#author things

[vics-chrysopoeia]

OMG SO MUCH YES

My Author Notes are so huge because the very first draft of Chrysopoeia was from around freaking 2002.

You could say that I do have a wiki for the comic (and all the stories in its urban fantasy sister-universe, the Belle Night novels). In my head.

I don't know how Red functions in this regard, but I oscilate wildly between planning meticulously and improvising things for funsies just to be surprised at how well it slots into the previous plan.

E.g.: Vic's home village was called Alchemy Village waaay before I decided to introduce any alchemy imagery into the story. And the phoenix was a very important element since the beginning, waaaay before I knew it is one of the symbols for the philosopher's stone. When I discovered that alchemy has a neat word to describe what the story is all about, I had accidentally put so much accurate alchemical symbolism in it (to re-iterate,symbolism I didn't ever KNEW existed) that I doubt that anyone will ever believe it was by accident.

Why does using a lot of magic seem to exhaust mages in Aurora? Like, looking through the magic system, it’s intuitive why mages would have a limit on how much they can channel at once. What I’m wondering though, is why pushing that limit wipes them out, like we’ve seen a couple times with Alinua. They take in energy from the environment, so what exactly are they losing?

Magic flows through the mage's soul, and if it's forced to flow at a higher rate or pressure than the mage can handle, it strains or even damages the soul. It's a nonphysical injury, but it has real debilitating effects. This can be compounded if the mage accumulates trace energies that they can't purge, as a damaged soul is more susceptible to elemental corruption, which can physically damage and weaken the body.

[joelliies]

Show, don’t tell

"Show, don’t tell" means letting readers experience a story through actions, senses, and dialogue instead of outright explaining things. Here are some practical tips to achieve that:

1. Use Sensory Details

Tell: "The room was cold."

Show: "Her breath puffed in faint clouds, and she shivered as frost clung to the edges of the window."

Tell: "He was scared."

Show: "His hands trembled, and his heart thudded so loudly he was sure they could hear it too."

2. Focus on Actions

Tell: "She was angry."

Show: "She slammed the mug onto the counter, coffee sloshing over the rim as her jaw clenched."

Tell: "He was exhausted."

Show: "He stumbled through the door, collapsing onto the couch without even bothering to remove his shoes."

3. Use Dialogue

What characters say and how they say it can reveal their emotions, intentions, or traits.

Tell: "She was worried about the storm."

Show: "Do you think it'll reach us?" she asked, her voice tight, her fingers twisting the hem of her shirt.

4. Show Internal Conflict Through Thoughts or Reactions

Tell: "He was jealous of his friend."

Show: "As his friend held up the trophy, he forced a smile, swallowing the bitter lump rising in his throat."

5. Describe the Environment to Reflect Mood

Use the setting to mirror or hint at emotions or themes.

Tell: "The town was eerie."

Show: "Empty streets stretched into the mist, and the only sound was the faint creak of a weathered sign swinging in the wind."

6. Let Readers Infer Through Context

Give enough clues for the reader to piece things together without spelling it out.

Tell: "The man was a thief."

Show: "He moved through the crowd, fingers brushing pockets, his hand darting away with a glint of gold."

7. Use Subtext in Interactions

What’s left unsaid can reveal as much as what’s spoken.

Tell: "They were uncomfortable around each other."

Show: "He avoided her eyes, pretending to study the painting on the wall. She smoothed her dress for the third time, her fingers fumbling with the hem."

8. Compare to Relatable Experiences

Use metaphors, similes, or comparisons to make an emotion or situation vivid.

Tell: "The mountain was huge."

Show: "The mountain loomed above them, its peak disappearing into the clouds, as if it pierced the heavens."

Practice Example:

Tell: "The village had been destroyed by the fire."

Show: "Charred beams jutted from the rubble like broken ribs, the acrid smell of ash lingering in the air. A child's shoe lay half-buried in the soot, its leather curled from the heat."

[gigireece16]

“how do you plot / plan your book?” very bold of you to assume i do that.

[deception-united]

Online Writing Resources #2

Vocabulary:

Tip of My Tongue: I find this very helpful when I can't think of a specific word I'm looking for. Which is often.

WordHippo: As well as a thesaurus, this website also provides antonyms, definitions, rhymes, sentences that use a particular word, translations, pronunciations, and word forms.

OneLook: Find definitions, synonyms, antonyms, and related words. Allows you to search in specific categories.

YourDictionary: This website is a dictionary and thesaurus, and helps with grammar, vocabulary, and usage.

Information/Research:

Crime Reads: Covers crime and thriller movies, books, and TV shows. Great inspiration before writing a crime scene or story in this genre.

Havocscope: Black market information, including pricing, market value, and sources.

Climate Comparison: Compares the climates of two countries, or parts of the country, with each other.

Food Timeline: Centuries worth of information about food, and what people ate in different time periods.

Refseek: Information about literally anything. Provides links to other sources relevant to your search.

Perplexity AI: Uses information from the internet to answer any questions you have, summarises the key points, suggests relevant or similar searches, and links the sources used.

Planning/Worldbuilding:

One Stop for Writers: Literally everything a writer could need, all in one place: description thesaurus, character builder, story maps, scene maps, timelines, worldbuilding surveys, idea generators, templates, tutorials... all of it.

World Anvil: Provides worldbuilding templates and lets you create interactive maps, chronicles, timelines, whiteboards, family trees, charts, and interactive tables. May be a bit complicated to navigate at first, but the features are incredibly useful.

Inkarnate: This is a fantasy map maker where you can make maps for your world, regions, cities, interiors, or battles.

Miscellaneous:

750words: Helps build the habit of writing daily (about three pages). Fully private. It also tracks your progress and mindset while writing.

BetaBooks: Allows you to share your manuscript with your beta readers. You can see who is reading, how far they've read, and feedback.

Readable: Helps you to measure and improve the readability of your writing and make readers more engaged.

ZenPen: A minimalist writing page that blocks any distractions and helps improve your focus. You can make it full screen, invert the colours, and set a word count goal.

QueryTracker: Helps you find a literary agent for your book.

Lulu: Self-publish your book!

See my previous post with more:

Drop any other resources you like to use in the comments! Happy writing ❤

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[xiaq]

Pretty bold of you to put your AO3 handle in your Instagram bio. Especially when you’ve been writing there for 10+ years. I would never. lol.

Skill issue.

I have no guilt in my pleasures and no shame in my progress.

[veryrealauthorthings]

[hayatheauthor]

Assassination Methods Through the Decades: A Writer’s Handbook

When it comes to writing about assassination, historical accuracy and understanding the evolution of methods can significantly enhance the authenticity and impact of your narrative. This guide is designed to help writers explore the diverse and often brutal methods of assassination that have been used throughout the centuries. From the poisonings of ancient times to the covert killings of medieval assassins, here’s a comprehensive guide bound to give you the perfect inspiration for your assassination scenes. 

Ancient and Medieval Assassination Methods

Poisoning

Poisoning is one of the oldest methods of assassination, dating back to ancient civilizations such as Greece, Rome, and Egypt. The allure of poison lies in its ability to kill without physical confrontation, often leaving little trace of the perpetrator.

Common Poisons:

Hemlock: Famously used in the execution of Socrates, hemlock was a slow-acting poison that caused paralysis, leading to death by respiratory failure.

Arsenic: Known as the "inheritance powder," arsenic was a favorite among those seeking to kill discreetly. Its symptoms could be mistaken for natural illness, making it a popular choice in political and familial power struggles.

Belladonna: Also known as deadly nightshade, belladonna was used in both small and large doses to incapacitate or kill. The poison caused hallucinations, dilated pupils, and eventually death.

Historical Examples:

Socrates (399 BC): The Greek philosopher was sentenced to death by drinking a concoction containing hemlock, a method chosen for its relative humanity compared to other executions.

Emperor Claudius (54 AD): It is widely believed that the Roman Emperor Claudius was poisoned by his wife, Agrippina, using a dish of poisoned mushrooms to secure her son Nero's place on the throne.

Administration Methods:

Poisons were often mixed into food or drink, applied to the skin via ointments, or even introduced into the body through small, concealed needles. Assassins needed to be knowledgeable in the art of dosage to ensure a successful kill without immediate detection.

Symptoms:

Victims of poisoning would often suffer a range of symptoms depending on the poison used. These could include severe abdominal pain, vomiting, diarrhea, convulsions, and eventually, death. The slow progression of symptoms allowed the assassin time to escape, and in many cases, the cause of death was not immediately apparent, lending an air of mystery to the assassination.

Bladed Weapons

Before the advent of firearms, blades were the primary tools of assassins. Daggers, swords, and other sharp instruments were favored for their portability and effectiveness in close combat situations.

Types of Blades:

Daggers: Small, easily concealed, and lethal at close range, daggers were the weapon of choice for many assassins. The Roman pugio and the medieval stiletto were particularly popular.

Swords: Larger and more visible, swords were often used in assassinations where the element of surprise was not necessary, such as in the heat of battle or a public execution.

Kris: A wavy-edged dagger used in Southeast Asia, the kris was known for its spiritual significance as well as its lethality.

Famous Assassinations:

Julius Caesar (44 BC): Perhaps the most famous assassination in history, Caesar was stabbed 23 times by a group of Roman senators led by Brutus and Cassius. The attack was swift and brutal, demonstrating the effectiveness of a well-coordinated knife attack.

King Duncan (11th century): The assassination of King Duncan by Macbeth (as famously dramatized by Shakespeare) is an example of a stealthy, intimate kill using a blade, where the act was both personal and symbolic.

Techniques:

Assassins using bladed weapons often relied on stealth, speed, and precision. A well-placed stab to the heart, throat, or kidneys could kill instantly or within moments, leaving the assassin time to escape. In some cultures, assassins were trained in martial arts that emphasized quick, lethal strikes.

Weapon Concealment:

Blades were often concealed in clothing, boots, or even within the folds of long hair or turbans. The art of hiding a weapon until the crucial moment was key to the success of many assassinations.

Strangulation and Garroting

Strangulation was another favored method of assassination in ancient and medieval times, especially for those who sought to avoid bloodshed or noise. The garrote, a weapon used to strangle a victim, was particularly effective in this regard.

Tools Used:

Garrote: A length of wire, cord, or fabric used to strangle a victim from behind. The garrote was silent, deadly, and could be easily concealed, making it a popular choice for assassins throughout history.

Hands: In cases where no weapon was available, assassins might rely on their own hands to strangle a victim. This method required physical strength and proximity but could be effective in the right circumstances.

Historical Examples:

Sicarii (1st century AD): A group of Jewish zealots who used short daggers to stab Roman collaborators in crowded places. The Sicarii were also known for strangling their enemies with garrotes.

Medieval Europe: Strangulation was sometimes used as a method of execution for nobles, where a public beheading or hanging might be considered dishonorable.

Execution:

The assassin would typically approach the victim from behind, loop the garrote around their neck, and tighten it quickly and forcefully, cutting off the victim's air supply. Death would occur within minutes due to asphyxiation or a broken neck.

Advantages and Risks:

The main advantage of strangulation was its silence. Unlike a stabbing or poisoning, strangulation could be done without alerting others nearby. However, it required physical strength and a certain level of risk, as the victim might struggle or fight back.

Renaissance and Early Modern Era

Firearms

The Renaissance and early modern era marked a significant turning point in the history of assassination methods with the introduction of firearms. Gunpowder, first developed in China, made its way to Europe and fundamentally changed the dynamics of warfare and personal combat, including assassination.

Introduction of Gunpowder and Early Firearms in Assassinations:

The development of gunpowder-based weapons provided assassins with a new tool that could kill from a distance, reducing the risk of capture. Early firearms such as matchlock and flintlock pistols were bulky and required significant skill to use effectively, but their lethality made them a preferred choice for assassins by the 16th century.

Firearms allowed for quick, deadly strikes that were difficult to defend against, making them ideal for assassinations where the element of surprise was crucial. The loud noise and smoke, however, meant that escape required careful planning.

How Accuracy and Concealability Impacted Methods:

Early firearms were not known for their accuracy, which necessitated close-range attacks. Assassins often had to be within a few feet of their target to ensure a successful hit. As a result, these weapons were usually concealed under cloaks or in specially designed holsters that allowed for a quick draw.

Over time, improvements in gun design, such as rifling and better gunpowder, increased accuracy and allowed for slightly longer-range assassinations. Despite these advancements, concealability remained a critical factor, as firearms were often large and unwieldy compared to daggers or poison.

Key Assassinations Involving Firearms:

Assassination of King Henry IV of France (1610): King Henry IV was assassinated by François Ravaillac, a Catholic fanatic who stabbed the king while his carriage was stopped in traffic. While this was a stabbing, the period saw a rise in the use of firearms for such purposes. Henry IV's era was marked by religious turmoil, where firearms began to play a role in political assassinations.

Assassination of William the Silent (1584): William I of Orange, also known as William the Silent, was assassinated by Balthasar Gérard using a handgun. This marked one of the first successful assassinations of a prominent figure using a firearm, demonstrating the growing popularity of this method during the Renaissance.

Poison Rings and Needles

The Renaissance period also saw the refinement of more discreet methods of assassination, particularly the use of poison rings and needles. These tools allowed for covert poisoning, often in social settings where other weapons might not be feasible.

Discreet Poisoning Techniques:

Poison Rings: These rings contained a small hidden compartment that could hold a lethal dose of poison. The wearer could discreetly slip poison into a drink or onto food with a simple flick of the ring’s lid. Poison rings were popular among nobility and were often used in court intrigues where open violence would have been impossible.

Poison Needles: These were small, sharp needles often coated with a fast-acting poison. They could be hidden in clothing or other objects and used to deliver a quick, often unnoticed prick that would introduce the poison into the victim’s bloodstream. Needles were ideal for use in crowded settings, such as royal courts or banquets, where the assassin could blend into the crowd after delivering the fatal dose.

Notable Instances of Usage:

Lucrezia Borgia (1480-1519): While the extent of her involvement in poisoning is debated, Lucrezia Borgia, a member of the infamous Borgia family, is often associated with the use of poison rings to eliminate her political enemies. The Borgia family’s reputation for cunning and ruthlessness made poison one of their favored tools for securing power.

Catherine de' Medici (1519-1589): The French queen consort and mother to several kings of France, Catherine de' Medici, was rumored to have employed poison rings and needles to remove rivals and control court politics during the Wars of Religion in France.

Explosives

The early use of explosives in assassination attempts represented a shift towards more destructive and indiscriminate methods of killing, often targeting not just the primary victim but also anyone nearby. Explosives became a favored tool in situations where a dramatic statement was intended, or where traditional methods of assassination were not feasible.

The Early Use of Explosives in Assassination Attempts:

Explosives were first used in assassination attempts during the Renaissance and early modern periods, although their use was limited by the difficulty of creating and handling reliable explosive devices. Gunpowder was the primary explosive material, and it required careful handling to avoid premature detonation.

The use of explosives was often tied to larger political or religious motivations, as the collateral damage caused by an explosion could have a significant psychological impact on the population or ruling class.

The Effectiveness and Risks Involved:

Explosives were highly effective in causing mass casualties and instilling fear, but they also carried significant risks for the assassin. Improper handling could result in accidental detonation, and the use of explosives often made it difficult for the assassin to escape unnoticed.

The unpredictability of early explosives also meant that they could fail to detonate or cause less damage than intended, leaving the assassin vulnerable to capture and execution.

Historical Example:

The Gunpowder Plot (1605): One of the most famous early uses of explosives in an assassination attempt was the Gunpowder Plot, in which a group of Catholic conspirators, including Guy Fawkes, attempted to blow up the House of Lords during the State Opening of Parliament, with the aim of killing King James I and much of the Protestant aristocracy. The plot was foiled, but it demonstrated the potential of explosives as a tool for political assassination.

The Industrial Revolution and Early 20th Century

Sniper Rifles

The Industrial Revolution brought about significant advancements in weaponry, including the development of sniper rifles. These long-range firearms allowed assassins to strike from a distance, often without being seen or heard.

The Rise of Long-Range Assassinations:

Sniper rifles were designed for accuracy over long distances, enabling assassins to kill targets from hundreds of meters away. This development allowed for greater safety and discretion, as the assassin could remain hidden while observing the target through a scope.

The advent of rifling, which gave bullets a stable, spinning motion, greatly improved accuracy and range. Coupled with telescopic sights, these rifles became the preferred tool for military and political assassinations during the late 19th and early 20th centuries.

Famous Cases:

Assassination of Archduke Franz Ferdinand (1914): Although Archduke Franz Ferdinand was ultimately killed by a handgun, the era in which he was assassinated saw the rise of snipers as a significant threat. The tensions and technologies of the time set the stage for future political assassinations using sniper rifles.

Assassination of President John F. Kennedy (1963): Although beyond the early 20th century, the assassination of JFK by a sniper is a prominent example of how sniper rifles became synonymous with political killings. This event marked a turning point in the history of assassination, highlighting the lethal effectiveness of long-range firearms.

Car Bombs

The introduction and evolution of vehicular explosives, particularly car bombs, added a new dimension to assassination tactics in the 20th century. Car bombs became a favored method due to their potential for mass destruction and the ability to target individuals in transit.

Introduction and Evolution of Vehicular Explosives:

The use of car bombs began in earnest during the early 20th century, particularly in conflicts where traditional methods of assassination were either too risky or ineffective. These bombs could be planted in vehicles and detonated remotely, offering a high degree of control over the timing and impact of the explosion.

Over time, car bombs became more sophisticated, with the addition of remote triggers, time delays, and increased explosive power. They were used not only in targeted assassinations but also in acts of terrorism aimed at destabilizing governments or instilling fear in the populace.

Techniques for Planting and Detonating:

Planting a car bomb required detailed planning, as the vehicle needed to be accessed and rigged with explosives without arousing suspicion. Detonation methods varied from simple timed fuses to complex remote-controlled devices, allowing the assassin to maintain distance from the blast.

The challenge for assassins was ensuring the target was inside or near the vehicle at the moment of detonation. This often involved careful observation of the target’s routines and the use of decoys or distractions to ensure the bomb’s effectiveness.

Chemical and Biological Agents

The 20th century saw the development and use of more advanced chemical and biological agents in assassinations. These methods, often invisible and insidious, allowed for killings that were difficult to trace and could be disguised as natural causes.

Use of More Advanced Poisons and Toxins:

With advancements in chemistry and biology, assassins gained access to a range of deadly substances that could kill quickly or slowly, depending on the agent used. Toxins like ricin, cyanide, and various nerve agents became tools of state-sponsored assassinations, particularly during the Cold War.

Chemical agents could be introduced through food, drink, or even via contact with the skin or inhalation, making them versatile and deadly. Biological agents, on the other hand, could cause diseases that mimicked natural illnesses, allowing assassins to kill without immediate suspicion.

Historical Examples:

Ricin: Ricin, a highly potent toxin derived from castor beans, was famously used in the assassination of Bulgarian dissident Georgi Markov in 1978. Markov was attacked with a modified umbrella that injected a tiny pellet containing ricin into his leg, leading to his death a few days later.

Cyanide: Cyanide has been used in various assassinations due to its rapid action and high lethality. One of the most notorious uses of cyanide was in the mass suicide-murder in Jonestown in 1978, where members of the Peoples Temple ingested cyanide-laced punch, although this was not an assassination in the traditional sense, it demonstrated the deadly effectiveness of the poison.

These innovations in assassination methods during the Industrial Revolution and early 20th century reflected the growing complexity of warfare and espionage, as well as the increasing role of technology in shaping the tactics of assassins.

Modern and Contemporary Assassination Methods

Silenced Firearms

In the modern era, the evolution of silenced firearms, or firearms equipped with suppressors, has played a significant role in covert assassinations. The suppressor, commonly known as a silencer, reduces the noise and muzzle flash of a firearm, allowing assassins to operate with a higher degree of stealth.

The Evolution of Suppressors and Their Use in Covert Assassinations:

Suppressors were first developed in the early 20th century and have since become a staple in the arsenal of assassins. Initially, suppressors were bulky and limited to specific firearms, but advancements in technology have made them more compact, effective, and adaptable to a wide range of weapons.

Silenced firearms are ideal for close-quarters assassinations where discretion is paramount. The reduced noise levels prevent immediate detection, giving the assassin time to escape or even carry out multiple hits without alerting nearby individuals.

High-Profile Cases:

Cold War Assassinations: During the Cold War, silenced firearms were frequently used by intelligence agencies on both sides of the Iron Curtain. The KGB, CIA, and MI6, among others, employed suppressors in various covert operations to eliminate targets without drawing attention.

Georgi Markov (1978): Although Markov’s assassination in London involved a poison-tipped umbrella, the use of suppressors was prevalent in the same period for similar covert operations. This era exemplified the silent, precise methods preferred by state-sponsored assassins.

Remote-Controlled Devices

The rise of remote-controlled devices, including drones and other modern technologies, has introduced a new dimension to assassination methods. These devices allow assassins to strike from a distance, often from thousands of miles away, with precision and minimal risk.

Drones and Other Modern Technologies in Assassination:

Drones, equipped with cameras and weapons, have revolutionized modern warfare and assassination. These unmanned aerial vehicles can be operated remotely, providing real-time surveillance and the ability to deliver lethal force with pinpoint accuracy. Drones are particularly effective in targeting individuals in difficult-to-reach or heavily guarded locations.

Other remote-controlled devices, such as bombs or cars rigged to detonate via remote, offer similar advantages. These methods allow the assassin to maintain a safe distance from the target, reducing the likelihood of capture or identification.

Notable Instances in Recent History:

Qasem Soleimani (2020): One of the most high-profile drone assassinations in recent history was the killing of Iranian General Qasem Soleimani by a U.S. drone strike in Baghdad. This event highlighted the capabilities of drone technology in executing precise, targeted killings with global political implications.

The Killing of Anwar al-Awlaki (2011): The American-born cleric and al-Qaeda leader was targeted and killed by a drone strike in Yemen, marking a significant moment in the use of remote-controlled devices in the War on Terror.

Cyber-Assassination

As technology continues to advance, the concept of cyber-assassination has emerged as a new frontier in covert operations. This method involves using cyber means to assassinate individuals, such as hacking into medical devices or other critical systems.

The Concept of Assassination Through Cyber Means:

Cyber-assassination leverages the vulnerabilities in modern technology, particularly medical devices like pacemakers or insulin pumps, which can be hacked to deliver a fatal outcome. This method represents a shift from physical to digital assassination, where the target can be killed without the assassin ever being in the same country, let alone the same room.

Cyber-attacks can also target critical infrastructure, leading to deaths through indirect means such as causing traffic accidents by hacking self-driving cars or disrupting life support systems in hospitals.

Ethical and Legal Implications:

The rise of cyber-assassination raises significant ethical and legal questions. Unlike traditional assassination methods, which can be physically traced, cyber-attacks are often difficult to attribute, making accountability a major issue. This anonymity can lead to increased use of such methods by state and non-state actors alike.

Legal frameworks have yet to fully catch up with the technological realities of cyber-assassination. As a result, there is a grey area regarding the legality of such actions, particularly in the context of international law and the rules of engagement in warfare.

Assassination Methods by Region

Europe

Throughout history, Europe has seen a variety of assassination methods, each influenced by the region’s diverse cultures, political climates, and technological advancements.

Specific Methods Popular in Different European Countries Across Various Eras:

In medieval Europe, poison was a favored method, particularly among the Italian nobility. The use of poisoned food, drink, and even clothing was common in the courts of Italy, where political intrigue and betrayal were rife.

During the French Revolution, the guillotine became the symbol of state-sanctioned assassination, used to eliminate political enemies swiftly and publicly. The Reign of Terror saw the use of this method to instill fear and maintain control.

In more recent history, Eastern Europe, under Soviet influence, saw the use of more covert methods, such as radioactive poisoning, exemplified by the assassination of Alexander Litvinenko in 2006 in London.

Asia

Asia's vast and diverse history has given rise to a wide range of assassination techniques, each influenced by the unique cultural, political, and historical contexts of its various regions.

South Asia (India, Pakistan, and Surrounding Areas):

In ancient and medieval India, assassination was often a tool used in dynastic struggles. One notable method was the use of Vishkanya—young women supposedly trained from childhood to tolerate and deliver poison. These women were allegedly used to assassinate powerful enemies by poisoning them through intimate contact.

During the Mughal Empire, political intrigue often involved the use of poisoning and covert killings to eliminate rivals. The struggle for succession in royal courts frequently led to the use of assassination as a means to secure power.

East Asia (China, Korea, Japan):

Ninja Tactics (Japan): In feudal Japan, ninjas were often employed as assassins due to their skills in stealth, espionage, and the use of a variety of weapons. Techniques such as silent killing with swords, blow darts, and the use of shuriken (throwing stars) were common. Ninjas were masters of disguise and could infiltrate enemy strongholds to eliminate targets without detection.

While ninja tactics are widely known, East Asia’s history of assassination is much broader. In ancient China, assassins were sometimes employed by rival states or within the imperial court to eliminate threats. Famous historical accounts like the attempted assassination of Qin Shi Huang, the first Emperor of China, highlight the role of assassins in shaping the region’s history.

Korea’s history also includes instances of political assassinations, particularly during the Joseon Dynasty, where court intrigue and power struggles often resulted in the discreet elimination of rivals.

East Asia (China, Korea, Japan):

Poison Darts: In regions like Borneo and the Philippines, blowguns with poison-tipped darts were used by indigenous tribes to silently kill enemies. These weapons were effective for their stealth and the ability to deliver deadly toxins without the need for close combat.

Central Asia:

In Central Asia, particularly during the time of the Silk Road, assassins were sometimes employed by powerful khans and warlords to secure trade routes and eliminate threats. Assassination was a strategic tool in maintaining control over vast and often unruly territories.

Middle East

The Middle East has a rich and complex history where assassination has played a role in political and dynastic power struggles, often tied to the region’s diverse empires and cultural traditions.

Historical Assassinations Involving Political Power Struggles:

The Middle East, home to some of the world’s oldest civilizations, has seen assassinations employed as a tool of political maneuvering for millennia. In ancient Mesopotamia, assassinations were sometimes used to secure thrones and eliminate rivals within royal families.

During the time of the Ottoman Empire, the practice of fratricide—where newly crowned sultans would eliminate their brothers to prevent future challenges to their rule—was a brutal form of state-sanctioned assassination.

The Byzantine Empire, centered in what is now modern-day Turkey, also witnessed political assassinations as a common method for securing power, with emperors and high-ranking officials often falling victim to their rivals.

The Americas

The Americas, particularly the United States and Latin America, have experienced a range of political assassinations, often with far-reaching consequences.

Political Assassinations in the U.S. and Latin America:

In the United States, the assassinations of presidents like Abraham Lincoln, John F. Kennedy, and civil rights leaders such as Martin Luther King Jr. have left indelible marks on the nation’s history. These high-profile killings were often carried out by lone gunmen or small conspiracies and had profound impacts on the country’s political landscape.

Latin America has seen numerous political assassinations, often linked to dictatorial regimes, revolutionary movements, and drug cartels. Figures like Che Guevara and Salvador Allende were assassinated or killed under controversial circumstances, reflecting the volatile political environments in many Latin American countries during the 20th century.

This overview of assassination methods by region highlights the diverse and evolving tactics used across different parts of the world, shaped by the cultural, political, and technological contexts of each region.

Common Misconceptions About Assassination

The Myth of the Clean Kill

In fiction, assassinations are often depicted as clean and precise, with the target silently slumping over after a single blow or shot. However, in reality, even well-planned assassinations can go awry. Bodies don’t always react predictably to trauma, and factors like adrenaline, the environment, and unexpected movements can complicate even the most meticulously planned kill. A supposedly lethal blow may not immediately incapacitate the target, leading to prolonged struggles, noise, and potential witnesses.

Silencers and Stealth

In movies and TV shows, silencers (or suppressors) are often shown completely muffling the sound of a gunshot, reducing it to a mere whisper. In reality, while suppressors do reduce the noise, they don’t make it silent. The sound of a suppressed gunshot can still be quite loud, akin to a clap or the popping of a balloon, and depending on the environment, it may still attract attention. Additionally, the sound of the bullet impact and mechanical noise from the firearm are not silenced, further dispelling the myth of a completely stealthy kill.

Poison Timing

Popular media often portrays poisons as acting instantaneously, with victims collapsing mere seconds after ingestion or injection. In truth, the effects of poisons vary widely depending on the substance, dose, and the victim’s physiology. Some poisons, like cyanide, can act within minutes, but others might take hours or even days to fully incapacitate or kill. Symptoms might develop gradually, and in some cases, the victim might not even realize they’ve been poisoned until it’s too late. This misconception can lead to unrealistic portrayals of poisoning in fiction.

Resources

Books

Recommended Reading for Research on Assassination Techniques:

"Assassination Generation" by Lt. Col. Dave Grossman – This book explores the psychology of killing and its portrayal in the media, providing insight into both real-life and fictional assassinations.

"Hitmen: The True Stories of Assassins, Contract Killers, and Political Hired Guns" by Nigel Cawthorne – A collection of real-life accounts detailing the methods and motives of professional assassins throughout history.

"The Art of Political Murder: Who Killed the Bishop?" by Francisco Goldman – A detailed investigation into the assassination of Bishop Juan Gerardi in Guatemala, offering a deep dive into the intersection of politics and murder.

Documentaries

Visual Resources That Depict Historical Assassinations:

"Killing Oswald" – A documentary that explores the conspiracy theories surrounding the assassination of President John F. Kennedy, delving into the methods and motives behind one of the most famous assassinations in history.

"The Men Who Killed Kennedy" – A controversial documentary series that investigates various theories about the assassination of JFK, offering insights into different assassination methods and their implications.

"Assassins: The Story of Medieval Hitmen" – This documentary provides an in-depth look at the history of assassins in the medieval period, focusing on their training, methods, and the political impact of their actions.

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Quillology with Haya Sameer; a blog dedicated to writing and publishing tips for authors! While you’re at it, don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[frownyalfred]

today’s fun writing fact: did you know that most writing coaches estimate that it takes around one hour for the average writer to write 1000 words?

I know what you’re thinking — that’s really slow! I can write that in 20 minutes. Right, but that assumes that when you started typing, you knew exactly what you were going to write — every line of dialogue your characters were about to say, every description perfectly pre-planned, etc.

And then you have to go back and edit it. And tag it. And cut out parts that don’t work and add new bits. So by the time you’ve got that “short” fic all ready to go, you’ve probably spent at least two hours on it, maybe more.

So yeah, as an author, I cringe seeing the “this was so short!!” comments on fics, even when they’re well-intentioned. Because someone just took 2+ hours out of their day for something you could read in less than five minutes and be done with.

The next time you see that author put out a 1-2k chapter, remember to do the math! And leave a comment 💜 that’s how you keep those updates coming.

[averyauthorship]

Normalize reading your own writing and genuinely liking it and laughing along to your own jokes and swooning at the romance you created. You did good, author. Enjoy it.

[thatuselesshuman]

Me rn

[candlewaxandp0lar0ids]

How to Leave Comments on Fanfiction

So, I recently made a poll to know if people might find it helpful to have a list of things they could talk about when leaving comments on fanfictions, be it on Ao3 or on here. A majority of people were interested in seeing the post so, well, I'm making it. I started writing and posting stuff online when I was a teenager, on a website where leaving constructive criticism was the norm. It's by far the place where I've gotten the most feedback and it was an incredibly formative experience for me as a young writer — and it taught me how to leave detailed comments.

Writing comments doesn't necessarily come easy. It's something that you may need to learn how to do, but the good news is that you can learn how to do it, so don't worry if you don't know what to say at first. Hopefully this list will give you some pointers on how to do that.

This is more or less the list I go through when I want to leave a detailed comment. Even if I don't have a specific idea at first, I'll go through the steps and I never come out empty-handed.

Comment etiquette:

What became apparent with the poll I made was that a lot of people worry about how they'll be perceived by the writers if they leave a comment. Now, obviously, writers aren't a monolith, but 99% of the time writers will be thrilled that you took the time to leave a comment to let them know what you enjoyed in their fic. I cannot stress this enough. We're not going to judge someone based on a positive comment they leave.

As it stands, on Tumblr and Ao3, it's seen as rude to leave negative feedback, unless the author has explicitly asked for it/agreed to it, so that's what I'll be going over here. Since quite a few writers did say on that post that they would like to get constructive comments as well, stay tuned, I'm trying to get something together to do that for authors. Other than that, you're good to go.

The main ways to let an author know your thoughts on a fic on Tumblr are:

reblogging a fic with your thoughts underneath it

reblogging with your thoughts in the tags, which is often less formal

leaving a comment as a 'reaction'

sending in an ask if they're activated on the blog (which means you can stay anonymous, if anon asks are allowed)

Reblogging means that your followers will see the post as well, and is therefore really appreciated on Tumblr.

As a note, you may find different systems work for different fics! Maybe leaving tag rambles works for you when commenting on drabbles, for example for me it's the system I use to leave comments on smut.

General advice:

Everything I'm saying in here is for people who want to be able to leave longer/more detailed comments and don't always know where to start. If, for whatever reason, you're not comfortable or you don't have time to do it at the moment, a simple "I love the fic, thank you for writing it" always goes a long way for an author.

The key thing to keep in mind if you're trying to find something else to say, I think, is to try making the comment specific to the fic you're leaving it on. It shows the writer what you took away from the fic and the fic's strong points, which is both meaningful and helpful to an author.

Comments don't have to be long to be meaningful. Don't stress about writing a ton; a one-sentence comment highlighting the fic's humor or how emotional it made you can be incredibly impactful.

With this out of the way, I'll go through things you can talk about in a comment, starting with what I think is the easiest and moving on to things that could require more thought. You don't have to do all of that. You may never use some of the things on that list. Leaving comments should not be a source of anxiety. So take what you want from the list, maybe come back to it if you need more inspiration, and don't worry too much about it :)

Favorite line(s) : pull from the fic to let the author know what your favorite line was. If you wish, you can expand on that by saying why it was your favorite: did it make you laugh? Did it make you feel something specific? Did the author nail the characterization with it? Was there some incredible metaphor? Did you find it beautiful or poetic even if you can't go into detail? Is there one line in particular at the beginning of the fic that hooked you in and made you want to keep reading?

All of that is very valuable for a writer to know. Some of my favorite comments I've gotten were a list of a reader's favorite lines from a fic with one or two sentences to explain why they liked them, so don't hesitate to do that more than once if you can!

Emotions:  if there’s one thing I know about writers, it’s that we’re thrilled when we’ve made you cry. So tell us: how did the writing make you feel? Did you laugh out loud? If you did, was it the dialogue, or the narrator? Did it make you cry? Which part? Could you relate to one of the characters? Did it make you feel seen? Did the fluff make you feel all fuzzy inside or did the angst twist knots in your stomach? This isn't an exhaustive list, and emotions are great to draw from when you're leaving a comment!

Favorite element of the writing: Is there one thing in the writing that struck you as being particularly good, or what was your favorite thing to read? Is the author a master at writing dialogue? Are their descriptions so good you could see the whole scene? Are they really good at getting in a character's head and describing their emotions? Were you hooked from the start and couldn't stop until you reached the end?

Characterization: Now, this might be less instinctive, but if you've been in a fandom for a while, you'll probably be able to identify these things fairly easily. You can tell the author if you think they've nailed one aspect of a character. Did you have a favorite character in the fic? What did you think of them? Did the author manage to capture their voice? Was the attitude spot-on? Which parts of the character, if you can name them? Were there aspects of the character you particularly enjoyed? Did the author shine a light on something you hadn't considered or on something you don't think is highlighted often enough? Is there one thing from the fic you can actually picture/hear a character doing/saying in your head?

Style: I'd argue this is the hardest part, and you shouldn't feel bad if it's not something you can really comment on. As someone whose first language isn't English, I know I struggle with it. Style can be perceived as the way the author's voice comes through in the text. It can come through in punctuation, in the way sentences are formed, in the choice of the words themselves. If, when you read, you feel something intangible that doesn't fit well in the other categories, it just might be the author's style.

Here are some things (non-exhaustive list, of course) you could say about an author's style: it can be direct, straight to the point. The author doesn't bother with ornaments. Every sentence feels impactful. Maybe the writing feels intense. You're overwhelmed by the characters and their feelings and you feel truly engulfed in the story. Maybe the style is light and airy. It's so easy to read you don't even notice you are reading. Maybe the writing is intricate. Going through it is like piecing a puzzle together, sentences are foreshadowing and metaphors reveal deep truths about the characters. Maybe the style is rich. While not always the easiest, it's a pleasure to read through it, the author has a wide vocabulary, and you might want to compare it to a well-written novel.

If you identify specific elements of that style (metaphors, interesting use of punctuation, etc.), don't hesitate to point them out and let the author know you enjoy them!

That is it for this post, hopefully it doesn't look too daunting — again, you absolutely do not need to do all that in any comment, but maybe going through this list can help you leave comments for authors you enjoy.

I like to end my comments with 'Thank you for writing and sharing this with us', so I'll tell you thank you for reading, I hope this was helpful, and please consider reblogging if you'd like to save this or if you think it could help someone else!

As a bonus, my friend @elidebrey and I (but mostly her) made a 'checklist' for commenting, to help remember all this if that's something you'd like, so use at will!

A big thank you to @elidebrey, @yoongihan and @antoniorhinothethird for their precious opinions on this ♥

[athenadire]

⚠️ ATTN: SEEKING AN EDITOR ⚠️

Hi!! I really need an editor. I'm looking for someone that can help push/motivate me to write when I'm struggling; someone to bounce ideas off of when I'm stuck; someone that can read and review my work; that can edit my writing (if you want to).

The catch is, I can't pay you. I'm a self publishing author who is trying to complete their first novel. I'm hoping to have a team of people one day that I can pay, but today is not that day. If you'd be willing to help, I would be forever grateful! I hope to be able to repay your kindness one day.

Please share this post even if you aren't interested. If you are, please comment below & I will DM you! Thank you so much🙏🏻

[fru1typunch]

Today's TikTok repost: "The duality of a writer's Google search history"

If your Google history doesn't have you on multiple watchlists, you're doing it wrong.

[Voiceover text:

clip 1: "How long does it take for someone to bleed out if they get their leg ripped off violently?"

clip 2: "How the fuck do you spell opportunity?"]

[gigireece16]

i will get published 🕯️ i will get published 🕯️ i will get published 🕯️ i will get published 🕯️i will get published 🕯️ i will get published 🕯️ i will get published 🕯️ i will get published 🕯️i will get published 🕯️ i will get published 🕯️ i will get published 🕯️ i will get published 🕯️i will get published 🕯️ i will get published 🕯️ i will get published 🕯️ i will get published 🕯️i will get published 🕯️ i will get published 🕯️

[deception-united]

Online Writing Resources

YouTube:

Abbie Emmons: A published author. Her videos have great tips and advice for plot and character development.

Hello Future Me: Mostly worldbuilding tips, but very in-depth, with specific examples.

Ellen Brock: A professional freelance editor who provides help with all aspects of writing—outlining, worldbuilding, character writing, plot development, publishing, and generally answering any questions writers may have.

Terrible Writing Advice: Great writing advice, if you can handle the sarcasm.

Podcasts:

Writing Excuses: Albeit fast-paced, the given writing advice is quite useful. There's multiple seasons addressing topics such as story structure, characters, and genres, amongst many others.

The Creative Penn: This podcast is run by author Joanna Penn, who shares the lessons she learned in her own journey and advice for writing and publishing your novel.

I Should Be Writing: Interviews with various authors, and encouragement for aspiring writers.

Story Grid: Outlining methods, writing tips, editing advice, and analysis of various works.

Blogs:

Creativity Portal: Author interviews, creativity generators, writing prompts and templates, and various other writing resources.

Now Novel: Aside from writing tools, this website has multitudes of posts about characters, dialogue, narration, plotting, editing, and story structure, as well as writer motivation.

Helping Writers Become Authors: Tips on dialogue, characterisation, outlining, plot development, structuring, character arcs, and common writing mistakes to avoid.

Almost an Author: This website is great help for aspiring authors, with advice that ranges from genres to motivation for writers to guidance for making writing a career.

Hope this is helpful! I'd love to hear any other resources you use or are familiar with. Happy writing ❤

Previous | Next

[xiaq]

I got another raise today. Praise for my contributions to my team, validation for my hard work, and a clear overview of what my continued progression in my company could look like. I celebrated by taking the afternoon off to nap and read in bed with my husband. I painted some swatches in the space that will soon be my library in the basement of our new home. I talked to my publisher about the process of turning my 3 published books into audio books. And now I'm in the living room, writing and watching my dog attempt to entice pedestrians on the sidewalk to pet him over the front yard fence.

Next month it'll be two years since I left academia.

It was the hardest and the best thing I ever did.

Three years ago, I was having an existential crisis about my career. I was working 60+ hours a week for embarrassingly little pay as lecturer. I loved my job, but I knew that continuing to work in academia wasn't a sustainable option for me. The thought of buying a house some day was laughable. I'd sworn off relationships. I looked at my writing and I thought there was no chance I'd ever publish anything. I was nearly thirty and I felt like I'd wasted the last decade of my life and I was fighting hard against the sunk cost fallacy that whispered I should just stay. Continue as I was. Let no one know I was drowning in the life I'd always said I wanted.

See, people like to say "it gets better" when people are feeling lost or hopeless. But what they don't tell you is that in order for things to get better you often have to do big scary shit that sometimes feels like walking backward. Sometimes you have to tear things down to the studs before you can rebuild. Sometimes the path to "better" looks a lot like "worse" at first.

I was lucky that my family and friends supported my "worse" phase while I was trying to figure out what the hell I wanted to do with my life, interviewing for tech companies and taking fire fighting exams and querying agents/publishers and basically just saying "fuck it, I'll give it a try" to every available opportunity, including dating the guy who is now the love of my life. But "it gets better" requires hard work and bravery and putting yourself out there and bitter disappointment and rallying and leaning on that support system, and trying again.

So, I'm not sure where I'm going with this other than to say, for anyone else who was where I was 3 years back, anyone who feels stuck or hopeless or like they've wasted years of their life on a career or relationship that doesn't love them back: it gets better, but you have to fucking fight for it. So rally your troops. Get your support system in place. Give sunk cost fallacy the finger. And go figure out what will serve you better.

I'm so happy, now. My life is amazing. But it might have been amazing even faster if I'd dropped out of grad school after my first year when I realized that maybe it wasn't what I wanted after all. I wish I'd been brave then. Be brave now.