#sorta. in a sense

[sharonaparadox]

[Images: fancomic featuring the actor from the YouTube series “Who Killed Markiplier?” and the entity known as “Darkiplier,” the former wearing a dark red short-sleeved dress shirt with a light red tie and black trousers while the latter is clad in a dark blue-black suit and has shoulder-length hair and heterochromatic blue and red eyes.

Mark is looking into a body of water with what looks like a white goose swimming in it, the water providing a reflection of the actor’s neutral expression. Mark turns to see Dark standing nearby on a raised step.

The actor then holds up one hand and begins raising each finger to count to four, Mark’s mouth slowly turning up in a smirk, eyes narrowing slightly as the actor holds up four fingers.

Dark looks down with an unamused expression and asks, “Why are you counting?” The last word and the question mark have chromatic aberration with blue and red versions of the lettering overlapping each other.

Mark looks out the corner of one eye and responds, “You think I’m so quick to forget my ex-wife’s famous temper?”

The final image is a close-up shot of Dark looking down, now almost entirely in shadow but for the red lineart around the hair and suit and a bright red area around one eye. The background is dark red while bright red text reads, “Good. You know me so well.” End description.]

Anyway *explodes*

[beetleandfox]

I love how unsanitized The Terror feels. Like there’s grime everywhere. You can tell those men smell bad. When they do surgery you can hear the bone being cut, when they get sick they look genuinely ill. The main character’s actor even has pockmarks, he LOOKS like he could be from the 1800s! And idk, I think it’s cool that we’re so aware of the characters’ carnal desires. They’re hungry, thirsty, freezing, etc, and it is so obvious that they have a body with needs!!

I think this also accounts for how horny the show feels, even though everyone is bundled up 90% of the time and there are no real romantic subplots. Besides the fact that it’s a very carnal show, it just has the intimacy and grime of true horniness. Is this thing on

[soosoosoup]

treasure planet au, last of the batch (Poppy & Floyd)

[time-woods]

EMOTIONAL WIN ! ! the bug lets his emotions make decisions for once !

[cowardlykrow]

“Not my circus, not my monkeys”… Except those are his monkeys and they are the circus

[maybmila]

A while later...

Prev / Next

[spicymancer]

Remind me, exactly how many of your casts of characters all coexist in the same setting?

While they generally stick to their own lanes, you can kinda think of Sanction (superhero setting), ActiRangers (tokusatsu setting) , and Rumble After Dark (fighting game setting) as all take place loosely in the modern day / near future setting. Meanwhile, The Gingerwood Monster Research setting is a whimsical pseudo-medieval RPG fantasy world that doesn't really crossover with the others. I have a handful of other OCs who I don't draw super much that are a bit unmoored, like Ollie and Velvet.

[motherdanger]

fairy goremother says when the clock strikes midnight on the 7th day, you have to switch, no exceptions

[strangersteddierthings]

Good People - Final Part

Part One🦇Part Two🦇Final Part

It is not often that Wayne is happy with the monotony of work. Tonight is one of those nights, if only because it allows him to think about where he went wrong speaking to Eddie. He had never meant to imply he thought Eddie was like Al; he'd meant the apple and tree comment to for Richard and Steve. However, he does acknowledge why Eddie drew the conclusion that Wayne might have thought Eddie would follow in Al's footsteps.

Wayne's being a hypocrite, applying the logic to one boy, but not the other. And even though he never, not once, thought that Eddie would become Al, he'll never be able to take that thought from Eddie's mind that he had. He can apologize until he's blue in the face, Eddie might even forgive him, but he's not sure Eddie will ever believe him. Not truly.

And how could Wayne expect him to?

No. That's a shame Wayne will take to the grave.

Next strike to Wayne's conscious; the misjudgment of Steve Harrington, and how it ties into the fact Eddie accused him of not trusting his judgement, and, moreover, Eddie being right. Wayne hadn't trusted in Eddie's trust of Steve.

He should have. It's been years since Eddie came home crying about a boy, but what father doesn't see their kid crying over their first heartbreak and doesn't grow protective? And with Eddie, it's even more terrifying. Getting mixed up with the wrong boy could mean bruised ribs, black eyes, or worse.

In a town like Hawkins, a boy would just have to claim Eddie made a sexual advance and his murder could (would) be justified.

Now add the manhunt and being suspected of murderer to that. Well, Wayne's scared for Eddie's life almost every minute of his day.

But it's no excuse. Or if it is, it's a poor one.

Wayne doesn't know the full story but he does know that Steve was with the group of people on Eddie's side; that he was there with the Henderson kid, the Buckley girl, and Nancy Wheeler, digging Eddie out of the rubble from the earthquake, getting him to the hospital as fast as they could.

Steve Harrington was part of the group that saved Eddie's life, and that should have meant more to begin with. Instead, Wayne's been waiting for a shoe to drop that very well isn't coming.

He's going to fix this.

He'll give Eddie his space to be angry with him, and he'll try again in a few days.

When Wayne gets home, around 6:30am, Eddie's van is gone. He's not surprised. He probably left shortly after Wayne did, not leaving sooner just to avoid him.

There is a note on Wayne's bed when he makes it there. Says he's at Steve, and instead of letting Wayne know when he'll return it just says the words 'be back' followed by a bunch of questions marks. He ends it with 'call if worried' and leaves a phone number that must be for the Harrington residence.

Another hurt Wayne can't blame on anyone but himself.

Wednesday passes. Wayne eats breakfast, goes grocery shopping, pretends to care about his shows before sleeping the afternoon away to prepare for another graveyard. Eddie has not returned when he wakes, and two short hours later, he's off to work.

Eddie's van remains gone.

Returns from work Thursday morning and repeats Wednesday. He replaces grocery shopping with laundry and cleaning out the leftovers for trash day tomorrow morning. Goes to work.

Friday morning he returns home. No Eddie. He waits for it to be a more appropriate time, a little before 10:00am to call the number Eddie left.

It rings, rings, rings, then, a voice he hasn't heard in years. Richard Harrington's voice sounds as cold as it always was as the answering machine recites, "You've reached the Harrington's. We are not available. Leave a message."

"This is Wayne Munson. I just wanted to make sure Eddie's- that's he's alright. Let him know that I called. Checked on him. He doesn't need to call back but I'd appreciate it."

He hangs up the phone, lump in his throat. He misses his boy, and he wants to make his right, but he can't force that. Eddie has to always want to make it okay between them.

He's usually off Fridays, but he asked to pick up a shift. He can't face Linda without having fixed this. He spends the morning and afternoon doing all the small fixes he'd been putting off. Anything to keep him busy. He goes to sleep at his usual time, and wakes up two hours before his shift like normal.

Check's his answering machine but if anyone called while he was asleep, they didn't leave a message. There's still no van when he heads to work.

The plant tells him to leave an hour early. He tries to argue to stay but he's just waved off, told to go get some sleep because he's been looking a little worse for the wear.

He gets back to Forest Hills around 5:40am and finds there is another car parked at his home. Not Eddie's van, but the sleek maroon BMW that belongs to Steve Harrington parked where the van usually is.

When he pulls into his spot, the headlights of his truck light up Steve, sitting on his steps, wrapped in a coat. It can't be more than 50℉ outside right now.

Steve stands as Wayne cuts the engine and climbs from his truck. He gets to the front of his truck and Steve speaks.

"Eddie's okay," Steve says, hands shoving deep into his pockets, "I tried to get him to call you back yesterday but, well, you know Eddie."

Wayne nods, because he does know Eddie. "I appreciate you tellin' me. But you coulda just called."

"I could have."

They look at each other for a moment, and just as Steve opens his mouth, probably to tell Wayne he's going to go, Wayne speaks first, "you wanna come inside and have a cup of coffee to warm up?"

Steve tilts his head slightly to the left before he says, "are you sure?"

"I'm sure."

"Alright," and then Steve steps away from the stairs so Wayne can climb them and let them into the trailer. Steve follows behind silently but with familiarity. He's spent so much of his time here since spring break- the shame crawls through Wayne again. He'd assumed, once upon a time, that Eddie and Steve spent more time here than at Steve's because why would Steve want the trailer park boy in his big fancy house? Now, though, he wonders if it's because this place felt more like a home, even with Wayne's cold shoulder.

Steve sits at their little kitchen table, a luxury they didn't have before because there was no room in the single wide, one bedroom they'd had before. The new double wide (with three bedrooms) offered them a bit more space for a dining area.

Wayne's still suspicious of the government's offer to replace their destroyed home, but he wasn't foolish enough to deny the offer when it was made to him by Jim Hopper (newly returned from the dead back then).

"How do you take your coffee?" Wayne asks, once the machine finishes filling the carafe.

"Oh, I can fix it-"

"Nonsense," Wayne waves him back to sitting, "just tell me."

"I like it with just enough milk to take the scalding heat out of it," Steve says, and while Wayne's not sure just how much that it, he tries anyway.

He sets a cup in front of Steve before taking a seat across from him. "I really do appreciate that you came to tell me Eddie's okay. I want to give him his space but...."

Steve sips his coffee before shooting his cup a small smile. Wayne must have got the ratio right. Then, he looks to Wayne and the smile drops, a more serious expression taking its place and he says, "Eddie wouldn't really tell me what your fight was about, other than, uh, me and that you... overheard some of what I said last time I was here. I don't, like, want to come between you and Eddie, but I'm not, I'm not going to let you scare me away. So, just tell me what I have to do to get Eddie to believe we're cool, and I'll do it. Anything, except for getting out of Eddie's life. 'Cause I won't."

"I would never ask you to do that," Wayne says. Steve squints at him, a look of suspicion now. Completely warranted, given what Steve has known of Wayne thus far. "I owe you an apology, Steve. For how I've been treatin' you."

Steve's eyes go wide, "Oh. What? Why?"

"You've been nothin' but good to Eddie. For Eddie. And I refused to see that. I made a judgment about you without knowin' anything but your name." Steve let's out a soft 'oh' at that, but Wayne plows on, "And that weren't fair, and it weren't right. I can't undo it, but I want you to know I regret it. I'm sorry."

"Okay," Steve says, after a moment. "I forgive you."

It's Wayne's turn to be surprised. He's a bit speechless. So much so, he takes a page right out of Eddie's book and asks, "are you sure?" which is a question he's never asked after having an apology accepted before, but one Eddie had asked a lot when he first came to live with Wayne, and they were learning to co-exist.

"Yeah. I get it."

He doesn't like that answer. Doesn't like the he contributed to the mind set that gave Steve that answer. "You're allowed to be mad at me for it."

"I think Eddie's mad enough for both of us."

It doesn't feel like closure. It doesn't feel like forgiveness, but Wayne doesn't know what to say. He can't just start sprouting all the bad things he thought about Steve; there's no reason Steve should have to listen to that. But without hearing it, Steve doesn't even know what he's forgiving Wayne for. "I'll be honest with ya, Steve. It feels like you shouldn't."

Steve frowns at him. "Why?"

Why? Why? For all the reasons Eddie yelled at him, and all the things Linda said, and all the agony he's felt these last few days. The guilt and the shame that still eat at him, even as Steve Harrington says he forgives him. "It's too easy."

Those three words have Steve leaning back against the chair. His eyes dance around Wayne's face before taking in the whole of him. Or, what Steve can see of him with from across the table. When Steve meets his eye again, Wayne sees recognition there. "If you can't forgive yourself, I get that. I do. I-I've spent most of my life as one big apology. And I'm not saying that I, like, don't still feel like- what I mean to say, is that, I forgive you. I'm not, like, gonna hold it against you that you were just trying to look out for Eddie, man. Like, two years ago your fears would have been justified, so."

"Don't make it right," Wayne argues, but he doesn't know why.

"No," Steve agrees, "but I'm forgiving you anyway. You think you're the first person to hear the name Steve Harrington and assume you know everything you need to know about me already?"

Steve's words sound like they could be confrontational, but his tone is light. Teasing? Wayne says, "no. Suppose I'm not."

"Every person I love has done that," Steve says, and the ease of which he says that has Wayne feeling some sort of way. Eddie's words echo in his mind 'you made me help him feel that way'. How many other people have made him feel like he's a bad person? "Even- even Eddie. He made a point, during spring break, to, uh, well, he didn't apologize for anything because there was nothing to apologize about, but he made a point to tell me I was very 'metal' and a 'cool dude' so.... I know my name comes with, like, a shadow or a curse or whatever. I think it will for as long as I live in Hawkins, but that's," Steve flaps his hand in the air, as if that fills in for the word he can't find, and it's a move so reminiscent of Eddie. "Anyway, if you aren't actually, like, ready to accept an apology, you shouldn't be making one."

Wayne sits in that for a moment. There's a lot more to Steve Harrington than he'd ever thought. So much he doesn't know, actually, but he thinks he's okay with learning more. This boy told Eddie he was half-way in love with him earlier this week, and while Wayne never heard Eddie say it back, he knew anyway. It's why he was so protective. "You're pretty wise for your age."

Steve grins and shakes his head. "Nah, that last part was all Robin. She says it all the time to me."

"Well, then you best stop apologizing when you ain't ready to accept the forgiveness," Wayne parrots back the words.

Steve throws his head back and laughs.

They finish their coffee with silence and small talk. Steve tells him about how he never thought he'd miss his job at the video store but working at Melvald's is making him long for the days when the biggest complaint was late fees. Apparently, there's so many more things to complain about in retail.

Wayne talks about working at the plant and how the tasks are repetitive and a bit labor intensive, but the graveyard pay is worth it. Steve asks him a few more questions about working at the plant that Wayne's happy to answer and the more Steve asks, the more Wayne becomes aware that Steve might be looking for a change of occupation. He makes a mental note to put in a good word to Floyd, just in case.

Steve leaves with the promise of returning with Eddie, as soon as possible. As he was heading to the door, Wayne asked why he showed up so early.

"Eddie can't stop me if he's not awake," was Steve's answer, a mischievous grin on his face.

Wayne watches from the porch as Steve backs out. Steve shoots him one last little wave with his fingers before heading away.

He goes back inside and washes the dishes. Even dries and puts them away, a feat usually done once a week; he and Eddie have no qualms with using dishes directly from the dish drainer. His only other chore for the day is leaving for work a bit early so he has time to stop at the gas station and fill up the truck.

Grabbing the remote from its spot on the coffee table, Wayne plops onto the couch to spend his day as mindlessly as possible with some TV.

He goes to sleep at his usual time and wakes up at 7:43pm according to his alarm clock; a little over two hours before his shift is to start. It's time for more coffee, he thinks as he dresses for work before heading to the kitchen.

He jerks to a stop when he sees Eddie and Steve sitting on the couch, leaned close and talking softly. He's not about to repeat a past mistake, so he makes his presence known. "Evenin' boys."

Eddie pops up from the couch quick as lightning, taking a few steps towards Wayne before stopping. "I don't like being mad at you."

Wayne nods, "I don't much like you bein' mad at me, either. For what it's worth, I am sorry."

Eddie closes the distance between them, then, and pulls Wayne into a tight hug. Wayne returns it instantly, how can he not? He hears Eddie say, softly, "it's worth an awful lot, you terrible old man."

They part, and Eddie speaks first, "but if you ever pull shit like this again, I won't be so quick to forgive."

"I won't," Wayne says, at the same time Steve says, "he won't."

Both Munsons look at Steve, who grins back at them.

"You think you know my uncle that well already, from one shared cup of coffee?" Eddie asks, sounding amused.

Steve shrugs, "no. I just, uh, plan to stick around, y'know. Kinda hoping there's no dude after me for him to be an angry dad about. I would appreciate it, though, Mr. Munson, if you'd skip the shovel talk bit of all this?"

Eddie sucks in a breath and Wayne's a bit shocked by what Steve's implied. What Steve's admitted, really, out loud in front of another person. Wayne wonders if any boy Eddie's ever liked before would have done that.

"What good's a shove talk when you've already told me you ain't goin' anywhere?" Wayne says, hoping his tone is as light and teasing as he wants it to be.

"Glad we're on the same page," Steve agrees, "but, uhh, do you want me to go? So you can have a real talk?"

"No," says Eddie.

"No," says Wayne, at the same time.

"Oh. Okay. Uh, in that case, you got anything to drink here besides coffee?"

Wayne nods and they all pile into the kitchen to get a beverage before settling in the living room. There will be time to talk later, Wayne realizes. He's going to apologize properly.

Later, though, when he'll really be ready to accept Eddie's forgiveness, because there's no doubt Eddie'll forgive him. So, he's going to sit in the living room and chat with his boys until he has to go to work.

By the time Friday comes around again, he'll be able to tell Linda she was right, everything's going to be okay one day, and maybe ask her on a date he's been putting off asking for since high school.

Done!! I hope the ending is sufficiently cheesy.

I'm so sorry if I missed you! There were a lot of people asking to be tagged haha

@i-less-than-three-you @nburkhardt @afewproblems @skepsiss @unclewaynemunson @kaij-basil-lionelli88 @swimmingbirdrunningrock @mugloversonly @limpingpenguin @krazyperson @acrolius @salisbury-at-the-stake @littlebookworm86 @savedbytheirmusic @wxrmland @myownworstenemyyy @thelittleclare @awkotaco24 @djohawke @wrenisflying @croatoan-like-its-hot @actualwakingnightmare @krowepoison @jamieweasley13 @yourmom-isgay @irregular-child @oldwitcheshat @abstractnaturaldisaster @wishiwasacasualfan @vinteraltus @zerokrox-blog @warlordess @stevesbipanic @steveshairspray @slowandsteddie @samsoble @waelkyring @just-a-tiny-void @saramelaniemoon @halfadoginatank @nightmareglitter @scarletyeager @hellfireone @rovia2312 @munsonslure @a-little-unsteddie @soaringornithopter @eddiethehunted @starlight-archer @dryptid @inkjette

[chaotic-minds-think-alike]

It’s all about perspective

Bonus without the imagery below

[allmightluver]

@hhbluedynamite I’m going to make separate post here to address this. Tumblr mobile is a pain and I can’t add all picture examples I want to it here goes.

This has been a debate ever since My Hero came out,

“Why are All Mights eyes black?”

There’s been multiple explanations from how his borrowed quirk works to simply his own emaciated state. I’ve come up with my own theory. It’s said the eyes are the windows to the soul. I believe All Might’s eyes grow darker the more “weight” he carries.

For example,

When All Might was a kid, his eyes were normal. White. After losing his family, rendering him an orphan, white. Even after losing Nana, still he looked normal.

And after first releasing to the public.

This is because although he’d already been thru hell and back emotionally, he’s still normal. Even with his quirk.

Then, after he’d been in the game a while, they suddenly darkened.

Why?

Because by that time, the full gravity of his position, his responsibility and the realization he was essentially alone in that place, had fully sunk in.

Because he was so over powered above everyone else, everyone including the heroes left him to take care of almost everything they felt was too hard. And because he’s a selfless person at heart without a care to his own safety, he willingly allowed it to happen without asking for help. He didn’t want to risk losing anyone else. Which is also why he didn’t take on any sidekicks.

Until Nighteye.

Vigilantes showed us Toshinori when he wasn’t being All Might. And his eyes turn back into white in his more relaxed form, albeit with tired lines beneath them. However this is when he had Nighteye to count on. And Nighteye can see the future, so perhaps he would be safe, right? Well we know what happened there.

After he and Nighteye break up go their separate ways, we never see Toshinori with white eyes again. (Unless I’m forgetting so please tell me if I am). Now he’s injured, only a handful of people to trust, and none can truly understand what he’s going through. At this time he truly is alone, and the one thing that gives him joy is slowly but surely being fizzled out within him.

All Might’s eyes continued to remain black for years. Even after giving his quirk to Izuku. He still felt the weight of the world on his shoulders because he feared for Izuku’s safety. Blamed himself for every scar and Injury the boy suffered thru. Even though he was retired, nothing had changed. In fact it was worse now, because he could do nothing to help anymore.

And then he gains support items to face AFO for the last time. He’s a distraction, a willing sacrifice to slow the monster down, and he couldn’t be happier. We see the whites of his for the first time. All through the fight we see them, shaded albeit, but they’re there.

When he speaks to Nighteye asking if this isn’t the place he was meant to die, Nighteye confirms that it is. The fact that he’s still alive makes him raise the question, why is he still here then? I’m the mentor, Izuku is a ready and worthy apprentice. He doesn’t need me anymore. I’m supposed to be dead by now. His eyes seem darker here, as if the weight and his own depression have increased again. Perhaps begrudgingly accepting his fate.

But then here after Nighteye tells him he reads too many comic books, and that there’s no way he would go out that way, we get a closer look. Although his eyes are still shrouded in black because of his emaciated state. His eyes themselves are clearer, brighter. Even if Nighteye is only in his head, his words are still bringing him hope deep down.

While being tended to medically, his eyes are dark again, though I believe this is mainly due to him barely being alive and conscious at this point. And they’re still white, more than we’re used to seeing.

Finally after the war while they’re recovering, his eyes remain white, though they’re still shaded. The weight is still present. His work isn’t done yet. Izuku is losing his quirk, and he still feels like a failure in some sense because of that. Also because he and Bakugo almost died. And because of everyone who did die in the war all because he failed to stop AFO after three tries.

People who weren’t qualified to be heroes were even involved in this battle. And he thinks it unfair to hold such high standards when there are people who can still help, even if not at the extreme levels of the top heroes. He and Deku are proof of that!

In the last chapter several years later, we finally see Old Man Might! And his eyes-they’re so bright. ❤️

Of course they’ll always have a little shadow to them because of his sunken in appearance, but the tired lines under his eyes are gone. There’s not the black bags from pushing himself too hard, just the normal wrinkles that come with age.

This is Toshinori that’s been missing for decades. The man whose impossible weight has finally been lifted off his shoulders. He knows he can finally relax, he doesn’t have to be on alert or on call anymore. The world is safe without him.

He even found a way for Izuku to keep up his hero work with a suit similar to his own during the war (though most definitely suped up).

Finally, he can be at peace. His body, soul, and mind can finally begin to heal. He can work through all of the trauma he’s been stuffing down all of his life.

Finally, he can live.

[meamiiikiii]

mira !!! :]

[reesiereads]

Can I just say: Fucking props to DBD for having a couple not get together after kissing. Like I can’t think of another example in a show right now where two characters have kissed and expressed interest in one another and then been like: “as much as I like you I am not currently in a healthy enough place to be with you right now. I want to stay friends until I figure myself out.” Like that is the mature thing to do but I don’t think I’ve ever seen it and it’s just another example of how amazing this show is at writing complex relationships.

[wired-heartbeats]

For the record I think Vox is being effected and possibly swayed by Val’s poison just like Angel is, the pink signifying it on Angel shows up on Voxs screen during and after interacting and being influenced by Val directly, when Vox is operating independently it isn’t an actual normal feature of his

This paired with an earlier moment from episode 2 when Val first mentioned something had happened with Angel Dust, Vox seemed happy about the idea of Angel quitting

“He quit? :D”

It’s interesting for sure, makes me wonder what Vox actually thinks about Angel, and more importantly, actually thinks about Valentino. He’s a business man, and clearly the Vees all teamed up (at least initially) because it helps elevate their status and power spread, they may be friendly with each other but we as an audience don’t actually know if there’s more to it as of now. But still, interesting

[spookberry]

Their dynamic swaps everytime they transform,,, the dynamic being "overprotective mean girl and her girlfailure sidekick"

(The sword pointing one is dramatic but its actually a very silly scene)

[justaz]

mordred unable to get thru to merlin so he turns to the old druid way of worshipping emrys. he makes little gifts for merlin and shares his food and drink with him like offerings. he prays to emrys when he wakes up and before he sleeps, thanking him for a peaceful night or a good day, thanking him for his protection, etc. its translations to merlin vary daily oddly enough. sometimes, merlin can hear vague whispers of the prayer, sometimes it just causes a feeling of contentment or peace at being thanked for things he doesn’t usually get thanks for (as no one really knows all he does). even in battle mordred will occasionally call on emrys for strength and victory and merlin will just randomly feel some of his power deplete. mordred always wins. it forges a sort of spiritual bond between them as god and worshipper until merlin is holding one of mordred’s handmade offerings and smiles at it and just goes “damn it, that kid is my little brother now. i can be mean to him but i will scorch this earth if anyone causes a frown to mar his face.”