#so yeah i wrote this

[mumms-the-word]

The Twenty-First Night

A bit of 1001 Nights-inspired poetry that I wish was in The Art of the Night to make it more than just a spicy yoga manual or a spellbook. This is part of the longer scene I wrote, but I wanted to share it separately too, because I've been inspired by other BG3 poets. I'm not really a poet, but I did my best <3

~*~*~

That night, the king met his beloved once more in their chambers.

"Dearest one," said he,  "Gold I have given thee,  and jewels from my store;  chains for thy neck  and bands for thy wrists;  and still, thine eyes shine more brilliantly  than any treasure in my kingdom. 

"What gem in all the realms  can be more precious than thy gaze?  What more can I give to you,  my beloved, so that you may know  the ardent depths of my heart?  What more, when thine eyes alone  make all riches seem as dull iron?"

"Tender-hearted king," said the queen,  "I need neither gold nor gems;  my love is not so cheaply bought  nor so willingly sold.  And yet, already thou possess  that which I long for most.  Thy steady gaze, my love,  and thy faithful hand are all I ask.

"Come, take my hand,  and look beyond this simple visage. I will bare my soul to thee, this night,  and gaze boldly at thine. For more than bone and blood are we, but spirits merely housed in flesh.’"

~*~*~

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[fettuccin-e]

Honey-Sweet

Description: You're far too sweet for him. He's determined not to ruin you, despite the fact that he seems to ruin everything, and everything about you just seems to make his fantasies worse. But one night can change everything, apparently, when Miguel finally sees how completely not sweet you can be.

Tags: Miguel O'Hara x Reader, afab!fem!reader, hoooh boy a lotta smut okay, oral (m and f recieving), unprotected piv (pls oh pls wrap it up irl fuck them kids), riding, doggy, missionary, some fluff bc i'm not completely deranged, light degradation (w/c: 2.1K)

A/N: oh lord the Miguel brainrot is REAL folks okay this is fucking crazy. I WANT THIS MAN TO **** ** **** * ****** ******* okay he has me fuckin frothing at the DAMN MOUTH actin like a DAMN DOG okay so please enjoy a bit of a miguel smutfest

You’re too fucking sweet for him. That’s what he tells himself. Miguel O’Hara doesn’t do sweet.

You’re fucking sweet with the way you bring cookies in for the other Spiders that accompany you on missions. You’re sweet in how you brought in a ridiculous hand-made baby blanket for Mayday when Peter first brought her in, emblazoned with his Spider-Man logo to wrap her up tight in. You’d kissed the baby on the head, whispering tiny sweet nothings into her bright red hair, and Miguel had had to hide the emergence of his fangs at the sight of it.

You’re too sweet, too kind for him. You organize little movie nights at the office, you make him stay a little longer on missions so you can see the tourist spots from different universes. And the way you look at him, all wide-eyed and bright and smiling… it does things to him.

It makes him want to bring you flowers, kiss you on the cheek. It makes him want to plan fucking candle-lit dinners and bake cupcakes with you. All sweet, too sweet.

But, because he apparently can’t stop himself, you also want to make him do decidedly not sweet things. Like grab at your tits through your suit, pinching your nipples until your knees go weak and you whimper his name in your gorgeous little voice. Like force you down on your knees, fucking his cock into your hot mouth while tears leak down your cheeks. Like tying you up with his webs, eating your pretty cunt out while you struggle against them, whining that “it’s too much, too much Miguel.” Like fucking you deep, so fucking deep on his cock, making you squeeze around him while you scream for him, beg for him to fill you up with cum. He thinks about watching it leak out of your achy pussy, dripping down your thighs.

But you’re so goddamn sweet, too gorgeous and lovely, and he can’t ruin you, he can’t. 

So when you finally wear him down, finally get him to go to coffee with you, he tries to be just as sweet as you. You hold his fucking hand, you kiss him on the cheek. You smile into his mouth as his lips meet yours in front of your apartment door. Miguel swears that his heart will pop with how much it swells when you’re near him.

He brings you flowers, walks you to your door, brings you lunch while you’re filing post-mission paperwork. And God, it’s beautiful. It’s fantastic and bright and so wonderfully domestic that Miguel wonders if he’s died, gone to some heaven he doesn’t deserve. He’s determined to revel in the domesticity of this… thing he’s created with you, his disgusting fantasies be damned.

He doesn’t like to think about how he has to fuck his hand after he drops you off at your house, his lips still burning with the touch of your soft, soft kiss. He thinks about how your lips would look stretched around his dick.

He’s content. He’s happy. For the first time in so fucking long, he’s happy. And he’ll happily tug on his dick by himself for the rest of damn time if it means that he gets to revel in your soft, pretty, wonderful sweetness for a little bit longer. He will not ruin you.

But.

As he kisses you softly in front of your apartment, the both of you still suited up from your latest mission, you tug him closer. You pull him down into your hungry mouth, and you lick into him like you’re starving for it. He can’t help how he growls at the feeling of it, his big hands coming to clutch at your hips. God, you’re pretty, fucking addicting with the way your tongue tangles with his and how you whimper when his hands cup your ass, tugging you up just that extra inch.

“Take me to bed, Miguel,” you gasp between feverish kisses, and fuck, he’s gone.

He hauls you into his arms, and his knees almost go weak at the way you wrap your thighs tightly around his middle, the way you lick into his mouth all over again.

And Miguel has spent so much time in his head, thinking, no, knowing that you’re sweeter than goddamn pie. It’s in every fucking breath you take, every moment he spends with you. 

But that night, as he lays you onto the bed, gently, gently like you deserve, he learns that you’re not as sweet as he thinks you are.

Not at all.

Not with the way you roll him over with your strength, begging for him to disengage his suit, looking at him like you want to devour him as it dissolves around him, leaving him bare to your gaze. You graze a reverent hand up his chest as he heaves under you, whispering, “God, can’t believe I’ve waited this long to have you like this. You’re so pretty, Miguel.” 

Pretty. Pretty? He can’t be the pretty one, no, not when you’re unzipping your own suit, and he can see everything. Every inch of supple, soft skin. Your nipples, hard and peaked and begging for his touch. Your pretty, pretty pussy; he can see how you’re practically dripping, the wetness between your legs glistening in the soft lamplight.

And you’re not sweet, not sweet at all, when you nip and suck little marks down his chest and abs, grinning up at him like a damn siren when he gasps at your touch. Fuck, you’re the opposite of everything he thought when you take his cock into your mouth, bobbing deeper, deeper until you just can’t anymore, jacking the rest of his cock while you kiss and lick and suck at him.

You grab his hand with your free one, and pull it into your hair. You pull up from his cock, and Christ, there’s a line of your spit that connects you to his throbbing tip, and Miguel thinks that he might die. 

“Fuck my face, baby?” you rasp, and yes, that’s it, Miguel is going to fucking die here. But he can’t refuse you, with those gorgeous eyes gazing up at him, the tip of his cock on your tongue. 

It’s not sweet, not at all, when he forces your head down on his cock, pressing himself deep into your pretty little mouth. And you moan like you love it, just taking it as he thrusts roughly into your mouth. Your spit runs down his shaft, your little whimpers and the way you choke when the tip jams into the back of your throat all echoing in his ears. 

He can’t hear himself, but God, you can. You relish the way he growls every time he pushes you down deep, telling you that, “You’re such a good girl, hermosa. Mierda, mi nena perfecta.” Your pussy throbs.

He isn’t soft, isn’t gentle like he told himself to be when he pulls you off his cock. You gasp for air, and Miguel groans as he pulls you up by your hair, dragging your spit-slick lips to his mouth. He can taste himself on your lips, all sticky and hot and puffy. 

You whine against his mouth, murmuring little pleas of “fuck me, fuck me, fuck me,” into him, and his cock twitches, red and aching desperately for your touch. 

“Have to make sure you’re ready,” he mumbles, even though he aches, even though his claws threaten to show. 

“Nononono,” you whine, and then you sit back, hovering over his cock, fucking monstrous compared to the tiny opening of your dripping pussy, and press down.

Fuck, it’s like heaven inside you, all perfect and wet and hot, and you whine, muttering that, “It’s so fucking big, God, stretches me so perfect, so fucking perfect, so much bigger than I could have dreamed-“

“Nena,” he interrupts you with a hoarse groan of his own, “gotta stop, ‘s gonna, gonna hurt you, oh fuck-“ 

And you grin at him again, filthy and raunchy and not sweet at all, as you say “I fucking want it to hurt, Miguel. Wanna feel you in the morning, wanna feel you all the time.” And you press yourself the rest of the way down his thick cock, gasping for air, your hips twitching like they can’t decide whether to run away from the sensation or seek it. 

“Fuck, wanna feel you all the time,” you murmur and Miguel can’t decide whether you’re actually talking to him or not. “Want you to fuck me so hard I can’t breathe, fill me up so fucking perfect, God, oh my God, ‘m so fucking full,” you roll your hips forward in desperate little circles, a weak attempt at getting him deeper. An endless stream of “fuck me, fuck me, please please please,” starts to leave your lips again, and you sound so desperate, so needy, that Miguel can’t help but roll you over, pinning you underneath him, and fucking his cock so hard and so deep into you that you dig your fingers into his back and sob.

He does what you ask that night. He fucks you and fucks you and fucks you, until tears leak from your eyes and your bed is soaked with a mixture of yours and his cum. And God, you scream for him, begging him for more, deeper, harder.

The slick sounds of your bodies meeting over and over must be heard all over the building, but Miguel can’t bring himself to care, not when he’s able to fuck you like this, disgusting and filthy.

How could a sweet, lovely, soft thing like you love this so much?

From that night on, it seems that all bets are off. From that night on, it seems that you make it a mission to show him exactly how not sweet you are.

Fuck, there’s no sweetness to you when you hump your hips into his face the next morning, practically smothering him in your pussy as you squeal and tangle your fingers in his hair. He digs his fingers so hard into your thighs that he’s sure they’ll bruise, and licks up your juices. Your pussy is honey-sweet on his tongue.

You’re not soft when you ride him into the mattress, throwing yourself down onto his cock and moaning as you stretch yourself out. You drag your nails down his chest as you bounce desperately in his lap, and Miguel kind of hopes you draw blood.

There isn’t an ounce of innocence when you sink down on your knees under his desk when he’s in a goddamn meeting, pulling his cock out and sucking at him until his claws shoot out and leave splintering holes in his desk. He has to hide his fangs from the video camera when you choke. 

When he finally, finally cuts the meeting short, feeding the other Spider-Men some bullshit excuse about a new anomaly, he presses your head to the base of his cock and shoots his cum down your throat. He means it as a punishment, but when he pulls you off his cock, and sees you with your eyes all glassy and smiling lazily, he can’t help but bend you over the desk and finger fuck you until you cry and scream and beg for him to fuck you with his cock.

You are so far from sweet when he fucks you on the floor after a mission, tensions run too taut and adrenaline racing through your veins. You throw your ass back onto him with every thrust into your sloppy cunt, moaning as he growls, “Such a fucking slut, can’t get enough of this cock, huh? My sweet, sweet girl, what would the rest of the Spiders say if they knew what a fucking whore you are for me?” 

And when you choke on your spit around your screams, he leans down to whisper that, “I know, cariño, I know. I'm gonna take care of you,” before he shoves your face down into the carpet and mounts you, shoving his fat cock down into you again and again and again.

Miguel is positive that he’s died and gone to heaven.

It’s not to say that you’re not the same, sweet girl who brings cookies to the office and holds his hand. No, you’re the same, perfect, sweet girl, only that you let him thank you for the cookies by eating you out on the kitchen floor. You hold his hand while you jerk his cock and swallow his moans with your kiss.

You’re just the right kind of sweet for him.

[shepscapades]

[Part 1] [PART 2] [Part 3]

The unexpected return of a face Xisuma never thought he'd see again.

[corpsentry]

pick your battles

[zephyrchama]

Does anybody in the Obey Me! cast know that MC's phone is special and can basically see other people's text chains at random? Would anyone ever pick up on this?

Imagine hanging out with Beelzebub when Belphegor starts messaging him. Your phone, wholly unrelated to their chat in any way, starts dinging every single time Belphegor sends a message. It buzzes at the exact same time as Beelzebub's phone. Maybe he'll laugh it off as coincidence at first, but in time of course he'll get suspicious.

Imagine chilling with Leviathan when your phone starts blowing up with notifications because Mammon and Satan are having an argument. Leviathan becomes envious. You must be so popular, you must have so many people vying for your attention. He starts getting upset.

You try to tell him the messages aren't important (they're not even for you!), but you can't exactly admit that your phone is constantly spying on the conversations between him and his brothers. How you watched him teach Diavolo how to play Mononoke Land in real time.

Does this system only work with people you know? With the people currently registered as contacts in your D.D.D.? Do you ever see the random thirst messages people DM Asmodeus? Do you ever see Mephistopheles message private matters to his family? How often are surprises ruined due to this? How difficult is it to watch Simeon repeatedly message Solomon with questions he clearly intended to text Lucifer? Can you keep your mouth shut when two people are privately discussing juicy gossip that's too good to ignore?

[ryssbelle]

Brozone reunion concepts for this little thing based on this ask

As stated in the ask idk fully how this moment would go, this concept was mostly building off the premise presented within the ask :D

Bonus:

[cloudabserk]

daniel molloy you FREAK!!!

[poorly-drawn-mdzs]

A fierce duel commences!

[bakugotrashpanda]

Thinking about being a nanny for single parent Dynamight and you’re done for the day, chatting about how everything went. Conversation turns casual and as you’re turning to leave, his son runs up and shouts “LOOK AT THIS!” and then yanks his dad’s shirt up. Chiseled flesh with a perfect amount of a happy trail leading to more that you’ve thought about once or twice. Heat rises to your cheeks and you turn away, but not fast enough and Bakugou catches your lingering gaze.

“Quit it, kid,” he ruffles his son’s hair but doesn’t pull his shirt back down. You make your excuses and leave. Bakugou wishes you a good night and watches you make your way back to your car, flushed.

[anna-scribbles]

if the agrestes weren't rich i think that gabriel would be the normal one. like gabe's problem is that he stopped running into natural limits due to absurd wealth and his obsessive nature led him to develop some kind of god complex where he won't accept that anything is out of his control. I think that if gabe was broke again and just simply couldn't afford to go on an international goose chase for ancient magic artifacts of untold power, if he had to work a 9-5 to live and couldn't just disappear into his basement lair to commit domestic terrorism and say evil monologues to himself, then he would be way more normal. he'd just be some guy. he might even let himself have a mowhawk again. but I think that emilie would be way LESS normal if they weren't rich. like emilie needs so many people to be obsessed with her so much all the time in order for her to function. and gabe would still have his toxic codependent obsession with her, sure, but that wouldn't be nearly enough. emilie has to be at the center of the world's spotlight at all times because she doesn't know how to exist if she's not performing. anyway all this to say I am so certain that if the agrestes were not disgustingly wealthy, emilie agreste would one million percent be running a massive family vlogger youtube channel

[rendevok]

“Take my hand” pages 12-15

1 - 2 - day 3 - 💙free day❤️ - 4

[bixels]

The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.

[daily-sifloop]

Stargazing? ✨

Day 10: looking for your star

[uriekukistan]

JJK 265: The Role of a Sorcerer

one of the focal points of jjk since the beginning has been the roles and responsibilities of jujutsu sorcerers. it's a question that gets thrown around a lot between different characters: as sorcerers, what is the right way to live? it's a driving force behind many of the major events of the story, and the cause of fragmentation, where different paths could have been taken, but weren't. and in one chapter, yuuji dismantles it all.

as much as i'd love to talk about this when it comes to every character, i picked a few that i think are interesting (to me) and carry a lot of weight throughout the story to discuss, including gojo & geto, megumi, yuuta, and, of course, the man of the hour, yuuji.

Gojo & Geto

the main difference between them right from the start is the way they view their roles as sorcerers, and this fragmentation influences their trajectories going forward, and the trajectory of jjk as a whole.

at the start, geto believes that his role as a sorcerer is to protect non-jujutsu sorcerers. as someone who is strong, he must protect those who are weak, and he must keep those who are also strong in check. he accepts this as his role without much question, and he takes it seriously.

in contrast, gojo thinks that idea is, well, garbage, and he argues with geto about it, calling him self-righteous for thinking that way. where geto focuses his concept of his role on those who are weak, gojo focuses his on those who are strong. his role is simply to be strong. he acts to get stronger and prove that strength.

another place where their opinions diverge in conceptualizing their roles as sorcerers is when it comes to finding meaning in their actions. where gojo doesn't think there needs to be meaning in their actions, geto disagrees.

ultimately, his search for meaning leads to his downfall, as he reaches the conclusion that being a sorcerer is a thankless job, cleaning up after and saving the humans from their uncontrolled cursed energy. he decides that sorcerers are the ones who need protection from humans, because they are subjected to the horrors that humans generate, while those humans live in ignorance.

meanwhile, as gojo matures, he doesn't ditch the idea that strength is what matters as a sorcerer, but he shifts his idea of role to raising a generation of strong sorcerers who can rely on each other. and ultimately, these leads to his downfall too. thoughts on this here under point 1.

regardless, their ideas of their roles are major driving factors of their decisions, and therefore the plot of jjk. their roles are what doom them to their respective fates.

Megumi

megumi has made damn sure we know what he believes his role is. he's a sorcerer, not a hero. he doesn't save people because he has to or because it's the right to do. he saves the people he wants to save. that's all.

he uses his conscience to decide who he wants to save, and that is his decided role.

and this is what dooms him too. his decision to save yuuji is what left him vulnerable to sukuna, and his desire to save tsumiki from the culling games left him open to be manipulated by yorozu, as she pretended to be his sister in order to take advantage of what megumi was willing to do so she could play her own version of the culling games. that shock and hurt is what let sukuna latch onto him so easily, and submerge his soul in the depths of his body.

Yuuta

yuuta decides that his role is to not let others be alone. of course, this is most notable when it comes to gojo, but it's shown throughout jjk0 as well, such as when he refuses to let inumaki go against the curse that geto planted alone.

he also expresses this to yuuji after he fake executes him. he makes sure yuuji knows that he isn't alone in his feelings, and that he's not to blame. empathy is one of yuuta's strongest traits, and he makes it his role.

this is why he is willing to go as far as taking gojo's body, because he knows how gojo has to toss aside his humanity to fight all of these special grade curses (for example, when he used his domain expansions while humans were around despite knowing it would cause damage to them), and he doesn't want him to be alone in his inhumanity.

and while yuuta isn't dead yet, his role has doomed him, because, well...

Yuuji

now we come to yuuji, the sorcerer who shakes this concept to its core in jjk 265.

he's someone who'd decided his role before he even became a sorcerer. he wants to help people, and he wants to guide them to proper deaths.

he also accpets his role as sukuna's vessel, and tries to maintain those two parts of his chosen role simultaneously. however, as we know, he fails to balance being sukuna's vessel and saving people in shibuya (i hesitate to use the word fail because it was not a failure of yuuji's, but i hope you know what i mean).

this causes a shift in his idea of his role, especially once megumi asks for his help in the culling games. he embraces this role as a cog. he will help out fushiguro, he'll help unseal gojo, and then he will die. that is his new role.

quote from yuuji in 265:

until recently, i thought i should simply live to fulfill my role as i understood it. i thought if i died like that, i could at least consider it a proper death. but now, i feel like that's not entirely right. ... just the tiny fragments of memories that make up a person drifting elsewhere give value to a human life. ... people aren't tools. we aren't born with any set roles

yuuji completely rejects the idea that people are defined by theid roles at all, whether they are jujutsu sorcerers or not. he sheds his mindset that he needs to help people, or give them proper deaths, or fulfill a role than die in order to be worth something. instead, he accepts the value of his life as a collection of all the things he's experienced and the people he’s known.

and in doing this, he shakes the world of jujutsu kaisen to its core, and creates another crack in the cycle.

[arrgh-whatever]