#story techniques

[mauannacreates]

This is a really nice rule to think about. And I think there are some people like @artrosear and others who may not see this post or who are awaiting for an answer on what this means. So, I'll try to expand on it the best that I can, and if anyone wants to correct me or expand on my words, feel free to do so.

I will first answer what the law of diminishing terms means in this context and then I will explain on how it relates to the increase of stakes.

The law of diminishing returns is originally, out of context of this post, is when you increase one factor of goods (I'll use employees in this example) and it gets to a point where having a lot of workers is good at first, but it can also harm your production rate in the long run. Like you would need to have enough workers to do the work that the employer sets them to do, but if you get too many workers but not enough resources to meet the demand of workers and don't have the sufficient amount of money, then the returns you get will diminish because you are using an excess of money to pay the workers which would reduce on what you could get to improve the current resources that the company has. I guess this is why redundancy and putting people out of work exists, to give them a certain amount of money of their time, while also improving the company's state and get out of the diminishing returns.

Now in the context of @why-bless-your-heart's post, it gets to a point where there are stories where they go on raising more and more complexities in the story while not delving deep into the characters and why they want it. If there are too many complexities and troubles that are rising higher without trying to learn more about the characters, than it can get too predictable and bore the reader to the point of closing the book.

It's a bit like a tightrope between needing the moments where we can look into the characters and the relationships with one another, which would add suspense and maybe even excitement to the story and the moments where those characters take action. Because if there's too much action of adding unnecessary stakes, you will lose people, but that is also similar to when you make a story go too slow.

Think of each story as a wave. You need to have change in a story to make sure that the story is not too predictable, and it can satisfy the character progression between the characters involved.

The high-stake moments are important because you will need that to go and take action which is related to the main parts of your story and goes along with the theme and what not, beat the main antagonist, find that special item to unlock what you have been longing for.

But the low-stakes are just as important; they give the reader a little break from the high and intense moments. You get to see the characters more in a calmer state, see relationships evolve, learn more about the characters' eyes that you are looking through.

Low stakes are like a fresh breath of air for the person before they see another high-stake moment which would be a bit more intense than the last time, and those high and low stakes would progress throughout the story before it leads up to the major moment where it would be the highest stake moment. Then after, whether it's done in one book or in a series, this highest stake would be resolved and it would be resolved, have a bit of an ending and see how everyone else is living their lives since this peak moment has passed.

I'm not an expert at this sort of stuff, but I do hope this helps a few people, and it makes better sense for the people who want to learn and understand more about this kind of thing.

Another storytelling rule I think people should remember is the law of diminishing returns. If you keep on ramping up the stakes higher and higher and higher, after a point it gets to where the audience can’t really care anymore.

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 1: Dread on Arrival

(Part 2)

[deception-united]

Online Writing Resources #2

Vocabulary:

Tip of My Tongue: I find this very helpful when I can't think of a specific word I'm looking for. Which is often.

WordHippo: As well as a thesaurus, this website also provides antonyms, definitions, rhymes, sentences that use a particular word, translations, pronunciations, and word forms.

OneLook: Find definitions, synonyms, antonyms, and related words. Allows you to search in specific categories.

YourDictionary: This website is a dictionary and thesaurus, and helps with grammar, vocabulary, and usage.

Information/Research:

Crime Reads: Covers crime and thriller movies, books, and TV shows. Great inspiration before writing a crime scene or story in this genre.

Havocscope: Black market information, including pricing, market value, and sources.

Climate Comparison: Compares the climates of two countries, or parts of the country, with each other.

Food Timeline: Centuries worth of information about food, and what people ate in different time periods.

Refseek: Information about literally anything. Provides links to other sources relevant to your search.

Perplexity AI: Uses information from the internet to answer any questions you have, summarises the key points, suggests relevant or similar searches, and links the sources used.

Planning/Worldbuilding:

One Stop for Writers: Literally everything a writer could need, all in one place: description thesaurus, character builder, story maps, scene maps, timelines, worldbuilding surveys, idea generators, templates, tutorials... all of it.

World Anvil: Provides worldbuilding templates and lets you create interactive maps, chronicles, timelines, whiteboards, family trees, charts, and interactive tables. May be a bit complicated to navigate at first, but the features are incredibly useful.

Inkarnate: This is a fantasy map maker where you can make maps for your world, regions, cities, interiors, or battles.

Miscellaneous:

750words: Helps build the habit of writing daily (about three pages). Fully private. It also tracks your progress and mindset while writing.

BetaBooks: Allows you to share your manuscript with your beta readers. You can see who is reading, how far they've read, and feedback.

Readable: Helps you to measure and improve the readability of your writing and make readers more engaged.

ZenPen: A minimalist writing page that blocks any distractions and helps improve your focus. You can make it full screen, invert the colours, and set a word count goal.

QueryTracker: Helps you find a literary agent for your book.

Lulu: Self-publish your book!

See my previous post with more:

Drop any other resources you like to use in the comments! Happy writing ❤

Previous | Next

[thejournallo]

How to achieve our manifestation in less than three days.

This is a question that is always on everyone's mind because, let's be real, we are all impatient to get our desires as fast as possible. So what can we do to get what we want as fast as possible? Here is THE guide on how to do it.

Is begin "Delulu" the only method to make your manifestation come faster?

People often say that starting with a delusional mindset speeds up manifestation, and you know what? They're absolutely right! Being "delulu" is like wielding a powerful instrument that we can play however and whenever we like. 

But why is it so powerful?  Because we reprogram ourselves by slowly changing our mindset by faking that everything is already ours, reprogramming ourselves means unlearning things that don’t serve our wellness and replacing them with things that do.

Personally, I find it super effective to envision myself in an interview when I try to manifest, telling the journalist how I became so powerful and how everything I've manifested took little to no time. It works amazingly! I get what I want from the universe in just three days by doing this.

We can speed up our manifestations, not just by affirming and believing that we already have what we desire (which alone is often enough to make things happen faster), but also by applying some of the 12 laws of the universe:

The law of Devine ones:

This principle emphasizes that everything in the universe is intrinsically linked, forming a single, unified whole. It implies that we are all interconnected, not only with each other but also with the source, or universal consciousness. With this law, we simply apply the reality that we are already connected to our desire, even if it has to be created from 0. It is already connected to us, and vice versa.

The law of Detachment 1.0:  

The Law of Detachment is a core principle in deductive reasoning and formal logic. It asserts that if a conditional statement (an "if-then" statement) is true and the hypothesis (the "if" part) holds true, then the conclusion (the "then" part) must logically be true as well. I will give a quick example: if I am a witch, then I can do magic (an "if-then" statement), so if I am a witch, and it is true, then the fact that I can do magic is also true. Applying this to manifestations is now as simple as it can be. If I am manifesting this (which is true), then my manifestation is already here (also true).

The law of Detachment 2.0:

The Law of Detachment underscores the importance of trust and surrender. By relinquishing control and not clinging to specific outcomes, you create a state of allowing that can make it easier for your desires to manifest. This approach minimizes stress and resistance, which can otherwise hinder the manifestation process. In essence, the Law of Detachment in manifestation is about balancing desire with surrender. You hold your vision and take steps towards it, but remain flexible and open to how and when it manifests in your life.

The Law of Inspired Action:

Manifestation may require us to take inspired, and intentional action aligned with our desires. This law emphasizes the importance of actively pursuing our goals and dreams while remaining open to guidance and opportunities. For example, if I manifest to go on a great adventure and make a lot of friends along the way, I will have to take the intentional action to book it.

The Law of Rhythm:

Everything in the universe operates in cycles and rhythms. This law suggests that there are natural ebbs and flows, ups and downs, and that understanding these rhythms can help us navigate life more harmoniously. A way that I manifest things is to listen to music that makes me feel powerful and in control of the whole universe. Everyone has this kind of song in their heart because everyone vibrates at a certain frequency and volume. One of mine for example is vampire heart (slowed) - Isak Roen

These laws are not the only way but they for sure are a way. You can use all of them or use only one it is really up to you and i really suggest you learn about the 12 laws because they are a must for manifesting your dream life.

if you are intrested in more intresting way to manifest don't forget to check my masterlist! I hope you have a blessed day or night!

-xoxo the journallo

[ask-whitepearl-and-steven]

When exactly will we see Lapis and Peridot again?

You'll see them on 2025, August 21st, 6:03PM PST exactly.

[egophiliac]

this chapter has been so absolutely nuts that I actually low-key forgot that I had a couple of new UM posters to do! wild! anyway, I gotta think about Lilia's some more, so here is my beautiful electric crocodile son in the meantime. god I hope this reads properly

(I went with Volt to go with his name, but there's a Bolt version too in the print-size folder!)

[thebramblewood]

Supernatural seduction, take two: the professor has arrived.

Previous / Next

Lilith: I don't think you'll be needing this anymore.

Man in Bar: [flustered] W-why's that?

Lilith: Both of our mouths are about to be very preoccupied.

-

Lilith: FINISH HIM!

Helena: [sobbing] I can't, Lilith. Please don't make me do it.

Lilith: [disappointed sigh] I suppose I can help you out. Just this once.

[sound of body hitting the water]

Lilith: But you’ll have to learn eventually.

-

Helena: [in a dull, detached tone] What turned you into this?

Lilith: Into what precisely?

Helena: A vampire, to start with.

Lilith: [hesitates slightly] It’s a boring story, really. Besides, my human memories have grown so foggy. If you must know, ask Caleb. I’m sure he’d love to spin our maudlin little tale for you.

[zenithsys]

Do you feel, like, constantly overwhelmed? Unable to focus on tasks and self-care like showering? Have I got the tip for you

I recently got put on this method through a YouTube video recommended to me called the Sharp Ax method. Name doesn't matter, I'm gonna skip right to telling you what to do.

You have a notebook? Maybe one that you've horded and used once or twice before abandoning? Grab that shit. Get your favorite pen. At the top of the page you're going to write "Brain Dump". For like, 10-15 minutes, just sit there and write down every thought that comes to mind. Does your back hurt? Write it. Do you have to make breakfast? Write it.

But here's the thing: if there's something you need to do (paperwork, showering, shopping, etc) you're gonna write it like this.

"I want to shower." "I want to check the mailbox." "I want to do my laundry today."

For whatever reason, reframing things you need to do as things you want to do has helped me so immensely, and even when I can't finish all the things I want to finish, I still feel good for finishing the ones I was able to.

This stupidly simple journaling technique (which doesn't even feel like journalling to me) has caused me to go from being chronically overwhelmed to feeling like, even just for a little bit, everything is going to be okay.

[kaladinstormblessed09]

There are people who don’t like warbreaker 😩. How? Why? It’s one of my favourite cosmere books! I understand it’s a bit slow but the set up is so so worth it for the amazing payoff at the end! And it’s just so so good on a reread. Knowing what you know of denth and Tonk fah. Of Lightsong and Llarimar! It’s just a wonderful book and I get sad when people don’t like it or find it boring.

[rrcraft-and-lore]

Once upon a time

Everyone knows once upon a time, but did you know that countless cultures have their variation of how classic stories begin, and one one from Welsh is, "A long time ago," similar to a few others from other cultures that go, "A long long time ago."

But, some, like Lithuanian go: "Beyond nine seas, beyond nine lagoons," similar to the Czech, "Beyond seven mountain ranges, beyond seven rivers."

These are some variations from Arab texts: This happened or maybe it did not. The time is long past and much is forgot.

There was or there was not—is anything sure or certain but the greatness of Allah?—a king so powerful that man and Djinn bowed before him.

This is how many Hausa tales are begun “A story, a story. Let it go, let it come.”

And of course, we have one that is a combination and modern invention that has become part of media culture and storied greatness: "A long time ago in a galaxy far, far away." <3

These are just some. But it's been among the most wonderful part of my research before I began putting down the first words for Tales of Tremaine. But the art of storytelling is one of the most human things there is. It's central to us, and it has passed long and far by tongue and time over lands and through cultures. Some beginnings are so similar to each other, some not so much.

But then you see the threads between them in the stories, the themes, tropes, archetypes, motifs. But the traditions span the world. They are old. They are cool. And they are beautiful.

And storytelling is one of the gifts that connects us all, like music, and other arts.

[im-not-buying-it-ether]

Okay but now I feel compelled to wonder, in that fun AU of CC and Marilyn being Captain and Mary Marvel, what their lives as heroes would be like

Like, villains are the same for the most part with probable lack of antagonism with Sivana, he’s the dude who hired them for the dog in the first place with the public intent of a historical attraction at a park and on the side of the bus he’s campaigning for mayor. Other than that, villains seem to be the same from the brief moments we see.

They stay out of the limelight, they prioritize keeping their identities hidden for the sake of Billy and Mary’s saftey and childhoods, and they take their duties seriously.

But what’s tingling at the brain right now is how they’d interact with the rest of the world of DC, heroes and teams and whatnot, outside of Fawcett and the menagerie of characters there. We know CC accidentally stumbled onto some daring scene with Spy Smasher and the bunch (no joke, time was funky in Fawcett and CC was alive at that time) but I’d love to see him with other heroes

Like, say he fills the normal roles in comics Billy would’ve, joins JLI and, like his son, tries calling the other heroes out for acting like bigger juveniles than his actual kids and ditches bc apparently the people who save the world on the regular cant not try and fist fight the other every few hours. He’s on and off some team, focusing on his city and his family more and more, pops in for bigger fights when they occur but is mostly hometown based and handles his own issues.

Of newer stuff, I turn to YJ’s tv show for another idea. Aka, CC also being a chaperone for the Team at the same time Billy comes in but with a twist, turns out his kids have a percolation for magic and have been getting the hang of some spells so they’re joining the Team too while CC is on chaperone duty. So leads Billy and Mary’s attempt at a slow entrance into heroism that immediately backfires when they get captured, cue heartwarming scene of dad hugging his kids after a dangerous situation that follows him tearing the base apart looking for them. True dad fashion and all that. What becomes complicated is the World Without Grown Ups plot, in which I say have Billy and his had pre-the plot agree that Billy can have Shazam powers for super big emergencies and Billy definitely counts all adults disappearing as an emergency. Cue once more the fun father son bonding of Billy looking just like his old man with Shazam powers.

Onto Marilyn, who unfortunately doesn’t seem to have more beyond “clever” and “good mom” from comics, but she’s got her hutzpah and would probably be as active a hero as CC while still prioritizing her life and family over heroism. The whole Shazam thing is definitely more a job than it is what kind of person she is, she’s an archeologist and likes that profession more than she likes worrying about everyone else. She’s definitely more no nonsense and, if there’s a difference, she’d probably prefer the more grounded crime fighting than the mystical shenanigans CC would do in her stead. Billy and Mary end up closer to her in quality time since that focus of crime fighting keeps her grounded.

Also, the general vibes of the Captain Marvel tropes. Such as the identity shenanigans.

It is a fun thing of fanfic that, since his civilian identity is very vulnerable and people like their identity plots, Billy has his questioned or revealed a lot. Add in CC as Marvel instead and it flips a bit to be a man who is well known in his home city whose entire family, non-powered children included, could easily become targets if anyone knew who he was. And he’s deliberately secretive about it for that purpose, he’s protecting his children with his wife. So, perspective, there’s a new hero who comes in with a hero partner who is also their life partner. They have the power of actual gods and titans, they don’t explain anything past some nebulous Wizard they can’t name as to how they got their powers, they are very hush-hush on their normal lives but everyone knows they have to have one. It’s hard to contact them, you don’t know they’re working or traveling or with their kids because you don’t know they do work or that they have kids, so you worry what they’re up to for what seems to be every hour they aren’t begrudgingly saving the world with the rest of the heroes. You catch them talking to the other but the minute they hear you they clam up and change everything about how they were just a second ago, you could swear they were talking about digs or gods or bringing someone home but you don’t know anything because you don’t know them.

Cue the mistrust, the reveals, how it all goes wrong and someone gets hurt, be it the other when they don’t have their powers or their kids and suddenly you’ve pissed off the man who loves his family so much he was tearing the multiverse open to try and keep the timeline going where they were all alive and happy together and the woman who loves those kids just as much. Or, say that reveal had villains get both of the Batsons, and now those heroes have to look those orphans in the eye and beg forgiveness, and when fate still demands its heroes out comes two new ones that make it seem like the whole Batson sham was fake and no way Marilyn and CC were the Marvels, the marvels are still flying around after they’ve gone and gotten dead and buried. Cue those heroes looking at the new Captain and Mary Marvel, knowing it’s the kids they accidentally made orphans wearing the faces of the friends they betrayed.

[evvlevie]

❤️‍🔥„Evie how do I manifest xyz???“ watch me teach you manifestation basics in one post. ❤️‍🔥

Hello again! It is me: your favorite shifting blogger Evie and today we are covering the 101 of manifestation (based on the law of assumption). I get plenty of dms and asks that go along the lines of „Evie can I manifest a car?“ or „Evie can I manifest a boyfriend?“ or „Evie can I manifest to become the next president of the United States“ et cetera, et cetera.

The answer will always be as clear as day: YOU ABSOLUTELY CAN. Wanna know why I know that? BECAUSE YOU CAN MANIFEST EVERYTHING EVER 🥳🥳🥳.

„but how do I do that?“

Well this answer is gonna take some time as it is not definitive.

A lot of people like affirming as a method. Others love to visualize. Some people meditate and others listen to subliminals. I tend to get creative, I have written my manifestations on toilet paper and flushed it before and it fucking worked. What I mean to say is that there is no DEFINITIVE way to manifest stuff. If Mary can affirm like crazy and have her desire by tomorrow, this might have not worked for Jennifer. Jennifer affirmed for 169 days straight and never received her desire (because subconsciously she never thought that affirming would work). But when Jennifer lit a candle, thought about her desire and blew it out like a birthday candle, she had her desire 15 minutes later, because she always had this intuition that this would feel more natural to her.

At the end of the day: try as many things as you can, as you will naturally realize what makes sense to you and what doesn’t. I did try affirming like crazy and I never got any desire ever that way. But for example listening to music and feeling every single word sung in my heart has gotten me WAAAYYY further. There is no real reason for that other than some things work for you and some things don‘t.

„but why?“

Well. You believe certain things to be true. You might believe that there is no real love out there and that manifests and now you are lonely and in raging heartbreak. You might believe that you are the most glowing and magnetic person on this planet and for some reason that has proven itself through people thriving in your presence and begging to be near you. Because guess what. You manifested it.

„but I never intentionally tried to manifest that every person I ever interact with breaks my heart in a soul crushing manner!“

Look. You manifest literally every single aspect of your life. ALWAYS. The whole point of manifestation as I am teaching you is to consciously control the way things manifest. But you have always, are always, and for ever will have been always the only creator of your reality. Your thoughts, your beliefs, your emotions and your desires manifest constantly. If you subconsciously believe that you are the most unlovable person on this planet guess how this will manifest into the physical realm? As every person you meet ever breaking your heart and declaring you as unlovable. And the key to everything is realizing that only you can decide what happens in your life. You are the source. The author of the book and the director of the movie. The painter of the artwork and the chef in the kitchen. Nothing you have ever witnessed has never not happened THROUGH you. You just didn’t realize it.

„So how do I consciously manipulate my reality?“

That’s when you step in your actual power. Listen, you control things. Everything. Nothing happens without you ordering it to happen first. You decide what is real and what is not. That’s a fact.

Now when you imagine your crush Johnny to text you, and you declare that to be the truth, a stone-hard fact and a thing that 100% is real and has happened, that energy will reflect itself in your reality.

You manifest by deciding what is real.

You manifest by declaring your truth.

You manifest by choosing your fate and sticking to that choice.

„What if I decide for Johnny to text me and Johnny never texted me?“

Oh but he did text you. In your imagination remember? And we, the only creator of our realities, decided that that is real. So Johnny texted you. What you mean to say is:

„Why don‘t I see a text from Johnny in my physical reality?“

There it is. The ONE error everybody does when getting into manifestation: looking for validation from the physical realm.

„Well obviously I am looking for my manifestation in the 3D world, that‘s what I am manifesting it for Eves!“

That is the moment where I educate you about ✨states✨

When you desire something, like let’s say a new phone, you are doing one thing in particular: you are recognizing the lack of the new phone in your life. (The state of desire/ the state of lack) When you visualize yourself getting a new phone, and you decide that is real now, you inevitably enter the state of being wish-fulfilled, the state of having it. Your job is to stay as loyal as possible to that state. Because your state manifests.

If we visualize the new phone, declare that as real and true, enter the state of wish-fulfillment, then look for confirmation we already disproved our state of being wish-fulfilled because if why are you looking for proof of your truth if you knew it was true? You know for a fact that 2 + 2 equals 4. you are not spending every day proving or disproving that fact, are you?

By searching for confirmation you will re-enter the state of being in lack, because you are actively recognizing and accepting the lack of that desire by looking wether you already have it or not. If you truly declared the imagination as real, why would you search in the 3D for it?

The 3D reality will always conform to the 4D reality anyway so just accept that you have it the minute you visualize it/affirm it/ and so on. And that’s why searching for something in the 3D is pointless. If the imagination comes first, if that is the reality where everything happens, if that is the place where everything stems from, why are you searching in the goddamn reflection for validation? Your imagination is the top validation you could ask for because it is TRUE. IT IS REAL. Your physical copy of that will always always always only portray what you have created in your mind in the first place! Why are you looking for Johnny’s text message in the reality that is bound to copy your imagination anyways? Why aren’t you more concerned with what you are visualizing and thinking about all day because these things WILL show up regardless? And if Johnnys Text Message didn‘t manifest YET then why are you believing that reality WHEN IT ALL CAME FROM YOU ANYWAY. YOU CREATE EVERYTHING BRO. If you can’t see it yet that doesn’t mean it would have never appeared, that just means you entered the state of lack again because you have been searching at a place that always comes second anyway. Do not believe what you see, believe what you decide to be real. YOU DECIDE. YOU YOU YOU AND ONLY YOU.

„So the trick is to recognize imagination as real?“

Correct.

„What happens when I accidentally recognize the lack of something in the 3D? Is my manifestation then lost?“

Nope. As long as you stay loyal to your state, you are not losing anything. If you happen to think „god I manifested that stupid text from Johnny two hours ago where is it?“ and then correct yourself with for example something along the lines of „ahhh wait I remember! The DID text me! Two hours ago in my real reality! Silly me!“ and that’s it! No need to overthink it. You decide what is real, so if you don‘t dwell in the fact that your physical reality doesn‘t show the picture you want to see, and you keep on re-entering your state of wish-fulfilled, and make it your dominant state, nothing is lost. It is only lost if you decide that it is. If you accept the physical copy as the truth and not the place where it all stems from, the place where your manifestation is already done anyways, then you lose it. But only because you decided to lose it.

„Okay so Evie I want to manifest that Johnny and I get married but he is currently married to another woman and has eleven kids with her. Can I manifest my desire anyway?“

First of all: you can manifest everything

Second of all: because circumstances never matter!

„But what if I want to manifest to get into Harvard even if they already sent me their rejection letter?“

Even then.

If you are the only creator of your reality, then you have been the one responsible for these circumstances in the first place anyways. If you can put yourself into your circumstances, you can remove yourself out of them just as well.

It is not your job to figure out how your subconscious goes about eliminating your circumstances, your job is to concentrate on what you want to declare as real. And then declare it as real. And stay in your state of wish-fulfilled. The rest will happen by itself. Trust. Me.

„So how long do you think my manifestation will take to appear in my physical reality?“

Depends. What do you think how long these things should take? Because that’s what it will boil down to. If you believe that every single one of your manifestations arrives within 2 minutes, then that’s your reality bro, that‘s what’s true. If you believe that a manifestation will always take up to a month until it happens well then that’s your truth. The only limit there is your belief.

It also does not matter wether you are trying to manifest climate change to stop or a cup of coffee. There are no „big manifestations“ or „small manifestations“. Manifestation is manifestation. But you THINK that Johnny texting you is such a huge deal that you MAKE it to something harder to get so you spend more time dwelling in lack so it takes more time to appear. If I told you that manifesting a dandelion on the sidewalk is the same thing as manifesting fucking Obama to kiss you, you wouldn’t believe me because you take things like probability into account. Which is totally irrelevant. The question is not „how probable would this have been to happen to me if I didn’t manifest it?“ in order to figure out wether something will manifest faster or easier. The better question for this would be „how much do I want this to happen?“. Because as soon as you decide something is real, it is. And then it copies into your physical world. Without a doubt. Which is exactly why you should never catch yourself get impatient or „wait“ on your desires to appear in the 3D. The trick is to know it will happen anyways. But everytime you check the 3D or wait for change to happen then you are re-entering state of desire/lack. That‘s when you are accepting that what the 3D is showing you, must be a fact, EVEN THOUGH YOU DECIDE WHAT IS REAL AND WHAT ISNT IN THE FIRST PLACE.

„so basically how do I manifest a scholarship for example?“

Okay let’s take a test run. I want to manifest a scholarship. So I pick my most favorite method of manifesting which is visualizing (for example). I lay down in my bed, close my eyes, take a few deep breaths and really set the scene as detailed as I can. I imagine myself opening my laptop, clicking on my E-Mail Icon and read through the E-Mail I received in which I got accepted into my dream scholarship. I freak out because I have been waiting for this moment for ever and I am so happy and I let myself feel every single emotion that is connected to my desire being fulfilled. I open my eyes and I am happy because I know that this moment just happened. I enter the state of wish-fulfilled and now I go about my day all proud and confident because I know that since I declared my acceptance into the scholarship as real, it happens anyway. I know it is real, which is why I don’t get all worried about it showing up in the 3D and I let go of all the worry and all the anxiety attached to the situation where I still desired that scholarship. Because I don‘t anymore. Because I have it. Because I decided that that is what is real, so now it is.

Two days have passed and I still have no E-Mail in my account and the old me pops up and thinks „where is that scholarship that we manifested“ I immediately recognize that some part of me seems to think we are lacking something. I correct my behavior and remind myself through re-imagining the scene of me getting accepted to the scholarship and reminding myself consciously „that’s right! I already have the acceptance to the scholarship! It‘s real, I remember!“ and let go of the negative feelings attached to the state of desire. I stay loyal to the state of wish-fulfilled and I do not seek validation from the outside, only from my imagination because I know, that only my imagination is real, only my imagination is to be trusted.

„This sounds like it takes a lot of practice“

It does. Some people get used to this way of thinking easier than others. Some believe their 4D sooner than others do. Some might never accept the 4D as real and never consciously manifest anything ever because they are too set on viewing the 3D as factual and set-in-stone. Others accept the Imagination as truth immediately and have 100k dollars in their bank by tomorrow because they adapted to this manifestation-type-of-thinking faster than you did maybe.

But that is normal. Forreal. Some take years perfecting this skill, and others try it once and then leave it.

But to be fair: if you are manifesting literally everything in your life anyways, wouldn‘t you rather be able to control it at least? Even if it takes you several days-weeks-months-years to finally get it right? Doesn‘t that make so much more sense?

This post was inspired by a lot of asks and dms people have been sending me, and I genuinely hope I was able to help❤️

Thank you guys so much for trusting me and supporting my blog❣️

It truly means the world to me, knowing people are listening to my advice and seeing results from that❣️

I am yours in every reality,

Evie <3

[sweetgaleria]

Help a college student graduate by answering a survey!!

Hey!! Are you over 18 and in the miraculous fandom? Then this is for you!!

Hi everyone, this is my last semester of uni, and one of my final projects to be able to graduate is to write a scientific paper. I'm writing an article about adult fans of children's animation, specifically Miraculous Ladybug. My goal is to understand what makes adults (like us) want to join fandoms centered around shows aimed primarily at children, and to do that I'd love to hear directly from the source! The survey takes around 10 minutes to answer, it's 100% anonymous and it would help me immensely!

>>Click here for the survey<<

I need at least 30 people to answer, but honestly the more the merrier! I've also made a little thank you gif at the end, so if you see it let me know! If you have any questions feel free to send me an ask, as well!

Please reblog so it can reach more people! Thank you so much!

[deception-united]

Online Writing Resources

YouTube:

Abbie Emmons: A published author. Her videos have great tips and advice for plot and character development.

Hello Future Me: Mostly worldbuilding tips, but very in-depth, with specific examples.

Ellen Brock: A professional freelance editor who provides help with all aspects of writing—outlining, worldbuilding, character writing, plot development, publishing, and generally answering any questions writers may have.

Terrible Writing Advice: Great writing advice, if you can handle the sarcasm.

Podcasts:

Writing Excuses: Albeit fast-paced, the given writing advice is quite useful. There's multiple seasons addressing topics such as story structure, characters, and genres, amongst many others.

The Creative Penn: This podcast is run by author Joanna Penn, who shares the lessons she learned in her own journey and advice for writing and publishing your novel.

I Should Be Writing: Interviews with various authors, and encouragement for aspiring writers.

Story Grid: Outlining methods, writing tips, editing advice, and analysis of various works.

Blogs:

Creativity Portal: Author interviews, creativity generators, writing prompts and templates, and various other writing resources.

Now Novel: Aside from writing tools, this website has multitudes of posts about characters, dialogue, narration, plotting, editing, and story structure, as well as writer motivation.

Helping Writers Become Authors: Tips on dialogue, characterisation, outlining, plot development, structuring, character arcs, and common writing mistakes to avoid.

Almost an Author: This website is great help for aspiring authors, with advice that ranges from genres to motivation for writers to guidance for making writing a career.

Hope this is helpful! I'd love to hear any other resources you use or are familiar with. Happy writing ❤

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[mushiemadarame]

real friends grab each other by the scruff of the neck

⇢ Cha Seo Won as Yoon Tae Joon and Han Do Woo as Kim Dong Hee (Unintentional Love Story, 2023)

for @khaotunq

+ bonus, a sack of potatoes:

[hayatheauthor]

Ghouls, Ghosts & Poltergeists: What's The Difference?

When it comes to the supernatural, the terms ghouls, ghosts, and poltergeists often get thrown around interchangeably. However, each of these entities has distinct characteristics that set them apart. Whether you're a paranormal enthusiast, a horror writer, or simply curious, understanding the differences can enhance your appreciation of the spectral world.

Ghouls: The Graveyard Dwellers

Origin and Mythology Ghouls are creatures rooted in ancient Arabian folklore, often depicted as demonic beings that dwell in graveyards and consume human flesh. The term "ghoul" comes from the Arabic word "ghūl," meaning "to seize" or "to take." They are often seen as monstrous beings that prey on the dead and sometimes the living.

Appearance and Behavior Traditionally, ghouls are depicted as decaying, grotesque figures with a penchant for haunting cemeteries. They are known for their ability to shapeshift, sometimes taking the form of animals to lure their prey. Unlike ghosts and poltergeists, ghouls are corporeal, meaning they have a physical presence that can interact with the material world in a gruesome and tangible way.

Cultural Impact Ghouls have made their way into various cultures and media, often symbolizing death and decay. They appear in literature, films, and video games, usually as menacing creatures to be feared and fought. Their depiction varies, but their essence as flesh-eating, cemetery-dwelling beings remains consistent.

Ghosts: The Restless Spirits

Origin and Mythology Ghosts are the spirits of deceased individuals who have not found peace in the afterlife. Belief in ghosts is widespread, transcending cultures and eras. They are often thought to linger due to unfinished business, unresolved emotions, or a tragic death.

Appearance and Behavior Ghosts are typically depicted as ethereal, translucent figures that may resemble their former human selves. They can appear as full-bodied apparitions or as mere shadows and mists. Ghosts are known for their ability to pass through solid objects, and they often haunt specific locations tied to their past lives, such as homes, battlefields, or places of death.

Cultural Impact Ghost stories are a staple of folklore and have been passed down through generations. They appear in a wide array of media, from classic literature like "Hamlet" to modern horror films like "The Conjuring." Ghosts often evoke a mix of fear, sadness, and curiosity, reflecting our own fears and fascinations with death and the afterlife.

Poltergeists: The Noisy Spirits

Origin and Mythology The term "poltergeist" comes from the German words "poltern" (to make noise) and "geist" (ghost or spirit). Poltergeists are believed to be mischievous or malevolent spirits that cause physical disturbances, such as loud noises and the movement of objects. Unlike traditional ghosts, poltergeists are often associated with specific individuals rather than locations.

Appearance and Behavior Poltergeists are typically invisible and manifest their presence through physical actions rather than visual apparitions. Common poltergeist activities include knocking, banging, object displacement, and even physical attacks. These disturbances often escalate over time, creating a sense of fear and chaos for those affected.

Cultural Impact Poltergeists have been a popular subject in paranormal investigations and horror media. The infamous "Enfield Poltergeist" case in the 1970s, for instance, drew significant media attention and inspired numerous books and films. Poltergeists challenge our understanding of the supernatural by interacting with the physical world in inexplicable ways.

Conclusion

While ghouls, ghosts, and poltergeists all belong to the realm of the supernatural, they each offer unique elements to the tapestry of paranormal lore. Ghouls, with their corporeal form and ghastly habits, bring a sense of physical horror rooted in ancient mythology. Ghosts, as the restless spirits of the deceased, embody our deepest questions and fears about the afterlife. Poltergeists, with their noisy and often violent disruptions, blur the lines between the seen and unseen worlds.

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!