#sorry about my word vomit

[savingthegeneration]

My sister and I finished Glass Rose today! I believe I got ending 3 which is the good but not perfect ending. I'm grateful I got a decent ending though. If I got a bad/open-ended ending I can't guarantee I'd pick the game back up ever again. I got some thoughts that I'm going to put under the cut. Just a little mini review.

I have a couple of problems with Glass Rose and I think it's biggest problem is that it tries too hard to be a game. The game is full of gameplay mechanics that were unnecessary or clunky. From the time limit in each chapter, to having to catch butterflies for your health, or even walking around the mansion.

The game could have been more efficient if they changed a few things. I found a lot of the characters useless and unnecessary to the plot. (Like seriously, what was the point of the cat??? Or Emmy?? Or Emi?) Also, I didn't really love Takashi as a character. I would have loved for him to have a little bit more personality. He was a little too chill with the residents thinking he was a member of the family the whole time. Some internal dialogue would've gone a long way in making me care about Takashi as a character. Also, I kinda wish Takashi was related to the family in some way. It wasn't enough that his friend, Emi Katagiri had a tiny connection to the family. Honestly, Emi should have been the main character if Takashi isn't going to be related to anyone.

I was very upset when I first started Glass Rose and was made aware of the time limit for each chapter. Granted, it was never an issue my entire playthrough, but it did deter me from exploring the mansion or finding any of Denemon's notes. Now that I have finished the game though, I imagine getting those notes would be easier the second time around now that I have a better idea of the layout of the mansion. I believe they set the game this way because the story is very streamlined, but if you cut out player exploration, you may as well just make the game a visual novel. The thing that makes point and click adventure games fun games is the adventure part, and they effectively removed that from the game.

The pre-rendered backgrounds are beautiful but the point and click nature of the game and the constantly changing camera angles made it very easy for me to get turned around. Also every time you walked into a room or hallway, a giant sign would show up letting you know where you were. While not a terrible design, it did seem to last a few seconds longer than it should and it got annoying in the latter half of the game. They could have saved the player some time if it had a similar gameplay style to either Ace Attorney, Jake Hunter, or even J.B. Harold. It deserved to be a visual novel but they sure tried their darnedest to make sure it wasn't.

If I had a PAL-based PS2, I would like to try and play the game with a mouse! I think that's a really cool idea. I can only think of one other PS2 title that let you plug in a mouse. Which is Resident Evil: Dead Aim, I believe. I wonder if the game would have played a little better with a mouse or if gameplay would be pretty similar either way. I'm not sure if the emulator I used could make that work, but it's not like I have a mouse lying around either. I can't help but feel like maybe the mouse would have been useful during the suspense events the game has.

So finally, is this game worth owning/playing? For me, it's probably worth playing if you're a Cing fan and enjoy the premise of the story. I think this story is some of Rika Suzuki's weakest work, but that might be because of the gameplay too. I was invested in this game when I was younger so I had an interest from the start, but I did need my sister's enthusiasm for the story to help me through the latter half of the game. I did a brief glance of some UK copies and they range from anywhere between $30.00 to hundreds of dollars. So unless you want to add to your Cing collection or just like physical copies, this may be a miss. Or you could emulate it like I did. I didn't say that.

Anyway, I may come back and reorganize this better, but for now enjoy my word vomit.

[zuzu-draws]

So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.

I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!

Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.

This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!

This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.

What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.

Eating is an instinct, a necessity for the survival of every single living being.

And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)

In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.

On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.

Btw, this tweet and this thread gives additional characterisation to Sukuna:

Link to the original thread: Link.

More context (and reactions :P):

Link to original thread: Here

This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.

When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:

When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?

No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.

This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.

This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.

Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )

I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.

He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.

I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.

Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.

Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.

This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.

I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:

Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.

Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.

But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:

This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.

Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.

If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3

[vorekody]

wat about.. cow type preds? They have 4 tummies for friens :v

Okay I'm so sorry but I'm going to geek out on you right now.

really fun fact is that a cow is a ruminant - a group of mammals who have four stomachs (or more accurately stomach chambers)

And so if you want a pred who has a bunch of guts to fill there's actually a lot of different animals you can base them off of, not just cows >:)! There are sheep, deer, goats and giraffes too! (Or you could always make a fictional creature ofc lol)

Then there's camelids! A modified ruminant with only three stomachs/stomach chambers- alpaca, camels and llamas, so even more options there :)!

ANYWAYS, yes, cow type preds are amazing, I love them, and not exactly a cow but here's a gentle Yak pred with a couple of bunnies in their storage bellies and some grass in the others, and a not so gentle bonus alpaca pred.

[ivvyela]

thinking about that theory where peter parker is the mcu's anchor being. and like. the possibilities of it. imagine learning your entire universe's anchor being, the person who pretty much controls the fate of the universe, is some guy who just doesn't exist??? not even dropped off the face of the earth, but there is no proof of this person even existing in the first place???? and maybe strange or the fantastic four or whoever feels responsible for/is tasked with finding and protecting this anchor being but that's kinda hard to do when you have Absolutely Nothing to go off of.

or alternatively, peter himself learning that the entire universe is basically relying on him staying alive, and he already has a lot on his shoulders but this??? having lost everything and everyone and now learning that the weight of the world is literally on his shoulders and fuck!!! he just wanted to be a friendly neighborhood spider-man but that's parker luck for you!!

and like. there's so many ways to take it and i haven't seen anyone considering this and guys. guys. consider it. take it and run with it or what have you. fuck it and throw doctor doom in the mix for the irondad girlies because surely that will be fun.

and i know i know the theory doesn't fully go hand in hand with the mcu cannon but. fuck the cannon. let me scream into the void about this. let me shove it in your faces and hope someone does something with it. let me have my silly where's waldo peter parker anchor being au.

[flameunquenched]

there's something there about how all three times someone tries to get sauron to, you know, acknowledge the fact that he is sauron, his answer is "i have many names."

one to galadriel in s1e8. one to celebrimbor in s2e7. one to glug in s2e8.

in fact, thinking VERY carefully, i am pretty sure he only ever says the name sauron (in present day, not counting s2e1 flashback) twice in the entire 16 episode series so far.

once in s1e8: "sauron lives because of you."

once in s2e1: "sauron has returned in a new form."

it is an interesting divorce to his identity and i think a really interesting bit of character development with regards to sauron as rop is portraying him. there's been talk of how there wasn't a true 'repentance' arc but what if his refusal to self-identify himself definitively as sauron is part of it?

it's interesting how he seems to be actively attempting to utterly disassociate himself from the name sauron. it is my headcanon that neither melkor nor mairon can use their original names anymore, hence the usage of morgoth and sauron, but i wonder if even after centuries, there is a small part of sauron who is trying to pretend that he is not abhorred.

maybe i'm reaching but i wonder if we may finally see him claim his name in s3.

edit: yes, i know what 'sauron' means. yes, sauron is evil and bad. keep adding stupid comments and i'll keep deleting them and move to blocking next.

[ivanttakethis]

Till has to have known Ivan had a crush on him right. He's not that oblivious. He didn't think Ivan was trying just to bro it out with him like bros do right. He didn't think they were just pals palling around. He didn't think that his very much straight friend Ivan was just asking for a kissy right.

I feel like this Alien Stage Friday post is going to come back to haunt us later

THIS ALIEN STAGE FRIDAY IS GONNA HAUNT ME FOR THE REST OF MY LIFE!!!!1!!

Source

Honestly, I don’t know WHAT is rattling around in Till’s skull.

He may not know that Ivan likes him in the same way that he likes Mizi, but I hope he doesn’t think this is average bro behavior 💀

Kissing your guy friends isn’t just “guys being dudes” Till! That’s guys being gay!! (Or bisexual, at the very least)

And also, what the FUCK Ivan?!?

You think the guy who considered KISSING YOU as a BIRTHDAY PRESENT doesn’t care about you AT ALL????? 🤨

Till wasn’t in Anakt Garden chatting it up with fucking Acorn like “Yeah bro when’s your birthday? I’ll kiss you on the mouth as a gift, no tongue tho.” IT’S JUST YOU.

If any other guy even thought about asking Till to kiss them, he would probably punch their lights out. Actually, I’m surprised he didn’t punch YOUR lights out!!

But the fact that he didn’t means SOMETHING!!!

You think Till wouldn’t be TRAUMATIZED over you SACRIFICING YOURSELF FOR HIM after KISSING HIM LIKE YOU ASKED FOR YEARS AGO?????????? LIKE HE’S NOT GONNA REMEMBER THAT SHIT?????????

[mezzy303]

So I've been rereading skip beat from the beginning for the first time in uhhhhh almost 10 years and I'm going inSaNE over characterizations and development that I have to write it down

At this point I'm only at the Heel siblings arc so I haven't gotten to the Guam or Saena arcs which are very big for Kyoko and Ren's character development and healing which I haven't reread since those chapters came out

Can we just take a moment to appreciate Nakamura for basing Kyoko and Ren's childhood struggles and trauma on very real things that aren't often, if at all, dealt with in anime/manga and also writing them with utmost care (Not only do the traumas inform their personalities, but their healing arcs aren't just a one and done thing!! It's a very slow process) Like starting with Kyoko, her single mother neglected her so much that she was raised by a family friend. On top of that, nothing Kyoko did was ever good enough for her mother, and both of these things are so apparent in Kyoko's character. She attaches herself to fairytales and magic as an escapism and because she relates to stories like Cinderella. She literally cannot function if she messes up and no one criticizes her. She can't properly acknowledge her own talents and beauty without it being attached somehow to fairytales; she never quite believes shes good enough. Similarly, she didn't want to bother anyone with her troubles, so she always dealt with them alone/in private spaces. Pretty sure she also has lowkey abandonment issues. And this is all parental trauma!! Things she already has before the series starts and she gets so utterly heartbroken she swears off romantic love entirely so she can never get hurt the same way again.

(I don't think I'll ever get over how Kyoko told all this to Kuu and he was literally like I'm adopting you. Your mine now. Sorry I don't make the rules ¯\_(ツ)_/¯ And Kuu going home to his wife like hey we got a new kid 😂 Like Kyoko freezing up when she made mistakes and then Kuu showing her love instead of reprimanding her makes me go 🥹😩💖✨😭💝 Kyoko getting all fluffy from head pats🥹🥹 But on the downside she literally can't bring herself to call him dad unless she's in acting mode sjdfhsf)

When I really consider it, I wonder if Kyoko really loved Sho as a person or like.... the idea of him. Like he was just a convenient guy via proximity bc Kyoko needed someone to be her "prince". We haven't been shown exactly why she fell in love, but it would explain why she stuck with dedicating herself to him despite his terrible personality and knowing he never saw her the same way. It's portrayed like the concept of hatsukoi in anime where its ✨pure✨and innocent✨It seems very idealistic. Whereas Kyoko's love for Ren is more mature. She sees every aspect of Ren and doesn't sugarcoat it, she sees him as he is (she does him up on a pedestal but partially bc she admires him but also as an extreme measure to protect her heart and hide her feelings imo)

And REN. trauma to the max. He had to deal with the hardships of making a name for himself when his parents are already famous, extreme racism from being biracial, his friend/mentor dying from an accident he unintentionally caused???? Like boy hates himself so much he's literally disassociating 24/7 he needs a fucking therapist. I get how being Ren has helped him in some capacity but he needs a professional asap. Though deep diving into this is so interesting because Ren/Kuon compartmentalized his issues and the parts that he hates about himself so much he created its own persona ("Dark Kuon"), to the point he's rarely ever just himself. And he buried it so deep that as soon as he cracked the lid open, those emotions just spilled out. He can't even allow himself to be happy, and when he does feel truly happy, his automatic response is acting nonchalant,,,,,,,,,,,, he didn't even realize he was doing it at first 😢

Also the symbolism with Ren's watch makes me go a little feral. I don't remember if it's originally his or Rick's but it obviously stopped when the latter died and Ren keeps it as a reminder of what happened and why he went to Japan. It's a weird item since it grounds him but also represents his heavy trauma, and I think having those two things in one kinda showcases Ren's unhealthy coping mechanisms (like grounding himself to something traumatic isn't... great...). But that scene where he realizes he took it off and he has a moment of whether it to keep it on as Cain Heel or not??? *clenches fist* it was so good. (To recap it, he had his watch so he wouldn't lose himself in the role of BJ and then forgot it in the bathroom after an unexpected trauma response) Ren narrates his thoughts as choosing between Rick or Kyoko but interpreting this, he's choosing whether to keep himself stuck in his past trauma or move forward and let himself be happy AKA stick with unhealthy coping mechanisms vs try something healthy and rely on people he trusts. Kyoko essentially becomes someone Ren grounds himself to 🥺 He still needs therapy though lmao. He's so mentally unstable in this arc,,,

As I'm writing this I'm seeing a parallel between Kyoko and Ren and how they both had an experience that completely and utterly broke them, and it was this that pushed them onto their current paths in showbiz. And they likely would never have met each other again if those things never happened (they had to lose themselves to find each other?? 😭). It's so funny to me that Ren is all like ThEiR fAtEs ArE iNtErTwInEd with Kyoko and Sho when you have to consider the fact that him and Kyoko meeting again was like. a chance in a billion. It was fate 😂

KyoRen is such a poetic ship to me. The fact that they're different people when they meet and don't recognize the other. How Ren starts falling in love AS SOON AS HE REALIZES KYOKO IS THE SAME GIRL HE MET (Ren being gray/demiromantic.... more at 5). Kyoko lowkey starting to crush on Ren when she witnesses a bit of his real personality. These two things happening around the same time??????? And Ren being SO afraid of being Kuon, his true self, because of his bad qualities, but Kyoko pulling out the good qualities without him fully realizing it?? (I'm 100% referring to Kuon being a mischievous little shit and I live for how he teases Kyoko) tbh they treat each other differently from other people without even realizing it lol. And Kyoko being surrounded by toxic and possessive men pursuing her, and Ren being anything BUT. Like my man is a gigantic green flag. He recognizes that he can't seriously pursue Kyoko bc she's a minor and he really tries his best to only be a friend and mentor in her life and keeping her trust and never crossing her boundaries despite the stereotypes of men being "unable to control themselves." Y'all take point this should be the standard at minimum☝️

I have to talk about Sho bc this boy is so fucking toxic but he makes such a fascinating character. As much as I hate how Kyoko got heartbroken in the way she did, I think it was necessary so that she could leave Sho's sorry ass and cut him out of her life. Seriously,,,, he took advantage of her and used her as a servant. she literally dropped out of school, moved to a different city, and took on two jobs for the sole purpose of helping his career and then he threw her away like a used rag (JUST THROW THE WHOLE MAN AWAY). And then he has the audacity to fall in love with her smh. Anyway the fascinating part about him to analyze is how he's so possessive of Kyoko. Like she was a mere fly in his life, but she was always his. Until she wasn't. And I think those twisted thoughts kinda morphed into feelings for Kyoko. Ig in a way he still cares about her, but it could never hide how toxic he is. Anyone who's like I don't care how this person thinks of me as long as I take up the biggest space in their heart is egotistical and narcissistic. BUT he and Kyoko bickering like siblings will always be funny. Like epitome of two people who've lived with each other for way too long so they know how the other ticks and also get on each other's nerves 😂😂Sho does makes a good foil for Ren though. Like he's basically everything Ren is not: immature, temperamental, possessive, vain, the list goes on. His only redeeming qualities as a character is providing good drama and humor and being an example of what Ren isn't.

Skip Beat is really a story about healing and learning to love yourself and letting others love you and Nakamura is such a good story teller 🥺

[burningfunobject]

Complete word vomit but like what if viktor decides that whatever the 'arcane' is too dangerous or comes at too high a cost and starts The Glorious Evolution from there?

Maybe he feels responsible for whatever the weird magic orb thingys are and decides that all of this mess (not just with the hex core but also with zaun and piltover) was due to human error so now he thinks he has to help people by getting rid of their 'flaws' like they're ability to make the kinds of mistakes he made in s1.

We know he already doesn't want the hex core to be around anymore so why would he suddenly become infatuated with it?? Like sure maybe it has an influence over him, but I seriously doubt it would last all season

Plus viktors whole Thing is helping people why would he stick with the hex core and all it's bs if it means either vaporising people or shimmer? Viktor is smart that's like the first thing we know about him I feel like he'd find a way out of the hex core's thrall

Idk I just don't really want to watch hex core bs for like a quarter of next season, I'll still probably like it tho

[sparring-spirals]

Compromise. Im not going to actually WRITE meta but i AM going to lay out a list of things I'm thinking about broadly and thematically and would probably write meta about if i were properly caught up and informed, but is instead influenced much more by early campaign F.C.G:

**edit: no this is kind of meta again. sorry.

- F.C.G grappling with the questions of: being made. purpose. whether it matters if you find your own purpose if you were made with one in mind and you "choose" something else. Can you actually? Does it matter? Is your choice a choice at all?

- Wanting so badly to heal people and help people and the unique fear of waking up and seeing damage done by your own hands. To the same people you wanted so badly to help. You extend healing and you offer comfort or kind words but all the while, in your core is a tightness. In your core is a danger. How much good do you need to do to get the blood off your chassis? Can you, at all?

- Metal body. Metal hands. A little wheel. You were a turtle once and it felt so wondrous to breathe. You try out tongues or little wooden legs or whatnot but it always comes back to an inorganic metal body and empty insides no matter if youre filling them with liquids or secret goods to smuggle or pastries (faux warmth). Maybe everything like wooden legs dangling off a metal body. All for show.

- A coin in hand. Looking for a higher power. Thinking about choice. Deferring choices.

- You love your friends, so much. You love people being kind to each other. You love your boyfriend and their wonderful way of thinking. You love being alive. Even when you doubted you were at all. You love, truly and deeply.

- Ashton raging at F.C.G for being a martyr. For aching for a good enough reason to get himself hurt or killed or blown up. Ashton looking at F.C.G knowing they're all messed up inside and trying so hard to stop them from letting it destroy them.

- Ashton always worried about how they're always trying to find a big enough cause, a good enough reason.

And so with those things, I remembered about F.C.G:

- F.C.G looking at their friends all down. Ashton laid out unmoving.

- F.C.G with something awful in their core. Ready to spill out. The same something awful they were always worried about. They were always aware of.

- F.C.G always looking for that reason. For that bigger and better cause.

- F.C.G always feeling like they didn't understand purpose, like it was so. unattainable- finally, briefly, startlingly- sure. Finally free of doubt. Their friends down and something awful and destructive in their core and one last thing they can do to maybe make things worth it, and the ability to choose it. They were made for something. They chose what to do with it.

- F.C.G finding that reason. F.C.G making that call. F.C.G thinking it was worth it.

- I think because of him, they succeeded. They won. That is certain.

- I think. "Worth it". Is always a subjective thing.

- I think. A self sacrifice is never just one person giving everything up. A self sacrifice, unfortunately- is one person making a choice.

And everyone else caught, in the blast radius.

[zeb-z]

I’ve made a billion fucking drafts and can’t find the words to talk about cellbit and bagi from today. how the fuck do you explain the intricacies between a brother who has lived a life that has sharpened him to cut what he touches, and a sister who had to live with his absence? a man who has to see the childhood he never got to have whenever he looks at the woman he now knows is his twin? said twin who cannot understand why her brother would be anything but glad they are reunited? how do you get across that tangled mess of emotions cellbit had to get him to burn his old pet worm? the paradox of longing for what could have been while desperate to get rid of any reminder, with a healthy dose of paranoia that anything could be a federation bug. or the pure devotion bagi has to decide to stick with her brother even though he is not close to the same as he was when he went missing? the unfairness of it all, of cellbit being taken and made into a killer before he turned 14, of bagi looking for him at the detriment of her own safety and self, of ripped up childhoods and everything that could have been? the fact that the first thing cellbit asks is what he could have done to deserve it? the disgust he holds for himself for what he’s done, and the anger he has for the federation that’s taken everything from him, and the resentment he has towards bagi no matter how unfair it is because she never had to go through what he did? how after bagi swore to help him burn the federation down, cellbit went to bad instead, because bad was there and fought alongside him, and he trusts bad because he’s seen him at his worst, and all he feels like doing is his worst right now? the two of them so similar still because they’re consumed by their need for revenge, while bagi just wants to leave the island? how the fuck can you summarize all this and the emotions that accompany it?

[brain-rot-central]

I don't wanna go to work. I just want to write vampire smut, cook good food, and bake bread.

[manwrre]

don’t ask me why but i have this THING where headcanon? my headcanon? is that billy just loves jewelry.

i fully believe that he had pendants upon pendants and chains and links of gold (real or otherwise) that he’s collected while growing up. maybe it was something that his mom did with him as a kid ie. they’d go to thrift stores and all of these little, rundown antique places and spend hours there— just looking for the prettiest things.

and if they were lucky, they’d return home with necklaces and earrings and other trinkets. and she’d string together the shiniest, most beautiful ones and give them to him; to her sweet, summer child. she’d press a kiss to his forehead and his cheeks and hold him close and they’d spend the rest of their time together showing of their purchases and doing try-on hauls.

and the necklaces? they were all dazzling in their own right but billy’s favorite one was a golden pendant, the size of a quarter and engraved with a semi-wonky ‘w’. his mama had found it hidden in the dingy back room of some store and in her haste to get them home, hadn’t even bought a chain. instead, she’d reached for the one around her own neck ( a delicate, long line of looping oooo’s) and had presented them to her boy.

and as he got older, his little collection only grew more or more; seashells and shark teeth, saints and angels, hearts and stars and butterflies. and of course, it pissed neil off to see him wearing them but his mom would only shoo him off and coo over all of billy’s newest additions.

in her absence, however, he’d begin hiding them from neil and tucking the shoebox of treasures into all sorts of nooks and crannies ( beneath loose floorboards and inside the fluff of his mattress).

but in the instances where he’d slip up and forget? in the moments where he’d get caught? neil would do his damndest to remind billy of just how much he looked like his ‘whore of a mother’ and that she, herself, couldn’t escape his violence.

the first time steve sees him wearing his necklaces, (all layered against the curve of his neck and dazzling atop his sun-kissed, freckling skin) he’d promptly lose his mind. i mean, just stop functioning like a human being and stare at him. he’d dream of kissing the hollow of billy’s throat and running his fingers over the odd shapes and letters. he’d splay his hands out across billy’s chest and take the ‘w’ into his fist— warm with evidence of a day spent in the sun. drink in the sight of billy beneath him. savor the blue of his eyes and the heat behind his smile. and think,

‘god, he’s beautiful.’

‘he’s bright and blinding and i can’t look away.’

‘he’s it— all i’ve ever wanted. he fills me with something so sweet, so warm.’

s w e e t , s w e e t ,

s u m m e r c h i l d

‘he’s the sun.’

[homielander]

the most interesting character detail about maeve through which i have extrapolated at least half my understanding of her is that she prefers to be called maeve. i frequently see "maggie" pop up in meta and fic as her chosen name, but quite literally nobody calls her that, including (and most significantly) elena. elena is maeve's tether to her humanity and her refuge away from vought, yet even elena only ever refers to her as maeve. (and in season 2, we learn that maeve started dating elena before she joined the seven -- before queen maeve's popularity would have become so inescapable that she would feel compelled to introduce herself by that name.) it's especially notable that in her final scene, maeve refers to starlight as annie for only the second time, but she is still called maeve by both annie and elena.

here's what we know about maeve's life as maggie: she had a rocky relationship with her father whom she doesn't seem to speak to anymore, she's from a "cousin-fucker hick town" as described by homelander -- i can't imagine this place being terribly lgbt-friendly, and she generally lacks connection with anyone she would have known before becoming queen maeve. she doesn't have fond memories of this time of her life, and perhaps that extends to all associations with it, including the name maggie.

i tend to think that becoming queen maeve was, in many ways, self-actualizing for her. the act that garners her national attention and earns her a ticket to vought is a heroic one -- she breaks every single bone in her right arm to save a school bus from falling off a bridge. and i know madelyn says she is responsible for the mythos of queen maeve, but this character was still aspirational, and likely someone maeve wanted to live up to. in any case, this new identity gave her a purpose and tools to achieve it: she wanted to help people! by her own admission, maeve enters vought bright-eyed and hopeful, not far off from annie. (maeve is also one of the only supes in the seven not to know about compound v -- she doesn't strike me as religious but believing she's among the very few born with powers would have strengthened her internal drive to be a hero.)

it's for the same reason that i think maeve actually... liked having powers? of course she says otherwise in her last season, but season 3 maeve is cynical and weary from about two decades of dealing with vought and homelander's abuse. they've used her first as the token woman and then the token gay person of the seven. after growing largely passive to the brutality of the job, the flight 37 incident forces her to confront all of the violence she's witnessed and tolerated. she's given pieces of herself away and she loathes the husk of herself that's left. i don't find it surprising that she would want to relinquish every single connection to vought, including her powers.

assuring herself that she will be better off without her powers comes with an added benefit: she gets to distinguish herself from homelander, who would be lost without his powers. and i think she is eager to make this distinction in her mind because there are some uncomfortable similarities between their initiations into vought. the mantle of homelander allows him to exert agency for the first time in his life, just as the mantle of queen maeve endows her with purpose for the first time in hers. (crucially, none of his current circle call him john, either.) they both enjoy being the most powerful superheroes in the world, the unending public adoration, and (in my interpretation) each other. they're also both overwhelmingly lonely and they know it -- homelander teases her multiple times about how she has no friends with a bit more bite in every passing season, while maeve is keenly aware of his isolation and exploits his yearning for love pretty effectively.

maeve steadily grows disillusioned with her position at vought because she still has a moral code, suppressed though it may be. even so, she nearly relents to homelander's vision: that they will be lonely at the top but lonely together. she's pulled out of her miserable state of inaction by annie and elena. annie reminds her of what a hero should be (what she was, once); elena offers her a way out of vought, serving as maeve's light at the end of the tunnel, so to speak.

she escapes that tower as maeve, not maggie. she rejects homelander's god complex which engenders his cruelty towards regular people and 'lesser' supes -- no one will call her queen maeve ever again, at least -- but it is still important to her to be a hero, and for better or for worse, she found that as maeve. i feel like she'd struggle to exist without her powers (possibly the self-awareness hasn't settled in yet) for all the reasons mentioned above. i like to think that eventually, she'll circle around to helping people and resisting vought however possible -- albeit on a smaller, more covert scale so she can continue living a peaceful life with elena.

[rolandkaros]

i remember that mana shim said that part of the reason why she didnt want to speak out originally about her abuse was because there was so much concern about the nwsl folding like how the wusa and wps did. that there was this feeling like 'i dont want to be the one to ruin it' because so many of these women had fought so hard to get a professional women's league started in america. these players had a minimum salary of <$7,000 and were expected to try and play full time professional football on that salary. non-national team players had a salary maximum of $31,500. many of them worked multiple jobs to fund their careers.

i can never really take arguments about the quality of women's sports seriously.

women's football was banned completely for 50 years in england. 50 years, the men got to play and learn and improve and adapt. 50 years, the men's game evolved. and 50 years, the women were banned. are you don't think that might have an effect on the sport as a whole? many other women's sports had similar bans at one point or another.

the men can do virtually whatever they like and get paid hundreds of thousands – millions, even.

did you know the manchester united women's team got a brand new, team specific building last season? and in june it was announced that the men's indoor facility would be needing to go under construction so it could be "revamped"? and that the women's facility was handed over to the men for training? and that the women will now train in portable buildings?

but yes, of course. talk to me about the product. talk to me about quality. because we must be objective, we must look at the numbers. its so obvious, of course, the men are simply outperforming the women! the men must be better. there is no other explanation.

[campbyler]

What are Mike and Will’s top three artists? (Idk if you’ve mentioned it before sorryy)

oooh i don’t think we’ve named specific favorites for them before!! i don’t know if we’ll be able to just name Three (edit: coming back to proofread after typing out this ask. i did not just name Three), bc to me acswy mike and will both have pretty varied music tastes — i think they’d both listen to a lot of different genres and artists, especially music that their friends/family/assorted loved ones introduce them to that might not be something they’d usually go for.

mike: we did mention in ch2 that mike has a demon days poster above his bed in the blue cabin, and while i don’t think gorillaz is one of his Favorite groups by any means, i do think he 1. listens to them a lot while driving specifically and 2. just reallyyyy loves their album art. to me mike is also such a pop punk enjoyer, so i think some of his go-tos include bands like all time low and paramore and blink-182, probably with a little midwest emo thrown in bc the boy did literallyyyyy grow up in indiana. i do also think he has a soft spot for feel-good pop, especially boyband music like 1D and BTR, and i think 5sos is not technically a boyband (or that they don’t like to be called one? iirc? maybe?) but i think he would listen to them quite a bit as well! really and truly i think mike would just like a little bit of everything, and his fav artists probably rotate a lot depending on his mood.

will: always a jeff buckley enthusiast across universes to meeeee, and the clear answers here are also the cure/the clash and other oldies rock OBVIOUSLYYYY but i think he would also totally dabble in typical 2020s Male Manipulator Music lol with likeeeee peach pit and the backseat lovers and the strokes especially. i think he’d also be into midwest emo (cannot escape his fate), and maybe also deftones and ptv a little bit (<- self indulgent and me projecting but i am not sorry). i think he also has a soft spot for pop, but not really in the same way mike does — for example, el definitely makes him listen to a lot of carly rae jepsen and the like when they’re together, and he also has a lot of good memories of listening to older pop songs with his mom when he was younger! like. he hits shuffle on his liked songs and it’s destiny’s child followed by radiohead followed by jenny by studio killers. he contains multitudes i’m afraid

[mx-myth]

Okay so I've had some meta thoughts about Laurence's amnesia and how it relates to his relationship with Tharkay sitting in my drafts for like over a year now so I figured I'd finally clean it up and post it. Heads up it's really long.

Laurence finally consciously realises that he loves Tharkay (or is in love with him, whatever nuance you'd like) after "knew him, and knew himself." But at this point he's completely in pieces as a person (more on this next paragraph). Post-amnesia, he's an entirely different man. Pre-Temeraire Laurence is the harshest, strictest version both of and with himself. He follows the rules to the letter, basically takes Temeraire only out of duty in the beginning, and even keeps the promise between him and Edith despite there being no formal arrangement at all. Post-Temeraire but pre-amnesia Laurence has softened. He's putting less emphasis on the rules and more on his morals (see: treason). He has more leeway but still carries that honor/duty/order with himself.

Which is why post-amnesia Laurence is the version of himself that discovers that he loves Tharkay. In the wake of losing his memories and then regaining them he's lost and unmoored. Both of his past selves are so different and therefore so distant. They're both true but it's too jarring for him - especially in his current circumstances, much less the overall war - so Laurence becomes a new person. This is Laurence at his most vulnerable, his most unguarded, who smiles more often now because he doesn't really know that he didn't smile that much before. He has two major tethers to his personhood: Temeraire and Tharkay (I hesitate to say only tethers, simply because Laurence's life isn't that small, but repeatedly these two are the ones who have had the biggest impact on his life, who have kept him going). Obviously he loves Temeraire, he's never going to stop loving Temeraire, he just isn't capable of it, but seeing Temeraire didn't bring back his memories (I can't imagine how Temeraire must have felt, meeting a version of Laurence who had never met him). Laurence loves Temeraire in the most unconditional, selfless way - to be very Greek about it, his philia. But I think when he finally comprehends how Tharkay was the catalyst behind this radical change of his self he dives into his memories again and goes over them in excruciating detail (and he was definitely doing that already, but now he's doing it with a lens exclusively focused on Tharkay). At some point he comes to the realisation that Tharkay loves him, and that he loves him, and that he's been unconsciously shoving it down every time it's surfaced (past-Laurence was saying no homo while actively homo-ing). And with the benefit of being an new version of the same person (and also some hindsight, finally), this Laurence says, I've committed treason. My country sees me as a traitor but they still need me to serve them as a tool. I lost myself once in a war (see: "what are you doing?") that's still being fought. Time is short and there's no guarantee I won't lose my memories again, that I will still be the person I am right now. What do I have to lose?

(And on some level, this Laurence thinks, what can stop me?)

He begins giving to Tharkay what Tharkay always had given to him. His acts of devotions start small (relative to Tharkay's; transporting too many ferals is obviously a little outside of what Laurence can feasibly do). He cares for Tharkay once he wakes ("have you noticed the top of your head appears likely to come off?"), he helps him eat and drink, he massages his hands once they heal, he stays with him through the nightmares that come to haunt him. And he continues doing these little things for Tharkay, hoping that he understands (he's willing to wait, Tharkay waited for him after all, and Laurence doesn't want to push him, especially as he's healing). But I think the act that hits Tharkay like, oh, it's different this time is when Laurence bargains his freedom to Napoleon. I feel like that carries unspeakable meaning for Tharkay, who was ostracized growing up and ended up never having a "permanent" home since he travelled so much. I can't imagine that he hasn't been in a similar situation before, but he's probably always been expected to weasel his way out of it without any outside help. He's trained himself out of expecting someone to help him, to care enough about him to save him. Yet part of the man who turned to treason simply so the dragons of France wouldn't die in pain lives on in this Laurence. Pre-Temeraire Laurence is rules and post-Temeraire pre-amnesia Laurence is morals, but post-amnesia Laurence is all heart. There was never a way he was going to leave Tharkay behind.

So Tharkay starts watching him. He watches Laurence continue to devote himself to him, again and again. He brings him his coat on cold days. When it rains and their scars ache he curls around his hands and rubs lotion into them. When he goes into town he always brings Tharkay back a little gift. He starts growing vegetables in the garden and he learns how to cook non-wartime foods and how to knit (because he is a man forged by war and what does one even do during peacetime when one's dragon is busy reforming the government, anyway?) and suddenly he's providing for Tharkay like never before. He looked away for one moment and suddenly Laurence's prescence and all that he does has made the manor a home.

Yet Tharkay, for years, has told himself so many times that Laurence is off-limits, untouchable, that he can love him but that there's no chance that Laurence will love him back. The only way he can love Laurence is silently, nearly from afar, and so he tried to do that. But he can't just stand by and so every time he finds himself committing a deux ex Tharkay (see: ferals, again). He understands that there's some shit Laurence needs to learn himself (and god is this series very good about character development for Laurence) but he's not going to do nothing when the man in about to die. For him it's about caring and providing for Laurence even if he doesn't know it. He learns to content himself with the knowledge that, even if nothing comes of it, he can still be by Laurence's side.

But then the amnesia plot happens (which he only learns of after all of it goes down) and suddenly there is a half-stranger wearing the skin of the man he loves (loved, he tells himself) looking at him with those familiar blue eyes filled with a completely unfamiliar emotion. He's relieved that Laurence remembers but he's said that his Laurence is gone that he's even thinking of it like that (Tharkay has a lot of anger, both at himself and others and the world). Laurence is right in front of him, he's not gone at all, but he's gone in a way that matters. But also this new Laurence is by his side all the time. He's feeding him and helping him drink and dress and he sleeps on the floor by his bedside. Tharkay is so confused because this has to be some kind of fantasy dream he's having. He must still be in the cave (and it's believable that he is, because he returns there every night in his dreams). But he isn't and he has to struggle to come to terms with this new Laurence.

So every time Laurence does something even remotely nice he hyper-analyses it and rationalizes it to himself. He deludes himself into thinking that this is normal for Laurence now. It's normal for Laurence to fuss and hen over him now; it's normal for him to smile at him with that emotion written plainly on his face that Tharkay still hasn't (refuses) to decipher. And he does this well into post-canon.

For that reason he only gets with the program when Laurence has to leave the manor (leave home) for a long while (probably with Temeraire) and suddenly Tharkay is all alone in this huge manor. He's wearing the socks Laurence knitted for him and eating food Laurence grew and walking into rooms and seeing little parts of him scattered everywhere. There's a novel he's reading left on the table by the chair he prefers in the library. There's a cookbook in the kitchen in which he's bookmarked recipes he thinks he might like. Tharkay finds a handwritten list of things they need to buy in town left out for him. He left his pillows on Tharkay's bed because he knows he likes sleeping with a ton of pillows (and they smell like him, and Tharkay pretends he doesn't bury his face in him, that he doesn't miss him while he's gone). When Tharkay wakes up in the morning he makes two cups of tea and waits for Laurence to come in from talking with Temeraire before remembering that neither of them are here (home). He expects Laurence to appear in the evenings to ask if he wants to go on a walk through the grounds with him (and he always ends up saying yes). Tharkay learns that the manor is too big for one man who has always been a little too lonely in his life.

So until Laurence returns home he plots and plans and agonizes. After a week once Laurence has come home (and the first thing he had said to him was welcome home, and Laurence had beamed at him, and it was so unbelievably natural to say it) Tharkay begins his attempts at reciprocating. He wakes up earlier so that he can brew Laurence tea so he can take it out to sit with Temeraire. He says that he cooked some of the recipes from Laurence's cookbook and insists on making them for Laurence (he had to figure out his system of marking which recipes were Laurence's favourites). He gifts him a sturdy, functional, and beautifully crafted knife to wear around the house for daily use; he specifically makes sure the knife is up to Temeraire's standards. In fact, Tharkay talks to Temeraire about everything, and Temeraire tells him, with no minced words while completely drawing his own conclusions, that it's very nice that Tharkay is asking him for his blessing, but does he really need it at this point? Haven't they been courting long enough? He's always approved of Tharkay, because he makes Laurence happy.

That's how Tharkay realises he and Laurence have been dancing around each other like shy birds, both of them subtly showing off but not making the first move. And maybe he realises that Laurence is thinking how he used to think - that it's okay as long as he can be by his side, that he doesn't need his love reciprocated (it's a very long chain of Tharkay loving Laurence, Laurence knowing Tharkay loves him and loving him back, and Tharkay loving Laurence and knowing he knows he loves him and loves him back). And of course Tharkay wasn't going to make the first move back then, and if Laurence hasn't by now, then maybe he should borrow some of Temeraire's courage.

It's something small. The words come later, given how action-forward both Laurence and Tharkay are. They don't even need words. Maybe Tharkay takes Laurence's hand during dinner and intertwines their fingers, maybe he touches Laurence's cheek after he's braided his hair as their eyes meet in the mirror, maybe as they pack away the port and piquet he kisses him good night. Whatever it is, they look at each other and simply know. Tharkay sees Laurence slowly start to smile, a huge one that spreads across his entire face, one that he's only seen on Laurence when he thinks he's alone with Temeraire. He seems to brighten, almost radiating light.

For his part, Laurence reciprocates. He squeezes Tharkay's hand, he turns his cheek into Tharkay's touch, he pulls him in for another kiss. He watches as something seems to drop from Tharkay, something that he hadn't even known he was carrying. He becomes loose and relaxed, his body language more open as he looks at Laurence with one of his little smiles, a bit of shyness that he's never seen before evident on his face. He tells Tharkay that he's the most beautiful person he's ever seen.