#still have a whole fight scene to write

[erinwantstowrite]

this chapter is taking YEARS off my life i tell you

[sonknuxadow]

it just hit me that the movie is coming out next month imgonna throw upppppppp

[kyouka-supremacy]

So no sskk?

[al-luviec]

still haven't moved on from zane in this episode (aka I hit tag limit again and am unhappy about it)

[arolesbianism]

Thinking abt Sif Odile duo looping au again and I wanna be able to plot everything out more coherently but act 5 eternally looms overhead and boy I do not wanna look up

[jewishcissiekj]

just realized just how much fic there is to write until I actually get to the part of the AU I started thinking about...

[secret-bug-pain-blog]

@febuwhump Day 8 - ALT PROMPT - Lightning Strike

"With brutal strength and extreme resilience, this type of Lynel somehow surpasses Silver Lynels in sheer power. It is said they are actually Silver Lynels who mysteriously transformed after being struck by lightning. If you see one, get away as fast as you can."

-Sheikah Slate Bestiary, Breath Of The Wild.

Back again. Slightly late. In our defense we were In Transit. This is from the universe of Flesh, Bone, Blood, Magic, if a bit... far forward. If you see any inconsistencies: don't worry about it, the plotting for this has been going somewhat slow, and it'll probably be explained in future ficlets. It's fine.

The cublet leaped.

Kasa's breath caught in her throat- had the shapeshifter gone mad? It knew how difficult of a fight that a Lynel could be - she had taught it herself, spar by spar against its unending energy. She might not have cared for its antics, but that didn't mean she wanted to know if it could die.

Its talons grasped at Squall's sides as its limbs warped, spawning joints to keep up with his movements as a dragonbone copy of a Moblin's long-blade stabbed at his back once, twice, thrice-

-and the cub-thing was thrown to the ground as Squall twisted, wolf-muzzles still forming from its sides as it tried to tear at at his sides on the way down.

He pointed his many-blade spear at it, its flesh still warping and twisting as it tried to form wolf-heads to snarl at him. She could see the water evaporate off of his pelt as he reared up, preparing to finish the shapeshifter off-

Kasa roared, thundering into him and catching his spear shaft in her blade. The nameless thing scrabbled out from between her hooves as she reared up, kicking at Squall's underbelly with her thriplegs. She could feel the fur on her back began to raise, an electric sense of power swelling from something behind her.

She had to end this quickly. Otherwise, she feared, she wouldn't finish it at all.

The dragon was coming.

Her fur stood on end. Sparks flew from her weapon, stinging against her pelt. She could taste ozone on her tongue as the green-scaled dragon began to crest the path, lightning arcing over its scales.

Squall gave her a smug look, stepping away from the edge, and she planted her hooves, readying herself to charge. Lyr made an undignified choking noise, tossing their sparking weapon to the side behind her, but she stood strong. The dragon's lightning had not jumped to her blade while the cublet was playing with the great wyrm. She trusted that it would be the same here.

She could feel her fur stand on end as she raised her sword, fire coming to her throat as the sparks reached a climax, the dragon turning its great head towards her-

It burned.

Were you to ask Kasa a few days ago what the worst pain in the world is, she would have laughed and told you it was the impact of becoming a silver-mane. The change from black-pelt to silver-pelt was long and painful, as any silver-pelt could tell you, Lynel or not - the days of pain and transformation, the feeling of pure Malice seeping into your flesh and bone, the agonizing sensation of your very soul being tempered in rivers of Kingsflesh.

It was slow, raw, corrosive. It sunk into the very last cracks of your being like pouring molten copper into an ant's nest, leaving deep purple stripes in its wake as it carved out vessels for strength. It stretched you to your very limit to accomodate the mark left, and even once the enhanced strength it offered had settled in, it left you feeling burnt and hollow for weeks afterwards.

To be blessed by Malice's King was a heavy burden to bear, and the days of suffering of her own transformation were still fresh enough in her mind that she could bring them to mind as sharp as the day it had happened.

And this was worse.

The blinding light of the bolt hit her blade, ripping through her body in an instant as if she were being set on fire. The world turned to white, blinding nothing, every nerve and shred of magic she had lit up in a single second. If she screamed, she couldn't hear it. If she dropped the blade, she couldn't tell. The world was pain, and everything that wasn't horrible, unrelenting agony was whited out as every scrap and shard of her burned.

For an instant, time didn't matter. An eternity stretched out into a second, trillions of years of agonizing, burning pain pressed into a second of time. Her pelt lit up, divine lightning burning through every part of her essence. In an instant, divine power was scorched into the deepest depths of her being, electric and brilliant, playing on every whisker and strand of fur, etched into every strand of muscle, conducted through every ounce of her body, through her blade and back again.

A second. An hour. An unending, agonizing eternity.

Kasa staggered, but she didn't fall. Her blade fell to her side, its metal turned to something bright, shining, malachite blue-green. Her body sparked, leftover electricity discharging from millions of trillions of nerve endings.

The fire in her breast burned, nearly thrice as hot as it had been. She felt no pain.

Her fur, steaming in the still-falling snow, gleamed bright, burning gold.

Kasa looked Squall in the eyes, and she roared.

(Thriplegs: The middle set of a Lynel's limbs; the leading hooves.)

[lord-squiggletits]

Ahhhhh I really didn't imagine it, I still dislike Barber's way of writing Orion/Optimus just as much as I did on the first reading and all it took was rereading a few screencaps from one specific scene.

Literally I don't know which part annoys me more: Jetfire existing in the background solely to go "ORION PAX FUCKING SUCKS AND IS A HYPOCRITE", Orion being written like an edgy asshole who hates everyone, or Soundwave talking like an unhinged terrorist and the narrative expecting me to see Orion as the hypocrite for using violence to arrest terrorists.

Soundwave is seriously like "You have no proof we assassinated the Senate, but if we did assassinate the Senate it would've been justified, but also totally trust us bro, just because we could've hypothetically murdered the entire reigning government doesn't mean that we're violent bro come on just bc we assassinated-- I mean could have hypothetically had the means and cause to kill like a hundred people doesn't mean we were gonna kill anyone else, come on bro why are you calling us violent just bc we think some murder is okay" while Jetfire is in the background like "WOW ORION I CAN'T BELIEVE YOU'RE WILLING TO BE VIOLENT IN RESPONSE TO OTHER PEOPLE BEING VIOLENT. YOU DON'T CARE ABOUT YOUR OWN SIDE'S FLAWS EVEN THOUGH YOU'RE LITERALLY DOING AN INVESTIGATION TO DECIDE WHETHER ONE OF YOUR COPS COMMITTED AN UNJUSTIFIED KILLING OR NOT. YOU HAVE DONE LITERALLY NOTHING TO TRY AND FIGHT THE CORRUPTION IN SOCIETY." (Jetfire had no way of knowing about OP and crew fighting the Senate's schemes in Shadowplay and Elegant Chaos, but as a reader it's very frustrating seeing Orion getting lambasted as never having done anything to fight society's corruption when he literally did, and by the time he was even working for Zeta Megatron was already evil and had the whole Senate assassinated.)

Like ughhhh oh my god I could have maybe enjoyed this story under a better writer but as it's written it's some "yet you participate in society, curious" levels of political commentary where at least one character seemingly only exists in the scene to shit on OP (something that happens a lot in Barber's works, like with Pyra Magna and Slide) and where OP is framed as a hypocritical asshole for a reaction that's very understandable given the context.

And also it's weird because Barber wants so badly for you to read Orion as some sort of hypocrite for being against terrorist activities but being willing to employ violence himself to arrest terrorists, yet... it turns out the big twist of the story is that the Decepticons WERE smuggling weapons and Soundwave DID lie to Orion (even if it was unintentionally), thus vindicating Orion's entire distrustful attitude? Like, it seems as if it was supposed to be an ACAB story showing how evil the police are for killing people and how Orion (as a cop) is evil for being a cop that uses violence on behalf of the state. Except uh. Then Barber wrote a plot where the Decepticons literally were smuggling weapons all along (and this is alongside lore from Megatron: Origin where we as the readers know for a fact the Decepticons/Starscream killed the Senate) so.... Like, it just seems to me that if Barber wanted to write an ACAB story about how the state monopoly on violence is bad, he probably shouldn't have written the Decepticons as actually being terrorists who literally did lie about smuggling weapons?

I feel like a better way to write an ACAB/anti-state-monopoly-on-violence would've been to like, explore the way that states take advantage of catastrophe/using scapegoat political movements to gather more power to themselves and justify removing citizens' rights with "it's an emergency, we're taking away your freedoms to protect everyone." Like, maybe Zeta passes some law saying that officers can search citizens without a warrant, which he justifies with the fact that Decepticon terrorism is so rampant that officers need immediate permission to conduct raids/searches. Except this is obviously a problem because people have a right to privacy, and probably the cops are super overzealous and end up arresting innocent people without cause (like idk, maybe just being friends with someone who is sympathetic to the Decepticons gets someone landed in jail? Maybe Jetfire gets arrested bc he's critical of the state and has hung out with Decepticon sympathizers before). So then Orion has an actual "are we the baddies?" moment where he wants to stop the bad people, but he realizes that his side are infringing on people's citizens and justifying police brutality for the sake of a nebulous "greater good," and that even though he and his cops were given greater power to supposedly "protect citizens," in practice they're actually doing great harm to citizens by invading their privacy, creating a surveillance state, and imprisoning people without just cause? Basically "we were given this power to stop terrorists from hurting civilians, but now we're hurting civilians too so are we actually doing any good?" Because that way Orion and his cops would ACTUALLY be in the wrong and their state monopoly on violence would be an actually widespread institutional thing where they're clearly being allowed to do bad things just because they're cops. Not just Orion investigating one singular police killing.

But with the story written as "Orion suspected the Decepticons of murdering the Senate (he's correct about this) but still investigated one of his officers to see if he committed a wrongful murder (literally him paying attention to his own side's wrongdoings, Jetfire), and it turns out the Decepticons WERE smuggling weapons and doing terrorism (Orion was correct about this)" it's just.......... like, Orion may not be morally correct, but his hunches/investigations about the suspected criminal activity were literally correct. AND HE WAS WILLING TO DO THIS INVESTIGATION IN THE FIRST PLACE. But for some reason he's still framed as if he's an asshole for this? Even though this is a point in the pre-war lore where Megatron won't back down from violence and has lost his way from his original pure intentions, so it's not like Orion can just go "let's put down our weapons and be friends and mutually trust each other to not stab each other in the back."

It just feels as if Barber's intentions to write an ACAB story where Orion is framed as being too judgmental and quick to be violent don't line up with the actual events of the story. The story is desperately trying to call Orion a hypocrite, but he really just seems as if he's reacting understandably to the events that are happening around him, so there's a real dissonance here where I don't understand why the ACAB story had the cops be right about the Decepticons committing terrorism, and I'm also supposed to see Orion as an asshole for correctly not trusting the Decepticons???

[gwarden123]

Bomb! Them! How many times and ways do I have to say it? Don’t shoot at them. Don’t lead them into your base. Don’t talk to them. Just bomb them! Lay mines along their path! Bring the rocks down on their heads! Gas them with grenades until they can’t breathe! Then take their armour, take their ship (I just remembered. They don’t have a ship. How were they supposed to get back?) and kill their people when they invite you inside.

[cathymee]

tumblr had to shut me up omg #censorship

[eclecticsophism]

every time i do any task related to applying to this PhD program im shaking lol

[demilypyro]

So I've seen a few too many people on twitter talking about The Kiss Scene from the new Scott Pilgrim anime. People saying it's fetishistic and indulgent, people calling it male gazey, etc. And while the kiss itself is certainly a bit exaggerated, I felt like writing a bit about why I disagree, and why context is important, like it always is. But it basically turned into an extended analysis on the metatextual treatment of Roxie Richter. So bear with me. It's a long post.

What really matters about this scene is not the kiss itself, but what precedes it. Not even just the fight scene just before it, but what precedes the whole anime series, really. And that's the Scott Pilgrim comic book, and the live action movie. Because in both, Roxie is a punchline.

She's a joke. Her character starts and ends with "one of the exes is actually a girl, I bet you didn't expect that." Jokes are made about Ramona's latent bisexuality, the movie especially treating it as funny and absurd, and her validity as a romantic interest is entirely written off by Ramona as being "just a phase." There's a fight scene, she's defeated by a man giving her an orgasm which implicitly calls her sexuality into question (come on), and the movie just moves on. It sucks. It really, really sucks.

The comic fares a little better. It never veers into outright homophobia like the movie does, and while the line about Ramona having gone through a phase remains, Roxie actually gets one over on Scott when Ramona briefly gets back with Roxie. But Roxie is still only barely a character. Like all the other evil exes, she's just a stepping stone towards the male protagonist's development. She barely even gets any screentime before she's defeated by Scott's "power of love." But Roxie stands out, since she's the only villain who is queer, or at least had been confirmed queer at that point (hi Todd). In a series that champions multiple gay men in the supporting cast, the single undeniable lesbian in the story is a villain. She's labeled as evil, made fun of, pushed aside in favor of the men, and then discarded. Her screentime was never about her, or her feelings for Ramona. It was about the straight, male protagonist needing to overcome her. And that was Roxie Richter. An unfortunate victim of the 2010s.

Fast forward to current year, and the new anime series is announced. Everybody sits down to watch the new series expecting another retelling of the same story, and.... hang on, that straight male protagonist I mentioned just died in the first episode. And now it's humanizing the villains from the original story. And there's Roxie, introduced alongside the other evil exes in the second episode, and she's being played entirely straight, without a punchline in sight. No jokes are made about her gender, no questions are made of her validity as one of Ramona's romantic interests. The narrative considers her important. In one episode, she already gets more respect than she did in either of the previous iterations of Scott Pilgrim. And this isn't even her focus episode yet... which happens to be the very next one.

The anime series goes to great lengths to flesh out the original story's villains and to have Ramona reconcile with them. And I don't think it's a coincidence that Roxie gets to go first. While Matthew Patel gets his development in episode 2, Roxie is the first to directly confront Ramona, now our main protagonist. This is notable too because it's the only time the exes are encountered out of order. Roxie is supposed to be number 4, but she's first in line, and later on you realize that she's the only one who's out of sequence. She's the one who sets the precedent for the villains being redeemed. She's the most important character for Ramona to reconcile with.

What follows is probably the most extensive, elaborate 1 on 1 fight scene in the whole show. Roxie fights like a wounded animal, her motions are desperate and pained. Ramona can only barely fight back against her onslaught. Different set-pieces fly by at breakneck speed as Roxie relentlessly lays her feelings at Ramona's feet through her attacks and her distraught shouts. And unlike the comic or the movie, Ramona acknowledges them, and sincerely apologizes. And the two end up just laying there, exhausted, reminiscing about when they were together.

Only after this, after all of this, does the kiss scene happen. Roxie has been vindicated, she has reconciled with the person who hurt her, the narrative has deemed that her anger is justified and has redeemed her character. And she gets her victory lap by making the nearest other hot girl question her heterosexuality, sharing a sloppy kiss with her as the music triumphantly crescendos.

It's... a little self-congratulatory, honestly. But it's good. It's redemption for a character who had been mistreated for over a decade. And she punctuates the moment by being very, very gay where everyone can see it, no men anywhere in sight. Because this is her moment. And then she leaves the plot, on her own accord this time, while humming the hampster dance. What a legend. How could anything be wrong with this.

[drchucktingle]

THE TEXAS LIBRARY ASSOCIATION TELLS CHUCK TINGLE TO STAY HOME BUT WE PROVE LOVE ANYWAY

just when you buckaroos thought 2024 would be a break from book drama, here comes chuck tingle in the mix. recently i was asked to be a featured speaker at the TEXAS LIBRARY ASSOCIATION annual conference. a few days ago they rescinded my invitation. here is what happened.

(EDITED TO ADD THIS LINK. if you have a hard time reading this on way of tumblr you can also read for free on chucks patreon)

i would like to start off by saying it is not my intent to start a fight, and all those reading this should know that the actions of a few misguided folks do not speak for the whole TEXAS LIBRARY ASSOCIATION. i am sure there are many involved who will be very upset to learn what others at TLA have done in their name. there are many individuals here, so please do not paint them all as villains in your mind. besides, chuck loves the dang library everyone knows that.

the point of writing this is not to vilify. i am writing this is because MOMENTS OF DARKNESS are the best places to SHINE A LIGHT AND PROVE LOVE IS REAL. this is a perfect time for learning and growing and for us talk on some very important things that queer buckaroos and neurodivergent buckaroos face every day. this is an unfortunate moment that WE can turn around and use to prove love is real.

i am also writing this to understand some of my own personal feelings on the matter. for something that seems very simple on the surface, the trot is complex, and i am still working out my emotions on the whole dang thing. i am learning in this way.

PART ONE: BAG OF LOVE

a few months ago chuck was asked to be a featured speaker at the 2024 TEXAS LIBRARY ASSOCIATION ANNUAL CONFERENCE. i have been asked to do things like the before and it is ALWAYS a fun time to meet bookseller and librarian buds. trotting around face to face and talking about my story of conquering chronic pain and overcoming my mental hurdles is VERY IMPORTANT to me. i say YES to these things whenever i can. (here i am with authors at CALIFORNIA INDEPENDENT BOOKSELLERS ALLIANCE conference. they are a WONDERFUL group and they proved love with their OWN invitation to chuck. this was such a moving event with so many amazing authors and stories. got very teared up during this photo)

ANYWAY BUCKAROOS i get the TEXAS LIBRARY ASSOCIATION invite and say 'YES BUD LETS TROT'. we are then confirmed.

months pass. a few weeks ago i get a call from my manager and agent and publisher saying ‘the TLA have rescinded their invitation.’

turns out some things had been going on behind the scenes

at some point the TLA asked chucks INCREDIBLE HEROIC BAD ASS PUBLISHER if chuck would be okay with not wearing the mask, to which tor/nightfire/macmillan said ‘what the heck are you talking about of course chuck is going to wear his mask. this is how chuck presents himself’ (NOT EXACT QUOTE)

as you all know, my pink bag way is a VERY IMPORTANT SPACE. as an autistic buckaroo it is a boundary that allows me to express myself freely and relieve my chronic pain from neurotypically masking all day. i have talked about this for years, and it is why i consider my private identity a SACRED THING. it is literally a health issue.

fortunately THE PINK BAG is never really a problem when making appearances. i have spent years going on television shows, doing interviews, speaking at other conferences and conventions, hosting book events on tour, and even MEETING WITH LAWYERS in my pink face covering. it is always respected and that is very validating to my way.

when arriving anywhere i always take precautions. i always warn buckaroos ahead of time that there is a masked man coming. i always have someone go in ahead of me JUST IN CASE. again, there has never been an issue. at a big conference where i am a special guest there is ESPECIALLY not an issue because my face and bio are printed IN THE DANG PROGRAM

SOME FUN TIMES AT BIG EVENTS BELOW:

CHUCK ON TV SHOW NAME OF 'AT MIDNIGHT' BACK BEFORE I WROTE LOVE IS REAL ON MY HEAD:

well, there has never been an issue.... UNTIL NOW.

PART TWO: RESCINDED

a few days ago TEXAS LIBRARY ASSOCIATION suddenly messaged my publishers and said that chuck tingle is no longer invited. my invitation was rescinded. the reason given was that people could possibly be uncomfortable with my mask

right out of the gate i would like to say this: it is absolutely the right of the texas library association to disinvite someone from their conference. it is their event, after all, and they can ban anyone they would like, for any reason.

of course, that doesnt mean other folks HEARING THIS NEWS wont have their own opinions the TLA choices. if the TLA disinvites someone, their reasoning for doing this can be discussed and analyzed. whether or not they follow their own guidelines can be questioned, and certainly their kindness and tact can be considered

there are a few BIG POINTS to make regarding this choice from the TLA

first and foremost, i just gotta say buckaroos, it is incredibly rude to invite someone to be a guest speaker at your event, have them confirm and mark off their calendar and turn down other offers, then rescind their invitation. this is maybe the simplest of the points, but it is an important one.

second, (DEEP BREATH HERE WE GO BUCKAROOS) i personally do not think of my autism as a disability very often, but i also KNOW that despite these feelings it ABSOLUTELY IS. autism is important to be listed as a recognized disability because of the help some autistic buckaroos need regarding government programs and things like that. ALSO just because my neurodivergence has helped me in some ways (hyperfocus and a unique artistic sensibility for example). i personally need to step back and remember my battle with stress and chronic pain from having to neurotypically mask all the time. for as much as i love being autistic it has made some things very difficult.

in other words, i am perfectly capable of speaking and interacting with folks without this pink bag on my head BUT WHEN I AM IN THE CHUCK TINGLE SPACE I REQUIRE IT. i can ONLY use this space while covering my face. is not a want. it is a need. holding this boundary is more important than i can ever say. i will not, and can not, let these spaces cross.

TLA not letting an autistic author wear the face cover theyve set up to express their neurodivergence in a safe, healthy way is--for lack of a better term--NOT A GOOD LOOK.

i cannot fathom them disinviting another author for using a disability aid. i cannot fathom them saying that a buckaroo who hears better with a hearing device cannot use it during their panel because it would make others 'uncomfortable'.

but here we are.

PART THREE: WHAT DOES A BUCKAROO GOTTA DO TO GET BANNED AROUND HERE?

this is the TLAs official stance on disability issues according to their website:

when poking around on the TLA website i noticed a few other things. i noticed a previous guest speaker wearing a niqab, and i was left wondering if the religious significance is what make that okay but chuck tingle banned. that made sense until i looked deeper and saw mascot buckaroos dressed up on the exhibition floor, and saw some kind of spiderbud in a costume contest. nobody around them seemed to be all that scared. their invitations REMAINED INTACT.

it should be mentioned here that AT ONE POINT during the discussions an email was sent from TLA saying chuck is allowed to come and wear his mask in the exhibition halls and smaller panels, just not at any of the big PAID PANELS i was once supposed to participate on. this was a confusing offer, but their explanation was that people who paid for something should have the option to not see chucks 'scary neurodivergence aid'. i tried to wrap my head around WHY they would make a distinction. maybe the exchange of money (rather than time) causes some kind of philosophical adjustment that i just cant grasp?

i wonder, would the author who wears a niqab ALSO be banned from the paid panels? i hope not

my answers trotted up short until i investigated deeper and found this quick moment from one of the TLA help videos. while some events DO require additional buckaroo cash, it actually appears that THE ENTIRE CONFERENCE IS TICKETED AND COSTS MONEY.

at this point i realized there is clearly no actual official policy about not covering your face (other than one from a few years ago saying that you HAVE to cover your face), and the addition of 'money' is a red herring. these excuses make no sense

PART FOUR: CLOSE THOSE GATES

it appears that my neurodivergence is 'scary' enough to get me uninvited, REGARDLESS what their disability and mask policies may say

BUT WHY? why is chucks preferred physical presentation valued SO little by the TLA that a THEORETICAL complaint is worth more? is my neurodivergent expression so awful? is my own safety as a queer activist such an afterthought?

is a pink bag with the words 'love is real' scrawled across the front REALLY going to frighten someone when the posters and pamphlets on the way into in panel would have a photo of my masked face saying THIS IS LITERALLY WHO IS ABOUT TO APPEAR BEFORE YOU.

if THAT accommodation is too much, would it really be so difficult to have someone trot out beforehand and make an announcement? to say 'there is someone on this upcoming panel who needs a mask to express this part of himself, if this makes you uncomfortable then this panel might not be for you'.

and really, i have to heckin ask, is this physical expression of my raw inner truth really so hideous and frightening that fear of making someone uncomfortable is a REAL problem?

(a terrifying display of autism. apparently)

i cannot imagine what kind of precautions they need to take before a stage play featuring costumes and masks.

you MIGHT think chucks queerness and left leaning politics could be the issue with this organization, but they have had drag queens as past speakers (also featuring some GLORIOUS makeup and hair that covers almost all of their faces. VERY CURIOUS). regardless, the TLA do not seem like a conservative bunch.

if you are bisexual or an autistic person who is good at 'passing' you probably already know where this is headed, your dang spiderbuckaroo senses are tingling at FULL ALERT. i will say i do not KNOW the real reason why i was uninvited, and i do not have enough information to make any concrete statement of the real answer. there is only evidence that masks have been fine at TEXAS LIBRARY ASSOCIATION events in the past, but not much else to go on.

so the FACTS part of our discussion ends there, but i think it opens us up to talk about some very important feelings that bisexual and autistic buckaroos know well.

THIS is where we take a unfortunate, hurtful moment and turn it into a discussion. this is where we prove love is real.

as someone who is constantly doubted and put through purity tests because of my unique way, we are pushing up against a subject i know well. thats right buckaroos: we are talking GATEKEEPING

AGAIN, i do not know if this is the answer, but someone in my position might be VERY STRONGLY INCLINED TO THINK that a few well-meaning left leaning buckaroos think i am a joke and that this is a character, and that there is something problematic about my work because i am not really a real person.

any upstanding left leaning organization would OF COURSE allow a mask for a neurodivergent buckaroo with an unusual visual presentation, an autistic buckaroo who conquered his chronic pain ONLY by creating this important space... but what about a FAKE autistic buckaroo?

any upstanding left leaning organization would OF COURSE allow a mask for a queer LGBTQ activist standing up for gay and trans rights against a torrent of scoundrels hunting for his legal identity. its a matter of safety... but what about a FAKE queer activist?

let me be very clear for the 100th time: i am a real person. this is not a joke. i am not playing a character. i am really autistic and bisexual. tinglers are sincere and they are not ‘so bad theyre good’. they are just good. camp damascus is not ‘my first serious book’ because my queer erotica is serious. my art is important and real.

when people tell me to unmask they often do not know WHY they want it, and of course one very good reason is innocent curiosity. but there are SOME cases where i start to get THAT feeling--that tingle all of us ‘passing’ buckaroos get when we can sense the real intent behind the poking and prodding. that is the feeling of stumbling into a gatekeepers crosshairs.

if i was to take off my pink bag, what about my face would you analyze to tell if i was REALLY queer. my eye color? my ear shape? if you learned my legal name, would you see if it sounded autistic? is my voice neurodivergent enough?

or is all of that utterly absurd? i am curious what the TEXAS LIBRARY ASSOCIATION thinks.

PART FIVE: GENDERED

this will be the shortest of parts, but it has to be said. i have a very complex relationship with gender, as written about at length here and here. i understand these things can be difficult to parse for some, but i ask that you trust me when i say that the ONLY reason i have been able to talk about my gender and sexuality and learn these things about myself is because of this pink bag. this outward appearance is a direct expression and reflection of my gender journey.

if the texas library association does not care about my appearance as an expression of my autism, then i cant imagine them giving a dang about it as an expression of my gender and queerness. that being said, it is personally very important to me and i think it should be mentioned

PART SIX: SO YOU WANT TO REMOVE AN AUTISTIC QUEER AUTHOR FROM YOUR EVENT BECAUSE PEOPLE MIGHT FIND THEIR DIFFERENCES SCARY

there is a question to be asked here: how could the TLA have done this correctly?

i have one very big piece of advice i would like to shout from the rooftops. please, for the love of sweet barbara, DO ENOUGH RESEARCH to know if this appearance will be a problem and, IF SO, dont extend an invitation in the first place. unique buckaroos with different presentations are constantly left in this place of limbo because we are bombarded with careless actions like those of the TLA. before you consider extending a branch to an artist who might need more accommodations than usual, think to yourself 'CAN WE MAKE THESE ACCOMMODATIONS?'

putting all of this on the shoulders of a single 'buckaroo with a difference' is exhausting. as the TLA has shown, we currently live on a timeline where a buckaroo like myself never really knows if an invite is SOLID without doing a deep dive history lesson on how often a group discriminates and against who.

i did not want to spend my whole family holiday worrying whether or not i should say something publicly or just lie down and shut my dang mouth. i had to consider HOW i should say it. i had to worry whether or not its worth standing up for myself in the face of the largest state library association in the country. i think buckaroos with differences are with me when i say: WE ARE SICK OF HAVING TO DO THIS WORK TO COVER FOR THE POOR BEHAVIOR OF LARGE ORGANIZATIONS WHO TREAT US BADLY

another option would just be to use kindness and common sense and happily accommodate artists with unique presentations to your conventions

PART SEVEN: LOVE IS STILL REAL

i would like to close by saying THANK YOU to my publisher nightfire and editor kelly for standing up for me. they immediately stood firm and had my back. they are the real dang deal. THANK YOU to my management and agent buds dongwon and gino for trotting along beside me. THANK YOU to the folks at the texas library association who initially invited chuck with goodness in their heart and then likely got bowled over by someone else, and maybe even got knocked to the side by a big closing gate.

i hope there are librarians in texas who are still interested in carrying BURY YOUR GAYS when it comes out (which is ironically about someone who creates a space through art to express their queerness where they cant otherwise). libraries prove love is real and what they do IS SO IMPORTANT. it was SO IMPORTANT TO ME as a young buckaroo and i cannot thank you enough. i am not sure if me writing all of this will hurt my sales in some way, but this opportunity to speak about the reality of disability awareness and queer gatekeeping is too important to stay silent. (if you have not already preordered BURY YOUR GAYS then give it a preorder to make up for some texas library losses i guess.)

which leads me to my final thank you. THANK YOU to the buckaroos reading this. yes YOU. i am in the position to stand up and speak my mind against scoundrel forces ONLY because i have the might of you buckaroos by my side. the buckaroo trot is ALL OF OUR TROT and we are ALL HERE TO PROVE LOVE. i cannot tell you how much i appreciate the way you have created a space for me to express these important parts of myself. you have seen this pink mask over my face and saying YES, I ACCEPT YOU, you have literally saved my life. for that i am so thankful.

if you are UPSET by what youve read here, then turn it into something positive. you can support autistic creators, or make a donation to the AUTISTIC SELF ADVOCACY NETWORK

and besides WHO IS REALLY MISSING OUT? this is what it looks like when you invite the worlds greatest author chuck tingle to your event and treat their identity as valid. WE HAVE A DANG GOOD TIME

KEEP TROTTING INTO THE FUTURE. KEEP KICKING DOWN GATES WHEREVER THEY MAY BE. KEEP PROVING LOVE IS REAL AND PROVING IT TOGETHER. lets go buckaroos - chuck

UPDATE AN HOUR AFTER POSTING:

true buckaroo TJ KLUNE was set to be another author on panel chuck was removed from and has informed me he has now chosen to decline his invitation in support and solidarity with chuck. i am so deeply moved by this. thank you from bottom of heart buckaroo

to be very clear TJ has a huge platform and DOES NOT NEED TO DO THIS. these conferences are great for book sales and he is taking a hit out of pure solidarity. this is queer buckaroos standing up for eachother. i am floored by this kindness and love

please consider checking out his books if they are not already covering your dang bookshelf. chuck blurbed IN THE LIVES OF PUPPETS and i was blown away i heckin loved it

MOST RECENT UPDATE:

here is more

[shegetsburned]

tw. gore

you never would have guessed that gladiator!toji fushiguro was obsessed with you, until he brandished his blood-covered spear in your direction and dedicated his first-ever victory, not to his emperor, not to your father, but you; the pure and innocent emperor’s daughter.

he has the whole crowd screaming for him, but only you can satisfy his hunger for magnificence. what’s the point if you’re not watching him slaughter pathetic gladiators in the name of your emperor? if you’re not here to witness gladiator!toji rise, drenched in sweat, blood and glory, what is he even fighting for?

gladiator!toji has your name boldly engraved on the handle of his gladius as a reminder. none shall break nor bend the blade that bears your name, but him. he’s not letting any other man carry his sword, nor shall he let any other man live long enough to have a chance. from his cell, he has figured out ways to keep men away and asks his handler for a minute of your time after each victory.

when he wears a helmet, it’s to tease you. he knows you’ll anxiously be watching the scene, searching for him through the messy rumble of muscular and sweaty men tearing each other to shreds. you distinctly recognize gladiator!toji by his physical prowess and herculean body towering over the other combatants. he’s sturdy and magnificently sculpted. the sun reflects on the sweat dripping off his scarred arms while he offers the greatest of performance to the crowd and to you.

gladiator!toji is aware of your mesmerized gaze upon his broad shoulders and back muscles whenever he twirls his sword. his confident and annoying grin follows him everywhere— even more when he has the opportunity to thank you for giving him the strength to fight.

his popularity grows larger with each spectacle as he triumphs over his enemies. men and women are at his feet, but when he exits the arena, it’s your attention gladiator!toji is so desperately searching for which you often grant by visiting him after the fights. he’s still trapped behind bars, but finds ways to stroke your arm with his rough finger or trap you deeper into his enchantment. unfortunately, you had fallen for the criminal as soon as he had opened his prideful mouth to your emperor.

when the public pleads gladiator!toji for mercy, he can only turn to you, awaiting approval with his blade against the poor gladiator’s neck. it’s only when you point your thumb down that he takes the final blow with a nasty and satisfied chuckle.

if only you knew how desperate he was to finally be free and have you all to himself. gladiator!toji wasn’t just a gladiator, he was the emperor’s daughter’s gladiator and he was so dependent on your approval that he would’ve done anything to get you to love him. even defying an emperor.

© shegetsburned 2024 please do not repost/edit/or claim my writing as your own

[hershelchocolate]

So many fic ideas I want to write,,,,,,,but no alas I must resist,,,,,,I gotta get SOMETHING going for my graphic novel so I can actually start drawing the thing before I write anything else 😔

BUT ALSO WHAT IF I WANT TO WRITE ABOUT THE SILLIES

[kroosluvr]

temptation

i lowkey have too many notes to write down properly KDFHKDS but ill write them down for Future Cele so i can read it later and be like omggg past cele ur so fun and interesting

in general, the more "color" the scenes have, the closer it is to "real life" as opposed to the muted/hushed winter blues of maruki's reality

i.e. the dark frames w akira smiling and the very last panel are when reality sinks in: first for akira, then for goro

by the way this is long winter au but sumire is still brainwashed. this also works for canonverse but i just had long winter au in mind:o

youve heard of laundry and taxes now get ready for coffee and pastries

in every panel, akira is smiling! :) and goro is very much not smiling.

intentionally his face is hidden in the last 2 pages so its unclear whether it's the "ideal reality" already (akira/goro's daydreams/wants/desires), or if goro is still fighting akira on making sure he picks the right choice

the smoke from the first page kinda leads into the 3rd page omfg COMPLETELY UNINTENTIONAL BUT REALLY COOL LMAOOO

that's nameless and belladonna in jazz jin!!! i love them. I LOVETHEM. i miss them so bad is it obvious

the cafe is loosely based off of caffe strada @ uc berkeley LMAO. my parents used to take me there a lot as a little kid so that's the first cafe i think of when i imagine one. its like right on the streetside, basically on the sidewalk, so its very bustling and people are always walking by... probably a little disconcerting to see everyones summery bright smiles despite the bitter cold and snow

in long winter AU, the Ideal Reality starts before 1/1 so yeah they get to see the new years fireworks together (or something)

also intentional that they wear the same winter outfits in the whole comic although it Probably does not take place at the same time. in maruki's snowglobe, time seems frozen in place... but akira and goro are both acutely aware that the sands are running thru QUICK

goro's frustrated expression on page 3 is one also of disdain: "don't speak FOR me you fucking imbecile" type of expression.

goro, who's never lived a normal life and therefore doesn't know much abt "normalcy" nor really actively seeks it. this 3rd semester is basically purgatory for him and he doesn't care to try and go through the motions the way akira does. akira what do YOU know about the type of "normalcy" i deserve? how do YOU know if i "deserve" that?

im thinking that this is a naive akira who is mostly set on taking the deal because he feels hopeless... seeing all his friends with good happy lives while goro and himself are alive and miserable and shouldering the weight of the world during the horror of long winter......

oh but if he takes the deal they could all be good and alive and happy!!!.... and goro knows this. i feel like in any other universe (i.e. akira is 100% certain on not taking the deal and goro knows this) then goro would be happy and carefree to do these little indulgences for himself and akira's sake, to just enjoy the snowglobe world while it exists.

but this goro is discontent. he sees how akira is enjoying the snowglobe and knows maruki is depending on this. goro has to be the one to remind akira that none of this is his to keep........ in this fucked up world, routine is dangerous. becoming comfortable is dangerous. they cannot keep any of this.

on that note, goro says "i hate you" in a halfhearted sort of way (it's not true and akira knows that.) but he's trying to think of a way that he can dissuade akira from picking the wrong choice.....

and i think the thing is, goro thinks all of this, but he still falls into the rhythm of routine with akira anyway. in a way, goro feels hopeless too.

all of this is maruki's doing........ paralyzed by the inability to choose... whatever you do, you lose. goro needs to hold akira at arm's length so the stupid sentimental fool doesn't get too attached and falls into the wrong universe. akira needs to make a concentrated effort to detach himself from goro even though he wants the simplest thing in the world: just one more unremarkable day with him. it's lose-lose..........,

also i liked drawing the tentacles in the last pic the freaking blue lines on them were SO satisfying to draw

edit: also the last page: the blood flooding the panel….. the idea of the ideal world being built off of the blood and sweat and tears and bodies of the people who could have been. of those lost in the actualization, of those destroyed, of those stitched together and brought back to life. all just for a little false happiness. goro sees it but akira doesn’t, and it’s a grim sight.