#spent enough time on them already

[doodlingwren]

It's time

[solaestial]

I'm glad you're evil too - Pinocchio-P

[rpfisfine]

whatever I don’t care abt my stupid grandma anymore we have kittens

[cosmogyros]

That moment when you have to let people be wrong about you because correcting them would make you seem like an unbearable show-off

I was at a bookstore with a friend the other day and I was looking at a book in German that I was interested in buying, but then I saw that it was a translation and had originally been written in French

I commented idly to my friend "Sometimes I don't buy a book because it's a translation and I always prefer to read in the original language when possible" and she said in an agreeing-with-me way, "Yeah it would make more sense to read it in English"

and I realized she assumed I meant English when I said "original language"

but I couldn't bring myself to say "Yeah, or French or Dutch or Spanish or Italian or Portuguese or one of the other languages I read..." because like. who says that kind of thing.

[brennacedria]

Duel of the Fates, but gifs

[the-real-couchrat]

A new chapter of ‘Transdimensional Arc!! Alcor Finds a Ford’ (by @random-dragons-interest-hoarde) came out recently, and I just had to draw the delphinidae dimension residents!

The orca (named Graham) was described as having lots of scars, but I don’t actually know how or where his humanoid self got them, so I just gave him rake marks. (Rake marks are just a fancy name for the scars orcas get from each other)

I Drew some Dolphin!Alcor as well, even though he probably doesn’t exist in this dimension, because I love him and we got his canonical dolphin species confirmed by Stan (who’s name I changed a bit to be more dolphin-y)

Closeups and notes below

I tried to replicate Graham’s wing(?) pattern things on his fins, and his horns(?) on his eye markings, but I’m not so sure how well it turned out. I also tried to replicate Liam’s tattoos from ‘Once Again, Again’ (by @vallis-cineris---wanderer) because I have many theories of how he exists in that world (this will be a separate post once I get my thoughts together). Funnily enough, this is the first fanart of Liam I’ve ever made.

Also some closeups of Fiddleford McBucket, because despite saying I wouldn’t draw him, I did and love how it turned out!

Quick tangent but I’d like to give a thank you/shoutout to Dragon’s Hoard for writing dolphins in a positive light. Recently, dolphins have been getting a terrible rep, and it’s gotten old. There’s duality in anything intelligent, and dolphins s are some of the most intelligent creatures around. Even then, they’re just animals acting on instinct, and we shouldn’t hold them to the same standards we hold humans to.

[wackywatchdotcom]

woke up like 40 mins ago at like 4:30 unable to fall back alseep so im once again thinking about ragatha and pomni as The Ocd Havers. its everything to me. oh whoops i ran out of tags on this post

[elfy-art]

i want the parts of your hand-grenade heart that beat slowly with anger and fear

[platypusisnotonfire]

I’m picking up way more Norwegian than i expected watching Skam. I fully expected that I’d watch the entire series once through understanding practically nothing of the audio and then in subsequent rewatches after having really picked up my studies (I’m at zero studies rn) start picking up words and phrases.

I’ve already got the days of the week, quite a few personal pronouns, several variations of hello and goodbye, some numbers, variations of yes and no, please and thank you, sorry, and a few short phrases (it’s all right, are you ok. Are you sure- that kind of thing) that I can understand while having looked away from the screen and missed the subtitle, and I’m only in episode 7.

[all-lars-bars]

I have a character pitch!

Former Little Sister who is now transmasc

[longagoitwastuesday]

So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙

Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!

About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.

The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.

Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.

But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.

For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.

Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.

Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.

You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.

Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.

[sunshades]

Viadiez haunting the halls of my brain I need dnd bro

[the-worms-in-your-bones]

I should really finish at least one of my fics before starting a new one, however

[lakanakana]

how did the april fools boop day go for you ? Do you miss the boop?

I sent out about 4000 boops yesterday and my arms were about to split in half fr!!! (つ╥﹏╥)つ

I was visiting my dad for easter and had to fight demons to restrain myself from eating any more chocolate eggs because my idiot ass just kept vacuuming them into my mouth to the point I felt like throwing up, but the moment I felt fine my brains were immediately like "hmmmmm. maybe another egg won't hurt (:" and that. that was the devil itself talking I stg

Some of my friends sent videos and pics of their Easter bonfires (a Western Finnish tradition) and I wanted to be there so baaaaaad!!! Just watching all the snow gradually melt and form tiny little streams that glimmer around the bonfire is just so 👌👌👌👌 My roomie was back home and apparently there was a huge thunderstorm too over the weekend?? Like a total armageddon tier thunderstorm even tho it was like 3 °C (37 °F) outside????

[acreekinthenight]

on a coffee date but Craig won't stop staring

[dravidious]

You're more amazing than brutality

In celebration of overcoming what once felt impossible (available in both transgender and gay flavors)