#such as over-analyzing media

[harbingerofsoup]

actually i lied, i want to swing a baseball bat at the wasp nest that is bummy shippers (they’re being annoying so they get a ship name to reflect that) since apparently they can’t just enjoy their ship

anyone else noticing that they’re starting to have big “shut up and be grateful for what you get, queers” energy when it comes to folks still wanting eddie to be queer??

normally i like to leave my notps alone, but they’re literally everywhere and the things they’re saying are leaning a little in the yikes direction

[coddda]

Everyone knows that Light and L matched each other's freak but I think their dynamic in the musical (the Japanese ver specifically) is underrated. Like it's not super different from canon but they just had this extra edge of Violence that we never quite saw from the more methodical and careful mindgames in canon death note and I think it's great. Like, yes, they did declare in canon that they will bring each other to justice, yes L says he wants to send Kira to his execution, but in the lyrics of the musical they both outright say multiple times that they just want to straight up Kill each other. It's direct the whole way through. There's more mutual contempt. This game is about nothing more than simply being the first one to Kill the Other (they actually use the word "殺し合い" (koroshiau) or "to kill each other" to describe their game (translated as "murderous ... game")).

(Sidenote but all those references about wanting to send each other to Hell?? Beautiful)

Yeah this is a battle of justice and ideals, yes that clash is a key part of their final confrontation at the end of the musical, but throughout their duets (or even songs like The Game Begins where they're singing by themselves) there's this near singleminded desire to just fucking End each other. It's fucking Raw and it's great.

Also THIS FUCKING SCENE?? THIS SCENE FROM SECRETS AND LIES. Iconic. Actually Insane. My jaw dropped. Light looks like a crazy bitch it's beautiful.

Um. Also. Obligatory Playing His Game (yknow the gay sex song) lines dump. It basically says everything I just said above in like 9 lines. You see what I mean right.

In canon they're playing a game of mental chess, trying to use everyone around them to finally catch the other as their end goal, but in the musical you really do feel like all they see is each other. They would probably beat each other to death with their fists if it came down to that. Idk they're just so excited and fired up about their little game in the musical and it's so unhinged and fun and special and I love it. It's like the writers for the musical decided to kick their murderous intent up a couple notches and the result is absolutely Beautiful.

I also think that the intensity of their rivalry in the beginning just makes the wind-down of The Way It Ends soo much better. It's such a good contrast to their previous duets where they try to sing over each other (Secrets and Lies & Stalemate) or with each other but basically at the top of their lungs (Playing His Game). It feels like there's both a quiet mutual understanding but also an underlying disappointment that the game is finally over. In canon, L's death Is instead the peak of their game, the moment he gets confirmation that Light is Kira is the exact same moment that he dies. In the jdrama it's almost sudden, how L dies, after the quiet moment has already passed. But in the musical L's death, ironically, Is the one quieter moment in their game. Their peak was the game itself. It was Secrets and Lies and Playing His Game. But the end of the game in the musical is not a victory, it's just (as L says) the end of everything they'd been wanting up until this point.

Uh. Fuck it. Clip from the Kenji Urai version because I just love his delivery here. His tone just goes so well with the silence and the sound of the clock ticking. You see what I mean right.

Their rivalry in the musical may have been more shortlived but like Damn they were really enjoying every second of it. They were truly insane about each other until the very end. (Like despite everything I just said about the ending it was still unhinged as fuck. Light Making L Shoot Him and then Making L Shoot Himself with L's Own Hand?? Holy shit man. What the fuck /pos)

Musical Light and L your game might've been shorter but you'll always be famous <33 Please never inflict what you had on anyone else ever please stay in hell forever thank you

[calli0p3]

“ignoring me is one thing but he doesn’t get to ignore you. i’m gonna make him come down here.”

One thing about Walker’s portrayal of Percy that I absolutely LOVE is that his Percy is angry and his anger is sometimes a driving motivator for him. There were a couple of points when I was watching the show I was thinking “oh wow that was so intense” after Percy said something and like !! that’s the point!! percy has never ever been a “happy go lucky” hero, he is reluctant, he is intense, and he is absolutely powerful. these points are also so crucial to emphasize the parallels between Luke and Percy. they’re scarily similar like two sides of the same coin. and I adore that Walker’s Percy is already highlighting behaviors that allude to this plot point.

[vaniloqu3nce]

This is honestly another one of my favorite scenes to hyperfixate on. There are very few instances in the show where we see Wednesday looking genuinely shocked/confused/disturbed and this is one of them.

This is probably just my headcanons running wild but…

While Wednesday did mislead Enid to get her there and put her in danger in the first place, you can tell when they’re being chased by the Hyde that she’s protecting Enid. From Wednesday’s point of view, this obviously means she cares in some capacity. The beginning scene of the show with the piranhas is how we know that’s how Wednessay shows she cares, not through words but actions.

As soon as she heard Tyler scream and Wednesday realized they were in danger she stuffs Enid in the dumbwaiter FIRST and then gets in and tries to protect them.

And then after all that and finding SOME clues Enid says this and she just looks dumbfounded.

Wednesday is really like, “I wear the snood, I take down the murder board, you’re not dead, what more could I do?”

I think starting here and throughout their fight, Wednesday realize Enid needs to be told and shown care in a different way than she’s normally used to. And THEN. The little affectionate speech Wednesday attempts to give to reassure Enid.

“The mark you left on me is indelible.” You can TELL our girl has learned something, look at her trying to show her girlfriend she cares after and is willing to put in effort for Enid’s needs the way Enid does her. WHAT OTHER person gets a speech like that from Wednesday. Nobody. They’re girlfriends case closed.

I know I’m probably reading too deeply into things, but I saw someone post this and my mind starting racing back to the scene and everything that followed. I wanted to share my thoughts because it’s honestly one of my favorite scenes because Wednesday is not going to outright say “I care” to Enid but she looked appalled that Enid even had to ask. I love it. This scene isn’t ran over with a queer magnifying glass enough.

Wednesday isn’t the type of person to verbalize she cares…until Enid wants to hear it. Smh our girl is whipped.

[dumbfucksystem]

i keep thinking about the fact that unlike sy (who never even thought about how his family might feel about him dying), airplane actually had the option to go back to his family and ultimately decided not to.

like imagine being a parent and finding out that your child chose a life that didn’t have you in it.

just think about the guilt that his parents must have felt when they heard the news. each of them are enjoying time with their new families, but they haven’t spoken to their son in a while. he’s in college though so he’s probably fine. he’s not reaching out saying that he needs help or money or anything though he never asked for much when he was home either.

then they get the call. and they find out that he died alone in his apartment. he was electrocuted while trying to salvage his laptop. and they think he didn’t have to die this way. he never asked them for anything, and now they know that he desperately needed them. he never mentioned how much he struggled, and maybe he would have if they had been in contact more often. but they were too caught up in their own lives to pay attention to him.

no parent should have to out-live their child, but they distanced themselves so much from him that they couldn’t even be there for him when he died.

cough your child could have lived a long, happy, & healthy life and eventually die of old age surrounded by people they love. but instead he died when he was young and alone because he didn’t feel comfortable sharing his problems with you cough cough

[kiwisandpearls]

ok so I was rewatching Madokami’s Magia Record transformation and I gotta say

I LOVE this shot of Madokami.

making the shot blurry and so far away from Madoka paints her as this enigmatic figure who no one can get a clear close up picture of (similar to cryptids kinda).

This shot could also be in Homura’s perspective, showing how when Madoka became a god in Homura’s eyes she became so so far away from her.

not to mention the blurriness of the shot could represent how we’re not supposed to know if that’s truly madoka, perhaps representing how everyone’s memories of her was wiped when she became a god, only leaving faint traces of her existence (Madoka’s mom telling Homura that if she had a daughter she’d have her wear the red ribbons Madoka gave to Homura, and Madoka’s little brother sketching out Madoka in the ground).

this shot feels almost dream like, and almost nostalgic. Like you know who that’s supposed to be but you can’t quite grasp at who they actually are.

[trebo]

the methods of promotional posters for rope 1948 and how its queer identity affects it

you know i see a lot of people in the rope 1948 community analyzing every aspect of the film and stage play and the entire thing in general, but i haven’t seen anyone yet touch on the film posters. which is what i’m gonna do right now, i have something to say about the posters.

(one of) the most prominent patterns found within old hollywood posters— and this doesn’t take a long time of studying to find— is that almost all of them always feature a man and woman, which happen to be the love interests of the said film in question. romance is SO common in nearly EVERY classic movie, regardless of how it is presented or depicted or alluded to. but this of course applies to your heterosexual relationship, heteronormative ideas of cinema at that time. so what happens when you make a movie about queer romance and queer characters? well, if you were a poster designer in 1948, you probably wouldn’t be bold enough to simply plaster two men onto that poster the same way you’d plaster a heterosexual relationship, embracing each other, looking each other in the eyes, etc etc etc… which is why, in the case of rope, it’s always jimmy stewart as the focal point, and him alone. phillip and brandon are in the background, despite them being the protagonists of the film. and in some cases, we get a glimpse of one of the female characters with brandon (as demonstrated below). but of course, we know that they aren’t love interests. but to a passerby who’s just been introduced to the film DURING that year, it wouldn’t be illogical to assume that some people could think that they are. i think this is just another way of hiding the queer theme of the movie through their promotional materials. more subtlety and cleverness rather than having your poster immediately scream “HEY!! HEY!!! THIS MOVIE’S CHARACTERS ARE GAY AND YOU SHOULD TOTALLY CHECK IT OUT!!! BRO!!!!!!!!” to newcomers.

one more thing is i want to analyze a part of this poster specifically, because there was something here that caught my eye. it’s the captions. “in one man’s hands, rope is a deadly weapon… in one man’s arms, love is a shameful thing!” i want to you ask yourself, what love are they referring too??? obviously not heterosexual romance. what other love is most apparent in the film? it’s the gays!!! i thought it was really interesting to say love is a shameful thing, because WE know that it’s probably talking about the relationship between brandon and phillip. but to your average movie-goer in 1948, they might’ve thought it was just referring to another man loving a woman.

but in today’s world, assuming that the only movies you’re gonna watch are about heterosexual couples might ALSO be just a little shameful too.

thanks for coming to my ted talk. what yall think?

[dekusleftsock]

I thought everyone was exaggerating when people kept bringing up the whole “bakugou says he’s Kacchan bc of kaminari” thing, but they actually believe that… what?

WHAT

Literally how do you guys function

AND THEY CALL ME DELULU???????

It’s such a stretch too. Like “oh yeah he said Kacchan no Bakugou in this movie” ITS NOT EVEN IN THE MANGA HELLO???

The whole reason Kaminari calls Katsuki Kacchan is because he’s making fun of him. It’s poking fun at the fact that Katsuki can’t say anything or get mad at Kaminari because then it would raise the question, “Well why can Midoriya say it?”

He literally side eyes him every time he does it but ultimately doesn’t react because he can’t. He can’t if he wants to keep up the act that he is uninterested in what Izuku represents, who he is.

SO WHY, IN THE EVER LOVING FUCK, WOULD IT BE KAMINARI?

WHO is present in this battle?

WHO is the person that made eye contact with him the second he woke up?

WHO is the one that grabbed his hand immediately upon Katsuki flinging himself towards them??

I don’t think THEY even believe it either, I think it’s just some way to cope and explain away the fact that this moment is inherently romantic.

Because I don’t think he’s making fun of the name Kacchan, I think he’s wearing it proudly. I don’t think it’s a joke at all. It’s a joke in the disbelieving way—the way you act when you’ve made an enormous accomplishment or won some prize, and you just can’t help but act absolutely insane at the fact. Because it’s funny that you’re here, in this situation. It’s hilarious in that disbelieving way.

Because he’s laughing at the truth, he’s been laughing at nothing this ENTIRE CHAPTER.

“Ouch! Haha! I’m so fast!”

“I can’t even stop! Ha! Ouch!”

Note: (I’m not using the official translations because for some reason they lack the maniacal crazed laughter and I’m confused as to why?? I even checked with pikahlua and they specified that there was laughing so…. I’m confused.)

What’s even weirder about this is the fact that afo also says (in pikahlua’s translations) “just who is this brat?!” Instead of “what is wrong with him” which implies less crazed bakugou ness imo. Confused as to why, again.

Because this can’t be happening.

Now, I know it could very well be him teasing afo and calling him dumb, saying basically “you’re too young/old to even know how to pronounce my name, use Kacchan instead like the child you are.” Especially since in the context of names like Katsuki’s, he has that tsu sound that can be hard for children to pronounce. (I’m not 100% on this but I’m pretty sure that the u sound is also meant to be silent since it’s a double consonant. So Katsuki’s name is technically pronounced “Ka-ts-ki”)

BUT IDK I THINK HES JUST FUCKED AND A LITTLE CRAZY RN!

That maniacal laughter at the fact that he’s in pain, the disbelief that he may even surpass Izuku, to me it’s holding a double meaning. The meaning that afo is dumb and needs to be treated like the child he is, and the meaning behind the fact that it’s a name Izuku owns for him. That’s his.

It can be both.

It’s not fucking Kaminari. It was never Kaminari. Even if you don’t read it as the second definition it’s still not about Kaminari.

But it’s also undeniable that it has to do with Izuku some way some how.

I also believe that the western side of the fandom is making an extra big deal out of this because, to us, we don’t really have a proper understanding of what a nickname like Kacchan means in its cultural context.

We can TRY to understand, comparing it to endings with ie or y given to children, and then sometimes going with that nickname into adulthood, but it still has its own distinct cultural context. Because a name like “Gracie” over “Grace” does to an extent sound childish, but I have a feeling that -chan has its own childish feeling. There’s a reason none of Katsuki’s other friends in middle school call him Kacchan, and there’s a reason Kaminari decides to make fun of him for the name in the first place.

I just think it’s important to use our thinking brains before we start yapping about things we don’t quite understand yet :)

Like it’s so unbelievably important to understand that horikoshi won’t tell you what’s happening in his story and why, he’ll show you instead BECAUSE HES A GOOD FUCKING WRITER

If it was about Kaminari, he would have specified, but he didn’t. He showed you that Kacchan is Izuku’s nickname for Katsuki, and he showed you that Katsuki cared more about Izuku than he let on for a long time. Just like he showed you that Izuku pushes down his emotions, showed you that Izuku struggles with projection and anger, showed you that Ochako was the one with this crush and not Izuku, and showed you that the feelings he had about Katsuki were deeper than anyone had realized.

He showed you parallels, he specified the important parallels that you absolutely had to see as a viewer (ex toga and ochako), just as he showed you the ones that were more subtle but still there (ex toga and deku). He showed you the pieces, and that doesn’t make his character’s underdeveloped or unspecified, that’s just how writing fucking works. “Good writing” DOESNT MEAN that you have to be pulled along through your baby steps with your hand held, the fact that you don’t get it is on you. Reading comprehension is a learned skill that has to be practiced over and over again, and that is not the writers job. The writer is only supposed to deliver you their story, and however you decide to misconstrue that story is, and hear me out friends, on you.

So I’m sorry if I’m tired of hearing arguments like “toga is a predator and Horikoshi wrote her to be horny”… she’s supposed to represent love. I’m sorry if the representation he made of love was uncomfortable for you, but maybe that’s the point? Because she’s an outcast? Because she’s supposed to be hard to empathize with, but that we have to empathize in the first place?

Arguments like “Katsuki was referencing a joke about Kaminari bc Kaminari said this in this movie” is just about the largest fucking reach I’ve ever seen. And I know, I know that when bkdk eventually get their implied or canonical ending that people are going to be mad. They’ll blame shippers for pressuring him, or they’ll say he’s a bad writer, or they’ll send him homophobic slurs because “how dare the character I see myself in be gay”. And I’m done with the stupidity and lack of common god damn sense.

So if you are going to be upset by the fact that you’re going to be proven wrong, then I again say, it’s on you.

[thestrangerthinghappened]

Well, here it is! This took me way longer than I was expecting purely due to finals week (more like month), but I really hope everyone enjoys! Let me know your thoughts, and let me know if you want me to expand on anything/do anymore analyses! I have to say, I thoroughly enjoyed making this and will be totally willing to spend time on another one!

[numbuh424]

Let's talk composition in the jdrama. L is always on the brighter side of the frame while Light is on the darker side.

[syncrovoid-presents]

Wally and the Colour RED

Wally and the colour Red have an interesting relationship in Welcome Home. This is a rambling/analysis of different things I've found that makes me believe it's an important detail moving forwards with the Welcome Home Mystery!

First! Why do I think this matters?

There's a few reasons why I think this matters! First, while all the members of the cast seem to be tied to a colour, none is as focused or as consistent as Wally and the colour red! The two primary examples I'll use to cover this is one that we've had for a while, and two that we got in this update. Those being the signatures at the bottom of the guestbook, the interactable telephone, and the name graphics on the transcript page!

Interestingly, all of the cast are directly tied to a specific colour! The signatures at the bottom of the Guestpage and the colours of the "calls" on the telephone are the same for each character. This being pink for Julie, orange for Sally, yellow for Frank, green for Poppy, turquoise for Howdy, blue for Barnaby, purple for Eddie, and red for Wally. This is consistent (and possibly something to pay attention for in the future?)

Notably however, Home is signed by Wally, while the audio file for Wally's "call" recording is also called "duet" when you open it in another tab. Audio files with "duet" is a sign that Home is present. This means that red is not strictly a Wally colour, but also the colour for Home!

(if you're curious, the other audio called "duet" is Wally's little song he sings)

This is interesting, because Wally and Home are often treated as a duo, moreso than any other characters of Welcome Home. I would also like to point out another detail, one that I think ties into this tie between Wally, Home and the colour red.

The Records

All the records from Wally's hidden message ("I will help you understand neighbor, I will find a way soon.") are red! Sure, some are glitched, but they are all red. As is this record with the strange audio (has anyone decoded this yet?). This audio is directly tied to Wally, as it's called "(DRAWING?) WITH WALLY DARLING".

However the hidden one's may not just be Wally. Though they are all name the tab "answer" when opened, I'm tempted to say that "answer" is wally prompting us to answer (or, alternatively, Wally is trying to answer us, however he perceives us).

I believe that Home is there too in the audio. If you listen to all of them in a row, turning up the audio will reveal that there is a heart beat in the background. This, I want to say, is Home and not Wally, as Wally does not seem to register them. It peaks about halfway through with Neighbor, coincidentally the audio that is both glitching and is made of a series of clicks rather than voice lines.

I have seen people say that this is "Help Me" or "Hello" in morse code. I do not know which is the agreed translation is (to me it sounds like "…. . ..-.. .. -.. ---", which translates to "HEĘIDO", which is not a word. However it most resembles "…. . .-.. .-.. ---" which translates to "HELLO")

Regardless of what Home may be saying, it shows that the hidden recordings can be put together into a timeline that sounds like one recording, which means it's most likely all recorded at the same place. Ergo, Home is in the hidden recordings as well!

Other spots where red is brought up

There are other instances of red being tied to Wally. Some are obvious, like his love of apples (red ones specifically), the Wally prints/finger paint on the bottom of the guestbook, the background of the "i <3 Wally" gif/sticker in the sticker section of the site (also shared with Home. Wally's character description is also shared by home!), Wally himself in the "so-below" page, among other things. Such as the Wally themed telephone being red, despite his more iconic blue swirled hair (or blue and yellow-trimed sweater), his clothing in multiple official artworks, the Wally cereal box, and more.

(Like something I've noticed, which is that Home is the only house that's a solid colour (red!) without any pattern breaking it up, plus the most "standout" red that Wally typically wears being tied around his neck (symbolism?). Plus the "W" of Welcome Home is red! That's fun too!

There's also some... stranger ones. Such as this hidden piece of morse code found by this person, which spells out ".. -- .-. . -..", or "IM RED" when translated to english.

And more hidden ones too, that tie into the hidden staff page (I have a post breaking that down that you can find here!! I cover everything I could find plus went through the website code, if you want to know everything about the secret staff site check it out!)

There is the red safe, which has in WHRP universe lore!! I delve into this in my other post, just know that it is something that exists both in the secret website (it is what introduces you to the hidden website!) AND it exists in the WHRP world, both written about in printed emails and as a physical object seen within The Room:tm:. You may also notice everyone is represented by their original colours, except for home, who is now white (or blank?).

There's also scrap pieces of red paper spilled on the ground in The Room:tm: (that have drawn spirals), a red clock in the style of Wally's red car, a red painting of some sort on the wall of The Room:tm: (that we never get a good look at, though it may have a drawn yellow eye in the upper center), a red apple, and most importantly of all, this:

The Red Notebook

This is no ordinary notebook. This here is the notebook that the WHRP team have "loaned" the Question Answerer, also known as the Head Curator of Question Answer! according to the printed emails. This book is very important because there are multiple signs that it was written by Wally. Inside is a sketchpad attached to the lefthand interior bookcase with little paintings and a handprint suspiciously similar to that on the bottom of the GuestBook page and doodles in the styles Wally has used (spirals, finger paint smiley face, the drawn apple, etc).

(by the way, if you're interested in what the note says the most accurate translation I've found is by Tumblr user truckfreaks

"Hello,

My name doesn't matter. I am here to catalogue something I'm not sure is fully real. But it must be. I'm holding all the evidence in my hands. Pictures. Characters. Text I can barely read. It's called "Welcome Home" and it looks like it might've been a children's book? Like I said, I can't tell.

It was sopping wet when I found it. When I first reached into one of the brightly colored envelopes, my hand was already covered in some gross, [unknown - possibly “oozing”] material. It feels like antiques are always covered in some kind of grime. I'm trying to clean up what I have and do a little more digging.

There's only one name I can make out right now... Wally. Probably important, but like I said, I'll keep looking.

XOXO"

The wrap up (don't want to make this too long!)

Regardless of what you make of this, it shows that there is even more proof of Wally, not just the character but the Wally ""haunting"" the website and the Wally within the WHRP universe, all being tied to the colour red. (Quick clarification: The Wally we see in branding, clips of the show, etc are all Wally, however he isn't current Wally. He is the Wally of the past, the original Wally, the base Wallly, whatever you want to call him. Therefore I separate him from the "now" Wally. It's unconfirmed whether the Wally that's seemingly trying to communicate with us through the website is the same as the Wally that seems to be related to all the objects being sent to Question Answerer, who is the same Wally that is constantly calling them. If so, then there is only one "now" Wally. If they are separate, then there are two, possibly one in the website itself and one focusing on Question Answerer. Please note, this is all speculation).

While it's true that red is Wally's favourite colour, I believe that it's far more than just that tying Wally and the color red together. Going forwards, anything red that isn't immediately branded as a Wally related object should be considered important, at least I think so.

As for the connection between Wally and Home, both sharing the colour Red? I think this primarily is a display of how the two characters either rely on each other or are, in the vaguest of ways, tied together by fate.

Good bye for now!

[2plolo]

Everyday I read one part of the locked tomb and then I yapyapyap about it to no one for hours.

Like I’ve been reading the ending of Nona the ninth over and over and over and before that it was the beginning of Gideon and before that it was all of jod’s story

[tezuka-brainrot]

Umataro Tenma built Atom and failed twice as a father.

Yes by abandoning Atom but also thinking Tobio could be replaced.

And he knows it.

Maybe he didn't just abandon Atom because he couldn't grow.

I think he's ashamed.

Ashamed that he thought of his only child as a replaceable object.

And now the fate of the world and robotkind was placed on this android with the mind and face of a nine year old.

It's like Tenma dragged Tobio from the grave to make him suffer again.

And he can't believe he did this. It hurts to watch.

[laughterbynight]

Watching people in the tags yell at other fans for getting characters wrong while aggressively citing their own head canons as gospel lul

[doctorwyvern]

spoilers for mudds arc and rambling

do you guys ever think about how mudds brother just turned to fucking dust? that was messed up, right? like literally, he didn’t get attacked, he didn’t really graphically die, but he melted to dust on the ground. i REALLY wish they included clay more in foreshadowing GOD i would love to have known more about that guy, sometimes i wish the podcast was a little more serious (even though it’s a comedy) because i would love for that aspect of mudds character to be explored more. his fake memories, implanted in his brain by his traitorous tutor, his fake brother, the fake memories they shared, how suess just straight up brought up mudd just to manipulate and use him to free one of the tertagouges. insane. GOD i wish they went more in-depth with some of this stuff or maybe i’m just over analyzing media. it’s a comedy podcast TO YOU. i take it very seriously.

[rationalisms]

hi. i would just like to say that this is an attitude i've seen around increasingly often and i find it deeply baffling. like, genuinely could not relate any less to what is being expressed here.

personally, almost all media i'm obsessed with and talk about constantly is because i think it's good and i love talking about the ways in which it's good. yes, criticism can be fun and breed conversation, but so can positive critique. thoughtful, long-lasting engagement with a piece of media doesn't have to be negative. there are in fact ways for media to be good beyond "competent but generally unremarkable"?

and this is ymmv, but complaining about something is more the snack food of media criticism for me. it's fun and great in the moment and it absolutely is something i need to do regularly to feel normal. but i can't live off it. i need to experience genuine appreciation and esteem on a regular basis too, or i shrivel like a raisin. (expressed more seriously: the kind of critique i find actually nourishing in the sense that it allows me to refine what kind of art i would like to make, and what makes me tick as a human being, is the positive kind about media i love very much for being excellent.)

idk guys. is it just that i'm autistic and therefore discussing for the nth time why xyz rules never stops being entertaining? what am i missing here. maybe it's good when media is good?