#that it is bad to try and flesh out the story and characters and it needs to be more simplistic to get to the ending quicker

[raven-at-the-writing-desk]

So... twst anime—

I feel I should be much more excited than I actually am. Don't get me wrong- I am excited ( for Leona animated content ) to see how they'll handle some things- but apart from the worries you listed, I just... I know this sounds a little gatekeepy but an anime will mean more ppl will know and talk about the story and I fear that they won't go into the game/other content and thus have a limited opinion on characters/events and misunderstand them. Basically I fear that characters will be even more mischaracterized than they already ( sometimes ) are by the current fandom 😭 ( specially Leona- gunshots )

[Referencing this post!]

I feel like there's for sure been mixed reactions to the recent anime news. The general consensus is excitement, but occasionally I've also seen skepticism or worries that the anime won't be as good as the long period since the initial announcement would have had us believe. That's to be expected; we won't know the quality of the anime until we watch it ourselves.

Mmm, there's that age-old sentiment again 😅 The thought of, "More people will be exposed to Twst because of this; I'm worried they will misunderstand the story/characters." It always seems to make a comeback whenever a new major piece of Twst media is announced... It happened when the official EN localization was announced too. People were jumping to conclusions and worrying that the influx of "EN-only" folks and/or a sub-par localization would lead to newer fans not seeing the story and characters the same way as the JP side did. I'll repeat what I said back then (as I think the same logic applies), along with a few additional points/expansions, as are relevant:

As you've said, mischaracterization happens, even now. This is normal in fandom, and it doesn't necessarily make fandom a "bad" space. Variation in thought is a normal human thing in general and I don't think it should be discouraged. If everyone thought the exact same way, life would be boring and we would have a limited number of ideas circulating.

This thinking sort of presupposes that the Twst fandom is currently without issues (or has few of them) and that it is the growth of the fandom that will cause problems. From experience, I can tell you that fandoms always have their toxic pockets. Fandoms growing larger just exposes more of those pockets because, statistically speaking, with more bodies present, there's a higher chance something will come to light, be it a personal squabble, a cultural difference, actually serious allegations, etc. It's a natural part of a fandom's lifecycle.

How other people interpret the story/characters should have limited or no bearing whatsoever on your own enjoyment. It does not erase your own views on the story/characters either. If you find that your concerns about others are becoming overwhelming, I'd encourage you to take a step back and think about what in this fandom makes you happy.

I feel that the mentality I mentioned earlier stems from an "us versus them" mindset. We're viewing current Twsties as the "in" group and everyone else as the "out" group... when, really, I think it might be healthier to perceive the "out" group as potential Twsties. Like... instead of fearing them as strangers coming in to "taint" the fandom, let's try to think of them as "friends we haven't met yet". After all, these anime-first or anime-only Twsties could end up being your next buddy, someone cool you meet at an event, a Twst content creator you enjoy, etc. Try to reframe your thinking!

Lastly!! We have no idea how the anime will go. They might not make it solely the main story just because it’s a manga adaptation. The team might have weaved in vignettes/event stories or bonus content exclusive to the anime which helps flesh out the characters.

I think that about wraps up my thoughts. I hope that helps alleviate some of your concerns. Hang tight, keep an open mind, and pray that the L*ona content in the anime is good 🤡

[blueikeproductions]

Y’know thinking it over, I think one of the reasons TFONE failed, after looking at other comments, is it ultimately did nothing new. The marketing didn’t help, but I’ve noticed a lot of people be irritated at the modern 13 Prime concept and the more modern political bent (no longer Cold War inspired, but instead some mild identity politics and heavier ideological differences that modern audiences have notably struggled with) persisting, and this movie does little to change that.

The Bayformers films, love ‘em or hate ‘em, ultimately tried new things: The Allspark, reinventing the Prime mythology for its canon, Sentinel Prime as the best villain the series had, a group of ancient Autobot Knights that Optimus was apparently part of alongside the Dinobots, and so forth.

What did TFONE actually offer that was new?

Well.

Not much.

It was a complete retreading of the Aligned backstory we’ve been given for the past decade or so: Optimus and Megatron were former friends that overthrew a corrupt system that Megatron kept rebelling against, starting the Great War.

The same story that Prime did, that Cyberverse did, that IDW did, that Netflix WFC did, sure a few things were reshuffled but it’s the same, slagging story. TFONE even recycled Sentinel Prime as the main antagonist again, his motives not that dissimilar from his Spock adjacent counterpart.

People complain about the Great War being over done, but that’s clearly not stopping people eagerly tuning into Skybound’s version of it as of typing. General audiences, like it or not, vastly prefer the war between the Autobots and Decepticons, they don’t care about Grunkle Vegeta Megatron, his younger years as D-16 and his tumultuous friendship with Orion Pax.

The only thing new TFONE technically did was better establish Optimus and Megatron as being good friends originally. Aligned and the other series did a terrible job with this, with it ping pinging between Megatron already being power hungry and insane, he just hid it better, to him and Optimus being written as a couple who had a bad break up but can’t get over each other. TFONE still leans towards the later, not helping current situations but at least you do legitimately feel bad this time the friendship fell apart. The friendship was actually believable, that was the strength, but alas most people don’t really like the idea of Prime and Megs being friends.

It’s why I still feel the upcoming Age of Primes toy line will struggle, because once again, the 13 Primes are not a well known aspect of the lore, and modern shows haven’t done a great job at fleshing out Solus or Quintus, and stuff often falls back on Alpha Trion, a character from the old cartoon that people simply are more familiar with.

We desperately need to flesh these characters out better, we need to go back to a Vector Prime befriends the modern kids and Autobots plot for each Prime to make sense of them going forward. That’s the only way new fans will get to know them better and actually care.

As for TFONE, with current problems at Hasbro and Paramount, it’s not looking likely this story continues, but whether it inspires cartoons and comics after EarthSpark anyway we don’t know. Clearly the plan was to use TFONE as a springboard for future content, but it simply didn’t make money to justify it. If Hasbro is satisfied with it doing well on Paramount+, then maybe it evens out, but I legitimately believe the core problem has been trying to make the Aligned canon stick to most modern media when it clearly isn’t. I think we need a new approach, keep the Primes if you want, but don’t slavishly have it be the EXACT same story with them in each movie, comic or cartoon. TFONE DID modify the Prime backstory so that’s a good step, but whether they take that for future cartoons we don’t know.

[theoddest1]

Okay so, ima type in what I typed to my friend here.

"Yeah Ima be so dead ass. ||Mel and Ekko carried the final for me, ESPECIALLY Ekko."

Yeah, they should have just kept [Viktor] being Ryze. That made more sense to me than whatever this is. And I am all for mlm rep, but yeah, this felt WAY too, Jayvikky. I liked it better that they were brothers to parallel Vander and Silco, who also found each other and became bros, but it seemed like they went with how popular JayVik was and stuck with it. And Jayce being strung with Viktor for wherever they went felt...kinda nonsensical. I'd rather that Viktor was thwarted and too far gone to then just suddenly have a change of heart and go with Jayce. I imagined that he would have a contingency where he, incase his body was destroyed, would then later rise again to try and enact "Glorious Evolution". It would go well with the themes of his beliefs anyway because every time he dies, he comes back stronger in a new body. I feel like that would better set the ongoing conflict and fit well with the game and why he looks the way he does currently.

I also don't like how quick he and Mel's reunion was considering how much he favored her along with his odd and sudden dislike for her decisions-- Seriously, where did that even come from!?"

[Thought it over further. Him calling her out on her actions isn't the issue. It's the timing and how this transpires that confuses me. He just came from a post-apocalyptic world where Mel, Viktor, and everything else came to mind. The lack of time for them to truly talk made the scene felt out of nowhere and not at all fleshed out. He goes on to place part of the blame on her when literally it wasn't. She DID manipulate but only politically. Everything else was on he and Viktor. Then, when he DOES confront Viktor, the vibes are different. Viktor hurt and caused a chain of events that led to several lives being taken to ensure survival and his "Glorious Evolution", why is this essentially overlooked? Maybe when I review this again, it will make more sense, but as of now, the way Jayce treats both Mel and Viktor is VERY questionable.]

"I would have been pretty happy if He at least gave her a hug, a kiss, something to make their relationship seem consistent with what we were shown. I know that he's been gone for a while and a lot more cold, but this was a very odd direction to go with. I am super happy about Cait and Mel fighting side by side and that Mel may be the main character for a new Noxus related show! [Which I knew they'd set up!] but this series, after seeing it in its entirety, DID suffer too much from the pacing issues. I assumed at the First Act that it was quick paced to go with how they've all been shifted into places they didn't see coming, but the pacing issues continued to bring down the quality. 3 seasons would have made way more sense and would go well with the 3 ACT formula they had used. I hope they learn from this and refrain from making similar mistakes.

[I responded to my friend who posted these images above] I knew they'd make a callback to this line eventually, and I am genuinely surprised people are not catching this obvious set up to Jinx living. Also, I am betting that Heimer did "die" but only that alternate version of himself. [Though obviously I could be wrong, though a life of various lifetimes where he helps each version of the main cast sounds very Heimerdinger of him, especially since he didn't wanna leave.]

The biggest letdown for me has to be Jayce and Viktor's story. It just...doesn't make sense with what we have been shown. Also, if Viktor KNOWS bad shit would happen when bringing Hextech to life and all, why TF would he give it to Jayce then???? Or if he STILL wanted magic to be tampered with shy doesn't he comvince himself in a way HE KNOWS would prevent what happens next, surely NOT EVERY timeline has it where you continue on the path of destruction! You see what I mean!?!? Leave the time crap to Ekko, man. This new inclusion makes no sense! And he does this in VARIOUS timeliness for some reason. Man, I wish it was just a random ass mage or Ryze, this added stuff kinda kills the finale for me🫠

I feel that making Viktor time travel ruins a huge aspect of the story, ngl, especially when Jayce argues that people can "craft their own path." The story also shouldn't have ended with what I could only assume both of them "dying" or traversing time instead. Also, the way Sky was treated and essentially replaced with Jayce feels....very very weeeeird."

[I believe that the ending just didn't land that well. I feel, now thinking over every character, Ekko, Mel, and Jinx carried this season HEAVY. These 3 were the most interesting parts of the season, honorable mention being Singed cause he be doing what he MUST. Also, what was the point of introducing Loris if all he was gonna end up being was a random guy who reminded Vi of Vander? I guess nothing is wrong with this, but when you're already stringing for time, these inclusions make no sense... I liked him, though, RIP Loris🤧. Oh, and Caut barely facing consequences is KINDA CRAZY but it goes with the themes of forgiveness/ acceptance. The Cycle would never end, after all, but yeah Vi and Cait made up WAY too fast and just shows that this needed another season. Let me know your thoughts!]

[thenotoriousscuttlecliff]

Can't believe this writer is trying to argue the problem with the show is that it isn't treating the main villain like a one-note, simplistic character and this is somehow too confusing because viewers won't know he's the villain despite all the villainous things he does like murder, manipulation, gaslighting, and orchestrating the complete destruction of an entire Elven realm. How media illiterate do you have to be to think exploring a villain's motivation in some way constitutes trying to trick the audience into think he isn't really a villain?

[dykedvonte]

One of my mutuals opinions is the "bro code" thing, that Curly is one of those guys who wouldn't care about the victim because the perpetrator is his friend and I'm really banging my head on the wall like that other anon. I've only played through the game once but Curly's behaviour/reactions etc read completely different from the "bro code" thing and I have to wonder if my mutual and I even played the same game.. like the constant digs at him from Jimmy, his body language in his face reveal and so on like you mentioned in your post. While this game is a little different obviously, it kind of reminded of a point in Alice Madness Returns that makes it very clear that Alice's pain blinded her to the abuse of the other children and her failure to act earlier because of it. Curly is guilty of a similar inaction but it doesn't change the fact he was a victim of Jimmy too. I don't think I can look at it any other way because both of these games have really stuck with me.

I genuinely think it really is the idea that people want a simple easy to blame problem and the idea that the only relatable victims of abuse are those that "surpass" it or do a lot to help others. When it comes to victims, especially those that don't fit the typical demographics, who either accidently perpetuate it, enable it or aren't ideal in some way shape or form, people jump to ignore what they went through as it's easier than dealing with those conflicting sentiments.

The bro-code conversation in Mouthwashing stems from a concept I generally dislike that there had to be something about Curly that made him meet or keep being friends with someone like Jimmy. I think people genuinely underestimate how many like decent and good people just know an asshole or are friends with someone who is really bad outside of their view/established dynamics. The game makes it clear none of the inaction against Jimmy is because of a lack of care, it is a lack of understanding from the privaleged postions they have as men to not have to worry about what Anya does/went through and the type of extremes men like Jimmy will go through to cover it up. They are all too preoccupied in their own strifes.

Another thing I see being oversaturated the idea that you have to be a freak, misanthrope or have a disorder to do the thing Jimmy does. The game is an escalation, it's a spiral that I don't see people comment on that Jimmy was not likely having the mood swings and episodes of rage/frustration we were seeing in the game. This is after they all start experiencing the worst moments in their lives that he got THAT openly bad. Of course, this is just my interpretation but much like in real life, people that go to extremes like that usually live mundane lives. It's a pressure cooker affect to where the stress made them pop. It's self inflicted but still the case.

I really think people need to be more willing to acknowledge that not everything needs to be an extreme or in black and white or easy to understand. It doesn't need to be happy or have an answer or solution, especially in the cases where the abused sadly helps perpetuate what they experience. It's not he should've known better from experience or shouldn't he have known what could've happened because victims tend to not like to think in matters of the worst. Not to mention, especially in cases of abuse where it feels so personally directed that you don't expect to happen to someone else.

[tiffanybluesclues]

Every week someone makes a post about how annoying it is that Dick Grayson fans don't acknowledge his flaws, and every week someone replies with an explanation that the flaws OP listed are entirely fanon and inconsistent with canon as it actually happened and at this point I have to assume that none of those explanations are ever going to stick because clearly some people just want the fanon to be true.

Anyway, I'm just putting this here for me to edit and add relevant-to-the-topic links later so I'll have them nicely at hand to read and sooth my frustrations when it gets real bad out there. (Echo chambers are good when we use them to drown out character mischaracterizing fanon.)

[jacketpotatoo]

Hey @thehomelybadger , thank you for breaking my heart

[asteria-argo]

i can feel myself getting preemptively annoyed with some of the comments I might get on the next chapter of to all the better places and let me tell you it's making it really hard to write this chapter in peace

[hundredowls]

silly oc doodle..... ballroom yuri

[forestgreenlesbian]

hmmmmb private rites. what did everyone think

[literaryvein-reblogs]

How to Write a Character

For creative writing to have as deep an impact as possible, you need to give the reader strong characters they can relate to on a personal level.

By borrowing from tried-and-true character archetypes and giving them your personal spin, you can create heroes, villains, and sidekicks that will affect your readers as if they were real people they knew.

Come up with a backstory

Crafting a backstory can help you flesh out an interesting character profile.

“When I’m dealing with characters,” says legal thriller author David Baldacci, “and I’m trying to explain somebody's situation and motivations, you have to look into their past, because [the] past always drives motivations.”

Ask what experiences your character had in elementary school or high school that shaped who they are today. Your character’s backstory can greatly inform your plot.

Develop a character arc

A character must evolve throughout a story.

“The character has to change,” insists crime fiction writer Walter Mosley. “The character doesn’t have to become better. The character doesn’t have to become good. It could be the opposite. He could start good and become bad. He could start off hopeful and end up a pessimist. But he has to be impacted by this world that we’re reading about.”

Plan out your storyline based on your character's goals and how achieving or not achieving them will change them as people. This sort of template can help anchor your narrative.

Do research

If you plan to set your story in a specific locale or period, do enough research to make your characters seem true to life and believable.

“What does it mean, for instance, in the Tudor era to be a male person?” asks Margaret Atwood, author of The Handmaid’s Tale. “What does it mean to be a female person? What do those things mean when they’re at different social levels?”

Empathize with your characters

No matter what the type of character you’re developing, try to find some reason you and your reader can relate to their internal conflict.

“You’re living with these people every single day for months at a time—in some cases, years at a time,” says acclaimed children’s author Judy Blume. “You had better feel for them. So, for me, yes, I have great empathy for them.”

When people can empathize with characters, they’re more likely to find them compelling.

Experiment with different approaches

If you usually write characters from a particular point of view (or POV), change things up to challenge yourself.

“Write about someone entirely through the eyes of their friends and family,” suggests journalist Malcolm Gladwell. “So do a profile of someone where you deliberately never talk to the person that you’re profiling.”

There are plenty of ways to craft compelling character descriptions—free yourself up to try new alternatives.

Give your characters flaws

To craft believable characters, you need to give them flaws.

“One, it makes the characters human, just by default, because everybody recognizes that we all have flaws and mistakes,” David says. “But two, it gives you plot elements and plot opportunities because somebody makes a mistake. Why? Because they’re flawed.”

Learn from real people

Pay attention to real people’s mannerisms, personality traits, body language, and physical appearances.

Do research, and be respectful, when you want to write characters with backgrounds that you are not familiar with. Become familiar with different people's cultures, sexual orientations etc.

Talking to people about their experiences will help form your character’s personality.

Let your characters surprise you

Character development can proceed down a host of different avenues.

“Spend a lot of time with your characters and getting to know them,” Judy suggests. “And the way that you get to know them can be different from the way I get to know them. But my way is: They don’t come alive until I write about them, until I put them down on paper.”

As you write, your character’s motivation or perspective might change from what you originally planned.

Play characters off each other

Ask yourself how a secondary character’s personality might thwart the main character’s motivation.

“One of the best ways, as I said, to develop a character is to put that character in relationship to another person,” Walter says. “So as they talk, as they fight, as they work together, we find out more about who they are and what they are.”

The character’s close friends, adversaries, and acquaintances might all have different effects on their behavior.

Take an organic approach

Over the course of the story, be ready for your characters to surprise you as much as the people you know in real life might, too.

Your characters may take on a life of their own.

Avoid static characters by letting yours have their own lives and personalities. Let their stories take you where they lead.

Writing Notes & References

[waughymommy]

WM: Breastfeeding Kink & Diaper play

Disclaimer: all characters depicted in this story are consenting adults over the age of 18. If you are NOT 18 or older, Don't Read if UNDER 18

I startle awake from a throbbing pain in my breasts. Quietly groaning as I turn over onto my back not wanting to wake my sleeping little prince. My hand moves up to my big tits and oh god are they swollen. I’m not sure what’s been going on but for the past few days my breasts have been so tight and swollen and it’s just getting worse. I slowly begin to massage them in an attempt to ease the pain. “Oh fuck this isn’t helping at all” i whisper to myself. 

I pull my loose tank top away from my breasts and look at the swollen mounds. The only time I’ve ever seen breasts look like this were when my best friend breastfed her little in front of me… wait. It can’t be can it? There’s no way I haven’t even been taking the special pills she had to take to induce lactation! 

I open my phone to Google and type in “what can cause you to lactate?” I click the first site that pops up. “There are many things that can induce lactation such as Yada yada yada medications such a birth control… FUCK.” I whisper yell. I did not just accidentally induce lactation with the new birth control I’m on. Oh god we haven’t even had this discussion yet I’m not sure it’s even something he’d be into. But my breasts hurt so bad I need some relief. 

I get up from bed as quietly as I can and walk into the adjoining bathroom. I flicker the lights on and keep the door open just the slightest bit incase my little prince needs me. I look in the mirror and slowly pull my tank top down. My tits spring out all heavy and full. “Fuck” I hiss quietly as I press down in the swollen flesh.

I slide my finger down to my nipple and begin to stimulate it. A milky liquid starts to drip out and I almost can’t believe it. I moan as my finger squeezes some more out. Oh fuck that feels good. 

A quiet voice interrupts my ministrations “Mommy?” I look over to my left side and my little prince is at the bathroom door just in his princess t shirt and full diaper staring at my dripping nipples in wide eyed wonder. Fuck he looks so beautiful with his bed head and sleepy eyes. He rubs at his eyes and hold the door frame. 

“Mommy what’s that?” He points to the liquid still dripping from my hard nipple. 

“It’s nothing you need to worry about baby boy just turn your little tush around and go back to bed. I’ll be right there.” I say as I walk toward him and turn him around with my hands on his shoulders walking him back to the bed. He throws his head back and whines lowly, “but mommy I’m thirsty das why I woke up!” He says as I set him down back in bed. 

He looks up at me and his eyes move back to my nipples and his lips part and drool seeps out. “Okay baby you just wait right here and mommy will get you a drink of water.” I move toward the door but he grabs my wrist and with those doe eyes of his staring up at me and says “But I wan mommy’s milkies!” He whines again. His tonight peaks out and he licks his lips. “I’m not sure honey we havent really spoken about this.” I say as I softly caress the side of his face. He leans his head into my hand and pouts. 

“Please mommy please I just wanna try and see what it’s like. If you don’t like it or If I don’t like it we always have our safe word!” He trues to reason with me. And he’s not wrong so what could be the harm? I’ve secretly wanted this so badly for the longest time. I sigh and smile at him and nod. 

“Okay sweetheart you won, let mommy get comfy in bed first.” He claps his hands in excitement and slaps a sloppy wet kiss on my lips. I laugh as I crawl into bed and settle against my pillows. I pat my lap for him, “come here sweetie and lay side ways in mommy’s lap. Put you head right there in mommy’s elbow.” I maneuver him a little till he’s sitting just right, I cover him in the blankets and turn the low lamp on. A soft glow covers the room as he looks up at me with his lips slightly parted. I can tell he’s just as excited as I am. My sweet little boy. 

“Alright baby boy open those pretty lips for mommy.” I hold my boob up and my nipple leaks as I pull it and drop it in his waiting mouth. His lips close around my nipple immediately and he begins to softly suck. It takes him a few moments to really get the hang on how to latch on but soon his tongue is working in overdrive and hes suckling away like his life depends on it. I a gasp at the strength of his suckling and softly run my hands through his brown hair. “Sweetheart mommy isn’t going anywhere you can drink slowly, I promise I’m not going anywhere.” He closes his eyes and the suckling gets softer as soon as he realizes I’m not gonna snatch my nipple away from him. I moan quietly as I watch him drink. 

He’s such a sweet little boy suckling on his mommy’s nipples. I slide my hand down to his diaper and rub at his diapee covered cock. It’s so hard. I won’t lie my panties have absolutely socked through at this point. The feeling of his tongue lapping at the milk from my tits is just so erotic. He moans as my hand continues it’s rubbing. 

His hand reaches for my other leaking breast and he begins to fondle the nipple. Pulling and clutching at it, the milk dribbles done his fingers soaking them. I can’t help but moan out at the feeling. “Oh sweet boy that feels so good. You’re such a good boy just keep playing with mommy’s nipples like that.” I say a little breathless. 

I slip my hand into his diaper and just as my hand reaches the tip of his little cock he begins to piss right into my palm. I laugh a little and look at him a she pauses his suckling. His cheeks flame red, “I’m sorry mommy I couldn’t hold it.” He’s so fucking cute. 

“It’s okay baby you can go pee when you need to you know that. It’s why you have a diaper on to be able to lose control over your bowels and bladder whenever you need.” His stream continues as it hits my hand and I press down on the slit it’s pouring out of feeling the force of it. His piss is so warm on my hand as it fills his already soaked diaper. 

He smiles and nuzzles my breast and begins to suckle again as he pisses in my hand. He’s so fucking sexy sometimes I can’t believe he’s all mine. 

My sweet little boy.🍼😍💦🥰

[be-good-to-bugs]

:)

[take-it-on-the-run]

And I Love Her

Sam Winchester x Reader

The reader and Dean are being tortured by Gordon Walker because of her relationship with Sam, and all they can do is hope he'll get there in time.

Word Count: 1.5k

Tags: Torture, graphic depictions of being cut into, descriptions of gore and severe bodily harm, Sam Winchester is out of character depending on who you ask

Characters: Sam Winchester, Reader, Dean Winchester, Gordon Walker

@ghostlyaccurate requested: "Hii! Can I request a Dean and/or Sam Winchester (sepperate) x fem! Reader set in season two, with an established relationship, where it's like when Gordon kidnaps Dean, but instead of just Dean he also kidnaps reader. (I can imagine if it's a Dean x reader Gordon uses reader to get Dean to not try anything, and if it's a Sam x reader Sam just going even more ballistic than he originally does in the show). Thank you!!"

Read it on AO3!

A/N: Beatles title. My first Sam fic! Honestly, it was really hard writing this one for some reason, and after five revisions I'm still not completely in love with it. Regardless, I hope you enjoy, and heed the warnings! Do not read if this will make you uncomfortable!

Sam Winchester Masterlist | Supernatural Masterlist | Main Page Masterlist

Gordon stared blankly at the wall in front of him while you tugged at the ropes on your wrists. A bandana was tied tightly around your mouth that tasted like dirt and your own blood. Dean was tied up to the left of you in a similar state, and both of you were staring down Gordon like it would kill him.

Traps lined every entrance from the doors to every small crack in the wall. Sam was powerful, but you doubted he could break through solid brick. Grenades, tripwire, even a shotgun trap that looked like something straight out of a movie; Gordon wanted Sam dead at all costs.

You knew your boyfriend would come to you and Dean’s rescue, but damn was this cutting it close. Gordon had already tried his best with Dean, but when it was your turn, he took his sweet-ass time.

He punched you, kicked you, even spit on you. Now, you tried your best to not scream as he dragged a knife against the soft flesh between your neck and shoulder.

You failed.

Biting down on the bandana, a muffled scream ripped through your lungs. You tried focusing on Dean, but he wouldn’t meet your eyes which were spilling over with more tears than you thought were in your body.

You could feel your blood dripping down your back and your chest, slithering its way to the floor as Gordon wiped his blade with the rag in his back pocket. He wrenched your head to the side, forcing the fresh wound close and for more tears to streak down your face.

He repeated his process on you a few times.

Your arms.

Your hands.

Your legs.

Every time somehow hurt more than the last, the hunter pulling open your skin and snapping it back together like a rubber band. Your vision was spotty, but you held steadfast to the thought that your boyfriend would be here any minute to save the day like he always did.

Gordon took a step back, wiping sweat and blood from his face and arms. He looked down at you with a glare that you’ve held plenty of times for the less-than-human creatures in the world. You guessed that, in his eyes, you, Sam, and Dean, were held in a similar regard.

Snaps.

Taunts.

Cracks.

Screams.

All because you fell in love with someone born under a bad sign.

You didn’t regret meeting Sam. Kissing him, falling for him, even the idea of just having him in your life was enough for your mind to justify the situation you were in. It wasn’t his fault you were having your life drained out of you minute by minute, and you hoped he would be smart enough to know that.

“Sam’s going to be here any minute, you know. Gotta convince himself he’s the hero of this story, and I’m the big,” Gordon turned to you, knife in hand, “bad, evil dragon. But I’m not the one with demon blood, am I, Y/N?” He placed the edge of the blade against the bottom of your chin. You could feel the cold steel heavy against your skin, and any sudden move would surely spill even more of your blood.

Dean glared at Gordon, his face shades of purple and blue, which mirrored the pain you felt along your entire body. Gordon dug the knife into the bottom of your chin, piercing your skin ever so slightly, but not enough to fatally wound you. Your mind was trying hard to hold onto the cracks of reality that remained in your vision; the smell of the dingy house you were in, the feeling of the carpet making contact with your boots, anything that wouldn’t send your consciousness reeling over was enough of an anchor for you to hang onto.

Gordon walked away from the two of you, returning to his position of peering out one of the boarded-up windows in wait for Sam. You glanced at Dean, which granted you a glance back from him. His eyes were dry, but they held enough behind them to let you know what he was thinking. Sam was going to burst into this booby-trapped hellhole, and Dean could do nothing but blame himself.

It’s all your fault, really, a thought that smashed through what you knew was the truth said.

This isn’t any of our faults, you told it back, wanting to tell Dean the same. Sam wasn’t to blame for the two of you being taken, and neither of you was at fault for being used as bait; it all landed in the hands of the rogue hunter who deemed himself holier-than-thou.

Though you couldn’t see yourself, you knew you were starting to resemble a bloody pulp more than a human being. Dean could barely look your way for longer than a second, and deep cuts that surged whether you moved or not continued to scrape away at your consciousness.

Gordon disappeared, and as you tried to turn your head to follow him, you felt a burning pain across your chest. Highlighted by a spurt of blood splattering over your thighs, you wanted to vomit. The top of your head started to feel like it was being lifted off from the rest of your skull, and the black spots in your vision connected at the edges of your eyes.

You grunted, head going slack and opening wounds on the back of your neck. Either spit, blood, or bile dripped out of your mouth, but at that moment you didn’t care- the black at the corners of your eyes bled together, and all you could do was limply hope Sam would find you.

You blinked, slowly, noticing light creeping in from the boarded-up windows. The second thing you noticed was the searing pain in your body, coupled with grunting and what you could guess was a well-landed punch.

“Y/N!” Someone called out to you, but you could barely lift your head to meet their voice. The bandana in your mouth was pulled away and hands cupped your face, warming your skin that was ice cold after losing so much blood.

The hands left your face and moved to the ropes at your wrists, cutting them off quickly and placing your arms in your lap. You forced your eyes up high enough to see it was your hero, Sam, standing before you with tears starting to fill his eyes. If your face would’ve let your smile, you would’ve, but every movement flashed the memory of Gordon cutting into you.

Gordon.

“Where’s-” You managed to sputter out through a sore jaw and a severely dry mouth.

“Dead,” Sam answered coldly. For the first time, you noticed his knuckles were a hue of bright purple, complimented with blood splattering up his arm. Sam moved your arms around his neck and picked you up as gently as he could.

“Dean’s already in the car patching himself up. I’m going to try and lay you down in the back seat so we can get to the closest hospital. I left Gordon in the room by the first door, so keep your head to my chest if you don’t want to see him, okay?” He asked softly. The tears that were in his eyes had faded slightly, but you could see the emotions he’d no doubt try to hide later on. Regret, blame, guilt - the more he looked at you, the more you could sense that your battered state was tearing away at his consciousness. You wanted to reach out, hold his face, and tell him you’d be okay, you’d survived worse, that it wasn’t his fault, but your thoughts were halted by Sam stepping past Gordon’s body.

If you could call it a body, that is.

His nose was sunken into his face enough that his eyes were slightly popping out of their sockets. His mouth had more gums than teeth, which were scattered around the room. He was lying against a dresser, and his limbs were spread out in the wrong directions. You thought you saw a bone, but before you could look closer, Sam turned and shut the door behind you.

Sam laid you across the back seats of the Impala, trying his best to be gentle with the abhorrent number of cuts across your body. You couldn’t guess how the hospital wasn’t going to ask questions, but you hoped the brothers would figure that out. Your head laid in Sam’s lap, and he looked out the window as Dean buried Gordon.

“Sam,” you slowly moved one of your arms to his face, bringing his attention to you, “thank you. You saved us both. You had to do what you had to do.”

Sam smiled but still didn’t say a word as he dipped down and planted a gentle kiss on your forehead.

You wanted to be able to tell him everything your racing mind was coming up with but were beaten by the overwhelming need to not move. Dean climbed into the front seat, beating the gas pedal to the floor and hitting the highway as Sam ran his fingers comfortingly through your hair.

[thesilverlady]

rhaenyra does have flaws in the book. Nobody denies it. But her "taxing starved people" was due to Aegon/the green party having robbed all the gold. So her choice was to raise taxes in hopes of somehow stabilizing the economy.

it wasn't a great plan 'cause war was still happening so the backlash is expected. But in desperate times you take desperate measures.

also lmao let's not be hypocritical here; Aegon at the start of the war threw feasts, and even built statues. Do you think those came cheap?

He fucked the economy and Rhaenyra had to deal with it.

Also you addition really adds nothing neither to the question from the anon nor to the reply from me.

Do you think rhaenyra was whitewashed in the show?

100%

whitewashed, butchered, whatever you wanna call it she's definitely not canon rhaneyra.

show Rhaenyra has two personalities; young vs older her. Because the two never had a nice transition that interconnected the two versions.

young Rhaenyra is basically show Arya coded. She's a tomboy, rebellious, and short tempered. She wants to make change but she doesn't know how. She's insecure about whether she'd ever be accepted but at the same time does nothing to learn and to stand up for herself other than whine to her father and uncle. She's terrified of childbirth, has no interest to get married but gives in to... kick otto out. yep

Older Rhaenyra is incredible passive, somehow more naive, is ready to give up her throne to avoid violence (because sure that's how it works). Is protective over her children but still doesn't stand up about herself.

Neither versions are anywhere near to how book Rhaenyra is written, and it breaks my heart because she was one of my favorite characters from the dance but unfortunately she's as much of a victim as the rest of the characters are

[fixyourwritinghabits]

No Such Thing As Filler

Okay, so yes, this is another post based on something I saw that irritated me, but it seems like this idea keeps coming up, so I need y'all to internalize this. There is no such thing as filler in good writing. None. Do not approach your work thinking you have to fill space in a story, I will beat you with this wiffle bat. Don't ask me where I got the wiffle bat. Don't even worry about it.

The idea of filler comes from a very particular place - when an anime or TV show has to fit in a certain number of episodes, but doesn't have enough content (hasn't caught up with the manga, the source material isn't long enough, etc) to cover those episodes. An episode has to be written, but the characters can't really progress, and so are given something else to do. Many a trope has come from these episodes, and they're sometimes necessary. Filler in this context is something that makes sense.

The dark side of filler is the idea that you need some space between Big Event 1 and Big Event 2 in your story, therefore you need throw anything in there to take up space and make your word count. This is a mistake I've made and I've seen plenty of other writers do it too, but it's a huge waste of your time. You do need something between those big action scenes, but you should always be writing to accomplish something.

Instead of thinking of that writing as filler, try to approach it with three things in mind:

Move Forward With Character Development and Backstory - Your characters barely survived a huge gunfight, and they won't encounter the big bad again for another few chapters. How do your characters decompress from that gunfight, and what does that say about them? Did a cocky character go in guns blazing, only to be deeply shaken by how a real fight works? Did that fight spark a moment of deep trauma for the main character that they have to reflect on afterwards?

Filling this space with meaningless scenes is a huge waste of opportunity. Think about how to dive deeper into your characters.

Move Forward With Plot and Subplot Development - The bad guy beat the heroes to the stolen gem, but they left behind a clue to why they want it. However that clue could reveal some painful truths about the protagonist's beloved great aunt... Carmen Sandiego???

A major goal following a big action scene is having the characters figure out what to do with what they've learned and what to do next. It's where romance subplots or secret relative subplots make progress, when truths are revealed and next steps are taken. You can absolutely do this in any setting - a flirty conversation while at the battling cages, a tense moment of feelings while hunting down a wayward chicken - but your main goal is making progress for both the characters and plot.

Move Forward With Worldbuilding - Worldbuilding has it challenges, believe me. You don't want to write a chapter on how an airship works only to have to cut it later. But you should still try to flesh out your world, and you should do so with the perspective of how to use that worldbuilding to your benefit. Maybe a critical scene hinges on the main characters knowing how that airship works, or that lake your main character often stares at is the setting of the big Act 3 Boat Battle. The weather can play into both perspective and emotions. Knowing what the main character's house and car looks like can reflect a lot on their personal character or backstory.

When you're struggling with a scene or a chapter, rather than writing filler, take a few steps back and think. What can you establish with your worldbuilding? What can you reveal about your characters through their dialogue and actions? What subplot could you explore or add in these between moments?

Filler from a fandom perspective - Now let me make this clear - if you're writing a fanfic just to have a cute moment between the characters you like, or you really want to force everyone to do that weird Twilight baseball scene, that's fine. You don't need a grand goal to achieve for every story, there's no need to justify your fanwork in any way other than you wanted to do it.

But I'd also argue fanwork doesn't fall under the filler label either - something you create, be it a character snapshot or a 'what if the gang meets Slenderman' parody, isn't taking up meaningless space. It's something fun you did that you and others enjoy, and there's nothing wasteful or pointless about that.