#so. its actual place on the list varies.

[silvery-bluish]

Thanks for the tag @ladyshivs​!

If you’re up for it, absolutely No Pressure, I’m going to tag @euelios​, @witchfall​, @rosaindomitus​ and @honor-among-thieves​! Tiermaker here.

[phagodyke]

I was on the wikipedia page for phobias just for fun but just discovered theres an actual word for a fear of being touched.. 🥹

[mesetacadre]

Anyone can criticize capitalism. Fascists despise how it makes race and/or the nation submit to economic matters, or how sometimes has to give concessions to workers. Right-libertarian types dislike how intertwined the state is with economic relations, even if they don't hold that same antipathy towards the military/law enforcement. Neo-liberals are an opposition to the aspects of capitalist economies not directly related to productivity. Social-democrats look to soften and apply bandages to the social ills inherent to such a mode of production. At least some anarchists advocate for a complete destruction of the state to leave the petit-bourgeois organizations of production. Capitalism, as the dominant mode of production for the majority of the world, conditions all ideologies to pass through it, to be defined as a function of what it demands of capitalism. All ideologies criticize some aspect of capitalism, none are truly, completely, pro-current-state-of-things: the superficial characteristics of capitalism in a single place, unequal development, the contradictions and growth-recession cycle, along and around which ideological lines are drawn are ever changing, meaning that a truly static status-quo, and therefore a completely content ideology which never criticizes some of the endless list of problems inherent to capitalism, doesn't and can't exist.

So it is not enough to simply be against capitalism, and to act in that opposition. What's crucial and what sets all of these ideologies apart is their program, what they wish to accomplish and maintain. If you don't have those goals, defined by affirmatives instead of negatives, you're not insignificantly likely to functionally align yourself with reactionary tendencies. Anti-capitalism by itself is not a step, it's raising your foot, and deciding a defined program is actually putting your foot down, taking the first step and setting a direction. What sets marxism apart is that its opposition to capitalism is not only total and aimed at its foundations (this by itself is not unique!), its program of change is also total and aimed at completely replacing the infrastructure of the capitalist mode of production, it identifies why it must be overcome using non-capitalistic frameworks, and from that builds a specific, total, and materialist program for what should come after. Non-revolutionary and non-marxist currents seek a set of reforms and transformations, of varying intensity and depth. Revolutionary and non-marxist currents construct programs that are entelechies*, such as returns to pre-capitalist modes of production, unable to actually exist and sustain itself, but nevertheless seeking as similarly a profound destruction and rebuilding as marxism.

*entelechy in English only refers to an aristotelian concept, but in Spanish it can also refer to a castle-in-the-sky concept, something that falls apart from its own weight and impossibility. I'm using it with that meaning

[thosewickedlovelies]

A guide to writing fics set in museums / with a museum worker character

Hey hi hello it’s your local museum worker here, offering you some insight and tips to writing museum-related fics! This is primarily organized as a list of different jobs you could have in a museum and what their duties entail. This post might also be useful to you if you’re considering working in museums and want to know What Goes On In There. Let’s go!

For simplicity/fic-writing purposes, I would divide museums into 2 very rough groups: large national or city museums that Have Money (think the Smithsonian or British Museums, or the Chicago Field Museum or the Royal Armouries Museum in Leeds); and smaller local museums. These could be local industry and culture/history-of-our town museums, historic houses, or  really niche subject museums run by One Person With A Passion.

Big national museums have a fuckton of staff and money (museums can never have enough money. But these places are very well-off compared to somewhere small that might always be hustling and writing grant applications). If you work here you’re likely to have a specific role in a particular department, and you probably won’t do much outside this role (ex., if you work in collections management, you probably won’t also design exhibits)

The smaller the museum, the more varied your workload will be/the more likely you are to be doing a little bit of everything. You’re probably organizing collections storage, manning the front desk, and desperately running fundraising efforts, all at once. 

To this end, smaller museums are more likely to be closed one or two days a week- you’ll be there, probably cleaning displays or managing storage, but visitors won’t be.

A lot of (most?) universities also have museums, so a college town setting is also doable. But the same big vs small museum disparity is still possible! At Penn State University, for example, the Palmer Art Museum is its own (recently redone iirc) building in the center of campus with a lovely plaza out front, while the Matson Museum of Anthropology is uhhhhh a couple classrooms in the Anthropology Department (which they’re currently rebuilding tbf, so we’ll see what they’ve done with it in 2025).

Types of Jobs

Curator

The one museum job that everyone can name. Nominally the person in charge. Probably laments that their job is way more admin than fun hands-on stuff now.

Actually this is the role I have the least knowledge of, but I think that’s partially because this job might vary the most from place to place? Structural organization can vary a lot between institutions, but I think the higher up you get in any field, the more your job tends to consist of meetings/overseeing, designating, and ~liaising~

A list of things a curator might do:

Planning or approving events and fundraisers, schmoozing with donors and members at said events, approving or designing a schedule of exhibits, publish outreach/advertising or research materials, oversee hiring, approve new object acquisitions (or de-acquisitions), generally make sure that the museum is working within the scope of its mission and if necessary, change or refine their mission

The curator might not necessarily control a museum’s funds; in this case they’ll liaise with the people who do, likely a Board of Executives or Board of Trustees. Once they get the money from these people, though, they could potentially redistribute it as they see fit.

 If you work in a fuckoff museum like the BM, you could also be the curator of a specific department, arranged by overarching subject, geographic area, time period, or even object type (eg Curator of Archaeobotany, Curator of Korean Collections, curator of coins from the medieval period). These categories can be more or less specific depending on what kind of holdings your museum has. I think these types of curators would still be able to do interesting things, as they aren’t the ones who Oversee The Whole Place.

You can also be an assistant or associate curator, like being an assistant manager.

Education/Engagement

These are the people who design fun extra activities (esp for kids) in the galleries or relevant events/workshops/lectures the public can attend. They might be called Engagement/Education Officer or Events Manager or anything similar

Again, the bigger the museum you work at, the more specific your role is likely to be. You might focus on web content/outreach and social media, manage the ‘friends/members of the museum’ program, or engage with shareholders, etc

Or you might do things like develop content and events to engage adult audiences. Workshops or lectures connected to new exhibits, after-hours visits. These people are also probably the ones with an eye on accessibility- you’ve probably seen advertisements for museums’ early or late hours for older visitors, or ‘quiet hours’ for people who might be overstimulated by normal museum hubbub, or tactile workshops designed for visually impaired folks.

I think most places would try to have someone specific for kids activities at the very least. They’ll be designing little activities or dress-up stations for the galleries, kiddie mascots or scavenger hunt trail kind of things, as well as, potentially, activities for any digital elements in the museum. They probably also coordinate school visits and act as a tour guide for classes, and will lead the kids in specific workshops or lessons in classrooms attached to the museum.

As a note on technology- some people would probably say that integrating digital elements into exhibits is the ~next big thing~, that museums have to get with the times in this regard, but opinions vary. Big science and technology museums are the most likely to have the most digital and techy elements in their exhibits, so if this is your setting, your character could also be a generic “tech person”. I would go so far as to say the smaller/more local the museum, the less technology you’re likely to have, but smaller museums are able to get grants, some of them potentially for specifically this type of thing, so it’s totally possibly that they have a few tablets with integrated activities, or some other Digital/Screen Thing.

Engagement Officers are probably the most likely people to be drafted for out-of-hours events, so that’s a potentially fun thing for your character to do. Some museums, particularly bigger ones, have event spaces attached that anybody can rent out, for weddings, galas, markets, etc, so they might also take care of these bookings as well.

Exhibit Design

This role has a lot of nebulous terms: exhibit coordinator, design constructor, exhibit programmer- but these are the people who design the exhibits. They’ll come up with a theme or narrative, a design scheme, choose the objects, write the text. They’ll probably come up with some marketing material as well, that matches the design scheme, or they’ll liaise with the marketing people who will.

These people might not be as familiar with the collections as the collections management folk (below), depending on how strictly divided your roles are, so they’ll likely consult with the collections people on choosing objects for a particular exhibit or theme (they say that good exhibit design builds an exhibit from the objects up, but I digress).

These people will also direct and participate in the install and deinstall (the actual terms) of exhibits- putting the objects on the right plinths/stands and arranging everything just so in the cases. Genuinely there’s a lot of psychology behind exhibit design- colors, lighting, the way you might design an exhibit to be navigated vs the path people will actually take through the gallery, people’s sight lines and where their eyes go first, how the display of any given object affects people’s perception of the importance of that object. Fascinating stuff, many books on the subject. 

There are also a lot of accessibility concerns to be considered here- how bright is the gallery, how large is your display text, at what height is the central eyeline of your cases?

Museums often loan objects to and from each other’s collections, so if you’re building an exhibit and you’d really like to include X type of object but your museum doesn’t have any, you can borrow some from another museum (this isn’t necessarily a guarantee- museums are allowed to say no to these requests, but I think manners would dictate that they should have a good reason)

Museums sometimes tour whole exhibitions as well- the objects, the text placards, maybe even the stands for super special or fragile items- and exhibit coordinator people are the ones who would handle those arrangements.

Potentially good opportunities for angst stories here- wow things come to life at your museum, you fall in love with a statue but oh no it’s only at your museum for three months

Collections Care

People who work in Collections Management have the most direct contact with the museum objects themselves. You probably work here if you prefer objects to people. When a museum gets new material, these are the people involved. They might not always initiate acquisitions, and the final approval is probably down to the relevant curator, but 98% of the time they’d be consulted (I hope).

A mind-boggling statistic is that most museums only have like 10% of their collections on display at any given time. Yeah. Forreal lol. But collections folk will know where the other 90% is and what’s in it (particularly the longer they’ve been there). 

There’s usually a head Collections Manager. Other workers might be a Collection Assistant/Associate, Collections Officer (we like calling people Officers for some reason), Registrar, or some variant of these depending on the specific flavor of your duties. 

Main job duties can be divided amongst documentation and database work, organization and storage of objects, and lite conservation. Just how much/how technical the conservation work depends on your own training, but also on the size/funding of your museum. The more money, the more likely your museum is to have its own lab with people specifically trained as conservators. More on them later. 

Here’s what happens when a museum gets new stuff!:

Ideally, it goes to a ‘quarantine zone’ first. This is a separate space or room where the objects can relax for a few weeks to a few months (ultimate best practice is actually a year, but, you know. that’s a long time) to ensure that they’re not harboring anything icky (bugs, mold, etc) that will infect the rest of the collections. It’s ideally super-sealed and climate-controlled, but the primary feature should be that it’s away from the main collections store.

Collections folk do the paperwork. They’ll give each individual object a unique number (following their preexisting system that will allow it to be identified distinct from all the other objects in the collection). They’ll create a ‘collections record’ for the object- documentation containing any and all information about the object. This includes the accession paperwork (everything that says ‘we legally own this now’); provenance info (all previous owners and everywhere else the object has been in its life); measurements and description (in painful detail); and conservation history and concerns (ie ‘there’s a crack in the side so pick up with care’, ‘this was repaired in the 70s so that glue is gonna fall apart any day now’).

(I'll say as a fic writer that this would be an great time to wax poetic over a beautiful statue or painting; you can’t write “This golden crown deserved to be worn by a great king, or maybe by that broody Roman general in the painting in Gallery B” in the collections paperwork, but you can think it.)

For fiction’s sake, your collections records could be either paper or digital, but in an ideal world a museum would have both setups, for security’s sake. So you’d fill out some long forms and/or input all the information to the digital collections management system (‘the CMS’, or referred to by your specific software’s name, as there are many out there). The CMS is not a static archive, but rather a living register that’s updated every time an object is interacted with. The object records also include where an object is at any given time (‘normally in Case E in the Fancypants Gallery, currently in Conservation Lab A for repairs’).

Once the objects are done in quarantine, they’ll go to storage. If they’re being displayed immediately, they’ll probably go to some interim storage space/shelf with other objects for the same exhibit and in that case only get a temporary setting. Every object will get labeled with their object number (directly on them, with a special pen that’s safe for this. Or if it’s really tiny, like a coin or jewelry, then their own tiny box will get the label). Small or fragile items, or items grouped together, will go in their own boxes (made of acid- and lignin-free cardboard or polyethylene plastic, like Rubbermaid totes; lined with polyethylene foam and then acid-free tissue paper). Stable ceramic vessels might sit directly on lined shelving, particularly if they’re very large or heavy, like many stone objects.

Listen, every type of object has a particular way(s) of storing that’s best for them, you’re gonna have to look that up yourself or consult someone if you need that level of detail

Ideally, before being stored away, objects are also photographed. This could be part of the Collection Officer’s duty, and/or your museum could have a photographer on staff. (say it with me:) This is more likely if your museum is really huge and/or has a backlog of unphotographed collections and has hired someone specifically, even if temporarily, to improve its collections documentation.

I would say a collections person, or anyone with a museum studies degree, should have some minimum amount of conservation knowledge that includes basic storage standards for different object materials, how to spot potential preservation problems (like if your bronze axe head is actively oxidizing or if that green spot looks the same as it always has since starting and pausing decaying), and maybe how to give objects a basic clean or deal with certain types of problems. But the nitty-gritty science is more the realm of Conservators, someone with a degree that ends in -Sci or who’s done some other certification course.

The general collections store should always be dark, slightly too cool for prolonged human comfort, and labeled to high heaven. Objects will most likely be grouped by material- ceramics/pottery, metals, precious metals and stones (jewelry or beads), stone, glass, wood, bone/ivory/other organic material like feathers or teeth or anything that can be decorative, textiles, paintings. A museum often has some paper material/documents, usually part of or related to a group of objects they acquired, but generally paper and photographic material is the realm of archives and archivists. Yet again, the bigger/more well-funded the museum, the more likely it to have a separate archive department, so your character could also work as an archivist in a museum.

Another thing the collections care folk probably do is ship objects. Remember how I said that  museums loan objects and exhibitions to each other? The stuff’s gotta travel somehow! If things are being shipped internationally, they’ll go in big wooden crates, with specifically dimensioned partitions inside. Then it will be lined with our favorite foam and tissue paper, cut so the objects sit snugly inside. I haven’t personally worked anywhere with a possibility of local shipments, so I can’t say where the threshold might be as to when a museum would just pay an employee to drive the objects over vs ship them with a shipping company. But the preparations would be similar, minus the big wooden crate but with extra-careful packing (and paperwork and insurance etc)

Conservation

Conservators are the people who work in labs with fancy equipment. Not every museum will have a formal conservator or a lab of any kind; sometimes the collections care person fills this role, or if something urgently needs care beyond the abilities of the museum’s equipment, they might send it away to a lab elsewhere, the same way you can send your old VHS home videos to a professional archive to be digitized.

If an object is actively deteriorating in a way that could harm itself or other objects (as opposed to like, at risk of fading bc the lighting is wrong, which is a straightforward fix related to the environment), that’s when a conservator would intervene.

Some methods/machinery by which you can analyze objects:

Ultraviolet (UV) and infrared (IR) light - Different materials absorb and react to light differently, which you can use to identify them. Useful for seeing things like the different layers of paintings

Stereo-microscopy (microscopes, of varying strengths)

At magnifications of x5-x100 you can see things like tool marks from an object’s manufacture, traces from wear, deposits, and coatings

At x50-x500, with a thin sliver of a sample, you can see (and hopefully identify) fibers, layers, particles, metallographic structures 

You can get information from objects without taking samples, but samples are usually worth the information. 

energy dispersive x-ray fluorescence spectrometry (EDXRF) - EDXRF allows you to identify the elemental composition of the surface layer of an object. So it might tell you what a tool is made of, and also the composition of the objects it was used on, if they left traces

scanning electron microscopy (SEM) - an SEM uses a focused beam of electrons to produce a magnified, high-resolution image of the surface of an object

X-radiography, both film and digital - X-rayy are beneficial for objects that might be covered by dirt or corrosion and can show you details of an object’s construction or hidden structural weaknesses

I’m not a conservator, so if you want more hard science-based info, ask one of them lol

Listen to me. If you take nothing else away from this post, let it be this:

 Once an object is in a museum, it is never seeing natural daylight again. Sunlight is the ultimate enemy of every object’s lifespan. If you need to see an object in the sun or moon light for ~magical spell reasons~, you will straight up be stealing that object to smuggle it outside.

Okay. That being said, you do hear (and could probably google) stories about museum employees stealing things from their museums on purpose to prove a point about security or insurance to their higher-ups, so like. Depending on your type of museum, it might not be impossible to steal from lmao. (Don’t tell anyone I said that.)

Possibly the most useful advice for you to keep in mind when writing your conservator or collections care characters would be that touching objects hurts them. It might not hurt them now, it might not even hurt them in ten years, but every time you handle an object, there’s a risk that you’ll damage it. Not on purpose, obviously, but to err is human. The simplest, most effective advice my conservation professor ever gave us was “don’t handle an object if you don’t have to.” That means don’t move an object without a plan and a place to put it, first examination should always be visual, not tactile, etc. Unfortunately, that means that your character cannot walk around lovingly handling and caressing their favorite objects (unless this is a Night at the Museum situation where the objects are caressing them back, ykwim)

Museum Technician

These people probably have a lot of different names, but basically, technicians are the background muscle of the museum. They do the technical construction of bigger pieces of exhibition material, up to and including the exhibition cases themselves. 

So they wouldn’t deal with the small mount that the object rests on, but they might build the big plinth that the mount sits on. They’ll help move things around the building, particularly big heavy things, hang big framed works, assist with exhibit installs, and generally do most things which might involve power tools/equipment or heavy lifting

I worked in a big museum that hired a third party company to supply their technicians; I interviewed at another place that hired their own. If you’re a small museum, you might just have a freelance person that comes in once or twice a week to help move things.

Other

Other miscellaneous roles one could have in a museum: researcher (for exhibits and/or collections), gift shop or cafe worker, security guard, room attendant, translator, archaeologist, consultant

Honestly, TL;DR? Just have your character be a consultant of some kind. “Oh no, I don’t work here, I’m Y’s friend. They called me in to provide some expertise on X subject that they’re doing an exhibit on.” This could work for literally any subject- history/archaeology/anthropology, art, transportation, science and technology, anything you might find pictures of in an archive, idk. This could get you into an office or meeting room of some kind in the ‘employee only’ space of the museum, or potentially all the way into the collections store if you’re giving them information they were missing about some objects. Otherwise you’d probably (hopefully) need a key or some other kind of security clearance to get into the collections store.

Whew, that was a ride, huh? I hope this guide was useful to someone! I’m always open to answering questions if you think I forgot something or if anyone wants more details <3

[ngage2003]

Hey so, a lot of folks in the Marble Hornets fandom are varying shades of new to it, and so didn't experience it coming out unfortunately, but apparently there used to be a marblehornets website that has been down since 2016, and I actually didn't know about it but my friend (@straycalamities) did and found it on the Wayback Machine.

I bring this up because while the images on the website are mostly broken now, it actually holds some really fascinating information on the characters that I have never seen talked about, like some of their majors in college!!

I am going to post snippets (as screenshots would get fucked up on mobile) and talk about them a little, but check it out here if you're curious.

Starting from the top and most passionate, we have Alex Kralie's description.

Director / Writer / Editor / Actor Alex Kralie, born April 4th 1986, has been into making films since his early childhood, when he would make short sketch comedy videos starring himself and his cousins with his parents camcorder. He would then show them at “premieres” to his friends and family. That love has since remained with Alex, where he has been involved in many different capacities in various filmmaking communities. He is a double major in both filmmaking and photography, with a minor in theatre. He originally wrote Marble Hornets during high school and has continuously tweaked and polished it throughout his time at the university. He’s very excited to finally see it all happening after years of work!

Likes: Film, Directing, Art, my dog rocky.  Dislikes: Fakery, creative bankruptcy, passionless people, 9 to 5 jobs, unambitiousness, bad movies and film.

Wow, ain't that a breath of fresh air? A BIRTH YEAR! In a slenderverse series! In a youtube horror series, honestly! You never see it.

Alex's description is by far the longest and most passionate, a fact which kind of kills me knowing what he becomes. Working on a project he started in highschool, if there is anything Alex is, I suppose it is dedicated, all devoted to idea he gets in his head which he just can't seem to shake, huh?

Finally though we have a major for our tragedian! Two majors! And a minor! Sorry but I am genuinely so enthused about this. This paragraph really knocks home what I have always said about how Alex thinks, with his confidence and slight pretentious nature with a genuine passion and undertone of insecurity—and through the lens of him talking about himself! Wow.

But moving on to the lead, Brian Thomas!

Actor Brian has been attending the university for three years, and is hoping to graduate after his next couple of semesters with a Bachelor’s degree in psychology and a minor in video production. He originally met Alex in Dr. Warren’s cinematography class where they collaborated on quite a few projects together. He’s very happy to be making his acting debut in Marble Hornets!

Depending on who you think wrote these, this description could be really funny. BUT WOW A CANONIZED WAY THESE CHARACTERS MET. I feel like I have won the lottery. Anyone else?

That is a really fascinating combination of major and minor too, [WHICH WE NOW HAVE FOR HIM, WOAH,] it really makes you wonder what Brian is doing though, and where his direction in life is, if he even knows. Its such a short and sweet and direct description, it is equal parts charming while hiding something under its surface you can't quite place and might even slip from your attention, which feels very emblematic of this character.

I'll leave you to read Sarah Reid and Tim Wright's bios on your own, but I want to point out that at the bottom of the page, there are two people who don't have them.

Both Seth Wilson and Jay Merrick are marked with a "coming soon" notice, with Seth listed as Camera/Co-Editor and Jay listened as... nothing. He is just slapped on there because. Why?

Probably because Alex wanted him there because he is his friend, but it is interesting to point out. Jay as I said before is a passive (though not meek) character, especially at the start of the series, and this just reminds me of that. He is here, but quiet and observing, not helping really as he trails after Alex because he is his friend, because they have a connection, because Alex can't imagine not having him here.

Food for thought :-)

[unteriors]

Since you're Australian, why are so many of the posts from the US? Did you start with Australia and then move onto other countries once you'd felt like you exhausted it? Or is the US particularly interesting for your purposes?

A big part of the reason is the enormous difference in scale. Australia has about 25 million people, versus 300 or so million in the US. Each of the 50 states has at least one or two major cities, most have many more than that. In addition to the volume of real estate imagery produced by this market, there are a few things about the US in this context which draw me in from an Australian perspective. One is how real estate listings weirdly embody how much more visually apparent the harmful economic forces of the past 50 years are in American society than they are here or elsewhere. Australia's welfare state was developed roughly during the same time as in the US, and has similarly been cut back since the 1970s. But it was always much weaker in the US than in Australia or Western Europe, and correspondingly the effects of its deterioration - along with other economic trends - have been much more visible than they are here. The way this is played out in terms of localised funding for public services means that many American cities have pockets (of varying sizes) where poverty and other forms of systemic oppression are concentrated and left open to the elements. The sort of stuff Jacob Holdt documented in his photos in the 70s, or that you see in a lot crime films and thrillers with location shooting. Gentrification and other forces since then have pushed these pockets into other areas and made some places seem less grim, but from what I've heard it seems like it would be hard for the average person in the US to ignore that these large, systemic problems exist. Conversely, in Australia, this kind of intense poverty has been pushed into the margins of society during the same time period - to remote communities (where people suffer from chronic diseases that have been eradicated in most other wealthy countries), country towns with shrinking economies, or to the fringes of larger cities (where people sleep in their cars in parking lots, or multiple families form sharehouses to afford $400-500+ pw rents). Though as things have gotten worse, particularly since COVID, it's getting harder to ignore. But still there's a substantial part of the population here who have grown up in ignorance of any of the larger, percolating structural problems in Australian society, and who proactively retain that ignorance into adulthood.

I think you can see these different perspectives play in out in real estate listings. In most American states, even in most of the towns I've looked at, you can see a broad spectrum of living conditions (and commercial interpretations of ideal living conditions) - from burnt out trailers, to overpriced renovated shitty older houses with cheap grey vinyl flooring and white walls, to clearly lived-in time capsules to McMansions to actual mansions. Some photographs are clearly shot by owners, others by real estate agents with a great variety of care and attention to detail (from elaborate staging to crime scenes). Rightly or wrongly, I feel like I get a broader, more honest (or at least more direct) feel for the housing crisis. It's a more honest horror film.

Australian listings, I think in part due to concentrations in corporate power in the real estate industry (similar to other monopolies that have formed in our economy), tend to more heavily adhere to the visual language of advertising and are more heavily regulated by agencies. The problems still exist, the housing market here is among the worst in the world and little effort is being made to address the underlying structural issues, but you can see the lack of will to acknowledge these issues in the level of gloss that's applied. You can look at a listing of an older house in Western Australia, for instance, and know for a fact that it's riddled with asbestos and probably has several other structural issues, but most likely enough time and effort will have been spent on staging and lighting and maybe surface-level renovations that it will seem otherwise fine. Lots of turds that have been polished successfully enough that you need insider knowledge to properly identify them as dogshit. Incidentally, I spent part of my childhood in a house built in the 1960s that had asbestos in the walls and ceiling.

I'm still interested in images from Australian listings (and other sources) though, I just look for other things that are interesting. Anything that runs contrary to the artificially positive, limited world view that advertising promotes. Even if its a poorly-lit time capsule that is directly aesthetically opposite to the ideal of house-beauty at the moment, or an obviously run-down house that has had every realtor photography trick in the playbook thrown at it until it becomes deeply uncanny. And it's always interesting to see what other people find interesting; I genuinely think the housing crisis underwrites every other political issue we have to contend with, its tendrils extend in many different directions, and I think this also means imagery like this can reach people in a diversity of ways. Aesthetically, nostalgically, inspiring fear and self-loathing and horror. All good sources of inspiration for creativity.

[candycandy00]

The Doll House - A Sukuna x Reader Fanfic Part 1

Covered in scars and left totally numb by your abusive previous owner, you’re considered an “unsellable doll”. That is, until the Doll House takes you in and Sukuna becomes your trainer.

Part One | Part Two | Part Three | Part Four

Read Geto’s Part Here!

Read Toji’s Part Here!

Read Nanami’s Part Here!

Read Gojo’s Part Here!

Read Choso’s Part Here!

Note: Please remember that these stories don’t take place at the same time, or even one after the other! Consider each one its own timeline. So if you see Geto and Toji with other dolls, don’t be alarmed lol. I had to do it this way because if I don’t, by the time I get to the last trainer, there won’t be any other trainers left to interact with!

On the outskirts of town, there stands a particular shop called the “Doll House”. Inside its walls you can find a “doll” to match any taste you might have. All your desires will be fulfilled, no matter how depraved. Satisfaction is guaranteed! The dolls are exceptionally high quality, thanks to the skillful trainers who work with them twenty-four hours a day, molding them into perfect toys for your enjoyment.

Each trainer has a specialty that they focus on, and they all take great pride in their work. Their methods differ greatly, their approaches vary, but they all follow one rule: never get attached to a doll. After the training is complete, they hand the dolls over to their new owners, and never see them again. However, just once over the course of their careers, trainers are allowed to pick a doll they’ve personally trained and keep her as their own.

AU! Each trainer will get their own story! This is Sukuna’s. If you’d like to be tagged in future parts, let me know! You must be an adult to be tagged! Any feedback whatsoever is adored! I’m not keeping the same tag list as before, since this part deals with darker themes. I will resume the tag list after Sukuna’s part is finished! So if you want to be tagged in this one, please specify!

Note: Consider these parts AU’s within an AU. So you might see Geto with a different doll from the reader in his part, but just consider this an alternate timeline lol.

Smut. 18+. Fem Reader. BDSM. Erotic Torture. Needles. Reader is covered in scars. Everything that happens between Sukuna and Reader is consensual but there is mention of abuse by a previous owner. Divider by @benkeibear!

“That’s all you’ll give me for her?”

“I think this is a generous offer, all things considered.”

You’re sitting in a plush leather chair in the office of the owner of the Doll House while your father argues with her about pricing. It’s been going on for thirty minutes now, your father growing more agitated while the owner remains calm and firm. 

“Sir,” the owner begins, leaning forward slightly over her desk, “there are two major issues with your daughter. For one, she has a previous owner. Most of our clients consider that a deal breaker.”

“She was just with that guy a little over a year!” your father retorts, his face slightly red. 

“I’m aware of that. But that leads us to the other issue.”  The owner pauses and glances at you. “Your daughter’s scars are quite prominent. They’re very hard to ignore.”

There’s a hint of an apology in her eyes. It’s unnecessary. You know better than anyone that you’re disfigured. Scars of various types and sizes cover over half your body, including a sizable portion of your face. 

Your father is sweating. “I‘ve heard some clients have weird  tastes, that they actually want… people like her.”

The owner leans back in her chair. “It is true that we sometimes get unusual requests. But it doesn’t happen often. She would have to be given highly specialized training, to emphasize that unique aspect.”

Your father’s face lights up. “Then do that!”

The owner looks from him to you, then says, “I need to speak to her privately before finalizing the purchase.”

“What? Why?” your father asks. 

“It’s a routine part of the interview, I assure you,” the owner replies smoothly. 

Your father hesitates, but then stands up from his seat. He gives you a stern look, a warning look, and then he’s out the door. 

The owner’s face seems to soften slightly. “How do you feel about this?” 

You shrug. “I don’t feel anything. I haven’t in a long time.”

The owner looks at a laptop sitting open on her desk. “Let’s go over a few things in your file first. It says here you were sold on the direct market on your eighteenth birthday. Is that correct?”

“Yes.”

“You were with your previous owner for sixteen months before being removed, during which time he breached the contract by doing permanent harm. Hence the scars.”

“Yes,” you answer again. 

“And I see that your father sued your previous owner, collecting quite the hefty sum for your suffering.”

You nod. 

The owner closes the laptop and looks at you again. “And I’m guessing your father already blew through that money, despite only two years passing. So he’s selling you again. How many other doll shops has he taken you to so far?”

“Three.”

“Any offers?”

“None,” you say, eyes lowering toward the floor. 

The owner sighs. “If I don’t take you, he’s going to sell you on the direct market again, isn’t he?”

“He already tried,” you tell her, “but he said the offers were too low. If no shop will take me, he’ll probably go back and take a low offer.”

The owner grimaces. “He’s a real sick fuck, your father.”

“I know.”

“Do you want me to take you on?”

You think for a moment, then say, “It doesn’t matter. I can’t feel anything anyway.”

“When you say that,” the owner says, “do you mean physically or emotionally?”

“Both. I’ve been numb for nearly three years now.”

The owner picks up a silk fan from her desk and lightly taps her chin with it as she regards you. After a few moments, she says, “Alright. I’ll take you. I’ll make a slightly higher offer to your father, one he would be foolish to refuse. And in light of your unique circumstances, I’m going to add two extra clauses to your contract. The first is that you will have the option to change trainers if the one I assign to you is too much for you.”

You nod. “And the second?”

“All dolls sold through the Doll House are allowed to come back within one week of being purchased by a client, if they provide sufficient reasoning. In your case, I’m extending that to two weeks, and you don’t have to provide a reason. I’ll take you back, no questions asked, if you feel like your owner isn’t right for you. However, I would advise you not to abuse this privilege.”

“I understand.”

“Alright then. Let’s get your father back in here and finalize the sale.”

******************

Sukuna grins when he sees the message on his phone: “I have a new doll for you to train.”

He’s at home, in his swanky, upscale apartment in the city. Though he enjoys his alone time, he very much enjoys his work at the Doll House as well. Unlike the other trainers, Sukuna doesn’t keep a near constant flow of new dolls. He understands why of course. His training produces a very specific sort of doll that only a specific sort of client wants. But he trains enough dolls to keep himself well paid, and the work is incredibly satisfying. 

The standard training time is six weeks, which is exactly the right amount of time for Sukuna to thoroughly enjoy each doll without getting too bored with them before they’re handed over to their owners. He can’t imagine why anyone would want to keep the same doll for ten whole years. He knows he’s not alone in this thought, which is why doll rental services have been growing in popularity lately. 

He packs a few things into a small duffel bag. He keeps plenty of clothes and personal items in his room at the Doll House, so he only has to pack lightly for the six week stay. He’s in a good mood as he turns off the lights and locks the door. 

When  he arrives at the Doll House, he finds a rather interesting young woman sitting in the welcome room. Interesting because half her pretty face is covered in scars, as well as what’s visible of her left arm. Just how far do they extend? He’s looking forward to finding out. 

She glances up at him, but gives no reaction. Strange. Most new dolls look terrified, or at least nervous, when they see him for the first time. It’s probably the tattoos that frighten them. Sukuna is well aware that they make him look like a Yakuza member, or some criminal from a past era. But he so enjoys the way people instinctively shrink back away from them. 

The owner meets him in the welcome room and ushers him into her office. All trainers are briefed on their new dolls, except in unusual circumstances. But the owner looks troubled today, meaning this doll has a story. But he supposes the scars made that obvious already. 

Sitting in a chair across the desk from the owner, Sukuna places one elbow on the cushioned arm and props his face up with his hand. “So? What’s the deal with little Miss gloomy out there?”

The owner is tapping keys on her laptop, then he hears his phone chime from his pocket. “I’ve sent you her file. You really need to read over it. She has a complicated history.”

“Give me the short version,” he says, making a mental note to at least skim the file later. 

“Previous owner who abused and tortured her, shitty father who’s sold her twice now, and… she can’t feel anything.”

That last part captures Sukuna’s attention. “What does that mean?”

“She’s completely numb, both physically and emotionally. I’ve read over her medical reports, and they’ve concluded that there’s no significant nerve damage. The scar tissue dulls her senses in those areas somewhat, but they don’t leave her totally numb like this. And she can’t feel anything in the unscarred areas either.”

“Meaning it’s psychological,” Sukuna says. 

The owner nods. “It’s clearly a defense mechanism. Her body and mind simply shut off all sensation in order to cope. And that’s going to be her biggest issue as a doll. There are plenty of buyers who would find the scars exotic, but a doll who doesn’t react to anything? No one wants that. And if we don’t eventually find a buyer for her, she’s going to get passed around from one scumbag to another on the direct market for the rest of her life.”

Sukuna had little interest in the doll’s sob story, but he was intrigued by the fact that she couldn’t feel anything. “So you want me to fix her? Make her feel again?”

“Yes. I figured if anyone could, it would be you. But be careful. She’s already been shattered. I don’t need you grinding up the pieces.”

Sukuna stands up and heads for the door. “Don’t worry. I’ll reforge her,” he says with a smile, “in a way that pleases me.”

***************

The man covered in strange black tattoos introduces himself as your trainer. He’s handsome, well-built, and dressed like a man far too rich to be working here. A few years ago, you might have been attracted to him. Your heart might have fluttered at the thought of him touching you. But now? Now you feel nothing as he tells you to follow him to his room. 

He opens the door and walks in first, turning on the lights as he goes. You follow behind him and look around. The room looks like someone converted a fancy hotel room into a dungeon. 

The deep red carpets and expensive looking furniture contrast with the various… devices around the room. There’s an X shaped table, harnesses and chains hanging from the ceiling, and a wall of leashes, whips, rods, and other such items along the left side of the room. 

Ah, so he’s this type. 

You’re not surprised. Actually, it makes sense. Give the girl who can’t feel pain to the trainer who tortures his dolls. 

The man, who said his name is Sukuna, is watching your face, looking for a reaction. He won’t find one. But instead of seeming disappointed, he’s grinning. 

“My specialty is probably obvious,” he says, to which you nod. Then he goes over to the wall of tools and toys, taking something small and shiny from it. When he returns, there’s a silver, claw-like item on his right index finger. Without a word of warning, he approaches you and quickly swipes the claw over your exposed right forearm. 

You look down, curious, to see a thin red line appear on your skin, small drops of blood beading along it before sliding down. You watch the blood with no expression for a moment before looking back up at Sukuna. 

His grin is wider than before. “You really didn’t feel that,” he says, not a question but a statement. He’s standing in front of you, staring at you, when he says, “Let me ask you something, and think hard about your answer. It’s going to determine how the training proceeds.”

You nod. 

“Do you prefer being this way to how you were before?”

You blink as the question settles into your mind. You’ve never really thought about it before, but do you prefer being numb? It’s helped you block out the hurt you felt upon being sold off by your father, being abused by your owner, but it also blocks out any joy. 

“I… I don’t know.”

He’s looming over you, looking down with an expression you can’t quite place. Is it desire? Pity? Disgust? Or have you lost the ability to distinguish them? 

“Do you want to feel again?” he asks, something about his deep tone telling you to answer honestly. The sheer intensity of his presence is overwhelming you. 

You can still remember when you felt things. You can remember a poor but happy childhood when your mother was still alive. Even after, when things got worse, there were still moments of happiness. Watching movies with a friend, eating cheap snacks from the convenience store down the street. A kiss from the boy you had a crush on in high school. You miss these feelings. And once you realize that, your answer is clear. 

“Yes, I want to feel again.”

“Even if what you feel is pain?” he asks. 

An emotion you haven’t felt in years bubbles to the surface, startling you so much that your voice cracks slightly as you reply, “Yes! I’d love to feel pain again. I’d love to feel anything!”

A smile spreads across his features, and his hands move to your shirt. “I’ll make you feel again,” he says as he pulls your shirt over your head and tosses it aside. “But it will only work if you want it.”

“I… I want it,” you say, realizing with some measure of shock that you’re already feeling emotions you thought long dead. 

He removes the rest of your clothes, leaving them strewn about the floor. Then he stands back to look at you. Completely bare before him, you don’t feel embarrassed. Shame is yet another emotion you can’t seem to feel anymore. But there is a strange prickling sensation on your skin as his eyes rake over you, taking in the scars that form a map of your suffering. 

“It’s like a work of art,” he says, his gaze lingering on the left side of your torso. The words make you feel something else, but you’re not sure what that is. Your own emotions have become unfamiliar to you. 

He leads you over to the X shaped table and lifts you onto it, then spreads you out on it like a meal. He slowly attaches the leather cuffs on each end to your ankles and wrists, still watching your face for any sign of fear. 

There is none. You’re starting to feel things for the first time in three years, but fear isn’t one of them. If he can bring back the girl you once were, one who could laugh and smile and feel, then you’ll accept anything he wants to do to you. 

Once you’re secured to the table, he stands back and unbuttons his shirt. When he slips it off his shoulders, you get a full view of the intricate tattoos on his body. They’re beautiful, the way they move and twist with his body’s motion. 

He steps back to the table and runs one large hand over your arm, trailing it down toward your chest, where he squeezes your scarred breast. You can’t feel it, so you don’t know if he’s squeezing hard or not, but when his fingers lightly slide over your nipple, a tingling sensation blossoms there. What was that? 

Did he notice that you felt something? You don’t think you visibly reacted in any way, but he’s smiling as if he knows. His fingers suddenly pinch your nipple, and you feel pressure, but little else. He maintains eye contact as he leans down and runs his tongue over that same nipple, then wraps his lips around it. You feel it again, that pleasant tingling. It reminds you of something, but you can’t remember what. 

His hand moves to your other breast, where his fingers grope and pinch. You feel this a little more, and your breathing quickens slightly. That’s when he stops abruptly and goes over to the wall again. This time he returns with a rolled up velvet pouch, which he unrolls to reveal a group of very long, very thin, shiny silver needles. 

He pulls one out and holds it up for you to see. “Let’s see how numb you really are,” he says. Then he grips your scarred nipple between his finger and thumb with one hand while using the other to bring the needle closer. He looks up at your face, perhaps still searching for a trace of fear. Finding none, he pushes the needle in, sliding it sideways through your flesh. 

Your breath hitches as a new sensation hits you. This… this is pain! You haven’t felt it in so long, you’d almost forgotten it. When he grips the other nipple, the one with no scar tissue to dull your senses, you almost flinch. He grins up at you, as if he’s reading your mind. He leans down and licks the nipple slowly, awakening it to sensation, before plunging the needle in. 

This time you gasp, your arms reflexively tugging on the restraints. You felt that! Not as keenly as a normal woman would, but far more than you’ve felt anything else in years. It hurt. It still hurts as his hand squeezes your breast, his tongue running over the needle imbedded in your skin. But you welcome the pain. It’s far more preferable to no feeling whatsoever. 

Then he steps back again, and walks around the table to the bottom, where he moves in between your widely spread legs. His hand moves to your pussy, kneading it gently for a moment before his fingers slip inside your folds, finding you clit. 

You draw in a sharp breath as he strokes it, feeling the pleasure so strongly that it’s almost as if you were never numb. Your previous owner had ignored your clit, having no interest in giving you pleasure, so these sensations were entirely new to you. 

When Sukuna uses his fingers to spread you open and leans forward to lick your quivering clit, your body nearly jerks off the table. He rises up and looks at you. “Not so numb down here, are you?”

You can only gasp out shallow breaths.  

His thumb begins stroking you again as he speaks. “I don’t care who your previous owner was.” He reaches over and pulls one more needle from the pouch, his tongue running over you again, making your nerves come alive. “I don’t care if you’ve had a thousand different owners before me.” His thumb and finger pinch your clit, holding it in position. Your heart races as you wait, now holding your breath. “Because now,” he says, gliding his tongue across the glimmering needle in his hand, “you belong to me.”

He pushes the needle into your clit from the bottom and out the top, so slowly that you feel every single bit of it. Your body bucks from the table, your arms and legs jerk against the cuffs, and a loud scream erupts from your mouth as you feel excruciating pain for the first time in three years. 

It’s wonderful. 

Tears spring to your eyes, and you cum on the spot, weeping and shuddering. You were certain you would never experience an orgasm again for the rest of your life, but here you were, riding out the insane pleasure while Sukuna’s tongue prodded your clit, licking over the needle stuck there. 

**************

Sukuna watches his doll as she sleeps peacefully in his bed. She passed out not long after the “training session” was over, just as he was unfastening the cuffs on her wrists. He carried her to his bed and laid her there, and now he’s looking over her scarred form once more before covering her. 

He’s surprised by the progress they’d already made, but he can’t get too comfortable. 

Because he noticed it. When he pulled the needles out of her, which should have hurt, she didn’t even flinch. He’d squeezed one nipple afterwards, before beginning to uncuff her, just to test it. This should have made her scream, given how sore she should be, but she had no reaction at all. 

Meaning she’s numb again. The awakening of her senses was only temporary, and wore off after she came down from the high of her orgasm. 

Sukuna smiles. He certainly enjoys a challenge, and it’s clear to him that his job is far from over. 

Tag List:

@akaotv 

[timeslipcamp]

me?? look up flower symbolism for a mobile game??? it's more likely than you think!!

spoilers through ep 15

🌸💐🌼🌸💐🌼🌸💐🌼🌸💐🌼🌸💐🌼🌸

first of all trying to find all these was insane SECOND of all tumblr only lets me add 10 pictures per post on mobile so this WILL get split up into multiple posts. thats on me for always writing these at work lol

a couple of the flowers as well i'm doing my best guess. either the shape or the color is slightly off (it's artwork and flowers) so i've been finding what i think is closest. additionally, i do prefer to be as educational and historically accurate as possible in the references i'm finding, but flower languages are something that tended to vary across culture, time period, and region. oftentimes the major messages and themes carried over, but the interpretation wasn't always the same. i did my best to cross reference at least a couple sources for each one and i'll be going with the main meaning i find for each.

do i think all of these are intentional? probably not, but it's fun anyways.

if anyone has any questions or other interpretations, please send them my way!

flower meanings for the ghouls

first up we've got the most recent one that came out in subaru's super cool fit from episode 15. like i said in my time loop theory post, i do believe this is actually technically a red surprise lily, not a spider lily. however, the two are considered sister flowers, and i put them side by side below so you can see.

as far as i can tell, both of them have the same meaning, and are often used interchangably when describing the flowers. just about every place cites the japanese meaning: they both bloom in autumn, around the same time as both the autumnal equinox and a period called ohigan. during ohigan, it's an important time to visit graves and pay respects to ancestors. spider lillies are poisonous, and in ancient times, were planted over fresh corpses to keep animals from digging them up. ever since then, they've become one of the most easily recognized and symbolic flowers with several meanings and names.

the most common meanings are death, reincarnation, the after life, and its two names, "the death flower" and "the corpse flower". hotarubi has dealt with ghosts and the restless dead in both episodes they've featured in, not to mention episode 15 took place in a haunted house where we were pretending to be ghosts. i think this one is pretty simple.

helloooooooo beautiful sunny haru! we've got quite a few flowers here. i've got sunflowers, daisies, orange roses, thistle, pansies in the background there, anemone, and then i think that's supposed to be baby's breath but the clumping and petal shape look almost like butterfly bush. could be sweet alyssum as well. idk i just work here

sunflowers - did you know sunflowers were originally cultivated as a food source? there's your fun fact for the day! these flowers also vary in meaning across different cultures but all of them have a positive connotation. sunflowers stand for hope, happiness, and also good luck!

daisy - is that a daisy. the petals are fat and now i'm second guessing myself. oh apparently theres one called a wide petal daisy lmao anyways! if it is a daisy, once again a very positive flower, most meanings list innocence and new beginnings. victorian flower language says a daisy means a secret is safe with you. interesting :)

orange roses - theres always 900 interpretations of roses smh. from what i've gathered, outside of a relationship they mean fascination, perseverance, and admiration. new beginnings make an appearance again. inside a relationship it typically means passion and energy, along with enthusiasm. all things that are very haru

thistle - cute lil tucked away in his pocket. this one's pretty interesting because the meanings amost flip depending on where you're from. thistle represents adaptation, pride, and resilience, but in victorian flower language specifically, it represented pain and intrusion. honestly, i think both fit.

anemone - three out of four of his flowers have greek myths associated with them. what the hell, man. anyways. this one changes wildly depending on the culture. one has them listed as anticipation, one as tragic love, and apparently, this one is also a flower of the dead OR it will protect you from evil. if i had to guess, i think the anticipation one fits most, because it has it listed here that you give them during major life changes.

pansies - this one kind of went back and forth and i didn't feel confident in any of the sources, but the most common one i found was that they're to give to someone to let them know that you're thinking of them. interesting that these are placed in the background.

baby's breath - still not 100% that's what this is. whatever. baby's breath is another one that symbolizes purity and innocence. if anything, i think these ones symbolizing innocence just kind of apply to haru's optimism--he has such a pure view of wanting to help anomalies and humans live together. it's so sweet.

overall, i'd say the main theme of harry's flowers are optimistic, purity, life changes, energy, and resilience. love the way daisy applies to him.

i wasn't going to include this one but this picture is pissing me the fuck off and i think it's because this isn't a real flower. i've been googling for 45 minutes because clearly that's a yellow rose, right? wrong roses dont grow in on woody leafless stems like that. you know what does? kerria! you know what kerria is often confused with? japanese rose bushes! i think someone fucked up and pissed off a very specific subset of nerd (aka me and like, one other person)

hoping i'm wrong. someone PLEASE tell me what this is if you figure it out

anyways

yellow rose - literally so different depending on the region and even the time. in modern americas/england, they're for friendship, but in victorian flower language, it was infidelity. in latin america they represent deep, passionate love, but in china and modern japanese culture, it's for wealth, prosperity and life changes. in historical japan, they represented the imperial family.

so literally who knows pick your fav this one doesn't count.

the man the myth the legend!! love this dude

we've got purple roses (and some blue and yellow but that might be for aesthetic reasons), yellow iris, i think that's supposed to be a purple dahlia in his pocket? but the size is off, perhaps more thistle? whatever. a couple white calla lillies, a couple lil yellow and greenery that's also filler, and i think white delphinium.

yellow roses and thistle meanings listed above

purple roses - this one was funny. the synonyms kinda changed depending on the source but for the most part they represent love at first sight, enchantment, and mystery. one website said they meant "a love that is unattainable." :')

blue roses - less info available, but also mystery and the unattainable.

yellow iris - across the board, they represent passion, but it does also look like it can mean both platonically and romantically. one super obscure website also said it's a gender non conforming flower. nonbinary zenji lives

purple dahlia - several sources cited this one as meaning dignity, grace, kindness, and a couple others also had creativity in their lists. there were also some that had mystery! a very zenji flower, even if i'm incorrect about this one lmao

white calla lily - another innocence and purity one. however, they've also come to be associated with death and rebirth with their use in easter celebrations. iiiiinteresting

white delphinium - i've spelled that name wrong like six times so far if you see a typo no you didn't. this one seemed to have a different meaning on every place i looked, but there were a couple common threads: levity, protection, innocence, and remembrance. zenji's card bouta make me cry.

if we're looking at the placements at all, i love that he's handing you the enchantment and love at first sight flower. ugh zenji you deserve the world

followed IMMEDIATELY by his brother lmao. these two drive me INSANE dude i am always thinking about their relationship

in the back bouquet that he's holding we've got some pink and peach roses (and one hidden red one???), a couple random ones i can't made out, and in the foreground a BUNCH of

hey wait hold on

its called WHAT???

huh?????????

zenji hello???????

okay anyways back to jiro

up in the forefront he's got a bunch of dame's rocket, i guess? also called sweet rocket and eve weed, it's the closest i could find. yet another flower that has a greek tale associated with it, which i think the greeks just made up stories about every flower smh but it's named after hesperus (the morning star).

apparently it's only real symbolism meaning is deceit, which is wild given how much of this flower is on this card. also, jiro doesn't remember parts of last year. guess he could be lying!!!

pink roses - admiration and love, but a few sources did make a point to say the pink is a more gentle and understated love. very jiro. also love that there's a single red rose poking out there

peach roses - sincerity and gratitude.....ok. ok hold on. tin hat donned. jiro is holding flowers that mean sincerity but there are a ton of deceit flowers behind him. he's trying to be sincere but something is holding him back? who's to say

anyways that's all the pictures that tumblr will let me add on mobile so this is part one done, onto part two!

dms and asks always open 🌻

[wackywatchdotcom]

before i go do smth else like smth i think abt often but was thinking abt a few hrs ago in particular is how the circus easily tricks the audience into thinking the circus would be Better Than Real Life. when i think from literally almost any angle you examine it its just as bad (if not worse, depending on your own problems)

i think theres like so many problems its hard to even list them all. some of it is personal taste things. cus i think a lot of people think itd be fun because they enjoy specific aesthetic choices in the circus, or bc of other interest related things. but like. what about people who HATE bright colors. what about people who dont like the idea of not being human. what about people who dont enjoy things like roleplaying. some aspects of the circus are only even appealing to specific tastes in things, making one of the few 'draws' of it not really even being a universal thing

and thats the superficial stuff. because more importantly, if you dont like the real world (for whatever reason), the circus may provide a temporary solution to that, because its so far removed from reality. but i think the circus is way smaller than people realize. theres definitely always going to be things to see since caine can always make things, but its just as limited if not more than the real world, because while the world grows and changes, genuinely new things are created and discovered and stuff. caine will never really get to see that, let alone recreate it for the players- and even then, it still isnt actually that thing. that doesnt even factor in that caine is already operating on limited knowledge of the real world. its not clear how detailed he can get on things, since the accuracy can vary (spudsys being so accurate to the real world, vs the dinner in ep 1 being so flat and lacking almost any detail), but theres a good chance that anything he makes is going to be limited to, at the most, a CONCEPT from the real world, if theres nothing in the real world you like, thats still all youll get, just in a different way.and if you DO like things from the real world, youll never get to truly reexperience it (even if caine remakes it, youll know its not the real thing, and it wont be 100% how you remember it, either)

then theres the safety/pain/horror aspect to what caine makes. i think because there hasnt been gore or anything its easy to assume the circus is still tame, and that anything bad that happens cant be TOO bad. but this is NOT true at all. the teaser of the show establishes that even when caine is not going for horror, he still hurts the players. theres things thatd be physically horrifying to a person like getting possessed, theres physical pain (i see it debated but i think its clear that even if they were to experience less pain, they still DO experience pain, but thats a different topic) or extreme discomfort, theres psychological torment (the exit doors are genuinely very cruel even if that wasnt caines goal, what ep 4 did to jax and gangle. kinger getting taunted in ep 3, etc). its all survivable but even if you like them caine isnt trustworthy enough in this way to never do smth horrific to a person, or cause it through his actions

then theres the complete lack of autonomy, which imo is one of the most frightening things about the circus. bc unless your tastes are always aligning with the exciting, completely family friendly existence of the circus, and you never deviate even a little, you are going to be barred from any semblance of it. its best illustrated in how pomni HATES being touched but caines always prodding her and moving her places and stuff, and in how zooble is denied the option to opt out of adventures even when they state they want to directly by episode 4 implying the choice to even have time to yourself is deeply conditional (plus, the whole lack of an exit entirely meaning that even if you liked the circus, the lack of option to leave would still affect a person. youre getting locked in a big room for the rest of time and youll never get to leave). and also this post

and THEN you factor in the social aspect. because regardless of how you prefer socializing if at all, the circus is a nightmare. if you dont like people, thats great! you dont NEED to be anyones friend! except that you are going to be forced to interact with them eventually, and when you do its going to be repeated. its not gonna be once. and once caine notices hes going to bother you about it. forever

alternatively, if you DO like social interactions in any way, no matter what, if its not you, youre going to see others abstract. you are going to inevitably watch those you care abt struggle and eventually get stuck in a state that Seems Extremely Horrifying To Experience forever. its long and drawn out and itd suck and it wouldnt happen once

then is the easy to forget fact that if you have psychological problems they can and WILL follow you to the circus. gangle and zooble are the biggest examples of this. the circus didnt get rid of their problems, they just gave it a new, horrifying inevitable consequence. i sometimes fall victim to looking at the circus and assuming that ohhh i wouldnt have this problem! because i wont have to deal w it getting set off! but like... yeah i would. i wouldnt stop having this or that in the circus id just have to deal w it while ALSO going on adventures

theres many things. you cant truly eat you cant die you dont get to decide anything when you do die it seems terrifying to experience and youll be stuck in some level of that forever and anything you enjoy is not with you and anything you dont enjoy will follow you too to some degree and the list goes on and on

all this said i dont think any of this is an indicator that the characters lives are meaningless or smth just because it sucks. theres a reason gooseworx has said that the takeaway from the show should be that theres meaning to be found in a stagnant life. theres still meaning in their existence and i dont think its as hopeless as it may seem- but i think its still BAD. and tbh the idea that its worse only HELPS that theme of the show!!! i dont think itd hit as hard as a theme if the circus DIDNT suck

[adobe-outdesign]

Could you please review Zombie neopets?

Zombie was a logical choice for Neopets to add as a color, as zombies had already appeared in the lore before. However, while the concept is solid, I do find the execution to be a bit lacking at times. It's usually just taking a Neopet, making it a very light green or sometimes blue, adding stitches and mottling, and then giving it a less happy expression (if they even bother doing that).

Sometimes zombie pets will at least have some torn clothing, but it's not a consistent feature, and the amount of clothing tends to vary between full outfits and just a single item. All of this is fine, but underwhelming for the most part. It feels like a color like this really needs to be pushed more in terms of gore and rotting-ness, and minus a few exceptions listed below, Neopets vary rarely dares to go that direction.

Zombie was released after customization, so there's no pre-conversion art to talk about.

Favorite Species:

Elephante: Like I said, a lot of zombie pets play it very safe, so the zombie Elephante is a much needed breath of fresh air. It's surprisingly gory, and all the lacerations and details make it feel cohesive and very fleshed out. It not only comes with a full outfit, but it also has a chunk of exposed skull in place of the usual headpiece that can be removed to reveal its brain. It's by far the best zombie pet out there, and I only wish more zombie pets looked this good.

Flotsam: The zombie Flotsam is not nearly as impressive as the Elephante, but for whatever reason I find myself liking it quite a bit. I think the reason is just the outfit—the expression is perfect and something about the twisted glasses really adds a lot the design. I wouldn't have minded seeing more color and scarring like the Elephant has, but this is one of the better examples of the standard look.

Jubjub: Another one that's more colorful and gory than most zombie pets, the zombie Jubjub not only has a bandage, but most of its skin has fallen off to reveal its flesh underneath with only a few staples holding it in place. It's a really cool concept, and the colors and gory bits really come together nicely. There's no wearables, but given that Jubjubs can't wear clothes very well anyway that's not a huge loss.

BONUS: I don't actually think the zombie Poogle is all that impressive from a general design standpoint, but I have to give it a shoutout just for that masterpiece of an expression.

Least Favorite Species:

Jetsam: Zombie is one those colors where there's no truly terrible options, just mediocre ones. This applies to the zombie Jetsam, which is a very standard zombie pet with nothing to make it stand out. The main reason I picked it for this spot, however, is that the body texture is a really unpleasant polka dotted look with a few way-too-evenly placed small stitches. Most zombie pets are at least decently textured, but I can't say that here. Also, the shading of most of the body feels weirdly low-contrast.

[sonicasura]

KN8 Worldbuilding: Kaiju

A list of headcanons that revolves around the changes brought by the kaiju's arrival. Whether it be ecosystems, jobs, etc. Anyone is free to use this.

The arrival of kaiju changed everything for Earth's inhabitants. No one knows when they exactly first appeared as the mini-small class' existence stirred up multiple debates. What can be said was humans were devastated by these newcomers.

Death tolls have never been higher during the 'Kaiju Emergence'. No one at the time knew how to combat them as there were many factors against the people. Size, abilities, and insane survivability.

It was an accident when the kaiju's core weakness was discovered. A small class beast had been chasing a horse drawn carriage near the ruins of an old armory. The driver managed to trick the beast into crashing against the old building.

It was expected for the kaiju to emerge albeit slightly slowed down by the various sharpened metal dug into its body. The beast's movement drove the blades deeper until one pierced its core. Confusion overtaken the rider as the kaiju immediately dropped dead.

After an autopsy by multiple coroners, the cause of death was revealed to be the broken gem-like structure in the abdomen. This organ would be labeled as a Core and became the key for humanity to fight back. Every slain kaiju was stripped of any usable flesh with each kill method written down for future generations to learn.

Some individuals have tried to see if these foreign beasts were edible with varied results. In most parts of the world, kaiju meat was labeled as inedible or a last resort consumable akin to hákarl. There are still chefs determined to make something delicious from it and revolutionize the culinary world.

Laws around these creatures also changed constantly as time went by. The reasons vary but the main one is that kaiju material can have hazardous properties depending on the type. It has led to permits being needed to handle such items and harsh punishments like incarceration for not doing so.

This doesn't stop some individuals from keeping small pieces. Common materials that bystanders often keep are furs, scales, teeth, feathers and claws. Some use them to make stuff like charms to even blankets. These materials come from mini and small class kaiju as most are generally harmless.

Another area affected by the introduction of this species was the pet trade. It ain't uncommon for someone to want a kaiju for a pet. However due to their adaptive nature, a lot of laws and protocols were placed for everyone's safety.

Not only were permits required but things like registration, fortitude measurements, to even deep scans on the kaiju's biology were needed too. The biggest someone can have as a pet were small class since they don't surpass human size often. It doesn't stop some individuals from trying to get a kaiju illegally.

This has led to a lot of issues like invasive species to the creation of unpredictable hybrids through breeding. Especially the latter as some breeders try to make hybrids between kaiju and other animals. What usually happens is they are ill equipped to handle their creations so the Defense Force has to clean up the mess.

Not every member amongst these otherworldly creatures crave humanity's destruction. A good majority have their own temperaments, preferred habitats and even diets. Some kaiju have actually restored balance to certain aspects of nature.

Eating invasive or overpopulated animals, clearing pollution in the land/sea/air, and even revitalizing broken ecosystems. This had led to the creation of facilities that study such benefits. One example being a wildlife preservation which houses various kaiju who are usually raised at an early age or infancy.

Those that are raised in research centers often have their fortitudes measured as they grow. A safety measure since these reserves do work in conjunction with the Defense Force. Kaiju with high fortitudes often requires assistance from officers to handle.

Some countries begin to study the application of the species' cells for medicine. One of the latest treatments being stem cell due to kaiju having incredible regeneration abilities. Tests with animals for organ compatibility have already been around since the late 1900s.

However there are rumors about militarization efforts outside kaiju defense purposes. Whether it's to breed kaiju into war beasts or make human/kaiju hybrids. How the latter could be made has varied throughout theories. From experimentation to al naturale.

Science has also gained a new branch in the form of kaijuology. A study that revolves around kaiju ranging from development, origins, and so much more. Some scientists have been chasing down the possibility of the species eventually developing human-like intelligence.

They've often pestered the Defense Force, research centers and wildlife reserves for info. Especially the latter two since they have kaiju under care outside of training purposes. A few believe such highly intelligent subjects exist in the wild.

The more reasonable scientists are focused on the subtle applications. Some have been studying about the possibility of using mini-small classes for disability aids. Quite a few individuals have signed up with this in mind.

Some contemplated using kaiju to test their products or other prototypes. Most see them as pests akin to rats with even fewer people to care about them. This has led to the rise of new environmentalists that revolve around the species to protest against such practices.

Kaiju comes in five different size classes. Mini which are under 2 ft. Small who usually range from 2-12 ft. Medium being between 13-52. Large which is 55 ft-170 ft. And finally the rare Titan class that is 170+ ft.

When profiling Kaiju, the most important characteristics are their fortitude rating, size class, and combat type. Combat Types tend to revolve around what the species can do in certain situations.

Disruption Types nullify particular tactics, nearby environment, and coordination within a group. Pack Types attack, defend or direct complex moves through staggering numbers. Berserker Types boast insane attack power and durability in exchange for rational offense.

Seeker Types use enhanced sensory to locate potential threats, navigate inhospitable environments, or predict prey/hostile's movements. Runner Types have immense speed which they utilize to attack, evade and retreat if needed. Swarm Types are similar to Packs but a queen produces drones to fulfill her orders.

Daikaiju are a rare case since they can have characteristics of multiple combat types. This is when a kaiju's fortitude reaches 8.0 and higher. Rules revolving around them are far more stricter as they can cause immense damage if incensed.

Like animals, kaiju have many ways to reproduce. Almost all are hermaphrodite/intersex in nature so gender has little influence. Some species can reproduce through budding. Whether these buds are grown in the body or cut off chunks from the main body vary.

Some species reproduce through seeds and even spores. Most usually lay eggs as the parent won't be in a vulnerable state unlike those that deal with live birth. Afterbeasts are closer to clones than actual offspring since they are genetically identical.

These smaller beasts make sure the fallen kaiju has the chance to pass down its genes. Offspring grow at different rates depending on their parents. Some reach full maturity in weeks while some can take decades. Most kaiju are usually protective of their offspring as they keep the species alive.

This has led to Defense Force returning lost infants since the parents are even more dangerous than non-families. Orphans usually end up at research centers and reserves for study. Their temperament reflects on who's handling them with malicious intent always being returned two fold.

@kafkahibinomybeloved @mechazushi @noodlesbf-blog @iceclew @renard-dartigue @drmarune @margoteve @j4yslayz @giantgoblin @neo0w0 @wolffrek @gigilalaka @thecocosaur @oxandthorn @omniithe-deer @terra-sketches @imthecosmicbasball @kujoestars @gbssworks @maypl-syrup @kaijuice-z

[paingoes]

What are some of your favorite whump series on here? I devoured your story and am looking for more!

*bites you*

um

lux’s series by @friendlylocalwhumper was one of the first whump stories i ever read so shout out to that.

i think the second whump or really hurt/comfort fic i remember enjoying a lot was @foundfamilywhump ‘s stuff on ao3. particularly the adventure zone fics they have a special place in my heart

ive reread kane & jim by @whumpsday more times than i can count its my go-to comfort read. vampire whump!

literally anything by @deluxewhump but esp anything w zee and cam <3. emphasis on this one i love bee’s prose sm.

@just-horrible-things for more pet whump/BBU !!! im still reading through a girl called spider now but it’s probably my favorite as far as lady whump goes ❤️‍🩹

@whump-queen for intimate whumpers and hurt/no comfort 😈 akia has such a beautiful mind (weve been scheming)

@forwhump is my favorite for living weapon whump and is actually the only other living weapon whump ive really enjoyed tbqh. i guess im more in it for wren tho haha 🐥 this one is so underrated too i think it deserves way more attention. highly highly recommend.

and @doumidas-whumps if u want whump art >:)

a lot of these are more like blog/vibe recommendations than they are specific stories…sorry if this is too general lol. if anyone else wants to add on w other suggestions feel free

also!!! these vary in levity and age appropriateness!! i just listed them off the dome but yeah be mindful of content warnings and so on cause a lot of these are darker than what i typically write

i just realized i didnt say thank you at the top. thanks for devouring destroyer. if you could eat destroyer i know it would taste really metallic and salty so i hope youre still feeling okay after 🦈

[caelwynn]

New Additions to Caelwynn's Stardew 1.6.9+ Mod List — April 17, 2025 Edition

Went through and alphabetized/reorganized each page in the modlists, so hopefully they're easier to navigate. 💖

Expansions/NPCS

Always Raining in the Valley — adds best boi Sterling, his cousin Henry, and their housemate Mia, to Sunberry Village. Now with Sterling's Marriage Update!

Always Raining in the Valley Kids - Children Grow Up — A delightful surprise from Hime. This mod turns your children with Sterling into real NPCs! Includes dialogue not just for the children, but also 150+ lines for Sterling too.

Dynamic Shane and Sterling — Allows you to befriend Shane and Sterling in any order without breaking immersion, with optional rival heart events for Shane/Sterling.

Jonghyuk and Spanner - Custom NPCs for Sunberry Village — The world ended, but Jonghyuk survived. Adds a dateable bachelor and adoptable child NPC to Sunberry Village. From the author of Lucikiel and Lavril!

Rose and the Alchemist - Custom NPCs for Sunberry Village — Rose and the Alchemist are two new custom NPCs living in Sunberry Forest! Enjoy two charming storylines full of events and silly shenanigans, plus unlockable animal familiars, a magical forage questline and more!

Wren the Plumber — Custom NPC for Sunberry Village — An older transgender woman has come to Sunberry to be gay and fix pipes. From the author of Jorts and Jean!

Dialogue/Character Changes

Harvey Attends Aerobics — Changes Harvey's schedule so that he officially joins the aerobics club after his 6 heart event. Check-up schedules are moved to a Monday.

Gameplay/QoL

Actually Lucky Rabbit's Foot (Rebooted) — Makes the Rabbit's Foot actually give you some Luck. A passive luck bonus is applied to your character whenever you carry around a rabbit's foot.

Auto Heal and Energize — Automatically consume food to recover when your health or stamina is low.

Boss Battles — This mod adds 7 new unique bosses to the mines with varying difficulty settings and arenas, each dropping cool costumes and valuable materials.

Catalogue Filter - Continued — Adds a filter field for shop menus and catalogues that lets you filter shown items based on text input.

Challenging Community Center Bundles — A bundle overhaul mod which tries to create a challenging but not frustrating experience playing Stardew Valley. My first time playing with it, so we'll see how it goes.

FarmHouse Lights — Lets you have light at night in your home without placing torches. Island house included as option.

Fruit Trees Unblocked — Brings some of the unblocking functionality from Fruit Tree Tweaks to 1.6

Growing Valley - Child NPCs — See your toddlers grow up into walking, talking children who take after your spouse! A content pack for LittleNPCs. [Requirement for ARV Kids]

Legacy Cellar — Spacious cellar expansion, with a large main floor, plus a lower level for indoor planting.

Legacy Coops and Barns — More spaciously laid out coops and barns for your animals, with a dedicated area for produce machines or storage once fully upgraded.

Legacy Farm — Large farm map with its own quarry, waterfall cave to replenish your energy, farm forest with foragables and re-spawnable hardwood stumps, a vineyard and winery/storage shed area and a Junimo treehouse with warps to the Mountain, Beach, Desert, Ginger Island, Ridgeside Village and East Scarp.

Legacy Farm Cave — Three-story farm cave, created for the Legacy Farm, though it should be compatible with most other farm maps! Includes foragables, planting areas, a hot spring to replenish your energy, a treasure chest to help you in the early game, and your very own small quarry. Works like a greenhouse, and you can use casks here.

Legacy Farm Progression Unlocks — Adds progression-based locks to ItsLunatyx's Legacy Farm with configurable added large debris and an optional (temporary!) barrier to the winery.

Legacy Greenhouse — Large Greenhouse, originally created for the Legacy Farm but should be compatible with most farm maps. Three large planting rooms, a large basement, and a garden area to have fun with.

Little NPCs — Turns your children into little NPCs. Requires ContentPatcher. [Requirement for ARV Kids]

Lnh's First FarmHouse — Sizable new farmhouse with both first and second upgrades. Trying it out in my newest save in order to (hopefully) avoid bugs in a couple of Sterling's Marriage events.

The Museum Pays - Get Paid Donating to the Museum — This mod adds a new way to get paid in the valley and that's by your own donations to the museums, for every 10 donations to the museum you'll now receive a letter the next day with thanking you 1000/5000/10000 gold. Configurable.

PFM Indoor Apiary - Indoor Bee house Mod — This is a Producer Framework Mod that allows bee houses to produce honey indoors from either potted plants or the ground. It works in sheds, barns, coops, your home, greenhouses, the sewer or where-ever else you could think to place a potted flower and beehive.

Furniture, Flooring, & Wallpapers

Cute Cottagecore Furniture Catalog — Makes Furniture from "Cute Cottagecore Furniture for Alternative Textures" by Luny as new object in new catalog instead of Alternative Textures!

Decorator's Dream Furniture and Textures by Ilyeana (With Functional Shelves) — A modpack full of textures, functional display items, and decorations for your best SDV life!

Guxelbit's Catalog — Adds vanilla style furniture to the game without replacing the original.

HxW Boutique Bakery — This mod adds 50+ beautiful pieces of furniture for you to build your dream bakery and coffee shop with.

HxW Romantic Fountains and Arches — This mod adds 15+ seasonal outdoor buildings you can have Robin instantly built for you.

HxW Romantic Furniture — This mod adds 50+ beautiful outdoor items (can also be used indoors) for you to decorate, house and unleash the romanticism with this classical set.

Kedi's Kids Furniture — Adds new furniture for your children in-game!

Nursery CP — Robokit12’s nursery furniture for Content Patcher.

Orangeblossom's Functional Suitcase Dressers — Adds 7 suitcases that act as dressers.

Seasonal Fantasy Lamp-posts — This mod adds four new lamp-posts and one lantern! They have seasonal day and night textures and use sconce light type (with the exception of the spirit lamps and firefly lantern that use colored and lantern lights).

wooden furniture S1 — Adds 37 pieces of furniture and 17 wallpapers and flooring.

Alternative Textures

Aster and Nari's Japanese Wallpaper and Flooring

Asters Walls and Floors Megapack

Cerri's Walls and floors for AT

Dustbeauty's Seasonal Path and Flooring

Hojichas Seaside Furniture, Wallpapers, and Floors for AT

K10_FTW's Woods Wainscotting Walls and Floors for AT

Muski's Recolor of HxW's Fairy Fountain

NPC Furniture and Wallpaper

Old-Timey Cottagecore Furniture

Shyzie's Rugs

Shyzie's Seasonal Rugs

Shyzie's String Lights

Shyzie's Witchy Goblincore Rugs

Too Many Swatches II

West Elm Furniture (AT) by Atlas

The Masterpost for all of the mods I use is located here.

[bardan-jusik]

okay so your post abt alpha-17 and the other alpha arcs got me thinking (and im sorry for using you as sw google but in my mind you're Alpha Legends Lore mutual) who ARE the oldest clones? I feel like everything got... really confusing with a bunch of super secret REAL first clones getting shuffled into the order. is boba the oldest? in my mind it goes 1 boba 2 nulls 3 alphas 4 the rest of the initial clones that obi-wan saw in aotc but I have no bloody clue 😭

I AM HONORED TO BE YOUR LEGENDS LORE GOOGLE MUTUAL

ok so. sources probably conflict bc this is star wars, of course they do. what i care about is repcomm so we're just gonna go with that as our primary source with wookieepedia as secondary sources

first we gotta get some dates. unfortunately star wars doesnt really give months for most dates but years is still a starting place. these dates are all pulled from wookieepedia, legends page when applicable/different

also we're using geonosis as our date reference point since the timeline is honestly so hard to work with

order 66 happens 19 bby

1st battle of geonosis, 22 bby, the clone wars are 3 years long

boba fett's birth date is listed as 32 bby, meaning he was 10 at geonosis. cody, rex, ordo, fi, spar, and sull are all also listed with a birth date of 32 bby, so we're down to a difference of months here. essentially they're all the same age though- boba himself, troopers, nulls, commandos, and alphas

I REPEAT. ALPHA IS NOT SIGNIFICANTLY OLDER THAN THE CORE OF THE GAR. PLEASE FOR THE LOVE OF GOD. HE ISNT THE ONLY ALPHA EITHER.

but who's actually oldest? and is wookieepedia entirely correct? this is the part where i open repcomm and ignore everything else. i don't even know if anything else contradicts because i'm not checking

chapter 1 of triple zero, kal has just arrived on kamino. it's eight years before geonosis, and 2 years into the cloning program

(ALSO ITS SO FUCKING GREAT THAT THIS IS KAL'S INTRODUCTORY LINE LMAOOO <3)

he does see a lot of clone babies in gestation vats, just like we see in attack of the clones as well as cadets of varying ages- the kaminoans continue producing troopers through the entire ten years of the cloning program, so yes, the 'first generation' (clones deployed at geonosis) ARE older than a lot of later clones. but we dont really have a lot of those later clones as named characters as far as i know

anyways

the nulls appear to kal to be 4 or 5 (also peep jango apparently being legitimately shocked by them)

chronologically the nulls are NEARLY two, which probably means like 1 year and 11 months or something

(pause for me to cry about this entire scene, 'kal was instantly proud of all of them,' 'how would you like to be called ordo, he was a mandalorian warrior,' kal teaching them to embrace their fear as a mechanism their body uses to help protect them, but this is gonna be long enough as it is)

and then we have jango showing up with boba. no real indication of if boba or the nulls are actually older, but it's implied that they're very very close in actual age, if not the same age. we also get mention of the commandos and the alphas.

now, this is now just down to what i think and what makes sense to me. the whole point of the nulls is that they were experimental units- the kaminoans wanted to see if tinkering with the genome would be worth it, and ultimately decided it wasn't. it would actually make sense to me if the nulls were at least a year or two older than the rest of the clones- the kaminoans need time to see if their experiment panned out, don't they? but the nulls are also 10 at geonosis

while the nulls have been flash-trained and put through some trial runs at this point, it's indicated that the alphas and commandos aren't quite ready for training yet. this could be because the alphas and commandos are just a bit too young yet, it could be that the kaminoans put the nulls through training at a younger age than they're doing for non-experimental units. not totally clear

this is another point that is important to me: multiple times the nulls pass for clone troopers. i keep seeing headcanons of them being noticeably taller/bigger than other clones and while it is true that they're canonically slightly heavier, i think the difference is probably like 10-20 pounds, most people cannot easily tell the difference. ordo puts on corr's armor and just notes that it's slightly tighter than he's used to. mereel infiltrated kamino in trooper armor unnoticed, even while directly speaking to a kaminoan

here is my opinion on it: -the nulls and boba are basically the same age -the alphas were created next, but a few months after. by this point the kaminoans had decided (possibly because of the nulls' high mortality rate in gestation) that the alphas would be fully unaltered aside from the accelerated aging. the nulls' behavior 'issues' proved to the kaminoans that this was the right call -the commandos were created at the same time or shortly after the alphas. we're talking within weeks if not days. they have minor genetic changes to work better as a team but that's about it. -the troopers then begin production, now that the kaminoans have lots of practice altering jango's genome. heavy alteration for better social cooperation and obedience. -we're talking a span on like 4 months for all of this

you could say that ordo's gray hairs support the nulls being maybe 4-6 months older than everybody else, but i really think he is just that stressy, and there's also book evidence for clones actually aging at variable rates depending on how much stress they're under

quick note for omega: i think her existence is just insane and she's only here because disney was making a children's show and needed a child character (and girl so they can get inclusivity points), but i could see her being made anywhere from at the same time as boba to up to 3 years later. her wookieepedia page doesn't say, because the bad batch never bothered to give us any concrete information on... anything.

WE ARENT EVEN TOUCHING ON EMERIE. WHAT THE FUCK

[brothermanwill]

Wyvara will eat communally. These names are translated directly from Wyvaran. If you go to a wyvara restaurant, you wouldn't order food for yourself, you order it for the table, then you pick and choose what you want. The same happens in homes where families prepare large servings of food that is set at the table. Holding passers come in varying sizes and are the main serving vessel for reasturaunts and homes. They are shapes that way to enable wyvara to use reachers to pick them up and move them on the table.

Reachers are also used to grab food and place them on their take take plates. It is considered very bad manners to directly take and then eat with the reacher. It is seen as gluttonous and selfish as it gives others less of a chance to ask for some of the food before you take it. Proper manners dictate that you load your take plate with a little of what you want, then go back for more once you are done with what you have taken. Taking food from someone's take plate is EXTREMELY rude. You might as well be shoving your middle finger in their face for all intents and purposes. You then will use the holder to actually take the food from your take plate, if necessary, use the breaker to chop/smash/cut the food on the eat plate before actually eating.

If its not easily grabbable with the reacher, it will be served alongside several empty holding passers that will be used as bowls for use alongside the take plate and the eat plate. Human foods that would be served with several empty holding passers include, but are not limited to: Rice, pasta, fries/chips, sauces/dips, small nuts or cereal.

Most big food things that aren't in discreet units will be pre cut before being served. If you don't say when you order it, it will be cut to an arbitrary default of the restaurant(usually listed in their menu). So things like cakes, casseroles, bread, large cuts of meat are cut. Similar to how pizza places cut up stuff for us.

[gallifreyinstituteforlearning]

What happens to a TARDIS when its bonded time lord passes away?

What happens to a TARDIS when its bonded Time Lord passes away?

The bond between a TARDIS and its Time Lord is very co-dependant - one literally can't function without the other. When that connection gets suddenly severed by the death of a Time Lord, the TARDIS can react in various ways, depending on the strength of their relationship.

🖤 Mourning and Grief

When their Time Lord dies, many TARDISes actually go through a mourning period. In some cases, this grief is so intense that the TARDIS can't keep going - there are stories of TARDISes ending their existence by hurling themselves into the Time Vortex or flying into a sun, unable to bear the loss of their pilot. There are rumours of something of an 'elephant's graveyard' for TARDISes at the end of time, filled with the shells of TARDISes who have ended themselves in this way.

💔 Loneliness vs. Indifference

However, not all TARDISes respond to the death of their pilot with mourning. Some, due to the nature of their bond or their individual personalities, may seek out a new pilot relatively quickly. This could be driven by a sense of aimlessness, an instinctual need for companionship, or even indifference, depending on how their previous pilot treated them. Because although I say that it's co-dependent, the Time Lord is always holding the reins, and some Time Lords just don't treat their TARDISes with the same respect and love the Doctor does.

🏫 So ...

Ultimately, a TARDIS's response to the death of its Time Lord varies greatly depending on the depth of their relationship and the personality of the TARDIS.

Related:

🤔|🛸🧬The Life Cycle of a TARDIS: How TARDISes are born, grow, and die.

💬|🛸🧬Do we have any info on TARDIS biology?: Overview of TARDIS biological aspects.

💬|🛸👽Could a Time Lord and a TARDIS be in a relationship?: Potential relationships twixt Time Lord and TARDIS and the intimacy of the symbiotic connection.

Hope that helped! 😃

Any orange text is educated guesswork or theoretical. More content ... →📫Got a question? | 📚Complete list of Q+A and factoids →📢Announcements |🩻Biology |🗨️Language |🕰️Throwbacks |🤓Facts → Features: ⭐Guest Posts | 🍜Chomp Chomp with Myishu →🫀Gallifreyan Anatomy and Physiology Guide (pending) →⚕️Gallifreyan Emergency Medicine Guides →📝Source list (WIP) →📜Masterpost If you're finding your happy place in this part of the internet, feel free to buy a coffee to help keep our exhausted human conscious. She works full-time in medicine and is so very tired 😴