his character that influences him moving forward, making him a bit more serious but still at his core the same person he used to be.

In the cartoon, Conner finds out after months of thinking he was a clone of just Superman, that he has half human DNA and the donor was Lex Luthor. While he always had confidence in his abilities, he was still somewhat lost as a person in knowing who he really was outside of things other people have assigned to him (teammate, boyfriend, superhero, etc), and finding out this information about himself just adds to the uncertainty and frustration.

What it means:

Having this struggle be something Conner has to deal with so early in his existence is one of the most fundamental changes in my opinion. Finding out that Lex Luthor is one of your clone parents is something that will alter your entire perception of yourself and who you are! In the comics, Conner had already been confident in who he was so it shakes his world in a really big way, but in the cartoon he still didn’t know who he really was so it just adds to further confusion.

I think that even with the more serious characterization Kon starts getting in the 2003 Teen TItans run, his history and past as the fun cool 90′s Metropolis Kid isn’t entirely forgotten, it’s still a part of who he is/was. Sure, maybe he’s sometimes even embarrassed by how he used to be, but it’s not treated as though it didn’t happen. All of his history comes together to create the character and who he is by the time he wears just a T shirt as a costume.

By skipping over the fun era of his life and jumping right into who he was when he started facing these huge changes, it creates such a completely different set of challenges for him and that contributes directly to how he’s characterized.

Putting it all together

The ultimate point I am trying to reach in all of this is that, beyond just ‘they made a writing choice to make him different’ the environment that Superboy was brought into and the events that took place right when he came into the world greatly influenced the type of character he would become. Every time an adaptation is made of something like comics, there are going to be changes and alterations to fit the world the creators want to make. Sometimes these changes are minor and don’t actually change who a character is (an example for the YJ cartoon’s universe itself: In the tie-in comics [issue 6] it’s established in this universe that the Flying Graysons weren’t just Dick and his parents, but other family members were active parts of it too. One was an uncle also named Richard, who actually survived the fall that killed the rest of his family but was left paralyzed and thus unable to care for him. This uncle already used the nickname ‘Rick’ which is likely why Dick ended up using ‘Dick’ as a name in a modern setting even though it has fallen out of popularity as a nickname because uh, connotations. This is something that is mostly unique to their world and helps to explain some things, but it’s not like tragically losing a few more family members changed their version of Dick and his backstory that drastically. At his core, he still has many similarities to his comic self) but they’re still changes, and that’s okay. Superboy, though, is such an extreme case where they made so many changes that at his core he really does become a completely separate character. Sure he has the name and design, but I was able to write five thousand words about differences here and am struggling to come up with more similarities beyond that.

I think there still could be specks of the original Superboy buried inside cartoon Conner, and that maybe he could have been more like his original version under other circumstances. Looking at these differences and where they come from is, I think, a cool way to begin to understand what elements contribute to who each version of Conner Kent really is. I think it’s clear from how I wrote this that I prefer the comic version, but there are definitely things that are fun to look at and think about with both.

if u read all of this UH thanks for listenin to me ramble! sorry if this is incomprehensibe!

#rainbowroadimpulse #sam writes #conner kent #superboy

231 notes · View notes

rosiehunterwolf · 3 years ago

Text

@fabro-de-omres HOLD UP BESTIE, I GOT ONE LAST FIC FOR YOUR LIST-

Star-Ninja!

Prompts: Siblings and Competition

Word Count: 5,884

Characters: The ninja

Timeline: Snapshots throughout the series

Trigger Warnings: None

Summary: What happens when the loveable gremlin the ninja adopted off of the streets introduces them to Starfarer comics?

Chaos ensues, of course.

Read on FFN.net

Read on Ao3

Tumblr work under the cut

“Take that! And that! Oh, yeah-” Jay leaped to his feet, grinning. “Die, lava zombies, die!”

Level complete. The words flashed across the screen, and Jay whooped. Only one more level and he would beat Zane’s high score.

“You could’ve beaten it faster if you had taken out the little guys first.”

Jay whipped around to see the little wispy-haired kid draped over the arm of the couch, staring at the TV screen with a glazed, listless look in his eyes.

“What are you doing here?” Jay snapped.

“I’m borrrred,” he whined, kicking his legs against the couch. “Can I play with you?”

“No.”

“Can I use the training course?”

“No, you’re not a ninja.”

“Then what am I supposed to do?”

“It’s not our job to entertain you, kid.”

“I didn’t ask to be kidnapped by you,” Lloyd snapped.

Jay felt his face flush. “So you’d rather still be with the Serpentine?”

“Well no, I just wanna have a choice!”

Jay stared at him for a moment. I don’t know his whole story. He’s a kid who’s been dealt a bad hand in life. He exhaled slowly. “Look, Lloyd, you’re just a kid. I know it’s hard for you to understand- but you’ve caused a lot of trouble. The Serpentine are dangerous, and you don’t know enough to deal with them. You just gotta trust us, okay?”

Lloyd sighed dramatically, sliding off of the couch and onto the floor. “Yeah, whatever.”

Jay rolled his eyes. “Can’t you find something to do for a little while? Please? I’ll talk with Sensei about what we’re going to do with you as soon as he gets back.”

To his surprise, Lloyd actually left him alone, and Jay turned back to his game. He knew it wasn’t a very responsible move, but he had never agreed to babysit the kid. Besides, they were going hunting for Serpentine again tomorrow, so it would likely be Jay’s last chance to have some downtime for an entire week.

By the time Jay had finally beaten the top score, his fingers were sore from playing. Flopping onto the couch, he glanced up at the clock. It had been an hour since he had sent Lloyd off, and he hadn’t heard so much as a peep from the kid.

Jay had only known him for a couple of days, but already that seemed like suspicious behavior.

He headed into the storage room that Sensei had scrapped together into a makeshift bedroom for his nephew. Lloyd was sprawled across his mattress, reading a book.

I guess he’s not up to anything. I shouldn’t have been so quick to judge him. Jay turned to leave before stopping suddenly and whirling back around.

“Hey!” he yanked the book out of Lloyd’s hands. “Is this a Starfarer comic? Have you been snooping around in my room?”

“No! I haven’t touched your stupid stuff. Figures, the one time I actually didn’t do anything wrong, you blame me.”

“Have you not heard of The Boy who Cried Wolf?” “What?”

“Nevermind.” Jay examined the comic. It was an old edition, but not one he owned. Besides, the cover was wrinkled and there were dog ears on several pages. Jay would never treat his comics so harshly. “If it’s not mine, then whose is it?”

“It’s mine. Is it so hard to believe that I don’t steal everything?’

“No, I mean, you like Starfarer?”

“Of cou- I, uh, I mean, Starfarer’s for babies, ha. I’m only reading this because it’s the only book I have and you wouldn’t give me anything else to do.”

“Oh, that’s too bad. I guess I’ll have to go enjoy my Starfarer comic collection on my own, then. Since it’s too babyish for big kids like you.”

“Your what?” Lloyd was suddenly sticking to him like a barnacle. “You collect Starfarer comics?”

“Not just comics.” He grinned as he watched Lloyd’s eyes widen. “Movies, posters, action figures- you name it.”

“No way! Can I see? Please, please? Just for a second-” Jay put a hand on his shoulder, holding him back. “Hang on, kiddo. I thought Starfarer was for babies?”

Lloyd shifted on his feet. “Well, I didn’t really mean that, I just- I was just testing you!”

Jay raised an eyebrow, smothering a laugh. “Uh huh. If you’re such a master, why aren’t you reading the new comics?”

Lloyd looked down, shuffling his feet. “I… this is the newest one I have. We didn’t really get many opportunities to buy what we wanted at Darkley’s. Especially not a book about superheroes. Because we were super busy being evil and stuff, heh.”

Jay felt his heart twist. Am I really pitying Lloyd Garmadon right now just because of some comics?

Although, when he looked at Lloyd now, he didn’t see the annoying, mischievous son of a villain. He saw a wide-eyed, naive kid looking at Jay with such hope that it was hard not to feel a strong urge to protect him from the burdens of the world.

Jay crouched down next to him. “Y’know what? I’ll show you my newer comics. You can even keep some, if you like.”

“Really? You’re not messing with me?”

“As long as you promise not to treat them like that.” Jay gestured towards the wrinkled comic. “Seriously, dude, you better go wash your grubby little hands before I even let you within five feet of my stuff.”

Jay didn’t think he’d ever seen Lloyd be in such a hurry to do anything.

---

“What’s this do?”

Nya snatched Lloyd’s hand away from the control panel. “Don’t touch that!”

“But what about-”

“Or that! Just-” She took a deep breath, running her fingers through her hair. “Don’t touch anything unless I specifically tell you to, okay?”

“Well, then what am I supposed to do?”

“I don’t know, find something. I’m not here to babysit you, Lloyd, I’m managing the comms. It’s important to make sure we stay in touch with the guys when they are on their mission.”

“I don’t need a babysitter,” he huffed. “Why couldn’t they take me with them? I am a ninja now. I could’ve bashed in some Serpentine heads!”

Nya glanced at him, glaring defiantly in his oversized gi. “I’d hardly call you a ninja, squirt. You haven’t even grown into that gi yet.”

“Yes, I have! See, it fits me perfectly!”

“...Lloyd, those pant legs almost completely cover your shoes.”

“They do not! Uncle Wu said I was a ninja.”

“A ninja in training, at best,” Nya corrected.

“What’s the use of being the green ninja if I don’t get anything fun out of it?”

“One day, green machine. You just have to be patient.”

He groaned loudly, flopping onto the chair. “I hate being patient.”

“No! You? Impatient? Who would’ve guessed?”

“Can’t you at least show me how to turn on the alarms?”

“No. Alarms are for emergencies only.”

“It is an emergency! I’m going to die of boredom!”

“Fine,” Nya relented. “What do I have to do to get you to leave me alone- and stay out of trouble? Can I rent you a movie?”

“Ooh, can I watch Zombies: Back for Revenge? Or Ghost Story? Or Dawn of Destruction?”

“Nope, nope, and nope. Too scary, too mature, too violent. Pick something more family-friendly, Lloyd.”

He pouted. “Kai got to watch those movies.”

“Yeah, well, Kai’s older than you and is responsible for his own actions. If you watch those, you’ll be up all night with nightmares and Sensei will never trust me again.”

“I won’t have nightmares! He’ll never know! Please, Nya.”

“No. End of discussion. Pick something else or nothing at all. Remember, it’s my money paying for the movie here. What about those… space wars movies you love?”

“It’s Starfarer,” Lloyd snapped, although his expression looked considerably lighter. “There’s one I haven’t seen yet…”

After Lloyd showed her the movie and she paid for it, Nya turned back to the control panel and checked for messages from the guys. Still nothing.

She really hated when they left her in the dark like that.

There were sounds of explosions from behind her, and a cheer from Lloyd- she glanced over her shoulder to see him grinning gleefully at the screen as the main characters blew something up. She shook her head- what was it with young boys and explosions?- but she couldn’t stop a smile from creeping onto her face. Glancing over at the comms, she double-checked that no one had said anything.

The guys obviously weren’t taking the effort to communicate with her. It wouldn’t hurt to take a quick break.

Sitting down next to Lloyd, she focused her attention on the movie. It seemed nonsensical and boring at first, but after a bit, Lloyd started explaining things to her, and, to her surprise, she found herself happy to listen. As it got later, his talking slowed, and at some point- Nya couldn’t quite identify when- Lloyd was leaning against her side, snuggling with their shared blanket.

Nya watched him carefully. She hadn’t cuddled with anyone like this since she had been younger, with Kai- but then, she had been the younger one, the one being protected. Now, she was experiencing what she imagined Kai must’ve felt, and despite how annoying he could be, Nya felt a strong urge to pull him close and never let him go.

She understood their reluctance to let Lloyd fight fully now. She didn’t want to ever send him off into battle, especially not the Final Battle.

How could this sweet, stubborn little wisp of a child be the green ninja?

Many hours and three movies later, Nya was afraid to even look at the clock. Rubbing Lloyd’s head, she murmured, “It’s way past your bedtime, kiddo.”

“‘m not tired,'” he mumbled in an obviously tired voice.

“I already let you stay up way later than you should be.”

“Just one more movie!” “Lloyd! These things are two hours long!”

“I promise I’ll go right to bed after!”

“That’s what you said after the last one.”

“Well, I really mean it this time.”

“No way.”

“Please?” Lloyd suddenly looked a lot more nervous, twisting his hands together. “Just… just until we hear something. From the ninja.”

“Oh, Lloyd.” She put a hand on his back. “It’s okay. They’re okay. Most likely, they just forgot to report back. They do that all the time.”

“But we don’t know that.”

“...Yeah. You’re right. We don’t.”

“Is it always this scary? Waiting for them to talk to you, not knowing what’s going on?”

Nya nodded slowly. “Yeah, a lot of the time it is, bud. But eventually, you learn to trust them. There isn’t a day that goes by where I don’t worry about their safety, but I know they are strong and capable and can take care of themselves.” Lloyd nodded. “That makes sense.”

He still didn’t look quite content with her answer, though. Nya leaned in, murmuring to him.

“Tell you what. What if we watch half of one more movie?”

Man, she was turning into such a disgustingly gross softie for this kid so fast, wasn’t she.

But the wide, genuine smile that split across his face made it worth it.

---

Kai stood in front of the long expanse of bookshelves, stacked with dozens and dozens of comics.

“Excuse me,” Kai gestured to the nearest bookstore employee, and he walked over. “Which part is the Starfarer section?”

The employee blinked at him. “You’re already in it. This entire wall is Starfarer.”

Kai gawked at the wall in utter amazement. There had to be at least a hundred books there. How were these many Starfarer comics even possible?

“Which one is the best one?” he asked the employee.

The man pushed his glasses up his nose, looking increasingly annoyed with Kai’s lack of Starfarer knowledge. “That’s hardly a straightforward question. Starfarer is our most popular franchise, they’re all popular. It’s impossible to pick one book. If you’re looking for our most popular selling comics of all time, that would be volumes 1, 32, 45, and 79. As for comics trending right now, that, of course, would be the most recent ones, 273 through 282. Although volume 13 has seen a sudden influx in readership. If you are looking for those with the best ratings-”

How do I say, ‘which comic is best for my little brother who was just aged up several years, without warning, and I want to help him regain his sense of childhood?’

Deciding this wasn’t going to be helpful, Kai gently dismissed the employee and began looking on his own. He tried to pick out ones with interesting covers, but ended up throwing many of them back after skimming the summaries on the back.

That wasn’t working very well either, and Kai was just about to throw the towel in and grab some random comics and hope for the best- or worse, call Jay and ask for help- when he decided to open one comic to skim it.

This quickly turned into a mistake, because before Kai knew it, five minutes had turned into an hour, and he had completely finished the comic. One comic turned into two, then five. He only was able to yank himself from his reading when he got a text from Zane asking where he was and that dinner was going to be ready soon.

Gathering up a large handful of the comics he had liked, Kai headed back towards the Bounty on his motorbike.

He found Lloyd on his bed, staring up at the ceiling with earbuds in. He pulled them out when he saw Kai, his gaze darting curiously towards the stack of comics.

“I got you these,” Kai said, setting them down next to him. “I know things are… different now, with you being older, but you’re always going to be my little brother. And I wanted you to know that just because you’re physically older doesn’t mean you have to stop doing the things you love. So if you still want to make doodles for our fridge, or make your food into shapes on your plate, or read Starfarer comics, no one’s going to judge you.”

Lloyd picked up a comic, slowly leafing through it. He was quiet for so long that Kai began to worry that he had completely messed something up. But when he finally spoke, he simply said, “You read it.”

“I… what?”

A smile spread across Lloyd’s face. “You read these before you bought them. Didn’t you?”

Kai spluttered. “I- what? That doesn’t make any sense! You have no proof!”

“The pages are creased over here. You always crease back the pages when you have a book. And there’s a slight depression here that shows the presence of fingers. Too big to be Jay’s or Nya’s, and too small to be Zane’s or Cole’s.”

Kai blinked at him. “You pay way too much attention to people, don’t you?”

“Hey, I paid attention during training, y’know!”

“More than we give you credit for, apparently.”

“I just can’t believe I spent all those months trying to pressure you to read Starfarer and you suddenly pick it up when I’m not even forcing you.”

“Shut up.” Kai shoved him gently. “It was a one-time thing. I was only doing it so I could find a comic you would like,”

“Yeah, so it makes sense you would look at them for five hours.”

“How did you- I mean, I didn’t go to the bookstore right away! I was doing other things! I only went there a few minutes before I came home!”

“Oh, yeah?” Lloyd raised an eyebrow. “What ‘other things?’”

“Uh, very important ninja business, like, um… patrol?”

“Cole returned from patrol two hours ago.”

“Well, this was a super-secret different patrol that Cole doesn’t even know about.”

“Really. Does Sensei know?”

“Nope. Just me.”

Lloyd elbowed him playfully. “You’re gonna have to watch all the movies with me now, y’know.”

“No way. Aren’t there like, fifty of those?”

“Twenty-seven.”

“No, thanks.”

“You have to! It’s part of the experience. Wait until I tell Jay you’re into it now.”

“You wouldn’t.”

“You bet I would!” Lloyd looked over at the pile of comics again, examining them more closely. “Nice, these are some good ones. Which ones did you read?”

“Um. The ones I bought?”

Lloyd looked up at him, his grin fading. “But like… not just these, right? You read others? In between them?”

“No… is this supposed to be some sort of poke at me being a slow reader-”

“No! I just can’t believe you read them in this order! Seriously, you couldn’t have gotten it any more wrong! You’ve ruined the whole series for yourself!”

“Oh, that’s such a shame, guess you better not tell Jay, then-”

“Oh, no way, you’re still getting into the fandom. We’re going to fix this. Come look at my comics. We’re going to read them together, and I’m gonna show you how to do it right.”

“Oh, is that Zane calling for dinner-”

“Nice try,” Lloyd smirked. “But you’ve entered the Starfarer fandom now. You’re in it, good and deep. There’s no coming back from this, Kai.”

“Glad to see your psychotic gremlin tendencies weren’t lost in the tea,” Kai grumbled. “Probably the one thing I could’ve gone without.”

---

“Are you out of your mind? The movie adaptions of Starfarer are way better.”

“Okay, there is clearly no hope left for you, Lloyd. The show is far superior to any of the movies.”

“Are you kidding? The budget for the show was so much lower! They just used a bunch of cheap, corny special effects, the movies were much smoother!”

“Visuals aren’t the most important thing, Lloyd. The show had a smaller storyboard team, meaning their ideas were more consistent and developed. The plot is overall much more in-depth in the show, and the extended time also gives them more space to do what they want.”

“It also leaves a lot of space for pointless filler! The movies are more direct. Every scene is important. Whereas I can name half a dozen episodes from the show- and that’s just on the top of my head- that were completely useless and would not change the plot at all if discarded.”

“You’re insane, every filler episode had importance! Some just showed it in smaller ways than others.”

“They could’ve fit the minor details into the other episodes!”

“Yeah, but filler is nice sometimes. Getting some more chill episodes between all the action is good.”

“No way, they’re boring and ruin the pacing. The movies have you on the edge of your seat throughout the whole thing.”

Zane sighed, glancing over at Jay and Lloyd. Their argument was getting increasingly more physical, with each boy attempting to tower over the other- not an easy task, considering they were both short.

“Can you two please be quiet? Or at least take this somewhere else? I’m trying to watch the news to make sure there aren’t any danger reports in Ninjago City.”

Jay suddenly whirled on him. “Zane! That’s it!”

“...What’s it?”

“Zane should decide! Which is better? The Starfarer movies, or the show?” Turning to Lloyd, he added, “Since he’s a nindroid, he’ll be the least biased of all of us.”

“One problem,” Lloyd said. “Zane hasn’t watched either.”

“Well, then, he’ll have to watch them,” Jay shrugged.

Zane glanced back and forth between them. “You want me to watch twenty-seven movies. And all seven seasons of the TV show. Just to help you win a disagreement.”

“It’s actually eight seasons,” Lloyd corrected.

“Exactly!” Jay beamed. “You’ll do great. Get back to us when you’ve watched them all and have formed an opinion. The sooner the better, so that I can prove Lloyd wrong as quickly as possible.”

“Hey! If anything, I’m going to prove you wrong!” “No way! The show-”

“Okay, okay, I’ll do it!” Zane stood up suddenly, putting his hands between them before another argument could break out. “Just stop fighting. Please.”

“You got yourself a deal,” Jay winked.

Two weeks and over a hundred hours of content later, Jay and Lloyd were staring at him expectantly over the dinner table.

“Well? What’s the verdict?”

Zane blinked at them with glassy eyes. “They were both very good. I enjoyed them. However, I feel like I never want to watch a minute of Starfarer ever again.”

“Seriously?” Lloyd fumed. “We waited all this time for him to not even properly answer the question?”

“Who cares about the question?” Cole grumbled. “Zane was so tired from watching your guys’ dumb Starfarer stuff, he messed up the gumbo.” Cole drew a spoon listlessly through the stew. “This is my favorite meal. I’m never forgiving you guys for messing it up.”

“Starfarer isn’t stupid,” Jay and Lloyd cried at once. They blinked at each other, surprised, and Kai and Nya laughed.

“I think that’s the first thing they’ve agreed on all week,” Nya grinned.

“It won’t last,” Kai murmured to her as the green and blue ninja set on Cole for his statement on Starfarer. “I give them two days to find something else to bicker about.”

---

“Hurry, Nya, he’s almost at the navigation!”

“I’m trying!” Nya bit her lip, an iron grip on her video game controller. “He’s sabotaged the security system!”

“No-”

Game over flashed across the screen, and Jay leaped to his feet, cheering. Nya rolled her eyes, tossing down her controller, while Zane, Lloyd, and Kai watched with disappointment.

“I can’t believe he won again,” Kai huffed. “How is he still undefeated? We’ve been playing this game for weeks.”

“I thought you were supposed to be good at this, Lloyd,” Nya grumbled. “You’re the Starfarer expert. You’ve got so many hours logged on here.”

“I’d like to point out that I’ve gotten closer to beating him than any of you have,” he snapped. “The last time I was only seconds away from winning.”

“Yeah, well, close isn’t good enough,” Kai said. “We need to beat him. Otherwise, it will get to his head.”

“Clearly none of us are going to be winning any time soon,” Nya groaned.

“There is someone who hasn’t played against him yet,” Zane mused. “Someone who has a track record of beating Jay’s top scores in games.”

Five gazes drifted towards the chair on the other side of the room. Cole looked up from his book when he realized the others were looking at him. “What do you want this time?”

“You gotta beat Jay in Starfarer: Alien Invasion 3,” Lloyd insisted, at his side immediately. “He’s undefeated. You know how unbearable he gets when he’s cocky.”

Cole blinked slowly up at them. “I don’t know the first thing about Starfarer.”

“I can teach you,” Lloyd begged. “Just do it. Please. Since when have you passed up an opportunity to beat Jay in something?”

Jay grinned. “Admit it, guys, I’ve defeated you. There’s no way Cole will ever win against me.”

Cole stood up abruptly. “Oh yeah? We’ll see about that. Lloyd, give me that controller. Jay’s about to get a serving of humility.”

For what appeared to be just another mundane rendition of a classic monster-fighter game, it surprised Cole to find it was actually much more complex and engaging.

It would’ve actually been really fun, had Jay not been so ridiculously goated at the game.

“What? Your character is invulnerable to the imperial sludge? How is that fair?”

Jay scoffed. “If you had read the Aliens Strike Back arc of Starfarer comics, you would’ve known that.”

“This totally isn’t fair. You have a bunch of background knowledge on Starfarer that I don’t.”

“It’s not our fault you’re the only one who hasn’t read or watched any Starfarer,” Lloyd said.

“Oh no,” Cole groaned. “You guys are dragging me into this too, aren’t you?”

---

“Where’s my copy of issue 117 of Starfarer?”

Jay looked up from the counter, where he was munching on crackers. “Like I would know, Lloyd. It’s not my responsibility to keep track of where you put your stuff.”

“I know exactly where I put it. But it’s gone now! I left it on my nightstand last night, right next to my bed. I haven’t touched it since.”

“Well, evidently, you have, since it’s not there now.”

“No, I didn’t touch it! Someone must’ve moved it!”

“And? I don’t see how this is my problem.”

“Everyone knows you’re the biggest Starfarer fanboy on the team apart from me, and I happen to be aware that you don’t own that particular comic.”

“I didn’t steal your comic, Lloyd.”

“Oh yeah? Then what happened to it?”

“Don’t ask me!” “You know that’s my favorite issue, Jay.”

“So? You think I’d take it just to spite you?”

“I think you’d-”

He cut off as Kai meandered into the kitchen, eating crackers and reading a comic.

Lloyd’s eyes widened. “Hey! That’s my missing comic!”

Kai glanced up at him. “You said I could borrow it.” “I did not! And give it to me, before you get cracker crumbs all over it!”

Kai rolled his eyes as Lloyd snatched it from him. “Alright, fine, take your dumb comic.”

Jay crossed his arms. “I think you owe me an apology, Lloyd.”

Lloyd stuck his tongue out at him, and Jay returned the gesture.

“Hey!” They turned to see Nya strolling into the room behind Kai, elbowing her brother sharply. “You said I could have that comic once you finished it.”

“Seriously, Kai? You can’t go around giving my comic to people without asking.”

“I wasn’t going to give it to her! She’s lying!” “Excuse me? You literally just said that like ten minutes ago-”

Zane and Cole joined them not long after, glancing around. “Guys! What’s with all the racket?”

“Kai promised me his Starfarer comic after he was done-”

“It’s not Kai’s, it’s mine! And he took it from me without asking and just auctioned it off to Nya!” “I didn’t auction off anything, it’s not like she paid me for it. Although, that's honestly not a bad idea…”

“What is this, a monopoly?” Jay asked. “We’re not paying for comics we already own, that’s dumb.”

“Yeah,” Lloyd agreed, “especially when they were mine in the first place.”

“Liar! Most of them were mine!” Jay insisted. “I should get dominion over my own comics!”

“Just because you own the most doesn’t mean you own all of them,” Lloyd countered. “You may have more comics by sheer number, but I have more rare comics than you and, overall, my comics have a higher value.”

“I’m sick of you two always deciding everything about Starfarer,” Cole said. “Why can’t one of us regulate the comics?”

“Whoever gets control over the comics is just going to have bias and distribute them to their advantage.”

“I think I would be the most responsible man for the job-”

“Stop lying to yourself, dirtclod, I’d obviously be better-”

“Better than Kai, yeah, if you’re trying to set the bar low.”

“Excuse me?”

“Guys,” Lloyd interrupted, slamming his fists down on the table. “There’s only one solution to settle this. We have a competition. Winner gets control over the Starfarer comics for… let’s say, the next six months.”

Kai cracked his knuckles, grinning. “You had me at competition.”

---

“When you said, ‘competition,’ somehow I was expecting something a little more grandiose than this.”

The ninja had gathered around the kitchen table, glancing down at the box Lloyd had dropped there. Starfarer: Galaxy Wars, it read.

“Yeah, Lloyd,” Cole agreed. “A board game? Seriously?”

“Not just any board game. The most popular, most difficult, most fun game out there. It is truly for the Starfarer master. Part roleplay, part strategy, part trivia- it puts your Starfarer knowledge to the test. That way, we know whoever wins this didn’t just get the win out of chance, but actually deserves it.”

Nya raised an eyebrow. “I mean, I guess. But you better not be an expert at this game.”

Lloyd shook his head. “I’ve only played it a few times, I promise.”

“Okay then,” Kai said. “May the best ninja win.”

As usual, that lasted about five minutes until they were all yelling at each other.

“Oh, come on!” Cole threw down his card. “I got stuck in the Imperial Sludge Swamp again?”

“Ha!” Jay leaned forward, moving his piece across the board, jumping over Cole’s pawn. “Next time you know to pick a character with better environmental perks.”

“Cole’s character is more well-rounded, though,” Zane pointed out. “If you are unable to gather enough energy before the end, it is likely the aliens will take you out.”

“Quit your yapping and let me take my turn.” Kai snatched the dice from Jay’s hand and tossed them- landing a perfect 12.

“You’re cheating!” Nya snapped. “That’s the third turn in a row you’ve rolled higher than a ten. Are you using weighted dice or something?”

“He’s using the exact same dice I just used, Nya.”

“It’s called skill,” Kai scoffed. “Maybe someday, you can be as good as me.”

“Rolling dice is completely based on chance! If the best skill you can boast is being able to roll high numbers, I think I’m doing pretty well.”

“Yeah, well, we’ll see how useless it is once I win this thing and get total control over all the Starfarer comics.”

“Fat chance,” Nya huffed as Kai moved his piece.

“Oh, look at that, I found a pile of scrap metal! I get to roll again!”

“Are. You. Kidding me!”

“Wait,” Zane put a hand on Nya’s shoulder. “He’s right by the alien spaceship. If he gets an 11 or less, he’ll be on their turf and they’ll shoot him down, kidnap him, or confront him, depending on his stats. The only way he could possibly get through this without negative consequences is by rolling a 12.”

“There’s no way he’ll do it again,” Cole agreed. “Nya, this is your chance to overtake him.”

“Let’s see.” Kai grabbed the two dice and shook up his hands. He shook and shook, stopped to blow on the dice, then shook some more-

“Just roll the stupid dice,” Cole snapped.

Kai dropped the dice, and time seemed to move in slow motion. Lloyd held his breath, leaning forward-

And watched as the dice rolled one six, then another.

A perfect roll.

“Cheating!” Nya cried. “Cheating, I tell you! There’s no way this is possible.”

“We can’t let him win,” Jay groaned. “He won’t share any comics with us.” “Not true! I’ll let Lloyd have one.”

“Only one?” “That’s better than none at all,” Jay snapped. “At least he’s giving you something.”

“He’s not going to be giving me anything, because he’s not going to win.”

Kai grinned, gesturing at the dice. “Sure, be my guest. See if you can beat me.”

Lloyd rolled, earning a seven.

Jay hissed between his teeth. “Tough luck, green bean- you get injured and robbed by aliens.”

“Actually,” Lloyd said, slipping a card from his pile and slamming it down on the middle of the table. “I don’t, because I play this special ability card, allowing me to pick the number of spaces I travel. I choose 10, landing myself on the abandoned spacecraft. Then I use my character’s high level mechanics skills and use this card-” he slammed down another card that showed scrap metal reserves- “to instantly fix the ship. Then I spend my energy points to get another turn, use the gas from my generator to fuel the ship, and then am able to fly the ship back to the base and restore the artifacts. According to the manual, it would take three days from my location, and Kai, the closest, would take five days in his slower spacecraft, meaning it is impossible for anyone to beat me back, and I win the game.”

For a moment, they were silent, gaping at him.

“How?” Cole murmured. “Dude, how did you do that?”

“He just crossed half the board in one turn,” Kai spluttered. “And I was about to win! That shouldn’t even be possible!”

“How many moves were you planning ahead?” Zane shook his head. “Your strategy appears to be far more complex than any of us were anticipating for this kind of game.”

“I knew something was up when he kept stashing his ability cards,” Jay groaned. “We were all using ours, but he hardly used any- he was saving them up to use them all in a big power move and catch us off guard, the little rascal!”

“You liar,” Nya hissed. “You said you only played this game a few times! This was way too complicated of a plan for a novice player.”

“Technically, that’s true,” Lloyd grinned. “I have only played a few times. But I never said how long I played for each time.”

“You conniving little gremlin.”

“Now, Nya,” Lloyd scolded in a sagely voice, barely able to suppress his laughter, “I’d be careful how you speak to me from now on. If you’re rude, I may not give you any Starfarer.”

“Yeah, this is going to get old, very quickly.”

“I can’t believe it,” Jay sighed. “You never share comics with us.”

Lloyd gawked at him. “Are you kidding? It’s because of my sharing that you guys are even into Starfarer in the first place! Jay was the only one who knew about it before I came, but even he didn’t tell anyone else he was a fanboy and kept stuff hidden in boxes. When I showed interest, do you remember how excited you got? You took everything out, just for me.”

Zane shook his head, smiling. “I still can’t believe you got me to binge the entire series.”

“Or how I spent hours investing in that game and tracking down all that information in the comics just to beat Jay’s high score? Which I crushed, by the way.”

Jay scowled. “For the last time, you beat me by five points! You didn’t crush anyone.”

Cole scoffed. “Someone’s just jealous. If it weren’t for Lloyd, I would’ve never beat you.”

“You showed us all something we love, huh, squirt?” Kai ruffled his hair, and Lloyd pulled away, like usual, but grinned at him, bumping his shoulder gently.

“Remember when you used to get all upset at me for slacking off and reading Starfarer comics during training?”

Kai reddened. “That was different! We were preparing you for the Final Battle, there was a lot to be done.”

“Hypocrites,” Lloyd whispered, giggling as he ducked a swing from Kai.

“Well, what are you going to do now, ‘master of the comics?’” Jay asked. “Hoard all the books to yourself? Read in front of us to taunt us?” “Tempting,” Lloyd said, “but I think first, I want to play another round of the Starfarer board game.”

Cole blinked. “Lloyd, it’s seven pm. And this took us like five hours to get through the first time.”

The ninja blinked at each other.

“Oh, it’s on!”

#ninjago #ninbingo #my fic #rosie writes #lloyd garmadon #jay walker #ninjago kai #ninjago nya #ninjago cole #ninjago zane #ahhh this is my last bingo fic!#its been so fun thank you all!#I'm especially grateful for Fabro :)#without this event we might've never been anything more than just acquaintances :)#im so glad we're friends now #luv u bestie #thanks for being so supportive and for hosting this event!#thanks for reading!#reblogs and comments greatly appreciated!

29 notes · View notes

littleeyesofpallas · 3 years ago

Text

I was going to do these at random but then i got it in my head to stage these as an alternative first round of fights like in the manga, even though we really didn't get to see most of those play out...

To start i feel like the most obvious match up that we missed out on would've been Zaraki fighting Driscoll: For one Zaraki works around the bankai theft by not having one, and his whole made for battle/blood knight character type plays directly with The Overkill. Kind of like in his fight with Nnoitra, it'd make for a great emphasis on what Zaraki's actual strengths are; not that he simply fights and kills people, but that his supposed infinite potential comes from being pushed to his limits and learning to adapt and overcome new opponents. By contrast Overkill only gives Driscoll more power based on killcount, even if the people he slaughters are weak and he doesn't learn anything from fighting them.

So, the fight could start with the two of them both hacking their way through waves of faceless low rank goons to draw a parallel, but in the fight itself Zaraki's emphasis would be on drawing on meaningful fighting experience even with no bankai, while Driscoll would rely on a stolen bankai and a superficial killcount. There could be a fun moment where in a fit of desperation Driscoll tries to boost his power by squeezing in extra kills, targeting more weaklings, and lashes out at Yachiru, but she deflects his attack all on her own, he's shocked and confused, and in the moment of hesitation Zaraki lands the finishing blow.

Much less thematic, but I feel like Bambietta, with The Explode, would've made for a better counter measure to Byakuya's Senbonzakura. She could've opened the fight with her projectiles and Byakuya would got through his usual routine of fighting at a distance and being dodgy and precise with his blocks and counters, until suddenly he'd realize there were less petals than before, and Bambi could explain how every time he "blocked" her Explode projectiles they turned some of his thousands of blades into bombs and blew up. And she'd taunt him about how many blades does he have left and how long can he keep up defending himself while sacrificing his petals. He'd smugly use his bankai to summon up its crazy number of petals and ask if her explosions can keep up with so many petals, but then we'd get the reveal and she'd seal it away. Then Byakuya would have the moment of stark realization where he has zero petals to fight with. And then he'd get blown to hell and back before ending up in basically the same situation he was in with As Nodt in the actual manga shoved into the back of a bloody crater.

Similarly I don't think there's too much thematic resonance in this match up but I like some of the kind of obtuse dynamic they could have. it's never properly addressed, but we do know that Candice is technically one of the newer Sternritter, as she's said to have less control over her Vollstandig when hers is involuntarily prompted. Giving her lightning theme I like the idea that maybe she's something of a prodigy herself. Obviously not as young as Hitsugaya, proportionally speaking, but a fast learner and someone who rocketed up the ranks of the Wandenreich as a genius technician of Quincy skills. Hitsugaya could have a little back and forth about what it means to be a genius, and the difference between instantaneous intuition and carefully practiced talent. It would prompt his bankai and how real power comes from sober self reflection and not self aggrandizement, but then she'd take advantage of his weather gathering, like he used with Tier, and use it to amplify her lightning, get one good hit in, Hitsugaya would brush it off and ready a counter attack, and she'd seal his bankai.

Also room for some kind of banter with Rangiku, I'm sure. Probably with her calling Rangiku old and starting a whole cliche back and forth over that.

Meninas deserved more love, and screen time, and a real fight to herself. I feel like the best way to really illustrate her schift as The Power would've been to have her, and not the early unrevealed PePe, be the one to fight Jidanbou. Not that the gate guardians even make much sense being involved when the Quincy didn't invade through the four gates, but still... I'd love to see little Mini just arm wrestle Jidanbou and/or the other gigantic gate guardians into submission effortlessly. Have Komamura show up with his bankai as the one thing even bigger than the gate guardians. And then Mini steals it, instead of Bambietta, and gets into a raw strength beatdown with Komamura himself as the biggest of the captains.

I'm still mad she never hulked out properly. We only ever got the one panel of her with a buff arm going after Liltotto when she got lovestruck. Unrelated to this iteration of alternate fights, but it also would've been neat to see her fight Kira; he'd try and utilize his shikai the usual way, but Meninas would just get bulkier the heavier Wabisuke made her to carry the additional weight. And then Kira would end up baffled and terrified in the shadow of a fully hulked out Meninas.

Maybe a little too obvious, but I feel like a proper wushu fight between Sui-Feng and Cang Du was stolen from us. It also would've been a perfect set up for the bankai theft because Sui-Feng could go full assassin but immediately run into the problem that if Cang Du's Iron skin can't be pierced, then she can't leave any marks to hit twice. So obviously that makes her only option the bankai, and he can swipe it from there. I feel like unlike most of the other captains Sui-Feng would get to have a cool moment where she still fights Cang Du to a standstill even without her bankai, but then of course he just sinks back into the shadows at the end of the first raid.

This one feels like a stretch, but for all the weirdness of PePe and the creative choices that went into him, I liked the little bit of his explanation of his powers where it wasn't just a romantic or erotic kind of Love that his power controlled, but that he compared it to the instinctive need to protect an innocent baby. And with Jizo being the patron deity of dead children, it would have been really cool to see him have some thematic play with Mayuri. I know it's not how his powers worked in canon, but I actually would've really liked if his power wasn't as directly focused on himself. So that he could provoke people to act on their strong desires to the detriment of logic, but without a lot of direct control over it. So he'd hit Mayuri, and Mayuri would shrug it off because he doesn't care about anyone and then without warning Nemu would be put in danger in the course of the fight and Mayuri would be compelled to protect her. And he wouldn't know what happened as he threw himself in the way of an attack. Then like everyone else he'd pull bankai and PePe could steal it, so that weird creepy cupid man could have a giant creepy baby. but more importantly Mayuri could quietly and furiously ruminate on his feelings during the interim training arc

I know Mayuri didn't actually lose his bankai with the rest during the first attack in the manga, but it felt like he should have since his was part of that batch of SS arc bankai we saw earliest and got kind of accustomed to throughout the rest of the Arrancar arc. (more so than Sui-Feng's at least) Actually in regards to that same sentiment, I feel like renji should have lost his bankai too, even though his ostensibly posed less of a threat than some of the more well honed captains'. It's a shame that so many of the lieutenants just kinda got lost in the background of this arc. It would've been really cool to see the gotei compensate the loss of their bankai by doing more tagteams and group fights

#Bleach #i dunno #do i tag this as AU?#i dont really do this sort of thing normally #shinigami #sternritter #quincy #bankai

47 notes · View notes

sineala · 4 years ago

Note

After reading some comics about Iron Man, it seems he has a hard time developing a real relationship with a partner. He sleeps around a-lot, I think he might be a male nympho, like it seems he's addicted to sex. I was surprised in the last issue of Invincible iron man (#527) during the panel where he has some escort in his tub, what's funnier was when Pepper walked in and somehow the escort was able to hold her breath and hide underwater, I feel writers are unable develop and write him correctly

I’m trying to think of a way to put this that’s not “that’s because you’re reading Matt Fraction’s run” but... that’s because you’re reading Matt Fraction’s run.

Okay. So the thing about most fandoms is that canon is canon, and it’s very clear what is and is not canon. And it’s possible to watch a movie, or watch a TV show, or read a trilogy of novels and come away with a coherent picture of what the characters are like. Any given canon is usually made by a particular person or relatively small group of people, and it’s usually made over a relatively short span of time -- even the longest-running TV shows and the most-delayed book series don’t usually take, oh, more than 10 or 20 years at the most. I mean, there are exceptions, but for the most part, most canons are a snapshot of the era that they were made in (in terms of the values and attitudes that are reflected) and they have few enough hands in them that characters can stay relatively consistent.

This is not at all what comics fandom is like.

Marvel Comics have been made over decades and decades -- starting in the early 60s for modern Marvel, or the 40s if you’d like to count Timely Comics and Captain America -- and by hundreds if not thousands of different people. The people who are making them now are not the people who started making them. They’re not the people who invented the characters or the universe. And the values and beliefs and general societal attitudes that they are reflecting right now are not the ones that they were made with, actual generations ago.

And the fun thing about Marvel Comics is that everything is canon. Unlike DC, there have been no line-wide reboots. If you’re reading a comic from 1963, whatever happened in that comic is still considered to be true unless a later comic has deliberately contradicted it. So it’s all true. But at the same time, it also isn’t all true -- the characters are not aging at the same rates at which the comics are published, Tony’s origin story has now been set in something like four different countries, I no longer have any idea who Wanda and Pietro’s parents are, and so on and so forth. So the current writers basically pick what they want to be true and work from there. And they sometimes end up making radically different choices in characterization because that’s what they feel is the best way to modernize the character. So what you end up with is a bunch of things that are theoretically all true but in practice cannot really all coexist.

And sometimes fandom looks at canon and says, “We don’t like that change. Many of us don’t think it’s consistent with the established characterization. So we’re either not going to think about that part or we’re going to figure out a way to explain it that fits better with what has come before, that makes us happier.”

So Fraction’s Iron Man run is one of those points of contention. There are some things about it that pretty much everyone in fandom is going to accept, because it’s hard not to, because of the radical changes that are made -- say, the brain deletion in World’s Most Wanted. As far as I know no one writes fanfiction and pretends that Tony still remembers Civil War. I’m not talking about fixits where he gets the memories back -- I mean saying, “Nope, that didn’t happen.” Fandom certainly could. But they pretty much don’t. And there are some things that much of fandom would prefer to gloss over -- like, the fact that Tony sleeps around. And I don’t think it’s the case that people are doing this because, say, they personally disapprove of this behavior -- they’re doing this because they don’t think it fits with the extant characterization of Tony.

Let’s say you’ve got, oh, fifty years of canon where Tony’s attitude toward relationships can basically be summed up as serial monogamy. Sure, he’s dated a lot of people, but he’s also been around a long time -- he’s had enough time to have a lot of committed relationships. And as far as I can tell, he was pretty serious about everyone he was with -- or at the very least, he wasn’t out there having one-night stands. He’s been engaged. He’s clearly out there looking for love. And then you’ve got maybe ten years of canon, starting with Matt Fraction’s run, where Tony really starts sleeping around.

So, both of these things are canon. But which do you believe? Do you believe in the older characterization, because that was the original conception of the character? Because it’s been the characterization for longer? Does that make it more true? Or do you support the newer characterization because that’s what Marvel wants the character to be now? Or do you find some way to reconcile them? I mean, you could. If you asked me how I’d make it make sense, I might say something like: “Tony’s behavior in this run is markedly unlike his previous behavior and I attribute that to his feelings about his declining public reputation after Civil War and Fear Itself, as well as his now-canonically-stated depression; perhaps he feels that he isn’t deserving of love or long-term relationships at this point, and he’s deliberately seeking out casual sex, possibly partly as a form of self-harm and partly as a way of attempting to alleviate his depression.”

Now, you might not buy that particular explanation, and you are totally free to come up with one you like better, but you get what I’m doing, right? I’m trying to come up with a way that makes what we have now make sense with everything we had before.

Or, you know, we can all just write fanfiction set in volume 3 and pretend everything after never happened. I’ve never done that before and I have no idea what you’re talking about. Ha.

So if you say to me “I think Tony’s addicted to sex” I’m probably going to say something like “I can see how you’d say that about Matt Fraction’s IM run but I don’t think that’s in character for Tony as a whole and here’s why.” And then I might talk about, say, how he does not display this behavior at other times in canon and maybe mention some of the many people he was very serious about. Rumiko Fujikawa. Bethany Cabe. Whitney Frost. You get the idea.

I hope that makes some kind of sense.

#Anonymous #replies

115 notes · View notes

hetalia-club · 2 years ago

Note

Hey I just found your blog and I am truly happy to have found another active Hetalian!🥰

I only know Hetalia for 3 years or so and then started doing video meme edits with Hetalia last fall. It's rare to find active ppl in the fanbase 😟.

I read in your description that you make memes yourself so I thought if you don't mind, would you help me with a request I have for the community?🥺 I really don't want to sound rude since you don't know me, so I ask only if you feel okay with this. I don't want you to think I only use you or anything like that😥

I search for Fanartists or fan made colorations of the manga who want to collaborate and would give me the permission to use the heads/faces of the characters of their artworks/ colored manga panel versions for editing purpose. So I can also edit the newer characters without anime debut yet or the ones who rarely appear in the show more frequently in my videos.

I'm still small on YouTube, IG and Tumblr and finding active artists is hard (most arrists on Twitter and Pixiv don't speak English), so I don't think my last Tumblr post with the request will have a wide reach😔. So I'd hoped by maybe reblogging my newest post or by posting this ask here could help me to reach the right artists who want to collaborate with me. I give full credit for the artworks to help the artists in return.

You can see for yourself what kind of edits I make if you want to, in my latest posts there are edits and a link to my 10 minute compilations. Maybe that helps to understand my request al little more.

English is not my first language, so I'm sorry if this sounds confusing or complicated to you🫣

Thank you for reading this far, I didn't meant to make it this long 🫠

For sure I'll check it out!

#ask

2 notes · View notes

ciircularr · 4 years ago

Note

have u ever read ten? or other works of fkmt? and if so what are ur opinions on it?

hi anon I hope you don't mind I'm gonna use your ask to just give a little personal review of the major fkmt works 😭 but yeah I have read all of the big 7! prefacing with my bias that I think all of these are really good series and none of them are misses, even tho I'm critical of a few of them

in the order I read them:

kaiji: masterpiece.... obviously I think this ❤️❤️ the best the greatest the object of my obsession for the past year and a half. I could talk forever about it but I will spare everybody ❤️ I will just say kaiji himself is quite possibly the most likable character in any piece of media I have ever engaged with. I have never seen a mc so positively recieved by everybody... you just can't help but love him

kurosawa: incredible. remove some of the small unnecessary uncomfortable bits and it would literally be flawless. there are so many gut wrenching parts in this that idk what even to say??? easily fkmts most emotional work. cried like a baby more than once. I don't think kurosawa would resonate with everybody but the issues within it were ones that sit extremely heavily with me personally so everything really felt like some kind of targeted jab at my heart. as an aside, fkmt is evil for making a sequel as dogshit as shin kurosawa. I didn't believe people re: how dogshit it really was, but my god there is nothing redeeming about it

gai: I don't have a lot to say about gai! It's good! It's short! It's different! sits firmly in the middle of fkmts works for me. explores some very deep concepts and gai is a fascinating protagonist to put with these concepts

zero: I love love love love zero... fkmt feels so heavy all the time so it's really nice to have a series that feels comparatively lighthearted. the gambles/puzzles are super fun and every single character is so good... Suezaki my love.... idk zero is so feel-good!!! to me it weirdly feels similar to kaiji in a lot of aspects that I'm not sure I can articulate, but it felt really nice. that being said it gets docked points for being amazing and just stopping...?? fkmt please ditch shin kurosawa and write part 3 I'm begging you

gtk: i think I like gtk a lot less than most people seem to? idk it doesn't really do it for me... i think older fkmt in general appeals less to me in general? some of the gambles seem too simplistic when compared to his newer works which inherently make them less interesting. highs were good (kamui obv, I also like art dealer arc which most people seem to not be into??) but the lows are rough. i struggle to care about ginji and moritas relationship because they are weirdly apart for most of the story and I don't feel like I ended up seeing the development I wanted from them. dislike the ending quite a bit, it really shows that fkmt was stopped short, which isn't his fault but still makes for a dissatisfactory conclusion

ten: I still don't know how I feel about ten... I'll be honest w you the first 40 some chapters are the worst fkmt has to offer, for me... absolutely dragged and the straightforward mahjong could not keep me interested, it took me months to get thru it... That being said the entire final part was absolutely mesmerizing. one of the major highlights across fkmts entire body of work. i will never forget the dialogue between akagi and soga.... peak peak storytelling. I have a feeling if I read ten again I would appreciate it a lot more and have a more positive view of the first half

akagi: I didn't think anything could top kaiji for me but akagi tried really, really hard... I still like kaiji better subjectively and am more attatched to kaiji characters but akagi is incredible and objectively, probably fkmts greatest work. super brilliant and definitely the cream of the crop art wise, fkmts paneling is insane in akagi. insane how he can write a story about a guy that cannot lose, you know he cannot lose, and it still ends up being as compelling as it was... was on the edge of my seat the entirety of washizu mahjong... a+++

sorry for so much text I love talking about fkmt 🤓

#fkmt #ask

16 notes · View notes

nuttyjellyfishlover · 3 years ago

Text

One Piece Anime Wano Arc Episodes 890

One Piece Anime: Wano Arc, Episodes 890 This honestly is less going to be a review and more of a commentary as I watch through the anime's rendition of the Wano arc. I've honestly never really watched too much of the One Pieceanime, mostly just looking up the highlights of the arcs I read in the manga. I did watch the filler episodes and most of the movies, as I've talked about at length recently. And everyone tells me that the anime has some rather terrible pacing, particularly around the time of Dressrossa, which is apparently pretty padded out. But then I heard the absolute opposite for Wano, where the anime has received a new art-style and one hell of a fancy makeover. And I thought... hey, I'm on a One Piece kick this year, clearly, so yeah, I think I'm going to give this a shot.

The Wano arc, I think, is one that works a lot better because it has the reverse problem of a lot of One Piece arcs -- there are a lot of moments in Act One of the manga's version of the story that the writer clearly purposefully threw in a couple of off-screened moments that the anime could expand into full action scenes. I already know that Sanji versus Page One is fully animated in the anime, and scenes like Big Mom vs. Kaido or Zoro vs. Basil Hawkins are extended a lot more than the couple of panels we had in the manga. And Wano's got a lot of supporting characters, some of which actually get swept under the rug when I first read through the manga chapters weekly. So yeah, having bright colours and voices and music is going to make this a much more fun experience!

Anyway, here goes my collection of random notes and commentary. Be aware that there will be MANGA SPOILERS, as I will point out a couple of things here and there about stuff I notice that's foreshadowing or whatever:

* Marco's blue-and-yellow phoenix form looks so, so much more vibrant and pops out compared to anything else in the series in colour, huh? I think out of any other character, Marco is extra-memorable in animated format. * That said, basically half this episode is just a recap of the Paramount War. I mean, I haven't seen the Paramount War in full animated format, so it's nice to hear Whitebeard and Ace and Marco speak some of their more famous lines there. But on the other hand, it's also it's kind of one of the more-criticized parts of the One Piece anime that any time they could pad out an episode with scenes from a previously-produced episode, they will. * We actually get to see the Grudge/Payback War in the anime! I think this is less of a showcase of events that actually happened and more of a symbolic one, but hey, we get to see Blackbeard doing some sky-quakes and black holes and Marco turning phoenix. It just shows the Whitebeard division commanders getting sucked into a giant Dragon-Ball-esque spirit bomb Black Hole. Actually pretty neat! * Jozu has both arms in that vision. Whether it's an error or a spoiler or if he has a prosthetic a la Akainu in Film: Z, we'll see eventually.

* This episode also has a bit of a recap of the revelations about Wano from the Zou arc, but it's a lot shorter and feels a lot more relevant to the upcoming arc. * Brook actually expresses some interest on Vivi, apparently having heard of her from the others. I've always liked this from the filler episodes, of the newer Straw Hats slowly learning about prior adventures. Brook being Brook, of course, a panty joke was tossed in. * The Japanese-art style water waves look so pretty when animated! * The random octopus that makes Japanese kabuki theater (?) sounds is another thing that works so much better in the anime. I've always thought it felt a bit forced and random in the manga version. * The high-tempo music when the Sunny sails into the koi waves is very, very fun! * Ah, yes, the very first chapter of Wano in the manga shows off a bunch of carps jumping up a waterfall. You know, considering the whole legend that a carp that jumps over the waterfall transforms into a dragon... i.e., a fish that is also a dragon...

* The first one that's properly and almost fully drawn in the new Wano art style! And it looks gorgeous. * Also a new theme song! I've never paid that much attention to theme songs in anime, but I definitely like "One Dream One Wish" more than "We're the Super Powers". Shame that, as with most anime, the opening sort of spoils, like, half of the things that happens in the arc. * Speaking of great background music... the tempo of that opening instrumental that Komurasaki plays on shamisen is pretty catchy, especially with that octopus going iyooo~ in the background. It also makes for very fun background music for Zoro's rampage at the end of the episode. * Anime Wano is so freaking colourful. The rooftops, the kimonos, the hair... I think I remembered reading that Oda made it a point to subvert the fact that everyone in feudal Japan had black hair by explicitly doing the opposite -- black hair is the exception rather than the norm in Wano. Fun! * The frog on Usopp's hat is a real frog! I always thought it was just a hat! It's adorable! The wiki tells me it's called Gama Pyonnosuke. It's an adorable friend! Forget Carrot or Kin'emon or Yamato, Gama Pyonnosuke for next Straw Hat! * The biggest expansion here is that we actually follow Zoro around as he wanders around the city until he gets arrested by the corrupt magistrate. And Zoro actually bumps into the man-slayer and corrupt magistrate, actually explaining why he recognizes the specific scent of blood during the whole seppuku court. * And then we get around a minute of Zoro fighting the magistrate guards with the seppuku knife and good ol' fisticuffs, something that I didn't think I needed, but is certainly very fun to watch! * This new animation studio loves the angled zoom-in into eyes, and I highly approve. I think we had that like at least three times when Zoro decides to get dangerous.

* I never quite realized that if Luffy hadn't been interrupted by the octopus and washed up next to the Thousand Sunny, the poor ship would be literally left to its own devices. You'd think after losing Merry, the Straw Hats would be more careful with their ships... * Zoro gets to slash the magistrates up even more! It's a single Tatsu Maki, but god damn what a pretty Tatsu Maki. The shot of his feet kicking and breaking the wooden floor, the black aura around his blades, the way that the dragon aura appears behind him, the demonic red eyes as Zoro slams down from the sky, and the shots of the surrounding terrain being cut up into cubes... pretty awesome! * Luffy dodging the bullet from the random Beast Pirate goon with Observation Haki and the gomu-gomu-long-range-bitchslap has always been cool in the manga, and this episode makes it even cooler. Those glowing eyes! This is going to be the whole commentary, isn't it? Just me commenting on the scenes I find to be really cool? * Luffy's Conqueror Haki against the giant baboon is another very cool one. From the expression to the delivery of the line to the sound effect... Luffy's expression is actually pretty cool and borderline scary as he beats up the second goon. No wonder Tama went straight into "This is the I surrender pose!" * Also added in the anime is a vignette of Franky, Robin and Usopp seeing the news of Zorojuro becoming a wanted criminal. Again, not entirely necessary to know the story, but actually scenes that I don't mind being shown to us. Particularly that scene of Usopp utterly bullshitting an officer. * Luffy pets Komachiyo with his rubber arms. Komachiyo is a good boy. This is the most important scene.

* Did the manga show Luffy hiding the Sunny and letting it anchor in a cave? I don't remember it. I know that before the flashback and the raid we see the Sunny there, but it's nice to actually show Luffy not being so callous with the Sunny. * They got a pretty good voice actress for Tama that really makes her pretty adorable! So many times these kid guest star characters end up being annoying if they don't get a good voice, but between the voice-acting and the expressions, she's pretty fun! * Also, I think this is going to be something I repeat a couple of times, but both Tama and Tenguyama are so much more visually interesting with their full colour palettes. * Oh, right, Drake was the one that ransacked Tama's village. Wonder if that'll actually come up later on in the story... * Okay, thanks to the anime, it's really going to drill to me that it's pronounced 'Diez Drake' and not 'Eks Drake'. * I'm pretty sure everyone noticed it, but Ace learned to weave hats in Wano! That's how he became buddies with Oars Junior! I didn't notice it until just now!

* (Episode is the Cidre Guild filler arc that ties in to Stampede.) * What is Tenguyama waiting for? It's probably Oden or his retainers, but I don't think he's part of the samurai that was recruited by Kin'emon's group. Maybe he just missed the big recruitment drive, but that's weird. I wonder what role he's going to play in the arc... * There is a random metal guitar riff when Luffy sees the Nidai Kitetsu. And a glow of Observation Haki on Luffy's eyes. That's a small detail, but very cool! He also uses Observation when Hawkins arrives later on. I love the little trail of glowing red that streams out of his pupils when he activates it. * Tenguyama's sword has a very cool leaf-based handguard! Never noticed that. * Speaking of cool Observation Haki effects, Zoro's apparently activates when he senses sake. Appropriate! * I know it's me repeating this over and over, and we'll get so many cooler scenes later on, but Zoro casually launching that Phoenix Cannon to blow up the two random raptor-riders when he saves Tsuru? Such a simple scene but still so cool. Also very cool is the very brief slo-mo as Zoro re-angles the pathway of his slice when cutting down the second random goon. * Unlike most of the other things, I've always noticed that Basil Hawkins has a very cool Koma-deer mount. It looks even cooler in motion!

* This is perhaps one of the more extended scenes, since it features... fight scenes! In the manga, I think this lasted... maybe half a chapter? Less? A couple of page spreads? It's not just the Hawkins fight, either, Luffy's 'swordfighting' with Nidai Kitetsu also gets extended. Luffy's a bit more successful in using the sword to block and parry here. * Luffy's voice actor really makes the 'de gozaru' sound really funny. * I 100% missed Tsuru the first time I read through this chapter since we only see part of her in a single panel before her full-body debut after the Hawkins fight, and it's a lot less likely that you'll make that mistake in the anime. * Some 'elite' goons show up here, including a guy that uses his ponytail as a whip against Zoro, and a dude that makes fissures with a hammer that fights Luffy. Probably feels a bit more filler-y compared to the rest of the action scenes, but that's honestly nitpicking. * Zoro launching a Phoenix Cannon that slashes Hawkins's face is very cool. * Hawkins' little straw dolls gets an extended scene of it crawling out of his arm. It's so creepy, I love it. * Hawkins' giant straw demon StandBankaigets an very cool summoning animation and it's so creepy. The skies darkens and everything. Most importantly, it makes noises! Again, I love it.

* Luffy and Zoro vs. Hawkins! It's extended beyond just the simple 'dodge, then one-shot-slash' that it was in the manga. I really like Hawkins and his creepy-ass Straw Stand, so I am a huge fan of this. We get a couple of nice juxtaposition shots of Hawkins and the straw monster. Also Zoro goes shirtless in the fight. That's an important detail! * I really, really love how Zoro is having a gritted-teeth expression as he fights the giant straw demon; the straw demon is going gakakakakakakaka like a lunatic... then we cut to Hawkins who has a deadpan, bored expression as he swings his sword in the distance. * The animators really like to let the straw monster use the nails entwined to the tips of its fingers. That's fun! Zoro backhand-blocking the nails from hitting Luffy and Tama? That's cool! * Zoro does Ichi-Gorilla-Ni-Gorilla at one point, and totally slices and 'kills' Hawkins a bunch of times. * Also, speaking of pretty, glowing-eyes motion shots, Zoro using Nigiri: Toro Samon? Yeah. The cut itself is cool, but the zoom-in on Zoro's eyes as he does so? I'm sorry, I have a weakness for that kind of shot, it appears. * To extend the fight so that it's not just a single exchange of blows, Komachiyo gets knocked to the ground so that Zoro and the straw demon can actually fight for a bit. * Also shots I have a weakness to? DBZ-style 'aftermath of a powerful move'. This one isn't too over-the-top, but the slash extending into the sky and the shockwave rippling out from where Zoro slices the strawman thing is cool. * We actually see the scene of Okiku being harassed by Urashima in chronological order, and Urashima scares off a customer. Also, the implied scene of Zoro scaring off Urashima is actually shown here.

* This episode kind of extends the scenes in Tsuru's shop a bit more. Not the most exciting thing, but it does really help to build up Tama, Tsuru and Kiku. * ...wait, Tsuru's shop just displays the Kozuki crest very, very evidently on its door awning. If simply speaking the Kozuki name alone is a punishable crime, how did they get away with that? * Zoro trying to get Luffy to adopt a Wano-ized name is extra-funny in the anime! * Speaking of extended fight scenes, Batman gets to shoot alotmore arrows at Luffy and Zoro. It's kind of over-the-top on Batman's part, if we're being honest, even if Zoro and Luffy very easily dispatches of them.

* The anime does give Batman the ability to control his arrows via sonic waves or something, but he lasted for a much, much longer time than he really should have. * Batman fucking blocks Luffy's Busoshoku-empowered punch! He most definitely doesn't do it in the manga, and sure, knocking Luffy down with sonic waves? I buy that. Blocking Luffy and causing a small explosion in the air? ...I'm pretty sure just some random Gifter isn't supposed to be able to do that. Unless they're thinking of the other Batman? * They make the initial shot of Holdem answering the phone with the lion face pretty intimidating! * Holdem's lion beating their shared balls is still one of the weirdest jokes in the manga. * Some really nice face shots in this one, from Tama to Holdem to the lion to Luffy's group.

* A pretty obvious extended filler is Urashima bullying other sumo wrestlers. Urashima is kind of a dipshit, so it's not a particularly enjoyable filler for me. * Zoro gets to sumo-wrestle with one of Urashima's goons! This one, on the other hand, is pretty fun. We also get a little added bit where Zoro smirks after remembering Kiku's earlier insistence that she's a samurai, so it's less of a 'he doesn't give a shit' and more 'he wants to see what Kiku's skill is' or something.

* Luffy vs. Urashima is prolonged a bit in here, obviously. Not as entertaining as fighting Hawkins or even Batman, but okay, sure. Lots of grunting and growling in this one. Urashima cheats a bit more, Luffy has to use Armament Haki at one point... really don't think Urashima's someone that you should bother using hardening on, Luffy. * The kabuki-style delivery of "I'm going to be the king of pirates" is very well done. * Poor Tama! Holdem's a jackass. * We actually get to see Urashima crashing into Holdem's house, in yet another obvious 'hey, anime team, this is something for you to animate' scene from the manga. * Law gets an extended scene with seeing the sick Bepo, including a Room/Scan showcase and Bepo looking cute and Law being unable to keep being angry at him.

* The fight against the pirates and samurai in Bakura Town gets extended a fair bit in this episode. Luffy throws Nidai Kitetsu's scabbard around again, repeating the thing he did before. * This episode noticeably has a bunch of brief flashbacks to previous episodes. Anime episodes do this all the time to easily eat up like, ten or fifteen seconds of runtime. But I felt this one was particularly noticeable since it's to the previous episode which we already had a recap segment of before the episode begun. * Ball-de-boo!

* We get an adorable crayon drawing memory when Luffy remembers Zunisha one-shotting Jack's fleet. * Luffy and Zoro's synchronized neck-crick is pretty fun. Also fun is their super-speed when they simultaneously rescue Tama and steal the food barge. The question is, where is this super-speed when they were bamboozled by Batman and Gazelleman? * Unlike the anime, Holdem is able to turn his sword into a flaming segmented sword. It's like Zabimaru from Bleach, but on fire! * We get an extra scene of a random goon holding Kiku hostage and Zoro locking eyes with her and saying "I'm not going to help you", knowing full well she's pretending to be a damsel in distress. * Speed also gets to do something here! She gets to shoot Armament Haki'd arrows at Zoro and Kiku! In the manga she doesn't do anything while this is happening. * REDDO HAAAAAWK! * God damn that's a very satisfying Red Hawk. Such a pretty-looking one! This was the scene that a friend showed me that got me excited to sit down and watch the Wano arc in anime format. From Holdem shooting a lion's fire (how does that work?) and engulfing Luffy, to Tama's yelling, to the zoom-in to Luffy's angry eyes, to the orb of flame dissipating, the zoom-in to Luffy's angry face, the impact, the music... it's just Luffy beating up Holdem, who means jack-all in the grand scheme of things, but what a badass Red Hawk.

And I think that's a neat place to stop off, with the initial Hawkins-Urashima-Holdem opening prologue to Wano done with. I'm not sure how often I'll update this little watch-along series, but I certainly am enjoying myself!

2 notes · View notes

bluegarners · 4 years ago

Note

If you're taking asks I would love to hear your thoughs about the Ric arc and the current state of Nightwing comics!!!!!!!!!! :))

Oh goodness, where to begin...

To start, I share a lot of the same opinions as @nightwingmyboi and @hood-ex ~~ they have very extensive and well thought out takes on the Ric Arc and the general direction DC has decided to take Dick Grayson with, along with his legacy of Nightwing. I highly suggest you read some of their posts about it, as they are very informative and probably more well versed in explaining opinions, haha!

So, my thoughts on the Ric Arc? Like most fans of Nightwing, I believe it kinda sucked ass. Like, sucked ass in the way where DC kinda just forgot characterizations (again), made it all about Batman (again), and ignored good side characters (Bea). The only thing positive I can really say about that whole arc was the art- I really enjoyed the take on Dick's features in Nightwing #74. I was happy they gave him more ethnic looking features with the fuller lips and the more angular nose. (However, they kinda screwed up with the heights??? Jason was tiny!! Barely 5' 4" it looked like LOL) The colors were pretty as well, Ryan Benjamin is a favorite artist of mine, and most of the scenes were fluid.

Another positive I can say about the Ric Arc is one of the very beginning scenes, where Damian goes to see Dick in the hospital while he's still recovering. It was moving that they let Damian be an impatient child when "demanding" for Dick to wake up, and then follow it up with him essentially fleeing and crying when he's not answered. Of course, Damian isn't really mentioned again after this, but it was still really nice to see this side of his character.

The plot.... where do I start? I don't think I'll get too much into it because it'll only frusturate me more sdfslhf but I'll say this. While I am a fan of Dick Grayson angst, DC made it very... unenjoyable, for lack of a better word. It felt like they just threw in as many villains as possible, what with the introduction of the new "sidekick" for Joker, aka Punchline, the Court of Owls appearing for a very brief time just to screw with Dick's memory more, KGBeast and Bane conspiring to get to Batman through Nightwing BY SHOOTING HIM IN THE HEAD (okay, mini rant here: DC, if you're going to make this comic about Nightwing, please please please actually make it about Nightwing. Make the problem about him, not Batman. I get that Bane is kind of the main motivator here, what with him trying to break Batman by killing his oldest allie and destroying his marriage with Seleina, but surely there are writers at the DC headquarters that can come up with a separate problem that doesn't always involve Batman. Surely that's possible right? Nightwing's whole persona was made so he could be recognized separately from Batman; stepping away from Robin was supposed to free Dick of his restrictive ties to the Bat symbol. By always tying Dick's problems immediately back to Batman or one of his enemies, it defeats the purpose of Nightwing being his own hero with his own villians and his own freakin city with its own dozens of problems!!)

Continuing on with villains, here's what I can remember off the top of my head: KGBeast, Bane, Punchline, Joker, Harely (not really, but I'm going to add her anyway), Talon, and the Court of Owls. Now, this is going to controversial, but I'm also going to add the Batfam as part of that list, and here's why. They didn't care. Plain and simple, they didn't care about Ric, they only cared about Dick and what he could do for them. There were a grand total of maybe three times where the Batfam reached out to Ric to try and reason with him, but before all of that, they re-traumatized an already amnesiac and confused person by showing him get assassinated. Like, Bruce. Wth?? I know a lot of this was mostly character assassination, especially with Barbara, but come on. Barbara was really weird throughout this entire arc, and even after he goes back to "normal", she blames Dick for being mean to her, completely ignoring the fact that he didn't know who she was half the time. And that he was, ya know,

mind controlled by multiple villains for a majority of the comic.

Moving past all of that, since I feel like I could rant for ages about it, I didn't like how abruptly they ended that arc. The crystal being my main problem. DC has many scapegoats, the lazerous pit being their biggest imo, but a crystal? All they had to do was show it to him and BOOM cured??? There was no character development. The build up to it could hardly be called build up, as it was done and over with in the span of a few panels. Nothing felt high stakes anymore, and then after he got his memories back, everyone cheered and was like "yay, he's back to normal! you were a real ass to us, and we're not going to apologize for leaving you homeless and left to fend for yourself against all these villains even though you had no memories! oh, but don't worry! we were watching this whole time, so we just let all that stuff happen to you! wow, so glad you're back- we really need Nightwing, but I guess having Dick back is okay too."

That's a very crass interpretation of what went down, but that's what happened. Bruce's half assed excuse of "I was always watching" was awful because then it just leads to more problems of, oh well, if you were always there, why didn't you rent him an apartment so he didn't have to live out of his taxi? Or get him out of trouble and bar fights? Or stop the Joker from getting him and taking control of his mind? Or any numerous terrible things that happened to Ric? It's just annoying that no one seems to actually try and emphathize with what Dick went through, and it's all getting brushed to the side in favour of, "oh, well, back to work!"

They could've gone down so many pathways with Dick getting shot in the head, but instead they gave him amnesia, trauma, bad reception from the fam, and being passed around from villian to villain just to be used over and over again. It felt like this weird dump fest where the writers just woke up one morning and was like, "how many characters can we fit into this arc to get the most amount of readers as possible? How can we become more controversial?"

I know that in the arc after Ric, we're getting some of the aftermath. I'm so so happy they let Dick cry over Alfred's death (he really needed that release of emotions, poor boy has been bottling them up for the sake of others [again, DC, I know he's supposed to be the emotionally controlled one, but please let him be healthy with his emotions and not a shut in with them]) but they still haven't addressed Damian? Like, Dick and Damian were arguably the closest before shit hit the fan, and Dick isn't wondering where the kid is? Or exactly what happened with Alfred and how Damian witnessed it?? A large part of it is the Batfam not telling Dick any of it and kind of just leaving him to his own devices now that the "issue" has been resolved (sound familiar? history repeats itself yet again....). Something else that bugs me a bit is that everyone is telling Dick what he should be feeling/thinking/doing/etc. No one's letting him... grieve. Like, Dick just got his memories back and he's probably grappling with old trauma that's now fresh in his face. Additionally, everyone is assuming he's just going to go back to normal, as if none of what just happened, well, happened. They're erasing this brand spanking new trauma, along with the news that Alfred was murdered, and the fact that Dick is still trying to do his best for his family because it's whats expected of him. I mentioned earlier that Barbara was being really weird, @nightwingmyboi actually already made a post about it, but when Dick tries to apologize and talk to her about what happened when he was Ric, she just kind of... runs away? Dramatically? Didn't even attempt to hear what dick had to say- she was just so consumed with her own hurt that talking wasn't an option for whatever reason. WHICH IS THE COMPLETE OPPOSITE OF HER CHARACTER. It's frusturating because Dick is doing his best to apologize to people when he should have nothing to apologize for- he wasn't under any of his own control and the things he did while Ric or "Dickie-boy" weren't under his own will. If anything, Dick is the one that should get an apology and a hug; he's been through so much and no one seems to be acknowledging that.

All of that to say: I liked the idea of what the Ric arc could've offered, but the plot fell through and just disappointed a lot of people. I'm hoping a lot of the issues presented in the Ric arc that went unaddressed do end up being properly resolved in the newer arcs coming out, but I'm not going to be surprised if it doesn't. Sorry for the long answer LOL

18 notes · View notes

incorrect-pokespe-quotes · 5 years ago

Text

Volume 15 Recap!

Now that I’m done with Volume 15, it’s time for [drum roll] recap!! Review, Best Panel, and Best Expression are below the cut, but for now, it’s volume analytics!

Pokémon caught: 1 (Zuzu)

F-word (fabulous) Count: 2

Sapphire making animal noises count: 11 (this volume has growling, hissing, and whatever aaaarrgghhhhhhh!!! is)

Percentage of panels where Sapphire is screaming / shouting: 102/183 = 57%

Review:

All in all there isn’t much to say about this volume— it’s an intro and it does its job of making me love the characters quite well. There just.... isn’t much to say plot wise. Like at all. Conflicts and characters are set up, and admittedly I’m surprised we didn’t get any intro to Team Magma by the end but i feel it’ll show up soon enough. I found myself surprised by 1. How immature Sapphire was, she’s way more childlike than I remembered, and 2. how melodramatic Ruby is. I feel like it’s something that got lost in newer arcs but man this boy is a ham and cheese sandwich. The two of them have super intense personalities and I’m excited to see how they play off of each other, since most of this arc is centered off that sweet, sweet character vs. character conflict. I also love how this arc is clearly hinting at something deeper within the characters, and how they both have unresolved emotional issues that oh so conveniently mirror their external struggles! Sure would be a shame if their trauma was dredged up... and they were forced to confront it in a big climax in later volumes... hmm..... Anyway, I like this volume! It’s short, funny, and does what it needs to without too much extra fluff. There aren’t any pages or scenes that slog, so you know what? I dig it!

Best Panel:

Best Expressions: (There are so many good ones it was hard to narrow it down!)

#pokespe #volume recap #vol 15 #rs arc #not a quote #vex liveblogs #trainer ruby #trainer sapphire

38 notes · View notes

comicteaparty · 4 years ago

Text

Art Resources

Check out this plethora of art-related resources archived from Comic Tea Party’s Art Resources Channel!

RebelVampire

starting this channel off with @Kabocha 's site http://www.shooting-stars.org/ lots of fantastic brushes and materials to use for both photoshop and clip studio(edited)

https://inkarnate.com/ - a nifty site for creating maps. while there is a pro version, the free version still has a lot of features if you just need a map for personal use to reference for your stories.(edited)

https://bodykunposeoftheday.tumblr.com/ - lots of pose photos of the SH Figuarts Body-Kun figures. really great if you want to get some anatomy and pose practice in!(edited)

http://blog.studiominiboss.com/pixelart - if you're a fan of pixel art, this is a hugely great collection of tutorials by Pedro Medeiros. it's got everything from process explanations, animation tips, shading, and more.(edited)

http://terawell.net/terawell/ - Design Doll, a great 3d program solely focused on doll posing. learning to pose the dolls can be a bit of a learning curve, but it can be fantastic if you really need a specific pose reference.(edited)

http://www.yeoldemapmaker.com/ - another map making website. this one is a lot better for interiors, especially if what you want is to just understand the base layout of a room for reference.(edited)

https://www.textures.com/ - a good site for textures. you have to make an account to download them, unfortunately. however, theres tons upon tons of them. for comics they should be safe, but would recommend checking terms for other things.(edited)

Kabocha

Free Software: I have not personally tested all of these programs. Download at your own risk. indicates that I have used it. Pixia: http://www.ne.jp/asahi/mighty/knight/index.html Artweaver: https://www.artweaver.de/en (has paid version) Medibang Paint: https://medibangpaint.com/en/ Krita: https://krita.org/en/ MyPaint: http://mypaint.org/ (Pressure does not work properly on Surface devices newer than the Surface 3) SmoothDraw: http://www.smoothdraw.com/sd Paint.Net: https://www.getpaint.net/ GIMP: https://www.gimp.org/ Pinta: https://pinta-project.com/pintaproject/pinta/ Inkscape: https://inkscape.org/en/

RebelVampire

https://nattosoup.blogspot.com/ - If you aren't familiar with Becca's blog yet, it's really great. while there is an emphasis on watercolor and traditional art supplies, theres honestly just great information all around. processes, supply reviews, and so on!

Erin Ptah (BICP | Leif & Thorn)

http://leifandthorn.com/2018/07/resources-for-making-webcomics/ - resources I've collected over the years. Mostly art stuff (fonts, color harmony, body types, etc), plus some help with website accessibility and some general webcomic podcasts.

Desnik

This is not a free resource so I hope it's okay, but in just a couple of days poring over the first two pages of this book, I'm really feeling a difference in the elasticity of my character's poses. It doesn't get bogged down by medical terminology and sorts parts of the body by 'landmark' instead: https://www.goodreads.com/book/show/23580472-anatomy-for-sculptors-understanding-the-human-figure

this is speaking as someone who has multiple years of figure drawing practice from life...I wish this book had been out much earlier, it's just amazing

JaSketch

https://www.calligraphr.com/en/ Here’s a free to use website that turns your handwriting into a legit text font, and it works too!

keltyzoid!

speaking of fonts i've actually made a few that are free to use. there's a couple of webcomics i know of that use them. should can i post them?

https://www.dropbox.com/sh/r8wmj4kp2566jbn/AACCrP70zPVLr8h2f5F4d6BIa?dl=0

they're free, no license or credit necessary

kayotics

this is a pretty basic level "how I do comics" but i like to reference these how-to's from Mad Rupert sometimes as a refresh on comics: http://mynameismad.tumblr.com/post/163801383099/hello-in-case-you-havent-heard-the-sakana

lonelytuatara

for any fellow photoshop users who wanna get better at perspective, this video's been really helpful for me! https://www.youtube.com/watch?v=upxBGNcryRs

Delphina

Really helpful Twitter thread about effective paneling! https://twitter.com/h0lysarthole/status/1117464886123089921

Erin Ptah (BICP | Leif & Thorn)

Install old versions of Adobe products for free: https://helpx.adobe.com/creative-suite/kb/cs2-product-downloads.html?promoid=19SCDRQK There are terms & conditions, but the programs don't actually check if you fulfill them. It's up to you to know how much money you've given them, and what you're ethically clear to download in return.

Kabocha

If we're talking about Image Editors, a not-free alternative is Affinity Photo, which is reasonably priced. (I'd look for it to go on sale, but $50 for a perpetual license isn't bad at all!) https://affinity.serif.com/en-us/photo/ Their indesign competitor is in free Beta right now, too: https://affinity.serif.com/en-us/publisher/

Paint.net also still exists: https://www.getpaint.net/

https://www.patreon.com/posts/26834357 In the meantime, here's a post for alternatives to adobe.

https://twitter.com/robochai/status/1124044195092672515

JUNK

https://blog.reimenayee.com/graphic-novel-outline-onion-method/ neat

Hey, I'm sure everyone already knows, but clip studio is on sale for $25 right now! It is (imo) one of the best programs out there for making comics! https://twitter.com/clipstudiopaint/status/1169159411304210432?s=19

MJ Massey

if you're looking for a new display tablet, I found this useful site with tons of tablet reviews! They're organized by size and look at several different brands http://brad.site/reviews/wacom-cintiq-alternatives.html

Attila Polyák

How to draw good looking lightning/electricity! https://www.facebook.com/leesartandmore/photos/a.1370091679712083/2411389295582311/?type=3&theater

seetherabbit

https://www.youtube.com/watch?v=0pDE4VX_9Kk

DaeofthePast

Free to use comic font http://purastik.net/ames/e.html

MJ Massey

If you haven't watched Jake Parker's videos, I highly recommend them. They are very informative AND relaxing and encouraging https://www.youtube.com/user/jakeparker44

MJ Massey

GESTURE DRAWINGS! They're important for art practice, especially if you are looking to improve your forms! https://www.quickposes.com/en is my favorite. It has a feature where you can set it to show you different photos every 30-300 seconds to practice gesture drawing!

mariah (rainy day dreams)

Just saw this on Twitter. Haven't actually gotten a chance to look at it closely, but I thought other people might also want to take a look https://twitter.com/Worstwizard/status/1183475129084329984?s=09

Holmeaa - working on WAYFINDERS

https://twitter.com/noahbradley/status/1185286707819827201?s=09

Attila Polyák

Loads of useful facebbok stuff I meant to post a long time ago, but never got around doing it: https://www.facebook.com/AikaLockheart/photos/a.413147142066258/2235198713194416/?type=3&theater https://www.facebook.com/photo.php?fbid=472362883489284&set=a.130547804337462&type=3&theater https://www.facebook.com/geektower/photos/pcb.1089341477902964/1089341267902985/?type=3&theater

MJ Massey

picking pens! From Jake Parker himself https://www.youtube.com/watch?v=bNgYvTI09XE

MJ Massey

for anyone who likes podcasts, I enjoy 3 Point Perspective, particularly their most recent episode on building an online store and making sales https://open.spotify.com/episode/2twCBBjRWZlmzbvWkRoARG?si=N7PiY3UoTJCzq0zZovXsdg

Cronaj ~{Whispers of the Past}~

Here's a good reference generator: https://line-of-action.com/

SAWHAND

Hope this counts as a resource, here's a list of Best Comic Covers in a given month by Paste magazine, it goes up to June 2019. It was really helping me get ideas for covers! https://www.pastemagazine.com/search?t=Best+Comic+Book+Covers&m=Galleries

Cronaj ~{Whispers of the Past}~

This is great!

Erin Ptah (BICP | Leif & Thorn)

Ooh, yeah, those are great.

I did a redraw where I added another 7, for shots that aren't in the original that I also get a ton of use out of: https://www.deviantart.com/erinptah/art/29-Panels-That-Always-Work-748887838

carcarchu

ooooh https://twitter.com/cathygjohn/status/1216093817734139904?s=20

carcarchu

https://twitter.com/ClipStudioTips/status/1217058241613651969

renieplayerone

This may have been shared before but i am a HUGE fan of SenshiStock. Their references are so good and ive used their stock photos for a ton of studies and practice too https://twitter.com/SenshiStock

carcarchu

https://twitter.com/celesse/status/1219674655663042561

carcarchu

https://twitter.com/dankelby/status/1220254171049418752

mariah (rainy day dreams)

https://kingofooo.tumblr.com/post/161105648449/by-storyboard-supervisor-erik-fountain-a-few

Krispy §[Ghost Junk Sickness]§

https://twitter.com/ImRachelBradley/status/1216042005698174977?s=19

carcarchu

https://twitter.com/cyanparade/status/1229450046480867328

Cronaj ~{Whispers of the Past}~

@Feather J. Fern This is the video: https://www.youtube.com/watch?v=NEvMHRgPdyk

Cronaj ~{Whispers of the Past}~

@Javi An oldie I still find useful for learning how to draw people: https://archive.org/details/andrew-loomis-drawing-the-head-hands/mode/2up

Nutty (Court of Roses)

https://twitter.com/Lowtwait/status/1232479451721502725

Artem Ficta (Ring Spell)

https://www.youtube.com/watch?v=zlh4PO-ISCA

video that looks into this current humble bundle pack

looks kind of interesting

doomedfrgarden

I'm not sure if Borodante's Over-Paint series has been posted here (I didn't see it, but I don't have my glasses so I can't promise a thorough search), but his digital painting tips have been incredibly helpful and inspiring to me, so I hope it helps someone else here. https://www.youtube.com/watch?v=yDKgohjbwY8&list=PL26-CxnLWOfD_h42yjpO44dPAo3-pijgb&index=23

Feather J. Fern

Found something that explains Bleed for comics. https://makingcomics.spiltink.org/pgtemplates/

Cronaj ~{Whispers of the Past}~

A soft-shading demo I made for@Feather J. Fern & @Artem Ficta (Ring Spell) Sorry this took so long to complete! https://youtu.be/Cyc9EVissw0

carcarchu

https://twitter.com/hanari0716/status/931463182354227201

Mei

For people like me who mess up their bleeds and have to fix them in post, I had this lying in my bookmarks! https://twitter.com/TheDamnThinGuy/status/1190321427314032646?s=20

keii’ii (Heart of Keol)

There are lots of guides to tangents, and here is one I like a lot! http://curiousoldlibrary.blogspot.com/2011/10/schweizer-guide-to-spotting-tangents.html

carcarchu

https://twitter.com/Sasquatchiix/status/1236987090874667008 This is a visual novel zine but section 2 on resources actually has a lot of cross-over in terms of usability for comic creators, check it out if you feel like testing out some new tools! Update - I read through the articles now and I actually really recommend checking them out too for advice when it comes to story-writing and how to lay it all out(edited)

Holmeaa - working on WAYFINDERS

Want to share this with you all! https://creatureartteacher.com/product/fundamentals-of-animation/?fbclid=IwAR0ahSOtdTBPmi0cHQlBpyMK7RveLZXptqcLrFX559KQMOkp-oLjGG9JA_0 Fundamentals of Animation Course Aron Blaise a big disney animator, has an animation Course that take you through the princibles of animation. This course is free for a limited time if you want to learn about animation!

Cronaj ~{Whispers of the Past}~

Really cool video I found about pricing your commissions: https://youtu.be/pN4P82Y_3k0

carcarchu

a handy tool for those who work in clip https://twitter.com/2TooToo2/status/1243101802435727360

mariah (rainy day dreams)

I'm not sure if this is the right channel, but I'm going around shouting about how Adobe users can get two months free because of the pandemic this morning. Here's an article about how to do it! https://www.creativebloq.com/news/adobe-payment-holiday?fbclid=IwAR108UH-2fQfvQzyc2STIHZh9H7LOzr1xvOoLPM_7pylHNoQ9isvMDT4wRw

I also made a tweet for easy sharing if you don't want to type your own. https://twitter.com/RainyDayMariah/status/1243573425697742848?s=20

Krispy §[Ghost Junk Sickness]§

https://twitter.com/metalsorcery/status/1247930202073829377?s=19 This is a survey to answer for webcomic creators to get their work featured in this newsletter! Open to every one!

Cronaj ~{Whispers of the Past}~

@Miranda (Into the Swell) This one's pretty good: https://www.deviantart.com/theinkyway/art/Manga-Studio-5-Clip-Studio-Paint-Brush-Pack-619455926

carcarchu

@Miranda (Into the Swell) this is my ultimate fave http://fav.me/d7s799d

carcarchu

this is handy reference image account that only posts pictures of suits and mundane things https://twitter.com/madarameBK

Joichi [Hybrid Dolls]

Follow Art of Webcomics (on Twitter) which help independent creators host a site and share your page updates: https://series.artofwebcomics.com/(edited)

carcarchu

https://assets.clip-studio.com/en-us/detail?id=1725189 a handy sfx brush for clip studio paint that can help save some time with your process (it's got various effects built in the brush itself so you don't have to have several stroke layers to achieve the effect) it costs 2 dollars

SaltySalmonella

I made an SFX (sound effect) booklet for comic artists who are having difficulty visualizing sounds for their comics. It's free to download on Gumroad! https://gumroad.com/SaltySalmonella#VOZQM

Elliot

https://twitter.com/nicparris/status/1253710231781036043

CoppertheCarutor

I'm not sure if this goes in writing or art resources because it's art based, but the focus is on using colors to aid the story, but I thought this was a pretty neat video. https://www.youtube.com/watch?v=aXgFcNUWqX0&feature=emb_logo

mariah (rainy day dreams)

I was looking up some moonlight tutorials for an illustration last night. Figured I'd share~ https://tips.clip-studio.com/en-us/articles/1684

https://www.deviantart.com/ryky/art/MOON-easy-tutorial-399161176

carcarchu

https://youtu.be/LokpJy7KHpE Shilin talks about her thought processes when laying out her comic panels

carcarchu

some free flower assets for clip https://assets.clip-studio.com/ko-kr/search?user=miyage3&order=new

carcarchu

Reimena Yee did an interesting thread on the visual language used in comics https://twitter.com/reimenayee/status/1263755464853995521(edited)

sierrabravo (Hans Vogel is Dead)

yess I was hoping someone would put that up here!!! such a good resource

that reminded me of the 22 panels that always work, something I've been trying to utilize more when I get stuck working: https://cloudfour.com/thinks/22-panels-that-always-work-wally-woods-legendary-productivity-hack/

Erin Ptah (BICP | Leif & Thorn)

It's so reliable, last year I was able to recreate the whole thing using only pre-existing panels from Leif & Thorn. (Then added another row because there were a few other shots I keep coming back to...) https://leifandthorn.com/comic/erin-ptahs-29-panels-that-always-work/

(Note, there's a horizontal scrollbar under the image, since I uploaded the big version.)

DaeofthePast

found this tutorial/tips on drawing scars that I found useful https://jetfeather.tumblr.com/post/163383759536/i-have-a-hard-time-drawing-scars-how-do-you-do

carcarchu

For those who suffer from pain while drawing: https://twitter.com/lost_paw/status/1271540123688210433

Evil_Chippy (My Hero!)

https://twitter.com/Darchala/status/1272257378881175552?s=20

Cronaj ~{Whispers of the Past}~

@Krispy §[Ghost Junk Sickness]§ Here's the brush pack. The one I used is called "Pensona": https://www.deviantart.com/theinkyway/art/Manga-Studio-5-Clip-Studio-Paint-Brush-Pack-619455926

carcarchu

How to draw a lot of books https://twitter.com/yoshida_seiji/status/1200432951671939073

carcarchu

Mentorship directory for this interested in that kind of thing https://docs.google.com/spreadsheets/d/1vfcr_F0utixw7D-rsbUoId1kwU2Ee_c_jXy2r5df-Jc/edit?usp=sharing

shadowhood {SunnyxRain}

https://www.lackadaisy.com/exhibit.php?exhibitid=333 A fun tutorial on drawing expressions

carcarchu

A really comprehensive look into the panel border tool in clip https://professorfaf.tumblr.com/post/178927411355/comic-paneling-tools-in-clip-studio-paint Great for beginners but even if you're already acquainted with them it's helpful for finding out things you may not have even realized

Krispy §[Ghost Junk Sickness]§

https://www.youtube.com/watch?v=ED289uthfNQ&feature=share&fbclid=IwAR1ka0j6gwtFcj5aXS8wIj-zpgwaYiI2ncP-g4Tn6hL0h4VFa-rKn6MM_1Q this is my old illustration instructor who did a tutorial on watercolour if anyone was interested in the medium! her stuff is so vibrant and solid, and i was so happy to have her as my old prof!

CoppertheCarutor

Light bounce! https://twitter.com/KikiDoodleTweet/status/1276565894051753984?s=19

carcarchu

https://twitter.com/Ghadaaax/status/1277158331761807360 helpful tips!

cAPSLOCK (Tailslide)

Colorist K Michael Russell has been streaming nightly as he colors pages from comics he's working on, while giving tips and insight into his thought process: https://www.youtube.com/channel/UCps08eOJfFRm00TE5LStIIg

carcarchu

Advice on how to utilize speedlines https://youtu.be/Y_3Rbjn_0r0

Cronaj ~{Whispers of the Past}~

I just have to plug this amazing program here: https://affinity.serif.com/en-gb/publisher/ It's basically a replacement program for Adobe inDesign, but waaay cheaper. If you're like me and have sworn off Adobe, I highly recommend it. I've been messing with it all day to begin setting up my first volume for print, and I love it so far, especially after trying other budget publishing softwares. Can't recommend it enough.

Holmeaa - working on WAYFINDERS

hii! https://www.dropbox.com/sh/m8yv10gevqv2x5s/AACVoWTvK-B7qB1yRGUZadB5a?dl=0 Here is a little gallery of fat bodies!

carcarchu

world building tool thing https://www.worldanvil.com/artist i haven't tried it out yet but it looks interesting!

carcarchu

https://twitter.com/soteikat/status/1285036231592558592 takie made some free to use comic resources!

carcarchu

https://twitter.com/aeipathea/status/1285048061518061569

carcarchu

it is a website that shares dimensions for things. Helpful for referencing proportions https://www.dimensions.com/(edited)

Cronaj ~{Whispers of the Past}~

I don't necessarily agreed with everything they said, but it's still a good video, and I definitely agree with many of the points they brought up: https://www.youtube.com/watch?v=GZQKeHnKK90

Especically the "stop drawing _" advice

I dealt with that a lot in school

#ctparchive

5 notes · View notes

hellyeahheroes · 5 years ago

Text

I goddamn hate the X-men

Any X-men writers or fans come at me for this. Fine. You can ignore my hate for this franchise because honestly, I will never be a fan of this series. Everytime this franchise is mentioned or even brought up in conversation around me, I will be the wet fucking blanket because honestly, it was a concept that never appealed to me or will never appeal to me.

Against my better judgement, I decided to pick up the New Uncanny X-men because I tried. I read and like the post Ultimatum X-men and I guess I am the only person in the world that did. I read and loved the New X-Men series that you just dropped off the face of the Earth for...nostalgia of everything I hate about this franchise.

So I figured that since my good online pal @majingojira loves the X-men and the admin of this blog @filipfatalattractionrblog constantly posts about what is going in comics in general and @newx-menfan has introduced me to the only X-men content that I actually respect is actually despondent about what is going on with you writers. I decided to pick it up and see what is the fuss about.

And my god, we are ten issues in and yeah, I now really hate your series, writers and fans.

I hate the concept of the X-men. I hate that they base themselves around the Civil Rights movement but most of the core characters are white. You want to know what really did it for me? When Wolverine lectured Luke Cage for not understanding the mutant plight.

I will never like the concept of allegorical racism in narrative form in a contemporary when most of the characters are non-people of color. And I sure as shit won’t like allegorical LGBTQI oppression and hatred in a narrative form when most of your characters are coded straight. This is why I tend to like the X-books that stray away from that mutantphobia bullshit or apply whole universe wide so it at least makes narrative sense why Firestar is hated while Johnny Storm is celebrated(and if you didn’t pick up on that reference, post-Ultimatum X-men or the Ultimate Universe in general, super powered people aren’t just not liked in general).

Because if you want to write about racism, maybe you should just use a character of color. If you want to write about LGBTQI issues, maybe you should write an LGBTQI character. The cognitive dissonance is so thick in this fandom that it is an actual commonality where there are X-men fans that are MAGA supporters. Build the wall the lowly tumblr jackass says with Cyclops leading a mutant resistance in his header while touting Magneto is right.

I’m a bi-black man and as of late, I don’t feel particularly empowered or represented in a series that uses the United States History of the Civil Rights movement as it’s core theme. That is depressing. If only Black People created a paramilitary peace keeping taskforce?

Whoops.

And it’s not like you fucking jackasses aren’t aware of the social commentary. The Champions make social justice their core theme and you fuckers do nothing but whine about it, but when the X-Men do it, it is high fucking literature because all of the characters are white. Could you imagine a super powered Black Panthers, Young Lords, Brown Berets, or Yellow Peril? I don’t hate the X-men because it is an outdated metaphor for racism. I hate them because it is a misplaced concept for racism or oppression in general.

So I pick up this series and honestly, I have to ask this question. Who exactly is this book for?

It is not for kids as you will literally send kid characters to the sewers and treat them as lesser X-men.

Okay, Jean, your super power and what you are pretty much known for other than dying is pretty much nuclear temper tantrum. You don’t get to call anyone out for being childish, especially since you do not treat any of these kids with respect yet you demand it out of them. Oh and look, here are the few panels where Ororo actually speaks and says something and isn’t the token black person in the core X-men.

@filipfatalattractionrblog, the admin of the blog, had the right metaphor for this series as it is pretty much baby boomers rule and millennial and Gen Z drool the comic book version. Because outside of Laura who is doing her best Logan impersonation, there are no other young folks and X-23 really does not say anything of substance other than just be the distaff Logan.

This entire comic book is nostalgia gate keeping. If you aren’t familiar with X-Men lore, then you are lost from the get-go. For example, the chief villain for this series is the alternate universe son of Jean Gray and Scott Summers.

...are you fucking serious?

First off, it shows a lack of commitment. You could have just made them have a kid and kept it in Universe but no, we have the added convoluted layer of alternate dimension for a villain that calls himself X-Man. That’s decades of obscurity and history that you just expect comic readers to grasp and accept as soon as you pick up a book.

And don’t get me started on using older characters that can’t possibly function as gateways for new reader. X-Men is probably the most narcissistic reading experience I’ve seen in comics. And no, not all comics are like this. Spider-Man, if recall correctly, has the highest number of issues in marvel but at any given point or at least at the beginning of an arc, you can pick up a Peter Parker Spider-Man book and don’t have to be familiar with past convoluted plot points especially in the fucking first issue of a new volume.

Your characters are overwritten like reading through the history of Jean Grey is like literary acid trip. Comic books get this reputation of being hard to get into but I don’t think there is a franchise that exemplifies this more than the fucking X-Men.

And it is a quick and easy fix. Use newer characters. I could have picked up the New X-Men comic and binge read all 40 issues without having to know the complicated history of the X-men. And it is not like the old guard weren’t around. It was more that the old guard weren’t crucial to the story. And that is important.

And finally, the nostalgia wankery just turns me off. How many times can you sit there and rerun the same plots from Claremont? You know what I like to do?

When there is a super team being made and I want to come up with a dream roster, I literally go TV Tropes X-Men page and just read up on 2000s and on X-characters. Why? Because they are rarely used and obscure enough to not be weighed down on X-bullshit. I actually get mad at X-Men fans who want to make Kamala a mutant. Say what you want about the Inhumans but at least they diversified and made newer characters and made them a staple. The X-Men’s greatest success since 2000 was X-23 and that was not even something the comic writers made but the cartoon show did. It’s 2019 and Magneto, a Holocaust survivor is still using that as his main motivation to why he hates bigotry?

Don’t listen to me. I hate this franchise and it fills me with glee that the misplaced nostalgia will be the death of you all. Every other Marvel property adapted but the fucking X-Men. I mean fuck, the Fantastic 4 are now the Fantastic 6 with 3 of the 4 married and Johnny Storm wanting to settle down and get married. Fucking Peter Parker had an entire series being married with child. And yet, it appears your characters are in a perpetual state of 80s. God.

@ubernegro

114 notes · View notes