#so principled

[hussyknee]

my disabled ass, after (1)good day: "obviously I am cured. in fact it may have all been in my head. who can say? now to rejoin society!"

me, the next day: "it has come to my attention that i may be chronically ill."

[klfg]

Free lunches for children is such an easy litmus test. If you are against it, I can easily disregard anything you ever say and forget you exist entirely.

[source]

[vebokki]

they're judging you unfortunately

[harmonysanreads]

Sunday when others fidget around him : This person must have a poor grasp of their emotions, despite how much they're trying to pull off the bravado. Or, something must be making them uncomfortable and they're trying to distract themselves by fixing their appearance. Or perhaps they simply were not taught manners. Seriously, is it that difficult to stay still—

Sunday when you fidget around him : That's... kind of cute.

[bixels]

tarpit site.

[carebeardean]

Charles has always left Edwin little notes slipped between the pages of his favorite books, in his science equipment, places he knows Edwin loves. Just silly things—post its that say “hi Edwin :)”. doodles of Edwin with his nose stuck in a book. reminders to stock up on wolfsbane. but.

Then, post canon, Edwin tentatively starts dating people. And it’s ridiculous, because Edwin’s right there, all the time, but Charles..misses him a bit. And his heads a mess, and he can’t sort out what the hell he’s feeling most of the time, and whenever he tries to say any of it out loud it comes out rubbish.

So. He writes down some of the shit he can’t say right, and because he’s a coward, hides them so he doesn’t have to see Edwin’s face when he reads them.

then Edwin starts writing back.

Neat lilac blue little envelopes appear in Charles coat pockets. In his bag. Once, in his shoe? Some nights, Edwin will clear his throat and mention something from a letter, offhand, like they’re just picking up conversation, and Charles can pretend they are. That they always have talked about the basement, the belt, the nameless fear that chokes him every time Edwin walks out the door with someone else on his arm.

Sometimes he can’t. The words get stuck in his throat. Edwin’s not mad, he’s maddeningly, stubbornly kind about it, which is worse.

Some nights they trade. A secret for a secret. Charles learns about the novels Edwin used to hide under his mattress, about all the lonely years before Charles got there. About Simon.

Meanwhile, Edwin is losing his mind, because Charles has accidentally stumbled onto what was a fucking courting ritual in his time. Love letters were something engaged couples treasured for years, kept and reread over and over. (Edwin does. keep them in a special box, will take one out and trace the words, tuck it in his breast pocket for courage).

Edwin would rather have to reattach a limb again than lose Charles trust, all the dark and beautiful things he shares with Edwin only. He knows—knows Charles doesn’t mean to make him fall more in love with him.

[otaku553]

Save me yi nine sols

(You should play nine sols it’s very very fun)

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[deadsetobsessions]

Okay, so maybe Tim has no business being in Bludhaven. Tim maintains that since his parents fail at parenting, he can do whatever he wants.

Besides, it's for a good cause. Like, not letting Tarantula get her dirty hands on his big brother in another time line. Tarantula had popped up in the Bludhaven servers - by that, Tim means the endless amounts of threads and underground fronts for criminal activity that he stalks on a regular basis- by being seen with Nightwing. Tim had immediately booked a ride to Bludhaven and bought another burner. He'd try to take care of her himself, but if worse comes to worse, he'd call Deathstroke. He's totally aware of the weird tension Deathstroke has with Nightwing and Tim's kind of banking on that.

Dick's been back in Blud for two months now, Jason having assuaged his mother hen tendencies enough for Dick to get sick of the Manor. Tim hadn't meant to follow since he had plenty of projects to work on now that "SAVE JASON" wasn't blaring at the top of his head.

But then Tarantula appeared and Tim saw red, remembering the way Dick spoke about her and what she did to him.

He bids the driver goodbye. The driver doesn't question his being on his lonesome mainly because 1) Gothamites mind their own busines, 2) Tim gave him a $500 tip to make sure he remains a "good" Gothamite cabbie, and 3) Tim made sure he was dropped off in the swankiest, most ostentatious hotel Bludhaven had to offer.

"Rich people," the cab driver had muttered as Tim closed the door. Perfect.

Tim got his keycard, having checked in under Alvin Draper over the phone. Normally, they'd require an in person visit, but money talks. And people listened when Tim had a lot of things to say.

Tim even feels like he's trained enough to go out! Lady Shiva's training was ingrained into his memory, and Tim's built enough muscle to make use of some of it. He is still nine, after all. He's so much stealthier this time around. Plus, he's got almost his full tool set back. Sure, some of the tech is ancient, but he managed to finagle it to make grappling guns and smoke pellets more along the quality that he's used to.

Tim waits until nightfall, looping the surveillance around his window to mask his exit. Tim adjusts his domino, eyes scanning the city skyline as his handheld computer (god, he can't believe he has to invent wrist computers) tracked reports of Nightwing through Tweetings.

Ah. He's around Seventh. Tim grimaces as his untested joints adjusts to the grappling guns. His dark clothes make him hard to spot, to his advantage as he tracks down Nightwing.

Tim watches, perched on an adjacent roof as Nightwing takes down a crowd of goons with the flips Tim remembered watching from afar and up close in another timeline.

"Blockbuster'll kill everyone you love, Nightwing!"

Tim winces at the rather brutal crunch that followed, Nightwing having punched the guy and knocked him out in one move. He watches Dick sigh, tugging at his hair in stress.

Tim could... no, no. He shouldn't think of murder as a first option. Well, no, he shouldn't think of Deathstroke as a first option. But he'll need to take Blockbuster out before anything happens. And he needs to threaten the new Tarantula before anything happens. He won't allow her to even get close to Dick.

Maybe it's unfair to punish her for a crime she hasn't done, but unlike murder, rape can never be defended. Catalina Flores is a dead woman walking.

Tim stalks his big brother back home and then broke off to begin his short reign of terror over Bludhaven's underground. If he can't get Dick to take a break (and Tim's tried, a lot, over the years) then he'll make sure that the next month is as gentle as possible on his older brother.

Step 1. Murder Take care of Blockbuster

Step 2. Threaten Catalina Flores and her brother.

No. Wait. Tim has a better idea. He's got dirt on them, on top of the murder thing. He'll fabricate Catalina's tax returns, embezzle a shit ton of money from the IRS, and get her and her corrupt brother (because getting your sister out from murder charges is considered corrupt) arrested and locked away. And he'll make sure they stay locked away with some good old blackmail on Amanda Waller.

Tim grins, tranquilizing the building with an ungodly amount of knock out gas pellets, to riffle through the police precinct's files.

Step 2. Threaten Catalina Flores and her brother.

Step 2. Cripple Catalina Flores and her brother with blackmail and the IRS.

In three hours, Tim has everything he needs to begin a temporary hostile takeover. He's got the names of local mob bosses, the big players, and the names of practically every police officer that takes bribes and their... sponsors.

He'll have to cut off Blockbuster's lines of supplies first. Then, blacklist him from local suppliers, mobilize the police precinct against him (by imitating his M.O. perfectly- Tim's not a fucking amateur- and pretending to rob the precinct blind), and then break his knees.

Step 3. Profit

Tim takes out his shiny new burner phone, enjoying the loud sounds of the police squawking through his planted bugs. He lounges on the building next to it, keeping an eye out for Nightwing just in case the man decides to respond to the crisis.

[Unknown: It's RR.]

[Deathstroke: New phone?]

[RR: Who dis?]

[Deathstroke: What?]

[RR: Nevermind. I'll give you forty thousand to shoot someone's knees out.]

[Deathstroke:... That's it? Who?]

[RR: Blockbuster. Bludhaven. Extra twenty thousand if you tell him he's got the spine of a sea slug, kick him in the balls, and post it on Tweeting.]

[Deathstroke: What did he do to you? Deal.]

Tim ignored Deathstroke's question.

[RR: Half sent. Confirm?]

[Deathstroke: Confirmed. Timeline?]

[RR: Three weeks. 21 days.]

[Deathstroke: Confirmed.]

----

Tim grins ferally, all teeth as Catalina Flores looked on in horror at her computer screen.

"Get out of Bludhaven, and don't come back. If you even think of going near Nightwing, I will rip what's left of your pathetic, sniveling swine of a brother apart. You will not enjoy the consequences."

Tim clicks off, watching Catalina and her brother launch themselves into mad packing. He tapped out a short message to Amanda Waller for her and her team to intercept them at the state lines. They'll never get away from Tim's fury. Never.

[Waller: It's done.]

[Waller: I will find you.]

[RR: You can definitely try, Waller. Good doing business with you.]

Tim can see the blood vessel the woman popped after he sent that last message. He laughs.

He saves Deathstroke's video from Tweeting onto his actual, spoofed phone. He destroys the burner phone, less shiny now that he's dragged it through two and a half weeks of breaking heads and terrorizing the Bludhaven Underground. Nightwing hadn't even gotten a whiff of his activities, this Dick being far less experienced and known in this version of Blud.

One more week and Tim can continue his other projects.

----

Nightwing, going about his vigilante business: wow it sure is peaceful

Feral Tim Drake, Nightwing's scary dog privilege: try me, bitch

[lefthandarm-man]

COUNTDOWN TO STEVE'S 106TH BIRTHDAY

posting my favorite steve things to celebrate!

day 5: happy birthday to our smiley boy ❤🤍💙

[valtsv]

have you ever watched supernatural? you have that vibe

[2manyflannels]

Thank the lord that Benoit Blanc is a detective with compassion and kindness and cares while also being a genius detective because the two don’t need to be exclusive

[starcurtain]

Hear me out. I know it's unlikely that Ratio would ever have been foolish enough to directly get taken in by a scam, but considering that we know:

One of the groups specifically tricked by Kakavasha before he joined the IPC was the Intelligentsia Guild

What he tricked them about was Tayzzyronth's Swarm remnants, the exact same thing we see Ratio investigating in his very first appearance in the game, and

The researchers were described as "extremely cautious"

I am surprised that "Ratio was at least somehow connected to the Intelligentsia Guild team fooled by Kakavasha before he was ever even a Stoneheart" isn't more popular with the Ratio and Aventurine fandom.

Like imagine being Dr. Ratio. You tell your colleagues, "This seems like a scam. Are you sure you should trust this 'local guide' you've made contact with? Tell me about him. A picture? Does this even look like an Egyhazan native to you? I won't save you fools from making idiotic decisions." (You end up having to clean up the aftermath of their idiotic decisions anyway. There is sand in places on your body you didn't even know existed before this. How mortifying for the Guild. For you, by association.)

Then, next thing you know, you get a mission briefing slid across your desk from your IPC connections. They want you to work with their new Stoneheart. You open the packet to see... that little bastard with the enthralling eyes who had your moronic colleagues scrambling in the dirt on a backwater planet for months. Apparently he's made a career out of fooling you your supposedly competent guildmates.

You run off to confront him. You never met him personally back then, but you deserve compensation for the idiocy you were subjected to nonetheless. He deserves to know how much of a pain in the ass he's been in your life already without ever having met your eyes--

He proceeds to shove a gun into your hands and tries to make you an accomplice to a suicide. Apparently, this is normal behavior for the man now called Aventurine. Somehow, it's supposed to prove to you that he is a sane and reliable individual.

Absolutely nothing in your life has been normal since Egyhazo.

You would like to have mundane problems, sometimes.

How do you keep ending up in this beautiful manic clever conman's orbit, and why, like binary stars, can you not escape the gravitational pull?

[thewiglesswonder]

Taking another shot at Animated Knock Out. I feel like it’d be fun if he were to interact with Team Prime for a while, before going full-time Con.

[halorvic]

The danger is clear and present: COVID isn’t merely a respiratory illness; it’s a multi-dimensional threat impacting brain function, attacking almost all of the body’s organs, producing elevated risks of all kinds, and weakening our ability to fight off other diseases. Reinfections are thought to produce cumulative risks, and Long COVID is on the rise. Unfortunately, Long COVID is now being considered a long-term chronic illness — something many people will never fully recover from. Dr. Phillip Alvelda, a former program manager in DARPA’s Biological Technologies Office that pioneered the synthetic biology industry and the development of mRNA vaccine technology, is the founder of Medio Labs, a COVID diagnostic testing company. He has stepped forward as a strong critic of government COVID management, accusing health agencies of inadequacy and even deception. Alvelda is pushing for accountability and immediate action to tackle Long COVID and fend off future pandemics with stronger public health strategies. Contrary to public belief, he warns, COVID is not like the flu. New variants evolve much faster, making annual shots inadequate. He believes that if things continue as they are, with new COVID variants emerging and reinfections happening rapidly, the majority of Americans may eventually grapple with some form of Long COVID. Let’s repeat that: At the current rate of infection, most Americans may get Long COVID.

[...]

LP: A recent JAMA study found that US adults with Long COVID are more prone to depression and anxiety – and they’re struggling to afford treatment. Given the virus’s impact on the brain, I guess the link to mental health issues isn’t surprising. PA: There are all kinds of weird things going on that could be related to COVID’s cognitive effects. I’ll give you an example. We’ve noticed since the start of the pandemic that accidents are increasing. A report published by TRIP, a transportation research nonprofit, found that traffic fatalities in California increased by 22% from 2019 to 2022. They also found the likelihood of being killed in a traffic crash increased by 28% over that period. Other data, like studies from the National Highway Traffic Safety Administration, came to similar conclusions, reporting that traffic fatalities hit a 16-year high across the country in 2021. The TRIP report also looked at traffic fatalities on a national level and found that traffic fatalities increased by 19%. LP: What role might COVID play? PA: Research points to the various ways COVID attacks the brain. Some people who have been infected have suffered motor control damage, and that could be a factor in car crashes. News is beginning to emerge about other ways COVID impacts driving. For example, in Ireland, a driver’s COVID-related brain fog was linked to a crash that killed an elderly couple. Damage from COVID could be affecting people who are flying our planes, too. We’ve had pilots that had to quit because they couldn’t control the airplanes anymore. We know that medical events among U.S. military pilots were shown to have risen over 1,700% from 2019 to 2022, which the Pentagon attributes to the virus.

[...]

LP: You’ve criticized the track record of the CDC and the WHO – particularly their stubborn denial that COVID is airborne. PA: They knew the dangers of airborne transmission but refused to admit it for too long. They were warned repeatedly by scientists who studied aerosols. They instituted protections for themselves and for their kids against airborne transmission, but they didn’t tell the rest of us to do that.

[...]

LP: How would you grade Biden on how he’s handled the pandemic? PA: I’d give him an F. In some ways, he fails worse than Trump because more people have actually died from COVID on his watch than on Trump’s, though blame has to be shared with Republican governors and legislators who picked ideological fights opposing things like responsible masking, testing, vaccination, and ventilation improvements for partisan reasons. Biden’s administration has continued to promote the false idea that the vaccine is all that is needed, perpetuating the notion that the pandemic is over and you don’t need to do anything about it. Biden stopped the funding for surveillance and he stopped the funding for renewing vaccine advancement research. Trump allowed 400,000 people to die unnecessarily. The Biden administration policies have allowed more than 800,000 to 900,000 and counting.

[...]

LP: The situation with bird flu is certainly getting more concerning with the CDC confirming that a third person in the U.S. has tested positive after being exposed to infected cows. PA: Unfortunately, we’re repeating many of the same mistakes because we now know that the bird flu has made the jump to several species. The most important one now, of course, is the dairy cows. The dairy farmers have been refusing to let the government come in and inspect and test the cows. A team from Ohio State tested milk from a supermarket and found that 50% of the milk they tested was positive for bird flu viral particles.

[...]

PA: There’s a serious risk now in allowing the virus to freely evolve within the cow population. Each cow acts as a breeding ground for countless genetic mutations, potentially leading to strains capable of jumping to other species. If any of those countless genetic experiments within each cow prove successful in developing a strain transmissible to humans, we could face another pandemic – only this one could have a 58% death rate. Did you see the movie “Contagion?” It was remarkably accurate in its apocalyptic nature. And that virus only had a 20% death rate. If the bird flu makes the jump to human-to-human transition with even half of its current lethality, that would be disastrous.

[temporary-tats]

(click for hi-def pic)

Netflix please let Enid beat the shit out of Tyler again in Season 2 🙏(AND LET EMMA DO HER OWN DAMN WEREWOLF STUNTS THIS TIME)

Per usual, do not reupload without credit/permission. Thanks folks!

(My ko-fi, should you wish!)