#some many “This is what is wrong with this show” article are just the most banal things I have ever read

[thenotoriousscuttlecliff]

Can't believe this writer is trying to argue the problem with the show is that it isn't treating the main villain like a one-note, simplistic character and this is somehow too confusing because viewers won't know he's the villain despite all the villainous things he does like murder, manipulation, gaslighting, and orchestrating the complete destruction of an entire Elven realm. How media illiterate do you have to be to think exploring a villain's motivation in some way constitutes trying to trick the audience into think he isn't really a villain?

[dreamsteddie]

Never Better

Written for the @stmarchmm day five prompt “collaring” | Tags: Alpha/Beta/Omega Dynamics, Insecure Steve Harrington, Alpha Eddie Munson, Omega Steve Harrington

Bat divider -@popmilky

Also posted on Ao3

The problem with being the Omega half of an Alpha/Omega pair and also being deeply possessive of your mate and pack is that your bite doesn’t stick.

No matter how hard he clamps down, no matter how much he makes Eddie bleed, the bite is always healed in a matter of days. Too many years of evolution ensuring that Alphas heal at max speed, making it impossible for a bite at the already rapidly healing mating gland to stick around.

Every time he rolls over in bed to see his mark gone from his Alpha’s throat, like it never existed, Steve’s heart hurts just a little bit. Eddie can always tell from the bond, always rolls over instinctively and blinks awake, reaching for his Omega before he even knows what’s wrong. He always offers his neck right up again, willing to let Steve latch on and make him bleed no matter how much it hurts. He just wants to make Steve happy.

But after a while, Steve starts to give up. He rolls over a year into their mating to see Eddie’s neck healed once again and rolls back over. When Eddie wakes up and reaches for him, tilting his head up to offer his throat, Steve tells him it’s ok. He doesn’t want to hurt Eddie again when it won’t last.

Eddie is concerned and tries to assure his mate that he doesn’t mind. He loves carrying his mark and doesn’t care that it hurts every time, at this point it only registers as a dull ache. But Steve is adamant.

The problem is, the reason Steve has always been so insistent on marking Eddie is that ever since they got the hell out of Hawkins, Indiana, Omegas and Betas have been all over his mate. Steve has always known that Eddie is a hell of a catch. He’s sweet, caring, considerate, goofy, and still somehow 100% Alpha in the best way. He’s so authentically himself while still managing to be strong and capable in a way that makes Steve’s knees feel weak, and now that he’s not haunted by his reputation as an untouchable “freak”, he draws a lot of attention.

Steve can’t blame them, but that doesn’t mean he has to like it.

Eddie always says no, kindly at first and getting more firm the longer they insist on “one little date” even after he explains that he is happily mated and not interested in a second mate. But Steve has been through some things. He’s been cheated on, he’s been left behind, he’s been the third in a relationship that didn’t really want him for more than a couple quick fucks and shared responsibility of the chores. Every time someone approaches Eddie, all he can think is “this will be the one. This will be the one Eddie decides is better than me.”

He thinks he’s got a grip on it. Thinks Eddie doesn’t know the extent to which this is eating him up inside. How much he’s worried Eddie will wake up and decide that not only does he not want Steve’s bite, he doesn’t want needy, clingy Steve at all anymore.

Until Steve comes home from work one day to find a long, fancy looking box lying perfectly centered on their coffee table. Everything else has been swept away, no half-empty mugs of coffee or sports magazines to be found, just a sleek black box. For a second Steve thinks it might be something sexy. They don’t use many toys, but it’s not out of the question.

But upon closer inspection, Steve sees that there is mat black lettering on the shiny black surface. Collar and Courting, it reads. With that, his knees fall out from under him. He knows that brand. Saw it in one of his Omega geared magazines that no one but Eddie knows he reads. Remembers how fixated he’d been on that article.

“Some say it’s old fashioned. Some even go as far as to say it’s an archaic show of status with no place in the modern age. Some say it’s the most romantic thing an Alpha can do for their mate. Love it or hate it, Collar and Courting is one of the last groups of leather artisans keeping the tradition of Alpha collaring alive.”

He thought he’d hidden it from Eddie, the longing in his chest, but he must have noticed. He always noticed. Hope surges painfully in his chest, his scent blooming. He’s almost afraid to open it, too scared of the slightest possibility that it’s not what he thinks it is.

When he finally musters the courage to lift the lid, his breath catches in his throat. Black, shiny leather stares back at him. More simple than he thought Eddie would go for, just a black band and buckle and a silver O right in the center. He doesn’t hear the footsteps behind him, isn’t aware of Eddie’s presence until he’s leaned over the back of the couch, speaking softly in his ear. 

“You like it?” He asks, as if Steve could ever not love it. He turns around and throws his arms around his mate, headless of the couch between them. 

“Of course I love it, you asshole!” He exclaims because really, what kind of question is that? Eddie laughs in his ear, climbing over the back of the couch instead of going around like the heathen he is. Steve loves him so much. They end up sprawled half haphazardly across the cushion, Eddie pressing noisy kisses into Steve’s neck until he’s a giggly mess.

When they finally calm down, Eddie sits them both up, looking deep into his eyes with that sincerity that always makes Steve swoon a little. “I’ve got one more thing for you,” he says like it’s a secret. He reaches into his pocket and pulls out something small. It clinks quietly against the metal of his rings.

Steve drags his eyes away from Eddie’s deep stare and immediately feels tears pooling in his eyes. It’s a charm, clearly meant for the O ring on the collar. Small and simple, no long winded engravings, just Steve’s signature. The same one on his ID, on his social security card, on the mating certificate hanging proudly on their bedroom wall.

“Fuck, I love you so much,” he says, voice muffled by the kiss he presses firmly to Eddie’s mouth. Eddie welcomes him the same way he always does, smiling into the kiss and pulling him in by the waist. Eventually, he pulls away, reaching for the abandoned box on the table.

“Come on big boy, don’t leave a guy hanging.” There’s mirth in his voice and joy in his eyes, but when Steve goes to pull the supple leather out the box, he pauses.

“Are you sure, Eddie? We don’t have to do this, I love you no matter what. I trust you.” He can see Eddie’s eyes dim with confusion, soft feelings of doubt seeping into the bond.

“What do you mean sweetheart?” He asks, reaching to lay his hand on Steve’s wrist. Comforting, always so comforting. Steve stares at the leather, this thing he wants so badly it hurts, but���

“I mean, I just know it’s kind of old fashioned,” he explains. “And I know you hate archaic gender roles. I just don’t want you to do this because you think you need to. Because you think I need you to.” Eddie is looking at him in that way that’s always so hard for him to read, even with the bond. Years of hiding from his father making Eddie excellent at masking how he feels.

“Listen to me,” he says, eyes back to that intense, earnest gaze that keeps Steve captive. “I love you so much, and there is nothing I want more than for every person on the street to know I’m yours. If I could go back and prevent millions of years of evolution so I could have your bite, I would do it in a heartbeat. I don’t give a shit if it’s traditional or non-traditional, I want this.” And now Steve is really crying. Big, fat, happy tears that Eddie wipes away with gentle fingers.

“Ok,” he says, wobbly but oh so happy.

“Yeah?” Eddie asks, checking in one last time.

“Yeah,” Steve confirms, firmer now. Sure.

Without another word, Eddie scoots back just enough to give Steve access, baring his neck the same way he used every other morning until Steve asked him to stop. Ready and willing for Steve to mark as his own. This time, Steve doesn’t hesitate. Brings the leather up, admiring how it looks against his mate's pale skin, and reaches around to secure it. It fits perfectly, Eddie must have had it custom made, the sap. Steve makes sure it sits low, leaving his mating gland free for scenting.

Wordlessly, Eddie passes him the little charm. His eyes are dark the same way they were when he bit Steve, like he’s trying to capture this moment in all its brightness. The metal makes a small snick sound as it settles into place, and then it’s Eddie’s turn to loose his breath as Steve tilts his head to press a soft kiss to the little tag. Finally, he pulls back, admiring the full picture.

Eddie preens a little under his gaze, tilting his head up just a little to show off his new jewelry. “Look good?” He asks.

Steve smiles, brighter than he has since he stopped trying to leave his mark. “Never better, baby.”

[schizopositivity]

My partner just showed me the strangest video that came up on their tiktok. The video was of a woman that said something along the lines of "Did you know all schizophrenic people smell bad? They just have a bad odor that is always present. Even if they shower, and use deodorant, they just smell bad constantly for their whole life."

And that video was stitched by some guy wearing scrubs who said something like "actually this is true, here is one article from the 70's of a psychiatrist who had noticed that a lot of his schizophrenic patients smelled bad". So, someone posing as a medical care worker saying this is true, but his only evidence is that one psychiatrist said this once. No trials, no real evidence, not even an attempt at an explanation on why they think every schizophrenic person just smells bad all the time.

But the most absurd part about this is that there wasn't a single comment disagreeing or asking for proof of this supposed phenomenon. It was just full of people saying "I knew a schizophrenic person and they always smelled bad!" or "I've noticed this too! They always just smell awful!"

There's so many things wrong with this. First off, they are being vague as hell, "smell bad" could mean many different types of smell, and can be caused by so many different things. Second, like I said, absolutely no proof at all, but they say it as if it is an undisputed fact. People are so quick to bully people with schizophrenia, that they don't even check that this is legit, or even sensical. Third, how do they think this would be true? You could argue that schizophrenic people are more likely to be homeless and not have access to showers or hygiene products. You could argue that schizophrenic people could be mentally ill to the point where they neglect their hygiene for long periods of time. But the first speaker went out of her way to clarify that the bad smell is there even after showering and deodorant. So do they think that this is an innate biological side effect of having schizophrenia? How would that even work? The more you think about this whole thing the less sense it makes.

This was just a ramble about a great example of how people with schizophrenia are consistently harassed and dehumanized. And no one will stand up for us, or even question it, because so many people view us as less than human. We deal with so much stigma that makes people believe we are dangerous, crazy, unintelligent, and a burden to the people around us. But that wasn't enough, so now we are all inherently stinky, just always smell bad, and they present that as a fact. It just goes to show how so many people don't care what we as schizophrenic people will think about it, or how it will affect us, because they simply do not care about us at all. They don't consider us as equal. As humans who are the ones experiencing the stigma along with our mental illness, and have to face each day with the weight of both on our shoulders. With no relief given to us from the people who have the privilege of not experiencing either one.

Not all schizophrenic people smell bad. That is just a lie that people are willing to believe because they already don't care about us as people.

[realcube]

dilf december

day three ⭑ toru oikawa ⭑ sugar daddy x reader

tw : nsfw minors dni, age gap, implied sugar baby dynamic, vaginal fingering, slight impact play.

a downside to being a professional volleyball player is the lack of longevity. most players are put out of work by thirty; some may make it to thirty-five, if they're lucky. but generally after they've reached that age, they have past their prime and their athletic performance begins to decline.

for oikawa, his thriving volleyball career reached a glorious finish at thirty-three. he still does interviews and associates with the argentinian volleyball league, but his time as a player had ended.

but a massive perk to being a professional volleyball player that largely nullifies the previous issue, is that the money he made and the fame he gained during his short-lived time as a player was enough to last him for the rest of his life.

even at fourty-three, he is filthy rich: living in his big house by the seaside, appearing on national television and making guest appearances on shows and news outlets constantly. paparazzi swarms him whenever he steps foot out the door, journalists continue publishing articles about his legacy and magazines still beg him to be on their front cover. the headlines would read: "top ten men who only get hotter with age!"

however, he rarely indulges in satisfying the media anymore; he prefers to stay private these days. not because he doesn't love seeing himself in the media, because he undoubtable does, but rather because he doesn't want them catching wind of his new relationship. the age difference might stir up controversy.

not that either of you thought there was anything wrong with it. when he first saw you at the private golf club, working as a cart girl, he thought you were just the most beautiful woman he had ever laid his eyes on — baring in mind, he's had oppertunies to do photoshoot with famous models, but all of them were nothing in comparison to you — and your age had nothing to do with this.

meanwhile, you've always had a soft spot for an older gentlman with a pretty face and fat wallet. so it was only natural that he two of you immediately clicked, and in less than three months, you had moved in with him.

which is why you are currently laying in the centre of your queen-sized bed, chest pressed flush against your eiderdown bedding while your nose is buried in your phone, doing whatever you please. but out of the corner of your eye, you see your bedroom door creep open and a voice call out, "guess who?"

you purse your lips and furrow your brows in thought, "hm, i don't know."

he scoffs and steps out into the room to reveal himself, sauntering over to the bed and playfully flicking your forehead, "silly girl. don't even recognise your own boyfriend, huh?" he takes a seat at the side of the bed, and since you are laying on your front, he is able to place a hand on the back of your thigh and caress your tender skin.

"i suppose not." you murmur, still typing away on your phone, prompting him to lightly smack your ass.

"put that thing down. pay attention, sweetie. i've not seen you all day." he says with a smile, gazing lovingly at you.

while you simply roll your eyes, placing your phone anyway but still huffing in disinterest. "why should i? you barely pay attention to me, like, at all. you've been busy all week. we don't get to spend any time to together."

"i know, baby, and i'm so sorry. i've just got so many things to do."

"like what? i thought you were supposed to be retired.."

"i am, but work never really ends." he chuckles awkwardly, "i've got interviews to do and they still ask me to visit the team to give speeches to boost morale. it's a waste of my time, really."

you don't seem to impressed by this reply. your small 'hmph' prompts him to continue.

"but that's not an excuse, i'd rather be spending time with you, my gorgeous girl." he says solemnly, leaning in to place long kiss against the exposed skin of your thigh. "we will spend the weekend together. just us, with no distractions. we can do whatever you like. how does that sound?"

he waits patiently for your response, but you lay there with your hand propping up your chin, simply averting your gaze. he takes your silence as a response again and continues, "we can go shopping n' by you whatever you like. some new shoes, or clothes. maybe a new birkin, or whatever handbag it is that the new generation of women obsess over—"

"coach.." you reply plainly.

"right." he nods, "or we can get you a new phone. you mentioned needing an upgrade. plus, i don't like the front camera on your current one; it makes my eyes look asymmetrical." he cringes at the misrepresentation of his lethal facecard.

"i guess it would be fun to spend the weekend with you." you mumble, hesitantly gazing over your shoulder at him, "i really missed you, toru."

"you don't need to miss me, baby, i'm right here." he reassures you in a quiet tone. gently gripping the flesh of your plush thigh as he leans in to plant a sweet kiss against your lips. it lasts a while before he returns to his seat on the edge of the bed. this is when you begin to feel his hand creep from your mid-thigh, up and under your skirt until it was rested on your ass.

"in fact, let's start spending some quality time together right now." he kneeds the skin for a moment before his fingers curve inwards, and dip down between your thighs, brushing against your clothed pussy. he toys with your hole a little, and lovingly massages your clit and labia, basking in how wet he is making you and the cute moans and mewls that slip from your throat.

he pulls the fabric aside once he has you sopping enough for his liking, but continues to only tease your hole with his fingers. pressing against it and feigning penetration to get you needy and desperate for him.

"has this cute pussy been needing me all day?" he muses, playing with your clit under the rough pads of his fingers.

"uhuh.." you whine, arching into his touch.

"oh, poor baby." he says tauntingly, then proceeds to smack your ass, causing you to gasp. however, he simultaneously pushes to finger into your aching hole, which makes a lewd moan immediately follow your deep gasp.

he only chuckles, amused by your reaction to his ploy. it doesn't take him long before he starts thrusting his thick fingers in and out of your pussy, gradually building up a moderate yet rough pace. two fingers is enough to strain your tight walls, and he adores how each vulgar thrust is enough to elicit another loud moan from you.

since you have been deprived of sexual attention for so long, you had already got yourself so worked up at the idea of oikawa, that you end up finishing quicker than usual. creaming around his fingers and arching back into himself, letting him fuck your wet hole through your orgasm.

once he's done, you collapse onto your front, breathless, and he lays down next to you. turning his head so your faces are inches away from each other, "and there's more to come, princess."

[m4iya]

⋆˚𝜗𝜚˚⋆ PHOTOS

Hinata's smile is one that’s practically etched into the brain of nearly every person he’s ever interacted with - he’s always wearing the same beaming expression, right? Magazine covers, commercials, and merchandise - even people he didn’t know knew his iconic smile. So when he presents you his high school photo album, you almost find yourself playing ‘Where’s Wally?’ with this supposed permanent smile of his, struggling to find a semblance of it in any picture where he was aware he was having his photo taken. Either he was squinting, distracted, or looking in the wrong direction completely. He wasn’t even laughing, he just looked aloof; lost, even. On the other hand, there were still photos taken from a distance as he played in a match, or as he chatted with some teammates during time-outs, completely unaware of any camera. Looking at those pictures, you could practically hear his laughter resounding in your ears.

Kageyama is the absolute last person you'd expect to know how to pose for a picture - and well, he doesn't know how. Not naturally, at least. Whenever you whip out your phone, asking to take a picture with him, he takes at least a few seconds to stand up straight and think of a way to 'pose'. His limited poses include standing upright, standing upright but to the left or right, or folding his arms. You always reassure him that he doesn’t need to revise a pose every time he takes a photo, and he complains, saying that that’s 'too confusing to understand'. One of the only moments you're able to actually take a photo together without him going through his 'photo prep', is after his team wins a match. He'd sling a confident arm around your shoulder and smile brightly into the camera as if he'd didn't know it was even there.

Kuroo is well aware of how he looks in photos. Whenever you ask to take one together, he knows exactly how to pose, smile, and where to look. Sure he's always taking photos with you, but one look through his camera roll, and most, if not all of his photos are of you and only you. He's the type to buy you a dress and insist that you wear it the next time you both go out, not hiding his intentions to take pictures of you in it. Though, when you do eventually wear it, he’s instead roped into taking a plethora of photos together, mounting your phone to a wall for hands-free shots. He'd lean his forehead against yours, bringing your faces close. The pictures captured your smiles as they transitioned into giggles, but not his sneakily whispered comments that sparked said laughter. As the last photos clicked, you removed your phone from the wall and swiped through the photos as he perched his head on your shoulder, grinning from ear to ear. "That dress really does suit you. Maybe because I chose it?" You nudge him, coy laughter shielding any sly comment you would’ve shot back.

Goshiki doesn't take many photos of himself, so it really surprises him he sees the album in your phone thats full of pictures you've collected of him since you were both in high school. He'd inspect each and every picture, asking when, where and how you took them - except the photos the two of you snapped together at a cafe after school, or the ones taken discretely in class despite him telling you that your phone could get confiscated. Even though it isn't exactly in his nature to take selfies, he's somehow no stranger when it comes to posing in a picture, throwing up peace signs and whatnot. He'd 'act' like he didn't know what to do, but as soon as his face came into frame of the picture with you beside him, he'd have no trouble coming up with a fitting pose. You'd ask him why he didn't take many photos with his teammates back in high school, and he'd tell you he did - insisting that he had tons. Though, in the photos he showed you, his head was either barely poking out in the background, or it was a team photo taken by the school for articles and whatnot. But if you said anything, you'd risk disturbing the smile on his face as he reminisced, his sweet laughter threading the memories together.

Ushijima is pretty behind when it comes to knowing trends or poses, so his photos look more like passport or ID pictures than selfies; straight face, looking forward and staring directly into the camera. You try to persuade him to change his contact photo to something else, but he sees no use, stating that either way it's still a photo of him. Though, if the two of you do take pictures together, you're usually the one orchestrating it, telling him how to stand and whatnot. After one of his games, two of you were resting together on a couch at home, the back of your head leaning against his outstretched legs as scrolled through game highlights of one of the teams he’d be playing next. His attention was swept away when you called his name, showing him the photos you took earlier that day before his match. He seemed oddly interested, bombarding you with questions about what angle you used, what settings your camera was on what not. Looking up at his concentrated face, your sleeved hands moved to smush his cheeks together, "It's not that complicated," You'd chuckle, "You don't really need to calculate angles for a selfie. It's more like where you feel the vibes are at." He'd raise a brow. "The vibesh?" Letting go of his face, you could barely hold back your laughter at his muffled voice and overly serious interpretation of a pictures' composition - he’d probably pick up on it after a few more photoshoot sessions.

Yamaguchi usually shies away from any sort of selfie, opting to be behind the camera instead. You’d always sigh, commenting that he never takes pictures with you and in an attempt to defend himself, he’d bring up pictures that the two of you took back in high school. You, on the other hand wouldn’t let him take photos of you unless you were knew what was going on; being dressed up and aware of the photo and what angle it was being taken at. And so he would tease you about that. One day, you’d just gotten off work and were absolutely exhausted. Your phone dinged, a message from him showing up in your notifications. ‘Are you free?’ It read. Typing back a response, he immediately answered, ‘We can eat at my place if you want. I’m too tired to go out as well.’ You made quick stop at your apartment to change out of your work clothes and into something more comfortable before heading over to his place. He opened the door a few seconds after you knocked, “Are you alright?” He asked. You knew you were exhausted, but you had no idea you’d still looked so disheveled even after washing your face and switching outfits. After the two of you shared the dinner he had whipped up, you slumped onto the couch and he followed soon after, leaning his head onto your shoulder. “What’re you doing?” He asked. You had your camera open, examining your face. You looked like you had been ran over - an absolute mess. Suddenly, his hand slowly took the phone out of your grasp, holding it at a lower angle. He took a couple pictures, prompting you to make a funny face. Clicking on them, the two of you giggled at each other’s expressions. “See? You don’t have to be all dressed up for a picture,” He said, sending the photos to his contact using your phone. “You’re you, you’re not a dress up doll.” You slumped your head onto his, sighing. “You’re telling me that? A picture of you on my phone is like, super rare.” You chuckled. “..Don’t get used to that.” He murmured. You could see the smile on his face as he took his own phone, setting one of the pictures as his lock screen background.

Bokuto's face is plastered all throughout your camera roll. Pictures of the two of you hanging out together, photos he'd send you at practice, and close ups and unflattering angles he'd snap of himself while you weren't paying attention. You've never witnessed him shy away from a camera whether it was an interview or a commercial. Online, he was loud, the eyes of some onlookers being practically glued to him. Though eventually, his energy does drain out, being one of the only times where he simply wants to rest without looking down the lens of a camera. He'd slump down on the couch, sighing dramatically, and that'd be where you'd step in. You'd to him ramble about his day as his voice became drowsier, his sentences becoming nonsensical as they cut off midway, and in time, he'd slowly doze off. His body would rise and fall with each soft breath, murmuring random phrases in his sleep. His once slicked hair that now had strands loosely falling over his forehead, accompanied by his slightly upturned lips - This was something that those news reporters and bloggers would probably never get to see.

Akaashi owns a camera that he uses quite often. Not long after meeting you, his memory card became flooded with pictures of your different outings, your face being the subject of most. After suggesting that the two of you go to a flower garden together, he agreed, taking his camera along with him. However, one thing that he'd overlooked, was that his memory card was full and he'd completely forgotten to buy a new one. Noticing this, you stated that your phone camera worked just fine, and that you'd be the photographer this time around. You captured his smile as it shifted from wry to bright, his lips curving upwards and paving the way for a small dimple on his right cheek - one you had no idea was even there.

other works

[rewatching-sam-and-dean]

I normally try not to weigh in too much on the actors themselves, but fandom is being hysterical (not in the funny way) as usual after The Boys promo video with J2 and Misha.

Here are some facts:

Jensen went to Kripke and asked if he had anything for him after SPN ended. Kripke helped him craft his audition until it would be acceptable for the other producers. We know this happened because Jensen told us, and he talked about it multiple times. There is nothing wrong with him going to Kripke for work. This is networking, and it’s what actors should do.

Jared never once publicly asked to be on The Boys. At most, he answered fan questions when asked what kind of character he’d like to play, but he never actually hinted he wanted a part. In articles, when asked if he’d join, Jared essentially said he was too busy filming Walke, in a polite way. Also fact, Kripke has hinted at wanting Jared on The Boys before Walker was cancelled, and he did so publically. Then when Walker was cancelled, Kripke really ramped up the public pitches to get Jared on the show, and was publicly psyched when Jared finally agreed. Jared never, publicly at least, even asked or hinted at wanting to be on The Boys, never mind begged.

Misha hinted multiple times publicly, including tagging Kripke on social media directly, that he’d like to be on the show. Kripke never said anything publicly, as far as I’m aware, about wanting or trying to get Misha on the show prior to the announcement from yesterday. When he talked about getting the biggest SPN Pokémon, it was when Jared finally signed on. When he talked about breaking the internet again, it was in reference to a J2 reunion on screen. When he talked about reuniting the SPN trio, it was in reference to JA, JP and JDM, not Misha. Was Kripke always planning to include Misha once he finally got Jared? Maybe. Is it possible he wasn’t going to bother with Misha until or unless he got Jared too? Yes. He could have hired Misha on at any time before and never did. Misha definitely publicly begged to be on the show, and Kripke never said anything in return to, or regarding, him being on the show until now. Kripke probably only brought him on because he thought of something funny/gross/trolling to do with J2 and him on screen.

Ultimately, I would have preferred not to have Misha in The Boys because when I finally get to see J2 on screen together, I didn’t really want him there, too. It feels like trying to shoehorn Castiel in with the brothers again from forced SPN scenes. But, I’ve also lost interest in the show itself, so I’ll probably pick and choose what moments I bother to watch anyway.

That being said, The Boys has a whole cast beyond Jensen being a regular in Season 5, never mind it being a giant J2 reunion that will take up a bunch of screen time. So, adding Misha to the mix isn’t exactly robbing fans of long and significant J2 moments on screen. (Though I’d still be happy for him not to be in their scenes at all).

Honestly, Kripke probably wanted Jared so bad, at least in part, so he could bank on free publicity in social media from Jared and J2 fans. He already had the Jensen fans on board. Similarly, he probably decided to add Misha for the same reason. Happy or not about his addition, people are talking about it on many social media platforms, this bring free attention yo the show.

Kripke just wants publicity.

What I want is to get out of this is at least one solid (hopefully more), Misha-less moment between J2 on screen.

But people are really losing their shit over what might amount to like 5 minutes of screen time from Jared and/or Misha. Jensen’s Soldier Boy isn’t even one of the main cast members, even either him being a regular this season, so I doubt there will be a lot of room to expand on a character for Jared (never mind Misha) and then interacting, on a show that’s on its final season and has many storylines to wrap up.

Anyway, in conclusion, only one member of J2M begged for a part in The Boys, and Kripke is using all of them to generate buzz. Simple as that.

[ekebolou]

I get that people have complicated relationships with higher education, and that's 100% reasonable, but there's something I want to point out.

when you hear a popular podcast or youtuber or history show or see a popular history book or article say it's 'revealing' or 'uncovering' or 'bringing to light' or 'reevaluating' some story of the past, it's usually doing so off of academic history work done by people in academia.

Journalists and your average YouTuber are generally the worst about not crediting this work,* but it's there in the background, nonetheless.

That work - academic research, particularly of this kind, and the articles, books, and other information it produces - doesn't get done without institutional support. That is, like with everything, sure some enthusiasts will keep at their particular interests hell or high water, and rich folks can peruse to their hearts' content - that's what fueled the eighteenth and nineteenth centuries' ever-increasing investigative output.

And that should be concerning, not comforting.

Not because all of that output was wrong or terrible or misguided - a lot was, but much of it is still essential, foundational, exceedingly rigorous and useful - but because much of modern history work, twentieth century on, has been a century-long battle to correct some of deeply culturally embedded beliefs an almost wholly dilettante pursuit of the past generated. It's kind of a joke in English-language scholarship that the Victorians ruined everything, but like, for real, y'all, the Victorians left us some BURDENS, from fake relics created for ~the aesthetic~ to defaced and destroyed historical documents.

Academic research in itself is not some kind of panacea. we're not shitting on dilettantes (I am very much a dilettante, in my way) and so-called 'amateurs', who are vital and excellent contributors to knowledge. We're also not saying institutions are always perfect and good and don't need to change. I'm saying that robust, diverse, in-depth, careful, broadly reaching, and most of all interesting and new scholarship requires something on the scale of institutional support.

This is not just because that's where your historians live, but because in a very practical sense, that's where your archives live. You do actually need a big building stuffed with Things Of The Past well-maintained and with a core of well-trained and extremely cool (like librarians, all archivists are extremely cool in my books, even if they're kind of assholes, as long as they are good archivists).

Archivists are currently doing a lot with very little support - like a lot of academics and librarians, really - because that's what people do. When they care about doing something, they get along, they scrape by, they suck it up. But they need buildings, they need climate control, they need continuing training and new people coming into the field - if the idea is that we have so many documents from the past extant today because archives DON'T need institutional-level support, then you are severely misinformed about how much of the past has survived to the present day. And if the idea is that we'll preserve the IMPORTANT bits of the past regardless then you're also sadly misinformed about how good we are at determining what's important, and how frequently (and with growing frequency) disasters of various kinds wipe places out (Lisbon 1755, for example), and how robust any of our documentation (often ESPECIALLY the 'important' stuff) is in terms of long-term survival.

There's a theory going around that THIS period - like the 2000s through today and into the future - will produce a 'dark age' for future historians because the digital infrastructure which not only underpins almost all of our day-to-day lives but is how we've decided to 'save space' - by preserving things digitally rather than in hard copy - is so unspeakably vulnerable and weak. Everyday folks have already, for the most part, lost access to things like CDs, which have a lifespan of something like 100 years at the most. Proprietary softwares, black box devices with irreplaceable parts, flimsy modern materials with difficult to preserve features mean a whole of information that drives our lives today will simply become inaccessible in, actually, a very short time.

Archives - vast storehouses under careful supervision full of well-organized stuff that might potentially be important one day - need institutional support, but also, on their own, are kind of... well, let's just say, Historians will also say shit like they 'uncovered' a 'hidden history' in a previously 'lost, unknown' document that some archivist put in a special box on a special shelf and carefully catalogued for prime findability. It's a symbiotic relationship that doesn't always get its due. An archive on its own can be very useful to a local community, an individual business, a specific family, all kinds of things - but to get History out of it, you need some Historians or suitably rabid individuals of other castes. You need both, or you end up with the pseudo-histories of nineteenth-century rich folk that then get to determine what we believe is possible for the future by what we are told of the past. It's a bad scene.

Again, there are further steps to take - not over here defending institutions as they stand. We were, at one point, on our way to accessible higher education, meaning everyone had a chance to go to pursue their interests, before we started seeing Universities not as a social good and social resource but as job training and profit centers and cut social funding as demanded by business ghouls. Higher education and academia as it functions now has done a lot of damage to people's lives.

But institutions are much harder to build than to change, and change is hard enough. Once an archive is defunded, its collections distributed or destroyed, you typically don't get it back. Like certain species of sea creatures with long gestational periods, once you destroy the mid-range of the population - the bit that raises up the next generation - your population collapses and its very hard to get things back on track (historians and other academics who require lots of investment and training and time and experience are like the sea creatures, you see).

You can, of course, start new. We've done that a lot, as a species. It's always possible. But it's a bit like running out of a fire empty-handed instead of grabbing your wallet as you go. Sometimes you just gotta go, and that's always safest - sometimes you just can't think or there's no time to think and you couldn't get to anything useful if you wanted to - but if it's matter of looking at the wallet in your pants pocket and dipping down to grab it (and maybe pants!) while you bolt then yeah, ought to try. Maybe the pants catch fire and you've got to abandon them anyway to save your life. That's reasonable. (This is just an analogy - fire safety generally says to get ye gone with your life and health intact ASAP, just for the record - don't stop for shit and don't go back in).

The point of this is that next time you're enjoying some popular history content (please save me from this word) or learn some cool fact about the past, think about the fact that none of that get down to you without a big chain of people all joined together doing different things. And that big chain needs nice big social supports to exist. The social supports are hard to change, but the chain is easy to lose without them. It's a group effort all the way, even that little fucker who didn't credit the work they used to make fun videos is important.

That content doesn't happen without the structure to support it - or even worse, that content lies to you. Makes stuff up. The stuff it makes up isn't going to be fantasies of freedom and equality, at least going by what's been made up before.

Hate the academy, want it to change, act to reform it - all very good, go for it, no desire to stop you (except maybe the hating part, try to hate more specifically, like individual actions or aspects of the academy, if you're going to hate on stuff, but, like, hate can be unhealthy, get some peace in your life if you can). Things are bad enough without also feeling like you have to take on a crusade to save archives or other institutions - though honestly just participating in your local history scene, giving them time and attention, is really valuable help - so that's not really the call to action here. The call is just asking you to notice the big structures that enable these small joys.

Don't let yourself be convinced that they somehow happen in a vacuum, that they'll just persist somehow like getting Deliveroo at your off-grid mountain cabin. A lot people helped make that stupid podcast about Marie Antoinette's toenail fungus happen - and there's way more than that waiting! If we can just keep letting people make archives, study stuff, fuck off on fruitless searches for things that were never there and instead find stuff we never KNEW was there. There's so much of that to be done! The more the merrier on who should be doing it! But if we want that, we got to figure out how to support it, to keep what we've got, build more of it, or it'll be the same shit about Marie Antoinette over and over and over and over and over because that'll all we'll have to build from.

Anyway, if you've never done it, take a ghost tour. Visit a museum nearby. Pop into an archive and just ask them some stuff. Get on these web pages that do things like recreate Angkor Wat as a virtual tour, go watch a Youtuber do a frothing-at-the-mouth defense of Charles Lightoller, or even better, read this reddit thread about whether Dua Lipa would have survived the Titanic sinking based on her music video. And just think - holy shit, isn't it cool that we have a society, a whole social structure, that could produce such a thing? And it's right here, at my fingertips, ready to disappear.

*there are reasons for this, some related to format and legibility/accessibility that still shouldn't eliminate the need to credit others' work and others cowardly excuses for parasitism

[scoriarose]

There's something important I've been wanting to share with fellow snake caretakers, and it's that if you have been sweet to your snake and love them, they have probably told you hundreds of times they love you- but because we speak different languages most won't understand. It makes me a little sad thinking how hard they try to tell us, and some folks just don't recognize that and they hope their serpentine friends love them but never know for sure- or even believe the lie snakes aren't even capable of love at all. They are, they have brain structures similar to birds and not only are physically capable of feeling love, they also regularly display traits associated with love including empathy and self sacrifice to protect others they care about both in captivity and the wild.

Snakes express love through touch. Through cuddling, and vibing (being near someone not touching just happy to be in their company). There's another outdated lie that snakes cannot and will never enjoy being pet - likely this comes from someone seeing cats and dogs lick their young and enjoying being pet because it feels similar to what is natural to them but since snakes do not lick their young it was believed they could not enjoy this sensation outside of their nature.

But that's wrong. It IS their nature! They just don't use their tongue, they use their whole body! Thing is, a lot of people who see them slither over another snake don't realize it's more than just them going somewhere, and they think they're carelessly going over another snake. Sometimes that may be the case, but touch is also how they bond. I read an article detailing how a mother snake was tolerant of her babies climbing all over her. Tolerant? It's like if a toddler hugged their mommy and said they loved her- tolerant would be such a strange word to use. They are telling their mommy they love her through their very limited means of communication.

Isn't it incredibly sweet that a creature who is so so limited in communication made sure to have a way to say, "I love you." I think that's just the best news ever.

If you doubt what I'm saying well, a number of snake keepers can vouch for me they've also accidentally discovered that touch can also be romantic if you touch the wrong place where most wouldn't expect it to be.

But the point I'm trying to make is, I bet there's tons of people with pet snakes who are telling them over and over they love them, hoping their human understands. If your snake doesn't do this action it doesn't need they don't love you- it would come from them not having figured it out. They learn not just from instinct, but from each other. Not having a parent snake to teach them (like some species including rattlesnakes) they have to figure out everything on their own for the most part.

Many figure out how to express, "I love you" through touch. Most snake caretakers I imagine don't recognize the attempt to communicate as anything more than the animal slithering around- but if you look for it you might see your pet telling you! If they are on you and start slithering around but not going anywhere in particular (sometimes back and forth) ESPECIALLY if you pet your snake and they relax/enjoy it- they are probably trying to pet you. And in doing so, show they care about you too, that they love you.

Scoria pets me with her chin, and I've never heard of anyone else's snake do this. She has, however, taught this to her sister who now pets me both ways.

It would be neat to hear if anyone sees their snake doing this and realizing what it really means. (Your snake might have even learned another way if you don't pet them and show them love another way- sometimes they learn by copying us too.)

Hope this helps someone- please share if your snake has a way they show they love you, I see very little on this from other caretakers and would be so happy to hear if others have similar experiences.

[weirdmarioenemies]

Name: Gobblick

Debut: Mario & Luigi: Brothership

The embargo on Brothership enemies that-I'm-not-sure-if-we-actually-had-or-not is OVER! Which MOD TWEETER is happy about, because she finally gets to talk about her favorite creature from the whole game: GOBBLICK!

From the success of fictional pitcher plants like Victreebel and...er...Victreebel, it's no secret that they've captured the hearts of millions worldwide! And yet, finding a decent video game pitcher plant in this day and age is hard. And that's sad! Especially since Wet-Dry World has arbitrarily decided my rent should be paid for in articles about video game pitcher plants!

Gobblick is SUCH a good pitcher plant design though, definitely worth the wait!! Look at that gut! Those spots! That big, long licker! The ridges on its leaf and lower jaw, seamlessly combining pitcher plant and bear trap aesthetics!

But, of course, the BIG show-stopper: EYES IN A VOID, BABY!!!! I love it!! It works PERFECT with the pitcher plant design! In fact, I wouldn't be surprised if they added them to REAL pitcher plants in a future update! They even remind me of that one talking pot in Winnie-the-Pooh that stuck onto my mind since I watched it as a child!

Since they're on the INSIDE of what is definitively its mouth, though, that raises the question...are these Gobblick's eyes at all? What if they're the eyes of something else? But...what would that something else be? A spider? A Lickitung? Perhaps it's the eyes of a treeshrew, and it's attacking out of embarrassment of us catching it using the bathroom? I'm sorry, hypothetical treeshrew! But you probably shouldn't stay in there, if that's the case, even if you're shy!

Or, most likely, these ARE the eyes of the noble Gobblick, and it uses them to watch its food go down! When you're a pitcher plant, is there honestly anything better to do?

Yes! And that thing is: attacking plumbers! Gobblick is such a fan of battling Mario & Luigi that he has not one, but TWO battles against them! That may not seem like a lot, but that's more than most Mario bosses in most single mainline games!

"Well, that's fine and all, but I bet none of its attacks include the coveted Root Attack," you might scoff. And you'd be wrong! Although real pitcher plant roots are, frankly, not really something to write home about, the root arms of Gobblick are able to dig through ground as they approach the brothers, in a way similar to Whispy Woods! Kirby's Dream Land 2 fans rejoice!

But, this isn't even Gobblick's only form! In fact, the first time I saw and fell in love with Gobblick was in its SECONDARY form! Warning, however, that this form is built off of integral spoilers for the game, so if you click below, do so wisely...!

Name: Glohm Gobblick

Debut: Mario & Luigi: Brothership

WOW! If you loved Gobblick already, then I hope Glohm Gobblick was worth the wait–it certainly was, for me!

Wine-red is just a perfect yet underrated color, especially for pitcher plants! I couldn't believe I had never thought about making a reddish pitcher plant prior, myself, but that just goes to show how ingrained plant color stereotypes are! I saw a picture of a pitcher eating a rat once, and it never escaped my mind, and THAT was red!

But Glohm Gobblick isn't just this beautiful shade of red for no reason! It's under the effect of being Glohmed, which makes anyone other than Mario & Luigi more powerful while amplifying their desire to be isolated and lonely! And unlike some other characters, there's nobody around that's worried for our poor friend Gobblick...it exists only as an optional boss you can come across on your own. Don't worry, Gobblick, we love you...!

Gobblick is never truly alone, however. Thankfully, the game specifies that this is not the Gobblick, but a Gobblick! It's one of MANY! Please expect Gobblick to make its way alongside Toads and Piantas as one of the main recurring Mario People, being charming background fodder for decades to come.

Or not, since it's canonically from another world. Too bad.

This should cover my Wet-Dry Rent for the next few weeks! Join me next time when I finally cover the last in the top three most popular video game pitcher plants: Weepinbell. Bye.

[plurapony]

all about introjects!

INTRODUCTION & DISCLAIMER: This post has been on the back burner for months, but was inspired by recent incorrect information spreading regarding introjects (i.e. 9/10 introjects are factives of abusers) This will be a long post so strap in! Each subtopic will be divided into sections for easy viewing.

Section 1: Clarification On What "Introjects" Are.

When I talk about introjects I am talking about 3 specific types of introjects:

Standard Introjects These are the most common type of introject. Most fictive/factives fit into this category as a Standard Introject simply introject few or many personality traits/quirks from something pre-existing.

Concept Introjects These are introjects that are founded on a concept. For us they usually happen when gaining an introject that we are unfamiliar of the source - so the traits that are introjected are assumptions we made.

Grounded Introjects These are introjects that aren't really introjects at all. They have their own unique personality traits and qualities but have their identity tied to a pre-existing character in order to be grounded to reality.

There are some gray areas and some parts that will not fit into these categories, and that's okay. There are some parts who will present as a Standard Introject but refuse to identify with the label of "Introjects". It's important to remember that if a part wants to identify as an introject that decision is ultimately up to them and them only.

Section 2: Introject Rarity/Prevalence Outside DID

Introjects aren't rare. Many people like to act like introjects are a super rare phenomenon and therefore all introject heavy systems must be lying or faking - but that's not the case. Simply put? Introjects are drawing their identity from a pre-existing source.

It's not limited to DID either! Sometimes people want to base their identity off a character they like (have you ever seen the people who spend thousands on surgeries to look like a celebrity?) and there's nothing wrong with that. Other disorders that present with identity issues also have introjection such as autism and BPD. It's just not that much of a big deal! It can happen and there's nothing wrong with it when it happens.

If you're interested in learning more: here's a Wikipedia article about (non DID specific) introjection!

Section 3: Types of Introject Sources

When looking at the discussion of introjects online there are two types of statements I see often - "Most introjects are of abusers" & "Most introjects should be from childhood/of childhood media"

I've extensively looked online and I cannot find any verifiable statistics regarding the prevalence of the types of introject sources, so I'm going to go off a purely anecdotal and logical lens.

For us personally? Of all our introjects approximately 5% are of past abusers. It's important to note that even if you know a system you will not know whether they have introjects of abusers! Most of our parts who are introjects from abusers feel incredibly ashamed by it and have distanced themselves from their source. It's very difficult for them to have their identity tied to such horrible people and it's a secret they prefer to keep. I don't really understand that view that the most common introject are of abusers, there may be a need to introject for protection/dealing with trauma but abusers are not going to have "admirable traits" and at a certain point there isn't going to be a need for the brain to introject more of them.

Childhood introjects! Now this is something I like to talk about! Oddly enough, many of our introjects from childhood have showed up later in our recovery process as they held trauma we were not able to handle at the start of our recovery. It makes sense logically that if you are heavily prone to introjection in adulthood, you probably were heavily prone to introjection in childhood and visa versa! And that's the part that most people don't understand, they will argue that most introjects should be from childhood and neglect the fact that it makes sense logically that someone who had many introjects as a child will also have many introjects as an adult.

Section 4: Hyperfixations & Introjects

This is one of the possibly most misunderstood part of introjects. You cannot have introjects from a hyperfixation ALONE - due to the fact that all splits are going to be negatively induced. But if you are experiencing stress and trauma while you have a hyperfixation? Of course it's possible.

Let me break it down for you and explain how a hyperfixation takes over your brain. You find this new thing (show, game, etc) and it's something you really enjoy. So for the next two weeks every waking moment you spend interacting with the hyperfixation. You go to sleep thinking about your hyperfixation, you wake up excited to interact with your hyperfixation. You disengage completely with the outside world and escape into this hyperfixation. It controls every aspect of your life and you just have to comply with the hyperfixation in order to get your happy brain chemicals.

So... Why is it such a strange concept to gain an introject during that time? It's in your brain 24/7 for an extended period of time, why would it be odd for the hyperfixation to influence your split?

Thank you for reading if you made it this far!!! I've been meaning to make this post for SOO long!! I hope you learnt something and if you didn't, I hope my words resonated with you! 🩷

[angelflms]

oh boy. guess i have something to say about CK after all. get ready. it's gonna be a fucking doozy because ima bout to piss off so many people.

yall cared wayyyy too much about robby (this is coming from a robby lover).

for a cheesy, straightforward show, some of y'all didn't understand its tropes at all. or at least what it was trying to tell you, especially when it comes to the roles miguel and robby are supposed to be in.

miguel has been and always will be the show's karate kid. he was supposed to be the daniel of the story, hell even GQ just said it in an article about the show recently. robby was always supposed to be a johnny-like foil to miguel. the thing is that the show tries to bamboozle you into thinking otherwise because of who's training them, how they're trained, and how they act because of the type of training they're initially recieved.

yes, miguel acts very similar to johnny in the show. yes most of the og TKK call backs they make with him are in relation to johnny, but he is the underdog character. you know how everyone expected johnny to win in TKK because he was a fucking champ and such. it's almost like how we as an audience for awhile assume that robby is gonna be the final end all champ of the series. but just like with johnny, we're proven wrong. it's just that the bullet was in a different gun this time. it's the one in the ck gi who won this time.

idk why people get so mad over miguel's victories when it was always supposed to be him that was gonna win. the show is called cobra kai for a reason, therefore, the final winner of the show is gonna be someone from that dojo. it only makes sense. and since the main karate kid that started off the show was a ck member originally, surprise! he's gonna be the final victor of the show.

---

now im seeing a lot of hatred towards johnny's character, again because of robby. now yes, johnny was a fucking horrible dad. and as a girl who's bio dad is a piece of shit like johnny was and has never been in my life (even started a business similar in the world as johnny's), i understand robby's dad pain a lot, even more so than miguel's.

but what you don't understand is that cobra kai is a show about generational pain. generational trauma. generational grief. generational hurt. the whole story revolves around pain that started 30 years prior (even further if you bring up kreese). the show also is about breaking the cycle once brought upon you to better the future for those who look up to you.

johnny is close to miguel because he was his second chance at being a better father figure to him. he didn't expect that he would get robby back in his life the way he did (robby literally told him to rightfully stay away) so he focused heavily on miguel and his family. now once he and robby reconciled, it was a huge breaking the circle moment because johnny lawrence is a victim of physical and verbal child abuse from both his step-dad, sid and his father figure, kreese. kreese was to johnny what he is to robby, but less abusive. and robby was to kenny what johnny was to him, but robby eventually broke the cycle, something that johnny was able to eventually do himself.

that emotional scene between johnny and kreese wasn't just emotional but kreese's final moment of realization that he was a horrible man and father figure to johnny. he hurt him so bad that he couldn't be a normal human being, which in turn caused him to be an absentee parent to robby. not saying that it's okay but it's understandable. not getting that johnny is a broken person just ruins the whole point of the show's point of generational pain, something the show is nearly spoon feeding the audience to.

yes johnny is horrible as a father, but damn it the man didn't have a father figure as a model. all of his figures were abusive, absentee drunks who never saw his potential. that was a norm for him.

---

ive said many times that y'all talk wayyyyy too much shit about miguel for no reason. and the way this season ended and how much y'all are upset, im starting to look at a lot of you in a side-eyed way. like his character arc is poorly written but that's not his fault. the writers hate him i feel. look i love robby and i hated the way he went out but at the end of the day, you need to understand that he wasn't gonna be the final guy. maybe i think too much in terms of the nuances of shows but i'd like to think this was the most straightforward show about fighting out there. like there wasn't much of a hidden message as they told you what they were. maybe yall are too lost in the fact that y'all care so much about robby that you don't care. maybe im missing something as i have only been in the fandom for over a year. or maybe y'all just subconsciously racist atp because the hatred miguel and xolo get for no reason is beyond me.

but i will give everyone this: the show's writing sucks.

they didn't know how to write certain characters and i feel like it was due to wanting to please everyone because i remember the death threats this fandom threw towards so many people during the lockdown days. but the show genuinely can go past surface level shit and it sucks. i wrote a whole thing dedicated to how miguel's storyline should've went post-coma because honestly they fucked his character up BIG time. but at the end of the day, i do think, even with good writing, he deserved that ending. i just wished everyone else agreed.

[siri-ike]

Danny's Phanclub

From this prompt

(This is connected to Summer of change, Jazz Al-Ghul, Mad Science Private School, empty, and a little crime as a treat)

On december 9th, 7 people who were not busy that afternoon gathered in a dimly lit garage on the request of one person.

Angie (15) head of the Danny Phan club's theories division: You're probably all wondering why I asked you here today.

Su-Jin (19) in charge of keeping the websites updated: Yeah, the urgent message with no explanation was kinda jarring.

Jónatan (16) event organizer: couldn't have given a little heads up?

Carmelo (14) treasurer: And I don't believe we needed this many snacks.

Rowan (17) President of the Phanclub: Let's hear her out.

Suddenly, a bright light flashed above them.

Harriet (17) made matching t-shirts: Got the power back on. What are we talking about?

Angie: I'm sure you've all heard that Danny Phantom somehow managed to freeze that giant plant ghost last summer?

S,J,C,R,H,D:*murmurs of agreement*

A: And everyone knows ghost poweres are based on how one dies. As was proven last year with that ghost who was perpetually soaking wet and kept spiting up water

She turns dramatically away from the pool conference table.

A: Before now, he could just do the same things as all other ghosts. Invisibility, intangibility, flying. Plus, those blasts, which are probably just concentrated ectoplasm.

She drags in a large corkboard and looks at the others when she flops it around. Revealing newspaper clippings of Danny using each of his powers, a grave yard, some mountains, and... ski resort pamphlets?

A: Now. Let's look at the evidence.

1. The snow. That came out of nowhere, right? - Wrong. Before the Christian version of Hell, there was the Norse Hel. It was where everyone whet when they died, provided they didn't die in battle. It was thought to be a vast wasteland covered in ice where you could spend eternity with those who were with you when you died.

2. His appearance. He wears a onesie. There are a few reasons one might wear a onesie. The main reason being, you don't want something getting into your clothes. For example, bees. But he has nothing to do with bees. It would have to be something else, something he is connected to... like snow. Like his hair. *pause for effect* it's snow white. The chances of someone being born with white hair is less than 0.001% or one in 17 to 20 thousand. It can also be caused by a deficiency in vitamin B12 or pituitary or thyroid issues. You can all refer to the group chat for articles on those.

*Angie knows no one ever reads her sorces, but damn it, she did her research, and she's gonna site it.*

Jónatan: When did you have time for this? School only finished yesterday.

A: What I think is more likely is that his haircolor changed post-mortem. But why white?

*pause*

A: I think he froze to death.

The room went silent. It had crossed each of their minds, but no one had wanted to say it. Enter Angie 'can't read the room to save her life' Sage.

A: Considering the multiple ski resorts in Illinois supporting the theory and how much more aggressive he is in December, probably due to the anniversary of his death. It could also explain why no other ghosts show up in December. Either they're too scared of him or they're giving him space. He has seemed to be somewhat chumy with some of the other ghosts, despite their combative relationship-

Rowan: Angie, stop.

Quiet.

She looks around the room. Four people are looking down, seemingly avoiding eye contact, and two look at her. Rowan, looks right at her with stern yet sympathetic eyes.

R: Everyone take five. We'll pick it up from here. Angie, a word.

Oh great, she must've offended someone. If only she could remember to look at the faces. Shurely, there must be some signs she could look out for.

R: I know you like theories, Angie. But can you tone it down? You're talking about someone's death. That's not the sort of thing most people are comfortable with.

They're one of the most patient people she's ever met, but sometimes even Rowan doesn't quite make sense.

A: But... he's a ghost. We all know he died.

R: We do. But, I think this whole conversation could be easier if you remove the "post mortem" and the "to death" parts of your presentation.

A: I guess I could change the wording a bit. Leave out the more gruesome parts. But I need someone to hear those out, a second set of ears to make sure I didn't miss anything.

Rowan looks to the corner of the room, where a 12 year old girl sits on a barstool with a wide-eyed grin ear to ear. She nods as though knowing exactly what they want.

R: Dani can hear you out on those.

Dani (12 (real age 1)) a gremlin, somehow always has time for this: I look forward to working with you.

~~~~~~~~

Angie's articles

Premature gray/white hair

One in 17-20,000

BTW I'm not gonna continue this.

Guess I'm continuing this.

Pt 2

Masterpost

[toa-arania]

I found Touhou on IMDB and then it got worse.

So there's a bit of a story behind this, as there should be with any post. I have spent the past *checks clock* fifteen minutes and counting losing my goddamn mind over this.

Touhou 1-11, including 7.5 but not 9.5 or 10.5 for some reason, are all on IMDB. This is not that strange, as many video games are listed there for their writing or voice credits. What's weird is how I discovered this. I heard a voice in, of all things, a four and a half hour video about the Lego Ninjago show and how badly it fumbles its women. One of the characters sounded a bit like Azula ATLA so I checked. It was not the same VA. Then I saw this.

And then I saw this.

Now the sharp-witted amongst you may have noticed the tiny little inconsistency that

TOUHOU DOES NOT HAVE VOICE ACTING

Touhou has never had voice acting, especially not back in 2003 when PCB came out. There's also the detail that Layla Prismriver does not appear in PCB, nor does she appear in any Touhou game outside of her mention in the character profile of the Prismrivers, which firmly establishes her as very dead and thusly incapable of speech. You'll be pleased to know that it continues to get worse.

This is not the plot of PCB. What the fuck do you mean only one of these heroines intends to stop it. The cast list is also fucking bizarre.

Merlin and Lunasa are here but fuck Lyrica I guess. Alice and Youmu are not credited and REIMU ISN'T HERE EITHER. Youki Konpaku is credited. Youki Konpaku is not in this game. The goddamn Saigyou Ayakashi (which is spelt disastrously wrong here of course) is given a voice credit. THAT IS A TREE. THAT IS A TREE THAT DOES NOT TALK IN A GAME THAT DOES NOT HAVE VOICE ACTING. I AM GOING INSANE. WHERE IS REIMU.

Now obviously what I did at this point is start checking the other ones, and th8, 9, and 10 don't really have much interesting going on other than a continued and bizarre lack of Reimu in all of them. 6, 7.5, and 11 however are all bizarre for fun new reasons. Let's start with Subterranean Animism and work backwards.

I was suspicious of the lack of images so I went to check all of their pages and they're mostly men as far as I can tell. Most of them are credited in a film called Sule, Ay Need You, which a brief google has only barely convinced me is a real film that exists in the first place. It has a wikipedia article in indonesian. One of them, however (the only one with a picture) has been in eleven million different things with reasonably big parts. I have no idea what's going on here. With the player character situation there are eight characters uncredited not including Koishi, who is also nowhere to be seen (which feels strangely appropriate) and Sanae who I remembered literally as I was typing this is in th11.

Moving on to Immaterial and Missing Power:

TGHAT'S REIMU

Also I'm pretty sure Meiling wasn't in IaMP? (According to a quick google she was added in a patch but not given a story mode). Anyway the sudden appearance of Reimu is the only real interesting thing here because random cast absences are just so commonplace now. Now lastly for the weird fucking pages we have the Embodiment of Scarlet Devil and oh wow this one is something else.

Where do I even begin. Reimu is gone again. Three separate people are credited as Remilia. Actually most characters are credited twice except for Marisa and Sakuya for some reason. Sometimes they specify (voice) and sometimes they just don't. Most characters have [Character Name] and [Character Name (Voice)] which implies that one person is doing mocap or operating a puppet or something while another voices them but then there's just Rumia and Rumia. Who voices Rumia. Remilia has three fucking credits. Marisa and Sakuya get to be normal people. Reimu and Patchouli are just fucking gone. What the hell is happening.

And now it gets stranger once again because I said th1-11 earlier, not th6-11. The PC-98 games are all here too. However. Those pages are all just. Normal. ZUN is credited as the writer. There are correct plot summaries. No voices are credited. The name format is even different (Touhou [Number] [Japanese name]: [English name] instead of just Touhou [Japanese name]: [English name]). They're far too good quality. It honestly feels like whoever uploaded the PC-98 games is a different person to whoever's been doing their bizarre uploads of the windows games.

Now at this point I was looking for other interesting stuff to add - IMDB has Did You Know segments that had fun little details about the games, which seemed to be accurate. It also has a More Like This section linking to the other pages and-

...

...

Luna Nights is here too.

...

LUNA NIGHTS ALSO DOESN'T HAVE VOICE ACTING!!!!!!!!

[ghost-bison]

a christopher eccleston appreciation post

i will never say this enough because i don't know enough words, nor do i think such words exist, that could even begin to summarize how much i love christopher eccleston, but... i love christopher eccleston. and, more importantly, i have a deep-rooted respect for that man.

i started doctor who as, let's be honest, a sci-fi hater, forcing myself because i was obsessed with david tennant, and i was kind of dreading the first series because of this. but i was dead wrong.

he broadened my mind, gave me so many laughs, and so many cries, and i'm not the first to say that whenever eccleston is on the screen you just can't take your eyes off him, even when he's not supposed to be the main focus of the scene.

the way he can switch from silly goose to traumatized soldier in a matter of seconds will never cease to amaze me. or how he can play with both like he's on a swing by balancing it out with sarcasm?

i think whoever doesn't give him the title role in their shows/films is either an idiot, or they know the main character just isn't always the best.

i think it's downright idiotic and shameful that he gets rejected from ever playing some shakespeare just because of his northern accent (they're just posh elitist pos). now that he's older, and that times are evolving (i mean, i hope the world of theater is vibing with this evolution, but i'm not delusional), i hope we get to see him portray a character like leontes in winter's tale cause i know he'd be absolutely perfect for the role, and who better than shakespeare (this character especially, with his nuances and highs and lows and breakdowns and breakthroughs) to match acting like his?

saw an article where eccleston talked about how the moment he really knew he wanted to be an actor was when he had to wear mascara for a play, and had enjoyed it. i think he talks about it in his autobiography too (you should read it, btw, it's frankly affordable, and he happens to be a marvelous writer as well).

eccleston knows he is mistakenly type-cast, because of his background, as macho men and tough blokes in general. he's aware that it's kind of a big part of his culture. again, he talks about it i think in the very first chapter, how for instance he used to dress up as james bond, the pinnacle of "masculinity", which i think was a disguise in the metaphorical sense of the term, to mask his delicacy and femininity (or at least, that's my interpretation of it).

in his biography, eccleston talks about the differences between him and his dad, ronnie: he was surprised, as a child, whenever his father's affection manifested as a kiss or a hug, cause that usually wasn't his father's way of doing things. he compares it to how he, in contrast, has the habit of kissing his own son, albert, and telling him he loves him.

you can find it as well in how he talks about his anorexia, his body dysmorphia and, i think we can call it that, gender dysphoria. he's from a time when those concepts didn't even exist, they weren't a thing to the public eye. my father and my step-father, both feminine men in their own way, and both around eccleston's age, both told me about the struggle that it represented, not being the stereotype of the macho tough guy, and being surrounded by boys who didn't struggle with that issue. it made my dad a junkie, my stepdad a depressive artist, and, apparently, it made eccleston an anorexic actor.

i think it takes a lot of courage for people that age (the boomer generation as we call them), especially men, from whom we expect toxic masculinity, masculinity pushed to an extreme, to be able to openly call it out and dissect it into what it is: a ridiculous standard. but to be a PUBLIC FIGURE, in his 60s, and still find the strength to express it? damn. takes guts, i think.

most of us on this website, we're babies. most of us are at most in their thirties. the millenials and the gen z, and now the gen alpha, we take that for granted. or get offended and scandalized that being able to express oneself isn't yet a basic standard.

but then, i talk to my mum, and i realize that she had to stray from her catholic, sexist education, she had to make up her own mind about things in order for me to be born a free spirit. and that's just considering my mum's a cishet.

christopher eccleston expressed in other words that he doesn't fully consider himself to be cisgendered. i have mad respect for the way he talks about it, and for even talking about it at all.

then, there's his honesty. the more interviews i watch, the more it impresses me. he knows honesty goes hand in hand with dignity. i'm sorry but i'm tired of people who are nice all the time. you never know when they're being honest, and maybe some of them are, who knows. but i'm not stupid enough to think that so many people are just pure sunshine all the time (respect for tennant for lashing out publically about transphobia, i think he passed the test).

eccleston? he knows how to be both brutally honest and yet respectful at the same time. no ukulele apology from this man and holy fuck, it feels good!

i've seen him call russel t davies out for his lack of professionalism on the set of doctor who, and then list him amongst the great writers he's worked with. which makes me want to believe eccleston's side, because, if you're always either too polite, or too full of spite about eveything, who's to say you're not the problem? i've got way less trouble believing you if you can stay unbiased about a person you're having beef with than if suddenly everything said person does turns into shit just cause you don't like them. that's just maturity and wisdom.

one last thing i love about eccleston is that he is interested in other people's lives. there's a critic by marcus berkmann in his book that perfectly expresses my point: "you know what to expect from the autobiographies of most actors, i think: anecdotes, charm, more than mild self-satisfaction and faux-modesty by the bucketload. but christopher eccleston is not most actors".

and that's it. watch him in interviews and at convention panels, where he lets his younger co-stars speak before himself, and seizes the occasion when journalists ask him questions that are meant to make him talk about himself to praise his writers and other actors instead.

read his autobiography, which is both a love letter to his dad and a big let's-be-honest about the struggles of growing up poor and his personal struggles, because he thinks raising awareness is just as important as protecting himself.

look at his instagram posts where he unabashedly disses the monarchy and stays true and loyal to his background even after getting a taste of money. and his other posts where he shares his love for acorns and spending time with his kids.

i've seen him nearly break down in shame and regret on television for having stolen a kid's crisps in primary school. and not trying to find lame excuses for his behaviour. no ukulele apology, just facts, just christopher eccleston showing us what masculinity in its purest, most beautiful form should be about

[tommykinard6]

This blog is here to stay. It will remain a Tommy Kinard and BuckTommy blog.

I’m pissed. I’m grieving. 9-1-1 is my favorite show and now they’ve pulled this shit.

If Lou had left the show because the death threats were too much, his mental health was suffering, or he just couldn’t take it anymore, I would absolutely understand. I’d blame a certain part of the fandom, but I’d respect his decision. But he didn’t even want this. He loves Tommy and Tevan. I don’t know what Tim is thinking.

I know it all feels like a waste right now, but it’s not. Let me recount really quick:

• Buck is bisexual.

• There have been some really important scenes to come out of his discovering his sexuality, including Josh’s speech and his own lesson in fighting for his relationship.

• Tommy Kinard will be a character you pry from my cold dead hands. A gay man who discovered himself late in life and is still living his life genuinely. A man who made mistakes and acknowledges them, but has grown far past them. What a wonderfully rounded character.

• Excepting the end of 806, the beauty of their relationship. They did so much with so little screen time.

It’s not a waste, even though the ending absolutely trashed the progress made.

Resolutely, I do not believe this is the end. I know, I know, “the interviews”. It’s not out of the realm of possibility that they’re misdirecting. Also, they haven’t even written the rest of the season yet. The storyline is fixable if there’s a make up.

Not telling anyone how to feel about Oliver’s comments, but I would caution about using TVline’s article as the Bible. It was a terribly written, heavily biased interview and frankly it’s an insult that it was even conducted.

Even if it is the end, no one has to stop shipping. No one has to leave the fandom. We did not lose. We still got our canon ship and it will forever be an irrevocable fact that it was canon. BuckTommy is endgame for me. I may be disappointed by expectations, but I will never be in the wrong for sticking by that.

Make your displeasure known to Tim and ABC, but do not lose your dignity doing so. Do not engage with the haters. No harassing Lou. You can hold Oliver accountable for his remarks, but no harassment of him. You can call him out without making him the fandom whipping boy. I’ve seen many people latching onto him as the outlet for their feelings on this. Do not harass or bully the writers or actors, but make sure the producers and showrunners know they fucked up.

And most importantly, look after yourselves and each other. We’re still a community and we’re here to stay. This week is one of the worst ever, but we will come out of it.

Thank you, Tommy Kinard, for the hope you gave us, the representation you presented, and the character you were. Thank you Lou for portraying such a character and being such a sweetheart. BuckTommy will forever be in our hearts, endgame or not.

As a reminder, BuckTommy is not the be all end all of the show for queer rep. Hen and Karen, our fabulous queens, and Josh will still always be there. Buck is still bi, no matter what’s next in store for him. Tommy, even if gone forever, is still a significant moment of gay rep. And that’s not even counting the small characters that come in and out. It’s not always done well, but it’s there.

[garbbitch]

i have so many thoughts about this so i apologize if this is scattered.

i saw this originally on TORRES’ story yesterday and it honestly made me sick. this disheartening. and something about the way people have been reacting to julien’s new upcoming project as opposed to how they’re reacting to lucy’s is making my heart hurt

like, idk, they’re both essentially at the same level of fame since they were both in boygenius, and yet lucy is getting article after article and interviews upon interviews about her and julien’s press has been relatively quiet beyond the one podcast and the one magazine. while lucy is doing radio, she is getting written about in multiple articles, her music was used for a fashion show. idk, i just feel like people are reacting so differently to each of them and it’s frustrating.

like people like to act like julien is less talented or something when she’s not! i’d even argue more talented but that’s a whole other conversation.

it’s like when the whole summer boygenius was touring everyone only ever talked about phoebe. idk, it rubs me the wrong way.

connected but unrelated thought,

people’s reactions to lucy’s video yesterday also piss me off quite a bit

like, i keep seeing a lot of the same arguments, some that i agree with and some that i dont.

for one, complaining about a lack of representation. ie, they’re all skinny, they’re all white etc.

to that i think there were a couple of reasons. one, she was looking at the submissions for the video the day of the tiktok ban. now i don’t know how it all went down but i’m assuming she probably wanted to reach out to more people but had trouble.

also! as much as i love boygenius and their solo stuff as poc, i’m aware that most of their fans are not poc. those concerts are white asf and that’s fine. but she can’t pull poc out of her ass. she was casting from her fan base. if it’s mostly white, that’s what you’re gonna get in the video.

and another complaint i saw a lot was that it was mostly people who were her friends or were influencers. ie, mattie, naomi, elio idk how to spell his name. and again, i think this was just cause of the tiktok ban, she probably saw mostly people who got the most views in that short window of time she was looking.

another thing i saw was that these people weren’t masc enough or butch enough. and to that i say, shut your mouth. these are real people. you can be frustrated with the way the casting ended up happening and you can recognize that it wasn’t a full view of the whole spectrum of mascs/ butches in the community but attacking the individual people she put in the video is wrong.

i also saw some people complaining that she had elio in the vid and hes a trans man. if he calls himself masc and he auditioned and she casted him that is between them, not us and them. being masc isn’t inherently lesbian. being butch is. if he called himself butch that would be a different story but he didnt.

i also saw people complaining about cara being in it. i personally don’t care for her, but who cares…? she may not be masc presenting in her public appearances but we don’t know her. so get over it…

i also saw people that it was only influencers and her friends in the vid… i get this one, but again. i blame the tiktok ban. we in america thought it was going to be gone gone for a while leading up and a good chunk of time as it was banned. yes that wasn’t the case but i do think she just picked people with the most views, ie, the influencers. i do wish she would’ve been upfront that it’s gonna be a bunch of her friends but whatever. (sorry if i’m repeating myself i have a lot of thoughts.)

i also keep seeing people in the community being rude to lucy and saying she’s just an annoying bisexual. she’s not bi i dont think. and she is quite publicly unlabeled or pan. you can recognize the very white view she has of the community and recognize that she could’ve been more diverse without mislabeling her or bringing up her label at all.

and idk, it’s also so baffling to me that both of these people are getting attacked for just existing but like, julien is dealing with real homophobia and lucy is dealing with very chronically online biphobic assholes. it just baffles me how no one is talking about the real and scary homophobia that julien is experiencing but i swear i’m seeing everyone and their mom jump to attack or defend lucy.

and another thing. i think the general lack of public support for julien is because she’s masc, everyone wants a masc or a butch until you actually have protect them. idk

i’m thinking to much and if none of this made sense i’m sorry.