#so they get a bit of representation now

[soupedepates]

"How is it going at home?"

"Bodya is getting quite rowdy. Dad doesn't know what to do. As for mum she tries to hide it but she isn't doing well. And Zofia just moved with her so yeah, that's a problem."

"What does Zofia do at mum's?"

"Well, she isn't at mum's mum's. She is at baba's. Because Zofia doesn't like mum's girlfriend."

"She doesn't even know Idalia."

"I know right? But even if Zofia is our best cousin, she's still our uncle's daughter. Her coming out doesn't change years of bad education. But I've heard she's getting better."

"And what do mum and dad want to do about me?"

"They're talking about a clinic. It's far away, but it's good. Like when you went in rehab, but better. Mum's a bit reticent, but she's just worried. Dad is really, really tired. He only sleeps at night because I make him."

"Family's exploding for the second time, heh. This time it's my fault."

"It isn't exploding, Czci. Jacenty and Adelajda aren't even close to realise divorce is a possibility. But yeah. Things aren't great. But not your fault; the shitstorm was coming anyways."

"You sure?"

"Heh. I'm listening at doors and reading texts and email for months now. Perhaps two years now. Since mum and dad have rekindled a friendship, in fact, for Jacenty and grandma started to get really annoying."

"Oh, the 'you don't discover you're a lesbian at almost fifty'?"

"And grandma becoming so Catholic even auntie grew wary. I didn't like how they were trying to influence dad and Bodya at the time so I had to take counter measures."

"You sound like mum when talking like that."

"I thought I was more doing the serial killer voice."

"Well, the accent does it."

"...Right."

"How's high school?"

"Boring. Like. Really boring. I'm spending the days reading and doing witchcraft at my desk, and because the teachers just love me and you're at the hospital I can do whatever I want without facing consequences. I read tarot to our philosophy teacher, lately."

"And Marek?"

"He will propose soon. I'm sure of it."

"And... Noemi? She hasn't come yet..."

"Don't you know?"

"What should I know?"

"Oh you don't know."

"Agatka, if something happened to my girlfriend, please..."

"I'm not sure of anything. Ok? I just happen to know from baba that Noemi called her for medical advice. And I hope you didn't do anything wrong for as you're back on your two feet baba's coming for you."

"Oh man, I'm screwed."

"And you laugh at this terrible menace!"

"Baba won't do anything, she loves me! I'm the favourite!"

"That's mean for your poor twin sister... I shall retire and cry now. Bye."

"Nooo, Agatushka, I love you too.........."

"But yeah. Stuff happened and Noemi isn't coming to school lately. That's. Worrying. She doesn't sound ill nor distraught on the phone, well she does be distraught because of you but that's besides the point, so I really don't know what's up with her."

"Can you investigate for me?"

"Promise. Can you do me a favour in return?"

"Sure."

"When they'll send you to the clinic... Come back sober. And stay sober. I will kill my weed to make sure of it."

"Oh no you won't."

"Oh yes I will. You better stay alive you little shit. Outliving you if you die at 17 isn't glorious, you see?"

"Hey! Hey... Agatka, don't cry, okay? I promise I'll be better."

[br1ghtestlight]

personally for 95% of my humanizations i want them to look like real actual ppl and have their personality/character make sense for how they look like. what would their fashion sense be? would they realistically dye their hair or have piercings?? etc

like it tends to be more about vibes than just taking their object and making a humanization of that without taking their character into account. so almost all my humanizations have natural hair colors or look like boring regular everyday guys. cuz that's beautiful to me <3

[prismbearer]

Idk why there's disbelief over Mark S/Helly in terms of motivation. Helly is just as capable of cruelty and selfishness as Helena. They are at the core of it, the same person with different memories/experiences. They can be two perspectives worthy of indulging their own dreams and desires and also be the same person. Narratively here especially, this isn't about morality, it's about human nature.

Helly was never cruel, sure, of course. Helly felt like she was the same as the other people in MDR. But Helly has something right now that she never even achieved as Helena. Someone who loves her. Someone who is choosing her. Helly is Winning over Helena here.

Jame Eagen wanders down just to be a freak and reinforces the reality of it. Helly is "More" than Helena, hasn't been worn down by the weight of experience and the world (and their cult and corporate bullshit). She still has, in some way, the innocence of youth and lack of experience with the world. She doesn't have the same fears and burdens or triggers as Helena in her conscious experience. She still has the ability to express her passions and outrage and defend herself. And to love and not feel sorry for it.

Severance gave Helena a chance to exist without the learned perspectives and burdens of the Eagens and she is able to be free with herself and her passions and desires-- whereas Helena was likely drained of any dreams for potential beyond a strictly guided future decades ago.

Of course Helly is feeling a rush of joy and satisfaction over Mark loving her. Mark choosing her. She tried to do the "right thing" by being logical with Mark. "I'm her." Even outside of Lumon, if they bring it all down, there's no hope for an Eagen and an ex-severed employee in reality. In the Real World they will never be together. Mark couldn't love Helena, how could anyone love an Eagen? (Poor Helly really with like, the enemy is within etc, but that's kinda the situation framed by Lumon for everyone by setting the stage with your Innie isn't human kinda rhetoric.) (This was also reinforced by Helena trying to get close to Mark to see if he still had feelings or chemistry with her and finding out they were not going to work outside Lumon.)

What if the equator is a building that could be a continent? Can be their whole world? They're choosing to live Now. Together in the present despite knowing that with their half lives, they could be brought to an end at any moment. It's very willful young love of them. And why wouldn't it be? This is their First Love. They haven't even been "alive" that long or have any memory of romance beyond their current infatuation. They don't know the world or it's places, and maybe that's okay, maybe they can exist in this space so long as they have love and the others.

It's completely human for Helly to accept Mark choosing her. To run to him just to see him for maybe the last time. It's human for Mark S to run to Helly. It's human for poor Gemma, who doesn't even know her fucking husband is severed, to be pounding on the door.

But this is their Final Day to Mark and Helly. Maybe the very end of their world. It's Judgement Day. Of course they'd have them holding hands and running back to the unknown to face the end together. To die together.

There is also zero fucking chance Mark Scout would risk his life and brain continuing reintegration once his wife is back. Mark Scout is going to choose his wife. Mark is choosing Love on both sides here.

All of it is reasonable.

[cheriekos]

not to get so corn dog gooey gross on main but i get real bitter and angsty about "representation in media" or whatever and sometimes i get pessimistic and think everything's all just a bunch a hogey but like. i don't feel so bad when im wearing my brace or using my cane because it's something i have in common with viktor. and i love viktor! and so many other people love viktor and i get ooey gooey feelings inside when artists draw him so lovingly with his mobility aids. and then i feel less angsty and bitter, just a little bit

[coconut530]

DRAGON PRINCE S7 DAYYYYYY

[shinysamurott9]

October's coming up and it occurs to me I've bever drawn Pandora's Halloween skin from XDive. I have scenario about it in my head I want to try and draw.

[ltlemon]

every time juno gets called slash calls himself lady i can feel my health bar going up in real time

[themyscirah]

Okay so basically the United States MINT of all people is going to be working with DC to make a line of coins! These coins sadly won't be in circulation (the things I would do to live in a world where I could get Batman coins from the supermarket) as they're collectors coins, but will be releasing over the course of the next 3 years, 2025-2027.

Designs haven't been released yet (the same is true for all 2025 designs) but we know there will be 9 coins in total (3 each year) with the first year featuring (of course!!!) Superman, Batman, and Wonder Woman.

Although we know the first three heroes to be featured, the remaining six have yet to be decided, and it turns out the Mint is putting out a survey on their site to gauge which of a group of culturally significant heroes people want to see most! (link to the form is mentioned in the article above)

The considered group includes: Supergirl, the Flash, Green Arrow, Black Canary, Captain Marvel, John Stewart GL, Aquaman, Hawkman, Jamie Reyes BB, Robin (Damian?), Cyborg, and Batgirl, of which 6 will be selected.

As someone who does a bit of coin collecting myself (mainly circulation coins like the quarters sets, but I also have a couple proof and collectors coins) I think this is a really cool and interesting idea that showcases the history of the comics medium and these characters and their influence on American culture. Really excited to wait and see what the designs look like for the coins already announced!

[exopelagic]

this election feels so hollow even though it’s likely ostensibly gonna be a good outcome. labour really just sucks fucking ass rn huh

[waywardsalt]

thinking abt linebeck’s coat. something very alluring about it for some reason. so im just gonna ramble about it here instead of in the tags for once

you can probably start a fight between the people who think it’s a coat and people who think it’s a jacket but i think it’s a coat moving on

the character designs are interesting to look at due to the proportions and art style so it is hard to imagine how long his coat would be but i think it would go down to a bit above ankles because i think that’s good. it’s a bit more dramatic a bit more impressive(?) that way and would probably lead to problems tbh

based on some of the official art i imagine that the stripe at the bottom might’ve been a late addition since it’s missing in the bit of official art most used to represent linebeck. tbh linebeck is inconsistent in very tiny ways in the official art but that’s mostly if you’re gonna be nit-picky or bored enough to notice

his coat is so good it’s simple but very recognizable and stands out among the other character designs in ph and its just. yknow good character design

its also surprisingly good for headcanons and stuff and because i mostly take a lot of canon as suggestion i have a good handful of headcanons tagged specifically onto his coat (one of which is the length of it ig)

i like to imagine that he made it himself. i’ve seen stuff where people write linebeck as being able to fix link’s tunic when it gets torn and i feel like the logical extreme of that is that he made his own coat. i think that adds a layer of. importance to it? it’s unique it’s solely linebeck’s it’s tied to him because he made it with his own hands and maybe it can represent something about him that way?

i like to imagine that in addition to the normal pockets one the outside he’s got a whole lot of little pockets on the inside of the coat, like so many pockets that he hides little trinkets or tools or things he steals in either to keep or to take back to his ship for whatever reason. some of the pockets have little flaps of whatever they’re called that can be secured in place with a small button to keep stuff in

he’s got like pencils and a compass and little notes and tiny figurines and cool rocks and feathers and all kinds of little things he thought was worth keeping around and due to that his coat is uncomfortable sometimes but if he knows for certain he’s going to be busy doing stuff he’ll empty out all of the pockets and only leave the important stuff so that it’s lighter and less uncomfortable. link finds his coat lying around at some point and is caught so badly off-guard by how surprisingly heavy it is with all of the bullshit he keeps in all of his pockets

i also imagine he values it a lot, maybe to the point of being really possessive and protective of it, not letting link touch it and if it gets torn or stained he shuts down and has to fix it before he can move on to anything else, and if he can’t fix it at the time it leave him kind of overwhelmed or upset until he can fix it. he has a lot stocked-up materials specifically for his coat to avoid a situation where he has to go for while with his coat damaged

backing away from headcanon territory, his coat is just a cool bit of character design and has just been lodged in my mind for a while. its cool and never brought up within the game (obviously) and i guess a last little closing thought is that in the cutscene where oshus teleports link above linebeck it kinda looks like his coat moves when he tries to catch link and i think that’s cool

[theskeletoninthegarden]

Yeah, I nearly dropped it half way. Yeah, I can't be bothered to recall a majority of the cast. Yeah, I've aged up everyone internally in my head to make it less Teen...Wolfy. But, hey, Fourth Wing has been a decent, easy read.

[uisceb]

Okay I want to talk about this moment between Morrible and Glinda for a sec because it adds such a wonderfully sinister layer to a scene that is otherwise a triumphant defining moment for Elphaba, and it sets up the dynamics for Part 2 so perfectly.

At this point, we are in the thick of “Defying Gravity.” Everyone’s attention is on Elphaba - and rightfully so, she’s up there declaring war on the Wizard, displaying incredible feats of magic, of course everyone’s attention is on her.

…Everyone, except Morrible.

Morrible has realized that Plan A was a bust, but rather than panicking, she’s already worked over Plans B through Z in her head and has realized that Glinda, not Elphaba, is actually the key figure here. Glinda is actually the best thing that could have happened to them.

Mind you, Morrible hates Glinda. She thinks Glinda is vapid and attention-seeking and completely without talent. It would be extremely easy for her to brand Glinda as an accomplice to Elphaba, have the guards drag her off, imprison her, never have to deal with her again, nice and neat.

Instead, while everyone else is focused on Elphaba, Morrible only has eyes for Glinda. She zeroes in on her, releases her, and comforts her, because she understands what no one else understands, which is that yes, that’s great that the Wizard now has an enemy to unify his people against, but they also need a symbol of hope, something that is the exact antithesis to Elphaba, something to keep everyone at extremes. 

The Wizard himself can’t really be a symbol of hope, because the key to his success is that he remains shrouded in mystery, and yes people think he’s wonderful, but there’s a level of uncertainty and intimidation to him. He is Oz the Great and Terrible, and everyone’s preeeeeetty sure he’s a good guy, but if you have someone like Elphaba out there - who Morrible knows from experience is very smart, very articulate, and has her own sort of magnetism - there’s a potential that she could turn at least enough people against the Wizard to make things very inconvenient.

So what they need, now that they have an enemy, is to have an equally magnetic figurehead representing the Wizard who embodies all these one-dimensional ideas of goodness, someone for the public to adore and fawn over so the association between Wizard and Goodness is crystal clear.

And by bringing Glinda along, Elphaba has unknowingly served that figurehead up on a platter.

Glinda is everything Elphaba isn’t, from personality, to appearance - Morrible has already set Elphaba up by calling her green skin an “outward manifestorium of her twisted nature,” which paves the way for Glinda, who is the perfect conventional beauty, to be an “outward manifestorium” of pure goodness. 

Morrible realizes they need these two lightning rods of Absolute Evil and Absolute Good in order to manipulate people - fear alone isn’t enough; the only way to effectively radicalize the populace is to make sure there is no gray area whatsoever, no room for question: you're either good, or you’re evil. And the Wizard alone isn’t a strong enough representation of “goodness” when by virtue of existing, he has to remain in the shadows. Glinda on the other hand? With her looks and her charm and her openness and her ability to expertly win over a crowd? Perfect for the role.

Now the tricky part for Morrible is taking into consideration that Glinda and Elphaba love each other. But we also know from earlier scenes that Morrible is a master at manipulating emotions. Right from the start when Elphaba is having trouble with her magic, Morrible casually brings up the “Animals should be seen and not heard” disturbance from class, spoon-feeding her just enough to get Elphaba upset, triggering her magic, after which Morrible makes sure to give her assurance and praise to keep Elphaba optimistic about her power.

She’s also aware that Glinda does have quite a bit of influence over Elphaba, because when Elphaba flees, Morrible immediately tasks her with winning her over, rather than simply relying on the guards or even going after Elphaba herself. She knows if anyone has a chance at roping Elphaba back in, it's Glinda.

Obviously, Glinda isn’t successful in getting her back, but while this puts a dent in Morrible’s plans to get control of Elphaba, it does give her an extra weak spot to exploit in Glinda.

So now, at the height of “Defying Gravity” when Elphaba has officially taken her stand against them, Morrible sees Glinda, and Glinda is at her most vulnerable, her most emotionally fragile. Not only is she heartbroken and in shock, she’s also just witnessed in real time exactly how easy it is to turn an entire nation against someone. She’s scared, she’s powerless. She’s just lost the love of her life her only friend, she has no one to turn to - Morrible has definitely picked up on the fact that even though Glinda has countless people who fawn over her, none of them can be considered a true friend except for Elphaba, which means Glinda is completely isolated. Glinda also has a very limited understanding of the bigger picture of what the Wizard is trying to accomplish, and because she’s never been a victim of the system the way Elphaba has, she is still desperately clinging to the idea that everything will be okay as long as she plays by the rules of the people in power.

She has been perfectly primed for Morrible to begin manipulating, not through violence or intimidation, but by offering her comfort when no one else would - when not even Glinda’s only friend would - when no one else is even paying attention to Glinda, because they have the very real and present threat of Elphaba quite literally hanging over them. In this moment, Morrible chooses Glinda, which Glinda has been striving for since the beginning. Elphaba has chosen her principles, the Wizard has chosen his enemy, but Morrible has chosen Glinda, and in this moment of being so alone and so afraid and so betrayed, that makes all the difference.

We also get kind of a parallel shot too - Elphaba really sealed her fate the second her hand closed around the broom. But here, Glinda seals her fate when she gives in and reciprocates Morrible’s hold on her.

THIS is the moment that sets us up for Part 2, with Elphaba and Glinda as our lightning rods for Absolute Evil and Absolute Good, but more to the point, it makes it clear that they’ve BOTH been used, they’ve BOTH played right into these respective roles Morrible and the Wizard need in order to be successful - even if it wasn’t how Morrible originally planned for things to go.

I just love it, because “Defying Gravity” is Elphaba’s song - it’s triumphant, and it’s heartbreaking, and it’s everything a defining moment should be for a character. But by injecting this little moment between Morrible and Glinda into the scene, we also get an underlying current of dread because we know we’re about to see the consequences of Elphaba’s defiance versus Glinda’s compliance and how both serve to benefit the Wizard/Morrible’s propaganda.

TL;DR - when I said "I want to talk about this scene between Morrible and Glinda for a sec" I clearly meant "I'm gonna write a whole essay. Like a nerd."

[sysig]

Your Weekly TV Guide

On Monday you can expect:

2:30 PM: Star Control II - Helix

And Tuesday:

2:30 PM: SCII - Helix

Wednesday:

2:30 PM: SCII - Helix

Thursday:

2:30 PM: SCII - Helix

Friday:

2:30 PM: SCII - Helix

Saturday:

2:30 PM: SCII - Helix (blood warning)

Sunday:

2:30 PM: SCII - Helix

Thanks for tuning in! (Patreon)

[megroha]

peeping the horrors (thinking abt how long this ongoing fight with body image and dysmorphia and physical health has been going on and how long it will go on!)

[cherrypikkins]

@dimiclaudeblaigan asked for a tutorial on how to begin drawing. Good news! If you can draw a funky looking stick man, you have already started!

I think that stick people are a great starting point for artists because of the things you can learn from them that will be important later on.

If you are able to draw a circle and a couple of lines, you can easily put together a stick person.

Congratulations! You have started to draw. :)

A stick person is a very minimal artistic representation of a real life person. It is simple yet recognizable, and is widely used in art, media, and signage.

But what can a stick person teach us about drawing people that look more like… well, people? Lets have a look!

By simply adding a few more lines, we can add a pair of eyes and a mouth. Maybe even a little triangle nose! Or half circles for ears. We can now draw a face, which provides a basis for all sorts of expressions.

These simple additions can allow us to explore the wide range of human emotion and individuality.

This may seem like the basics of the basics. But that is what we want! In order to get to the point where we are able to draw complex, elaborate representations of humans and objects, we will need to start with simple shapes like lines and circles and build our understanding from there.

For instance, lets give our stick person some cool new features, such as hands and feet. I chose little squiggly circles to represent hands, and triangles to represent feet.

We can go a step further and modify the body of the stick person to include shoulders, hips, elbows and knees. These parts of the human body are quite complex in real life But here, all we need to do is add a few simple lines and dots to our stick person.

The lines provide some additional structural elements to our stick person's body, which are the shoulders and the hips. The dots indicate the points of articulation - elbows and knees, the places where the arms and legs bend!

Now we can use our stick person to show us an even wider range of human movement, action, and expression.

Our little drawing of a human being is evolving! All it took was adding a few more lines and shapes here and there.

By elongating some of the existing lines and making the head an oval instead of a circle, we can give our stick person proportions that resemble that of a real life human.

By this point, we have managed to add more complexity to our stick person simply by using our ability to draw lines, circles, and other basic shapes!

These basic ideas are the building blocks that will enable us to create more complex shapes.

The next part may be a considerable step up if you are absolutely new to drawing, but I have decided to include it in order to show you how complex objects like the human body can be built from shapes that are a bit more complex than circles and lines.

For example. Two ovals and a rectangle can be combined to create a cylinder.

Six squares can be combined to create a cube, or a box. Here, each square is distorted slightly depending on which way the cube is facing.

Note that the back faces of the cube and the bottom of the cylinder are hidden. These shapes allow us to visualize that which should not normally visible.

A sphere from all perspectives can be represented by a circle. But we can make it more like a sphere by adding lighting and shadow if we so desire.

Cubes, cylinders, and spheres are examples of 'solid shapes' because they consist of 3 dimensions.

Lets see how these solid shapes can be used to compose the human body.

By stacking three cylindrical objects, we can create a torso. Two spheres have been added to form shoulders, while a smaller cylinder forms the neck.

An arm is an alternating sequence of spheres and cylinders connected together. Note that the hand has been simplified for this example.

We can apply these solid shapes to the rest of the body to give us a more recognizable representation of the human form. It doesn't even have to be perfect. And just like that, our stick figure now has a silhouette that is unmistakably a person!

In the above examples, notice that we kept the stick person at the beginning while building up the shapes and solids around it. This is because the stick person serves as a guide for positioning the body and its various parts -> also known as posing.

You can do the same thing to everyday objects! Here, I drew a wine glass by stacking these three dimensional solid shapes.

The cup and its contents are two ovoid shapes that were cut in half. The stem is a very thin cylinder shape. The base is a cylinder with a slightly wider bottom.

Solid shapes help inform us how objects and parts of the human body may appear from different perspectives.

For example, a sphere can be used to demonstrate how the human head appears when looking up or down, turned to the side, or tilted at an angle.

With these examples, I hope I have managed to convinced you that if you can draw a circle and a couple of lines, you can draw a person! You just have to train your eye to recognize the simple shapes within complex objects. Try it with everyday objects as well! Or even your favourite media! A drawing subject can be as simple or as complex as you envision it to be.

Once you have mastered that, there are many aspects of drawing you can explore from here that may require you to seek additional resources or a fellow artist's advice.

Last of all, remember that drawing is an iterative process. Even if you draw something correct the first time, you will need to draw it again and again to get it right all times! And by making small changes like the ones we explored in this tutorial, your drawings will gradually transform!

I hope what I've demonstrated here are enough to provide the basics of how to get started with drawing objects and people, and also to help refresh more experienced artists. :) Hopefully I didn't go too off topic with what was requested, and let me know if there are any more questions I can answer.

Cheers :3

[trashytracktales]

Omg can you please write some smut with Lando about the FIA gala??? He looks so hot in that suit and I need something about it🥵😭 Maybe after the gala ended and they’re back to their hotel or they fuck while they’re on the plane back to Monaco.

The FIA (Feral Instincts Arise) Awards | LN⁴

💌 REQUESTED by anon ──── I knew there would be requests for this the second I saw Lando on that carpet. Bon appétit 😛

﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌

𐙚 summary ──── It's the 2024 FIA Awards, and Lando and his girlfriend can't help but steal a moment of passion, unable to resist the tension built through teasing touches and glances during such a glamorous night.

𐙚 pairing ──── Lando Norris x she/her reader

𐙚 rating ──── explicit

𐙚 category ──── F/M

𐙚 warnings ──── 18+, mature/sexual content, established relationship, teasing, mild public intimacy, smut, descriptive language, fingering, bathroom sex, swearing.

𐙚 word count ──── 3.2k

𐙚 date ──── Dec. 14, 2024

𐙚 a/n ──── I have nothing to say except that I am absolutely devastated that my role model and inspiration, Michèle Mouton has officially retired from her role as FIA Safety Delegate. I love her so much and will forever be grateful for the representation she provided for women in motorsport throughout the years. In other news, at least everybody looked so fucking hot last night.

﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌

﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌

IT WAS PURE torture for her to see him up on that stage from the beginning of the evening. She’d sat in the audience, her heart swelling with pride and gratitude for being able to be by his side during this exciting stage of his life — witnessing his hard work, his wins, and his dreams becoming reality. It's more than she ever imagined.

As she watched him, she realized she wasn't just proud of his accomplishments, but thankful to be the one he comes home to, the one who gets to share these moments that will live forever in both of their memories.

Standing up to cheer for him, as Lando’s name was announced for finishing second in the Drivers’ Championship, was a natural reaction. The applause was loud, a mix of respect and so much admiration for her determined racer boy who had fought tooth and nail all season.

McLaren’s triumph in the Constructors’ Championship only added to the celebration, the team beaming as they ascended the stage to accept their award.

While the room celebrated them, all she could think about was him — her man, standing under the spotlights, looking impossibly handsome in his perfectly tailored black suit and crisp white shirt. He looked perfect, from his styled curls to his sharp jawline and sweet, nervous smile. She felt very conflicted, overwhelmed with pride and love, yet squirming with a different kind of heat every time he looked for her in the audience. The way his dimple appeared when he smiled, the casual confidence in his voice as he gave his speech, and the glint of determination in his eyes as he thanked the team for having faith in him — every bit of it was intoxicating.

Now, at the dinner table, the atmosphere has shifted.

Glasses of champagne catch the glow, sparkling like liquid gold, as conversations hum softly among the elite of the motorsport world.

Lando sits beside her, relaxed in a way only he can manage after such a long, eventful evening. His suit jacket is draped over the back of his chair, his shirt sleeves rolled up just enough to reveal his forearms. He holds a champagne flute in one hand, the other resting lazily on her thigh beneath the table.

She can feel the warmth of his palm on her skin, his fingers flexing ever so slightly. It’s a casual touch — he’s sipping champagne, laughing at something Oscar just said — but the effect it has on her is anything but relaxed. Her heart races every time his thumb brushes against her soft skin, slow and intentional, almost like he knows exactly what he’s doing to her.

Her own glass of champagne sits untouched in front of her, her attention split between the conversation around them and the heat blooming under Lando’s hand. She tries to pay attention, nodding along while Andrea talks about some funny incident that happened in the garage during the last race of the season. But her thoughts keep drifting back to him.

She glances over at Lando, her breath catching at how effortlessly handsome he is, now that he’s more relaxed and in his element. The golden light softens the sharp lines of his face, making him look almost ethereal. But it’s the dimpled smirk that forms as he catches her staring that sends a shiver down her spine.

“Everything okay, gorgeous?” asks Lando, his voice low enough that only she can hear.

She nods, swallowing hard. “Positive. I'm just incredibly proud of you, that's all.”

His smirk widens, his thumb stroking her thigh with more purpose now. “You’ve said that already,” Lando murmurs, leaning in just enough that his breath brushes her ear. “But keep going. I like hearing it,” he adds, pressing his lips to her cheek.

She smiles, looking away, determined not to let him fluster her further.

However, Lando has other plans. His fingers trace unhurried patterns on her inner thigh, edging closer to the hem of her dress. The movement is subtle — nobody at the table would notice — but to her, it feels like her skin is burning. Her breathing gets heavier, and she shifts in her seat instinctively, her legs parting just enough under the table to grant him more access.

“My good girl,” whispers Lando, smiling against her cheek, then turning his attention back to the conversation.

Her heart skips at the quiet praise, and she shoots him a quick, warning glance, her eyes wide with panic.

Lando looks completely unbothered, taking part of the dialogue like he’s the epitome of innocence. The slight smirk tugging at the corner of his lips tells a very different story, though. A secret one, that only they know about.

“Stop it,” she whispers through gritted teeth, her voice so low that it’s practically a breath.

Obviously, he doesn’t. If anything, her quiet protest seems to spur him on. The pads of his fingers creep higher, brushing dangerously close to the heat between her legs. She grips the stem of her champagne flute tightly, her knuckles white as she tries to take her first sip of alcohol of the night — at least then she'll have something to blame if anyone asks her why she got so flustered all of a sudden.

“Lando,” she warns, her voice soft but firm.

“Hm?” he hums, his expression completely neutral as he keeps his attention to Oscar, who’s recounting his Turn 1 incident from Abu Dhabi.

She bites her lip, willing herself not to squirm in her seat. She almost can not believe how shameless Lando is, then she remembers all the times he tested her patience when they were in public. At that, her free hand drops to her lap, fingers wrapping around his wrist in an attempt to still his movements. He doesn’t pull away, but he also still doesn’t stop. Instead, his thumb presses a little harder, a constant reminder of his presence.

“You’re squirming, baby,” he murmurs, his voice dripping with amusement. “People are going to notice.”

“Then stop,” she repeats quietly, her tone sharp enough to earn a quick, curious glance from Andrea, who's sitting across from her. She ends up forcing a small smile, nodding, then turning back to Lando.

He chuckles under his breath, leaning in just slightly so his words are for her ears alone. “But we’re having so much fun,” he teases.

Her body betrays her as heat pools low in her belly, and she can’t stop herself from shifting again, her legs spreading a fraction wider. Lando takes full advantage of the movement, his fingers grazing higher until they’re just shy of where she needs him most. She glares at him, her eyes filled with need and her cheeks burning when his fingers slide easily over her lace panties, pressing harder on her warmth. As a response, her body jerks, and she barely suppresses a gasp, her nails digging into his wrist.

“I hate you,” she mutters under her breath, her voice shaky.

His grin returns, and he tilts his head, finally looking at her again. His gaze is dark, heated, and he looks entirely pleased with himself. “No, you don’t,” says Lando, so sure of himself.

It’s a miracle she doesn’t combust on the spot.

Because he's right — she doesn't hate him, she hates the fact that they're in public and she's incredibly turned on, but there's nothing she can do about it.

Finally, she can breathe normally when he withdraws his hand from between her legs, just as casually as he’d started. Her body is still buzzing with the lingering traces of his touch as she places her hand lightly on Lando’s shoulder. Slowly, she rises from her seat, her fingers squeezing just enough to send him a silent message only he’d understand.

At that, Lando’s heart stutters for a beat, his mouth suddenly dry as he watches her glide gracefully toward the bathrooms. The way her dress hugs her curves doesn’t help the growing situation in his pants — it’s like she knows exactly what she’s doing to him, a small punishment for what just happened between them. He tries to act like he's not affected, emptying his glass of champagne while his eyes turn back to the table, but his focus is scattered.

His hand still tingles from touching her under the table, and now he’s left to deal with the knowledge that his teasing had gotten to her.

Oh, how the tables have turned.

Minutes tick by, though they feel like an eternity.

Lando finds himself forcing a laugh at something Oscar says, remembering how impossibly talkative his teammate gets when he has a few drinks on board. He shifts in his seat, trying to mask his growing anticipation, but she’s all he can think about. His fingers drum against his empty glass, the weight of the moment making it almost impossible to sit still.

Then, his phone buzzes inside his pocket, her name lighting up the screen.

He doesn’t need to answer to know it’s just a diversion, and she’s not waiting for a conversation, either — she’s just giving him an out.

Lando clears his throat, “Sorry, I have to take this,” he says, giving the table an apologetic smile, as he pushes back his chair and making his way out of the dining area with purpose.

His heart pounds in his chest as he walks toward the bathroom, careful not to seem too rushed, but acutely aware of the tension building inside his body with each step he takes.

The hallway leading to the bathrooms is quieter, lined with soft, ambient lighting and artwork that screams understated luxury. He takes a turn, his steps slowing as he spots her standing in front of the mirror inside the women's restroom. The space itself is elegant, all marble countertops and gold fixtures, with sleek stalls and huge mirrors.

She’s touching up her lipstick, her purse resting next to her, the subtle curve of her smile betraying the fact that she knows he’s behind her. Lando approaches slowly, his footsteps soft against the polished tile. When he’s close enough, his hands settle on her waist, his touch firm yet familiar as he pulls her closer.

“There you are,” he says, his voice low and full of heat. “Worried about your makeup when it’s just going to smudge off you anyway?”

Her smile turns into a smirk as she meets his gaze in the mirror. “God, you’re the worst,” she teases, her tone light but laced with something more intimate.

Lando chuckles while she turns in his arms. Her hands slide up his chest, her touch lingering as she looks up at him, her eyes dark with intent.

“Are you sure it can’t wait until we get back to the hotel?” asks Lando, even though he already knows the answer, because he knows the look she has painted all over her face very well.

Her lips brush against his cheek in a warm, lingering kiss before her breath tickles his ear. “Baby, that's hours away.”

She intertwines her fingers with his, and leads him to one of the stalls at the end of the bathroom. The space is just as luxurious as the rest of the venue — tall wooden doors that reach from ceiling to floor, polished brass locks, and a sense of privacy that makes it feel more like a secluded room than a bathroom stall. As soon as they step inside, the door locks with a soft click, and every ounce of restraint disappears.

Lando’s lips are on hers instantly, hot and demanding, his hands already traveling to the hem of her dress. There’s no time to waste, with all those people back at the table who could realize at any moment that it is no coincidence that they are both missing at the same time.

His hands slide up her thighs, pushing the fabric of her dress higher until he reaches the thin band of her panties. His fingers slip beneath the lace, tugging them down in one swift motion before his hand returns, sliding between her legs and finding her completely soaked.

“Fuck,” he hisses, his forehead resting against hers as his fingers dip into her heat. “All this from a bit of touching?”

Her breath comes out in a shaky laugh as she clutches his shirt. “No,” she whispers, “All this from watching you on that stage, sitting next to you the entire night, seeing how people were cheering for you — and then from a bit of touching.”

A cocky smirk tugs at Lando’s lips. “That so?” he asks, pressing a finger into her, his pace measured as he stretches her slowly.

She gasps, her head falling back against the door, and he takes the opportunity to kiss her neck, his teeth grazing the sensitive skin there. A second finger joins the first, curling inside her as his thumb circles her clit, making her see stars.

Her hands, trembling with anticipation, move to his belt, fumbling for a moment before she pushes his pants down just enough to free his hardened cock. Her touch is soft at first, her fingers wrapping around him and stroking slowly, making his jaw clench.

She looks up at him, her lips curving into a teasing smile as she echoes his earlier words. “All this from touching me under the table?”

“Shut up,” he growls, grabbing her thigh and hitching it around his hip. His cock presses against her entrance, teasing her as he slides the tip through her slick folds.

“You shut up, and fuck me already,” she says, her voice thick with desire.

He doesn’t need to be told twice. With one swift thrust, he buries himself inside her, both of them gasping at the full sensation. The stretch is so sweet and perfect, and he pauses for just a moment, letting her adjust before pulling back and thrusting again, harder this time. Her back presses against the door, the cool wood contrasting with the heat of his body as he sets a relentless pace, in and out of her tight pussy. His hands grip her thighs, spreading her wider for him as he drives into her, each movement hungrier than the previous.

“Fuck, you feel so good,” Lando groans, his lips brushing against her ear. “Perfectly thight around me, baby. Always so sweet and eager, aren’t you?”

She clings to him, her nails digging into his shoulders as he angles his hips, hitting a spot that has her biting back a cry. “Lan,” she breathes, her voice shaky and full of need, while trying to mimic his rapid movements.

“That’s it,” he encourages her, his voice rough as his fingers dig into her hips. “Let them hear you, baby. Let everybody know how well you take my cock.”

Her head falls on his shoulder as he thrusts deeper, harder, his cock dragging against every sensitive spot inside her. The tension coils tighter and tighter in her belly, her body trembling as she teeters on the edge.

“Lando, fuck,” she moans wetly into his shoulder, feeling her pussy clenching around his length. “Shit, baby. Yes, don’t stop.”

As he buries himself so deep inside her, Lando realizes that's what he wants to do for the rest of the evening — the rest of his life, as a matter of fact. His lips part as he feels her walls twitching around him, making him — if that's even possible — even harder for her. His breaths come out in spasms, letting out a small cry of pleasure as his chest crashes against hers violently.

Sensing that she’s so close, Lando’s hand ends up slipping between their bodies to rub her clit in time with his thrusts. “Come on, baby. Let me feel you.”

“Are you—oh, fuck,” she tries to speak, but all her thoughts are focused on how good he makes her feel.

“Yeah, yeah,” Lando assures her, “Right behind you, love.”

It only takes a few more thrusts before she shatters around him, her walls clenching hard as her orgasm washes over her. Her moans are muffled against his neck as he continues to fuck her through her release, chasing his own high. His movements grow erratic, sloppier, his grip on her tightening as he finally lets go, spilling into her with a low, guttural moan.

For a moment, they can’t hear anything else except the soft whir of ventilation and their labored breathing. Their bodies stay pressed tightly together as the echoes of their pleasure lingers in the small space.

Her chest heaves against his as she exhales shakily, her lips brushing his neck, then up his jaw in a silent thank you.

Lando smiles, slowly pulling out of her, his cock still hard and sensitive from his release. She shudders at the sudden emptiness, but before she can speak, his hand slips between her thighs again. His fingers slide inside, pushing some of his cum and their mingled release back into her.

“Lando,” she gasps, her body clenching instinctively around his fingers.

His breath falls hot against her skin. “Gotta make sure you feel it all night.”

Her cheeks flush at his words, and she bites her lip, torn between glaring at him and melting into his touch. He strokes her lazily, savoring the way her body responds to him even now.

“Insane behavior, Norris,” she exhales sharply, finally looking up at him.

“My brand,” he smirks back at her. “But what about you, hm?” he asks, his tone soft, but teasing as his eyes rake over her wrecked expression. “Going back knowing you’re filled up so good?”

She rolls her eyes at him, but the heat in her gaze betrays her. “You’re unbelievable.”

“You love it,” he quips, fixing a strand of her hair and then kissing her deeply one last time.

She smiles against his lips, brushing her thumb over his mouth to wipe away the faint smudge of her lipstick. Then, leaning up, she presses a soft kiss to the tip of his nose. “Don’t take too long, champ.”

With that, she exits the stall, glancing once in the mirror to make sure she looks composed, and collecting her purse before heading back to the table.

When she returns to her seat, the conversation flows just as before, no one paying much attention to her absence beyond a polite glance. Her heart pounds in her chest, the sensation of being so intimately connected to Lando still fresh in her mind as she settles into her chair. She picks up her glass of champagne, finishing it in one go, her hands steady despite the warmth still coursing through her body — and the wetness between her legs.

A few minutes later, Lando comes back, his phone pressed to his ear as he pretends to be mid-conversation. His expression is casual, his voice light as he murmurs something unintelligible before slipping his phone back into his pocket and taking his seat.

But as soon as he sits down, Oscar’s eyes narrow, a faint smirk tugging at his lips.

Lando catches the look, frowning slightly as he tilts his head. “What?” he asks silently, his expression confused.

Oscar doesn’t answer, instead he points directly at Lando’s bowtie, which is noticeably crooked.

Lando’s eyes widen as he glances down, and straightens it as casually as he can, his cheeks turning faintly pink.

“It's windy outside,” Lando mutters under his breath, low enough that only Oscar can hear.

His teammate just grins knowingly, leaning back in his chair. “Whatever you say, mate.”

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