#so this gets me nervous
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trickstersaint · 4 months ago
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i want to introduce you all to a project that is very close to my heart... or lack of one. anyway. for anyone who has ever wanted to play a poem. i'd like you to meet aromanticism
(link opens itch.io - she'll run on html in your browser! please be nice to her!)
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cacaocheri · 25 days ago
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they do sappy shit like this all the time
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mroddmod · 2 months ago
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chucks this overthought fiddlestan au at u
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torchvic · 5 months ago
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that one ship dynamic but with levi and mc
(credit to @litriu! here is the original post (lmk if the link doesnt work pls))
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livvy-art · 7 months ago
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i wish i could caption this with "and now for something completely siffrint" but the last thing i posted was. also siffrin.
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choccy-milky · 7 months ago
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seb is lucky ominis cant see ref from triptrippy
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chinchilla-clown · 10 months ago
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hi dca fandom i make an offering after lurking for years what if one-sided crush but its not dca thats crushing hard
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whatohitsonfirewelp · 10 months ago
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You know what? I don’t WANT an awkward double date. I don’t WANT buck coming out and people having the ‘I know’ reaction or the ‘is it Eddie’ reaction.
You know what I do want?
I want Buck panicking over what to wear for the date. I want Buck flopping on his bed like very teenager after their first kiss all giggly and happy and touching his lips because he kissed a boy
I want Buck smiling every time he says Tommy’s name because maybe it isn’t forever and maybe he’s not even looking for forever anymore but he’s so happy and he’s so light and being with Tommy feels good
I want Tommy to keep calling him Evan, because before Buck was Buck he was Evan and Evan deserves to be happy to be treated so softly and lovingly and Evan deserves to be free.
I want Buck to be happy. To be happy and free and queer in the way we all deserve.
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badninken · 2 months ago
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🧡🤍 BEPO 🤍🧡
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jethrowest · 10 months ago
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let me see you stripped down to the bone…
- stripped by depeche mode
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congratulations! you’ve been hired as homelander’s entire glam squad! what an opportunity! now let’s try real hard not to let the fumes get to you, okay?
pairing : homelander/afab reader
word count : 5.6k
warnings : homelander in and of himself, toxic workplace environment, something akin to stockholm syndrome, fingering, smut. 18+, mdni
special thanks to @blindmagdalena @sehtoast @homeb0ys and @clockworkzeppelin for letting me scream at you about this!
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Homelander is an asshole.
That doesn’t bother you much. You’ve dealt with plenty in this field, which means you’ve learned how to make life easier for all parties. That particular learning curve includes when to stand out and blend in, at times concurrently depending on what variety of asshole they happen to be.
As a whole, the makeup artists and hairstylists at Vought take care of The Seven and go where they’re needed. And as a cosmetologist, you were hired to provide both services for Homelander and Homelander only, which you consider to be one of the most prestigious stamps one could add to their professional passport.
Before you became official, you were colorfully threatened by a Ms. Ashley Barrett, who, after the fact, had no qualms throwing you into the lion’s den to figure your own shit out.
In no uncertain terms were you told that if you fucked any part of this up, your sparkling resume would look best as something to sit her smooth, bare ass on while getting fucked on top of her desk. No lube or protection. It would then be tossed exactly like her salad.
Not an image you could have ever predicted crossing your mind. Honestly, you should have stopped her right there and walked your happy little ass out of her office toward pastures that might have not been greener (you were being handsomely compensated), but certainly not as toxic. While the red flags were a color you couldn’t quite ignore, you were also curious about why they stood out so much more than they did regarding previous employers.
None of this is to say you live under a rock. Anyone who has access to the internet is ambushed daily by these Supes’ personal lives. Homelander’s track record as far as choice in partners went hadn’t been ideal, so you understand that made him less popular at the time. That of course has nothing to do with you or your capabilities.
You opt to wear gray-colored glasses, seeing everything with a neutral blend of black and white. As much as possible anyway.
Nevertheless, curiosity killed the cat. But hopefully not your career.
The first day was awkward to say the least. Immediately, you knew you weren’t going to like your coworkers.
Glints of sympathy changed how they perceived you. A target, whether they intended for this to happen or not, was nailed to your forehead, and it made them buzz around you like avid, greedy wasps keen on seeing how rapidly the honeybee will be brutalized. You didn’t much care for going cross-eyed while staring at that target whenever you crossed paths. They didn’t know you, yet because of who you were working under, deemed you helpless. They didn’t give you a chance to establish yourself before branding you a victim.
Why should you respect them?
Small talk wasn’t entertained either, as their judgment tarnished any future encounters. They ostracized you once you showed no interest in engaging with them. That didn’t disappoint you. You weren’t here to make friends.
You do wonder how those before you fared: if they were jaded when they arrived or if they couldn’t help but succumb to the pressures of being at the top rung of a very unstable albeit sought after ladder.
Ms. Barrett quickly introduced you to Homelander, her parting gift before leaving the two of you alone.
You weren’t completely nervous in his presence. He wasn’t any different to you than the other celebrities you’d worked on, except he could rip you in half like a piece of paper if he was so inclined. But he’s the hero of this country’s story, so really, you should have nothing to worry about.
His demeanor, you noted, suggested arrogance, annoyance, and boredom. All things you’re used to. So you offered your hand to shake, which he eyed with a slightly upturned nose before grabbing, told him it was a pleasure to meet him and got straight to business.
Looking back, he was clearly expecting more out of you. Maybe not a display as excessive as getting on your knees and professing your undying love, but close enough. Somewhere in the middle, perhaps.
Part of you believes he might have also counted on fear. To you, he’s not anything or anyone unknown. Another big name in a fancy suit with impossible demands.
You were given a routine to follow and products to use. You did as you were instructed and found the process to be simple and, as Homelander’s expression revealed, uninspiring.
While you were utilizing a face brush to apply powder, he must have decided he was done enduring your lack of enthusiasm, because he suddenly asked, “What are you wearing?”
You stopped for a split second, no longer than, and continued. “The name of my clothing designer, you mean?”
He scoffed, waving his gloved hand at you, almost knocking the applicator you held to the ground. “No, your perfume. What are the top notes?”
You laughed and that seemed to confuse him. “Why, you want a bottle?”
“I don’t like it.” He sniffed sharply and cleared his throat. “Smells like you should be on the corner selling your used body parts.”
Ding ding ding. Alarm bells and red flags galore. You enjoy a challenge, however, and are a bit of a masochist, so you persevere.
“Well, what doesn’t smell like a cheap hooker to you? I’ll start wearing that instead.”
He cocked a brow, studying you. Trying to figure out if you were being serious or mocking him.
“It’s your first day.” A warning. “Are you on your best behavior, or can you do better?” He leaned forward in his chair, forcing you backward. “You should be working harder to prove yourself. Prove your worth.” He sat back again and shrugged. “Or maybe you really are worth as much as that dumpster juice you doused yourself in.”
At this point, he more than likely envisioned your happy little ass getting offended and storming out of the room. Breaking down, sobbing. Questioning why he was being so rude. One of those or, better yet, a nifty combination.
You’ve heard worse, unfortunately for him. Not always directed at you, but that doesn’t matter. You can handle it.
“You’re absolutely right,” you stated calmly, folding your arms across your chest. He looked at you with pretentious, petulant intrigue. “It is my first day, and I want to make a good impression. Which is why I’m asking you what you would like me to wear so I can continue to keep that good impression intact and, as our professional relationship develops, stay on top of it.”
Homelander’s mouth twitched. He sighed deeply and slouched in his seat, staring at the wall to the left of him. Then he deigned to cast his gaze back at you, resting his cheek on his index and middle finger. He tapped the arm rest with his other hand.
“Ugh, fine. Whatever.” A pause followed that lasted longer than necessary. Were you meant to guess? “Just wear something, I dunno, less. If you would have done your homework like a good little peon, you’d know I have super senses. Highly developed. Can you even imagine what that entails?”
Finally, he freed the canvas you were nearly finished with, and you flicked the soft bristles across the bridge of his nose. You smiled, more to yourself than him.
Felt rather on the nose, as the saying goes.
He didn’t comment on your grin. You didn’t give him time to. But he did huff like you were being obtuse on purpose.
“I can try. And my imagination is giving me some less-than-ideal scenarios,” you replied. Another pause. At least he was letting you do your job again.
You don’t know what compelled you to keep going, but something about his lack of a real answer made you carry on. “Do you have a favorite flower or baked good? Maybe a spice?”
Homelander almost glared up at you. You say almost because, for whatever reason, it didn’t seem like he was directing that harshness at you, though former words and actions proved otherwise. Something inside, perhaps. Or outside of this enclosed space.
“I already told you what to wear. Don’t make me repeat myself.”
You took the hint and remained quiet the rest of your session. Soon, you were done.
As you were packing and tidying up your station, he took it upon himself to stand behind you. He lingered over your shoulder, watching the scene play out like he was director and star and you were barely an ant on the sidewalk he acknowledged before squashing.
The heat radiating off of him was impossible to dismiss, a wall of it barricading your backside. He clasped his fingers underneath his cape and inched closer. You thought he was as close to you as he could get without touching you. He was that warm.
When you glanced up, he was staring at you through the mirror. As absurd as it was, you managed to get chills. Goosebumps broke the surface of your skin.
“Fresh chocolate chip cookies. Straight out of the oven. Like mom used to make.” He flashed an unnerving smile before turning to exit.
From there on out, even after you bent to his will and found a gourmand scent that matched what he described, Homelander tested you. Your work ethic, clothing choice, eating habits, and most of all, patience.
Your parents would ask how you were liking your job, how it was working alongside the Supes- not to mention the most famous of all- and you’d lie through your teeth. You felt you had no choice, Ashley’s threat ringing in your ears.
Resume, bare ass, tossed salad...
Oh yeah, it’s going great! They’re all super flexible. I couldn’t be happier!
At least that pun made you feel a little better about hiding the shame of what you’ve allowed yourself to take on.
This was all in the first few weeks. It started to get a little easier after that, which is surprising considering more was added to your to-do list.
You should have moved on before starting. But, for whatever asinine reason, you didn’t.
Every time you go back to your apartment and assess your appearance in the bathroom mirror, you wonder who’s making who up here. He’s changing your looks more than you are his. You’re like his human doll.
You’ve put up with a lot over the years, but this takes the cake and shoves it in your face. As fucked as it is, the flavor is growing on you. Like a fungus. Growing, nonetheless.
You can’t stop thinking about him.
It’s innocent enough, you try convincing yourself. Making sure you have the right outfit laid out the night before, the right lunch (no onions or fish or anything “freaky”!), etc. He is your superior, after all. You shouldn’t be viewing him in any other light.
He’s the most frustrating aspect of your existence these days, but he’s also the one you’re around the most. His penchant for workplace gossip and how unintentionally funny he is tends to make him palatable, which has regrettably become an understatement.
Months go by. You’ve witnessed how alone he truly is. How he has nothing outside of performing his tricks on Vought’s all-encompassing stage. And when he begins asking for your input, starts doing things for you that are so blatant it’s perplexing, you find your stress and vexation melting into cumbersome fascination.
It’s embarrassing. You don’t have the courtesy of enough time to dwell on your feelings toward the situation either, from beginning to whatever end you might be met with. You suppose that could be beneficial in the long run.
It also hits you when you least expect it; when you really don’t want it to.
Your body doesn’t wait until you finally have a moment alone. It decides, while you’re helping Homelander with his skincare routine that he insisted upon because you know more than these vacuous corporate douche-bags, to heat up without warning and slither from your head to your heart until it grasps you unfairly between your legs.
You try not to step into momentary paralysis. You understand to what extent his powers reach. It’s not like he doesn’t go on and on about them. About himself.
Whatever he notices, it’s not right away. A palpable tension fills the air between the two of you eventually. But it takes a more significant amount of time than you would have anticipated to permeate the natural flow of things.
Fuck, you can’t even be safe inside here, where your thoughts, whatever they may be, are yours. You can’t even have yourself. He has every part of you, and you are willingly relinquishing that control.
Your evening, once you can have it, consists of combing over every decision you’ve made leading up to this strange, disorienting space you find yourself occupying. All it does is leave you exasperated in a much different way than before and with an unsettling observation (or hallucination):
Was that the tail end of the American flag outside your window?
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You are unacceptably late.
Rushing around, you throw on the first top and bottoms you see from your closet and spritz some perfume on your neck and wrists. You don’t check your phone. You’re afraid of what will pop up on your screen. And, frankly, you don’t have the time.
Your only option for transportation is the subway, as you’re sure the special vehicle from Vought is long gone. Why would they wait for someone like you, even if you’re practically Homelander’s personal assistant? One of his only friends. You doubt he has more than Black Noir, and that isn’t as perfect as it appears to the casual viewer.
You dread what kind of explosion you’re without a doubt walking into once you show your miserable ass up. You’re going to smell like everyone on this train. He’s going to go ballistic.
The question remains: why are you continuing to put yourself through this? It’s not your circus, yet somehow, the monkeys have become your liability.
You know, deep down, what keeps you going back. It’s simply too ridiculous to admit aloud.
Making your way past security, hurriedly presenting your badge, you realize you forgot to brush your teeth, or at the very least, gargle some mouthwash. You thank your lucky stars when you open your purse to a pack of gum tucked away in one of the compartments.
It will have to do.
When you open the door to Homelander’s dressing room, you see a couple of employees standing near the counter where the bag of supplies has been opened and rifled through, looking like they might soil themselves, a frantic Ashley, and an extremely pissed off Homelander in the middle of it all.
Reflexively, you cringe. You attempt to wipe any trace from your features, but it’s too late. Ashley is glaring daggers at you and Homelander can hardly bring himself to look in your direction. The others don’t matter to you. They never did.
“I’m so sorry I’m late. I know there’s no excuse-”
“You’re goddamned right, there’s no excuse! I don’t give a shit if god and his whole fucking choir of angels came down from heaven and divinely called you to give them a makeover! What were you thinking?!”
You’re about to answer, though you comprehend her query is more or less rhetorical. She interrupts your slightly open mouth while gesturing wildly, proving your point.
“Oh, that’s right! You weren’t thinking at all, were you?! But I do believe you’ve thought long and hard about what’s at stake here. And you know damn well we at Vought don’t tolerate this kind of sloppy behavior. Not to mention the way you’re dressed! It’s adding insult to injury!” Her hand swipes at the air, the length of your outfit, and you glance down, recognizing how comically mismatched you are. Her correct observation affects you more than it would have months prior, stinging your ego- one of the many things that’s been shelved in order to accommodate the person who won’t even grace you with a glance.
A dramatic groan cuts short any further commentary from the redhead, perpetually stretched thin between her absurd duties.
“Jesus Christ, Ashley, why are your big fucking horse gums still flapping?” Homelander’s booming voice slices through your mind like a jarring, dense migraine. He pinches his brow between middle finger and thumb, eyes closed. “I want you and Tweedledee and Tweedledum t’get the fuck out. Now.”
Ashley is plainly dumbfounded, struggling to see where she went wrong (a pattern when it comes to dealing with the volatile leader of The Seven), mouth agape. She shakes her head. “But sir, are you-?”
“You don’t know what the fuck you’re talking about or doing. Clearly.”
Ms. Barrett turns a shade paler, staring at Homelander and blinking owlishly before snapping herself out of her stupor. She hurries her lackeys out of the room, shooing them along like a pair of misbehaving toddlers. She doesn’t give a final look, no further warning. She merely shuts the door behind her.
You also hear it lock.
What the hell does she think is going to happen?
You should have stopped this while you had the chance. You should have never taken this job. You should have stood up for yourself and walked out. You should have you should have you should-
“Who the fuck do you think you are?”
His caustic tone sends shivers down your spine. It’s unlike anything you’ve heard come out of him. And you’ve heard enough.
Again, you open your mouth. It fills with blood, thick and metallic and more potent than the mint from your gum. You’re silenced by it.
He stalks toward you and grabs you hastily by the shoulders, swiveling you around so you’re face-to-face with the choices you’ve made. Your mirrored image is reflected back at you, exhausted and searching for any last shred of who you might be beneath his heavy palms.
“Look at yourself! Do you even recognize who’s staring back at you?” No.
“What kind of game are you playing, hmmm? Is this… humiliating spectacle you’re putting on for the money? Your pathetic career? Like it’s goddamned rocket science to pick up a can of hairspray and use it. Monkeys have hands.” He makes a noise that’s akin to a snorting horse, exhaling forcefully past his nostrils. “I mean, did you really think you could pull a fast one on me?” He clutches your jaw, squeezing it between middle and thumb. Every muscle in your body tenses, your heart picking up rhythm.
“Spit that fucking gum out. Don’t think I can’t hear you grinding it between your molars like a dumb animal. You aren’t a mama bird, are you? Y’don’t have cute little baby birds t’force-feed your regurgitated leftovers, do you? Eugh, gross.”
You take a deep breath and exhale through your nose. It presents you with a false sense of security. You do as you’re told, and it lands on the floor in front of your shoe, saliva dangling on a thread as withered as your sanity.
Suddenly fresh breath seems like the most insignificant issue, when Homelander himself once made it out to be something earth-shattering.
You’re such a fool.
He leans in and sniffs your throat. Your fingers lengthen and bend.
You’re so many things at once. Confused, angry, nervous, scared. And, to your dismay, warm. God you’re so fucking warm. He’s heating you up from the inside out. You clench your jaw, still held in place by a firm bind.
“Get rid of those ugly clothes. I don’t care what you have to do. I can’t stand the sight or smell of them.”
You shut your eyes. When you open them, all you see is red. The other emotions are smothered in favor of that brand of heat. What happens next is a blur. You temporarily leave yourself.
“Fine. Have it your way, Homelander. You always do.”
Breaking free of his fluctuating hold, you start tearing at what you’re wearing, tossing everything- including your bra and underwear- to the ground. Your shirt winds up with the gum sticking to its loose fabric. You even take your shoes and socks off, not paying any heed to where your belongings go. Just that they’re gone.
You don’t process the glaring fact that you made yourself naked in front of your boss. In front of the most powerful man this country, and possibly world, has known. You don’t care that things have escalated this far. That they shouldn’t have. They shouldn’t have. But guess what? They did. And these are the consequences you both have to deal with.
“You wanna know what game I’m playing?” You turn around, forcing him backward. “It’s funny, I thought you’d be able to answer that for me, considering all the hoops I’ve had to jump through to not only save my ass, but make sure you had someone to talk to at the end of the day! Who on your team can you say goes above and beyond like that for you?!” He blinks at you now, eyes wide. Features fall to the floor where your clothes reside. You have his full and undivided attention.
An impressively dangerous thing to have.
“What more do you want from me, Homelander? I practically live with you without any of the benefits that usually includes! You’re really going to stand here and berate me like I haven’t given you fucking everything you’ve ever asked me for? Because I made one mistake? I gave up my entire world, which I know doesn’t mean shit to you. But it does to me.”
You fold your arms over your chest. Nothing covers it. You have to know before you lose all dignity. So you ask once more, hoping it won’t get lost in this bizarre mess.
“What do you want from me?”
Nothing. He can’t stop staring at you. You aren’t aware enough to be ashamed, but you are aware enough to be upset.
His infuriating silence compels you to bend down and gather what was a barrier between the two of you. You are no longer needed if he can’t do what he does best, which is spout off, leaking bottled words everywhere like a broken faucet. It’s a pretty simple question, you think.
That’s when the glass behind you shatters.
You flinch, pause what you’re doing and slowly stand. Cautious in whatever your next approach will be.
Surveying the aftermath, you’re relieved to find that you’re far enough away from the mirror so no injuries were inflicted.
When you finally lock eyes with the source, you see red. The atmosphere surrounding you heaves like the distended belly of a rotting corpse; hisses like an overflowing tea kettle; pierces you like lightning.
Homelander’s expression is rigid. His jaw quivers. Irises are a bright, shining scarlet. If you try anything rash, you might be next. But, having been around him for so long, you’re more inclined to believe he’s having trouble processing his own emotions. And that might have been one of the only ways to release them.
You drop the top and pants you managed to reclaim. Your brain hasn’t fully recovered from the constant devastating hit it’s taken, so you don’t want to put a name to what’s pushing you forward. You don’t stop until you’re directly in his line of vision.
Swallowing, you carefully extend your hand. The ruby color begins to crumble and give way to the vast ocean you might have drowned in one too many times. You lost track, blocking what you could out. Too real and intimate to accept for a realm that thrives off of inauthenticity and misfortune.
Homelander inhales harshly and you retreat, pupils hooking themselves to his. Searching for any sign you shouldn’t be right where you are.
Of course there are several; unfortunately, you are currently blind to them. Blind to everything but him.
That’s how it’s been for awhile, hasn’t it?
He has a habit of not granting you the luxury of time.
Quickly, he snatches your wrist and brings your palm flat against his cheek. He exhales, eyelids fluttering, nuzzling into you.
It’s so simple, yet it disarms you in ways you aren’t accustomed to.
Homelander basks in this chaste display of affection, and so do you, in awe of how enraptured he appears. Soaking you inside of his pores.
In turn, your cognizance reappears. You nearly topple over, realization infiltrating every part of you.
You’re not wearing a stitch.
A knock at the door startles you both. You glance over in that general direction and hear from the other side, “You’re on in fifteen, Homelander, sir!”
Gazing back up at him, you witness that same fire expand at a rapid rate. You use your other hand to bring him back down to reality, to ground him. It rests against his chest, delving into and cracking his ribs, flaying him open.
What strikes you is how vigorously his heart is beating. How you can feel it through his uniform.
This is how much you affect him. (Can you fathom that you’re only privy to a fraction?) Having evidence of the tiniest reciprocation drains you of any unwanted discomfort.
His fury subsides. You breathe out. He does, too.
“Go sit in your chair. I came here to do my job, after all.” The tenderness with which you speak seems to ease him further, his shoulders deflating with each word.
That aside, you’re playing with a lit match. You’re unsure who’s going to set who ablaze, but you’re willing to go down with this entire building to find out.
He does as he’s told, watching you the whole way like a mutilated mixture of a snarling cornered animal and a man fervently in love. He almost trips into his seat, not an ounce of grace in his gait.
Sacrificing his entire image just to get a glimpse of you.
Whipping his cape to the side, he sinks into the cushion. You get things ready as you typically do, your movements a bit jittery from the adrenaline sending haphazard jolts to your limbs. Despite this, you’re focused. You are more focused than you remember ever being.
You work efficiently, keeping in mind the limit that’s been put on your time.
Homelander bores holes through you. He doesn’t need lasers for that. You’re exposed and vulnerable and he pries what he fostered apart until it’s distinguishable by no one else but him.
You relearn his perfectly manufactured features. Different lights shape shadows you either haven’t seen before or feigned ignorance of. You commit to memory how he looks, smells, feels, the side of your hand grazing his cheek and hanging on.
He’s invigorating, your excitement building to a crescendo you can’t neglect. The heat in your core disperses, most of it congregating low in your belly and behind your expanding rib cage. His pupils drink you in, urgently and violently.
Your arousal is heady. He licks his lips. A hint of a whine caresses your ears and it makes you dizzy.
How could you have ever denied yourself?
You decide to take further control, testing the waters to a greater extent.
It’s your turn to watch him the whole way down. You straddle him, easing yourself atop his taut thighs.
After a few moments of humoring yourself, of pretending to concentrate on your work, dusting his nose with powder, you straighten. Eye contact has not been severed.
You motion toward his hands, balled into tense, repressed fists at his sides.
“Take off your gloves.”
Initially, it feels like maybe you said the wrong thing, or said it the wrong way. He doesn’t budge. You’re patient, however, so you wait like you’ve always done, the warmth from your cunt mingling with the hardness beneath you. Your mouth waters.
At last, Homelander nods and removes his gloves, tugging on the index of each. He places them on the armrests and transfixes himself to you once more.
“Do you want to touch me?” you ask, voice and body staying impossibly still in spite of your nerves.
Immediately, he shakes his head, “Yes,” the first time he’s spoken since your outburst, and without hesitation, reaches for your chest. You close your eyes, falling into his snooping lifts and tugs and squeezes, giving yourself permission to become possessed by the inhibited imaginations of how selfish, how rapacious his touches might be. How smooth his bare hands are, how ardent each digit is.
Leaning into you, he sucks one nipple into his mouth and palms the other, moaning and vibrating against your flesh. He digs his fingers into the pliant softness of your hip, steadying you with disciplined pressure. You squirm, attuned to every minuscule shift.
The lit match is tilted toward you now, swift and stunning. Your fingers release the brush you’ve been holding. It aligns with the slit of the cushion, forgotten and purposeless.
You wrap your digits around the hand on your curves and guide him toward your throbbing center. He doesn’t fight you. Doesn’t stop your movements. Doesn’t scold or challenge you. Instead, he curls his fingers in a way that makes you unabashedly moan, cupping your folds and pinning his thumb to your clit, adapting to your anatomy.
Your wants.
It seems like breaking away from you is a daunting task, but he does for a moment, brow furrowed, more engrossed and invested than you’ve ever witnessed.
“Fuck.” The curse sounds downright edible, your new favorite flavor. Your name tumbles from his lips like he’s been practicing, a sweet, rich icing on top. You gasp, his tongue adhering to you again, swirling around your peak before lightly biting it.
Rocking your hips back and forth, side-to-side, you grind hard into his palm. He strokes you like he’s studied what pace you prefer, how much friction you crave. You’re so wet, even you’re thrown off by it.
Once he’s finished with your chest, he’s back against the seat, unable to peel his gaze from you. Your full, swollen, glistening breasts.
His mouth hangs open, obscene, desperate whimpers slipping from it. Pupils are like whirlpools that drive you under. Drive you mad.
Homelander adeptly slips two, three digits inside your sopping cunt, unrelenting in his intentions to make up for lost time. The voracity of his actions propels you forward, balancing against his chest. He grasps and pulls at your other hip, groaning loudly in your ear, confirming his approval of how close you are to him.
It’s still not enough.
Pulling you even tighter to his blinding sun of a body, he encloses his free arm around you and desperately bucks his waist. “I want… I want… I want…” he chants. Your nails drag up his neck and along his scalp, overwhelmed by his warmth, his scent, him. Your lips ghost the sliver of skin above his collar, making him growl.
You anticipate and dread and yearn for what’s been building for so long. You clench and release, clench and release, clench and release, body chanting with him.
You’re intuitively thankful for the chair’s sturdiness; however, if it would have collapsed, you’re honestly not sure you would have noticed. Or cared.
You hear him come first. Feel the temperature rise temporarily. It’s so sudden and all-consuming that you naturally follow, his name an instinct you can’t help but divulge. You haven’t come down from the turbulent emotions rushing through you earlier, and that combination catapults you over the edge.
Your orgasm draws more deliberate, vehement grunts and sighs of satisfaction from him, as if your pleasure is inexplicably the same or worth more than his.
You can’t crumple into a boneless heap like you want to. You just can’t. You have to look at him. Look at his bliss; the glazed, barren-yet-so-full-of-you expression, of what these months of working in close quarters have done to him.
What you uncover is not what you were picturing. There’s a mixture of that haze with something almost apologetic below the teeming surface. Clouds of red to skies of blue. Destructive in and of themselves.
Sliding his fingers from your wetness, he wraps his lips around each one that was inside of you and spreads them apart. Your slick sticks to his glossy skin and stretches between digits, a generous amount. You whimper at the loss- the emptying, hollow feeling- and watch, mesmerized and delirious as he savors you.
Swallowing you whole, Homelander sweeps his knuckles across the apple of your cheek and presses his lips hard against yours. He wastes no time inhaling your gasps and moans, licking your mouth and the faint taste of mint, stealing it from you. You ingest what you can of him as well, exploring what was open to you longer than you realized.
He then seizes your wrists. It’s a rough gesture that evaporates into gentle circles along your pulse points. Still, you know you’re going to bruise where he turned the key and locked you into place: wherever he is.
A visible sheen coats his lips.
“I want you to tell me I’m good. Great. The best.”
His breathing is labored. So is yours.
He kisses the inside of the wrist smeared with perfume, your fluids, his saliva; ends with your hand and rests his cheek against the slope of it.
“I want you to be mine. All mine. Mine alone.”
You’re shaking. He moves forward and pets your hair, twirls it; grabs your nape and holds his thumb to the front of your throat. Securing you. Keeping you there.
“You have to stay. Be mine and stay.”
You thrum with an ache he forced upon you. He’ll claim you were starving and he was the only one who could satiate.
You nod. You were never going to leave to begin with.
Homelander made you his. And you thanked him for it.
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i-dont-talk-for-days-on-end · 6 months ago
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Do you ever think of Holmes alone at Baker Street after Watson's marriage and. And. And Watson's things are gone. Watson is gone, and there is just this aching gap around Holmes in the flat. The dust has not yet covered the space on the shelf where Watson's books used to be. Half of Holmes's home is gone, and he cannot even run his finger along the edge of the pain because there will only be one plate on the breakfast table tomorrow (and tomorrow and tomorrow), but you can't cut yourself on empty space.
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strangertheories · 1 year ago
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I really despise the Marvelification of Stranger Things, because all the interviews nowadays are constantly referencing how fast paced and epic and big the finale will be but the reason people fell in love with the show wasn't special effects or long episodes; it was the plot, it was the characters, it was the mystery. Stranger Things 1 may have been a story about a government conspiracy and a monster, but that's not why we stuck around. The show can throw amazing CGI, Russians, a battle within the American army and an apocalypse at the audience with the biggest budget known to man but if they forget to ground it and keep it central, it'll just get lost amongst a plethora of other "epic" blockbusters. We want Steven King, not Avengers.
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xx-sketchy-xx · 1 year ago
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It was the cutest dream I’ve ever had.
Wally, except baby size, and he hung out with me all day
andthentheworldsortastartedfallingapartbutthatsok
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lightnersdream · 4 months ago
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i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.
(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)
because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,
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(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)
it was her idea to get the code scanner from the cockpit,
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it was her idea to get the medication from behind the foam.
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(the chance to do these things herself is not given to her.)
she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."
there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves
there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic
she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect
i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way
it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."
it's not really the same thing as, say, hurting someone in self defense
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this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though
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she still tries to reclaim some of it even as she's denied it
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by the end she's still trying to keep that gun out of his hands
i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me
she didn't need Curly to save her, she needed him to take responsibility
she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind
but who knows im just saying shit *smiles serenely*
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ganondoodle · 11 days ago
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botw2 (totk rewritten) ganondorf design (+some story) post
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Mummy version what link and zelda discover beneath hyrule castle when investigating the failing shiekah tech and discover a cave system that leads to several abandoned shiekah research/security sites and ultimately lead to a cave in which ganondorf is still sealed away by the ancient queen of hyrule; after the initial sealing (or capture rather) her descendant and the shiekah, who were rapidly advancing their tech at the time, build around it, both to keep the seal secret and safe (as the actual sealing was a short but intense battle between him and the queen that wasnt intended to happen like that, in the middle of the throne room that got broken and both ended up in the underground, the only survivor being the young princess of hyrule from that time- since all involved parties except for her died little was known as to how and why but the stories were spun regardless and ultimately the final narrative was in hyrules favor) and to use ganondorfs immense spiritual power and magical skill- eventually becoming one of the main power sources for all shiekah technology (ouch)
the chamber is all shiekah built (post sealing) and similarly secured like the monks in shrines (though visibly decaying and failing)- once disturbed the remainder of the ancient queen fused into zeldas hand (with seemingly no effect but temporary pain, perhaps she will hear voices from the past telling her not to explore any further .. still working on that) ganondorfs body falls to the ground but then springs back to life, somewhat clumsily but fiercly attacking zelda and link, the shock from being in this horrendous condition between life and death for thousands and thousands of years and suddendly being thrust back into his decayed and used up body still fresh
the mastersword is broken and links arm destroyed, both link and zelda start to flee from the crumbling cave, zelda dragging link behind her in panic (and as he is hurt)- after which link gets his shiekah tech arm (and the arm stays gone) and the world changes
mid game fight- this game is not as free in progression as botw, you can do alot when you want but some things will remain locked, the mid game fight can only happen once the 4 main regions problems have been dealt with (very different to canon totk, but that is for a different post) and the castle, which fell into the underground shortly after the intro, is made accessible (specific way how still in work) the interior is both broken castle, rooms previously blocked, and shiekah tech- since beneath the castle was a whole, giant array of tech made to secure the castle, including reserves of ancient energy specifically for the royal family and the entire mechanism behind the rising pillars filled with guardians-
at the start of the dungeon link is grabbed by malice/miasma hands and dragged into the castle, seperated from zelda and the mechanics she introduced (crafting/reparing weapons and more), theres no way out, teleports are blocked; after getting further in alone, zelda finds you again, and nothing seems out of the ordinary (unless you have a keen eye, she only uses her left arm and would walk past things she usually wouldnt) after a certain amount of progression, without warning, as soon as zelda is out of the cameras view she will attack you relentlessly, not speaking a word and with changed eye color- after fighting with her/beign chased into the main throne room, the real zelda breaks through a wall, her friends in tow (yunobo, teba+tulin, riju, sidon, which she went to to ask for help, explaining the time gap), and ganondorf drops the disguise, a fight with him (mummy version) ensues, though he is very much back to his senses
at the end of the fight he shows (or forces her to see) zelda his last memory from when he lived, the confrontation with the ancient queen to his sealing (since she doesnt know/is in denial of her families role in both all this and the sonaus (zonais) extinction (as well as the betrayal and persecution of the shiekah later on), and his beef is with her specifically, link is just her guard dog after all) (i wasnt sure to include a direct scene from the past, but this one scene is very self contained and gives alot of context while still letting most of the past be a mystery- as i want to keep it as feeling ... removed and unknown as much as possible from the world you know)
(after which he leaves the scene as zelda tries to understand what she just saw)
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post revival Ganondorf (beginning of end fight cutscene and phase 1.) only appears at the end (excluding the possible cutscene in the mid game fight, which shows him in his time, alive, which is a different design than this that i will make for a cutscene/story post)
the end of the game is in/on the forgotten plateau (it ends were botw began :) ) perhaps it rose higher and revealed an entrance after more game progression (at least one more dungeon, master kogas, and the restorations of the master sword via deku tree dungeon and sword quest involving the dragons; how much of the past you cared to explore within caves, which ARE the underground- its in several bigger and smaller, harder to access caves, each being somewhat to very unique and reveal more context, is largely irrelevant, it mostly serves to give YOU more context and make you think)
the dungeon is within the plateau, once to the end there is a longer cutscene of zelda trying to talk with ganondorf, now in his, largely, restored form (largely as in, not exactly as he was in past, clothing difference etc), her having come to understand what her legacy is and wanting to take responsibility for it; he listens calmly and talks to her for a bit (but the tension is very high, he knows what threat he poses and his goals, zelda is visibly trying to keep it together) and for a bit it might look like she can avoid this conflict
but he makes it very clear then, that she cannot undo anything, there is no possible price she could pay, he has suffered at hyrules hands for generations, having seen the world that was his home grow into myth, see his own people forget him, and how the history was remembered, not as it was, but as they wanted it to; he is forever changed, ripped from his time and all he ever held dear (there are clues and a mention of him having had two daughters, a little boar figurine, carved from wood of trees now extinct, hangs from his belt even now)- he wasnt a perfect king, but well liked and kept his country to stay strong against hyrules schemes .. until he fell- he is not truly alive, he is in a strangers world and this world hates him, it is anger and hatred, rage against all that happend, guilt for having failed his own, feeling betrayed by them yet, even if not truly their fault as no one knew what really happened except him, but he was imprisoned, with no breath to speak nor air to scream
he does not care for this world and his only goals now are to disrupt as much as possible, be the unstoppable force that hyrules always been, be the monster they wanted him to be, do as he wants until someone stops him ...and kill zelda to end her rotten family- but even if she gave up her life willingly he wouldnt take it, she will have to fight and make her own hands dirty and she does not want to die.
your friends arrive, and the battle begins.
(rough examples of his weapons are further below; he fights with one arm only in phase 1. then reforms his missing arm with malice, borrowed from the boar appearance, though it is not usable enough to truly replace it, it acts more like beasts claw and to copy some of links abilities, like the hookshot)
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Beast Ganon(dorf), normal appearance (phase 3)
at the end of phase 2 he knocks out your friends, changes into beast form and attacks you, zelda using her magic to shield both her and link so he cannot bite through, instead smashes them both through stone and dirt all the way to the surface of the plateau on which the fight continues, this time only link and zelda
(his movement isnt a senseless rage, but a graceful being, he moves and jumps, floats and swims through the air as the ground in an almost dragon like way, he still wields magic, not all malice, but lightning and perhaps even more too, it is still him, just a different form)
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Beast Ganon(dorf) while charging magic (phase 3)
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Ganondorf phase 2 + Ganondorf phase 4 (slightly out of order but the boar wouldnt fit on one picture with other forms)
at the end of phase 3 (beast) it seems like you have beaten him, he is down and zelda takes charge, ready to do as she did to the dark beast she faced before (dark beast ganon in botw) but as she raises her hand a sword slash cuts off half her right hand- he is not done yet and refuses to be dealt with like that again, not by her hand again-
the final phase is a mix of all, including his appearance, this is the final struggle, to give every last drop of strength, the hole in his chest is open, malice eyes staring from within, it keeps him alive yet still-
zelda is disabled for this fight, she has been taken to safety by your friends, this fight is all on link to finish; while this is his most desperate and vengeful form, he is not senseless either, he summons his sword to attack you with as he did in phase 2, then throws it at you, quickly conducting lighting to it and while you are busy dodging lunges like in beast form (to paint the picture a little), this fight is supposed to be truly challenging.
(heres a rough example for his weapons)
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(not fully sure of the ending scene, but there is supposed to be a short view into a timeskip in which zelda also has half a prosthetic hand made from shiekah tech)
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lazylittledragon · 25 days ago
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not to be Anxious on main but i've got my performance review for my apprenticeship in a few weeks to see if they're going to keep me on permanently and i am gently shitting myself hnhhhhh
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