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marvelstoriesepic · 4 months ago

Text

Creamy or Crunchy

Pairing: Avenger!Bucky x Avenger!Reader

Summary: Bucky joins you grocery shopping to everyone’s surprise.

Word Count: 3.7k

Warnings: Bucky hovering; Bucky knowing his favorite people; little bit of protective!Bucky

Author’s Note: I don’t know what this is but I was in need of some silly fluff. Hope you enjoy! ♡

Masterlist

He’s been trailing after you since you left the tower, stuck to your side.

Not in an obvious way, not in a manner that would draw stares or second glances, but in that ever-present way of his - like a second shadow or an old instinct that never really shuts off.

You’ve barely gone five blocks to the nearest grocery store, and Bucky has stuck close the whole time, keeping pace without a word.

It caught everyone off guard when he volunteered to come with you.

He had been slouched in his usual spot at the kitchen counter, cradling a cup of coffee he never seemed to finish, and looking like he had nowhere in particular to be. So when he had straightened, eyes trained on how you pulled on your shoes and muttered a gruff “I’ll come with you,” there was a moment of pause in the conversation between Natasha, Steve, Clint and Sam lounging on the couch in the common room.

Even you had blinked at him, thrown off by the suddenness of it.

Still, you didn’t argue.

Normally, grocery shopping isn’t something that interests anyone in the tower. It is a mundane, civilian thing - something of a life most of you had long since left behind.

There are people who handle it, services that deliver whatever you need at the touch of a button. But you aren’t looking for efficiency. You are looking for something real - something that can make you feel like a human being again.

You’d just gotten back yesterday from a month-long solo mission in Vorkuta, Russia. It was rather harsh. You spent those weeks in the cold, in silence, every step a deliberate calculation, every breath rationed as if you weren’t entirely sure when you’d be allowed another. You operated alone, only allowed to talk to Tony once a week for updates. It was the kind of quiet that made a person feel less like a person and more like an echo.

So you need something normal now. Something unremarkable.

No mission, no intel, no carefully rehearsed exit strategies.

Just a trip to the store, because you want to pick out your own food instead of eating whatever shows up in the tower’s stocked fridge. You want to grab things impulsively - maybe a bag of chips you don’t need or a carton of juice just because it looks good.

You want the simple, stupid pleasure of choosing something, just because. Of standing under the fluorescent hum of grocery store lights and deciding between brands of cereal and coffee creamers like it actually matters.

And Bucky, for all his presence, says nothing.

He just walks with you, hands stuffed into his pockets, eyes darting between the sidewalk and the people passing by. He is relaxed, but only just. There is tension in the way he moves, like he is running an assessment every few steps, tracking details of things you don’t care about at the moment.

The doors to the store slide open with a mechanical hiss, spilling warm, artificial air onto the street.

Inside, there is that familiar smell of waxed floors and cold produce, the sounds of shoppers, the beeping of registers.

A cart squeaks somewhere to your left. A child giggles near the bakery section. A bored-looking cashier stares blankly at the register screen. A tired-locking employee is restocking shelves.

It’s nothing special. But it feels real and humane in a way you need.

Bucky steps in behind you, scanning the store out of habit, then looking at you as if waiting for direction.

You grab a basket and move forward.

He follows without a word.

You walk through fruits and vegetables in bright, and glassy colors, stacked in neat abundance. The air smells like citrus, earth, the scent of misted greens, and something fairly plastic all slightly overwhelming your senses after a month of smelling mostly cold air.

You extend a hand toward the lemons, fingers brushing the textured skin of one when you feel the weight of the basket shift.

Bucky’s hand curls around the handle, pulling it from your grip and holding it himself.

Your gaze snaps up to him, but he isn’t looking at you. Not directly. His eyes are fixed on the rows of produce in front of you, his brows drawn together just slightly, his mouth set in that endearing little frown.

He stands close. Close enough that you can feel the warmth of him. Close enough that, if you shifted just an inch, the fabric of his sleeve would brush against yours.

It’s not intentional, this proximity - it’s more like a habit. He doesn’t seem to realize he’s doing it, doesn’t notice the way his presence expands to fill the space between you until there’s almost nothing left.

He exhales through his nose, shifting his weight slightly, eyes sweeping the fruit display as if it’s something to be figured out rather than casually shopping through.

His metal fingers whir slightly as he flexes his grip around the basket handle.

“This is a lot,” he murmurs, almost absently.

You keep glancing at him. It takes you a second to realize he is speaking at all, his voice being so quiet, a thought that accidentally made its way out.

“What?” you ask softly.

His eyes fall to you briefly, then back to the fruit. His mouth tightens, jaw working, debating whether to explain it or just let it drop.

“Back then,” he says, still not quite looking at you. His eyes scan the apples, the oranges, the rows of neatly stacked avocados and kiwis and papayas flown in from places he never got to see. “You had your basics. Apples. Pears. Some oranges, if you were lucky. But this?” He tilts his head slightly. “This is a lot.”

He doesn’t say it with wonder. He says it with assessment, categorizing this excess, measuring it against whatever memory of the past lingers in the spaces of his mind. Like he is trying to decide if this abundance is a good thing or just another shift in the world that changed without him.

For a second you wonder, if he is talking to you at all - or just thinking out loud, caught between time periods, a man stretched across decades that won’t quite line up.

Your fingers brush the lemons again, grabbing one and carefully putting it in the basket Bucky is holding. “Well,” you mumble, keeping your voice light. “You should see the cereal aisle.”

Bucky huffs out something that’s almost a laugh, something genuine and his eyes land on you again.

You move and pluck what you need. Apples, zucchini, a handful of bright bell peppers. A bundle of fresh basil, its scent still on your fingertips - something Wanda has been asking for. Some mangoes, ripe and golden, the kind Sam offhandedly mentioned craving the other day.

Bucky watches.

He doesn’t reach for anything himself, just keeps his grip on the basket as you fill it and trails closely after you.

His eyes track every motion - the way your fingers test the hardness of an avocado, the way you turn a tomato in your palm, the way you pause just a second before deciding on a bunch of grapes.

He simply observes.

You step over to the plums.

Their deep purple skins glisten under the lights, some nearly black, some streaked with dusky red. You pick one up, pressing it lightly with your thumb, feeling the faint give beneath your touch. Satisfied, you reach for more, slipping them into a paper bag one by one.

Bucky doesn’t say anything.

But you feel him.

The attention he gives you.

His face is unreadable, expression carefully neutral, but there is something behind his eyes - something considering, something caught between memory and recognition.

You don’t know if he realizes you are getting them for him.

You don’t know if he remembers, or if it is just something subconscious, some buried instinct nudging at him in a way he can’t understand.

But you remember. You remember the way he stared at the heap of plums on the kitchen counter weeks ago, the way his fingers had twitched with a want to take one, but he hadn’t. And the way he watched Wanda as she used them to make a pie he didn’t end up eating.

“Do you want some more?” Your voice is casual, warm. And when you glance up at him, he is already looking at you.

Then, almost abruptly, he clears his throat, dropping his gaze. The fingers of his metal hand flex once around the basket handle. He shifts his stance slightly but does not move away from you. When he speaks, his voice is low, almost careful, almost bashful.

“S’ fine.”

But you catch the almost-question in the way his eyes move around, how his fingers tighten and release.

So you grab a handful more and drop them into the bag without a word. Then you fold the top down and place it into the basket.

Bucky doesn’t look away this time.

And he continues wandering along with you through the aisles.

The plums sit among other products and you catch him glancing at them once or twice.

You reach for a carton of eggs when there is a shift.

Not in the air, not in the store itself, but in Bucky.

His posture tightens, his grip on the basket adjusts slightly. You don’t immediately know why, but then you turn your head and see a man standing a few feet away, watching you.

It’s not overtly threatening, not enough to draw attention, but something about his gaze lingers too long, too deliberate. His eyes trace the shape of you, moving slow, assessing. He isn’t leering, isn’t smirking, but the way he looks makes your skin prickle.

He seems to debate if he should say something. Waiting for an opportunity.

You barely have time to move away before Bucky does.

He doesn’t make a sound, doesn’t say a word, just shifts seamlessly into place - between you and the man.

It’s not a dramatic gesture. No sudden motions, no confrontational stance. Just his presence - him planting himself in the way, broad shoulders squaring, jaw setting, scowling.

That man takes his brown eyes away from you and meets Bucky’s gaze, and whatever he sees there - whatever lives behind those icy blue eyes - is enough to make him rethink his interest. He looks away, scratching the back of his head, shuffling back a step, and seems suddenly far more interested in bread.

You exhale softly. Bucky doesn’t move.

He stays right where he is, a silent wall between you and whatever attention you haven’t wanted. His scowl lingers for a second longer before he glances back at you, eyes sweeping over your face as if he is making sure you are fine.

You tilt your head, offering a small, gentle smile. “Everything good?”

His lips twitch, almost like he wants to say something but doesn’t quite know how to form those words.

“Yeah,” he mutters, swallowing.

But his stance is still slightly stiff, his fingers can’t stay calm around the basket handle. And he glances, just once, in the man’s direction - making sure he stays gone.

Something warm fills your chest.

You missed him, while you were gone.

He’s always such a grounding presence at your side.

You missed his dry, reluctant commentary whenever the team does something ridiculous.

You missed walking into the common area with him brooding in his usual chair, pretending not to listen to conversations he’d eventually grumble his way into.

He was there when you stepped off the jet yesterday.

It wasn’t necessary for him to be there, it was six in the morning, after all, but he was.

He hadn’t said much - he never says much - but his eyes ran over you in a way that told you he had been waiting. That there was something heavy underneath that furrowed brow and the almost too casual nod he gave you. Something like relief. Satisfaction. And something much more profound.

You remember how he was when you left.

Standing off to the side of the hangar, arms crossed, jaw pressed tight as you made your final checks. It also wasn’t necessary for him to be there, but, again, he was.

He said goodbye briefly, wished you luck, but in the way you felt him watch you board the jet it seemed there was more he wanted to tell you.

And when the engines had roared to life, when the ground beneath you had begun to shrink, you caught the last glimpse of him - standing stiff, pensive, his mouth pressed into a thin line.

Now, he walks beside you, trailing just a half-step behind, his grip steady around the basket that should be in your hands, watching you more than anything you’re planning to buy.

Maybe that’s why he came with you.

Maybe that’s why he hasn’t strayed, why he hovers close, why his eyes find you like he is memorizing something he doesn’t want to lose track of again.

Maybe he missed you, too.

He is not grumpy, but there is still a tension in him. Something wound too tight in his shoulders, in the set of his jaw, in the way he glances at you like he wants to say something and then doesn’t.

You can’t have that.

Your eyes scan the shelves as you walk further along, knowing that Bucky will follow.

“What kind of soup does Steve eat?”

Bucky’s brows pull together at your casual question, as if he can’t believe that’s what you asked. “Soup?”

You nod, dead serious. “Yeah. I mean, does he have a favorite? Chicken noodle? Tomato? Something tragic, like plain broth?”

Bucky exhales sharply, almost a laugh and something in him relaxes ever so slightly. He tilts his head back a little as if this is the most absurd thing anyone has ever asked him, but he humors you.

“Steve doesn’t eat plain broth,” he says in that low rasp that sometimes sends a shiver down your spine. Now is sometimes. “He’s got more sense than that.”

You hum thoughtfully, reaching for a can on the shelf, inspecting it like it holds the answer to some great mystery.

“So what is it, then? Something classic? Or does he secretly go for the weird gourmet stuff?”

Bucky steps closer, peering over your shoulder. The fabric of his jacket brushes against your back.

You glance up at him, arching your brow.

“You don’t know, do you?”

Bucky rolls his eyes, but his face is soft. The scowl has faded. There is a tug at the corner of his mouth. “Of course, I know.”

“Uh-huh.”

He huffs, reaching past you to grab a can from the shelf, fingers brushing yours briefly. “Clam chowder,” he utters. “There. Happy?”

You blink, genuinely caught off guard. “Wait. Really?”

Bucky smirks, just a little, just enough to be real.

“Yeah,” he says, voice a bit quieter. “Really.”

“Well, then,” you quip, taking the can off his hands and putting it in the basket. “He shall have it.”

Bucky huffs out an amused laugh.

You walk a little slower now, Bucky falls into step beside you. He seems lighter now, his face softened as he watches a little boy excitedly run off to a certain aisle while his mother calls out for him.

You plan on keeping him that way.

You spot a ridiculously, colorful display stacked high with an array of different kinds of peanut butter.

“Creamy or crunchy?”

Bucky blinks, turning to look at you. “What?”

You gesture toward the display like it’s obvious. “Steve. What kind of peanut butter does he eat? Creamy or crunchy?”

There is a beat of silence. Then, something seems to turn alive in Bucky’s expression. His lips twitch as if he suppresses a smirk and doesn’t want to give you the satisfaction.

“You serious?”

“Deadly.” You fold your arms, tilting your head. “I feel like he’s a creamy peanut butter guy, but I could be wrong.”

Bucky is hovering again, looking at the shelves like this is suddenly a debate worth considering. His arm brushes against your side, but he doesn’t move away.

“You’re wrong.”

You glance at him, eyebrows raised. “Oh?”

“He’s a crunchy guy,” Bucky says, reaching for a jar with his flesh hand and inspecting it like proof. “Says the creamy stuff’s got no texture. No character.”

You snort.

Bucky hums, still holding the jar, rolling it absently in his hand. He looks at ease. The basket dangles from his metal fingers as if it weighs nothing, even though it is filled with products.

You watch him.

The tension in his shoulders is practically gone and you know you should probably leave it there, but you don’t.

Because you want more.

More of this, more of him, more of that unguarded space where he forgets to be closed off.

So, you bite your lip and tilt your head at him before asking carefully. “What about you?”

Bucky glances at you, a small crease forming between his brows. “What about me?”

You gesture vaguely. “What kind of peanut butter do you like?”

For a moment, he just stares at you, like the question has never occurred to him before. Like no one’s ever bothered to ask.

You can almost see the gears turning in his head, his fingers tightening slightly around the jar. The hesitation is there. He doesn’t know how to answer. Perhaps he doesn’t know if he has a preference. Or it’s just been a long, long time since someone cared enough to ask.

You wait, patiently.

Finally, he lets out a cough, looking back at the display as if searching for an answer among the shelves. “…Crunchy,” he mutters. “I guess.”

You gin. “Yeah?”

He shifts his weight, looking rather uncomfortable but not in a bad way. Just unsure. This is unfamiliar ground for him, not knowing what to do with the attention.

You reach forward and pluck the jar from his hand before he can second-guess himself.

“Alright,” you say, dropping it into the basket with a decisive little thud. “Crunchy it is.”

Bucky observes you do it, something shimmering in his expression - something soft, a little hesitant, but warm. Like this tiny, seemingly meaningless choice holds a weight to him.

His jaw flexes slightly, as if he is about to say something, but he just exhales through his nose and shakes his head. “You’re ridiculous.”

But there is no bite to it.

And this time, he is the one to start walking, making sure you come along, staying just a little closer than before.

You are nearing the checkout registers when Bucky suddenly stops walking. It’s so abrupt that you almost keep going, but the absence of him beside you makes you pause.

You turn, finding him standing in front of a shelf, scanning its contents with a strange kind of focus, considering something.

You wait, watching the way his eyes search the options, his brows furrowing slightly. There is no tension in his posture, no obvious reason for the sudden stop - just deliberation.

Then, without a word, he reaches out, grasps a familiar-looking package, and drops it into the basket.

A soft thud.

Your gaze falls down, and your stomach does something strange when you realize what it is.

Chocolate-covered almonds.

The ones you always grab when you’re wandering the tower’s kitchen late at night, mind still wired from a mission, too awake to sleep but too tired to focus on anything real.

The ones you mindlessly snack on when you’re curled up on the couch, half-listening to, half-joining a conversation, or watching a movie.

The ones you didn’t even realize you had a thing for until you see them sitting in the basket between his plums, Steve’s soup, and the peanut butter Bucky prefers.

Your lips part slightly, surprised, searching his face. “You- Why’d you grab these?”

Bucky doesn’t even hesitate.

“Because you like them.”

Matter-of-fact. Simple. As if it’s obvious.

Just a fact.

Like it’s something he has known all along, something he has cataloged somewhere deep in that careful, quiet mind of his without ever making a big deal of it.

The realization unsettles you - not in a bad way, but in the kind of way that makes your chest feel suddenly too full.

You swallow, the corners of your lips twitching slightly, trying to ignore the warmth creeping up your neck.

“How do you know that?”

The words leave your lips lightly, bright with curiosity, playful in their demand. But beneath it, there is something you don’t quite let slip.

Something about the fact that he’s been watching.

That he’s noticed.

That he has paid attention in a way you didn’t think anyone has.

His grip on the basket adjusts for the hundredth time, but not because it’s heavy, he just seems to need something to do with his hands.

He schools his expression into something nonchalant, something careless, but it’s betrayed by the hint of warmth dusting across his cheekbones.

“You’re always munchin’ on ‘em,” he says, a teasing edge lacing his voice. He tries to sound smug, like it is an observation, just a simple fact, but there is something softer beneath it. Something like fondness.

You don’t even know if it’s been that obvious. If you truly eat these things out in the open that often.

Or if he just really is that observant.

That realization settles deep in your chest, warm and startling all at once.

So you just huff, pretending like your heart isn’t skipping beats, like his answer isn’t winding around something tender inside you.

“Well,” you remark, nudging his arm as you start walking again, “now I feel self-conscious about my snacking habits.”

Bucky lets out a soft chuckle. And when he falls into step beside you, he leans in slightly, voice just low enough for you to hear.

“Don’t.”

“The most sincere compliment we can pay is attention.”

- Walter Anderson

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applepixls · 5 months ago

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Anyone else thinking about how odd the hermitcraft economy is?

in season 9 they had a minor economic recession after the diamond ore war because there were far too many diamonds in circulation making them (hypothetically) worth less than normal and ren stepped in as the king and did what has been done in the midst of a lot of irl economic depressions; he created a government so they could employ the policy of Keynesian economics (basically more gov't intervention to stabilize the economy, it mostly worked in 1930's japan!), he took control of diamonds and even introduced a new currency, royal emeralds (much like Germany after WW1! they had some hyperinflation because of the war reparations they had to pay and the gov't not understanding that printing more money makes the money worth less resulting in the mark [currency] being so worthless they started burning it because they couldn't afford wood for fires. a new gov't came into power and they replaced the mark with rentenmarks which did a lot of fixificating for the economy). Ren's gov't also introduced a lot of gov't funded projects like the quests (the irl equivalent for this would be Roosevelt's New Deal which introduced policies/projects called the Alphabet Agencies (among other things) such as the AAA, CCC, TVA (do you see why they're called the alphabet agencies?) that would adjust the value of grain so farmers could start earning money for produce again and create work that would support a growing economy, projects like building roads and bridges)

so basically, all the policies ren's government introduced were very logically sound and worked in real life to fix the economy (except that irl the Great Depression only fully ended because WW2 started-), the issue is that hermitcraft is not real life and hermits do not behave like real people, they behave like hermits.

lets start with the hermitcraft economy. unlike the real economy, hermits rarely adjust prices according to how many diamonds are "in circulation". i say this despite the fact grian in a recent-ish episode says that "everything costs more this season because diamonds are more common". that can't be true because the caves and cliffs update literally made diamonds more difficult to acquire. I will circle back to this point made by grian later

hermits not adjusting prices by server-wide abundance of diamonds (because they cant really know how much anyone has, much less the total amount of diamonds in circulation, they just know who has a lot and who is broke) means that more diamonds doesn't make them worth less like it did with German marks, it just means hermits have more expendable currency and can spend more money and less time gathering materials for projects. It is also notable that diamonds are constantly being added and taken out of circulation because they're an actual useful currency rather than real life currencies which are symbolic slips of paper. diamonds can be used for armour and tools and it can be acquired by mining. so because of how hermits spend money, taking diamonds out of the economy in s9 did nothing but make them poor and angry at the government. the hermitcraft economy is actually stronger with more diamonds in circulation and is worsened by gov't intervention.

so already the use of real life strategies is utterly useless in hermitcraft economy but there are a few other reasons as well

the hermits tendency to resist government as well as the flawed and greedy government itself are a couple but also the fact that all the hermits are self employed (in real life but also in universe). they own and stock their own shops meaning all profits are more or less direct; its not passed through hands of big corporations so the person producing the product gets mere cents. the hermits are essentially small business owners (which becomes a bit of a problem come season 10 but we're still talking about season 9). The important part is the self employment. the season 9 gov't introduces the quests which mimic and echo real life government funded projects but because they're all employed and the quests gave small amounts of diamonds back, they did very little for the hermits

I'm sure theres more to say but i think its time to move on to the very interesting season 10 economy

if you've missed it you must be living under a rock but hermits are all using permits this season meaning only one shop in the shopping district is selling any given item/material and as a result of this prices have gone sky high. at one point a single stack of mangrove logs cost 7 diamonds when in previous seasons you could get at least 1 stack of wood for 1 diamond if not more

So what is causing this economic depression and hyperinflation?

well, circling back to the point grian made about resources costing more because of abundance of diamonds, I would think it actually costs more because of the permits.

grian thinks the diamond prices are fair because he has middle of the road permits (and is one of the hermits who designed their shopping district, permit and economic system this season so he's biased), there is enough demand to keep him afloat when he's stocked but its nothing people are clamouring for and buying him out. on the other hand, joel made a lot of shops that no one shops at because his objectively weighted permits have not been selling as well as they anticipated when making the permits (also some people like etho and pearl have additional income from their not as fabulous permits because they've made a pay to play game to go with it) and finally there are hermits like mumbo whose gold, iron and item frame shops were constantly getting bought out so he was frustrated with trying to restock despite getting lots of profit

(another interesting dynamic to think about is permits like cleo's book permit which lost value as the season went on because everyone needed books early on but now that they're all playing late game Minecraft, everyone is pretty stocked up and buying from cleo less often)

Basically, grian is satisfied with the pricing because he's middle class and couldn't afford it if they were more expensive but appreciates not being constantly out of stock, joel is unsatisfied because he is lower class and never has enough expendable currency to fund his projects because materials are too expensive and his permits aren't worth enough to sell them for more, and mumbo is unsatisfied because he is higher class and is constantly out of stock because his materials sell out too often and he wants to sell them for more to stay in stock more (classic supply and demand, he doesn't want to stock them as often making the supply lower and the demand proportionally higher making them worth more and therefore more expensive)

the reason i say the permits are to blame for the high prices is because they cause the responsibility of constantly stocking something to fall on one person (in past seasons, if one persons sandstone shop was out of stock you could go check someone else's sandstone shop). the threat of taking the permit away if they arent stocked along with the difficulty of constantly stocking some of these materials raises the cost.

a great example of this is skizzleman because his mangrove and cherry wood shop was one of the first shops to be built in the shopping district, meaning he somewhat set the prices this season. now, mangrove and cherry are both difficult trees to harvest because of their unconventional shapes and the fact that they are more recent additions (and skizz's stubborn desire to design his own farms...) so because of the time required to gather them the prices already were hitched up. add that to the fact that they are trying to constantly be in stock and therefore low prices that allow hermits to completely buy out the shops are unfavourable, and you get sky rocket-ing prices. (it is also difficult because skizz had no prior experience with hermitcraft pricing)

in conclusion... hermitcraft needs a laissez-faire economy (f. a. hayek) to function and not go into economic depression. Between the nature of the diamond currency, hermits' tendency to rebel against governments, the way they use the concept of supply and demand to price their goods, and the restrictions permits put on supplying products, hermits have proven that extensive structure and government intervention have not improved economic wellbeing the way that it does in real life

thus, hermits do not behave like regular humans, they operate on fae laws of its funny so lets do it and therefore must be governed as such (aka not governed), thank you for coming to my ted talk

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