#sorry I am rambling and emotional

[knight-princess]

I just want to say thank you to you all for your lovely words and support these last few months. This Willow blog and the fandom has been a genuine joy and I just wanted say so

[carnivalcarriondiscarded]

more laughingstock pleaseee? 💙 💚

Yes Yes Yes i have this very small soft scribble to offer <3

[gojoest]

haikyuu hype come back please

[c28hunter]

Okay, I'm not sure it this hasn't been already talked about but

ARE WE ALL AWARE OF THE CHANGE THAT HAD HAPPENED IN KRIS?!

Remember that one interview, when he said that back when he was a child he used to be called a "girl" because of his longer hair? And then he cut them short to stop the comments

And now? Now, during their BIGGEST concert he was wearing a Diana-revange outfit, his hair longer again and he absolutely slayed. The confidence shown, the joy while performing, all of his soul put into singing NGVOT... This man went through such a big change

I am so fucking proud of him, it must've taken him a while to figure all those things out, because these things are difficult to get through. And now here he is, slaying as hard as he can, being who he wants to be and not giving a fuck

That's an inspiration, that's an icon

[sonicranger1]

Can't believe i'm forced to say this again but alas- (<- No one is forcing me to do this)

BESTIES! ERROR AND NIGHTMARE AREN'T CANON TO INK! DREAM IS NOT CANON TO INK!

The only one that could possibly be canon to Ink is Swap if we take into consideration the canceled comic Comyet did a long while back! And the art Comyet has done with Ink and Error I'm 99% sure is just a what-if, not canon interpretation on how they think they possibly would interact together

Everytime I see someone with their full chest exclaim how the dream twins or Error are canon to ink I internally die inside I'm sorry

[moxielynx]

you guys get my insane twitter rambles right. right

[martyrbat]

sorry but im still just thinking about how batman 105 (aka the comic where bruce gets his tits out and asks khoa to stay) begins with them having a sloppy breakup in the rain and khoa offering bruce to travel and save the world together, they'll live lavishly and gather resources. and then MAYBE they can tackle gotham together. hes trying to convince bruce to stay and that hes going to get himself killed because of his stupid bleeding heart and how he blames himself for every loss. that together they can conquer so much more. and bruce responds by calling him broken and telling him he's angry that bruce is always going to care about the people he saves. he's still determined to go, still choosing gotham over his best (and only) friend.

but he tells him this as theyre in the rain and khoa is still trying to convince bruce to change his mind despite the plane being there and knowing that bruce wont. bruce is one of the only people thats seen his face and knows his name, the only person that truly knows him—yet all those years they spent together still isn't as important as that vow bruce took as a mourning 8 year old boy. so he demands for bruce to never say his name again—he doesn't get that right or the one to see his face ever again. and bruce still doesnt change his mind, leaving khoa behind without so much as a glance behind him.

while batman annual 2021 is khoa bragging about his greatest feat—taking down madame midas, the woman who laughed as his mother was killed and as her father strong-armed his father's independent business. he doesn't tell bruce this but it still ends with bruce pointing out there has to be a reason he cared and spent so long on it. khoa denies it, of course, repeating back what he tells himself constantly. he doesnt care about anything (and, by extension, about anyone). but the comic literally just showed us, the reader, between those two pages that this isnt true! he had a personal motive, he recired back the words she told him all those years again! but after khoa says he doesnt care about anything is the first time on panel that bruce calls him khoa again (as far as i remember :p)

but then khoa is suddenly changing the topic!! not allowing bruce to continue, not even acknowledging the name or all the years it nust have been between the last time someone called him that—the last time BRUCE called him that. and its only after the accusation of khoa caring like how he does—of khoa not being ‘broken’ like how he said the last time he attempted to use that name!! AND that this is their last chronical interaction (on panel) before khoa is the one leaving bruce behind to train bao...

im sure bruce used it off panel before this (and it was probably during sloppy old man sex) but this being it on paper has been making me go >:3c!!!!

[wraenata]

Pillow attack courtesy of the @tapakah0 army

I missed the battle. I passed out under the pillow. Sorry :(

(Thank you for the pillow attack though!)

[subtle-as-an-earthquake]

i also popped into the grapes in sheffield yesterday (where the monkeys played their very first gig back in 2003 🥹) for a quick pint and it literally had the loveliest atmosphere, even the bouncer was super sweet. cash only, live music happening in a back room, exclusively locals (and me, sorry), and an arctic monkeys banner above the bar 🥰 (and i spotted baby alex at the leadmill too 🫶🏼)

[the-river-runs]

My best friend Fandom has once again returned and asked me to post to Tumblr for her! Once again, I have permission to post this video and all edits were done by Fandom (http.redshoes on Instagram)

These memes are all based on Cryptid Sightings by @naffeclipse

She has a lot to say this time around!

A message from Fandom:

"Hello Naff!! And hello everyone :D

It’s me, your girl, your local meme and edit maker, Fandom (aka http.redshoes on Insta 😎)

I’ve come back to make another meme comp for you guys! I wanted to make this earlier, but:

1. I was busy saving/collecting ATSV content on Instagram like Pokémon to getting noticed twice by Jack in the Box ☺️

2. I had to create an Ao3 account (understandably ofc AI theft sucks) and was um. You know… being silly in the comment section 👀 (please don’t mind me if you ever stumble upon them - I react and appreciate the stuff I enjoy in weird ways 💔)

3. Was waiting for my friend here to finish reading so I didn’t spoil anything in the memes! We both loved the series so much and man. The Naff do be eclipsing fr in releasing chapters left and right biggest round of applause for one of my favorite authors here 👏👏👏

Naff, you did such a great job writing this fanfic. I’m going to repeat myself from the comment section BUT you need to give yourself a pat on the back, relax, take a break - just reward yourself. You deserve it all and I hope that you take care of yourself for all the hard work you’ve done 💞💞💞

I’ve also included the lovely artist themselves, @themeeplord , again in one of my meme comps.

It’s only one meme but dang they always draw Eclipse to be getting that gain 💪💪💪 (bc of how muscular he is haha.) Mad respect to all of the drawings they create - they’re always a banger to see.

(Most of the memes surround the last episode + epilogue so if you haven’t read those chapters LOOK ‼️ AWAY ‼️ Don’t get spoiled 🤯)

(P.S. for the imagine scenario that’s not a meme, this is what they’re saying in the audio:

“[Amused] You can hear their heartbeats? Come on, that’s a little far fetched.”

“[Soft chuckling] I can hear yours too… Your heart’s beating pretty fast.”

I’d like to think this would take place around the beginning of “The Episode Bedeviling Bodies,” where the Hunter is still trying to understand their dear friend and what they’re capable of. I thought it was fitting ngl and included it in the comp.

There were uh, more memes I wanted to include, but I’m running low on storage space atm. I’ll get back to making more after I’m done clearing that out ^^’)

(P.P.S. Okay I don’t have Tumblr obviously but 🕴️ apparently you guys really liked the SJ memes I made??? Because my friend’s been receiving notifs of it still??? Thank you so much you guys!! I didn’t really expect people to enjoy them that much 😭💘💘💘)

Now without further ado, enjoy the meme comp! >:D " -Fandom

[vilelittlecritter]

"YoU cAnT liKe ThAt ChArAcTeR tHeY [bad action which is integral to the story and why the story is so good in the first place]"

My brother in Christ,

They are not real.

[carnivalcarriondiscarded]

have i mentioned how great cats are. there's a lil guy in my house and when i lay my head on her side she starts purring so hard <3 and ten seconds later she will try to open my wrist with her teeth <3 truly the best <3

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[kiwibirdlafayette]

dudE DUDE dude I am. I am so giddy over bdubs episode from today OH YM GOD like just. Everything about the terrain, from the color work and the composition tickles such a particular itch in my stupid little artist brain Im so Freakin impressed aaaAAAA I LOVE IT

LIKE THE GRASS TRICK OMH YMG GOD. THE GHIBLI GRASS THING BLUER SHADOWS YELLOWER HIGHLIGHT AS A POP OF WARM TONE IS MY LIFEBLOOD AS A LANDSCAPE PAINTER IT MAKES ME SO HAPPY TO HEAR IT BEING USED IN MINECRAFT AAAAAA he mentioned it wnd i was like!!! HOLY MOLEY

[chiliger]

Okay it’s been a week since I watched the series finale of Clone Wars. And like, of all the deaths I have seen in Star Wars, I don’t any of them have disturbed me as much as Jesse’s. Like yeah, there was Fives and Tech (that one is arguable), and there was Nemik from Andor, but there was just something about Jesse the ARC Trooper in his final moments.

And I know the obvious answer is the inhibitor chip, there’s no way to talk around it because it’s the reason he died along with so many clones. But it was just, I dunno, the way he behaved when it was activated. The way that, even when the entire venator was going down and there were no chance of surviving unless on an escape pod or shuttle, he was just desperately (and I say that because that is what it felt like to me) trying to get to Rex and Ahsoka to execute them. Because he believed that was more important then the survival of his men and himself.

I believe that Jesse without the chip would have kriffed the order and made sure as much as his brothers made it off the venator as possible, even if it was evident that Rex and Ahsoka were traitors.

Look, I know that’s the whole point of the chips. That they took away everything that made the clones who they were, and made them… meat droids (ugh I seriously dislike that label). Blindly follow orders, even at the cost of the self.

[shadebloopnik]

Putting this out now, I think St Peter is hot.

YEA I SAID IT

Welcome to Heaven was so cute to me, and a twinky zesty lil man saying "Everyone is haaawwwwwttt" and fucking moanin in a song did something to my brain chemistry