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turtleblogatlast · 7 months ago

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[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

#rottmnt #rise of the teenage mutant ninja turtles #rottmnt raph #rise raph #rottmnt leo #rise leo #honorable mention to the time Leo desperately tried throwing himself into harm’s way to get to Karai #and Raph is the one who has to pull him back #I also think that it’s interesting how both of them go about self sacrifice #because wow they both have problems with it #Raph’s tends to be immediate reactions not even thinking as he throws himself over his bros #Leo’s are often shown to be ‘for the greater good’ (said greater good often being his family)#once again I am saying that post movie these two would likely have codependency issues #considering Raph’s already present acute seperation anxiety and Leo’s immediate memory of Raph standing over him bleeding #another thing to mention is how Future Leo’s actual death still falls into the whole ‘morbidly lighthearted words’ category #I also wanna point out that in Many Unhappy Returns the trust that Leo wants so much does NOT come from Splinter but from RAPH #side note but in regard to the fighting that Raph and Leo were up to during the time between the shredder and the krang #I think it’s interesting that it’s NOT depicted as screaming matches - very blatantly not this actually #also also! I totally love how the movie parallels Oroku Saki and Karai with Raph and Leo respectively #there are so many parallels in general in this show+movie it makes me froth at the mouth #and because it breaks my heart - the beginning of the movie had Raph getting angry at Leo and lashing out at him #the end of the movie has the Krang very very angry at Leo and lashing out at him #both of these times has Leo ‘ruining’ a mission so…bad parallels #in the movie as well there’s a Krangified Raph who beats Leo senseless #so I have to wonder if Raph and Leo just…can’t roughhouse anymore #else Leo would flinch or Raph would be so scared to accidentally hurt Leo like he was already used to do before #then suddenly their usual dynamic of Raph never having to be softer with Leo is thrown on its head #worse is if they’re so terrified of this dynamic leaving that they power through their own sufferings to maintain it

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starry-bi-sky · 6 months ago

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Blood Blossom Au: before the nightingale sings

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for my batdad blood blossom au, the one where Vlad poisoned Danny with blood blossom extract and Danny ran away from him and ended up tumbling into the care of one Pre-Robin Battinson Batman :). A quick oneshot telling the tale of the tragic deaths of the Fentons

TW: Major Character Death Warning

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Not all deaths are created equal.

That is a valuable lesson in life to learn. One that Danny learns when he is eleven years old, standing in the pit of his parents’ creation; the culmination of their life’s work. The portal to the other side, the realm of the dead. To the infinite.

He learns that when he’s eleven years old, in a hazmat suit that sags on him, and boots that clunk when he walks because the only ones that fit are his mom’s, and even those are too big. In gloves that he has to clench his fists in because otherwise they fall off. In goggles that slide down his nose even when he’s tightened them the farthest they can go.

He learns that when he’s eleven years old, choking on giggles that harmonize with the laughter of his friends’ who stand at the mouth of the tunnel. Sam’s holding a polaroid in her hand. They’re just being kids.

They’re not laughing when Danny’s hand hits the safety lock — the one with faulty wiring, the only one in the tunnel. The only one he could possibly hit. They’re not laughing when the portal buzzes to life, and the lights inside switch on row by row as the generator begins to rumble and hum.

They’re not laughing when Danny dies. They’re screaming. They’re not screaming when he comes back.

Not all deaths are created equal.

Some are poetic, beautiful. The satisfying close of a book as it comes to an end, of the hardback thumping soft against the pages like the sound of a door closing. A train run its course.

Some are violent; unsatisfying; unfair. The unexpected shattering of an egg as it rolls off the countertop when nobody is looking, the unmistakable crack as it falls to the floor. It is abrupt and messy.

But most are just… unremarkable. Unintentional. Clumsy.

Danny’s family dies one night in late January. He is thirteen years old, barely a month away from fourteen. It is unforeseen. It is preventable. It happens.

It happens like this:

Their water heater breaks one Monday in January. It’s old, sitting in the garage, and has dealt with nearly sixteen years of Fenton-grade chaos and shenanigans. Of parents tossing scraps and junk into the garage as brief storage to come back to later. Of illegal tune-ups on their vehicles that result in something exploding. Of little children running around and knocking things over, playing with poles and sticks they find on the ground, on the shelves. Of being lived and used.

Something had to give.

Jack Fenton notices it immediately when he comes upstairs that very afternoon — his children at school, his wife downstairs — to grab something from the garage. The very same scrap and used material they store like squirrels to use later.

He stops what he’s doing to fix it.

It wasn’t supposed to be permanent.

Despite what many believe, Jack Fenton is not the idiot people make him out to be. He knows what he’s good at, he knows what he’s not. He knows he can be passionate and obsessive and single-minded about things. He knows that he is a scientist, an inventor; an engineer.

He knows that he is not a plumber. That fixing water heaters is not something he knows how to do, not safely. And he loves his family. What he does is only meant to be temporary — a fix meant to only last a few days until they can call someone in who can fix it for them.

So Jack Fenton futzes with the water heater, gives it a temporary stitch to last a short while, and reminds himself to call a plumber later that day to come in and fix it. He turns and leaves the garage with the part he came for — a sheet of metal for his wife to melt down — and disappears back downstairs.

He does not make that call; it slips from his mind.

It is not his fault.

One day passes, then two, then suddenly it is Thursday. The water heater has still not been fixed, the water heater has been forgotten. It is nobody’s fault.

Danny asks his parents at breakfast if he can stay over at Tucker’s house for the night. Just one night. They’re going to study for their math test and then play video games until midnight, but he only tells his parents that first half.

He’s been doing well in school. Really well — better than he has in a while. There’s been a delightful lull in ghost appearances for the last few weeks. The living don’t know why, but Danny does. The Winter Truce always calms the dead down for a while, something about how the Zone cleanses itself twice a mortal year and that fresh wave of ecto clears out the old and brings in the new.

This year Danny got to participate. He’s feeling the effects of it too, and he’s been sleeping consistently well for the first time since the accident.

It’ll never happen again.

His parents agree under the condition that he doesn’t stay up late, and Danny harmlessly lies through his teeth and agrees. He goes and throws overnight clothes into his school backpack, and when he leaves for school with Jazz his parents are already departed into the lab.

The last conversation he has with his sister is in her car on the drive to school. Inane, mindless conversation to fill the air and pass the time. Jazz comments on how relaxed he’s been lately; Danny tells her about the Winter Truce. She listens in rapt attention.

She tells him that she’s glad to see him so well-rested. She thinks her little brother’s been growing up too fast these days. She thinks he’s been too tense. Too caught up with the spinning of the world around him that he forgets about himself sometimes.

When they reach school, before Danny can get out of the car, Jazz looks to her little brother and says; “I love you.”

Her little brother’s cheeks turn an embarrassed shade of red. He makes a scrunched up, grossed-out face, but can’t hide the smile pulling across it. “Don’t be a sap, Jazz. I’ll see you later.” He tells her, yanking his hood up over his head. She hears the bashful, ‘love you too’ before he walks away.

That is the last conversation she ever has with her brother.

Thursday is unremarkable, passing by in its normality as it always does. There’s one, maybe two ghost sightings; shades lurking around in curious infancy that are easily spooked away by the presence of a greater being. Danny doesn’t even have to go ghost.

Thursday evening is even less so. Danny goes to Tucker’s house — Sam has a prior arrangement with her slam poetry club — and the two of them study for an hour before they toss their textbooks aside and reach for the game console.

Danny sleeps in Tucker’s room with one of the extra blankets on his bed, curled across the room in one of the bean bag chairs. It shouldn’t be comfortable, but to Danny it is. He sleeps throughout the night, the portal shut down by his parents before they’d gone to bed.

Early Friday morning, before the sun has even risen yet, before it’s even so much as a concept to grace the horizon, the water heater breaks again. It was supposed to be fixed.

Carbon monoxide is a silent killer. Odorless and scentless, it kills within minutes. It fills the house like a shadow casting over the ground, creeping into the rooms.

Danny’s family die in their sleep; painless and unaware.

It’s not Jack Fenton’s fault. He didn’t mean to.

Nobody wakes up with their alarms.

Danny wakes up to Tucker Foley’s alarm on Friday morning, and he turns his head intangible and shoves it into the beanbag chair like an ostrich hiding its head in the sand. Tucker gets up before him, and throws a pillow at him as he reaches for the alarm.

There’s laughter, messing around. The both of them get dressed, and Danny has breakfast with the Foleys that morning. He takes the bus to school with Tucker, and they meet Sam by their lockers.

To him, everything is as normal as it should be. There are no ghosts for him to fight right now, school is as school does, and he’s on top of all his schoolwork.

He does not see Jazz at all that morning, he doesn’t notice. Their schedules are so different, their routes on different paths, that it’s not uncommon for Danny to not see Jazz until he gets home some days. That’s if there’s no ghost attacks.

At lunch, he gets approached by her friends. Worried creases between their brows, they ask him if he’s seen Jazz. She hasn’t shown up to any of her classes. She’s not answering their texts. It’s unprecedented of her; unheard of.

Danny doesn’t admit to the concern that swells in his gut when they tell him this. He shrugs at them, and says he hasn’t seen her either. But it was probably nothing to worry about; she might just be sick and sleeping it off.

He offers to text her and let them know if he gets a response, and that seems to ease her friends enough that they shuffle away in uncertainty. He keeps his word, and does exactly that. He pulls out his phone and opens her contact, and shoots her a message.

‘Where are you?’

He doesn’t get a response back, Danny is left on sent. He puts his phone in his pocket, and with a sense of unease creeping in the back of his mind, goes on with his day. He gets no response by the time the final bell rings; and he tries not to be worried.

The house is quiet when he opens the door. Unusually quiet. He drops his backpack to the floor, it lands with a hearty thunk, and begins to take off his jacket. “Mom! Dad!” He yells. He hangs it up, and slips his shoes from his feet. “Jazz skipped school today!”

A laughable untruth that would get his sister all riled up normally; she should be able to hear him from the front door if she was in her room. The house just stays dead silent.

He can’t even hear the usual banging and crashing from the lab. His unease returns. He reaches for the intercom that leads directly down to the basement, and presses the button to turn it on. A burst of static, and then he speaks;

“Mom? Dad?”

Danny lets go, and waits for a response. He gets none back. That never happens, not when the house is this quiet. Not when he knows they should’ve heard him.

Something sickly and fearful borns in the pit of his stomach, and begins to snake upward. He heads for the lab. The cool metal of the door is familiar in the grooves of his hand, and he doesn’t even need to think about the code as he punches it in; he simply lets muscle memory guide him. It’s been the same since he was little.

The door hisses as the pressure is released, and he swings the door open. He takes the stairs down two at a time. Something is wrong. His parents aren’t answering him. His feet pound against the metal.

“Mom? Dad?” He calls again, more worried, more frantic. More scared. His voice echoes down the stairwell, and he reaches the bottom before it’s fully faded. The lab is empty. The portal is still shut down.

It was four in the afternoon, they should still be down here.

Danny races back upstairs, fear-raised nausea coiling in his throat. “This isn’t funny you guys!” He yells when he reaches the top, shoving open the door with more force than necessary. His head swims, his voice cracked.

He checks the garage, the car is still there.

“Mom!? Dad!” His voice bellows out throughout the first floor, loud enough that it bounces back at him and rings against his ears. He’s never raised his voice this much — mom would scold him if she heard him. But she doesn’t show up. “Jazmine!”

Finally, he goes upstairs, and he can’t tell if what he’s feeling is anger or terror. Something is very, very wrong.

He swings the door of his parents’ rooms open first, and there they are, with the lights still off and the curtains still drawn. As if they hadn’t left their bed all day. Some of Danny’s fear lifts from his shoulders just by the sight of them, but he’s still trembling. Something is still wrong — the room smells… off. Not good, not bad. Just… off.

He swallows dryly, his throat still thick, and steps into the room. “Mom, dad?” They do not stir. “Didn’t you guys hear me yelling?”

There is only room static. Danny’s heart shrivels in his chest with a tenfold return of terror, he feels ill. He remembers, just now, that they’re not heavy sleepers, and his dad should be snoring like a freight house.

Danny reaches their bedside in seconds, hand outstretching for the covers, “Momma? Dad?”

Not all deaths are created equal.

But many of them are accidental. Unmeditated. Shocking.

Danny Fenton finds his family dead in his childhood home. He runs to his neighbors in hysterics, inconsolable, in tears. Nine-one-one is called, but there is nothing that can be done. They were dead for hours by the time Daniel Fenton returned home.

He sits on the front steps of the neighbor’s house beside FentonWorks, his jeans slowly becoming wet from the snow that was unable to be scraped off, and watches the paramedics cart out his family beneath white sheets. There are police cars blocking off the street, yellow tape blocking off his house, red-blue lights lighting up the block, an ambulance on the scene. He is wrapped in a shock blanket, and he is missing his jacket and his shoes. His tears are freezing onto his face, he can’t feel the chill.

Not all deaths are created equal

But all of them are unforgettable.