#story of a fairy

[thestuffedalligator]

“Are you the witch who turned eleven princes into swans?”

The old woman stared at the figure on the front step of her cottage and considered her options. It was the kind of question usually backed up by a mob with meaningful torches, and the kind of question she tried to avoid.

Coming from a single dusty, tired housewife, it should’ve held no terrors.

“You a cop?”

The housewife twisted the hem of her apron. “No,” she muttered. “I’m a swan.”

A raven croaked somewhere in the woods. Wind whispered in the autumn leaves.

Then: “I think I can guess,” the old woman said slowly. “Husband stole your swan skin and forced you to marry him?”

A nod.

“And you can’t turn back into a swan until you find your skin again.”

A nod.

“But I reckon he’s hidden it, or burned it, or keeps it locked up so you can’t touch it.”

A tiny, miserable nod.

“And then you hear that old Granny Rothbart who lives out in the woods is really a batty old witch whose father taught her how to turn princes into swans,” the old woman sighed. “And you think, ‘Hey, stuff the old skin, I can just turn into a swan again this way.’

“But even if that was true – which I haven’t said if it is or if it isn’t – I’d say that I can only do it to make people miserable. I’m an awful person. I can’t do it out of the goodness of my heart. I have no goodness. I can’t use magic to make you feel better. I only wish I could.”

Another pause. “If I was a witch,” she added.

The housewife chewed the inside of her cheek. Then she drew herself up and, for the first time, looked the old woman in the eyes.

“Can you do it to make my husband miserable?”

The old woman considered her options. Then she pulled the wand out from the umbrella stand by the door. It was long, and silver, and a tiny glass swan with open wings stood perched on the tip.

“I can work with that,” said the witch.

[cheeseanonioncrisps]

Stuck on the idea of vampires as a kind of reverse fae, or like someone's twisted, perverse attempt at moulding humans into fae.

They're repelled by liminal spaces.

A vampire could never enter fairyland, not just because they'd never be welcomed, but because most of the usual entry-ways are naturally barred to them.

They can't cross running water. They can't be seen in mirrors. They will wait forever at a crossroads, unable to pick a direction to go in. They can't even step over a thresh-hold unless there is absolutely no ambiguity about whether they are welcome inside.

They crave human blood, iron and salt, but are repelled by herbs and plants. They are supernaturally prevented from harming you unless the rules of hospitality have been invoked.

A fairy may replace your newborn child with something unnatural and ever-hungry. A vampire will do the same, but with your grandmother's corpse.

The fae are typically associated, even in stories where they're the bad guys, with flourishing and purity. Vampires, even in stories where they're the good guys, are typically associated with decay and corruption.

The fae turn ancient human burial mounds into fancy halls for their courts. Vampires take ancient human castles and let them grow mildewed and cobwebbed, exchanging the beds for coffins, turning them into burial places.

Fae don't tend to live among humans, but can generally pass for them with relative ease if they so choose. Vampires nearly always live among humans, but tend to find not revealing themselves a huge struggle.

I can't think of many stories I've read where fae and vampires even exist in the same universe, let alone ones where they actively interact. I feel like their enmity is almost more inevitable than that between vampires and werewolves, however.

The rivalry between vampires and werewolves is, essentially, the rivalry between two apex predator species who share a territory. (Even in stories where the werewolves aren't actually hunting humans.)

The vampires hate the werewolves because the werewolves interfere with their access to prey. The werewolves hate the vampires either because they consider themselves aligned with humans (the prey species), or because they are also predators and the vampires are competing with them.

By comparison, I think there's some story potential in the fae finding something genuinely creepy and uncanny valley about vampires.

They're immortal, like them, but also dead. They can be beautiful, like them, but that beauty is something they actively require humans to sustain. They like to inhabit beautiful and ancient ex-human dwellings, like them, but they actively work to make those places dark, damp and empty.

Fairies who are unflappable in the face of all sorts of Otherworldly monsters, can look an eldritch horror in the eye(s) without blinking, and have never been phased yet by any human, but will recoil from even the weakest vampire.

Vampires who hate fairies just as much, but in a more envious way. The way that the creature for whom immortality is a curse is bound to hate the creatures for whom immortality is an eternity of sunlight and laughter.

Maybe their touches burn each other. Maybe vampires can't stand physical contact with anything so alive and vital. Maybe immortal fairies become ill from too much exposure to the undead.

Maybe they fight over the human population when their territories overlap. The fairy need for servants and people to make deals with, competing with the vampire need for thralls and blood to drink.

Just… fairies and vampires. We need more stories about them interacting.

[gatorinator]

“Walrus on your doorstop” this “fairy’s more unrealistic” that my professor just uttered the sentence “there was one day I found a real octopus in my backyard” this man hasn’t left Utah his entire life. How was there an octopus in his backyard in Utah. He then said “I do not have time to elaborate we need to cover a lot today in class” GIRL WHAT DO YOU MEEAN

[anon-of-the-void]

I need help to figure out if it is a piece made up by my brain during sleep or if it is an actual show/musical I remember slivers of.

It is about someone surrounded by winged, wingless fairies, different kinds of fairies and other magical beings. I think MC was your standard typical winged fairy. Her kind was ruled by someone who sorted the folk into classes and she managed to be more of the upper middle class while her parents were lower class.

She wanted to bring peace and make the ruler disappear. She had turned her back to the fairies in her class to secretly meet her parents and plead for them to leave so they won't get hurt. Unfortunately she was seen visit her family (she wasn't allowed any contact with them) and had to run.

During her time escaping the grasp of the ruler she got to meet other beings (winged mermaids, normal mermaids, elves, trolls, in my dream earlier ther were Sonic the hedgehog and some other crossover characters which were definitely not in the actual thing if it was a show and not my imagination)

In the end, she and the friends she made along the way rose against the ruler who had an artifact that would release a very strong spirit, allowing the ruler to face the rioting people. The end is something like they surround the ruler, claiming that even if the wind would rip through their wings they would fight and win (likely with the power of love and friendship or something)

They win and then it sort of cuts off. I remember in my dream asking my mother desperately for the name of the show/musical and it was something like "fairy of the wind".

It was not the first time I had this dream but this time (although I am rapidly forgetting a bunch of stuff it had in it as I am typing this) it was very detailed and made sense during it's runtime in my head. I do have reoccuring dreams a lot but this one felt so familiar for me having dreamt of it about twice before last night.

The feeling was if you mixed wonderland, wizard of Oz and Studio Ghibli with a fairytale like story with actually some murder (a couple fairies who disobeyed had to deing poison in front of everybody before she met her family secretly), unhealthy personality traits from other characters like manipulation, liying, narcicism, etc. But in a very gentle dream like way of telling the story.

I also dreamt about Yu-Gi-Oh but with him piloting a mech and other pilot souls stuck in his big ass pyramid necklace who help him and partially take over control of the mech. That would change the eyes of the robot and kind of show how strong and how much of a threat the mech is at that moment lol

But I literally would do anything to see if that I described above is in an actual movie/show (I remember knowing the first of like 4 movies to be stuck in my head the most but the whole story took like 4 movies according to my dream self)

I remember in another dream having seen a book I could have sworn was real but it didn't exist (or at least not with the title it had in my dream) and it made me so sad because knowing the contents of that book in my dreams was so dear to my dream self. I don't remember the title anymore tho. It's been like 5 years since I last had that specific dream...

I just think my dream experience of seeing the show was so comforting and nostalgic idk man I just have to share and give it a try or I might actually try and write that as a book so that it can actually exist...

Thanks so much for reading

[warandpeas]

The True Story: Red Riding Hood

[iliothermia]

[eirene]

The Mermaid Pl 3, 1911 Edmund Dulac

Mermaid Mondays

[dystopyx-blog]

Imagine

Little yandere fairy. Not yandere fae. Yandere fairy. Tiny smol, about the size of like a praying mantis? They've always been interested in humans, fluttering off from their fairy colony to observe them. Then they see YOU and it is over for them. They become OBSESSED with you, always fluttering nearby. They sleep in your underwear drawer. Eventually you find them, which is a big no no in fairy culture, and means they are not allowed to return to their fairy colony or any fairy colony. But they can't find it in themselves to care... cus they have you now. And they will follow you EVERYWHERE, hiding in your hair if you have any, or else insisting you add pockets to every top you own so they can curl up next to your heart. Speaking of, now that you know they exist, they insist on napping right over your heart. You can always see a large smile on their tiny face as the snooze on your chest. And if you have breasts OH BOY they are all up in there. Also, language barrier. They try to speak with you, but their language is just a bunch of chittering sounds. But everytime they successfully communicate with you they just become more convinced you two are meant to be.

[lepetitdragonvert]

Thumbkin and Other Stories

Text Version by W. K. Holmes

Artist : Barbara C. Freeman (1906-1999)

Blackie & Son Limited

London and Glascow

[thatdamnokie]

i love you fairy tales i love you folklore i love you myths i love you stories as old as humanity itself i love you oral traditions i love you characters carried through time on my ancestors’ tongues i love you story i’ve seen a million ways and want to see a million more i love you archetypes i love—

[thestuffedalligator]

When ogres travel, they do so in human shape.

They hate doing this. They think it’s beneath them. But they do it anyway.

The Vicomte Graoul de Saucisson – and this is another thing about ogres. Ogres as a species are nobility. There is no such thing as a low-born ogre. There is always room in the ogrish peerage for another vicomte, another prince, another branch to tie to the rotted tree – strode up to the chateau in human shape. The roses in the garden shivered as he passed by. The huge, high doors opened by themselves and he walked through them without a shift in his stride.

When the doors slammed shut behind him, he moved to shrug the shape off his shoulders like a coat.

Then he saw the woman.

He froze. He stared. She stared back.

He slowly pulled the shape back on. “Who are you?” he asked.

She looked mildly appalled. “Who are you?” she asked. “What are you doing in my home?”

“Your home? This is–” He stopped. He reconsidered. “I am the Vicomte de Saucisson,” he said. “I’m looking for the Marquis de Pamplemousse. He is a… colleague of mine.”

“Oh,” she said. She could’ve looked more abashed. “I’m sorry, monsieur, he’s never mentioned you before. You must be here to share your congratulations, of course, I can fetch him right away.”

“He’s never mentioned you either,” the vicomte did not say. “Of course,” he said. “Congratulations. What about?”

She seemed surprised. “Have you not heard? Monsieur, the curse on my husband has been lifted.”

He stared. His lips started to form the words “What curse,” and then there was a sound like a horse falling down a set of stairs and a man he had never seen before wearing the marquis’s clothes came barrelling down the hall.

“Vicomte!” said the man with the marquis’s voice. “My human friend! The curse has been lifted, and I am a human once again!”

He was slightly out of breath when he reached the woman. He clasped her arm and grinned at him with manic desperation. “This is wonderful news! You must be here to share your congratulations!”

“Lie like hell,” said the man’s eyes.

The vicomte stared. “Oh!” he said. “My – human friend! Human once again! Words fail me. After all these–” (there was the slightest hesitation) “–years?”

The woman put her head at an angle and narrowed her eyes at him.

The man walked up, still grinning like a rictus chimpanzee, and clasped a hand on his shoulder. “Yes, of course! Darling, me and the vicomte are going to have a manly one-on-one conversation while he shares his congratulations, as we human men are wont to do.” And then with a strength that could only be ogrish, the marquis pulled the vicomte by the shoulder down the hall and into a drawing room.

When the bolt of the lock clicked into place behind them, the man wearing the marquis’s clothes visibly sagged.

“What the hell,” said the vicomte.

“You should’ve sent word ahead that you'd be coming today.”

“I never do.” He gesticulated and tried to conjure a single question out of the swarm buzzing in his brain. “What the hell is going on? Who was that? Why are you pretending to be human? What curse are we talking about?”

The marquis groaned and crumpled into a chair. As he did he shifted out of human shape, clothes magically tailoring themselves to contain his ogrish form, something like a moose and an orangutan.

“I had a moment of weakness.”

“Are you sure it wasn’t a stroke?”

“I got married.”

“And that’s another thing–”

“Graoul, please.” He sighed and put his face in his talons. “Last winter a merchant broke into my home. He stole one of my roses, and in exchange I asked him to send me one of his daughters to be my bride.”

The vicomte nodded. This at least was a sacred and recognizable ogrish custom, and he did like to see the old ways in practice.

“And it was fine! It was perfectly lovely. She’s a wonderful woman, but one night I decided to put on a human shape to change things up in the bedroom, and she lost her mind! Started talking about how I was clearly an enchanted prince and that her love for me must’ve broken some curse and turned me human again! I had no idea how to tell her otherwise, and now I’ve done it for too long to back out.”

The vicomte stared. “Sorry,” he said. “You decided to turn into a human to spice things up in the bedroom, and that was the face you chose?”

The marquis growled. “If I knew I was going to be wearing it for the rest of my life I would’ve gone with something better.”

[atomic-chronoscaph]

The Story of Little Red Riding Hood by Ray Harryhausen (1949)

[newwavesylviaplath]

[reksukoy]

WELCOME TO CHAOS

[moiraimyths]

The Good People (Na Daoine Maithe) | Official Trailer

The Good People (Na Daoine Maithe) is a lore-rich and choice-driven historical fantasy visual novel inspired by Irish mythology and Celtic folklore. Play as a tenant farmer from mid-19th century Ireland, whose path becomes inexplicably entwined in fairy affairs after getting robbed by the roadside and lured into the mythic and war-torn world of Tír na nÓg: A once unified land, now divided into the Seelie and Unseelie Courts. Will you escape and return home with your stolen belongings? Or does fate have something else in mind?

🍃 STEAM 🍂 ITCH.IO 🍃PATREON 🍂DISCORD 🍃

Eager to play? Certain route content is available NOW in early access on Steam and Itch.io! For more information, click below👇

Meet the Cast

Facts & Questions: The Game

🍃 The Good People (Na Daoine Maithe) is a Kickstarter-funded project currently in development. Due to the scope of the story, we will be releasing it serially over several years to Steam and Itch.io, and discounting it while in early access. The earlier it's bought, the cheaper it will be overall, and you'll only need to buy the game once!

🍂 Not all routes are currently available! As of Nov. 1, 2024, you can play half of Shae and Maeve's routes; both approximately 50k words. If you're not sure about paying for an unfinished game, feel free to check out our free demo first. It consists of Vol. 1, Book of the Traveller (the pre-route content). Differences between the demo's Vol. 1 and the paid game's Vol. 1 are marginal following our August 1, 2024 re-release of the demo.

🍃 The Good People (Na Daoine Maithe) has a recommended reading order (Vol. 1, then 2, then 3, etc.), which will correspond to the release order of the routes. For more information on our reasoning behind this, click here.

🍂 Due to its setting, The Good People (Na Daoine Maithe) will occasionally feature instances of characters speaking in Gaeilge, i.e. the Irish language. All instances of Gaeilge are linked to an internal translation tool, which is voiced by Nigel McKeon, a Gaeilgeoir.

🍃 The main character is yours to shape. At minimum, you must choose a nickname, pronouns, and one of four default appearances, the last of which can be your own artwork (instructions are included in the game's files). You may also choose to discard the True Name…

🍂 All routes, both current and upcoming, will have both romantic and platonic choice options. If you're uninterested in romance, feel free to make friends instead! No matter the nature of your relationship, you will still be able to reach the good end. (Want to learn more? Refer to this post!)

🍃 Our cast consists of two men, two women, and two non-binary characters. All are romancable no matter the MC, but some characters are asexual or on the aromantic spectrum, which may impact aspects of their romances.

🍂 If you are a Mac user and are having issues launching the game via the Itch direct download, refer to this guide for troubleshooting before sending us an ask. We strongly recommend purchasing the game through Steam instead of Itch if you are a Mac user; it is the best way to avoid issues with launching the game.

🍃 NDM is very intentionally set just prior to the onset of the Great Famine, which is both thematically and textually relevant to the leftist, anti-imperialist story we're aiming to tell. If you would like more insight into this, refer to this post.

🐎 There are secrets to be found in this game, with more yet to come. Prepare yourself for a lot of horse related shenanigans. 🐎

Facts & Questions: The Company

🧵 Moirai Myths is a five-person company based out of Canada. The core devs/founders go by Clotho, Lachesis, and Atropos. All writing and programming are done by this collective, i.e. the Fates.

🪡 Moirai Myths has a two person in-house artist team consisting of Kazane, our Character/UI Designer, and Melinoe, our Environmental Designer. In addition to them, though, we have had a number of guest artists assist us with the creation of sprites, CGs, and an assortment of other materials. If you'd like to meet them, check out our about page on our website!

✂️ Moirai Myths stands with the people of Palestine 🇵🇸

Disclaimer: This description will be updated periodically. If you're reading this in a reblog, you may want to check our current pinned post for potential changes.