#spoilers if I say more

[fistfuloflightning]

General Wei Yu

[brennan-lee-mother]

Diversity win! Ancestral curse recognises non-biological parenthood!

[lena-luthor]

No one in history has had special treatment like you.

[hinamie]

trick or treat!

[eydilily]

would you bite the hand that feeds you?

[demadogs]

nothing can break the bond between a friend who loves spoilers and a friend who just watched an amazing show and needs to tell someone the entire plot from start to finish

[phanfuckingtasmal]

im sorry but i cannot stop thinking about isha's pastel memories that play during her sacrifice scene.

look at how full of colour this beautiful fuckin shot is:

it's been well established in episodes 4-6 how grim and dark the undercity has become under cait and ambessa's new rule. but look at how isha sees/remembers it - because of jinx.

jinx, who went through a severe childhood trauma that has carried over into her present self - she covers extremely destructive weapons and grenades in bright pinks and blues, neons, childlike doodles, graffiti. (joy and destruction, powder and jinx, a contrast so striking it becomes like a signature for her).

and then we see the world through isha's eyes. when we meet her in episode 2, she's running through sewers, from goons dressed in black; it's grimy and grim. and then all of her recent memories are done in these childlike pastel, almost crayon-y sketches. because what isha saw was jinx covering a dark and grim world in colours.

and so isha covered her world in colour, too.

because jinx made her world bright.

isha looked at jinx and saw the child in her. she saw powder and she saw jinx. she saw joy and destruction. and that's why jinx gave isha so much hope. isha knew the world was grim and dark - but then she watched jinx, and she learned that you can paint over all that grim darkness with neon blue spray paint.

that's why isha believed in hope. that's why in her final moments - in a scene that is lit dimly and dramatically - she sees nothing but a bright world coloured in pastels.

never underestimate the hope of a child.

[lavendervalleyexpress]

Disney: you can make your movie R-rated but their relationship can’t be explicitly gay

Ryan: oh don’t worry this is a totally platonic road trip buddy comedy

The movie: The poster says, “best friends come together”, there’s a meet cute ugly at a bar and Logan immediately assumes Wade is there to hook up with him (so does the bartender), Wade calls him honey badger, and angel baby, their road trip song is a rock ballad about being lonely and wanting to meet someone, the second act has the classic romcom miscommunication/fight, they’re having a heated fight to one of the most iconic love song duets ever, Wade says, “the Honda Odyssey fucks hard too bad you don’t” and Logan says, “oh we’re just getting started”, after that there’s a shot where car they're in is rocking back and forth for hours and then it cuts to them asleep the next morning, there’s a line about Wade having Logan’s dick in his mouth (spoken by Ryan’s daughter), there’s a scene where they’re looking at each other longingly through a window because they think Wade is about to die (even though Logan hated him yesterday), Wade is very clearly staring at Logan’s abs after his shirt explodes then makes him put on a shirt after he sees other people also looking, they save each others lives by holding hands to a Madonna song about blowjobs, Logan starts walking away until Wade calls after him and he stops like he’s about to turn around and run back and kiss him but the camera cuts off before he does, Wade introduces Logan to Al like a nervous teenager introducing his girlfriend to his mom, and the last shot is their masks sitting next to each other in their ONE BEDROOM APARTMENT

Disney: ok we have notes

Ryan: no.

The movie: *makes $1,000,000,000*

[naomistares]

random stuff i drew before watching act 2... i need a minute !

[ashioksdaydream]

Sometimes family is just a suicidal terrorist, a tired henchman and a kid with a funny hat

[perpetualcontrolleddrowning]

Something something the way that Crowley introduced himself to Aziraphale the first time they met in the garden and reacted as if they had never met before. Something about him later behaving as if he did actually have those memories of their time in Heaven together and trying to pass it off as being someone different now. Something about Heaven's way of punishing angels that go against the plan by erasing their memories. Something about Crowley seeing Gabriel without his memory and saying "ask him properly." Something about "remember it now" "it hurts, to remember. my head isn't built for that" "I know. Do it anyway"

Something about "I know. Looking at where the furniture isn't"

Something about I know

[originalartblog]

Someone's last crush didn't live up to the hype 😬

[theirondragonrants]

I love you all, but you have the wrong parallel. We love Rhaenyra asking Alicent to fly across the narrow sea and eat only cake, but it's Rhaenyra and this Alicent that mirror each other. It's the smiles, and that halting breath.

[poorly-drawn-mdzs]

Soup solves everything.

[hinamie]

post-graduation trip airport looks

[tofixtheshadows]

Sorry but Kabru is so fascinating to me as a character, in a pure mechanical sense, because of what Ryoko Kui does with him. Everything about him is a red herring. He's deliberately introduced as some kind of rival for Laios, a party leader who is hopeless against monsters but absolutely brilliant with people both in and out of combat, and who has good reason to oppose him.

By the end of chapter 31, you might even think Kabru's going to end up as some sort of anti-villain, an antagonist with the best of intentions who nevertheless tries to foil our hero's plans. He wants to defeat the Mad Mage himself, he suspects Laios of being too irresponsible to be trusted with control of the dungeon, and his crew even thinks that Laios's party stole from them (and they're kind of right!). All signs point towards an inevitable showdown.

And then ... none of that happens.

Confrontation over the stolen treasure? Kabru is literally too smart to fall for the classic miscommunication trope and correctly decides it's not worth making a big deal of.

Kabru's deadly PVP skills? Aside from trying to take down Falin, he never fights another human again.

Wanting to be the one who defeats the dungeon? Turns out he was only doing that because he didn't think any other adventurer would have people's best interests at heart, and he's more than willing to play a support role in the whole affair.

Thinking Laios is up to no good? He really did just want to get to know the guy more. He has his misgivings, but ultimately ends up trusting Laios with his life.

Is Kabru going to get some sort of comeuppance for hating monsters and not appreciating their ecosystem? Well no, he has good reasons for hating monsters. He ends up wanting to learn about them through Laios's eyes, but he's never forced into any "Wow, guess I was wrong about them!" revelation.

Hell, even his implied ladykiller ways, which might lead you to think he'll end up being the stock "chivalrous lech" type of character, don't really manifest. He has a lot of opportunities to act flirtatiously around women, but doesn't. He's just a guy whose natural charisma makes him into human catnip.

And that's all hysterical to me, to pull it off. It's a fascinating way to tell a story. To introduce a character explicitly as a rival, potentially even a villain, and instead make them a deuteragonist. It's like a magician making a coin disappear, then slowing down their trick to show you the misdirection. "Did you see what I did there?" they ask with a wink. "The coin was in my other hand the entire time."