#so just to recap

[nowoyas]

Actually maybe sodium lauryl sulfate should be in no things because all it does is make it foamy and give me mouth ulcers

[skipblebee]

Sv au where everything is the same but it's like a reality tv show (the system takes interviews)

[valeriapryanikova]

This season, on Hermitcraft...

(speedpaint)

[isjasz]

[Day 286]

Redrawing whatever the heck tdy's hermit recap thumbnail was bc it looked so goofy HAJKSDHAWHW

[poorly-drawn-mdzs]

I came here for the silly haha doodles, but I've stayed for the absolutely blazing commentary in the tags. Your analysis of this story is so so so good! Thanks for all the work and thought you put into this!

I am just a silly little comics blog. I am not hiding anything in the tags, no way. Never.

[mlobsters]

jared padalecki and jensen ackles nashville con 2024 - main panel

sweat towel duty 🫡

[joifee]

No one is safe on hermitcraft

hermitcraft recap team is like a bunch of nosey reporters to me always there to hold the camera on when something goes horrible wrong

additional sketch (news reporters on the run)

[hyakunana]

What do you mean the construction worker never used the construction buckle????

[biggest-gaudiest-patronuses]

you want a new kind of guy, fine, i raise you: the lady i was briefly roommates with in college who once smoked a blunt at a party and then spent an hour confessing earnestly to me that she genuinely preferred reading detailed episode recaps over actually watching the tv show in question

[iaminjail]

idc if he killed all those people he was swag as hell while doing it

[critter-wizard]

ep 43 had me tearing up in a fucking shopping centre ‼️‼️

b+w alt version that I truly couldn't decide if I liked it more . Also I included a lot of thoughts in the tags but they're somewhat incoherent<3

[casscainmainly]

I headcanon that Jason, Cass, Barbara, and Duke are the major lit lovers in the Batfam, but they have very different tastes. Jason's taste leans toward British literature, stuff like Shakespeare and Alexander Pope (and Austen of course), but he also enjoys dystopian novels like Brave New World, 1984 etc.

Cass loves contemporary novels, including romance (stealing this from Shadow of the Batgirl!). She prefers stories with happy endings, and she also loves detective fiction, specifically British/American Golden Age - I think she'd adore Agatha Christie's cosies.

Barbara has the most diverse reading taste, and is the only one who can discuss books with the others without it devolving into a fight about whose taste is better. Her specialty is feminist fiction, stuff like Virginia Woolf, Mary Wollstonecraft, and Audre Lorde. She's not big on poetry, though.

Duke is THE poetry fan. He's a big defender of contemporary poetry, particularly poetry by POC authors, and loves Hanif Abdurraqib, Toi Derricotte, and Ocean Vuong. He does love Harlem Renaissance too, but makes fun of Jason if he brings up Langston Hughes (along the lines of 'oh is that the one Black poet you know?'. Jason, as a genuine Hughes fan, hates this). Duke, like Cass, loves detective fiction, but he prefers hardboiled noir over cosies. Cass and Duke get into tons of fights about this.

Duke and Jason both loathe BookTok, while Cass enjoys it. Barbara is neutral but prefers BookTube. They tried to form a book club once but Barbara didn't show up (she knew what would happen), Duke left halfway (he can be very elitist in his literature views), and then Cass threw Jason out a window (he insulted her reading taste).

These are just my thoughts, feel free to disagree/add on with any of your own!

[xxplastic-cubexx]

charles saying a total of Four Words and storm immediately assuming he's gonna read travis' mind has me in stitches im ngl

[Storm (2023) #2: "Punked"]

[aheathen-conceivably]

Hello, my darlings! 🌻

Since it’s been a while since we've last seen our Darlingtons, I thought it would be nice to do a little recap and see where we left our pixel babes. We also have some new folks who joined us during What the Water Gave Me, so if any of you are interested in my historical story, I thought this might be helpful for yall too! I also have a new reader guide, if you're inclined. And as a reminder, I have also added Previous / Next buttons to the 1930s, so if you’d like to catch up on this decade you can begin here.

But before we jump back into the story in earnest, let's take a look at how 1935 has been going....

We opened with Antoine and Josephine on the road, where Antoine's first tour was such a success that his sister and manager Josephine negotiated a deal for two more. Just like she had previously done, she signed the deal with her former employer Hosa Grove without consulting Antoine, although he didn't hesitate nearly as much as he did the first time (or consult his own wife, Zelda).

When Antoine returns home, Zelda almost immediately senses that something has shifted in him. He returns with a stack of songs he's written, which she's too anxious to admit make her feel as though he's moving on to a new stage of his life, one in which she is notably not included in. His assurances carefully avoid answering her actual question, which both of them notice but neither really know how to address as they each try to defer to the other in some way.

Zelda' question to Antoine continues to echo in his mind after she's asked it. Are you happy when you’re out there? What unveils is something that he doesn't really know how to discuss with her, or anyone other than his own guitar: namely that he's filled with pride at his success, and feels as though he's playing not only for himself now, but also generations of Black men who were never given the opportunity he feels as though he has now. Its driving him back on the road, even if he personally may not find happiness in that life for himself.

The only person who Antoine shares this with in some capacity is his former employer, Abraham Hines. Going back on the road also means formally quitting his job on Abe's ranch, which fills Antoine with both sadness and guilt after Abe offered him the job in good faith. But what began as a professional relationship has turned into warm friendship, especially as their children William and Violette are also now close.

As Josephine and Antoine prepare to go back on the road, a sense of normality returns to the household. Antoine and Zelda choose to ignore the misunderstanding between them in favor of enjoying what little time they have together. Meanwhile, the other couple on the farm, Josephine and Giorgio, reach a point of accord after many years of distrust and dissatisfaction. The root of their tension can primarily be traced to Giorgio’s lie that tricked Josephine into moving on the farm in the first place - a life that made her miserable and feel as though she had lost all autonomy in favor of Gio’s dreams.

The scales between them began to tilt when Jo discovered that Gio had taken out a huge loan on their farm, and that he, Antoine, and Zelda had all been lying to her about it. Her initial deal with Hosa paid off a significant portion of the loan, and she now owns 25% of the farm (with Antoine owning another 25% and Gio 50%). This, and the feeling of freedom that she gets on the road, has allowed her to feel stable, and enjoy the quiet domestic life that Gio had tried to corner her into in the first place. Just before she leaves again he gives her a pair of bright red driving gloves, symbolizing his acceptance of the freedom she wants and the accord they've found in their life.

Only before she returns to the road, Jo’s newfound stability is undermined by her relationship with her former employer, Valcita Grove. After learning of Gio’s loan, Jo had taken a job at Val’s bar, and fostered a close relationship between them in part due to their mutual attraction, but also to get back at Gio for lying to her. Now that the she and Gio are in a happier place, Jo returns to Val’s house to borrow her car, only to still be tormented by the same restless thoughts that she had when she was unhappy. Horrified with herself, Jo leaves for their second tour trying to convince herself that whatever she feels for Val (alongside the nagging sensation that she wants something more) can be blown away by the freedom she feels on the road and the love she has for Gio.

Once Antoine and Josephine leave for their second tour, we are left at the farmhouse with Gio and Zelda, who still has the feeling that her husband is moving on without her. She isn't necessarily unhappy, just stuck with the nagging sensation that something is missing from her life, and she’s ended up in a position she didn’t quite sign up for. Meanwhile, she and Giorgio work the failing fields together as they have for years. With their partners gone, they rely on each other in small ways - Gio's good nature curbing Zelda's anxieties, and Zelda's quiet knowledge keeping Gio from fixating on the fact that his dream is on the cusp of failing.

On a hot Summer day a book truck interrupts the menial life that the two of them are living alongside Zelda and Antoine's daughter Violette. As Violette runs around the book truck excitedly, Zelda immediately gets distracted by it, instantly forgetting her anxieties surrounding parenting her child or the melancholia that her life is missing something. Violette finds a copy of her favorite book, The Wizard of Oz, while Zelda talks to the driver, Alexander Barnes, who gives her his card and invites her to come to his office at the town courthouse.

Rather than take him up on this offer, Zelda agonizes over her desire to do so. When she goes to pick up Violette from school, she muses on how young and full of potential the children are - mirroring her own feeling that her life path is set and any sort of potential change she may long for is childish and imagined. After enthusiastically agreeing with Violette's teacher that her daughter begin ballet lessons, she turns around to look at the courthouse, imagining that she simply crosses the street to ask Alexander Barnes more about the book truck. But just before her daughter emerges, Zelda decides that it was nothing but a foolish daydream.

Meanwhile, Antoine and Josephine's days on the road stretch out, effecting Violette, who is now almost eleven years old. Always closer to her father and aunt, their absence has made her distrustful, angry, and heightened her sense of abandonment. We see her coping through ballet, as she focuses all her energy into perfecting her steps rather than counting down the days until her father returns.

—

And so we last saw our Darlingtons…

- Antoine following the pull of music, approaching a crossroads where he may have to chose it or his family, but unsure if it even makes him happy at all.

- Zelda feeling restless and left behind, within sight of something she wants for her life but too anxious to follow it in earnest.

- Giorgio willing to give up control and share in Jo’s vision of their future, but perhaps at the end of the line of how much he’s willing to give up quietly.

- Josephine finally finding some sense of peace and happiness, only to still unwittingly feeling a restless pull from deep inside of her that she rather ignore than battle.

- And our heiress, Violette, on the cusp of her preteen years developing her independence and emotional maturity in a warped way. She’s channeling her loneliness into perfecting an art that she was already talented at, and developing an understanding that dreams may always lie just outside of Strangerville city limits.

[moonchild-in-blue]

The Group Photo feat. Sam and Adam 🥹💙

All of my fav boys in one place 🥹

[climbdraws]

im so so sick of the infantalizing takes of "this children's media is soooo dark its not for kids!!!" and it's just a millennial recounting scene for scene what happens like this