#sort of. thats just the tag

[ink-the-artist]

Video game I saw in a dream. It was in this low poly style like an older video game. You play as this character I think was meant to be a lamb, or maybe a weird mix of a lamb a mouse and a rabbit, (while not really looking like any of those things) and you’re running away from a wolf. Your objective is to last as long as possible before the wolf catches and eats you.

The house you’re running in is endless and bizarrely put together like most building interiors in dreams are (like the infinite toilet dream dimension on Reddit lol) the layout of the house is pretty detailed, you can stop and hide in places like closets or bins while the wolf looks for you, you can go up and down stairs and into rooms etc.

You never actually know where the wolf is or how close it is to you until it appears in your line of sight, it makes no noise and the game gives you no way of knowing where it is, and it’s pretty unpredictable it doesnt move at a consistent pace. When the wolf catches you there’s an animation showing it eating your character

[vintrage]

fire cannot kill a dragon BITCH

[einkleinesmittelding]

[trixxedheart]

It is amazing how the "people that love and uplift transwomen" website will instantly fucking maul a transwoman if she even remotely insinuate that using radfem rhetoric harms trans people

[tls12lessthan3]

thinking about orvs metatextual engagement with its genre and specifically how that interacts with its women again. kim dokja is a self insert for the reader - what he thinks is largely meant to represent what we think, especially in the beginning before sing shong really fleshes out his character. kim dokja sees the world through tropes, directly acknowledging the genre around him and the cliches we expect e.g. the overpowered mc, the scheming villain, the beautiful heroine.

but a major part of his arc is deconstructing this reductionist view of the world in a way that parallels the author's deconstruction of the genre, and that plays really well with the way orv writes women. yoo sangah is perhaps the best exanple - shes introduced as the heroine, a one-dimensional pretty girl who in any other novel would become kim dokja's love interest. but the authors allow her to be her own character, directly challenging the stereotype of the heroine and calling attention to the genre's typical lack of depth for such a character. i think this undercurrent plays in the background often but really comes to the forefront when yoo sangah reminds kim dokja of her putting pepper in their bosses' coffee, a memory kim dokja had supressed because it didn't fit with the pretty girl persona he made for her.

i interpret that moment as yoo sangah pushing her way out of the mold of heroine often found in these stories, demanding a depth be added to her character, asking kim dokja - and thus the reader - to see her in her entirety, to see the heroine archetype for what she could be. orv is at all times in conversation with its genre, and its simultaneous writing of female characters with agency and depth and acknowledgement of the tropes these women are expected to fulfill is undeniably a part of that. and its a part i enjoy. most of the time.

[sideblogdotjpeg]

ive been thinking about the red string superstition recently and also sol bufo always and it makes me sick how uncannily caldwell tanner has made sol to perfectly target me personally

(+ cropped versions !)

[unreliable-narratoe]

If I see one more childhood friends wangxian AU where wei wuxian heckles and wears down a surly kid his age he is forced to hang out with and they go swimming and the kid is a tsundere then folks I must tell you

THATS NOT WANGXIAN THATS LITERALLY PUTTING LAN WANGJI IN THE SPACE JIANG CHENG OCCUPIES IN CANON, GIVE HIM ANOTHER PERSONALITYYY

[kenchann]

some random modern(?) doodles + an oc 👀

[waxsuyaaa]

i dont even know. a human def1sn. al1vhuman if you will. and meme

[nandermoenthusiast]

im just imagining nandermo in a very enclosed space like for some reason they gotta be chest to chest pushed up against a wall and its awkward for a moment but then nandors eyes are just boring into guillermos and guillermo has that uncertain but unwavering stare too, and is this what is gonna take for them to kiss?

[tkachukisms]

long time no post... i've had this shit ready to post for like a week. and should've done it then. but uhhh but uhhhh but uuhhhhhhhh. what's the deal with airplane food am i right. | <- omgggg prev

[ink-the-artist]

house tour :)

bonus art, lossy versions of the first 2 gifs

[greatgoddyke]

time to make your choice only you can be the one

[ryssbelle]

Poppy for N2 au, it took me so long to make her design cuz I didn't really know what I wanted to do only because I feel like her design is pretty perfect.

But then I just thought about fun outfits to give her or outfits that I would find comfortable if I was wearing them and it all came together.

Poppy here is pretty much the same as here movie counterpart, as nothing really changes on her end of things other than having more insight on Branch through his brothers, and through Lief. Shes also a bit more understanding a bit earlier on because of it but it doesnt do much to change her own character arc I would say.

Bonus

Part of Poppys design was based off a design I had made for previous rulers of Troll Village/Tree

Namely Queen Protea who I designed as Poppys grandmother

Named after the Protea flower which part of her design is based off :D

In the context of this Au Protea was the one who conceptualized the tunnels while her son, King Peppy, was the one to follow through after her death

[al-luviec]

something simple to try to get out of art block (it didn't work)

[bittsandpieces]

im supposed to be productive today but instead im trying to get the guy I went out with last week to send me a dick pic