UMETAROU NOGUCHI - Demon Slayer [full colour]
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Tag list (ask to be added or removed): @carrionsflower @statichvm @risingsh0t @simonxriley @tommyarashikage @kanos @bbrocklesnar @confidentandgood @unholymilf @florbelles @thedeadthree @shellibisshe @roofgeese @aezyrraeshh @faerune @tekehu @jackiesarch @minaharkers @sergeiravenov @carlosoliveiraa @rosenfey @nokstella @queennymeria @heroofpenamstan @alexxmason @tethrras @jamessunderlandgf @a-treides @solasan @bigbywlf @delzinrowe @fenharel
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I have been meaning to talk about how accomplished Jun is though. She:
is such a powerful psychic that her clan apparently considered her a 'chosen one'
is literally such a strong fighter that she is able to suppress projecting her aura - something only the most powerful are able to do - which is why animals feel safe to approach her
fought well enough in the second tournament that Kazuya still thinks about her strength 22 years later in the story mode and waxes lyrical about it in his character ending (❓ on if she actually faced him though)
defeated Devil while pregnant ✔️ (only the half, but still counts)
has the survival skills to not only survive but thrive far from civilization
defeated Ogre ✔️
achieved the above via drawing power from sacred ground, something the average person obviously cannot do
is implied to have Yatagarasu guiding her per one of her intros
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I don't get why people hate the timeline so much, its not like you can't pretty much completely ignore it when you play the games. The only time it even approaches mattering to the story is when there is an explicit sequel like botw and totk or zelda and zelda 2
Hey sorry your ask got lost in the sauce of my broken tumblr, but: yeah!
I mean, I get why in some sense. It's been a heated point of debate and I think some people understandably resent the space it has taken not only in fandom discourse, but in how people began to understand the game and its narrative aesthetic choices. There is such a thing as over-rationalizing everything to hard logic, and sometimes it's just not the fandom for that --especially when you begin to forget it's all just fan theory and start to forget what the games are supposed to be like and evoke beyond just strict facts displayed in a linear way.
What I think bugs me with TotK in particular is that it both evokes and relies on continuity and the idea of a timeline, of archeology, of history itself, while being so loose and vacant with it that it both is doing Timeline Shit while also completely failing to understand why some parts of the fandom were invested in Timeline Shit to begin with.
But that's just my two cents of course!
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pondering on a meta diving into Gale's abstract brand of selflessness (willingness to go away to a corner of the world to die so that none of the faceless masses will be harmed by his mistake) vs his personal selfishness (willingness to stick by tav despite being repulsed by tiefling camp murder + general vocal approval or interest in accumulating more power) and Gale's status as someone who is good aligned but generally ineffectual at enforcing actual good (the way that wyll or karlach will actually leave the party) which is fascinating for a fairly good-aligned person. just love when the Good Guy is actually kind of fucking weird. edit: tumblr cut off my tags Okay. and how all of this ties back in an interesting way to his relationship and power imbalance with mystra. he was wronged, deeply, but he also desires still that ... status / closeness to divinity in some way, by her influence. Gale thinks that he would be a better god simply by virtue of his mortality but he cannot escape the appeal of holding himself apart from others and being more than, greater than, something closer to godliness and thus inherently removed from mortal values and standards of right and wrong, which the gods themselves don't adhere to in the same way.
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obsessed w jeanee Actually. she drove hours in the middle of the night for him. she organised a heist for him. she blackmails a university for him. she was willing to break into the nest w brute force for him. she was willing to rob a hardware store to do it. she seriously contemplates climbing over barbed wire fences to get to him. she handles diversions and distractions with grace for him. she has the invasive curiosity to want to know all abt his little knick knacks. she resorts to violence when someone tries to stop her from getting to him. she prays for him. she talks to him softly when the only feeling in the room is rage. she pushes his hair out of his face. she checks his pulse obsessively. YEAH………… are we all seeing this rn
its so wonderful to me too because like this is RENEE. renee, who is a bad person trying very hard to be good. there was a post going around maybe a month ago how empathy for everyone circles back around into empathy for no one i can't remember any of the specifics but it rlly did something for how i see renee because shes a protector. its defensive. its safe. she knows the limits, she knows the point of no return because shes been to rock bottom and clawed her way up but she's willing to do whatever she needs to to get jean out of the nest.
there is a big difference between cradling allison when andrew hurts her vs actively threatening eau, going on the offense to make sure jean leaves safe with her. there's something insane to me abt how a few months of texting and calling jean could push her to that point, the point where she needed to be talked down off the ledge before the plan was more natalie than renee because this was something she absolutely could not fuck up. she knew that her efforts would be worthless if she didn't create a plan that couldn't backfire, because the punishment for jean trying to leave and failing (and i'm sure that message to renee would be used against him) or leaving and coming back would be 1000x worse than whatever they could do to him from a distance.
and then when she has him in his arms and she knows he's going to be safe, he'll be okay as long as she can get him to abby, she can let herself be kind again.
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me thinking about the moment in the movie where leo is fighting krangified raph and he is feeling so much pressure and so much stress and guilt and he is so so scared for his family and for raph especially because he just wants to get raph out safely, he just wants his brother with him and their family unharmed and in one piece, but he can’t get through why won’t raph HEAR him why isn’t raph LISTENING he just wants to SAVE HIM why is he making things SO HARD--
and that is the moment where it finally fully clicks for leo, after all this, where raph was coming from at the start of the movie. that it wasn’t about being stubborn or wanting to call all the shots and be the boss, it wasn’t pettiness or raph being hard on them for no reason. it was always just raph wanting them to be safe, and getting scared and frustrated when doing that was difficult. or when, perhaps, certain stinker lil brothers seemed to be going out of their way to make it difficult.
like he really has that hard stop moment of realization while he’s looking directly at raph... at his own reflection u could say... love that
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fine okay i'll admit it: maybe the five uninterrupted days i had to spend with my family this month were bad for my mental health. maybe i'm feeling weird and sensitive right now because i had to talk to my mom and she hurt my feelings. i am not actually over anything i thought i'd finally gotten over. maybe i got out of the washing machine for a little bit before being thrown back in, now sopping wet from the dirty brackish water i let fester in there. whatever. i'm very normal.
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