#sorry about my word vomit

[savingthegeneration]

My sister and I finished Glass Rose today! I believe I got ending 3 which is the good but not perfect ending. I'm grateful I got a decent ending though. If I got a bad/open-ended ending I can't guarantee I'd pick the game back up ever again. I got some thoughts that I'm going to put under the cut. Just a little mini review.

I have a couple of problems with Glass Rose and I think it's biggest problem is that it tries too hard to be a game. The game is full of gameplay mechanics that were unnecessary or clunky. From the time limit in each chapter, to having to catch butterflies for your health, or even walking around the mansion.

The game could have been more efficient if they changed a few things. I found a lot of the characters useless and unnecessary to the plot. (Like seriously, what was the point of the cat??? Or Emmy?? Or Emi?) Also, I didn't really love Takashi as a character. I would have loved for him to have a little bit more personality. He was a little too chill with the residents thinking he was a member of the family the whole time. Some internal dialogue would've gone a long way in making me care about Takashi as a character. Also, I kinda wish Takashi was related to the family in some way. It wasn't enough that his friend, Emi Katagiri had a tiny connection to the family. Honestly, Emi should have been the main character if Takashi isn't going to be related to anyone.

I was very upset when I first started Glass Rose and was made aware of the time limit for each chapter. Granted, it was never an issue my entire playthrough, but it did deter me from exploring the mansion or finding any of Denemon's notes. Now that I have finished the game though, I imagine getting those notes would be easier the second time around now that I have a better idea of the layout of the mansion. I believe they set the game this way because the story is very streamlined, but if you cut out player exploration, you may as well just make the game a visual novel. The thing that makes point and click adventure games fun games is the adventure part, and they effectively removed that from the game.

The pre-rendered backgrounds are beautiful but the point and click nature of the game and the constantly changing camera angles made it very easy for me to get turned around. Also every time you walked into a room or hallway, a giant sign would show up letting you know where you were. While not a terrible design, it did seem to last a few seconds longer than it should and it got annoying in the latter half of the game. They could have saved the player some time if it had a similar gameplay style to either Ace Attorney, Jake Hunter, or even J.B. Harold. It deserved to be a visual novel but they sure tried their darnedest to make sure it wasn't.

If I had a PAL-based PS2, I would like to try and play the game with a mouse! I think that's a really cool idea. I can only think of one other PS2 title that let you plug in a mouse. Which is Resident Evil: Dead Aim, I believe. I wonder if the game would have played a little better with a mouse or if gameplay would be pretty similar either way. I'm not sure if the emulator I used could make that work, but it's not like I have a mouse lying around either. I can't help but feel like maybe the mouse would have been useful during the suspense events the game has.

So finally, is this game worth owning/playing? For me, it's probably worth playing if you're a Cing fan and enjoy the premise of the story. I think this story is some of Rika Suzuki's weakest work, but that might be because of the gameplay too. I was invested in this game when I was younger so I had an interest from the start, but I did need my sister's enthusiasm for the story to help me through the latter half of the game. I did a brief glance of some UK copies and they range from anywhere between $30.00 to hundreds of dollars. So unless you want to add to your Cing collection or just like physical copies, this may be a miss. Or you could emulate it like I did. I didn't say that.

Anyway, I may come back and reorganize this better, but for now enjoy my word vomit.

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[zuzu-draws]

So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.

I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!

Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.

This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!

This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.

What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.

Eating is an instinct, a necessity for the survival of every single living being.

And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)

In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.

On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.

Btw, this tweet and this thread gives additional characterisation to Sukuna:

Link to the original thread: Link.

More context (and reactions :P):

Link to original thread: Here

This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.

When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:

When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?

No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.

This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.

This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.

Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )

I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.

He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.

I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.

Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.

Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.

This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.

I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:

Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.

Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.

But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:

This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.

Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.

If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3

[vorekody]

wat about.. cow type preds? They have 4 tummies for friens :v

Okay I'm so sorry but I'm going to geek out on you right now.

really fun fact is that a cow is a ruminant - a group of mammals who have four stomachs (or more accurately stomach chambers)

And so if you want a pred who has a bunch of guts to fill there's actually a lot of different animals you can base them off of, not just cows >:)! There are sheep, deer, goats and giraffes too! (Or you could always make a fictional creature ofc lol)

Then there's camelids! A modified ruminant with only three stomachs/stomach chambers- alpaca, camels and llamas, so even more options there :)!

ANYWAYS, yes, cow type preds are amazing, I love them, and not exactly a cow but here's a gentle Yak pred with a couple of bunnies in their storage bellies and some grass in the others, and a not so gentle bonus alpaca pred.

[ivvyela]

thinking about that theory where peter parker is the mcu's anchor being. and like. the possibilities of it. imagine learning your entire universe's anchor being, the person who pretty much controls the fate of the universe, is some guy who just doesn't exist??? not even dropped off the face of the earth, but there is no proof of this person even existing in the first place???? and maybe strange or the fantastic four or whoever feels responsible for/is tasked with finding and protecting this anchor being but that's kinda hard to do when you have Absolutely Nothing to go off of.

or alternatively, peter himself learning that the entire universe is basically relying on him staying alive, and he already has a lot on his shoulders but this??? having lost everything and everyone and now learning that the weight of the world is literally on his shoulders and fuck!!! he just wanted to be a friendly neighborhood spider-man but that's parker luck for you!!

and like. there's so many ways to take it and i haven't seen anyone considering this and guys. guys. consider it. take it and run with it or what have you. fuck it and throw doctor doom in the mix for the irondad girlies because surely that will be fun.

and i know i know the theory doesn't fully go hand in hand with the mcu cannon but. fuck the cannon. let me scream into the void about this. let me shove it in your faces and hope someone does something with it. let me have my silly where's waldo peter parker anchor being au.

[flameunquenched]

there's something there about how all three times someone tries to get sauron to, you know, acknowledge the fact that he is sauron, his answer is "i have many names."

one to galadriel in s1e8. one to celebrimbor in s2e7. one to glug in s2e8.

in fact, thinking VERY carefully, i am pretty sure he only ever says the name sauron (in present day, not counting s2e1 flashback) twice in the entire 16 episode series so far.

once in s1e8: "sauron lives because of you."

once in s2e1: "sauron has returned in a new form."

it is an interesting divorce to his identity and i think a really interesting bit of character development with regards to sauron as rop is portraying him. there's been talk of how there wasn't a true 'repentance' arc but what if his refusal to self-identify himself definitively as sauron is part of it?

it's interesting how he seems to be actively attempting to utterly disassociate himself from the name sauron. it is my headcanon that neither melkor nor mairon can use their original names anymore, hence the usage of morgoth and sauron, but i wonder if even after centuries, there is a small part of sauron who is trying to pretend that he is not abhorred.

maybe i'm reaching but i wonder if we may finally see him claim his name in s3.

edit: yes, i know what 'sauron' means. yes, sauron is evil and bad. keep adding stupid comments and i'll keep deleting them and move to blocking next.

[calilk]

Gem’s death was the cause of Pearl’s realisation. After all that time chasing and taunting and blood, after an offer was finally extended and then brutally taken away, finally, the pin dropped. As stark text blinked into the corner of her vision, with nothing for company but the apathetic water lapping at the shore of this oh so lonely island, finally the reality of Pearl’s emotions hit her. The deep longing in her chest finally revealed its mark. The arrow set fly so long ago finally struck empty space, an absence, a still-warm corpse. Pearl, with so much love to give, and yet again, no one to take it from her cold and broken hands.

[yeonbam]

do u ever wonder how much of joke's motivation to get out of jail and apologize and make up to jack was his way of finding a will to live and a space to /be someone/ because he no longer could be a thief or a son at all, let alone a good one. because that has always been important to him— to be something, to be someone— he will wear a mask as a desperate method of being seen, even if it's by one person. so when he was willing to live as the one who wronged jack, as the one who wants to be forgiven by Jack, that was the identity he picked, the way he wanted to be seen. because he never expected to be forgiven, it was a process of trial. he wanted himself to be seen by Jack even if it was forever being the irredeemable villain in his story.

[froggyy]

prepare for jax screen shot DUMP [im so sorry]

also jax being silly with the gals

i love how ragatha and jax fight like toxic roomates

[ivanttakethis]

Till has to have known Ivan had a crush on him right. He's not that oblivious. He didn't think Ivan was trying just to bro it out with him like bros do right. He didn't think they were just pals palling around. He didn't think that his very much straight friend Ivan was just asking for a kissy right.

I feel like this Alien Stage Friday post is going to come back to haunt us later

THIS ALIEN STAGE FRIDAY IS GONNA HAUNT ME FOR THE REST OF MY LIFE!!!!1!!

Source

Honestly, I don’t know WHAT is rattling around in Till’s skull.

He may not know that Ivan likes him in the same way that he likes Mizi, but I hope he doesn’t think this is average bro behavior 💀

Kissing your guy friends isn’t just “guys being dudes” Till! That’s guys being gay!! (Or bisexual, at the very least)

And also, what the FUCK Ivan?!?

You think the guy who considered KISSING YOU as a BIRTHDAY PRESENT doesn’t care about you AT ALL????? 🤨

Till wasn’t in Anakt Garden chatting it up with fucking Acorn like “Yeah bro when’s your birthday? I’ll kiss you on the mouth as a gift, no tongue tho.” IT’S JUST YOU.

If any other guy even thought about asking Till to kiss them, he would probably punch their lights out. Actually, I’m surprised he didn’t punch YOUR lights out!!

But the fact that he didn’t means SOMETHING!!!

You think Till wouldn’t be TRAUMATIZED over you SACRIFICING YOURSELF FOR HIM after KISSING HIM LIKE YOU ASKED FOR YEARS AGO?????????? LIKE HE’S NOT GONNA REMEMBER THAT SHIT?????????

[burningfunobject]

Complete word vomit but like what if viktor decides that whatever the 'arcane' is too dangerous or comes at too high a cost and starts The Glorious Evolution from there?

Maybe he feels responsible for whatever the weird magic orb thingys are and decides that all of this mess (not just with the hex core but also with zaun and piltover) was due to human error so now he thinks he has to help people by getting rid of their 'flaws' like they're ability to make the kinds of mistakes he made in s1.

We know he already doesn't want the hex core to be around anymore so why would he suddenly become infatuated with it?? Like sure maybe it has an influence over him, but I seriously doubt it would last all season

Plus viktors whole Thing is helping people why would he stick with the hex core and all it's bs if it means either vaporising people or shimmer? Viktor is smart that's like the first thing we know about him I feel like he'd find a way out of the hex core's thrall

Idk I just don't really want to watch hex core bs for like a quarter of next season, I'll still probably like it tho

[mezzy303]

So I've been rereading skip beat from the beginning for the first time in uhhhhh almost 10 years and I'm going inSaNE over characterizations and development that I have to write it down

At this point I'm only at the Heel siblings arc so I haven't gotten to the Guam or Saena arcs which are very big for Kyoko and Ren's character development and healing which I haven't reread since those chapters came out

Can we just take a moment to appreciate Nakamura for basing Kyoko and Ren's childhood struggles and trauma on very real things that aren't often, if at all, dealt with in anime/manga and also writing them with utmost care (Not only do the traumas inform their personalities, but their healing arcs aren't just a one and done thing!! It's a very slow process) Like starting with Kyoko, her single mother neglected her so much that she was raised by a family friend. On top of that, nothing Kyoko did was ever good enough for her mother, and both of these things are so apparent in Kyoko's character. She attaches herself to fairytales and magic as an escapism and because she relates to stories like Cinderella. She literally cannot function if she messes up and no one criticizes her. She can't properly acknowledge her own talents and beauty without it being attached somehow to fairytales; she never quite believes shes good enough. Similarly, she didn't want to bother anyone with her troubles, so she always dealt with them alone/in private spaces. Pretty sure she also has lowkey abandonment issues. And this is all parental trauma!! Things she already has before the series starts and she gets so utterly heartbroken she swears off romantic love entirely so she can never get hurt the same way again.

(I don't think I'll ever get over how Kyoko told all this to Kuu and he was literally like I'm adopting you. Your mine now. Sorry I don't make the rules ¯\_(ツ)_/¯ And Kuu going home to his wife like hey we got a new kid 😂 Like Kyoko freezing up when she made mistakes and then Kuu showing her love instead of reprimanding her makes me go 🥹😩💖✨😭💝 Kyoko getting all fluffy from head pats🥹🥹 But on the downside she literally can't bring herself to call him dad unless she's in acting mode sjdfhsf)

When I really consider it, I wonder if Kyoko really loved Sho as a person or like.... the idea of him. Like he was just a convenient guy via proximity bc Kyoko needed someone to be her "prince". We haven't been shown exactly why she fell in love, but it would explain why she stuck with dedicating herself to him despite his terrible personality and knowing he never saw her the same way. It's portrayed like the concept of hatsukoi in anime where its ✨pure✨and innocent✨It seems very idealistic. Whereas Kyoko's love for Ren is more mature. She sees every aspect of Ren and doesn't sugarcoat it, she sees him as he is (she does him up on a pedestal but partially bc she admires him but also as an extreme measure to protect her heart and hide her feelings imo)

And REN. trauma to the max. He had to deal with the hardships of making a name for himself when his parents are already famous, extreme racism from being biracial, his friend/mentor dying from an accident he unintentionally caused???? Like boy hates himself so much he's literally disassociating 24/7 he needs a fucking therapist. I get how being Ren has helped him in some capacity but he needs a professional asap. Though deep diving into this is so interesting because Ren/Kuon compartmentalized his issues and the parts that he hates about himself so much he created its own persona ("Dark Kuon"), to the point he's rarely ever just himself. And he buried it so deep that as soon as he cracked the lid open, those emotions just spilled out. He can't even allow himself to be happy, and when he does feel truly happy, his automatic response is acting nonchalant,,,,,,,,,,,, he didn't even realize he was doing it at first 😢

Also the symbolism with Ren's watch makes me go a little feral. I don't remember if it's originally his or Rick's but it obviously stopped when the latter died and Ren keeps it as a reminder of what happened and why he went to Japan. It's a weird item since it grounds him but also represents his heavy trauma, and I think having those two things in one kinda showcases Ren's unhealthy coping mechanisms (like grounding himself to something traumatic isn't... great...). But that scene where he realizes he took it off and he has a moment of whether it to keep it on as Cain Heel or not??? *clenches fist* it was so good. (To recap it, he had his watch so he wouldn't lose himself in the role of BJ and then forgot it in the bathroom after an unexpected trauma response) Ren narrates his thoughts as choosing between Rick or Kyoko but interpreting this, he's choosing whether to keep himself stuck in his past trauma or move forward and let himself be happy AKA stick with unhealthy coping mechanisms vs try something healthy and rely on people he trusts. Kyoko essentially becomes someone Ren grounds himself to 🥺 He still needs therapy though lmao. He's so mentally unstable in this arc,,,

As I'm writing this I'm seeing a parallel between Kyoko and Ren and how they both had an experience that completely and utterly broke them, and it was this that pushed them onto their current paths in showbiz. And they likely would never have met each other again if those things never happened (they had to lose themselves to find each other?? 😭). It's so funny to me that Ren is all like ThEiR fAtEs ArE iNtErTwInEd with Kyoko and Sho when you have to consider the fact that him and Kyoko meeting again was like. a chance in a billion. It was fate 😂

KyoRen is such a poetic ship to me. The fact that they're different people when they meet and don't recognize the other. How Ren starts falling in love AS SOON AS HE REALIZES KYOKO IS THE SAME GIRL HE MET (Ren being gray/demiromantic.... more at 5). Kyoko lowkey starting to crush on Ren when she witnesses a bit of his real personality. These two things happening around the same time??????? And Ren being SO afraid of being Kuon, his true self, because of his bad qualities, but Kyoko pulling out the good qualities without him fully realizing it?? (I'm 100% referring to Kuon being a mischievous little shit and I live for how he teases Kyoko) tbh they treat each other differently from other people without even realizing it lol. And Kyoko being surrounded by toxic and possessive men pursuing her, and Ren being anything BUT. Like my man is a gigantic green flag. He recognizes that he can't seriously pursue Kyoko bc she's a minor and he really tries his best to only be a friend and mentor in her life and keeping her trust and never crossing her boundaries despite the stereotypes of men being "unable to control themselves." Y'all take point this should be the standard at minimum☝️

I have to talk about Sho bc this boy is so fucking toxic but he makes such a fascinating character. As much as I hate how Kyoko got heartbroken in the way she did, I think it was necessary so that she could leave Sho's sorry ass and cut him out of her life. Seriously,,,, he took advantage of her and used her as a servant. she literally dropped out of school, moved to a different city, and took on two jobs for the sole purpose of helping his career and then he threw her away like a used rag (JUST THROW THE WHOLE MAN AWAY). And then he has the audacity to fall in love with her smh. Anyway the fascinating part about him to analyze is how he's so possessive of Kyoko. Like she was a mere fly in his life, but she was always his. Until she wasn't. And I think those twisted thoughts kinda morphed into feelings for Kyoko. Ig in a way he still cares about her, but it could never hide how toxic he is. Anyone who's like I don't care how this person thinks of me as long as I take up the biggest space in their heart is egotistical and narcissistic. BUT he and Kyoko bickering like siblings will always be funny. Like epitome of two people who've lived with each other for way too long so they know how the other ticks and also get on each other's nerves 😂😂Sho does makes a good foil for Ren though. Like he's basically everything Ren is not: immature, temperamental, possessive, vain, the list goes on. His only redeeming qualities as a character is providing good drama and humor and being an example of what Ren isn't.

Skip Beat is really a story about healing and learning to love yourself and letting others love you and Nakamura is such a good story teller 🥺

[sparring-spirals]

Compromise. Im not going to actually WRITE meta but i AM going to lay out a list of things I'm thinking about broadly and thematically and would probably write meta about if i were properly caught up and informed, but is instead influenced much more by early campaign F.C.G:

**edit: no this is kind of meta again. sorry.

- F.C.G grappling with the questions of: being made. purpose. whether it matters if you find your own purpose if you were made with one in mind and you "choose" something else. Can you actually? Does it matter? Is your choice a choice at all?

- Wanting so badly to heal people and help people and the unique fear of waking up and seeing damage done by your own hands. To the same people you wanted so badly to help. You extend healing and you offer comfort or kind words but all the while, in your core is a tightness. In your core is a danger. How much good do you need to do to get the blood off your chassis? Can you, at all?

- Metal body. Metal hands. A little wheel. You were a turtle once and it felt so wondrous to breathe. You try out tongues or little wooden legs or whatnot but it always comes back to an inorganic metal body and empty insides no matter if youre filling them with liquids or secret goods to smuggle or pastries (faux warmth). Maybe everything like wooden legs dangling off a metal body. All for show.

- A coin in hand. Looking for a higher power. Thinking about choice. Deferring choices.

- You love your friends, so much. You love people being kind to each other. You love your boyfriend and their wonderful way of thinking. You love being alive. Even when you doubted you were at all. You love, truly and deeply.

- Ashton raging at F.C.G for being a martyr. For aching for a good enough reason to get himself hurt or killed or blown up. Ashton looking at F.C.G knowing they're all messed up inside and trying so hard to stop them from letting it destroy them.

- Ashton always worried about how they're always trying to find a big enough cause, a good enough reason.

And so with those things, I remembered about F.C.G:

- F.C.G looking at their friends all down. Ashton laid out unmoving.

- F.C.G with something awful in their core. Ready to spill out. The same something awful they were always worried about. They were always aware of.

- F.C.G always looking for that reason. For that bigger and better cause.

- F.C.G always feeling like they didn't understand purpose, like it was so. unattainable- finally, briefly, startlingly- sure. Finally free of doubt. Their friends down and something awful and destructive in their core and one last thing they can do to maybe make things worth it, and the ability to choose it. They were made for something. They chose what to do with it.

- F.C.G finding that reason. F.C.G making that call. F.C.G thinking it was worth it.

- I think because of him, they succeeded. They won. That is certain.

- I think. "Worth it". Is always a subjective thing.

- I think. A self sacrifice is never just one person giving everything up. A self sacrifice, unfortunately- is one person making a choice.

And everyone else caught, in the blast radius.

[zeb-z]

I’ve made a billion fucking drafts and can’t find the words to talk about cellbit and bagi from today. how the fuck do you explain the intricacies between a brother who has lived a life that has sharpened him to cut what he touches, and a sister who had to live with his absence? a man who has to see the childhood he never got to have whenever he looks at the woman he now knows is his twin? said twin who cannot understand why her brother would be anything but glad they are reunited? how do you get across that tangled mess of emotions cellbit had to get him to burn his old pet worm? the paradox of longing for what could have been while desperate to get rid of any reminder, with a healthy dose of paranoia that anything could be a federation bug. or the pure devotion bagi has to decide to stick with her brother even though he is not close to the same as he was when he went missing? the unfairness of it all, of cellbit being taken and made into a killer before he turned 14, of bagi looking for him at the detriment of her own safety and self, of ripped up childhoods and everything that could have been? the fact that the first thing cellbit asks is what he could have done to deserve it? the disgust he holds for himself for what he’s done, and the anger he has for the federation that’s taken everything from him, and the resentment he has towards bagi no matter how unfair it is because she never had to go through what he did? how after bagi swore to help him burn the federation down, cellbit went to bad instead, because bad was there and fought alongside him, and he trusts bad because he’s seen him at his worst, and all he feels like doing is his worst right now? the two of them so similar still because they’re consumed by their need for revenge, while bagi just wants to leave the island? how the fuck can you summarize all this and the emotions that accompany it?

[brain-rot-central]

I don't wanna go to work. I just want to write vampire smut, cook good food, and bake bread.

[manwrre]

don’t ask me why but i have this THING where headcanon? my headcanon? is that billy just loves jewelry.

i fully believe that he had pendants upon pendants and chains and links of gold (real or otherwise) that he’s collected while growing up. maybe it was something that his mom did with him as a kid ie. they’d go to thrift stores and all of these little, rundown antique places and spend hours there— just looking for the prettiest things.

and if they were lucky, they’d return home with necklaces and earrings and other trinkets. and she’d string together the shiniest, most beautiful ones and give them to him; to her sweet, summer child. she’d press a kiss to his forehead and his cheeks and hold him close and they’d spend the rest of their time together showing of their purchases and doing try-on hauls.

and the necklaces? they were all dazzling in their own right but billy’s favorite one was a golden pendant, the size of a quarter and engraved with a semi-wonky ‘w’. his mama had found it hidden in the dingy back room of some store and in her haste to get them home, hadn’t even bought a chain. instead, she’d reached for the one around her own neck ( a delicate, long line of looping oooo’s) and had presented them to her boy.

and as he got older, his little collection only grew more or more; seashells and shark teeth, saints and angels, hearts and stars and butterflies. and of course, it pissed neil off to see him wearing them but his mom would only shoo him off and coo over all of billy’s newest additions.

in her absence, however, he’d begin hiding them from neil and tucking the shoebox of treasures into all sorts of nooks and crannies ( beneath loose floorboards and inside the fluff of his mattress).

but in the instances where he’d slip up and forget? in the moments where he’d get caught? neil would do his damndest to remind billy of just how much he looked like his ‘whore of a mother’ and that she, herself, couldn’t escape his violence.

the first time steve sees him wearing his necklaces, (all layered against the curve of his neck and dazzling atop his sun-kissed, freckling skin) he’d promptly lose his mind. i mean, just stop functioning like a human being and stare at him. he’d dream of kissing the hollow of billy’s throat and running his fingers over the odd shapes and letters. he’d splay his hands out across billy’s chest and take the ‘w’ into his fist— warm with evidence of a day spent in the sun. drink in the sight of billy beneath him. savor the blue of his eyes and the heat behind his smile. and think,

‘god, he’s beautiful.’

‘he’s bright and blinding and i can’t look away.’

‘he’s it— all i’ve ever wanted. he fills me with something so sweet, so warm.’

s w e e t , s w e e t ,

s u m m e r c h i l d

‘he’s the sun.’