#some of this is in the process of being a fic

[thinkinginscripts]

Stripping the humanity out of a fic as Miss Cock says is an interesting way of describing it.

I think one of the strengths Ao3 fanfic has over mainstream published fiction (apart from being much better written a lot of the time) is the freedom the author has to enrich the reading experience of their work. I LOVE ao3 fics stuffed with notes, asides, photos and art, random references for further explanation, recommended playlists to listen to while reading, links to relevant other fics by other authors, translations, cws and tws and so on.

For me, this creates a place I feel like I'm connecting with the author. They're not only sharing their story, but their experience of writing it, their additional thoughts on what they've written and motivations behind certain elements. I feel cared for by the sensitivity warnings and advice, and feel like the author really wants me to understand and "live" their work when they add photos or sketches or music. And all of this is because fanfic is the definition of a labour of love, and authors want their readers to get the most out of their fic and love it too.

Using AI is the antithesis of this, it is a loveless process and the reader is detached from the "product".

And tbh... the more I read fanfic (I've read some stellar, publishable-quality fics these past couple of months) the more I'm starting to feel like that about regular, found in shops modern fiction.

just saw a fanfic on ao3 have a dedication for chatgpt... that section is meant for your horny perverted mutual who proofread your work, you violated sacred law and you will be torn apart and laid bare btw

[kinardsevan]

i wrote a whole ass psychology breakdown (for the first time in FOREVER) about the break-up. enjoy (if you so choose):

so I've been reading a lot in relation to Tommy's speech during the break-up (and have actually gotten through the scene several times now, mostly as a creative reference for these fix-it fics. I think one of the first things that I've seen completely tossed aside (that bothers the shit out of me as someone with over a decade of therapy treatment and a psychology degree) is whatever trauma Tommy carries.

We know that there are issues with his dad. We know Lou's lore behind him is that he spent a lot of his childhood alone. We don't know anything in relation to his mom, but she may or may not be the cause of more trauma. We know that his way of dealing with abuse of authority is to shut down and follow the leader, which is likely a mix of his military time and growing up in his father's household (and when I say this, I mean from what we saw of him under Gerrard's command). This is a person who has put years into getting himself into some version of okay after all that he's endured, and we know he still generally does it on his own.

To that end, here, have my breakdown of the break up (roughly right about the time Buck says "I want you to move in with me"). (with pictures!)

Prior to the offer, we watch Tommy process through Evan's explanation about his relationship with Abby, things being transformative for him, etc. We have to bare in mind that this is where we also start to get what I've dubbed "starry-eyed Buck". He's so in the throes of what he's saying that I don't think he's really considering the connotation of his words. At the same time, Tommy doesn't know what lore Evan is about to drop him about this prior relationship. Remember that he now has to contend with the fact that they both have strong opinions on their relations toward Abby, and Tommy can't know if their feelings toward her as a person will be the same. I think Lou played this beautifully, appearing anxious and apprehensive as Tommy listened to Evan explain that Abby was transformative for him. Then he shifts into how Tommy has been transformative for him (which, he has, and we as the audience know this, but we understand it from a bigger POV than what Evan is saying with his words.)

There have been posts about Evan putting Tommy up on a pedestal throughout this speech (and really, possibly even sooner, but this is where we really get it expressed). Tommy tries to rectify this to a degree by countering "I wasn't always that way".

To that end, we then get Evan telling him "I know, and it just makes me admire you more." Tommy gives a bashful smile, clearly heartened by the statement, and even opening his mouth as though he's going to respond to it in some form. It would be interesting to know what was on Lou's mind of what (if anything) he thought would've been said there. Are there lines that were removed in this scene? Was 'I love you' actually going to come up? We can't really know. However, there's this part of me that thinks that Tommy thought that they were having a discussion on the depth of their relationship which would've possibly brought those 7 letters to the equation. Either way, this entire bit of facial acting is SO important, because it speaks volumes about how Tommy feels about how Evan feels about him.

From there we get the "I want you to move in with me, and this, THIS, THIS is such an important point for this ENTIRE scene. It's two seconds, but it holds SO much for the narrative. This man, who seems to be on the verge of ...something, clearly (who knows if I Love You was on his mind, or if it was just the fact that Evan was expressing how much he cares about him.) The reason this is all so important is THIS REACTION:

Now again, we don't know Tommy's trauma, but the joy literally drops out of his expression and shifts to panic. Now, speaking solely from the standpoint that these two haven't even said "I love you" yet, his boyfriend steamrolled over him from a possible declaration of love straight to moving in together without discussing semantics. Further, it's not even "I want to live together", it's "move in with me". We don't know much about Tommy's house (because these shitheads haven't built him a set yet), but we know that he has a HOUSE. With a GARAGE. Buck lives in a LOFT. Regardless of how much of an asshole this makes me sound like, it's crawling with red flags. It comes across as "fit more into my life" instead of "lets do this thing together". Further, if that's not bad enough, mention of getting engaged and married is thrown at Tommy as well, which holds two major bits of information: One, these are on Evan's mind. We've NEVER heard him talk about getting engaged or married to anyone. This speaks to the importance of their relationship to him, but the lack of I Love You also speaks on his own trauma. If we truly are getting the rom-com trope, at some point there's likely to be a conversation about why he lept over it (*cough* Taylor, his parents *cough cough*). Meanwhile, as he's continued in his starry-eyed speech, this is what Tommy is giving:

Now for those who don't know how to spot it, this my friends is a PANIC RESPONSE. The shift forward, the move to get up, the literal deep breath. He's having a panic attack. Now, obviously we don't know what brought this on, but god-willing, we WILL get the answers.

Now, to his own point, Tommy doesn't just straight up pop Evan's pink bubble. He does express that it's a sweet sentiment, but that it's a bad idea. To which point we get:

"Evan, that is so sweet. But I can't move in with you." "And why not?" Because. I know how this ends." "Uh, what-what's that supposed to mean?"

At which point, we clearly get the qualities about Evan that Tommy likes. "Incredible guy. Big-hearted. Hot as hell. Impulsive." I don't feel that the expression here matters as much as his tone of voice, because we can see on his face that he's expressing these qualities from a good place. The next point of reference isn't until Tommy's next line, when he says that Evan's reaction is out of things being "new and exciting".

To that end, the way Evan is talking to him makes this statement valid. He's not talking to Tommy like they've been together for six months and have built a relationship that should be moving in this direction. (For the tenth time I will repeat, he couldn't even dignify whether he was in love with Tommy when Josh asked).

Furthermore, I think when you consider this part of the scene, you also have to consider the strain in Tommy's voice. Something about those concepts (living together, getting engaged, married) is terrifying. It definitely gives the impression that Tommy has been faced with some version of this before and he got burned. Why is this important? Because of this:

"I'm saying no matter how bad I want it to be, I'm not your last." Those 9 words are important on their own, but when you couple them with the expression on Tommy's face and what we've just seen him go through, there's a clear point to the fact that he's been through this before. I also think that there can't be enough importance placed on the way he intonates "how bad". This is not a man saying no because he doesn't want to. He's backpedaling because he's sure that he's going to get burned. We get this point further driven home with this exchange:

"I'm your first." "But hey, they can be the same thing." "But, they usually aren't."

See this doesn't read to me as someone who's scared because he knows Evan has never been with another man. They're both fully grown adults who have had multiple relationships. What this speaks to me (now) as, is someone who has let someone convince him before that he would be their forever, that they were all in, and then broke him. When you include his childhood trauma and whatever abandonment issues it's left him with in correlation with all of this, yes, it's still an extremely biphobic set of lines. But in the context of what he's expressing and why, it's not about telling Evan he needs more experience, it's about telling him that he doesn't believe that he'll want to stay settled down with him six months, a year, etc., down the road. And THAT my friends, is abandonment issues 101. "Everyone else has left, so it doesn't matter that I'm in love with you, because you will leave too, and I need to protect myself from that."

Following that, we get this: "if I were to move in with you, you wouldn't mean to, you wouldn't plan for it, but you'd end up breaking my heart."

This line is SO important, right next to Evan's exchange with Josh about his relationship with Tommy. Why? Because even though neither of them have said it, it spells out that these two are in fact in love with each other, even if they haven't said it.

"I don't think I could deal with that." Tommy is fucking GONE on him. He's expressing that if he gave himself fully over to what Evan's referring to, losing him would break him. Again, we don't have the full picture on his trauma, but we know there's a mountain there. It's also worth noting again, that the intonation he uses in these statements clearly come across as someone trying to reign in their emotions and keep it together. That says to me that we're dangeously close to touching his trauma.

I don't feel like I have to include the final few bits of the scene in gifs because they're all over the site now, but the next line gives over the fact that he hasn't really been open about his trauma to Evan, given that his immediate response to expressing all of this is "I should go". This kind of reaction is generally brought on as not being accepted for having certain feelings. Now, obviously Evan is caught off guard by the entire interaction, the same way Tommy was (but for different reasons), so we have to take all of that into account when we think about the fact that instead of countering Tommy's logic, he asks instead if Tommy is breaking up with him.

Body language is also so important here for Tommy. His shoulders are hunched in, we see him wipe his face (meaning there are likely tears), and when he turns around, he's so caught up in whatever wave has taken him over that it takes Evan asking him for Tommy to state "yeah, I guess I did" about breaking up. Further, there's the fact that he states that he didn't see the break-up coming, which goes back to my point at the top of this post, that he clearly thought the conversation was going one direction, and instead it goes the other. From this point, we have Evan reeling, because he wants to create more of a life with Tommy, while Tommy is shutting down because of whatever is holding him back.

Finally, as I've referenced before, we get this line:

"Should've known that parking spot was too good to be true."

That line makes zero sense out of context, but in consideration of someone trying to lighten the weight they're carrying (which you can literally see by the way he has his hand on his neck, which you generally only see people do as a stress response). You can also double entendre this statement that getting to be with Evan was too good to be true. We get that little inhale with the smile, and I swear to God the only time I've seen that kind of reaction is right before someone cracks.

And then in closing, we get the "I'll see you 'round, Buck," our closing gut punch. Evan is still reeling, clearly. His face is very "what the hell just happened". Tommy is clearly not okay. This entire scene has opened an entire can of worms on them without a whole lot of answers.

Now, I've owned the fact that basically from the end of 806, I felt like this had to be a swerve, and that there has to be more to the story. I've also pretty much owned the fact that if the writers did actually just do this for kicks and don't have a resolution for it, I may not keep watching. However, in the context of the fact that, for the moment, I'm choosing to put hope in some kind of resolution, these lines make so much more sense. It is worth noting though, most people in the fandom, let alone the general audience, aren't going to psychologically break this shit down line-by-line. They're not going to lean into whatever trauma Tommy has that we don't know about yet. Its why the internet has been a mess since Thursday night. But it's also why I talk about how, when this situation gets resolved (because right now I refuse to say if), Buck has to give up the loft and give more of himself. Tommy, by the nature of the show, has fully immersed himself in Evan's life, but we haven't seen or heard mention of Evan doing so at all in Tommy's life. That doesn't mean he hasn't, but we haven't gotten any version of that. So when I say Evan needs to give things up... it's about matching what he's asking Tommy to give up. Because at the end of the day, when this circles back around, he's effectively going to be asking Tommy to trust that he won't break his heart like others have, and when you have a lifetime of abandonment issues and have learned to cope by being hyper-independent and alone, moving in the opposite direction is more terrifying than anything else. ESPECIALLY when you love that person, which we saw Tommy spell out. Evan has the ability to break him (and probably already is via this cut-off-at-the-quick break up.)

So, I'm really gonna need these shit heads to figure out that they'll be more miserable apart than they'd ever be together.

That's all. Thanks for coming to my TED talk.

[strandedtoodeep]

Poolverine fics rec' ✨

Yes, FINALLY.

So, basically what the title said: some poolverine's fics recommendation because i have nearly 100 bookmarks and sharing is caring so let's go!

I'll put title, link, tag the author (if they are on tumblr), numbers of words & chapters and probably silly summary or thoughts

I'll be adding some in the future with a red exclamation❗

The one without smut have a bunny emoji ����

My faves are on top

If you have some recs i'm happy to take them thank you 🤲

Faves

Come Hell or High Water by @farmhandler 84k, 11 ch. || love when a fic take mental health seriously and talk about it in a way that feel so right? (bonus the smut is *chef's kiss*

Promise Me We'll Be Back In Time by @back4destiel 108k, 17 ch. || 50 First Dates was one of my favorite movie when i was a preteen (yeah) so this fic fill me with nostalgia and happiness

where soul meets body by @edgebug 33k, 3 ch. || one of my first poolverine's fic and it sets the bar so HIGH (and tbh i cried so much reading it, it's concerning)

silence is what i do best (but still i hear it all) by @cainroses 25k, 3 ch. || feral! logan is very dear to me and the character's voices in it?? absolutely delightful (beware the smut is very good but spicy)

Until you get sick of me, honestly by @3koboldsinahoodie 101k, 20ch. (on going) || i love it so much i want to forget it and discovers it again, the peak of two idiots in love it's beautiful

whoever makes my baby cry (is gonna lose some teeth tonight) by @wickedscribbles 16k, 4 ch. || love some genderplay, bottom and protective logan, my dear, i love it but most importantly the writings is scrumptious

The Void by @rovingotter 115k, 23 ch. || i'm still trying to process what i feel with this fic, please please read this blindly and i assure you, you'll never be the same

The Soundtrack by @greatsnakestintin 39k, 14 ch. (on going) || love a good road trip fic, love music so it's absolutely perfect for me! and the plot is so?? fascinating???

Kaleidoscope by Space_wanderer 69k, 13 ch. (on going) || CHAPPELL ROAN REFERENCE! when Logan is such a idiot Wade need to go get him AGAIN in his universe

Don't you want me to run? by @decaying-lover 54k, 17 ch. (on going) || if you love angst, this fic will serve you ANGST! love their dynamics, the tension, their voices, everything

On going

Girl Dads by @starburstsobsessions 35k, 14 ch. || AU poolverine's fic are fire and this one, THIS ONE, omg! this fic makes my dream (aka seeing dilf! logan) a reality

Somewhere I belong by @terrasilvershade 24k, 6ch. || another girls dad AU but this one, my god!!! the feels?? it's so interesting to see Logan being envious and it's writing so well

Baby(girl) Don't Hurt Me by @peargreen-jellybean 16k, series with 4 works || 4 fics and i love them all! some good poolverine pining & domestic bliss + men in lingeries (my weakness)

In Another Life by @flash-bastardd 32k, 10 ch. || x-men origins but better! (bc it's gay) i have some feelings with this movie but this fic healed me and i love it!

🐰 Take Me Through the Darkness to the Break of the Day by The_Colour_Yellow 16k, 9 ch. || a very good fic around hanahaki disease with my two favorites idiots??? sign me in! even with so much hurt and angst UGH

call me when you’re ready to be real by @maroonmused 23k, 9 ch. || "and they were roommates" ofc like it's not absolutely obvious for EVERYONE except themself; a very good domestic bliss!

Don't Want To Be A Fool For You by @cuntylogan 45k, 2 ch. || bartender! logan who try to fight his addiction (and slowly fall in love) has a special place in my heart, you go boy

How To Pay For Rent 💸 by @fictionfeast 42k, 3 ch. || this fic feels like a fever dream, but a OH SO GOOD and well writing fever dream! (ngl as a french person Craig List scares me)

Complete

🐰 the dollhouse by @kanashikute 4k, OS || love the fluffiness in this fic, love how Logan accept to love, be loved and doesn't left Wade behind UGH they're so cute in this one!!!

🐰 Glass Shards by greaserbabes 9k, 2 ch. || always love when Logan and Wade are SO STUPIDLY in love; ngl the scene with the glass shards make me cry every time

🐰 The Folly Of Playing Gay Chicken Too Hard (Phrasing) by GayLord3000 3k, OS || the domestic fic where Wade is the stupid one, being so stupid in fact it's nearly cost him his relationship with Logan whoops

Love shot by lillygoeson 28k, 6ch. || another bartender! logan one, but AU no powers AND with a good "twist" in the middle; this fic is so bittersweet and good oml

look at you by @weedwilson 3k, OS || yes it's shameless smut and mirror sex, my beloved... and I LOVE when Logan worshipping Wade this much bc he deserves it

It's Just Chemistry by @farmhandler 37k, 5 ch. || in the same universe of Come Hell or High Water, there is so... so much angst but it's very good angst!!! still love this specific dynamic

🐰 We Should Just Kiss (Like Real People Do) by @nikaandtea 8k, OS || HOZIER REFERENCE! i'm still so happy when a fic talk about chronic pain combined with domestic bliss i'm totally sold

Night Terrors by educatedwish 50k, 13 ch. || love how Logan is written is this fic, how PTSD messed with his feelings in a serious way... my heart melt everytime i read it

second nature to me now by @edgebug 36k, OS || a investigation in a gay club??? with my two idiots in love?? and with old gay Logan? i giggled so hard reading this, i LOVE IT

🐰 It Feels Like Home by @twentyghosts 10k, 6 ch. || one of my favorite trope is the 5+1 and this one... my god, right in the feels! so much fluffiness, coziness, it warm my heart

🐰 stuck by the glue (oh and you) by prngslvr 3k, OS || a good rewriting of (some scenes) from DP&W, and one of my first fluff and non-smut fic that i read after watching the movie!

Let Me Get Back to You by ratflavored 14k, 2 ch. || pls i want to read more fics with phone sex in it (i know it's specific) but in the meantime, this one is SO good (and full of feels too)

tomorrow and tomorrow and tomorrow by signifier 10k, OS || i have a thing for time loop and this kind of fuckery, it's short but good and i love the title it make me chuckles

Oh, God, I Think I'm Fallin' by @slut-arc 15k, 5 ch. || the return of domestic poolverine and YES I KNOW but it's my weakness... and Logan is so emotionally constipated it's concerning

the bucket list by @kanashikute 33k, 4 ch. || read this one, please, really, it's so bittersweet BUT i promise there's a good ending (and i cried so much while reading it)

🐰 he’s the headlights, I’m the deer by NatalieK 7k, OS || it's interesting to see Logan's losing his healing factor for once instead of Wade! and seeing Wade taking care of him, my heart

🐰 holding out for a hero by @splinnters 6k, 3 ch. || once again, i have a soft spot for Logan trusting Wade so much he called him when something is wrong and this, THIS is good

🐰 I've got some color back (he thinks so too) by @mid13s 3k, OS || just a short fic with non-sexual intimacy because these two need comfort, hugs and a lot of affection (and the Hozier reference is chef's kiss)

[by-ilmater]

i noticed an environmental thing while playing through a quest in treviso that i won't mention to avoid spoilers. but it's something very specific so i wanna make a post about it, and maybe some of you will find it useful for fic writing purposes

i saw this in the cellar of a certain villa. it's obviously barrels being used to age some sort of alcohol. but the formation of them is important.

this is called a solera. it's an aging process that can be used to age lots of different wine and spirits, but it's best known for use in aging sherry and port. it's a way for producers to blend wines and spirits of different vintages, where the oldest is on the bottom and the youngest is on top. as the older vintages are drained and only a bit remains, the younger vintages are blended into it, creating a sort of perpetual cascade of aging. this ensures consistency in the wine or spirit, as the character of the original vintages never truly leave. it's very cool.

historically, the solera method was developed in spain in the 18th century. i couldn't remember if i'd seen this particular asset in use anywhere else in the game (i feel like i would've noticed before if i had) so if this was intentional on the part of the devs, it's a very cool little thing to put in an antivan cellar, as antiva is loosely based on spain and portugal. it's also something that most people would miss, as you would need to have specific knowledge of wine production to recognize its significance.

anyway, i just thought this was a cool background detail and i wanted to share with y'all.

[danidrabbles]

They're so sweet 🥹

With the way you wrote this, everything reads kind of drunk and fuzzy, too. Like Reader experiences things going kind of too slow and too fast at the same time, they're processing their thoughts about how it feels and what Stan is doing a little slower, and I adored that writing choice!

I love the way Reader is fighting to keep some sort of presence of mind in this part,

"that feel good for you, honey?" you breathe, your legs twitching at stan licks sloppy stripes into you. a moan falls from your lips unbidden, but you keep talking, "you like making me come? you made me feel so good."

Like they're clearly fucked out, but soooo dertermined to give Stan that praise 🥹 And the way he's getting himself off on it after, still between their legs 😳😳😳 That was so good.

I also love how you so effortlessly weave characterization into a shorter piece like this. Stan immediately complaining about his knees after, but also that it's been worth the discomfort, is such an example of that, it really made me grin.

The headcanons you put at the end were so 😳, I'm not used to headcanons being added in after a fic like that, but um, I can get used to that!!!! It was such a fun way to be in their world a little longer.

Lovely as always, thanks for sharing 🥰

i haven't posted any writing recently so have a really informal imagine-type scenario of something that's been on my mind for a few days!! imagine drunk sex with stan after a date... umm i accidentally dove headfirst into stan's praise kink so he gets a little subby here but i'm sure no one's complaining. under the cut:

so good stan/reader (gender-neutral) pre/during/post-canon/unspecified smut, 1237 words warnings: drunk sex! but an established relationship (bonus: drunk nsfw stan headcanons)

the both of you are barely inside, but you're all over each other. you almost forget to lock the front door through giggly kisses that taste like cheap beer, and stan is so grabby and touchy you leave half your outfit on the floor by the time you make it to your room. stan wiggles his brows and asks, "you wanna mess around?" and you laugh because he's already got you topless on the edge of the bed. obviously, you're getting some tonight.

but then you're not laughing, you're gasping, because stan is kissing down your neck, your chest, tugging your clothes off as he sinks down to the floor and moves your legs over his big broad shoulders. you think it's really unfair that you're almost fully naked and he's got all his clothes on but you can't say anything because then stan is mouthing over your underwear and "wow, oh, fuck, shit that feels good," and stan moans over your crotch when you lay on your back and rake your hands through his hair.

he's so good at this, even when he's drunk and doesn't exactly have the precision to find those spots that feel extra good. he makes up for it by tugging your underwear down (he doesn't even move when you have to lift your hips and grind into his face to get them off) and immediately getting lost in it. he moans at the taste of you, loud, like he's getting just as much out of it as you are. his tongue is so warm and he's gripping the tops of your thighs to keep them spread wide, even as they start to shake.

"that's good, fuck stan, so good for me." your breathing is heavy and your moans are just tumbling out of your mouth, you're still drunk, you can't control them, but stan literally whines into you and it's so fucking hot you don't care. one of his big hands squeezes your thigh before letting go of you, falling out of sight. you just tug his soft hair and keep babbling, "shit, shit, fuck, you're making me feel so good—ah, fuck, i'm—there, just like that, that's—fuck, yeah, you're gonna make me come, baby," and your moans get pitchy and your body goes tense and you fall apart on stan's tongue so much easier than you expected to.

but stan doesn't stop. he laps at you, cleans you up, even when you collapse onto your back, gasping and bucking your hips, your hand twisted in his hair. he's still moaning, the sound low and needy, and when you lean up enough to prop one elbow behind you, his eyes are screwed shut. his brows are furrowed in focus.

you realize the arm that isn't over your thigh is down, where you can't see, between his legs. stan is palming his dick through his pants, drawing grunts and little muffled sounds from his mouth. you're dizzy at the revelation, at the thought of stan being just as desperate and just as drunk as you are, so eager to get his mouth on you that he can't even bother to get his pants off.

"that feel good for you, honey?" you breathe, your legs twitching at stan licks sloppy stripes into you. a moan falls from your lips unbidden, but you keep talking, "you like making me come? you made me feel so good."

"fmmmph," stan says into you, making you jump slightly at the vibration. but you giggle softly when you loosen your grip on his hair to gently scratch his scalp instead, playing with his hair, messing it up. his head lolls wherever your hand moves it, but his mouth stays on you. his arm moves rhythmically, and though you can't see it, you can tell from the way his body rocks slightly that he's humping into his hand.

"so good," you say, more of a drunken note-to-self than anything, but stan makes another noise at that. you grind your hips into his mouth and stan's jaw goes slack, his tongue flat and still, so you can rock yourself against it. "ah, fuck, i'm sensitive—feels so good, stan. this makes you feel good too, huh? you wanna come like this?"

stan nods, miniscule. you still your hips and tug his hair once, just gently, so he knows he can move his mouth again. stan does, moaning softly against your skin, his tongue getting lazy and clumsy so he can focus more on the feeling of humping against his own hand. you do your part, playing up your moans, your gasps, your praising words, "fuck, that's good, your mouth is so hot, you're so good for me."

stan's hips twitch into his hands, grinding against it. his moans get louder, his mouth slips away from you so he can press his face against your inner thigh, and then his breath hitches, and he's—something jumps in your chest, warm and excited and affectionate as stan groans through his orgasm. he's pressing his hips hard into his hand. he's drooling onto your thigh. then he sighs, his shoulders untensing as those last few waves of pleasure slowly subside.

"there we go," you soothe, looking down at him though lidded eyes as he catches his breath. stan blinks, slowly, and peeks up at you. you smile when your eyes meet, and stan chuckles, presses a sloppy, wet kiss to your inner thigh. "was that good for you?"

"you kiddin'?" stan slurs, drunk off of beer and off of you, and you laugh as he groans and pushes himself up. he only stands tall enough to climb onto the bed, grunting at the pops from his joints. his voice is low and gravelly, even more than usual as he remarks, "ugh, jesus, my knees—it was worth it. holy smokes."

"holy smokes?" you laugh, shifting to the side to make room before stan collapses beside you with a gruff sigh. you're grinning as he takes you in his arms without question, tugging your naked body onto him. there's a warm, wet spot on his slacks, so you don't feel bad about straddling his thigh and tucking your head into the collar of his shirt. "ugh, you smell sweaty."

"really? you're gonna get on my case after all the work i just put in?" stan has one arm wrapped around you, and he massages his jaw with his other hand. but he's smiling, too.

"the work we put in," you correct him. then you sigh into his neck, finally relaxing. you press a kiss to his skin, and then you smile to yourself when he relaxes, too. "it's okay. i like how smelly you are."

"you're a real doll, you know that?" stan says, sarcastic. his hand rubs soothing lines up and down your spine.

"and you're so good for me," you drawl, low and coy. stan's hand freezes. you can practically hear his blush. you give it a few seconds.

then you burst out laughing, even when he shoves you off him and rolls on top to press you into the mattress as revenge, threatening you to "keep that pretty mouth shut before i shut it for you!" but stan is grinning above you, a little shy, but giddy. there's a warmth in his eyes that makes you tug him down for a kiss. it's drunken and clumsy and messy, with way too much tongue. it's perfect.

(mostly) nsfw drunk stan headcanons:

okay starting off strong with something that's literally not a hc but i want to get beer drunk and smush my face into stan's beer gut. can you imagine. whaaat the fuck

stan gets sooo touchy when he's drunk. he's touchy all the time, he can barely even stand too far away from you, but when he's drunk he gets real clingy. he loves to pull you in by your hip, your waist, pressing kisses to the top of your head and grinning like an idiot when it makes you giggle

he's also so much more loose. he's able to be normal and casual around you sober, but drunk he's so openly giggly and playful and obsessed with you!!! he likes you so much!!!

he has two wolves...... the horny one jumps out so quick around you when he's had a few drinks what do you expect from someone with a dry spell as long as his

stan's so obsessed with making you feel good and get loud and he usually fulfills his praise kink that way. but when he's drunk and less hyperaware of how you feel, he's desperate for some outright verbal praise. he wants to be told he's good and he makes you feel good because it makes him feel sooo good

tried my best to make this reader gender-neutral but he's such a munch it's not even funny. again when he can focus less on you and more on his own oral fixation he can't NOT go down on you even when you're totally done. he loves how you taste. he could probably finish just from that, without touching himself at all.....

thanks so much for reading!!!

[bratzkoo]

merging arrangements | wonwoo pt. 3

Author: bratzkoo Pairing: chaebol heir! wonwoo x chaebol heiress!/ nurse! reader Genre: angst, fluff, smut Rating: NC-17 Word count: 4k~ Warnings/note: for my Anna, my beautiful nurse. No smut scene here but I'll keep the rating NC-17. I'm sorry for rushing the fic but I'm planning on taking a break for a while and want to queue up as many fics as i can so my blog will update even if i'm technically on hiatus.

summary: Jeon Wonwoo's been smitten with you for years, as the two of you enter an arranged marriage, he hopes you'll feel the same.

taglist (hit me up if you wanna be added): @escoupseu , @yanabaaaaaaarysheva , @spnyin , @sousydive , @gyuguys , @gyubakeries , @childish-fear

requests are open, but you can just say hi! | masterlist

The Seoul skyline glittered in the early evening light as Wonwoo stood at the window of his office, a tumbler of whiskey untouched in his hand. The past few weeks since returning from his honeymoon with Y/N had been a whirlwind of business meetings, family dinners, and stolen moments with his new wife. Yet despite the growing comfort between them, Wonwoo couldn't shake the feeling that something was off. Y/N seemed distracted lately, her smiles not quite reaching her eyes.

A knock at the door interrupted his musings. "Come in," he called, turning to see Mingyu enter, looking uncharacteristically nervous.

"Hey," Mingyu said, fidgeting with his tie. "Got a minute? There's something I need to talk to you about."

Wonwoo nodded, gesturing to the plush leather chairs in the corner of his office. As they sat, he noticed the tension in his friend's shoulders, the way Mingyu's eyes darted around the room, avoiding direct contact.

"What's going on, Mingyu? You look like you're about to confess to a crime," Wonwoo joked, trying to lighten the mood.

Mingyu let out a strained laugh. "Not a crime, exactly, but... well, it's complicated." He took a deep breath, then blurted out, "I'm married. To Ela. We've been married for six months."

The words hung in the air between them. Wonwoo blinked, trying to process the information. "Married? To Dr. Ela? But... how? When?"

Mingyu ran a hand through his hair, a gesture Wonwoo recognized as a sign of his friend's agitation. "It happened fast. We've been dating for a while, and when her father started pressuring her to consider an arranged marriage with some businessman's son, we just... we couldn't bear the thought of being separated. So we eloped."

"Six months ago," Wonwoo repeated, his mind racing. "That was right before..."

"Right before your engagement to Y/N was announced," Mingyu finished. "I wanted to tell you, but with everything happening so fast with your marriage, and the merger... it never seemed like the right time."

Wonwoo leaned back in his chair, trying to reconcile this new information with what he thought he knew about his best friend. "Does anyone else know?"

Mingyu shook his head. "Just Y/N. Ela told her recently. We've been keeping it quiet because of Ela's family. Her father... he wouldn't approve of her marrying someone who isn't from old money."

The irony of the situation wasn't lost on Wonwoo. Here he was, in an arranged marriage that was slowly evolving into something real, while his best friend had secretly married for love and was forced to hide it.

"Why tell me now?" Wonwoo asked, though he suspected he knew the answer.

Mingyu's expression softened. "Because you're my best friend, Wonwoo. And because... well, I've seen how things are developing between you and Y/N. I thought maybe, if you knew about Ela and me, it might give you hope. That love can grow in unexpected places."

Wonwoo felt a warmth spread through his chest at Mingyu's words. Despite the shock of the revelation, he couldn't help but feel happy for his friend. "I'm glad you told me," he said softly. "And I'm happy for you, truly. But Mingyu, you can't keep living like this. Hiding your marriage, sneaking around... it's not fair to either of you."

Mingyu nodded, looking relieved to have finally shared his secret. "I know. We're working on a plan. Ela's making a name for herself at the hospital, building her own reputation separate from her family. Once she's more established, we're hoping her father might be more accepting."

As they continued to talk, Mingyu sharing stories of his secret romance and married life, Wonwoo found himself reflecting on his own relationship with Y/N. They had started as strangers, brought together by family obligations and business interests. But now, weeks into their marriage, he was beginning to see glimpses of something deeper, something that made his heart race and his palms sweat like a schoolboy with his first crush.

Later that evening, as Wonwoo made his way home, his mind was still buzzing with thoughts of Mingyu's revelation. He entered the apartment he shared with Y/N, calling out a greeting as he removed his shoes.

"In here," Y/N's voice came from the living room. Wonwoo followed the sound, finding her curled up on the couch with a medical journal. The sight of her, glasses perched on her nose, hair pulled back in a messy bun, made his heart skip a beat.

"How was your day?" he asked, loosening his tie as he sat beside her.

Y/N marked her place in the journal and set it aside. "Busy. There was a multi-car pileup on the highway, so the ER was chaos for most of the afternoon." She rubbed her temples, and Wonwoo resisted the urge to pull her into his arms. They were still navigating the boundaries of their physical affection outside of the bedroom.

"Sounds stressful," he said instead. "Have you eaten? I could order something in."

Y/N shook her head. "I grabbed something at the hospital. But thank you." She paused, studying his face. "Is everything okay? You look... preoccupied."

Wonwoo debated for a moment whether to share Mingyu's secret, but decided against it. It wasn't his story to tell. "Just a long day," he said with a small smile. "How about we watch one of those medical dramas you like? I could use a good laugh at their inaccuracies."

Y/N chuckled, the sound warming Wonwoo from the inside out. "Alright, but don't blame me when you start yelling at the TV about improper CPR techniques."

As they settled in to watch, Wonwoo couldn't help but marvel at how comfortable this felt. Sitting with Y/N, laughing at the ridiculous plot twists of the drama, occasionally brushing hands as they reached for the snacks between them. It wasn't the passionate romance of Mingyu and Ela's secret marriage, but it was something. Something real, something growing.

Little did Wonwoo know, the peace of this moment was about to be shattered by revelations that would shake the very foundation of their budding relationship.

---

The next day found Y/N in the break room of the hospital, her head in her hands as she tried to make sense of the turmoil in her heart. The door opened, and she looked up to see Alexys and Ela enter, deep in conversation.

"I'm telling you, that new resident is a disaster waiting to happen," Alexys was saying. "I swear, if he mixes up another blood sample, I'm going to— Y/N? Are you okay?"

Y/N tried to smile, but it felt more like a grimace. "I'm fine, just... thinking."

Ela, ever perceptive, sat down beside her. "Thinking about what? You look like you're carrying the weight of the world on your shoulders."

The concern in her friends' eyes broke something in Y/N. Before she could stop herself, the words came tumbling out. "I think I still have feelings for Seung-cheol."

The silence that followed her confession was deafening. Alexys, who had been reaching for a cup of coffee, froze mid-motion. Ela's eyes widened, her mouth forming a perfect 'O' of surprise.

"But... but you're married," Alexys sputtered, finally finding her voice. "To Wonwoo. Tall, handsome, ridiculously rich Wonwoo. Who, might I add, looks at you like you hung the moon and stars."

Y/N groaned, burying her face in her hands again. "I know, I know. God, don't you think I know that? It's just... Seung-cheol and I, we have history. And being around him every day, seeing him care for patients, remembering all the plans we used to make..."

"Oh, Y/N," Ela said softly, rubbing soothing circles on her friend's back. "How long have you been feeling like this?"

"Since the wedding, I think," Y/N admitted. "Maybe even before. I thought it would go away, that once I got to know Wonwoo better, these feelings for Seung-cheol would fade. And they have, in a way. Wonwoo is... he's wonderful. Kind, supportive, everything I never expected in an arranged marriage. But then Seung-cheol will do something, say something, and it all comes rushing back."

Alexys, who had been uncharacteristically quiet, suddenly exploded. "Are you kidding me right now? Y/N, do you have any idea how complicated this is? You're married! To a chaebol heir! Your families have merged companies! And now you're telling us you have feelings for the guy from ward?"

"Paid department," Y/N corrected weakly, but Alexys wasn't finished.

"Whatever! The point is, this isn't some drama where you can just follow your heart and everything works out. There are real consequences here. For you, for Wonwoo, for both your families. Not to mention poor Seung-cheol, who's probably been pining away this whole time thinking he missed his chance."

Ela shot Alexys a warning look. "What Alexys is trying to say, in her uniquely tactless way, is that this is a very delicate situation. Y/N, have you talked to Wonwoo about any of this?"

Y/N shook her head, feeling tears prick at her eyes. "How can I? We're just starting to build something real. If I tell him I have feelings for someone else... it would destroy him. And probably end our marriage before it's really begun."

"Okay, okay, let's all take a deep breath," Ela said, ever the voice of reason. "Y/N, you need to really think about what you want here. Are these feelings for Seung-cheol just nostalgia for what might have been? Or are they something deeper?"

"I don't know," Y/N whispered, her voice breaking. "That's the problem. I don't know what I feel anymore."

Alexys, who had been pacing the break room, suddenly stopped. "Oh my god," she said, her voice rising in pitch. "Oh my god. This is insane. We're in the middle of a real-life love triangle. A married love triangle. With chaebols and secret feelings and... oh my god, I think I'm having a panic attack."

"You're having a panic attack?" Y/N said incredulously. "I'm the one living this nightmare!"

"Ladies, please," Ela interjected, but her own composure was starting to crack. "We need to stay calm and— oh, who am I kidding? This is a disaster. Y/N, how did we end up here? First Mingyu and I with our secret marriage, and now you with your secret feelings, and... oh god, is this karma? Is the universe punishing us for all those times we sneaked extra pudding cups from the cafeteria?"

Despite the gravity of the situation, Y/N couldn't help but let out a watery laugh. "I'm pretty sure the universe has bigger concerns than stolen pudding cups, Ela."

"You'd be surprised," Alexys muttered. "Those things are like gold around here." She took a deep breath, visibly trying to collect herself. "Okay, so let me get this straight. You're married to Wonwoo, who you're starting to have real feelings for, but you also have lingering feelings for Seung-cheol, who you've known longer and had a connection with before your arranged marriage. Meanwhile, Ela here is secretly married to Wonwoo's best friend, which adds a whole other layer of complication to this mess. Did I miss anything?"

"Just the part where both our families are expecting an heir to secure the company merger," Y/N added glumly.

"Right, because this situation needed more pressure," Alexys said, throwing her hands up in exasperation. "Anything else? Any other bombs you want to drop? Maybe you're secretly a long-lost princess or something?"

Y/N shook her head, a hysterical giggle bubbling up in her throat. "No, I think that about covers it."

The three friends looked at each other, the full weight of the situation settling over them. Then, as if on cue, they all burst into laughter. It wasn't happy laughter, but rather the kind that comes when a situation is so absurd, so overwhelming, that the only response left is to laugh or cry.

"Oh god," Ela gasped between giggles, wiping tears from her eyes. "What are we going to do?"

"I have no idea," Y/N admitted, her own laughter subsiding into hiccups. "I just... I needed to tell someone. To get it off my chest before I exploded."

Alexys, who had slid down the wall to sit on the floor, shook her head in disbelief. "Well, consider it thoroughly off your chest and splattered all over this break room. Seriously, Y/N, only you could turn an arranged marriage into a K-drama worthy love triangle."

"It's not like I planned this," Y/N protested weakly.

"Of course not," Ela soothed. "But Y/N, you know you're going to have to make a decision eventually, right? You can't keep going on like this, torn between Wonwoo and Seung-cheol. It's not fair to either of them, and it's certainly not fair to you."

Y/N nodded, feeling the weight of her friend's words. "I know. I just... I need time to sort out my feelings. To figure out what's real and what's just... nostalgia or fear or whatever this is."

"Well, you've got us," Alexys said, her voice uncharacteristically gentle. "Whatever you decide, whatever happens, we've got your back. Even if I think you're certifiably insane for getting yourself into this situation in the first place."

"Thanks, I think," Y/N said dryly. She looked at her friends, feeling a rush of affection for these women who were willing to weather this storm with her. "I don't know what I'd do without you two."

"Probably make much more sensible life choices," Ela quipped, earning a weak smile from Y/N.

As the three friends sat in the break room, the gravity of Y/N's confession settling around them like a heavy blanket, none of them noticed the shadow that passed by the partially open door. None of them saw Wonwoo, who had come to surprise Y/N with lunch, freeze in his tracks at the sound of his wife's voice. And none of them saw the play of emotions across his face – shock, hurt, confusion, and finally, a deep, aching sadness – as he quietly backed away from the door, Y/N's words echoing in his mind.

"I think I still have feelings for Seung-cheol."

The lunch in Wonwoo's hand suddenly felt like a lead weight. He turned and walked away, his mind reeling, his heart breaking with every step. The truth had been unveiled, but at what cost?

---

Wonwoo found himself wandering the streets of Seoul, the bustling city a blur around him as Y/N's words played on repeat in his mind. He had come to the hospital on a whim, wanting to surprise Y/N with lunch from her favorite café. Now, he wished he had never set foot in the place.

He replayed every interaction he'd had with Y/N since their wedding, searching for signs he might have missed. Had her smiles been forced? Her laughter hollow? Had every tender moment between them been a lie?

No, he decided. Whatever Y/N's feelings for Seung-cheol, Wonwoo couldn't believe that everything between them had been false. He had seen the genuine surprise in her eyes when he supported her career, felt the real warmth in her embrace when they lay together at night. There was something there, something real growing between them. But was it enough to overcome her history with Seung-cheol?

As the sun began to set, casting long shadows across the city, Wonwoo found himself in a small park. He sat heavily on a bench, his head in his hands. What was he supposed to do with this information? Confront Y/N? Pretend he had never heard? The thought of facing her, of seeing the guilt in her eyes when she realized he knew, made his stomach churn.

"Wonwoo-ssi? Are you alright?"

The voice startled him, and he looked up to see Seung-cheol standing before him, concern etched on his features. For a moment, Wonwoo felt a surge of irrational anger. This was the man his wife had feelings for, the one who might steal her away. But as quickly as it came, the anger faded, replaced by a bone-deep weariness.

"Seung-cheol-ssi," Wonwoo acknowledged, straightening up. He gestured to the empty space beside him. "Please, sit."

Seung-cheol hesitated for a moment before taking a seat, maintaining a respectful distance. An awkward silence fell between them, the air heavy with unspoken words and shared history.

"I didn't expect to see you here," Seung-cheol finally said, his voice carefully neutral. "Is everything okay? You looked... troubled."

Wonwoo let out a bitter laugh. "Troubled. Yes, I suppose that's one way to put it." He turned to look at Seung-cheol, really look at him. This was the man Y/N had history with, the one who still held a piece of her heart. Wonwoo searched his face, trying to see what Y/N saw.

"Can I ask you something, Seung-cheol-ssi?" Wonwoo said abruptly.

Seung-cheol nodded, a wary look in his eyes. "Of course."

"Did you love her? Before... before our marriage was arranged. Did you love Y/N?"

The question hung in the air between them, charged with emotion. Seung-cheol's eyes widened, a myriad of emotions flashing across his face – surprise, pain, regret.

"I... yes," Seung-cheol admitted softly. "I did. I do. But Wonwoo-ssi, you have to understand, I never—"

Wonwoo held up a hand, cutting him off. "I'm not accusing you of anything. I just... I needed to know." He sighed, running a hand through his hair. "I heard Y/N talking to her friends today. She still has feelings for you."

Seung-cheol's sharp intake of breath was the only sound in the quiet park. "Wonwoo-ssi, I... I don't know what to say. I never meant to come between you and Y/N. When your marriage was announced, I stepped back. I've tried to be respectful, to maintain proper boundaries."

"I know," Wonwoo said, surprising himself with the lack of anger in his voice. "I've seen how you interact with her at the hospital. You've been... a good friend to her. A support."

"She's an amazing woman," Seung-cheol said softly. "Brilliant, compassionate. Any man would be lucky to have her love."

Wonwoo nodded, feeling a strange mix of pride and pain at Seung-cheol's words. "She is. And that's why... that's why I can't just let her go without a fight."

Seung-cheol looked at him, surprise evident in his expression. "What do you mean?"

Wonwoo took a deep breath, gathering his thoughts. "The truth is, Seung-cheol-ssi, I've been in love with Y/N for years. Long before our marriage was arranged. I fell for her at a charity gala years ago, watching her passionately discuss her dreams of becoming a nurse. Her determination, her compassion... I was captivated from that moment on."

Seung-cheol's eyes widened in surprise, clearly not expecting this revelation.

Wonwoo continued, his voice soft but filled with emotion. "When our families arranged this marriage, I thought it was a dream come true. A chance to finally be close to her, to build a life together. But I never wanted it to be just a business arrangement. These past weeks, getting to know her, seeing all the sides of her I'd only imagined before... it's only made me fall deeper in love with her."

The admission hung in the air between them, a challenge and a confession all at once.

"So what now?" Seung-cheol asked, his voice barely above a whisper.

Wonwoo stood, brushing off his pants. "Now, I go home to my wife. I fight for our marriage, for the love that I've carried for years and that I hope can grow between us. And you... you respect her choice, whatever that may be."

Seung-cheol nodded slowly, standing as well. "For what it's worth, Wonwoo-ssi, I think you're a good man. Y/N is lucky to have you."

"Thank you," Wonwoo said, extending his hand. Seung-cheol took it, the handshake firm and respectful. As they parted ways, Wonwoo felt a strange sense of clarity. The path ahead wouldn't be easy, but he knew what he had to do.

When Wonwoo arrived home, the apartment was dark and quiet. For a moment, he thought Y/N might not be home, but then he saw a sliver of light under the bedroom door. Taking a deep breath, he made his way down the hallway, each step feeling heavier than the last.

He knocked softly before entering. Y/N was sitting on the bed, still in her scrubs, her hair a mess as if she'd been running her hands through it repeatedly. She looked up as he entered, and Wonwoo's heart clenched at the sight of her red-rimmed eyes.

"Wonwoo," she said, her voice hoarse. "Where have you been? I was worried."

He moved to sit beside her on the bed, maintaining a small distance between them. "I'm sorry. I needed some time to think."

Y/N nodded, twisting her hands in her lap. "Wonwoo, there's something I need to tell you. I—"

"I know," he interrupted gently. "About your feelings for Seung-cheol. I overheard you talking to Alexys and Ela at the hospital today."

Y/N's sharp intake of breath was loud in the quiet room. "Oh god," she whispered, tears welling up in her eyes. "Wonwoo, I'm so sorry. I never meant... I didn't want you to find out like this."

Wonwoo reached out, taking her hand in his. "I know. And I'm not angry, Y/N. I'm hurt, yes. Confused. But not angry."

"You should be," Y/N said, a sob breaking free. "I'm a terrible wife. We're just starting to build something real, and I'm ruining it with these... these lingering feelings."

Wonwoo squeezed her hand, waiting until she met his gaze. "You're not a terrible wife, Y/N. You're human. We entered this marriage as strangers, with our own histories, our own emotional baggage. It's natural that there would be... complications."

Y/N stared at him, disbelief written across her features. "How can you be so understanding? I just admitted to having feelings for another man."

"Because I love you," Wonwoo said simply, the words falling from his lips with surprising ease. "I'm in love with you, Y/N. And I believe that what we're building together is worth fighting for."

Y/N's breath caught, fresh tears spilling down her cheeks. "Wonwoo, I... I don't know what to say. I care for you, deeply. What's growing between us, it's real and beautiful and I don't want to lose it. But these feelings for Seung-cheol, they're confusing everything."

Wonwoo nodded, reaching up to wipe away her tears. "I know. And I'm not asking you to make a decision right now. I'm not giving you an ultimatum. What I'm saying is... I'm here. I'm committed to us, to our marriage. And I'm willing to work through this, together, if you are."

Y/N leaned into his touch, her eyes closing briefly. When she opened them, Wonwoo saw a mix of gratitude, affection, and determination in their depths. "I want to try," she whispered. "I want to work through this. With you."

Wonwoo felt a weight lift from his chest at her words. He pulled her into his arms, holding her close as she cried, her tears soaking into his shirt. They had a long road ahead of them, full of difficult conversations and emotional hurdles. But as he held his wife, feeling her heartbeat against his chest, Wonwoo felt a spark of hope.

Their marriage may have started as an arrangement, but it had become something more. Something worth fighting for. And fight they would, together, against all odds.

As the night deepened around them, Wonwoo and Y/N remained entwined, the first truthful words of their new chapter hanging in the air between them. The truths had been unveiled, painful and raw. But with those truths came the possibility of a deeper understanding, a stronger bond.

The future was uncertain, but for now, they had this moment. This honesty. This chance to build something real from the ashes of their arranged beginning.

And for now, that was enough.

[runawaymun]

Hey! Any advice on writing multi chaptered fics or just longer stories?

I feel like I'm okay for like snippets but have no idea how to write the middle of a story or move a character or story from point a to point b.

And asking you because you're writing is phenomenal and I'd love some advice.

(But if no brain space for advice I totally get that too and feel free to hide this ask or something)

(Anyway great updates on boundless and the one shot Brimbrond)

Sorry for taking so long to respond to this! I just wanted to take some good time to gather my thoughts because oh man oh boy I am a bit of a nerd about plot structure, even if I pants it a lot of the time -- because middles and structure absolutely plagued me when I was a beginner and so I spent a long, long time studying it and breaking it down.

I'm going to start with some very, very basic advice and then get into some more specific stuff. So let's talk first about how to structure a long-form plot first.

DISCLAIMER: this is how I personally structure plots. More often than not I veer off my own track. And this is a very western way of structuring a plot. It's well worth looking into how storytellers from around the world structure their work because it can vary wildly (Miyazaki is a great example of this). Take this with a grain of salt. It's a guideline which I find helpful. This is going to get very, very long. Bear with me:

When I'm first thinking about how to create a plot around a story I want to tell, this is the process I walk myself through, and it tends to work about 75% of the time for the stories I like to tell (I'm not much of a thriller or mystery writer and those tend to have different kinds of structure). Main recipe is as follows:

Status quo - establish the setting and the character. Do this by the middle-to-end of chapter one, preferably. You can get away with drawing it out a bit in sci-fi or fantasy works that require more worldbuilding, but try not to.

Inciting incident - I won't tell you to start in media res, as that varies from writer to writer and story to story. Generally you want to have this somewhere in chapters 1-3. Say we're talking about LOTR - I'd say the inciting incident is when Bilbo goes invisible at his birthday party and leaves for retirement. Everything sort of snowballs from there (Gandalf confirming this is The One Ring, the Ring being passed to Frodo, the adventure beginning, etc. etc). This is where your character can lose something, or be confronted with a huge problem, or gain some new information. This is the point where your story really picks up.

Point of no return - your character has been presented with a problem or is put in a situation and now they have to decide what to do about it. Sometimes characters choose to run away, or choose inaction. It's up to you and your character as to what they do next.

The annoying part - the most helpful way I've ever found to think about middles is in terms of a series of decisions and consequences. Your character must decide what to do (or try to get what they want), and this will then come with consequences to those decisions. I ignore a lot of writing advice because writers seem to be very cagey about how they compose middles and plots for some reason, but the one piece I heard that helped me was: "What does my character want, and what stops them from getting it?" -- and this can be anything, right? Frodo wants (has to) take the Ring to Mordor. Luke wants to learn to be a Jedi like his father. Inspector Poirot needs to catch the murderer. Odysseus wants to return home. Each of these characters are going to make a series of decisions toward their goal, and they may be working from incomplete information, or bad paradigms, or racing against the clock, or against impossible odds. They're going to make mistakes. Over and over and over again. The middle is a series of decisions, consequences for those decisions, and obstacles (more on that later).

Point of no return 2, electric boogaloo (i.e. the actual midpoint to the story) - the part right before the climax -- the climax IS NOT the midpoint of your story, nor is it the end. This is your midpoint where Everything Fucking Sucks. Your character's back is against the wall. They have to change, or fail.

Paradigm shift: your character learns something new, or develops in some crucial way that leads to:

The climax/confrontation: 3/4 - 7/8th of the way through your plot. Frodo decides to keep the ring. Luke uses the force to blow up the death star. Anakin's fear and the manipulation from Palpatine overtakes him and he turns to the dark side. Inspector Poirot gets his last crucial piece of information and gathers everybody together for the Big Reveal. Odysseus gets home and chases the suitors out of his house. Etc. Etc. This is that Big Point in the story we all think as the most important or crucial point (but it's not. That's the key here. THE most important point is the whole middle of how we got here).

Consequences and paradigm shift 2 electric boogaloo: varies from story to story, but this is the fallout of the last decision or confrontation. Your character may reflect on what they've learned. The killer goes to jail. Frodo returns to the Shire and it's saved, but not for him. The journey your character has been on has irreparably altered them, or the world around them -- for better or for worse.

Resolution: the place where you land the story ;) what is the final impression you want your readers to have of your character, or this world?

Alright so that's all kind of nebulous. Let me give you a slightly more specific form of this plot structure that I use pretty often, because I almost exclusively write character and relationship-driven stories since that's what interests me most:

So most of this looks much the same (the inciting incident is some kind of meetcute. The characters then have to decide if they want to have some kind of relationship -- I like to name this part the callback). Then we have a whole weird squishy section of building interest and tension, before once again we have The Big Fight (darkest before the dawn or what have you), before one or both characters have some kind of paradigm shift, they confess their feelings (or resolve the fight or whatever), and the security of the relationship is established -- happy go lucky times, everything is beautiful and nothing hurts.

So the middle here is of course still squishy and nebulous, but the focus here is still on "What decisions are the characters making? What are the consequences of those decisions? What are they learning, and how do they respond to it?" Maybe the tension is in one character being more reticent, while the other is more open. Maybe the tension is a sexual tension (will they, won't they?). Maybe a character is working off of incomplete information, or a misunderstanding, and that needs to be cleared up before the relationship (or even their own personal growth) can progress (both Elrian and Thalionel in Stars and Boundless Sky follow this pattern). The middle is a push-pull between your character's desires and outside forces that are stopping them from getting what they want, or achieving what they want to achieve.

So okay, that's all well and good. That's basic plot structure. Let me get into my thought process about middles specifically:

Begin with your ending in mind. I do not mean that you need to have like the whole resolution to your story fleshed out. If you're that kind of writer, great! But if you're more of a pantser like me, then that can be a big ask. Instead, ask yourself: what do I want my character to have learned by the end of the story? How do I want them to have changed, or grown? Do I want it to be for better, or for worse? Is there a specific plot goal you have in mind? (saving the world, or catching the murderer, solving the mystery, exorcizing the ghost, the couple getting together at the end, the found family finally gelling with each other, or whatever).

Once you have that thought in mind, now start to think about what your character might need to get from their starting point to their ending point. If it's a murder mystery, this is your information gathering section. You can lead your character to wrong or right conclusions. Have them make mistakes. Etc. etc. If it's a romance, this is where you create a string of scenes where the characters have opportunities to interact and learn more about each other (works for platonic slowburns, too). If this is a traditional hero's journey, this is where you plop in your actual journey.

Not to repeat this ad nauseum, but your middle is all about getting your character to your end goal, but in the most difficult way possible lmao. Let them make mistakes. Let them make bad decisions -- and then follow through with the consequences of those bad decisions. Give them bad information. This is where understanding your character's fundamental flaws becomes extremely important. Your entire plot, imo, stems from your character's fundamental flaws -- because ultimately that is what is going to slow them down the most from reaching their goal. Sure, you may have the big bad evil guy (bbeg), but we're not worried about him. That's an external factor and that's easy to drop in when you need a quick problem to place in front of your protagonist -- but that problem needs to be in service to your character or your worldbuilding. Teach them something. Give them an opportunity for growth. Aragorn needs to lead at Helm's Deep so he can inhabit his leadership role. The mountain pass of Caradhras needs to force the Fellowship through the mines so that Gandalf falls fighting the Balrog and comes back leveled up and ready to fight, and other characters in the fellowship have a chance to grow into their roles without relying on Gandalf for leadership. Your middle is all about crafting little opportunities for character growth, always while moving toward your end goal -- whatever that may be.

The paradigm shifts are crucial, and they can shift for better or for worse. It's up to you and your characters and the story you want to tell as to which it'll be.

If you're bored, your reader is bored. Only write what excites you, skip all the rest, and make it make sense at the end -- I'm so serious. Yes you need to add in breaks for pacing (like the whole Rivendell section in LOTR), but in those breaks still make sure that you're either expanding your worldbuilding, or giving your characters and opportunity for growth.

If you want to tell a really long (novel length) type of story, sideplots and alternate POVs are your best friend. They are structured exactly the same as a regular plot, they're just simpler or smaller and generally work in service to the main plot. Maybe there are side characters or side relationships you'd like to develop. Maybe there's a smaller mystery or a part of your worldbuilding you'd like to explore. Action plots can be side plots to romantic or platonic slowburn plots, just as much as it can be the other way around. And this is not something you need to structure out the gate. Just be curious and playful. Find points in your story that interest you, and explore them a bit. You'll find that they expand the story.

Biggest and best tip I can give you, when all is said and done, is to decide what kind of story you want to tell and then examine how other people are doing it. If you want to write a superhero story, pick out your favorites and look at how they're structured. If you want to write a mystery, same thing. If you're writing a romance or a drama, again -- same thing. Look at the pieces of fiction that you like, figure out what you like about it, and then apply it to your own work.

That's all the general advice off the top of my head. IDK how helpful this was lol. If you want more tips on middles I can try to look at it a bit more in depth, but to be quite honest middles are really what defines a genre. Romances have different middles to thrillers. Thrillers have different middles to mysteries. Mysteries have different middles to dystopian sci-fis. Etc. Etc. So take the general advice with a grain of salt and look more specifically at the genre of story that you're looking to tell.

Thanks for coming to my tedtalk <3

[midnightmischief10]

welp. i'm posting this unedited and EXTREMELY self indulgent pedro pascal x reader fic. i have more written, but i will only post the full thing if ppl are also as sick and twisted as me.

hope who ever reads this, feels a little more seen bc i am SICK (well not really HHAHAH) of all the pedro character ddlg fics!! i just wanted to write something more realistic? idk welp, here it is! (not in its entirety:P )

Si no te hubieras ido

pairings: Pedro Pascal x Reader

warnings: age gap, drinking, reader is in their 20s

getting to work on a set like The Mandalorian was a dream if you were being honest. no, you weren't some high end actor, or a famous director, just someone part of the production crew, doing things like planning, writing, hell even editing. you'd do anything to just be a part of a project like this.

interactions with the actors were also common in a job like this, but apart from just guiding them through certain scenes and how they should look, you really didn't cross the boundaries that weren't professional. It was really nice to admire them though. Getting the occasional chat with big shot superstars was so cool and always something to brag about to your family even though they weren't supportive of your career choice. You didn’t end up a doctor or lawyer like they wanted, but hey! You did something you loved.

It was honestly a very normal day in the workplace. You were working in the art department as usual, helping make sure the vision that the director wanted was really coming through. Being behind the scenes for such big projects like these was really something. Your admiration for the process really grew getting to do all the behind the scenes work, it was such a nice feeling seeing the thing you along with many others, worked so hard on being televised was something special.

You weren't the overly ambitious type, but the thought of directing something sounded really cool.

You continued on, designing what the director wanted on a few scenes we’d be working on in the following weeks.

Lost in your work you didn’t expect anyone to come up to you for anything, you weren't the art director so it wasn't usual for people to come to you. Unbeknownst to you, you felt a sudden hand on your arm, not roughly just to get your attention.

you look up and woah…why the hell was Pedro Pascal standing right behind you.

"uhm, I'm sorry to bother you, you seem busy, but I've been meaning to ask, would you like to go out for a drink sometime?" Pedro asked.

huh? what…the…fuck…?

it caught you off guard.

Firstly, why was Pedro Pascal even looking for you? Because I mean you? of all people he could ask something like that, it was you? A man notorious for not having any sort of relationship, at least not public, was standing here with you asking you to go out for a drink.

you didn’t even think about your response before the words fell from your mouth.

"oh..uhm…Is this some kind of prank?"

you dumb BITCH WHY WOULD U SAY THAT???

was what you thought immediately after.

In your defense, you were in disbelief because what the hell was Pedro Pascal, a very prominent and influential actor, asking you out for drinks? I mean the interactions you both have had were merely professional and work related so why?

he looked confused at your answer, maybe even a little insulted, which was not your intention.

"shit I'm sorry I didn't mean to sound rude I'm just in a bit of disbelief" you let out an awkward laugh to soften the previous response and got out of your seat to face him properly. how do you even respond to a question like that, you had no idea that's for certain.

He stared softly at you and started, "no I'm sorry, that was very sudden haha. no need to say yes I just wanted to see if you would." His response was genuine and he wore a soft smile as he did.

God, was he really handsome up close.

To be quite honest, you always found him super attractive. But he was the internet’s daddy so it wasn't just you who felt attraction towards him. And sure, you might've dabbled in the idea of maybe even going out with him, but you were realistic with yourself.

But here you are now. Getting asked out on a date with this hunk of a man.

You were still lost in thought, trying to reflect on what was occurring and what came out of Pedro’s mouth.

He spoke again, "Sorry, just forget it ev-"

"no no, I mean I'd love to, who wouldn't want to go out for drinks with you, I'm just not all that special ya know?" you were being honest. You weren't some super sexy model or a renowned actor, you were just some girl working on the same set as Pedro.

Also, you were much younger than Pedro.

"I'd beg to differ." he said quite frankly. He smiled that sweet and tender smile of his and you couldn't help but think, for an older man he was sure fine.

you were daydreaming again at this point when Pedro spoke again,"so...is that a yes then?" it snapped you back to reality. It was so odd to see him so nervous over something like this, but being in the know of most things Hollywood, everyone who knew Pedro also knew that he had social anxiety so it must've taken a lot out of him to even ask you out

your heart raced, “yea- yes, I'll go for a drink with you.” you smiled, but if you were being honest you were really nervous too. What exactly did he see in you? Sure you were kind and respectful, but that's how you were with everyone. Pedro felt way out of your league to even grasp the idea of flirting with him, I mean come on. Who would even think about flirting with an A-list celebrity, especially someone way way WAY younger than he was and someone who wasn’t on any level to him.

he had a huge smile on his face, he seemed so content. “Great, should I get your number while I’m at it?” He pulled out his phone and handed it to you. You slightly grazed his hand when he did and it caught you by surprise.

His hands were so big, and you didn’t realize till just then how much of a height difference you two had.

You put your name and number, your hands were trembling a bit as you did so.

“here you go. so…when should I expect that drink?” you tried being coy to play off the fact that you were actually freaking out.

he smiled and laughed, “what about tonight then?”

that was quick

“oh. uhm yeah sure, i get off at 5, would like 8 be okay.”

“Sounds perfect. I’ll pick you up, wear something nice.”

“Do I not look nice now?” you said sarcastically.

“No no, you always look great, I’d just like to see you in a dress.” He looked at you with so much love, his sweet smile still plastered hard on his face.

You couldn’t help but blush hard.

Has he always looked at me?

“I’ll send you my address then, see you tonight.”

“See you tonight.” and he stepped out.

what the fuck were you getting into

~~~~~~~

[zepskies]

@lamentationsofalonelypotato

The angst was so real (in the best way)! 😭

She does, she's just afraid to admit it to herself and afraid to have those feelings for someone who doesn't love her back. And it really makes you want to hit her over the head with a frying pan LOL. And thank you! That's how I intended it to be, which is even more heartbreaking 😭

It does make sense, poor thing. 😭 She's so unwilling to believe he could love her the way she wants/needs, while he's hesitating to allow himself to do it. And I'm thinking he's fighting off some self-doubt/self-worth issues as well?

I love this journey of self-discovery for her, both with her brother and past, and with her expanding powers. It's pique Hero's Journey stuff! 💚

Plus, I really think that the creature is adorable, well, besides the murder tendencies. (I guess we could also say that about Ben LMAO)

LMAO factssss. Who could say no to that adorably confused grandpa face?

The reader is killing me tbh. I know I've said this before, but writing slow burn is literally almost as bad as reading it. Don't get me wrong I LOVE slow burn, but oh my stars sometimes it's so frustrating for them to both be in so much denial lol. I shouldn't complain because I did this to myself and now it really is "oh look the consequences of my own actions" lol.

LOLL the slow burn is a killer for both of us! "The consequences of our own actions" is so deeply relatable for the writing process. 🤣🤣

Thank you so much!💗 For me there really is something wonderful about reading/seeing creative chaos in a home, and also looking at creative spaces that people have. I think that there is warmth and comfort in a home that looks lived in. It's why I don't love minimalism, because it looks cold if that makes sense lol.

Aw you're welcome! I totally agree. I love seeing that as well -- it's like getting a window into a person's mind through their living space. I don't like minimalism for that reason either!

Again, I was so on the fence about Soothsayer, but what you said about her being in "an even better position to give her advice when it comes to that man" is exactly why I decided to include her.

Honestly it was a great twist! It makes her friendship with Ben more fleshed out and her own past, and how it serves to help the reader now. Especially now that it seems she's going to help get the reader and Ben together! 😂

I know 😭 She is going to realize it soon and I am so excited about that reveal. Oh plus I do think that she does know deep down that she does love him and care about him, but she's afraid to admit it because she doesn't want to fall for someone who she believes doesn't value relationships like she does.

God I can't wait!! lol And I totally get that. She really does seem to realize how deep her feelings run for him, but she's afraid, for the reasons you said. 🥲🥲

Mayyyybbbbeeeee...😉 Honestly, as much as I love reading fics where the reader isn't a supe, there's always a little part of me that can't help but see the reader growing old and Ben staying the same, and it always breaks my heart. There really is something so intimate and romantic about being able to truly spend your life with someone else, not just your life and then they go on for another few centuries.

Ooooh yesssss. 😏 And totally agree with you there! It's too bittersweet for me when you know one of them is going to die someday and the other keeps living on, carrying the weight of their memory. It's why I had to come up with that twist in BMD loll. Thank you for noting on that! It took some head scratching and BS science (and some inspo from my love of Smallville), but I think the reasoning was convincing enough on how the reader in BMD "caught up" with his longevity of life. 😂 I also love the idea of the plants giving her healing abilities and prolonging her life through that cell regeneration. 💚💚

It's my favorite line too! That and the bundt cake 😂. But you're right, he's afraid of everything that he's feeling and after Countess, he's not sure if he should fall for someone again.

Can't forget the bundt cake!!

Oh yeah, Countess sure fucked him up. 😬 That, along with the torture and years of being treated like a god in all other respects. 🫠

Oh Ben, he'll get there. He just needs some actual love in his life, and someone stubborn enough to not only put up with his shit, but like you said, "take a chance" on him. 😉

It's always my pleasure to read your stories, hun! Giving the feedback is the least I can do. 💕

Chapter 14: Don't Be A Bundt Cake

Pairing: Soldier Boy x f!reader, Reader POV, Soldier Boy POV

Summary:  When you decided to work with Butcher and his merry band of supe hunters to take down Homelander, you never expected to be saddled with a sullen, grumpy, jerk like Soldier Boy when the job was done. The more you're around him the more you hate him, but you can't help but wonder, is he really as big a jerk as you think? Reader is a supe with plant powers. This takes place in an AU about a month after the end of The Boys Season 3, in which Butcher has let Soldier Boy continue to work with him on his team.  (I'm real bad at summaries, please forgive me!)

Tropes: Enemies to Lovers (Not in this chapter), Slow Burn, Age Difference (Reader is in her 20s), Soft Ben/ Soldier Boy, Protective Ben/Soldier Boy, Miscommunication Trope

Word Count: 13.1K

Warnings: I'm going to label this 18+ because Soldier Boy (he's a warning and everyone knows it), Swearing, Mentions of Sex, Sexual Innuendo, Talks of Death, DENIAL, Idiots in Love, Pining by the Reader (and SB, but he won't admit it) Depressing Thoughts, Mentions of sexual assault/rape (not detailed at all, really just in passing) Talks about weed, Sexist comments, Ben makes derogatory comments, Threatening Ben/Soldier Boy might be a little bit OOC.

Note: This is told from Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. If you don’t like, don’t read, but if you do like, you’re my favorite!

Internal monologue is in italics and is in first person.

Series Masterlist

Main Masterlist

A/N: I am so sorry this one took me a bit longer. The writers block was fighting me the whole way, but we are very closely nearing the end of this series and the moment the reader and Ben stop being so stinkin' stubborn.

Reader POV

You lean your forehead against the cool window, watching the world flash by in a flurry of color. The wooded forests had vanished hours ago and all that was left were the yellowed sprawling fields of corn and grain and family farms that were laid sporadically along the interstate. Each one a little world that caught the flecks of golden sunlight as the sun began to peak above the horizon.

The bus rolled smooth and steady over the weathered pavement towards it's destination and was filled with an odd assortment of people young and old. There was man with a brightly colored parrot that had been singing "It's A Small World After All" since you left NYC, a woman with a little boy playing with an iPad and who refused to turn down the volume no matter how many times his mother asked him to, a group of teenagers a few seats up that continued to pass around a flask, and due to how far back you were sitting on the bus an uncomfortable smell emanated from the bathroom each time the door was opened.

But you didn't notice any of it.

The only thing on your mind were the events that happened almost twenty hours ago. They continued to circle your mind, playing over and over again like a perverted cassette tape making you sink further into the worn cloth covered seat at the back of the bus. The images were haunting, some new and some old, but all the more still horrible to re-live.

The song "Nights In White Satin" floating into the backseat of your family's car, the flash of unnatural light you knew was never lightning, the caskets at your parent's funeral covered in flowers that were much to pretty to lay on something so morbid, Elijah's body succumbing to the poppies that ripped him apart, the proud sneer on your brother's face when he admitted to killing your parents, Darren's broken and bloodied body strewn in pieces over the street with the creature standing over him with a dripping red maw, the ruined building that housed "Please Don't Die" reduced to nothing more than rubble, and the look on Ben's face when you turned your back on him and fled the scene.

For some reason that particular image seemed to cling on to you and refused to fade. You'd never seen him look that way, almost… helpless and a little fearful. In all the time you'd known him, Ben had never looked at you that way. Sure you'd seen him proud, angry, cocky, lustful, mischievous, but never fearful. And you were sure that it wasn't an emotion that he was used to feeling, but that begged the question… why?

Why was he looking at me like that? Why wouldn't he let me go? And what was he afraid of?

The creature curled in your lap snorts something in it's sleep, turning it’s head further into the cradle of your elbow to shut out the brilliant early morning sunlight. It was now the size of a toaster and had warranted several odd looks whenever you got off to change buses, but you didn't care.

You weren't sure about anything anymore. Everything your brother confessed to you made you feel like you were living a lie and the revelation of exactly what your powers could do- take life from plants to heal yourself, create whatever the hell it was on your lap, and speak to plants… it scared you.

You thought for so long that you knew everything about your powers, that you were in control, but now you weren't sure.

You felt different, as if something had unlocked deep down that you couldn't shut up again.

You'd felt different after you killed Elijah, but this was more alive, weaving and twisting in the pit of your stomach. You felt more connected to the earth, to the world outside the bus even though you were divided by glass and metal. You could feel the energy that thrummed through the body of the creature on your lap, bending to your will, the life force of the plants it was formed from molding with you, becoming a part of you.

You felt so different than the person you had been before Darren entered the shop, so uncertain, and there was only one place you wanted to be when you felt like this… home. You couldn't wait to run up the worn front steps of your grandmother's house and into her arms. She always knew what to say in times like this.

And you desperately needed the comfort of her embrace.

The phone in your pocket buzzes again and you flip the screen to see the ridiculous selfie Annie and you had taken on Halloween last year. The one that you'd both spent dressed up as the two brothers from your favorite paranormal tv show. It wasn't the first time she'd called. Annie had called and texted you more times than you could count over the past twenty hours but you didn't answer her. You didn’t want to.

It was the first time that you didn't want to talk to her, but talking to her meant that you'd have to re-live all of it again and you were clawing at the last shred of sanity you had left to keep it together.

The overwhelming waves of emotion kept pummeling you, dragging you deeper beneath the white surf. Each one brought the memories of what happened surging over you and were followed by everything that Darren said to you. Years of taking care of Darren and doing whatever he wished were tearing at your soul, years of giving up little things in your life to make him happy, and years of taking care of a man who you thought cared about you, but hated you enough to kill your parents and try to kill you too.

It made your skin crawl. Each time your brother told you that he loved you was an even bigger lie and now that you knew the truth and saw him for what he was, it felt like you were drowning. The darkness that ebbed just on the edge was begging you to leap into the abyss, but you were resisting the best you could.

The tears had stopped falling miles ago, but you couldn't stop the memories or the emotion that formed a cold ball in the pit of your stomach.

A sigh works it's way up and you pull your legs on the seat underneath you, jostling the creature on your lap that raises it's head for a moment to blink it's black eyes at you sleepily.

It was surprisingly docile right now, especially considering that twenty hours ago it had ripped your brother to shreds. In fact it seemed to understand how upset you were and had spent the better part of the last twenty hours rubbing it's head against your arm as if trying to bring you some comfort. It was settled on your lap, the weight of it a comfort, almost like a weighted plushy that gave you something to focus on.

"It's alright buddy." You whisper, scratching him under his chin. "We're almost home."

The phone in your jacket pocket buzzes again, but when you pull it out to turn it off, you catch a glimpse of the screen, and you hesitate. Because this time it's not Annie who's calling, it’s Ben.

The picture that flashes on the screen under the contact name "Gramps" is the picture of Mr. Fredrickson from Up. It always made you smile whenever he called you and you saw the picture because Ben did often remind you of him. He was certainly just as grumpy as Mr. Fredrickson and just as out of touch, but you thought it was cute.

Your thumb hovers over the answer button and you think about talking to him.

But what would I say?

You weren't sure what to say to him, or why you wanted to speak to him so badly, why you wanted him to be sitting here on the bus with you as you went home, and why you wanted him to hold you against his chest while you allowed yourself to break, but you did. You wanted to feel his awkward shoulder pat and his awkward version of hand holding and you wanted to hear him try to tell you to "buck up" or whatever he thought that a comforting word should be.

He's really not the best at that.

You smile to yourself at the memory of how he tried to comfort you back at the hospital, but the longer you sit there and look down at the picture on the screen the worse you feel.

Maybe that scared you more than your newfound powers, how much you were realizing that you needed him, how much you depended on him when things got too much for you to bear. The memory of him appearing as soon as you needed him back at the shop, another of him grabbing Darren and throwing him into the street as soon as Darren insulted you comes in a flash, and finally followed by the memory of Ben carrying you out of Elijah's office while you curled into his chest. You couldn't remember too much from that moment, in fact you'd thought that Ben had kissed you on top of your head, but you ascribed that to the haze of pain you'd been in from your broken arm.

What you did remember was how wonderfully warm he was after you'd been trapped in that damn freezer and how nice it felt to be in his arms. Another memory of Ben sleeping on the couch at the hospital bubbles up and you feel something in your chest begin to crack open. And you try your best to tell yourself the same thing that you always do when you feel like Ben might care more about you that he was letting on.

Ben doesn't want that. He's made it perfectly clear. He doesn't want a relationship. He's only wants one night, that's why he goes out with all those women-

You hesitate, thumb still hovering over the answer button as you do, the memory of the week you'd spent at the apartment with him flickering in the back of your mind. The week where he refused to leave you alone in the apartment, where he refused to do any jobs for Butcher, where he took care of you the best way he could, when he sat with you on the couch and made you laugh with his ridiculous movies, and the week where he hadn't had one date.

Your finger itched to answer the phone, but you couldn't, because you didn't want to feel this way about Ben, not when he'd told you countless times that you kept romanticizing him, not when he told you that he didn't want a relationship, and not when you could feel yourself beginning to fall for someone you thought was the wrong man.

For just a moment you tried to pretend that it was different, that he was different, but you didn't want to. It only made it hurt more.

The phone stops ringing, but the pit in your stomach still gapes open at you and for the first time in twenty hours you feel tears begin to fall. You didn't know why you were crying about this, why the thought of not picking up Ben's phone call seemed to hurt more than everything that had happened, but something made it hurt.

The bus driver announces over the overhead that you're reaching your final destination as he takes the exit for your hometown. The familiar buildings that line the streets are sheathed in a honeyed glow from the sun, the long shadow of the bus darkening them momentarily as it rumbles down the small streets to the bus station.

When it rumbles to a stop at the bus station you wait for everyone else to get off, trying to summon the strength to stand, and swipe the back of your hand across your face to rid yourself of the remaining tears.

The bus station was about a thirty minute walk from your grandmother's house, and you still hadn't called her. You didn't know what to say, didn't know how to tell her that Darren was dead and that he was the reason why your parents were dead.

The creature crawls up your body to drape it's warm body over the back of your neck as you stand. It wasn't bothering to hide, besides the people in your hometown already thought that you were odd because you were a supe and you'd always welcomed it. You give him a scratch on top of his head and his warm tongue flicks on the bottom of your earlobe as if thanking you before it curls further into the side of your neck, seeking warmth.

The first few steps on solid ground are shaky, but you find the strength while taking in a deep cleansing breath of the outside world, letting the gentle warmth of the sun and the tickle of the autumn breeze pull at your coat. You hadn't stopped at your apartment before coming here, instead you had stumbled your way to the bus station covered in dust, flecked in blood, and demanded the first ticket back to Illinois. It was lucky that the next bus was leaving immediately, because you didn’t want to spend another second in NYC, not when all you wanted was to be home.

Plus you were worried that someone had recorded what exactly happened outside the plant shop and you didn't want to get arrested.

It was self defense anyway. Maybe Jake would represent me in court.

The thought of Jake makes you twinge. You hadn't checked to see if he was alright before you ran from the scene. Not to mention you'd destroyed the shop he'd put all his life savings into after he stopped being a lawyer.

Oh fuck, what if he sues me? He can't exactly sue Darren…

You hear someone call your name and you open your eyes.

Your grandmother is standing in front of the same baby blue pickup truck that she'd had longer than you've been alive, wearing a long multicolored skirt and a pressed white blouse tucked elegantly into it. Her silver hair is loose and long, curling over her shoulders in gentle waves. She looks the same way she looked one week ago when she left, and you've never seen anything so beautiful in your life.

You're running before you can stop yourself, crumbling into her warm embrace, with more tears streaking down your face, but she doesn't mind.

"Shh. It's alright honey." She whispers, rubbing her hand over your back, her embrace steady and surprisingly strong. "Let's go home."

Her home is the same as it's always been. A two story Victorian house painted in a happy yellow shade, with a white wrap around porch and two white rocking chairs sitting empty on the front porch. You'd spent more nights than you could count rocking silently beside her with a crochet project in your lap listening to the rain fall and soak the world outside, while the plants sang praises with every gentle bend beneath the heavy droplets.

You could barely remember the home you spent in your early years with your parents, not when you'd spent most of your childhood spending the night here and after your parents died living here permanently. There was still a large oak tree were a wooden swing swung in the slight breeze on the left side of the yard, a gardenia bush that stretched as high as the second story on the right side of the house and brushed it's soft leaves against the sunshine colored outer walls, a garden filled with both flowering plants and herbs that perked up on both sides of the front yard as you walked up the path, and a cobblestone path that Annie and you had spent hours of your shared childhood covering in chalk art.

Neither of you were good, but when the rain would fall and smudge the clean lines, you'd jump in the puddles that pooled along the walkway singing the lyrics to ABBA's "Cassandra" not quite understanding what it meant.

Standing here outside your house made you miss Annie and feel worse about not calling or texting her back, but you didn't feel like talking about what happened and you were sure that Butcher filled her in. The only thing that you wanted was to collapse in your bedroom upstairs and curl under the comforters.

Despite everything the house was a welcome sight, but at the same time it was different. You could feel the plants calling out to you, asking for you, bending towards you just to touch your shoes as you walked by. You'd never felt so connected with them before, not even when you were in your apartment or working at the shop.  It was overwhelming.

And although a part of you was frightened by it, another part of you rejoiced in it. You didn't feel alone, didn't feel weak, and you knew that you never would ever again.

The creature nuzzled into the side of your neck with a sigh, soaking up the sun's healing rays as you walked up the front steps with your grandmother following behind you silently. She hadn't spoken since she picked you up at the bus station and you hadn't supplied anything in the ten minute car ride back to her house.

You didn't know where to start and you were still trying to process everything yourself.

The inside of her house was just as cozy and warm as it was the day you moved out. There were photos of your parents and you covering the walls (Darren's had been placed in the closet long ago), half-finished knitting projects sorted in different baskets on both the dining room table and the living room coffee table, spools of yarn were strewn over the couch sorted by color, and the fresh smell of gardenia wafted through the open windows on the breeze.

It was home. This was what you'd been missing the moment everything began to crash over you, but as you stood there in the familiar living room it felt like something was missing. Something tugged at the back of your mind, but you couldn't put your finger on it.

There was something or rather someone that should be here, but you didn't know what or who. And your mind supplied Annie, but you weren't sure that's who you meant.

"Let's have some tea." Your grandmother says from behind you and you feel her soft hands come down on your shoulders to steer you through the familiar creative chaos and into the large kitchen at the back of the house.

The kitchen isn't spared from the madness, it rarely was. There are boxes upon boxes of cookies in different stages of being packaged all over the counter, dirty bowls and a measuring cup stacked in the sink, and a large opened bag of chocolate chips spilling over the flour covered kitchen island.

It wasn't unusual to find the kitchen or the house in a state of chaos, your grandmother always said that a house should look lived in and that the mess was part of the fun of any major project as long as you were responsible enough to clean it up.

"Bake sale?" You ask as you sit down in the breakfast nook, uttering the first words that you'd said to another human being in twenty hours.

The next breath that you inhale was supposed to be cleansing, but you can still feel a weight pressing down on your chest, the same one that settled in the moment everything happened with Darren.

You contemplate again how you're going to tell her that Darren is dead and was the reason why your parents died.

Damn it Darren.

"Mhmm." She hums, filling the well used red kettle. "Annie's mother practically cornered me in the supermarket yesterday and begged me to make cookies. I love Annie, but her mother needs someone to pull that stick out of her ass. It's been up there for so long that I'm sure it's rotten."

The creature crawls down from your shoulders and down your arm to sniff at one of the chocolate chip cookies nearest you. It hadn't eaten since…

Darren.

You wince slightly at the thought and hope that you hadn't created something that needed and craved human flesh. The last thing you wanted to unleash on the world was Audry two especially in the wake of Homelander.

Truthfully you were waiting for the guilt at killing your brother to come, but it never had and you wondered if it ever would.

Probably not. He deserved that, he killed our parents, he tried to kill me, he tried to kill Ben.

The thought of Ben again makes a lump form in the back of your throat. You didn't know what was happening to you only that you felt guilty for leaving him like that, for yelling at him to let you go, and just vanishing on him when he probably thought that you were going back to the apartment.

He doesn't know where I am. Maybe that's why he tried to call, because he got back to the apartment and couldn't find me there and he was worried. You press your lips together. Yeah. Worried. Right.

"Honey?" Your grandmother says in a soothing voice

You look up from the box of chocolate chip cookies that you didn't remember picking up. Even the creature is looking at you with an expression that you can only explain as worry.

"Yeah?" Your voice shakes slightly.

She's leaning back against the counter, arms crossed over her chest, head tilted slightly to the side, her beautiful grayed hair pulled up in an elegant bun, but in her eyes you can see genuine concern. "Fuck." She sighs after a minute.

You blink in surprise. It was the first time that you'd ever heard her say that word in your entire life.

"I shouldn't have left." She breathes. "I told Ben to look out for you. I told him, that little bastard was bound to show up again and what did he do? He left you at that plant shop alone with no protection!"

You'd only seen her really angry a handful of times in your lifetime. Like you, your grandmother often had a gentle disposition and didn't get angry unless the situation called for it.

I mean, Darren admitted to killing our parents and then got fucking ripped apart. But how does she know about any of that? I haven't told her…

"How did you know that he left me there? Did Ben call you?" You ask putting down the box of cookies.

An odd expression crosses her face, as if she's contemplating something. "No." She hesitates again. "I saw it."

"No." Your grandmother hesitates. "I saw it."

"You saw it?" You repeat, confused.

What's going on?

"Too late of course, but I'm a little rusty. I was able to warn Ben that Darren was coming back. That's how he got there so quickly or rather-" She shrugs sheepishly. "He got there in time to make sure that Darren didn't get you to forgive him. Which you shouldn't have at all, but I know he's always had a talent for manipulating you."

"What?"

Is she saying what I think she's saying?

Instead of explaining further your grandmother walks out of the kitchen, leaving the kettle behind on the stove and you in a state of utter confusion.

Is she saying that she can see the future? Because that would mean that she's a supe and there's only one supe in history that I know of that can do that. A supe that no one has seen in over forty years.

You can hear her open the door to the closet under the stairs and the sound of her sifting through all the junk that the two of you had shoved in there over the years instead of finding the right place to put it.

When she comes back into the kitchen, she's holding a giant cardboard file box that you'd never paid attention to each time you opened the closet to find something. Your eyes shift from the box to her still not comprehending exactly what she was saying.

"I probably should have told you this a while ago, but…" She trails off and nods her head at the box before turning back to the kettle on the stove that has begun to scream. "I kept putting it off."

The box is old, worn at the edges, and theres a musty black fabric beneath a collection of yellowed photographs. You pull out the one on top to examine it.

Ben is standing there in his full Soldier Boy regalia outside of Vought tower and the woman standing next to him is Soothsayer. The outfit she wore was familiar, a black-skin tight suit with a blind fold tied over her eyes.

Soothsayer was a supe who could see the future and who was apart of Payback, a supe that had vanished a year before the mission in Nicaragua and no one knew where she went. There were rumors that she'd died and that she'd been a Russian spy, but you'd never believed them. You'd heard Butcher talk about how he tried to find her when he was trying to figure out what happened to Soldier Boy, but he never had. Said that the trail went cold.

But now you knew where she went, because she was standing directly in front of you.

She's Soothsayer? Holy fuck that's why Ben kept accusing her of cheating in the poker game because he knew that she could see the future.

"You were Soothsayer?" You gasp. "But why didn't you say anything? Why didn't you tell me?"

She continues to measure the tea leaves. "I didn't tell anyone."

"Grandpa didn't know? But he was alive when you were a supe?"

Your grandfather had never spoken about a history with supes that you remember.

"No." She turns to look at you, a hurt expression crossing over her face for a minute. "Well, I know that I said I was going to have tea, but if we're going to talk about this I'm going to need something a little bit stronger."

Your grandmother opens a cabinet under the stove an pulls out an enormous bottle of scotch. Truth be told you'd never seen her drink more than just a glass of wine, to see her like this was about as shocking as seeing a polar bear sunning itself on a Florida beach.

"Do you still want the blueberry tea or do you need something a little stronger?" She looks back over her shoulder at you as she pulls down a glass for herself.

"I think I need something stronger." You answer honestly.

Learning about everything Darren had done was one thing, but finding out that your grandmother used to be a famous supe and that she never told you about it was another thing. It was like looking at another person. You'd always loved your grandmother's gentle way, her care for her community and her family soft, but now you weren't sure you really knew who she was.

She sits down across from you and hands you a glass of the amber colored liquid. There's a heavy silence that hangs between the two of you as she tries to find a way to start. The photo of her and Ben is laying on top of what you realize is her uniform inside the box and she smiles down at the photo, just a little twitch at the corner of her lips.

"I met Ben when I was twenty three years old." She begins taking a sip from the glass. "Legend 'discovered' me. I had the injection of Compound V maybe two years before that, not when I was born, but I hadn't gotten popular. Other powers were much more flashy and by then there were so many heroes coming out of the woodwork that someone with the ability to see the future didn't seem as marketable."

There's something reflected in her blue eyes, the same eyes your father had, that you can't place. "I had just moved to New York, I had no money, and the way I was getting it was by pretending to be a fortune teller and betting on some sports events on the side. It wasn't hard to prove that I could see the future, the past was more difficult, but Legend somehow stumbled into my shop and figured out that I was a supe. And he didn't think I was too bad looking so he helped me get big."

"You pretended to be a fortune teller?"

She snorts into her glass. "Mhmm. People really will believe anything if they're desperate enough and back then there was so much turmoil going on with Russia that people were scared and wanted to feel comforted. My job provided some of that."

"But why did you walk away from it if you were such a big hero." You ask. "Everyone knew your name, you were-"

Your grandmother raises an eyebrow at you and you fall silent so she can continue. "When I got onto Payback that's when everything exploded for me, the films, the commercials, the ridiculous ads." She sighs. "That's also when I met Ben."

You take a sip from the glass in front of you, sputtering slightly. It was stronger than you were expecting. "And you two were-"

Please don't say dating, please don't say dating, please don't say…

"Friends. Just friends." Diana sits back against the back of the breakfast nook, sinking into the navy blue pillows. "But he is almost as charming now as he was then."

You cringe at the thought of Ben coming on to a younger version of your grandmother.

She taps her glass with her index finger deep in thought. "But I think that I was the only person that Ben actually talked to, the only person that he was comfortable being around."

"What do you mean?" You ask confused. "Didn't he talk to Countess and to Legend?"

Her expression hardens at the mention of Countess's name. "He didn't talk to her the way he talked to me. Ben is difficult, he always has been and I think that most of the people he meet him write him off as this asshole with a chauvinistic look on the world, but he's not. At least, not all the time. There are so many people that he's met that are never willing to take a chance on him. To trust that there is really something beneath all of that bravado."

It was what you had been thinking for the past week, that there was more to Ben than he was willing to let people see, but you were slowly realizing that Ben was letting you see those parts. In the quiet moments at your shared apartment when he sat with you while you read or made you laugh or walked you to and from work you saw another side of Ben that you never saw when he was around anyone else. The guilt rises again when you think of how you ran from him, how you turned your back and left him standing there to clean up your mess.

I shouldn’t have done that, but it was all just so overwhelming and I didn't want to talk to anyone.

"I think that Ben is the most loyal friend I ever had. No one ever seems to believe me when I say that. That we were just friends, but nothing happened between us."

"You didn't date? Or sleep together?" You ask cautiously. It was difficult to imagine Ben being friends with a woman and not having a sexual relationship with her.

Well. We're friends, but that's different.

The last thing you wanted to think about was Ben and your grandmother having sex.

I would need so much therapy after that. You sigh. Yeah, because after all the shit I've been through and found out about my life in the last twenty hours, the knowledge that Ben fucked my grandmother is what's going to push me over the edge.

"No." She shakes her head with a small smile. "About a week after I met Ben, I was running late to a movie shoot and I stepped off the crosswalk without looking. There was a car coming and I didn't see it. Ironic isn't it?" She laughs at herself. "I can see the future and I didn't see a car coming, but your grandfather did and he grabbed the back of my jacket and yanked me onto the sidewalk, saved my life. And the second my eyes locked with his I saw our future. I saw our wedding, our first house, I saw our son take his first steps and I saw how much I would love him and how much he would love me." She clears her throat for a minute, her fingers tighten on the glass, and her gaze drops to the wedding ring on her left hand. “The future is never set in stone, it’s fluid. It morphs and shapes with your decisions, but in the future I saw, I was so happy. And I didn’t want to lose that.”

Your grandfather had passed a few years ago, but you knew it weighed on her everyday. She had spent the week after he died in her room not saying anything to anyone. And sometimes she'd look out the window into the backyard with an odd expression, but you knew that meant she was thinking of him.

Growing up you'd seen how in love the two of them were, more so than your parents. Seen the flowers your grandfather always brought home just because he was thinking of her, watched him do little things around the house without being asked, saw how they never walked away angry from one another, and seen the soppy expression he'd get when he watched your grandmother move around the kitchen baking with a grace that you'd never possessed.

You reach across the table to touch her hand and she takes it gratefully.

"I didn't want to tell him that I was a supe, and at the beginning I thought I could balance it all, but then Ben started dating Countess." She takes another sip from her glass. "She hated me."

"What? Why?" You ask. The creature crawls across the table to sniff at the glass in front of you, before it snorts and falls into your lap, curling into a ball.

"Countess was a bitch." Your grandmother says mirthlessly, her expression hardening. "She wanted to possess Ben completely. Only loved how famous he was, how popular it made her, and he threw himself at her feet, in his own way, not understanding that love didn’t look that way. He’s never had a good example of it in his life. And she never understood that Ben and I were just friends. By then I had been dating your grandfather for a few months and things were getting serious. It was about a year before everything that happened in Nicaragua."

She presses her lips together as if remembering what happened to Ben there. "She was jealous, possessive, and she came to me one night. Ben was out of town for a film so she knew we wouldn’t be interrupted. She threatened to tell your grandfather who I really was and threatened to kill him.” Her jaw sets. “My powers were never really as offensive as hers were. And she said that Ben wouldn’t ever protect me over her because he loved her and would do anything to make her happy. So I left and I never looked back.”

And here I thought I couldn't hate Countess any more than I did for what she did to Ben.

“You didn’t talk to him ever again?” You wonder out loud.

She left without telling him goodbye?

“There was the occasional phone call. Sometimes Ben would ask me to see who was going to win a ball game or something so he could make a few bucks. He stopped by to say hi a few times because he was in the neighborhood. One time he brought your father a baseball glove that was way too big for a one year old.” She snorts, the memory flashing in her eyes. “I always thought Ben would be a good dad some day. But I think seeing your father was when Ben realized how much he wanted to have kids. And I think seeing the way your grandfather treated me made him start to feel conflicted about Countess. But he respected that I walked away, he saw that I was happy.”

“But what about Nicaragua?"

A dark look crosses her face followed by something that looks suspiciously like guilt. “I saw what they were going to do to him.”

“What? But why didn't you tell him what they were planning? Why didn't you-"

"I tried." She snaps, shoulders tense, but then they drop. "I called Ben, but Stan answered. By then your father was turning two, your grandfather had opened up his practice, and Stan threatened me, he knew where we were and knew everything about us. So I kept my mouth shut and I’ll regret it for the rest of my life.”

You could feel your heart breaking for her.

Ben was her best friend and she had to sit by and watch them do that to him. She saw what they were going to do and they were going to kill her for it, kill my family for it.

The anger that surges in your chest makes the creature in your lap stir and grow a few inches, but you tamp it down before it gets bigger than a small dog.

“Does Ben know?” You ask her to distract yourself.

You didn't want Ben to hate your grandmother for this, didn't want him to hate her for something that wasn't her fault.

She nods. “Yes. I told him everything.”

“When?”

“The moment I saw him in your hospital room. I couldn’t keep it in any longer. I wasn't expecting him to be there, but it all poured out of me. I was so surprised to see him there. I hadn't seen a future where he came back."

“Was he mad?”

I mean… he didn't seem mad when I woke up, not to mention he was upset when she left to come back to Illinois.

“Not at me.” She shakes her head. “He knew how much I wanted a normal life and how much I loved your grandfather. He doesn’t blame me for any of it.”

“Good. I can’t believe you didn’t tell me.”

The glass in front of you is still more than half-full but you don't want to risk another sip of what you're sure is gasoline packaged to look like Scotch. Your grandmother reaches to pour herself another glass.

“I didn’t want to until you were ready.”

“And when would that be?”

Your grandmother shrugs. “Maybe on my deathbed.”

You weren't angry for her not telling you, more surprised, but now that you knew everything about her it was hard to see her the same way you had.

 You snort. “And no one knew?”

“Your dad figured it out.”

“How? When?”

“The moment you made that strawberry plant grow from your high chair.” She shakes her head with a smile. “It skipped a generation. Don’t know why, but you got it all somehow.”

“I was never injected?”

“No. That was a lie your father created. He knew that your grandfather didn't know and he knew that I didn't want your grandfather to know."

“Darren thought I was.”

“I know.”

At the mention of your brother's name, you watch her expression harden and she takes another swig from the glass in front of her, not flinching as the liquid goes down her throat.

“Did you see everything that happened?” You ask in a small voice.

You still weren't 100% sure how it was her powers worked, but you figured that she was able to see some of what Darren did and what he said.

“Yes.”

“You heard everything Darren said?"

“Yes.”

You chew the inside of your cheek for a minute hoping that she didn't take it as hard as you did. “Did you know that he killed them?”

“No.” She breathes, rolling the glass between her hands for a moment. “The night they died, I got a vision a few minutes before the car ran off the road. I was the one who called the police and who told them where to look, but I never saw that it was Darren or that it was anyone causing the accident. All I saw was the three of you in the car. I should have known.” Her voice breaks.

“It’s not your fault.” You squeeze her hand.

“And it’s not yours either.” She squeezes your hand back.

The memories are beginning to float up from the recesses of your mind and your teeth clench together as you try to keep them at bay.

“I know.” You breathe. The memory of the ruined shop flashes through your head. “I didn’t know that I could do something like that.” You gently touch your healed right arm and glance at the creature that is nibbling on the edge of the cardboard box with its sharp splinter-like teeth. “I feel so different and I don’t know how to go back to the way I was.”

“I don’t think you ever will.”

"Really?"

The thought was unwelcome. You were hoping that all of this was going to blow over, but you knew it wouldn't. Your powers had changed. There was an energy that thrummed in your veins now, stretching out of the house to the plants that grew in the garden. You could feel them all if you concentrated.

She frowns. “When you told me that you were working for Butcher I was worried about you getting involved in the supe world. I didn’t want that life for you, didn’t want you to suffer the way I did-“

“Was it really that bad?"

“Not all the time, just at the end. But I think that’s why I loved your grandfather so much. Because he was different than all the supes. He was down to earth, not just normal but-“ She shrugs. “I think Compound V does something to our minds, makes them more susceptible and when you’re surrounded by people using their powers and thinking that they’re gods it’s easy to lose who you are. I was glad I left when I did."

“Great." You huff, thinking about how your powers had grown exponentially since you killed your brother. It was scaring you to think that you would reach a point where you acted like Homelander, where you saw yourself as a god and killed anyone who stood in your way.

As tired as the stereotype of you only being able to make the flowers grow, you liked doing that. You liked healing plants, tending to them, and helping them grow. For you it had never been about using your powers the way that you had to kill Elijah and your brother and had always been about spreading a little more joy and love like your grandmother did with her kindness in her community.

Your mind flashes back to the first night that Ben stayed with you in your apartment and he'd asked you why you worked for Butcher and told you that he thought you "didn't fit."

Before you hadn't. You knew that. You weren't intimidating to look at or fueled by revenge or had a bone to pick with supes. You'd joined because you thought it was the right thing to do and because you wanted to be closer with Annie. She had been so involved in the supe world and you'd felt like you were losing your best friend. When in reality being at "Please Don't Die" was the only thing that felt natural for you.

You could feel yourself changing and you weren't sure that you wanted to and you weren't sure if you were changing for the better. Deep down you still felt like you, despite everything Darren had revealed, but your powers were greater than you'd thought they could be.

“No.” She squeezes your hand pulling you out of your head. “I don’t see you losing yourself in this.”

“You’ve seen-“ Your eyes widen.

“The future yeah.” Her lips twitch up at the ends in a smile. “It is what I do.”

“That’s so weird.”

You hadn't meant to say it, but you really didn't want to know too much about your future.

Well, not all that much. Maybe just a little.

“You of all people have no right to judge what’s weird. Not with Godzilla sitting in your lap.”

"Godzilla" yawns, flashing a mouthful of his pointy teeth, before settling back down on your thighs.

You smile for the first time in twenty hours, but then it drops. “I don’t like losing control. I thought I knew who I was but now I don’t-“ The emotions were bubbling up again, chest tightening, and lungs beginning to gasp for air. “I don’t know who I am anymore or what I am or what I can do and-“

“There’s nothing wrong with not being in control.”

“But what if I hurt someone? What if I kill-“ You body shakes as you think about all the important people in your life, Annie, Hughie, Butcher, Kimiko, MM, Frenchie- and then your mind stutters on Ben.

“Your powers are growing and there’s nothing to be afraid of or ashamed of. If you’re afraid of them it won’t get easier for you. You have to embrace the fear to see the lights that line the path through it.”

"I killed Darren, I killed Elijah-"

"Not because you lost control. You did it because you were protecting yourself and protecting your friends."

"But-"

"Who is it that you're scared of hurting? Annie?" Her expression turns sympathetic. "Annie is a supe and understands what it's like to lose control. None of us are in control all the time and it's ridiculous to believe that you won't lose control at least once."

Your throat clenches tightly, because when she asked the question you didn't see Annie's face, you saw Ben's. You knew that it was probably ridiculous to worry about hurting a guy with a nuclear reactor stuffed in his chest or a guy who'd been through every torture known to man, but you were. And you weren't entirely sure if you meant hurting him with just your powers.

Tears crest and fall down your cheeks as you sit there, throat thickening. "I don't want to hurt Ben."

"He's a little more indestructible than us sweetie." She cracks a smile, but you can't smile back and you don't answer because you're unsure how to.

She sits back against the breakfast nook and sighs, examining your face and slowly realizes what you mean. "Ben is complicated. He always has been. I like to think that most of it, is his father's fault. Has he told you anything about him?"

You shake your head.

"He was a dick. Made Ben think that he was a disappointment his whole life. I don't think that Ben has had someone love him unconditionally since his mother died. And loving Countess only made it worse for him. Her love was jealous, possessive, and I don't think that he's really come to terms with what real love should look like." She lets out a breath, tapping her index finger against the glass. "I never saw him as more than a friend, but I do love him. It's not a crime to love him."

"I don't love him." You say it immediately.

"Why not?"

"What?" You sputter. "I don't know what you're-"

"Tell me why you don't love him." Your grandma says methodically, as if she's trying to talk you through it.

"Because I-" The pressure was back in the back of your throat and you couldn't quite meet her eye. "Because-" You scramble for the answer, trying your darndest to keep your heart from clenching in your chest. "I want what you and grandpa had, what Annie and Hughie have, and what my parents had. A strong relationship with someone who sees all my flaws, the little parts, and the darkness and still choses to fall in love with me anyway. I don't want just one night I want every night. I want something real and Ben has said countless times that he-"

"So you've talked about it with Ben?" She raises an eyebrow.

"Only because he kept trying to sleep with me and I told him that I didn't want to have sex with him." You reply exasperated.

"You don't?"

"Gran!"

"What? He's attractive."

"It doesn't matter. None of it does. Because Ben has said that he doesn't have relationships, that he doesn't care about feelings, or emotions." Saying the words that Ben had told you countless times made something inside begin to shrivel up and die. "And I do. And I don't want to manipulate him into being something he's not or force him into a relationship that's doomed from the beginning. Ben is Ben. He's not changing or-"

"He has." She interrupts.

"What?"

"The Ben I saw in your hospital room is not the one I knew." She says it so matter of fact that makes it hard to breathe. "And neither was the one that I saw in your apartment when I stayed with you. I mean he is in essence Ben, but-"

"What does that have to do with anything?"

"He is changing. Not completely, but he's acting differently than when he was with Countess. I mean, I saw all the things he did for her. The way he was around her."

"Why does that matter?"

"Because he loved her."

The words make your heart seize in your chest. "Ben doesn't love me. He's my roommate and my friend-" It was the same thing that you kept telling yourself on repeat to beat back the other feelings that you hadn't quite identified yet. "And he's told me that he doesn't want a relationship and that I should try to meet other people."

That last part was a lie, but you honestly didn't know where she was going with this conversation or why it was getting so hard to breathe.

"Have you thought that maybe Ben doesn't want to love you because he's scared?"

"He doesn't love me and Ben isn't afraid of anything."

"He is. It might not look the same way on him as it does on everyone else, but if you pay close enough attention you can catch it." She hesitates. "And I think if you pay attention to you, you'll see what it is that you're afraid of too."

What does she mean? What the hell am I afraid of? Ben isn't afraid of anything, he's practically shouted that from the mountaintops like Julie Andrews.

"I already told you what I'm afraid of."

"I'm not talking about you hurting someone honey. There's something else that you refuse to admit to yourself because you're scared." She smiles sadly at you. "You should though, because when you embrace it, what comes after is really beautiful." There's a far off look in her eyes and you realize that she'd seen something further ahead that she wasn't letting on.

"And it's all I want for you. To be happy." Your grandmother stands from the other side of the booth "I think you need some rest. You drove all night long and I doubt you got any sleep. And I have to package all of these before Annie's mother calls down the four horsemen of the Apocalypse on me."

"Wait-"

"Please sweetie." She lays her hand down on your arm. "I think you'll feel a little better about all of this when you've had some rest." Her fingers raise to push back some of the hair that's fallen forward into your eyes. "Hmm?"

You didn't want to rest, you wanted to talk about this, but you knew better than to argue with her. Not to mention she was right, you hadn't slept.

"And when you wake up I'll make your favorite for dinner, alright?" She smiles, but there's something behind it that you can't place.

"Okay."

And this time you don't argue with her. You go up the worn staircase that you have your entire life and collapse onto your bed, wondering exactly what it was she saw your future hold, and what it is that you won't admit to yourself.

Soldier Boy POV

There was no light in the apartment save from the burning red tip of Ben's blunt and the bluish glow emanating from the tv that caught the dips and sharp edges of his face. But it was nothing more than background noise.

His hand absentmindedly stroked along Bean's back, his eyes focused on the ceiling above the couch. He hadn't moved in hours. It had been over twenty four hours since everything that happened at the plant shop, since you'd summoned a creature from the depths of the store, since Darren had thrown Ben through the plate glass windows of the bakery, and since Ben had last seen you.

He didn't understand why you hadn't let him take you back to the apartment and why it was that you had to leave. Ben hadn't liked the feeling that stabbed him in the chest when you turned your back on him and ran away. He'd felt the urge to comfort you the way he'd watched Hughie do for Annie in the car a week ago, but you hadn't let him.

Instead all he'd done is stood there and watched you run, still covered in dust, rubble, and blood. Worse was you hadn't let him check you for injuries and Ben hated the thought that you were hurt somewhere and he didn't know where you were.

You were so much more fragile than he was. He was realizing that more every day, was acutely aware of it after everything that happened with Elijah. Honestly, sitting there in the hospital with you laying there asleep with nothing that he could do, but wait for you to wake up had been agony. Not to mention that looking at the bruises around your throat, over your eye, and the bright green cast only made him feel worse. He'd never felt so helpless in his entire life and he hated it. Because Ben wasn't some helpless damsel in distress, he was a man and a man shouldn't wait on anyone or feel out of control, or at least, that's what he told himself.

Ben hears someone walk down the hallway outside the apartment and he perks up to listen, hoping that it's you finally coming home. Ben's mind stutters on the word "home." He'd lived many places in his life, apartments that felt more like way-stations, and the drafty cold mansion back in Philadelphia where he grew up, but neither felt like home. And although he hated how small your apartment was, it was the first place that Ben liked living in. He was starting to understand the word home.

But the feet keep moving past the apartment and Ben sinks into the couch cushions. Even Bean seems to be disappointed. "It's alright buddy." Ben mutters. "She'll come back."

But he wasn't sure.

Ben also wasn't used to feeling this way. It was close to the way that he felt when he went to Boston and was sitting in that damn hotel room waiting for something to happen and he still didn't understand what it meant. He didn't understand why he couldn't stand it that you weren't back yet. It made him feel like a woman waiting for her husband to get home from work when he told her that he was "running late." He'd tried to distract himself by looking at some possible prospects on Tinder, but just like the week after you'd come home from the hospital and just like the date he had in Boston, no one held any appeal.

His mind was awake and roaming around, pacing back and forth. The blunt was supposed to help, but it hadn't.

His phone chirps and Ben picks it up to look at the screen, but it's not you, it's Jake.

Jake: I know that I'm not your favorite person, but thank you for what you did.

Ben huffs and turns his phone face down on the couch once more. "What a fucking pussy."

When you left Ben had realized that Jake was still inside the building and as much as he wanted race after you, he understood that you'd be even more upset if you'd killed Jake. So Ben had tromped back through the building and found him trapped beneath some rubble. Jake was okay, just unconscious, but Ben had carried him out and put him on the sidewalk before he high tailed it out of there. The last thing that he wanted was to be caught with a shredded body outside a ruined building.

I didn't do it for him. I did it for her. Ben thinks to himself, looking down at the text message.

As much as he hated the thought of saving your future boyfriend, he didn't want to see what it did to you if you found out that you killed Jake, so he'd done it to avoid watching you cry again.

Ben didn't understand why he hated watching you cry.

Women cry. They're damn emotional all the time. He tries to reason with himself taking a puff from the blunt pinched between his thumb and forefinger. And she fucking cries way too much.

The image of you crying outside of the shop in the wake of everything that happened pricks something under his ribcage. Fuck.

Ben didn't feel remorse for what happened, well, the only thing he regretted was not getting there sooner and getting to fuck Darren up himself. When Diana had called him to tell him that Darren was coming, Ben had practically ripped the apartment door off in his haste to get back to you. He hadn’t wanted to leave you at the plant shop, but Butcher had told Ben, that he had a possible location for Darren, but it came up empty and Ben had been at Butcher's apartment chewing him out for sending him on a fucking wild goose chase.

It only made Ben more angry to allow Darren to speak to you, but he was trying to let you handle it even though he wanted to handle him. But it had brought him an unholy amount of joy to throw Darren in front of that minivan and to watch that creature tear him apart while the final whitish blue pulses of electricity jumped and crackled down the street making the streetlights shower sparks everywhere.

But Ben was more upset that Darren had been able to land a few hits on you before you killed him.

Ben remembered the giant lizard that crawled out of what was left of "Please Don't Die" and felt his lips quirk up into a smile. As much as he hated the entire situation, Ben couldn't help but feel a little surge of pride at what you'd done to your brother. He'd never seen you look so powerful standing there in the street, your eyes glowing a brilliant green, arms outstretched, and the ground trembling around you as the world begged to be unleashed.

Of course he'd been just as surprised as you were at the fact that you'd healed your broken arm. He wasn't sure if you'd noticed it yet, but you looked different too. There weren't as many lines on your face and your hair was more springy, the few silver hairs that Ben had noticed in passing were no longer there.

He wasn't sure what that meant, but there was something that felt suspiciously like hope tingling in his stomach, hope that you weren't as fragile anymore and hope that it meant you wouldn't die.

When Diana had told Ben that her husband had died, he saw the pain in her eyes when she said it, saw her relieving the memory, and for some reason as soon as she said that he was dead, the first thing Ben thought about was you. Ben hadn't considered his inability to age as much in the past, hadn't cared about outliving anyone before. Seeing Countess as an older woman had made him more aware of it. Looking at the woman who he once thought he loved, had showed him what that was like. Not that he had a problem with daring older women, Ben always thought that women really did get better with age, but it was what came next that Ben wasn't fond of.

And for some reason thinking that one day he'd wake up and see the marks of age on your face or one day he'd wake up and he wouldn't be able to annoy you or hear you yell at him made his chest tight.

Ben takes another hit of his blunt. The longer he sat there the more then unnatural feeling stirred in the pit of his stomach, thrumming through his veins, the feeling that he was trying to avoid. He thought that the joint would calm him down, but he found himself jumping at every creak and footstep in the apartment building, perking up each time and hoping that it was you coming home.

He didn't know where you were. You hadn't answered any of his texts or calls and Ben was ashamed at how many times that he had tried to call you.

Get a fucking grip. He'd thought to himself when he typed out another text message to send you, stopping himself from sending it.

But he'd been so desperate to hear from you that he'd actually gone to talk to Annie who seemed upset that she couldn't get ahold of you either. When Hughie and Annie had seen how upset Ben had been, Hughie had laid his hand on Ben's arm and told him not to worry. Ben had yelled at him that he "wasn't fucking worried and to mind his own business" and had shaken off Hughie's comforting hand before stomping out of the shared apartment.

No one else seemed to be as concerned about finding you. Butcher, MM, and Frenchie were all deeply involved in trying to figure out the cover-up for what happened outside the plant shop. By some miracle no one had caught a picture of your face, but there was little they could do about Darren's body that had been strewn across the street. Annie was having to deal with the repercussions at work, trying to handle what the news was calling a "super villain threat."

Personally, Ben thought that since they froze Homelander, the Seven looked weak and Ben believed that the superhero team that represented America shouldn't look weak. Of course before Ben had also thought that they looked like a bunch of pussies and again felt himself sink deeper into the couch when he thought about what his supposed son had become.

He shakes off the feelings he has about it and his thoughts turn back inevitably to you.

Ben wasn't used to thinking about someone as much as he thought of you, but each time he settled back into the apartment and you weren't there he was hyperaware of how quiet it was.

Maybe I should call Diana. She might know where she is.

As soon as Ben thinks that, his phone begins to ring, but Ben doesn't bother to look at who it is before he answers it. 

"Hello?" Ben huffs out a breath of smoke that hangs in the air in front of his face, catching in the bluish light coming from the television.

"What the hell do you think you're doing?" The voice on the other side of the line yells at him.

"Di?"

"Yes it's me. Who did you think it was? Santa Clause?" Your grandmother snarks.

"Why are you calling me and why the fuck are you so mad? What did I do?" Ben answers slightly annoyed.

As much as you got under his skin, your grandmother had been the same way. He actually thought that it was amusing that even before he figured out that she was your grandmother that he had often compared you to her in his mind. You had the same mannerisms, the same defiant and stubborn attitude that drove Ben up the wall, and you were just as beautiful as she was.

Ben was okay with admitting that he was attracted to you. To him that felt normal, it was the other feelings that he was conflicted about, the ones that he'd never felt before stirring in his chest that made him feel "too emotional" and "woman-like."

Truthfully, Ben was sure that if your grandmother had given him a shot that maybe he would have felt that way about her too. She was the only person that Ben actually trusted in the 80's, the only person that was brave enough to call him out on all his shit. You did that now. But he liked her husband also, so Ben was content with letting her go. He liked how happy that Henry, your grandfather, had made her. He knew that she wasn't happy as a supe and seeing her so happy and in love made Ben feel something that was close to happiness.

And it was seeing the way the two of them were together made Ben wonder if what he had with Countess was the same thing. Because he did have feelings about her that were different, but each time he went to visit Diana and saw your father playing on her lap he felt that there was something missing in his life.

It was the same way that he thought something was missing when you weren't in the apartment, but Ben hadn't realized that yet.

"Because I don't understand what the hell you're doing!" Diana replies and Ben honestly doesn't know why she's angry with him.

"About what?"

"My granddaughter."

Ben sits up the blunt in his fingertips forgotten. "Is she there with you?"

"Yes." Her voice softens for a moment.

Ben relaxes and leans back onto the couch, sighing in relief. "Good.  That's good." Relief swelled in his chest when he thought about you staying with her, safe.

That's what she meant when she said that she wanted to go home. Home is with her grandmother. Ben stopped the next thought before he could go there.

The thought that home wasn't with him.

Ben was trying not to think about that or think about you hating him. He didn't think you did, well, didn't think you did anymore. At first it really was touch and go, but now he was almost eighty percent sure after you'd told him more than once that you weren't afraid of him and didn’t hate him that you sometimes wanted him around.

"No, not good."

"What do you mean? Is she okay?" Ben's grip on the phone tightens so hard that he's sure that he hears the screen cracking.

"No."

"What happened?" Ben's voice is a growl, the feelings of relief evaporating as soon as they had begun to bloom in his chest. He mentally calculated how long it would take him to get to you.

"Her entire life fucking fell apart and where are you? Not here!"

Oh. Ben relaxed a little bit.

"I don't need to be there." He says on an exhale of smoke.

"Yes you do!" Diana presses.

"No, I don't. She a big girl she doesn't need me there, she's-" Ben takes a puff from the joint.

“If you were any denser you’d be a Bundt cake Benjamin!” She says exasperated.

"What the fuck are you talking about doll? I am not-"

“Let me guess." She interrupts and Ben can imagine her tapping her foot. He hated when she did that. "You’re moping around smoking a blunt on the couch probably with a glass of something that you're hoping to numb whatever the hell it is you're feeling."

Ben's eyes shift to the bottle of whiskey on the coffee table that he hadn't touched in a few minutes.

“I’m not fucking moping and stop spying on me!” He snaps back at Diana.

He hated how well she knew him. She was his best friend in the 80's through all the shit, she had seen him at his worst and at his best too many times to count.

“I don’t have to use my powers to know what you’re doing. I know you Ben.”

"Sorry to disappoint you sweetheart.” Ben grits his teeth, temper flaring hot. “But if you know me as well as you fucking say you do then you then you know that this is-“

“You avoiding your feelings by acting aloof and brooding like a fucked up version of Mr. Darcy.” She interrupts.

She certainly hasn't changed.

“I am not avoiding-“

“She needs you here Ben.” Diana stamps her foot, the same way you do when Ben pisses you off, and Ben can hear it.

“She doesn’t need me! She said that she wanted to go home, that she didn’t want to be here with me! I tried to-“ Ben shouts back standing up. It was the exact thing that he'd been thinking for the past twenty four hours, that you didn’t need him and that you didn't want to be any where near him.

That last thought made an uncomfortable sensation prickle in his gut when he thought it, because all it did was remind him of how you acted when the two of you first met, when you didn't want him to live with you and tried your darndest to make him go away.

He didn’t want to and he wasn't sure why that was.

“Try harder.” Diana interrupts him again and frankly it was pissing him off.

Ben clenches his jaw. “I think that you’ve confused me with someone else baby.”

“Don’t you 'baby' me Benjamin! We both know that you’re doing what you always do when things get hard for you.”

“And what’s that?”

“You pretend not to care and shut out everyone who tries to care for you. Not to mention you drown yourself in drugs, booze, and women.”

“She doesn’t care about me!” He spits.

“She does!” Diana snaps back. “And believe it or not she needs you here and she wants you here.”

"But-"

"Ben please." It was the first time that he'd heard Diana sound softer and almost pleading since the conversation started. "Don't do this to her. She's worth more than Countess and all those other women you've fallen into bed with."

"Do you really think I don't know that?" He roars. The answer surprises himself. "Do you think I don't know that she's different?"

Wait what?

"If you know that, then why aren't you here?"

He hesitates.

Everything you said to him the night of the party comes roaring back. You looking beautiful in a dress that made his throat tight, and you telling him that you just wanted to be friends and that you understood that he wasn't the type of guy to have relationships. He didn't understand why it stung a bit when you said that, but it had.

Ben thinks about the week that the two of you spent together after Diana went home, when he tried his best to take care of you, distract you from everything that happened with his movies, and would sit with you and try to make you laugh. He'd never wanted to take care of someone before.

Not to mention he kind of liked the way you laughed. He wouldn’t admit that to anyone, but each time you did, it made him want to laugh too. That had never happened to him before. But he wanted to make you laugh to forget everything that happened with Elijah. His fist clenches when he thinks of exactly what Elijah tried to do to you and it makes him feel so mad that he feels close to spontaneously combusting. Ben might not be the best role model when it came to women, but he couldn’t imagine the type of man who would force himself on someone else.

It had made him angry when he thought that you were suggesting that he would try something when he first moved in, because he wasn't that type of man.

Ben was trying to be better for you. He wasn't admitting that, but he really was trying to be better. He didn't understand why. You'd told him countless times that you didn’t want to be with him, that you wanted to be with someone else like Jake.

Ben frowns when he thinks about the man he'd pulled from the rubble of the shop. And again thinks to himself that you should be with someone different, someone who was a supe and could understand you. Ben had seen how difficult it was for Diana when she was keeping her supe life a secret from your grandfather and he didn't want you to have to do that with someone.

"Because I'm not-" Ben begins to say, but he holds his tongue. It was too honest, too raw, too unlike him to admit this to anyone.

Because I'm not this guy. Because I'm not the one she wants. Because I'm not some knight on a white horse. Because she's everything right with the world and I'm just a fucking asshole who sleeps on her couch.

"Ben." Diana breathes and he can practically hear her pinching the bridge of her nose. "In all the years I've known you, you've never done what you did for her with anyone else. You carried her out of that warehouse, you stayed with her in the hospital even after she woke up, you took care of her when she came home, you protected her from Darren. You can't ignore all those things."

"I'm not ignoring them. She's my friend." The word sours in his mouth as he says it. "And she would have done the same thing for me." He knew it was true.

She's a good person and she wouldn't let me chase her away if any of that shit happened to me and I told her to leave me alone.

"Yes she would. Because she cares about you." Diana sighs.

"She doesn't."

"Why don't you believe me?"

"Because she's told me what she wants!" Ben shouts so loudly he can feel the room shaking. "She wants to be friends-“

"Because she doesn't think that you want a relationship you nitwit!"

"I don't." Ben spits the words before he can stop them, but as he does something tightens at the base of his throat.

"How is it that it's been forty fucking years and you're still able to dance on the grave of my last nerve?"

Ben chuckles. "I missed you too sweetheart."

She sighs into the phone again making it crackle in Ben's ear. "She needs you.” Diana repeats. “And I think you need her too.”

His temper was flaring again, the thoughts that his father pressed into him surging up before he can stop the words. “I don’t need anyone. I’m Sol-“

“If you say that you’re Soldier Boy, I’m going to reach through this phone and slap you silly.” She snaps. “And you do need her, but you’re still just too stubborn to admit it.”

“I-“

“Ben I know that everything that happened with Countess was fucked up, but my granddaughter she-“ Diana pauses before she changes the thought.  “You say that you know she’s different, but right now you’re treating her the same way you treat all those other women.”

“I’m not-“

“My granddaughter has decided you’re important to her and once that’s happened it’s hard to make her let go. You saw the way she was with Darren and that guy was a manipulative asshole. Imagine what she thinks of you.”

“I-“

“Stop making excuses!”

“You didn’t even hear what I was going to say!” Ben shouts.

“And I don’t need to! Think what you want Ben but if you’d stop acting so stubborn and so ridiculously blind to what’s right in front of you. I promise that what comes next is worth the risk.”

“Don’t go all fucking mystical on me doll.”

“And don’t go all macho- no feelings asshole on me! So stop being so damn stubborn, get on a plane and get your ass here.” She retorts. “Don’t fuck this up Benjamin because if you do I’ll fuck you up.”

The line goes dead.

Ben sat there for a minute in the silence still holding the phone up to his ear, listening to what your grandmother said to him ring around in his head for a second.

No one ever spoke to him that way. In fact, Ben had never allowed anyone to speak to him the way that she did, well, not until you came along. You reminded him so much of her that it was astounding and he wasn't going to admit that maybe it's why he liked being around you so much.

Ben frowns at what Diana said, thinking about the unusual feelings that were swirling in the pit of his stomach. He felt wrong and the feelings were odd for him. He hadn't felt anything remotely like this ever in his life, not even for Countess.

And although Ben refused to be afraid of anything, the feelings he was having scared him. He didn’t understand and he wasn't sure that he wanted to. He wasn't sure that he wanted to see where this ended up. He felt like he was in too deep.

As much as he wanted to go to you like Diana ordered him to, he wasn't sure that he should. Something was holding him back, digging it's heels in and refusing to budge.

But why do I feel like-

His phone rings and he doesn't look at the caller ID when he picks up, expecting it to be Diana again, yelling at him.

"Di I-"

But it's not Diana.

"Hello Ben. It's nice to hear your voice again." The familiar voice says, sounding calm and collected.

"What the fuck do you want?" Ben snarls.

 "I thought it was time the two of us had a chat.”

A/N: At this point Diana is really just trying to give both Ben and the reader the kick in the pants they need. And yes I know another cliffhanger, but you know you love it. 🤭😉 We are quickly reaching the end of this series, but that means the confession scene is coming and I am so excited about it!!

As always thank you so much for reading! Reblogs, likes, and comments are not required, but are always appreciated. I love hearing what y'all think! If you'd like to be added to the taglist for this series let me know. 😊

Taglist:

@roseblue373 @mrsjenniferwinchester @corruptedcruiser @winchesterwild78 @the-super-who-locked-wizard

@criminalyetminimal @52ndstreeet @bitchykittenconnoisseur @anna6307

@faephoria @possiblyafangirl @jqtaro @quietlybitchy @tinydancer40

@roger-that-cap @megara0224 @miskwaadesiwag @rainyeggvoidpurse

@soldiergrimes @tiffsbagels @podiumackles

@ifyouwerethemoon @ririshkin @peachhiz @fitxgrld @sukunassfinger

@xx-spooky-little-vampire-xx @ej13928 @deans-spinster-witch @kr804573 @modiddys-blog

@acciosherlockholmes @minas-fantasies @fireskyy

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@pixviee @filmologetica @yvonneeeee @c1nnamong1rl29 @kmc1989

@livya99 @cherrygirl444

[reineydraws]

ode to coming home by @portgasu

these are my full pieces for the @opfluffzine 🥰🥰 it was really fun doing the spot art for this uta lives fic and super great to work with asriel! go show the fic some love on ao3, and if you wanna check out the rest of the zine, you can download it here for free 💞

process gifs under the cut!

[vynnyal]

This is a pretty good point in the wip to share this, methinks :]

Map part for the hole dwelling map, starring... Not my ocs! I wanted to use ocs, but I don't have any-- so I just used the characters from a fic I was reading at the time 😂

Turns out, the symbolism was so much fun to twist into the 11 seconds I had to work with, I ended up going way more complex than I meant to. If you wanna read the fic this was based on, please do!! And tell the author I said hi! :D

[odo-apologist]

Me enjoying a rewatch of a Red Dwarf episode, having a good time: 🙂

My traitorous brain: Hey, this scene takes place away from Red Dwarf and Starbug, Lister probably doesn't remember it after M-Corp

Me: 😧

[iridescentmirrorsgenshin]

HIIIIII

Omd I love your work so much the analysation between Kaveh and Alhaitham is just so ??? (Beautiful wth I probably read like 99.9% of your work bc I just love reading the analysis between them) literally EVERYTIME you post I get so excited like it just makes me smile

Anyway if it’s not rude to ask, Ive read some of your fanfics about them and I just wanted to ask how you make them so.. accurate? Ive just recently started writing fanfics and do you have any tips?

Also knowing how much you analyse these two are there any like details about them you found out abt the pair? I would normally do it myself but im not even up to the Sumeru archon quest 😭

And another thing, do you have any head canons revolving the two or do you just stick by the canon? (If you do head canons i would LOVE TO HEAR THEM.)

Hope this isnt too much to ask!! (Also ignore my horrible punctuation it’s normally better than this i swear)

Anyway like i said your work is amazing and byebyeeee have a good night/day/afternoon

-🍀

hiya!! AHHHH i'm so glad you enjoy my brainrot analysis of these two <333 i'm way too invested so i'm happy that people are invested in them just as much!! HELPPP now i'm kicking my legs and giggling that's so sweet :'''')

firstly !?!?! thank you for checking out my fics!! and !!!!!! i'm glad you like the characterisation! :'''') when i first got into haikaveh, all i was doing was reading fics before i got to sumeru. i had ideas for writing, but i was way too scared of actually getting them up in full in case they were inaccurate, because i felt that i didn't have a great grasp on their in-game characters? (not that this fear should stop anyone - where would haikaveh nation be without the authors who wrote for haikaveh before kaveh was even released??)

personally i spent a lot of time going over their individual character stories and voice-lines, as well as constantly rewatching character trailer videos and clips where haikaveh are together onscreen, and also apart, so i could start the essay, and this definitely also helped me develop a voice for both of them in fic in terms of dialogue and inner monologues.

for me kaveh's inner monologue is going to be almost the complete opposite of alhaitham's, where kaveh's empathy comes out in overthinking, and is fuelled mainly by emotion as he tries to rationalise his perspective (in relation to interpreting alhaitham), whereas i write alhaitham's inner monologue to be more observation based, and where emotion is implied rather than stated - which i find is used in his character stories, particularly character story 5 where his past is given. although no emotions are mentioned, it's evident how essential his grandmother is to him, only there is no detail about how he felt when losing the last of his family, and having to arrange her funeral, and enrolling in the akademiya when he previously believed it to be boring, and the years spent after his graduation, up until the point where kaveh moves in - in contrast to kaveh's character stories which are extremely detail heavy in these regards.

there's a clear contrast between kaveh and alhaitham's experiencing of emotion in inner monologue, especially when it comes to alhaitham's grandmother's last wishes, as it's an impactful line about her wanting him to lead a peaceful life, and there's no further elaboration on this; the emotion is there to be interpreted, whereas kaveh will be explicit about his exact feelings at the time, and how these feelings change, or don't change.

for me, both are interesting to write, as kaveh's empathy ensures that he will be in constant motion, avidly aware of each shift of mood in any conversation, or aware of a thought that alhaitham might be chasing. if writing when alhaitham and kaveh are not in sync, then justifying kaveh's mindset and his interpretation of alhaitham can fuel the dialogue (whether it be typical banter or strained conversation). on the other hand, alhaitham's emotions are more subtextual, perhaps he'll notice kaveh beginning to frown when working, which shows that alhaitham has been staring at kaveh rather than reading, or something. i interpret his inner monologue as him being thoroughly aware of how he feels towards kaveh, and therefore he has no need to reiterate this when thinking - again, in contrast to kaveh, whose mood and feelings fluctuate depending on those around him.

those are just my personal approaches in case it's of any interest to you! if you're hesitant to write because you feel like things won't be 'in-character', i'd argue that fanfiction as a medium ensures that works can't be in-character as it won't be the game's canon; especially as characters can be reinterpreted for each person depending on the plot and the themes. in general, i'd say write whatever, and however you want, so long as you're writing something. you can come back and edit it later, and you may find that new ideas come to you as you start writing. so long as you're having fun!

as for things i like about them in terms of in-game canon(?), i would say that aside from the writing of their dialogue and their character stories, their arguments on the bulletin board posts around sumeru are so sacred and special! when you get to sumeru i highly recommend running around to find them! it feels very rewarding to click through each post to find alhaitham responding to each and every post that kaveh makes <3

additionally, there's the idea that as alhaitham accidentally created an aesthetically pleasing rug print design, with (supposedly) kaveh doing the same by creating a practical, affordable rug, mirroring each other's traits of artistry vs practicality (thanks to haikavehtimely). the devs being thorough in their haikaveh propaganda is so insane, but if i had made haikaveh i would be doing the exact same thing???

as for design inspiration, the idea of them resembling plato and aristotle in terms of their beliefs is rather interesting?? especially with kaveh talking about beauty having a whole form, in that it's a concept intrinsically understood! especially with their splash art poses in mind (which is written about in the haikaveh bible)

blessed be headcanons! i end up writing them into my fics, but i think the spaces in canon leave a lot to interpretation, so i think i end up working around that? a lot of them are domestic for me, for example, kaveh definitely has a skin/hair routine, and i think while alhaitham may not go to such lengths, he values cleanliness and has a lengthy bath time (alhaitham likes the smells of kaveh's skincare and kaveh likes the subtle smells of alhaitham's bath oils).

also!! that kitchen is TINYYY!! i think it's !?!?!? that alhaitham canonically had that research lab redesigned into a house, and approved a design that had TWO bedrooms, even after kaveh rejected the building?? i think he prioritised his dreams of a reunion over realistic living conventions and that kitchen is atrociously small, and kaveh complains about it all the time and clowns on alhaitham, so they have to scrunch up when cooking, or they establish a cooking schedule, which, a lot of the time, goes out the window, as they go to the tavern or get take away <3

thank you so much for your ask! it was really interesting to explore all these questions, i hope it's been useful to you in any way :''') and thank you for your support!

[kvetchinglyneurotic]

i have yet another fic idea that i may or may not ever write but i'm tired and don't feel like being articulate so i'm just going to describe it as the body keeps the score + season 1 body swap = me finding new and inventive ways for people to find out about jamie's trauma

[saucerfulofsins]

Buck doesn’t move in.

Not in the sense he’s familiar with: packing up boxes, sorting through belongings, replacing pillow covers and squabbling over which mugs to keep and which to stash into storage.

He doesn’t even remember when it started, or how. With a pan, maybe, because Eddie’s were shit. A toothbrush alongside Eddie’s and Chris’s. A single clean shirt, then a pair of clean pants, because Eddie got sick of Buck stealing his – and after Eddie got shot, a full drawer in Eddie’s wardrobe.

Now, he has his own mug (or is this originally Eddie’s?) and his spot on the couch and – as of three weeks ago – his designated side on the bed.

And when he says, “I have to go home” because it’s late and he hasn’t been to the loft since, feels a strange sense of obligation – mostly because he pays for the place -

Eddie huffs, curls into him on the couch, wrapping an arm around his waist. He looks up at Buck, waits until their eyes meet, and tells him, “You’re home already.”

[crimeronan]

side effect of having my hydroxychloroquine work really well is that i'm forgetting what it felt like to be Really Horrifically Sick. both because of the emotional distance and because of my general memory issues. the memory issues are a LOT worse concerning Times When I Was Horrifically Sick.

so i'm actually pretty grateful to my past self for the amount of time i spent oversharing here. if i scroll back like seven months in my autoimmune tag i can find posts of me essentially going "eh, i'm sleeping for 22 hours a day but i don't really care anymore bc i've accepted i'm gonna die" and "life sux. can't breathe or think or feel my chest but that's constant so i don't wanna go to the ER about it AGAIN" and "docs took 14 vials of blood 4 x-rays several lung images several lung tests and an EKG before i even left the hospital today. even tho they havent gotten my test results back yet" and i'm like god Damn.

I REALLY LIVED LIKE THIS????????