#sorry folks but I love him

[hatboiiiii]

so…

does anyone like undertale?

if so then…

…hear me out

[laurellala-comics]

Fun fact! This was the real tipping point that made Edgeworth run away after AA1, they just couldn't show it on screen because they didn't have the rights to Chappell Roan's music <3

(A spiritual successor to my "Hot to Go" joke from this post. Image description under the cut below)

[Image ID: a four page black and white comic of characters from ace attorney.

The Judge stands solemnly at his podium holding a gavel "Mr. Miles Edgeworth, you are on trial for the murder of blah blah blah..."

A cheerful Maya Fey leans over to Miles Edgeworth, who is staring straight ahead and looking very concerned

Maya: "Psst! Mr. Edgeworth! If you win your trial, can I show you Chappell Roan?

Miles: "What the hell, sure." Internally he thinks "Oh God I am going to jail"

A box saying "later" in the top corner of the next panel marks the passage of time.

The Judge smiles as he says "I declare you... Not Guilty!"

We see a full body shot of Maya dancing excitedly while Miles looks on, emotionless

Maya: YIPPEE omg you're going to LOVE this

Miles internally thinks "oh no, the consequences of my actions.

We see Miles standing in between Phoenix Wright and Maya looking apprehensive. Maya beams in excitement, while Nick puts a reassuring hand on Miles' shoulder

Miles: Alright, so what is this exactly?

Nick: She's a pop musician Maya really likes

Maya: You promised you'd let me show you, and it's legally binding because you said it in a court room!

Miles: That is not how the law works Ms. Fey

Maya: Shh just listen!

We see a panel of Miles' pensive face concentrating as he listens to "Hot to Go". He thinks to himself "hm".

Another panel zoomed in more. His pensive expression has grown more tense/confused as he listens to "Red Wine Supernova". he again thinks to himself "Hm" in a larger thought bubble.

We zoom out again to see Nick, Miles, and Maya standing together again. Miles stares forward blankly, eyebrows raised. Maya excitedly leans in.

Maya: Ok, that's her whole discography. So! What did you think?

Nick looks at him, waiting for his response

We get a panel of Miles, looking bewildered. He starts to speak "I..."

We cut again to see the three of them standing together.

Miles: I... don't think I like women?

Miles looks shocked and confused. Nick is bent over laughing, using a hand on Miles's shoulder to support himself. Maya looks outraged and appalled!

Maya: MR. EDGEWORTH! Just because you don' like her musi it doesn't give you an excuse to be sexist!

We see a panel of Miles looking stressed and confused. He leans his head on one of his hands, which messes up his hair, showing how he isn't his normal put together self.

Miles: I should rephrase that. What I mean is, Ms. Roan is clearly VERY assured in her feelings towards women. I was... unaware that anyone felt that strongly. I thought we all viewed these things with a vague sense of distaste and unease but collectively ignored it. Like how we do with climate change.

We zoom out again to see the three of them. Miles stands in the middle looking deeply uncomfortable and lost in thought, vibrating with unease. Nick and Maya exchange deeply concerned glances across from him.

With lingering unease, Miles begins to walk away.

Miles: Well, I should be going then. Goodnight.

Nick hesitantly raises a finger to point out an inaccuracy in that statement

Nick: It's four in the afternoon-

he gets interrupted by Miles who repeats firmly: I said Goodnight

Nick looks in the direction Miles walked off in.

Nick: ...He'll be ok, right?

Maya reassures him: Of cours Nick! I mean, what's the worst that can happen?

Jump cut to a closeup of Nick's hand holding Miles' letter which reads Miles Edgeworth chooses death in all caps. Then, below in smaller font, it says Also femininomenon was really good, thanks.

We see a panel of Nick glaring wordlessly at Maya as he holds the letter in his hand. Maya leans against the wall and looks away, whistling, trying to look innocent to avoid blame.

As a bonus, we also have a page that takes place a year later. Miles and Nick stand talking. Miles looks calmer now, and Nick smiles encouragingly.

Miles: In my time in Europe, I've been examining myself and my approach to law. Ultimately, the most important focus must be justice. We owe it to ourselves and to the people we serve

Nick: Wow, that's really inspiring Edgeworth. And, uh, hows the... the other thing going?

We get a zoomed in panel of Miles glaring menacingly at a suddenly nervous Nick

Jumping out again, Miles turns his back to Nick as he continues to talk

Miles: So as I was saying, justice is truly so important...

Nick nervously rubs the back of his neck wearing an awkward expression as he sweats nervously. He thinks to himself internally "Ooookay then, clearly still working through some things there"

/.End ID]

[kippwire]

hello tumblr i always forget you exist

[canisalbus]

I've been following you for years, and I love your art. Seeing you repost your older art pieces reminded me how much I loved the angry, bitter, miserable Machete art and how it resonated with me... but a part of me is also so happy to see the current art of him being happy. Cute art of him as a unicorn, or chilling in a bathtub with Vasco. Like, we're all growing and healing :')

[stump-not-found]

Sorry if this has already been answered, but does Ford celebrate his birthday? I know its pretty hard to keep track of time when its ... nonlinear in the multiverse but I feel like Bill would know. And to ford every once and a while Bill demands his attention and he comes back to the pyramid to the wildest (worst) surprise party. The cake is human skin, candles are those really long wisdom teeth. Ford hates it.

i'll call out that a main plot point of chapter 4 is the fact bill gets ford presents on his b-day so yah its a regular thing, but they celebrate the day after his b-day

first birthday together bill probably does the skin cake thing but ford just rolls his eyes and sighs . bill almost fucking shoots himself after that response

[blitzobop]

Please reblog for a larger sample size ;3

[katabay]

THE SHERIFF AND GUY OF GISBORNE

uh. try to stay with me for a second. so incest motifs are a huge part of medieval lit. you see it in arthuriana cycles, you see it in romances, it's a whole thing.

Incest and the Medieval Imagination, Elizabeth Archibald

so robin hood. both adaptions and the text itself, tend to get interesting with guy of gisborne. and I will say that while I found the media being discussed in this text absolutely fucking insufferable to watch, the discussion on it was delicious, impeccable, show stopping

Mouvance, Greenwood, and Gender in The Adventures of Robin Hood and Robin Hood: Prince of Thieves, Brian J Levy and Lesley Coote

and with regards to discussions on the origin text (which I love and adore forever)

Horseplay: Robin Hood, Guy of Gisborne, and the Neg(oti)ation of the Bestial, Stuart Kane

we're. getting to the point, I promise. guy of gisborne and the sheriff in my own "adaption" are not cousins, but brothers in law (fucked up brothers in law are my thing over on my other blog. brutus and cassius? I'm there. caligula and lepidus? all over that, baby!) because I'm aiming for an adjacent transgression.

on the topic of adjacent transgressions and guy's comment in this comic about cannibalism: there's an overlap in various genres of literature, predominantly in branches of horror and tragedy: between cannibalism and incest. (additionally! a lot of texts will take on christian subtexts and allusions, so there's a bonus homoerotic cannibalism discussion happening wrt communion that I'll get into in the future) it's about. chomping. the teeth, you know.

Managing Monsters, Marina Warner

Statius and Virgil: The Thebaid and the Reinterpretation of the Aeneid, Randall T. Ganiban

there's a 100% chance I will revise the sheriff's design at some point, but I wanted to draw the flowers exploding out of the spine so bad

AND FINALLY, the neck focus on guy is half due to his fate in his origin tale (beheaded) and half my own invention: I girl-with-a-green-ribboned him. a little narrative necromancy, if you will.

[osamucide]

do we talk enough about how atsushi and the weretiger and his character overall are a great metaphor for healing from trauma, specifically through community? i mean we meet him as this scared young adult who believes himself to be incapable and worthless. he doesn't even realize the manifestation of vengeance inside him or the fact that it's already lashed out and hurt people - in fact, he thinks he's running from this exact thing that lashes out, without realizing it is in fact himself. memory loss is a common trauma response, and when he does learn he's the weretiger, he's frightened by it and its capacity for harm. it's dazai and the agency who give him the opportunity to use his willpower for selflessness and help him to understand that he's not bad, he's just hurt. throughout the story we're watching him move from uncertain, insecure, overly-polite and meek to strong, assured, determined, and unabashed in his protectiveness over others (see kyoka). we see him go from paralyzed by his flashbacks to determined to dispel those misconceptions about himself. when higuchi corners him and the tanizakis in the alley early in season one, he still doesn't know how to summon the tiger, but it comes out after akutagawa's words (and also, debatably, watching naomi 'die' - just the stressful situation overall, perhaps) trigger a flashback - a really sound metaphor as manifestation for his trauma (stressful/triggering event = fight response). and while his is certainly not the most common or relatable circumstance to understand and heal from trauma under, the weretiger is so powerful metaphorically because ultimately, he uses his harnesses this destructive, disruptive, terrifying power for good. sometimes healing your trauma feels like inching close to this big, scary animal until it trusts you enough to touch and when you finally do, you realize the big, scary animal was also once just a hurt cub who needed a figure to tell it hey, you're not any of those things you think about yourself. (the imagery in the manga/anime/official art of atsushi sitting with the tiger, cradling it, petting it, etc. is so powerful to me for this reason)

it's another reason why akutagawa is such a good thematic parallel for him. akutagawa was not given this grace as a hurt child, by dazai specifically, and thus grew up into a hurt adult - and this also speaks to how complex of a character dazai is. these characters just play so well with one another and demonstrate such complex reactions to trauma, how it is cyclical, how that cycle can be broken, etc. and i just think it's really beautiful and refreshing for a mainstream anime to deal with themes like this

[starrynightsxo]

"'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his."

- Cardan Greenbriar, The Queen of Nothing

[vaguely-concerned]

do you think ingellvar -- raised by well-meaning but largely clueless about child development academics -- probably has a decent shot at understanding taash' position better than they maybe realize

[bb-eb-db-bb-eb-b-ab-f-b-ab]

i’m going to ask something that no one is going to like. do we really believe kavik outlived yangchen

[invinciblerodent]

an entirely expected side effect of me whipping out my old external HDD is that now I AM going to rewatch basically the entirety of my canon game of Inquisition that I had mostly recorded back in like '15-'16, and get my heart torn right out again by this damn guy making this damn face

he deadass goes "😢" doesn't he

[oifaaa]

i follow for art and takes thst I usually agree with

Good tell me what you think of this take; I think one of the many many reasons why aus that are just x character dies and becomes red hood instead of jason fall so flat and feel so superficial is bc a lot of people making those aus don't understand jason and don't understand the character they're forcing into the red hood role

[caluupin]

neuvi is meeting his peepaw rn

[gophergal]

If you're still doing the MS Paint doodles, can you draw Demoman holding a pumpkin/jack o' lantern? I always saw Demo as the type to go ALL out for Halloween. I see him as a Halloween enjoyer and also I don't see enough demoman art anywhere T-T

YOU ARE SO RIGHT. SO FUCKING CORRECT

Dressed him up, too, because as you said, he would go ALL out. He seems like the kinda guy who loves any sort of celebration.

(Also, I'll take the doodle requests for the foreseeable future. I like drawing in msPaint because it's freeing to just kinda. put some lines on the canvas. Might not look perfect, but it's charming. Y'know? And I love taking requests in general! So this works out well!)

[halenhusky309]

The way I'm getting cynical over Transformers: One after watching it 3 times is kinda funny. Which is the same way I'm getting less vibe with Orion Pax from this movie because the more I think about his character, the more I realized he's just a fun character with more upbeat personalities compared to other Optimus Primes. Like for a 100-minute movie, it was effective enough to make him interesting and fun to enjoy. But he was just a typical rebellious hero archetype that we all know how he gonna turn out to be a hero anyway, resulting in him not giving more small details for his background to flesh out his character more. As someone mentioned before, we don't know why Orion Pax was so obsessed over finding the Matrix or how he was the only one among the miners who wanted to be more than just being a miner. It would have been nice to see what prompted him to risk his life multiple times to break into the Archive to look for Matrix clue. At least with D-16/Megatron setting up as Megatronus fanboy because of being the strongest Prime played quite neatly into his transition to the tyrannical Decepticons leader who would abuse power to get what he wanted. With Orion Pax, though, it's more like slapping the rebellious/bold trait into him to explain why he wanted to be more than a miner, but then never followed up with what he wanted to do or become, if he had a choice. (Of course, the movie adding the part where he screwed the protocols to save Jazz to show his heroic side, but it can be read like he wanted to play hero)