#so i'll need some time to make these four posts

[bomberqueen17]

aight poll results

Huh I haven't really done a poll before, I kind of thought there'd be somewhere you could like, see the results. But no. I just have to scroll back and find the post. And since I made it not rebloggable I can't reblog it either, LOL.

So anyway. It's not quite-quite closed but there's more votes in it than I thought there would be, and I'm going to discuss it behind this lil cut here.

[Image ID: a screenshot of poll results showing 14.5% for the sweet summer children era, 85.5% for the older sea-dogs, 55 votes cast, almost four hours left in the poll.]

After making this poll I went back to my Just Write Some Scenes approach and noodled around some more. My first attempt had been to come up with this whole elaborate Save The World plot, and then try to introduce the crew to each other right at the start of it, and after tripping over that and falling flat on my face, that's when I reconsidered and made the poll. Mostly I just. Need other people to remind me that I'm not alone in the wilderness here, LOL. And you know the quite-contrary "I need advice but mostly so I can identify that when someone tells me to do the thing I don't wanna, that means there's a thing I didn't want to do, which means there is a thing I DO want to do, and now I can narrow down what it is" impulse, yes?

But it's gratifying to find that I've voted with the majority here.

So my main consideration here is that while I cannot really reuse any of the scenes I wrote as fanfic, I can absolutely carry over every bit of the character dynamics. The canon events, I can't translate. The fanfic character work, yes. (What that means to you, dear readers, is that I thus can totally just publish the fanfic at some point LOL, so I'll... try to do that if I can ever manage to become sane about it.)

I don't know that I've fully explained, here-- I fully have a 125,000-word fanfic already complete for this fandom. Like, it is 125,000 words long, and goes from before Master and Commander to... I'm at about the middle of Ionian Mission. That's book nine. And it's all the gapfills and everything from Tom's POV. And I have a few more scenes I'm still writing, but what I have is quite a novel already.

If I took the characters from their Master & Commander Book 1 era and file the serial numbers off and try to instead give them this plot, then I have to cram in every bit of the getting-to-know-you shit, and also worldbuild the whole setting, and then also have them save the world. It's not that I can't do this, but I have this huge shortcut where I've already been working with these guys (and you know how fanfic works, I've subtly warped them from canon because these are side characters the canon author did not devote all that much time to. There are several times when Mowett did something in the first book and by the eleventh or twelfth, Stephen firmly remembers it as something Pullings did, and the narrative treats him as correct, and I genuinely think that O'Brian forgot, unless he was trying to make a point about Stephen's memory issues that he then didn't entirely follow through on. It happens more than once. Also there are a number of occasions when the narrative asserts that Mowett was present for books when he was not; he does not appear in book 3 for example, but is afterward treated as though he'd been there. "They've been together since their youth!" they haven't been in the same hemisphere in six years. Anyway.)

I've been working with these guys for the length of a novel already. So what I can do, and what I think I'm going to do, is that I'm going to just pretend that I've already rewritten a serial-numbers-filed-off version of the first volume, and dive in at circa the book 5 section of the fic, and insert this adventure at that point. Which gives me a certain rank for each character-- Pullings and Mowett would be lieutenants with some seniority, Babbington would be a newly-made lieutenant, Aubrey has moderate seniority, his relationship with Maturin is fairly mature and has weathered some storms and come out well, he's rescued Maturin from torture, Maturin is slightly washed-up with the intelligence people and is addicted to drugs but recovering-- and from the fanfic side (spoilers for the as-yet-unedited-and-unpublished fic!), I've established Pullings in his marriage, given him his checkered career (Indiamen and transports), he has two children, and also he and James and Mrs. Pullings have worked through a bunch of their shit and figured out that they should all have a threesome sometime. But, crucially, they have not had this threesome yet.

So it's like-- a ton of deep character work, that I can just plunk us into.

(I haven't figured out a new naming structure yet so I haven't find-replaced and I'm just writing with the old names, which is hilarious the more I diverge from canon.)

It's not that I don't want to tell that first story, of them all meeting up initially, but I think it would be easier to go back and write a prequel after having done the Big World-Saving Plot.

Anyway-- some serial-number-filing notes here:

Aubrey is going to be a woman because then if I write her exactly the same it comes across wildly differently and I am absolutely dying to see what effect it has. Translating Jack's particular confused helplessness around women makes this new Aubrey into an extremely awkward lesbian and I love it. (Still fat, crucially. Still six feet tall. She might not be blonde, though, depending what I do with racial dynamics in this 'verse. Doesn't matter, as calling a woman Goldilocks is less hilarious than a man.)

Maturin is still a dude. They still have absolutely zero sexual chemistry, but profound deep interpersonal love. (This is bookverse, guys. Sorry the gay movie version is great but that's just not where I'm going here.)

Instead of having a lower-class accent and antecedents, I'm translating Tom into being somehow visibly biracial, which can give the same impediment to his being taken seriously for promotion as in canon, but also lets me tie this into the other books I've started in the land-based part of this verse. His mother is descended from mainland mammoth-herders, and I haven't decided what visual characteristics that gives him but it's enough that he gets called racial slurs occasionally. As in canon, Aubrey doesn't particularly notice these things, and cares only that he is competent.

Babbington is a trans dude so I have to figure out how that works in the worldbuilding but this is an extremely useful thing to have and will illuminate all kinds of awesome things for me. As a bonus, it can just be background established fact in the first book I write, and can be a plot point in the prequel if I do come up with anything cool in the worldbuilding, but if not it can just be a like low-key background thing in the prequel too. Who knows! It gives me a ton of material either way. Has potential to establish vivid character dynamics in a minimum of words, I think.

I was trying to solarpunk-ize solid-shot cast-iron cannons and seem to have independently mentally invented electromagnetic rail guns, so I have to research that somewhat but I think I have some good worldbuilding foundations based off that. !!! Exciting. I especially love the idea that the ships can collect and store potential energy that they can use either for propelling the ship without wind, or for firing guns, and so manoevering with sails still carries enormous tactical value because if you can get in position to fire your shots without having expended your generated power, you'll have much more success in battle; conversely, if you realize you're in a poor tactical position, instead of throwing your guns over the side as in the napoleonic era so you can flee faster, you simply empty your power generation banks into your propulsion to get the fuck out of there. And it makes it more solarpunk post-collapse-friendly by having tactics that can prioritize things other than massive loss of life, which doesn't hold with the dynamics of precarious population levels in the other books in this 'verse. Life was cheap in Europe in the 1800s but that doesn't work here. I love the idea of the "battles" being almost entirely manoevering, and it being plain impossible to have just yardarm-to-yardarm prolonged hammering except by rare circumstance.

So anyway that's where I'm at. So far. Stay tuned i guess? Thanks for reading this far, anyone who does. <3

[wanderingmind867]

I honestly don't have strong opinions on many holidays. Except two: Halloween is stressful and can be freaky, and Christmas can be stressful but has an amazing aethestic. I left my blog background as a christmas scene partially because i'm super lazy, but also because christmas movies and christmas music is so cheerful that it usually is capable of making me feel good about myself. And there's very few holidays that have that affect on me. But since I'm rambling here, maybe i'll make two seperate posts about all this. And I'll end this one by just saying that Thanksgiving and Easter are nice, but dull. And birthdays have lately been a stressful matter of existensial dread. So it really is christmas that i would rank highest.

[sysig]

Your Weekly TV Guide

On Monday you can expect:

2:30 PM: Solanaceae

And Tuesday:

2:30 PM: Die Anstalt - Psychiatrie für misshandelte Kuscheltiere

Wednesday:

2:30 PM: Star Control II - Helix

Thursday:

2:30 PM: SCII - Helix (blood warning)

Friday:

2:30 PM: SCII - Helix (blood warning)

Saturday:

2:30 PM: SCII - Helix’s Captain Zelnick ♥

Sunday:

2:30 PM: SCII - Helix

Thanks for tuning in! (Patreon)

[nereidprinc3ss]

do you believe me now? | 5

in which spencer reid and fem!reader are reunited, but the worst kind of sparks are flying. you meet a man named randall. derek morgan buys you a drink (sort of). it seems that some things can't be unsaid.

series masterlist

this series is 18+ warnings/tags: r goes to a bar but doesn't drink alcohol, gets hit on by weird men, dramatic, angst, sorry in advance a/n: surprise! i'll see myself out. love you! lmk your thoughts on this bad boy! i KNOW you'll have some! i'm locking all my doors and the cops are on speed dial after posting this. stay tuned for part six tho

You don’t call Spencer for four days. 

Spencer doesn’t call you for four days. 

It’s scary. 

There’s some texting—mostly him giving you updates on how things are going and when he expects to be back. Mostly you giving the messages a thumbs up and saying nothing else. 

Finally, on Thursday afternoon, his ringtone (the Bill Nye theme) makes you jump as you’re sitting on your bed staring into space. 

His caller ID photo—which is simply his passport photo, because you’d thought it was adorable—stares at you. You stare back. Contemplate not picking up. 

But you’re not quite there yet. 

And you cannot keep listening to Bill Nye the Science Guy. 

The answer button is cold under your thumb, but not as cold as your greeting. 

“Hi.”

You barely recognize your own voice. 

It seems to send Spencer for a loop as well, because his reply is halting. 

“Hey! Hi, um—how are you? I feel like we’ve barely talked this week.”

That would be because you told me my feelings for you are stronger than your feelings for me and I don’t know how to stop making every single word I say secretly mean I love you. We can’t have a conversation without me loving you. It will always be in the room or on the phone with us. To ignore the presence of it is impossible, and I don’t know if I can ignore the absence of yours, either. 

“Uh… yeah. I’m fine. What’s up?”

There’s a pause. 

“We wrapped up this morning. We’re getting on the jet here in a few minutes, and, um—I know it’s not ideal, but we missed Derek’s birthday and Penelope is insisting we all go to his favorite bar tonight. And he told me that for his birthday he wants to meet you. So… would you be up for that?”

“You want… to take me to a bar?”

“No. I mean—I know it’s not really your thing, but we missed Derek’s birthday three years in a row, and—and I understand if you don’t want to meet him tonight, but we wouldn’t have to stay very long and I really, really shouldn’t skip it. Derek has saved my life on more than one occasion.”

“You could go without me.”

More silence. Every second hurts, but you don’t understand why he wants you to come meet his best friend if he thinks the two of you are in different places emotionally. 

But maybe he’s not going to break up with you just yet. Maybe he’s going to keep inviting you to bars and foreign film festivals and bookshops. Maybe he’s going to treat you exactly the same as he always has but with this new added layer of knowledge that the way he treats you isn’t actually love, and it never was, and you’re not sure if it has the potential to ever become love. Because if it did—wouldn’t it have already? What more do you have to offer than what you’ve already given him?

Breakup or no breakup, you feel sick. 

When he speaks his tone is similarly chilly. It’s welcome. You want him mad. If he can’t reciprocate your adoration, then the very least he can do is have the decency to reciprocate your reproach. 

“I could. Is that what you want?”

No. I don’t want any of this. I need you to know me well enough to know that. And if you can’t love me then at least get angry. At least show me you feel something other than passive contentment. 

“Yeah. Sure. I don’t know.”

A pause stretches so long your heart pounds. You watch the elapsed time of the call tick by, second by second, and you wait for the anticipation to crack under the weight of silence, to give way to some terrible jump scare or to give way at all. 

But the words that end the conversation (if you can even call it that) aren’t any great relief. They’re just sad, and chalk full of defeat. 

“Alright. I’ll… I’ll call you later.”

You feel like you’ve swallowed an ice cube. All the words you’d like to say are frozen in your stinging throat. 

“Okay. Um… I’ll let you board now.”

“The jet’s not…” but he trails off. When he speaks again he sounds just as hurt as you’d wanted—and it doesn’t make you feel better at all. “Okay. Bye.”

“Bye.”

The line goes dead, and your face is burning as tears fill your eyes for the hundredth time this week. That call was terrible and poisonous and you don’t feel like yourself. 

Things have gone so wrong so quickly, and all you know how to do is ice him out so he can’t do it to you first. But it’s not going to make this better. No matter how mean you are to him, at the root of it all you feel unloved and scared and alone and Spencer knows things about love and relationships that you don’t. He’s confusing you with all this talk of feeling differently about each other and I’ll be home tomorrow I miss you and things get complicated when one person likes the other more and let’s talk in person and will you come meet my best friend tonight. All of it leaves you motion sick and ugly crying in the fetal position. 

All you have to get through this is who you’ve always been, a little of the person you’ve become, and the love you harbor for Spencer which rattles around in your chest like a nail in an empty toolbox. At the moment it hardly seems helpful. It mocks you, pointing out the pathetic hilarity of your paradox. The only person who can comfort you, the person you want more than anything, is the reason you’re so upset in the first place. But you can’t help being drawn to him. 

Maybe the love you have for Spencer is more like a magnet in a compass. 

Even if he doesn’t feel it for you, you do love Spencer. And that goes beyond just loving the parts of him that like you. To hide from that love would be a gross disservice to yourself and all the work you’ve done to get here. It’s not as if you suddenly know exactly what the answer is—but you’re sure that hiding is the most childish, cowardly thing you could do and the furthest you could get from a resolution. Even if you can’t make him love you back, you refuse to allow yourself to fizzle quietly out of his life. This relationship deserves something more than that. 

So maybe you don’t have a plan when you wipe your eyes and pick up your phone. Maybe there’s no strategy behind your actions as you text Garcia for the bar location. But if you keep running from everything you’ll never get anywhere. All you can do is show up. It seems like the next best step. 

------

The pub isn’t too crowded—but for a Thursday night, you suppose it’s a bit busy. 

Boot heels hooked onto the metal foot-beam of the stool you’re sitting on, elbows resting on the polished mahogany surface of the bar, you’re staring into an untouched mixed drink. Then you glance down the bar to your right, at the man who’d bought it for you. 

Maybe your ensemble gave him the wrong idea. 

Coming to this gathering had required bravery, and you came armored. Your ensemble projects significantly more confidence than you’re currently feeling. It was intentional, a form of self-protection—but now you’re wondering if it’s projecting a little too much confidence. 

All done up, clearly still a little rough around the edges, and sitting alone at a bar was bound to draw the wrong pairs of eyes. 

“Hey, darlin’,” the gruff man says, approaching when you inadvertently catch his gaze. “Are you gonna drink that, or should I? Otherwise I’m lookin’ at eleven dollars right down the drain.”

You avert your eyes, scanning the groups dotted here and there. 

“I’m waiting for friends.”

“Does that make a free drink less appealing?”

He takes the stool next to you, off-gassing the scent of cigarettes and leather. 

“I’m not drinking.”

“Really? I’ve never seen a girl who looks as sad as you do come sit at the bar to stay sober.”

You frown, looking back up at the man next to you. He seems like the Hell’s Angels type—tattooed knuckles, leather jacket, grey beard, and a weathered face that’s clearly spent decades with the sun. Fifties, maybe younger and just looks more rugged. What does it say about how I look tonight that this is the kind of man I’m attracting, you wonder. Maybe you look desperate and just as lonely as you feel. As he claims you do. 

“I’m not sad.”

“Alright. I’ll take your word for it. But a happier girl wouldn’t be all alone.”

“I’m waiting for friends,” you repeat, letting the words drip like venom from your tongue. 

“I’m Randall. See? Now we're friends.”

“I don’t need more friends. I like the ones I have.”

Something catches Randall’s attention long enough to catch yours. He raises his bottle vaguely, gesturing beyond your shoulder. 

“Are those angry lookin’ guys in the suits marching right over here the friends you’re talking about?”

You turn your head, brows furrowed, and immediately see the gentlemen to whom your new pal is pointing out. 

Spencer is storming across the bar looking close to furious (which for him, means an expression so placid it gives you chills) followed by Derek Morgan—a man who you’ve only seen pictures of and is even more impressive in person. 

You hate how your breath catches, how your heart is already beating a little faster than usual at the sight of him even though you’re not exactly pleased with each other right now. 

Suddenly the bubbles in your cocktail are once again fascinating.

“Those are the ones.”

“And why are they dressed for church?”

Church?

“They’re FBI.”

“Ah. My lucky fuckin’ day.”

You almost snort. 

“Hey,” Spencer says sternly, hand settling on your back as he partially fills the small space between you and the strange man. “Who’s this?”

You shrug, sit up a little straighter, and take a shallow breath—not because you’re scared of this man but because Spencer is suddenly so close to you and you can feel his warmth and the air bending around him and the scent of him is genuinely dizzying to you. 

“Randall,” you exhale unenthusiastically. But the odd thing is that you’re rather grateful for Randall’s presence. Because now Spencer is here and you have no idea what you’re going to say to him. 

“Oh,” Randall says, sipping his beer unhurriedly before using it to gesture to Spencer. “You’re the boyfriend. You know, that’s funny, because she didn’t mention a boyfriend.”

“I didn’t mention anything. We weren’t having a real conversation.”

Randy holds his hands up defensively, fingers still wrapped around the neck of a sweating bottle. 

“I’m just saying it’s in-ter-esting. Not trying to start anything.” He stands, pauses for another sip—Spencer obviously isn’t sure what to make of this man because he says nothing. “But listen, man to man—you better buy her some flowers or a real pretty fuckin’ necklace or somethin’ because a happy girl in a happy relationship does not come pout at the bar all by herself.”

“Get out of here, man,” Derek finally speaks up. 

“Yeah, yeah.” He sets his empty bottle down and fishes in his pocket for a cigarette, sticking it between his lips. “But—just for the record—I have a wife. I wasn’t gonna do anything weird. Sometimes when you’re my age you just gotta live a little. Buy a pretty girl a drink. Piss off some Mormons, or whatever the fuck you are.”

This guy sounds like a bad Bruce Springsteen song. But part of you would almost rather hang out with Randall than be forced into a conversation you’re not prepared for with Spencer. 

And whose fault is that, you remind yourself. You decided to come be mature. Suck it up. 

“Goodnight,” Derek emphasizes. 

Spencer doesn’t say a word. You can feel his eyes boring smoking holes into the side of your face, and you look anywhere else.  

“I’ll be here next week after physical therapy like clockwork,” the stranger waves as he ambles away—but not before pointing at you. “You enjoy that drink, friend. And don’t say I didn’t warn you.”

What a weird man. 

There’s silence for a moment—in which Spencer refuses to stop watching you and you refuse to acknowledge that. 

“And here I was thinking Spencer made you up.” Derek has a beautiful smile and a warm, charming cadence as he holds out his hand for you to shake. “I’m Derek.”

You take the proffered hand and shake, offering him a shy smile and introducing yourself in kind. 

“Happy birthday, by the way. Sorry for crashing your party.”

Really, he’s stunning. 

“Thank you, sweetheart. And you’re not crashing anything. I told pretty boy here I wanted to meet you the second he started talking about a friend. But nah, he just wanted to talk and talk and talk about you—” 

“Alright,” Spencer mumbles, blushing, eyes finally torn from your profile. You smile slightly, brows knitting as Derek magically melts some of the terrible tension.

“Pretty boy?”

Before either of them can explain, someone shrieks in your general direction. You startle backward in your seat, and Spencer steps closer, hand sliding up your back as Penelope, JJ, and Emily join your little huddle. For only a second you allow yourself to shrink into him—before you’re straightening your posture like your spine is a metal rod and his touch burns. It’s a knee-jerk defensive reaction for which you have no explanation. You can’t see him, but you don’t feel his hand on you again. 

“Oh my god! Look at this beautiful person who I love!” Penelope exclaims, pushing past Derek to grab your face and kiss both of your cheeks. “Oh my god,” she says again, wiping sticky lipgloss away with her thumbs, “I totally meant to ask before I did that. But your face is just so kissable. I’m so glad you decided to come!”

“Hi, Penelope,” you smile half-heartedly, incapable of reciprocating her cheery mood. Fortunately, she’s cheery enough for a standard commercial flight’s worth of people, and probably thinks of Derek’s birthday as a national holiday—so she doesn’t pick up on this. 

Emily and JJ offer you tamer although perfectly kind greetings. 

“Ooh, what are you drinking?” Emily asks, leaning closer to examine the forgotten beverage in front of you. 

“Not that,” Spencer mutters, grabbing the glass and sliding it away from you. You give him an affronted look—and immediately wish you hadn’t, since you’re meeting his eyes for the first time since he left. His words stall for just a moment as his eyes dart between yours before he’s saying, “you shouldn’t accept a drink if you didn’t watch someone make it.”

The audacity of him to be acting protective makes you scoff. 

“That guy didn’t spike my drink. He was harmless.”

“People thought Ted Bundy was harmless, too.”

It’s such a ridiculous thing to say that you don’t even have a response—your eyes simply narrow and you shake your head. A claustrophobic silence falls over the small group. 

“Okay…” JJ murmurs. “Um, do you guys want to go check out the jukebox with me? We have to play all of the birthday boy’s favorites.”

Several enthusiastic yeses go around, but you’re too busy having a stand off with your boyfriend to take much notice. 

Soon, it’s just the two of you. 

“Controlling isn’t a good look for you,” you finally say, spinning to rest your elbows on the bar once more and studying the bottles of liquor on the shelves beyond. 

“Evasive and avoidant isn’t particularly flattering, either. I was under the impression that you had no intention of coming after that phone call earlier.” 

You scoff again as your blood heats. Already the conversation is going worse than you’d expected—and your expectations were not high. 

“Do you think the cab driver was a serial killer, too? Or maybe the bartender?”

He’s still behind you and slightly to the side—but he leans down, resting his own fists on the bar right next to you and speaking lowly, directly over your shoulder. 

“Why don’t you try speaking to me like we’re adults instead of starting meaningless arguments in order to get under my skin?”

From him, that hurts. 

It’s a branch on the tree of your greatest insecurity—the fear that you’re too inexperienced with relationships and that makes you too immature and he’s been lying every time he says it’s not an issue. Because of course it’s an issue. It’s why you fell in love with him, it’s why you don’t know how to fix it, and it’s why you’re incapable of actually expressing any of your feelings to him.

“Why do you think I’m here right now?” you whisper—as sharp and stinging as a poison dart. “I’m trying to be a fucking adult. I don’t want to be here.”

Silence. 

“Then why did you come?”

His voice is so calm it burns like dry ice. 

“Because! Because you asked me to, because—”

You can’t bring yourself to say it aloud. 

Because I’m obviously still in love with you and I can’t just turn that off. I tried to do the right thing. 

Instead you bury your face in your hands and let it hang in the air, unspoken. You know he knows. You just don’t know why he’s acting like you’re so unreasonable for being upset. 

“Let me make this very clear to you,” Spencer murmurs, brushing your hair away from your ear so tenderly, speaking so softly you could convince yourself that he’ll say something kind. It’s the closest he’s been in days and now that he’s here you feel how much you missed him in your bones. And even though you sense a trap, you can’t help but sit up straighter. You’ll be complicit in your own undoing if it means you can have him close. His breath shakes slightly as he inhales and you brace as best you can. “Nobody is forcing you to be here. You told me you weren’t coming and then you decided to show up. I was ready to give you the space that you were too scared to ask me for. But I can only take responsibility for so much of what is ultimately your bad behavior and your adolescent volatility. You can only blame so much of your bad behavior on inexperience before I run out of patience because I don’t find thoughtlessness and emotional immaturity compelling. I told you that if there is a disparity in the way we feel for each other, that was fine, and I meant it. But if you can’t cope with how I feel about you then don’t let me hold you back. I am not holding you hostage. You can leave whenever you want. So don’t waste your time punishing me because you don’t want to be here. And if you do want to be here, good. I want that too. But act like an adult and make a decision. My leniency has limits, even for you. I am asking that you do not push it any further than you already have.”

You don’t know how long it’s been since your last breath by the time he finishes his address.

Long enough that you’re dizzy when you push away from the bar and shoulder through the throng of patrons as quickly as you reasonably can without outright running. 

Long enough that when you burst out the door into the biting-cold night air, and finally take a deep, gasping breath, it burns and stings and aches and so does your head and your eyes as they well with hot, furious, heartbroken tears. 

You speed-walk to the end of the block, hand clamped over your mouth to muffle your cries and all the curse words you’d love to scream. 

Part of you knows you walked away from the bar in case he decided to try and follow you—but when you look over your shoulder the sidewalk is empty. You should’ve known better than to think he’d follow you after that. But at least it means you can have your breakdown by the relative safety of the bar, leaning your back against the dirty brick facade next to the entrance alcove and sliding down until your butt hits the cold concrete and you don’t even care. 

Who the fuck was that man in the bar who looked like Spencer and sounded like Spencer but spoke to you like this is all your fault, like it’s your fault you love him and he doesn’t love you back, like it’s ridiculous that you’d be upset, like you’re cruel and petty for having feelings about it, about him—for having any fucking feelings at all? And to think that was the man who you let know you more intimately than anyone ever has. Every insecurity you’d ever admitted to him was hurled back in your face like it was nothing. Hell—he even handed you the ones you’d never mentioned. He proved every terrible thought you’ve been having about yourself right. 

How could he be so unabashedly mean to you?

Spencer doesn’t have to love you. It seems clearer now than ever that he doesn’t. But part of you wonders if he suffered some sort of traumatic brain injury because that’s the only explanation for why he could go from treating you how he did before to treating you like he doesn’t even like you. 

You feel like you might throw up. 

“Called it,” a rasping, grumbling voice says from a few feet away. 

You look up, and spot fucking Randall standing under a street light ten feet away, still smoking. 

You go back to studying the tar spots on the sidewalk through bleary eyes. Pebbles sting as they press into your palms. Another one of the universe’s terrible jokes, you suppose. Just earlier you’d thought that you’d rather talk to Randall than Spencer and now here you are and here he is. 

“That kid as much of a dipshit punk as I thought he was?”

Hearing Spencer described as a kid and a dipshit punk is so jarring you almost stop crying. 

“He’s not a dipshit,” you sniff, voice thick with tears as you find yourself explaining Spencer Reid to this stranger for no reason at all. “He has an IQ of 187. He’s a genius.”

“Ah,” he scoffs dismissively, flicking ash from his cigarette. “Dipshit-ism don’t discriminate. Anyone can be one. Even your genius punk boyfriend. As a recovering dipshit myself I know what the work of a fellow dipshit looks like. And this has dipshit written all over it.”

You sob harder. 

Randall speaks calmly around his cigarette. 

“You know, I’m sorry for whatever you got goin’ on. But I’ve never not been the asshole when I got a hysterical woman in front of me. It’s nice that I can confidently say this time it is not my fault.”

The bar door opens, letting a warm burst of jovial music and chatter into the otherwise still night. Steps that are too heavy to be Spencer’s hit the concrete next to you—you look to your left and see Derek Morgan before he looks down and sees you. 

“Hey—you okay out here?”

“Why don’t you go ask your Jehovah’s Witness buddy? He did this.”

Derek makes a face, locating the source of this interjection. 

“Sir, I asked you to leave her alone once and I don’t appreciate being made to repeat myself. Are we clear?”

“Yeah, whatever. Fuck me for making friendly conversation, I guess. Gonna have to call my wife and tell her to pick me up down the street. I don’t want her on the damn phone while she’s driving.”

Randall wanders away again, still muttering to himself and smoking. Derek watches him go, staring daggers into his back until he turns his gaze to you. 

Goodbye, Randall, you think. Great. Now I have neither of them. 

“Hey,” he softens, crouching down to your level. “You okay?”

You sniff, wiping your cheeks and attempting not to smudge your makeup. It’s impossible not to feel awkward—you just met this guy and now he’s here trying to do emotional labor for you on his birthday. 

“Yeah, I’m fine. This is embarrassing.”

“You don’t look fine. Can I do anything for you? Do you want some food? A drink?”

“You really don’t have to—”

“I know, I know. But look—Reid is always talking about you. You’re important to him, and he’s important to me. I’ve never seen him this happy and I’ve known that kid a long time. It is in my best interest that someone maintain you, and if it’s not him, it’ll be me. Call it a favor to him, if that makes you feel better.” Derek is sporting a slightly more modest Cheshire grin again by the end of his sentence. Listening to him speak that way about Spencer speaking about you, it’s impossible not to feel a teeny bit lighter. Even if you’re not entirely sure where you stand on all things Spencer related at the moment. “So I’ll ask you again. Is there anything I can do for you?”

You sniff again. 

“Sure. A ginger ale or something might be good.”

“Got it. I’ll be back. And come inside if Randall tries to run up on you again, okay?”

Despite yourself you manage a laugh at the way he says the name. His warm smile flickers warmer at this.  

“Will do.”

When Derek returns a few minutes later, the plastic cup he’s holding looks decidedly not like ginger ale. 

“Penelope insisted that this is what you would want. I don’t even know.”

You smile slightly as you take the cup, full to the brim with bubbles and thick red syrup. A cherry bobs underneath the layer of cubed ice. 

“Shirley temple,” you chuckle. “I’ll take it. Thank you.”

“You’re very welcome,” he says, flashing that brilliant smile again, and you look into your cup as you drink. Maybe your face warms just a bit. You’re still shy around men, you realize. Especially attractive ones. And Derek Morgan definitely qualifies as attractive. 

“So,” he begins, and to your surprise, crouches down in front of you. “I have to be honest—I came out here in the first place because Reid sent me to check on you. But now I’m wondering what the hell he did.”

Spencer sent him. A considerate action that would theoretically signal his care for your feelings. You take another sip, staring into space and trying to digest this information, but it only jumbles with the rest to confuse you more. 

Of course, you don’t know how to convey this to Derek in a way that’s not overly-familiar for just having met the man, so you go with an old standby. 

“I’m probably just overreacting.”

“Uh-huh. I have sisters. I know what an overreaction looks like and if you were overreacting you wouldn’t be out here hiding. What’d he do?”

You can only keep up the facade of emotional stability for so long. Your chin wobbles in a horribly embarrassing way and you look down again. 

“I’m not sure—I’m not sure if he really did anything or if I’m just being dramatic and I don’t want to make him seem—”

“Why don’t you stop defending him and just tell me what he did?” Derek urges. “Trust me—I love that kid to death. But I also know he can be a dick sometimes. You don’t need to worry about making him look bad in front of me.”

Part of you is glad Spencer has such a good friend on his side. And Derek is right—Spencer is an adult. You don’t need to worry about besmirching his reputation. So you take a shuddering sigh, staring into the red of your drink. 

“He just doesn’t like me as much as I like him. Which isn’t his fault, like I said, but—he’s being such an asshole about it.”

Derek pulls a face, strong eyebrows making an impression as they knit.  

“Did he tell you that?”

“Over the phone,” you nod emphatically. “And just now he gave me this whole fucking speech about how immature and horrible I am for not being 100% happy about it. And maybe he’s partially right, I mean—I know people feel things differently and maybe he just was asking for more time. I worry I fucked it up so bad because I couldn’t handle that—but at the same time he didn’t say he wanted more time. He was really fucking unclear and vague about what he wanted, and he asked me to come to this bar like it was nothing when I’ve been worried he was going to break up with me all week. So yeah, I guess he’s right and I have been a bitch about it because I was upset that he didn’t… like me as much. And I wanted him to feel bad because I was so embarrassed, and I also didn’t want to act like everything was normal if he was just going to dump me, I…” you realize you’ve been hardcore rambling and your face heats. “I don’t know.”

There’s a pause, and you worry you’ve done exactly the thing you didn’t want to, which was overshare to this man who seems like he’s significantly more normal and well-adjusted than you. You drink deeply, swallowing sugar and the rest of your words. 

“That’s… bizarre. I don’t mean to invalidate your feelings, but… that just doesn’t make any sense.”

“Yeah,” you scoff, projecting annoyance so you won’t start crying again. “I was confused too. I thought he really liked me.”

“No, sweetheart, I’m saying—that doesn’t make sense because he does really like you. Really, really likes you, more than I’ve ever seen him like someone before. I mean, last week I finally finished that Tesla biography he’s been on my ass about for months and when I told him, all he wanted to do was talk about your thoughts on it. And then it wasn’t even about the book anymore. I have never, ever seen Reid pass up an opportunity to talk about Nikola Tesla. I’m talking never in my life. He finds a way to make every conversation about you. I can’t even follow the connections sometimes but he always finds a way.”

Your nose wrinkles. 

“Sorry you’ve had to hear so much about me,” you mumble. Though you’re not really sorry. It feels good. A twinge of joy in all the murk. 

“I’m not. Like I said, I’ve known Spencer for a long time and I’ve never seen him this happy. I’m not about to let him fuck it up.”

“If I make him so happy then why did he tell me we don’t feel the same?” you whisper, reaching into the puddle of syrup and ice at the bottom of your now empty cup. 

“Is that exactly what he said?” Derek asks, after a long pause. You bite the maraschino cherry off the stem and nod morosely, grinding a long-gone stranger’s cigarette butt with your boot just to crush something. There’s another beat of silence. “Alright. You know what I think?”

You raise your head to meet his gaze, your own wide-eyed and expectant. 

“I think you two need to have an honest conversation. You’re both confused and hurting—I promise Spencer is feeling it too. If you talk to him he won’t be unkind to you.”

“He already was,” you admit. 

“I apologize if I’m out of line here, but you just told me you’ve been icing him out all week because you want him to feel bad. I’m willing to bet you don’t realize how sharp these claws are.” Derek grabs your hand as he says it and you marvel at how much he is the opposite of you. Everything he does and says seems so natural and reasonable and charming even if it would piss you off from anyone else—and you just met the guy. You can see why Spencer and Penelope speak so highly of him. “I think you’ve probably both had your moments these past few days. But that doesn’t mean neither of you deserve any more chances.”

He puts your hand back on your knee and pats it. 

“Besides, Spencer‘s not good at mean. I bet he’s inside worrying himself sick over whatever dumb shit he said to you. He’s probably hyperventilating as we speak.”

“It was really out of character for him,” you concede. 

“Yeah. He’ll be apologizing for a long while. It will get annoying. But he sure as hell won’t be doing it again, I can tell you that much. If he does, let me know. Emily and I will whoop his ass and call it a fitness evaluation.”

“I think that’ll be unnecessary,” you laugh thickly, pulling your sleeve over your hand and wiping away the few tears that haven’t quite dried. “But thank you.”

“Anytime. Now, it’s my birthday, and as a grown man I should not be getting involved in someone else’s relationship drama. I was supposed to be on the dance floor a while ago.” His tone is so warm and sugary by the time he finishes it could rot his perfect grin. It’s futile to hide the way your mouth twists into a reluctant smile as you look down and fix your hair—praying he can’t tell how fazed you are by his kindness. “You’re going to talk to him, right?”

“I’ll—yeah. Right,” you say quietly. But the sinking feeling in your stomach knows it’s a thing easier said than done. 

“Good,” Derek grunts, taking your empty cup before pushing himself back up to his feet and offering you a hand. “Do you want me to send him out here or do you want to come find him inside?”

You balk.

“Like—right now? I have to talk to him now?”

Before he can give you an answer you think you’d rather not have, the bar door is opening. From your spot you can’t see who it is right away, but Derek turns over his shoulder and does a double take before looking back at you. 

Spencer steps out onto the sidewalk, eyes scanning for until he realizes you’re a few feet shorter than usual. Sitting on a filthy public walkway is probably his worst nightmare, you realize, as you scramble to your feet and dust the crumbs of concrete from your palms against the back of your cold jeans. He begins to say your name, and it sounds like relief and regret, but you stop him. 

“I have to go wash my hands.”

It’s monotonous and mumbled and comes out too quickly but you don’t have time to worry about that as you brush past both of the men on your way back into the bar, making an immediate beeline for the bathroom. 

Your face burns with anxiety as you shut the door behind you, immediately drowning in the yellowish lighting which is so harsh but seems to illuminate almost nothing. Who paints a bathroom red? It’s suffocating. You feel like you’re inside an aorta. 

Water runs cool over your hands as you sniffle, rinsing the bits of dirt from red indents made by pebbles and things, and the soap is too floral and powdery but you wash twice anyway. Maybe you’ll just stay in here and wash your hands forever. 

There’s a light knock on the shiny wooden door and it makes you jump. Your name is muffled from the other side. 

“You in there?” 

Quickly you wipe under your reddened eyes in the mirror, trying to fix the slightly smudged makeup. 

The door opens when you don’t respond, and there’s Spencer, looking weary and tense all at once. Is that your fault?

“Hey,” you sniff, trying to effect casualness, but it comes out too quickly and your posture is too stiff. Under his all-seeing gaze you cross and uncross your arms, look at him and look away. Your hands end up in your pockets. He’d say crossed arms are a sign of self-soothing. 

“Hey.” His is more measured, and of course makes you feel embarrassed in comparison. The door swings shut behind him as he enters the small room and makes it feel that much smaller. “Are you… hiding from me in here?”

Yes. 

The graffitied toilet stalls to your left suddenly look fascinating. 

“Nope. Just washing my hands.”

This is not what Derek told you to do, you scold yourself internally. Stop being so scared. Be honest with him. 

Silence rings. All the brutally honest things you’d like to say choke you until your throat hurts and your eyes get hot. Yet again you feel like a stupid little girl who’s too emotional to communicate. 

You cross your arms. It’s an indulgence you feel you’re owed. 

Spencer says your name again and it’s too much. He never says it this often. When he does it feels good but now it’s too formal, makes you too aware of your own inadequacy, and how he must be seeing you—a wraith of a girl in a dingy bar bathroom with clammy hands and smudged eyeliner, practically shaking with fear under an unforgiving light. Someone who is too scared and much too sensitive. 

Spencer attempts to speak again. 

“What I said before, it was—”

“Can you just take me home?” 

It comes out on one exhalation and seems to stall him with all the effectiveness of a slap to the face. 

You don’t know where it comes from, either. 

Easier said than done, you’d thought a few moments ago. All the bravery Derek had tried to instill in you is gone, swallowed down the drain like soap scum. And now you’re choosing to let your fear win—because at least that’s a known quantity. The fear will never reject you. It will always be waiting with open arms. 

Too scared. 

The end feels imminent. You try to press yourself back together, fingernails biting into palms, trying to make something feel more tangible than the terrible knowingness that you’re careening toward an end which was supposed to be a beginning. It’s stifling and you wonder if Spencer is breathing it too. 

You can’t look at his face, but you watch him pocket his hands in his pants and there is so much impossible space between you in such a tiny room. 

“Yeah. I can.”

Something breaks. It’s small, and without fanfare. But it feels final. 

It’s just a ride home. Just a ride home. 

That’s all you have left, and you don’t know how you know it but you do. 

Something so important is being left in this stupid, dingy bathroom. Something that was at one point beautiful and shiny and so arrogant in its newness that it seemed it would never become ugly. And now you’re abandoning it without dignity on the chipped tile floor and in the cobwebs on the walls. It was bigger than you, it was you—and now it’s going to be nothing. 

A vehicle honks on the street. A boisterous group laugh explodes somewhere beyond the door. Water drips from a faucet. 

“I’ll… I’ll bring my car around.”

“Okay.”

But he just stands there for another moment. Like he can’t get himself to move. 

If only time would freeze before he could walk away. 

But it doesn’t. 

He sucks in a decisive breath. 

“Okay,” he murmurs. 

It’s that fucking phone call all over again. 

Then he spins on his heels and leaves you there.

Your time is up. 

-

part 5.5

[javiercigsrete]

Bad idea

dbf!joel x f!reader.

dividers by @saradika-graphics

main masterlist

summary: teasing joel while on a road trip to houston for a concert was a bad idea. especially with your father tagging along. 3.9k words.

warnings: 18+ MDNI, age gap (23/40), smut, unprotected piv, fingering, dirty talk??, shit load of pet names, banter??, gas stations, no use of y/n, cursing, readers father is oblivious ofc, not beta read we die like losers, uhh idk what else so if i missed anything lmk !!

a/n: omfg this took way longer to write than i'd hoped for but it's here !! it's not the best and it's truthfully my first fic i've completed, written, and posted so if it's horrible that's why. that and i've also never written smut before so this was definitely a learning experience, hopefully as time goes on i'll get better at it but for now it's fuck it we ball, live and learn, anyways enjoy this and also happy birthday to joel miller the loml <3

The tree leaves dance in the wind, a few cars crushing the ones that have fallen and blown into the street leaving only tiny pieces to scatter in the air. It's only the middle of August but the leaves have already started to change colors and fall. at least it's still warm out.

You've watched at least four cars pass since the time Joel was supposed to show up, your dad planned some overnight trip to a concert in Houston. You're all supposed to ride in Joel's truck – he'd offered to be the one to drive there and back – but he still isn't here.

Be nice if it was just you and Joel. It would be like a date, the two of you alone together, spending the day together and having the hotel room all to yourselves for the night.

But that could never happen.

You can hear him from where you're sitting on the porch. your dad. He's been on the phone for the past hour arguing with whoever, he'd gotten loud enough you'd sought reprieve outside, it's proven useless.

You're thankful when you spot the familiar black truck pull up along the sidewalk, you stand from the steps and make your way over to him as he steps out of the truck. “You're late,” you say.

Joel grabs up your bag, tossing it into the bed of the truck. You're not entirely sure how safe that is but you don't bring it up yet.

“Sorry baby, lost track of time and got stuck in traffic.” When he turns to you he leaves one hand on the bed and the other on his hip, you watch the way his hands flex, like he wants nothing more than to wrap you up in his arms and kiss you.

But your dad could walk out the door any second, so he doesn't.

You nod, giving a slight raise of your eyebrows. “Traffic,” is all you say.

“What?” He cocks his head, raising his own eyebrows questioningly.

“Nothing,” you mutter when you hear the screen door open and your dad's voice travels through the air.

“We ready?” he tosses his own bag in the bed, eyeing you two curiously. You both nod in confirmation. “Alright then, let's go.” He rounds the truck, hopping in the passenger's side.

You look at Joel who gives you an apologetic look as he opens the door behind the driver.

This is going to be a long trip.

Joel was right about the traffic, you spend thirty minutes waiting for it to move along the highway. You'd understood the plan of it being an overnight trip but at this rate it might as well be a two day trip.

“God damn, the hell’s takin’ so long?” You hear your dad say, finally breaking the silence that filled the car. “might have to stay longer at this rate, if we even make it,” he mutters.

“‘S why we left so early,” Joel says, there's a hint of agitation laced in his voice, no doubt from the traffic.

You feel the need to make it worse, poke the bear if you will.

“You were late,” you mumble, but you can tell he heard you from the glare you receive through the mirror.

The concert doesn't start till seven, you'd left early – far too early if you're being honest – enough so there was time to get ready, you aren't too sure how that will plan out now from the traffic but Houston isn't very far now.

You honestly wish it was just you and Joel. The car ride so far has been pretty boring, if it was just the two of you the ride wouldn't be so dull. Instead you've listened to your dad talk about sports and work while Joel nodded along, occasionally replying with a sentence or two.

You'd be lying if you said it didn't bother you that all of Joel's attention was elsewhere. But you'd also be lying if you weren't about to make his life impossible.

Because that's exactly what you do.

It's honestly not a good idea, it's risky, but you're beyond caring at this point.

You reach over for your bag, grabbing out a few snack foods you'd packed earlier. You opt out of the chips, they're probably not the most sultry thing you could eat, instead you reach for the cream puff you'd bought a few days ago and forgot about.

You'd packed it for that reason, but now it has a new purpose.

The sound of the wrapping catches the two men's attention, your dad turns in his seat to see what the noise was when he spots the pastry between your hands. “Be careful with that, don't go makin’ a mess in Joel's truck,” he says, scolds almost.

You roll your eyes slightly. “I won't,” your eyes meet Joel's in the mirror, you smile at him as you take a bite of the puff.

His eyes track you, occasionally flitting back to the road. You can tell he's trying to figure out your game, not that it's too complicated to figure out.

You pull the pastry from your mouth, your other hand coming down to cup under your chin slightly. Joel's eyes are like daggers on you as he watches you, you can see the moment he spots the cream on your lips – you spotted it too.

Your tongue darts out slowly to lick at your lips, cleaning the mess left behind running your thumb along your bottom lip for extra measure. Joel stiffens in his seat, his hand tightening on the steering wheel, his jaw ticking to the side as he watches your little performance.

You smile innocently, but you both know what you're doing.

“Light’s green bud,” your dad's voice booms, breaking Joel from his trance as his eyes move from the mirror back to the road.

You’ve stopped for gas twice now, the first time was before you’d left because Joel forgot to fill his truck up the night before. You’d be worried about not making it on time but you’ve made pretty decent time.

You’re about half way when Joel pulls into a gas station, pulling up to a pump and shutting off the car. The sound of the passenger door opening catches Joel's attention. “We all goin’?” he asks, looking back at your dad who’s already out of the car.

“Yeah, figured we could stretch our legs and all that,” your dad says, emphasizing his statement by stretching out his body.

You’re wondering about the candy section when your dad finds you. “Hey, Joel's outside filling the truck, you almost done?”

You scan the aisle one more time, snatching up a lollipop as you nod. “Yep, now I am,” you say, following him to the counter.

You swear the line takes forever, you don’t think you’ve ever seen a gas station so busy before, you stand next to your dad as he checks out, your eyes wander out one of the windows, you spot Joel almost immediately. His broad shoulders squared as he stands next to the pump.

You feel a tap on your shoulder, turning to see your dad gesturing towards the door. You follow him out, unwrapping the lollipop as you both make your way back to the truck. “Shit,” your dad mutters, ruffling through the plastic bag. “I'll be right back, forgot something.”

You nod, leaning against the side of the truck, watching as your dad jogs back into the store leaving you and Joel to finish filling the tank.

Your eyes catch Joel's, he’s standing at the bed of the truck his arms crossed along his chest, you watch the way his shirt stretches along with it.

You can tell he’s caught onto your game, has for a while now if the way the muscle in his jaw jumps says anything.

“The hell you doin’?”

You smile, pulling the sucker from your mouth with a pop. “What do you mean?”

Joel shakes his head, grabbing the pump and putting it back freeing up his pathway as he steps closer to you. “Don’t give me that, you know what I'm talking about,” he says, crowding your space slighting.

You look up at him through your lashes, doing your best to keep your expression unreadable. “You’re going to have to be specific joel,”

His jaw ticks to the side, scanning the area quickly before gripping your chin between his fingers, tilting your face upwards more as he leans in. “Your little stunt in the car with the cream puff, tryna get me hot and bothered, hm?” He whispers, his tone dropping an octave sending shivers down your back.

This is the closest he’s been in hours and he still isn’t close enough.

“Wanna get us caught, hm? Is that it?” His hand slides to the base of your throat, “let your daddy find out i’m fucking his daughter?”

You part your lips, his eyes drop at the movement, you want nothing more than for him to kiss you right now to run your hands through his hair while he all but devours you. He’s thinking the same, the way his hand tightens ever so slightly around your neck as his eyes flit between your lips and your eyes.

“Joel,” you breathe, you’re not sure what you’re trying to ask but you never get a chance before the sound of your dad’s voice causes you both to spring apart.

“Are we ready?” your dad asks, tossing his things in the car and looking at you both.

“Yep,” Joel clears his throat, running a hand across his face before getting in the truck.

Your legs are practically screaming at you, sitting in the back of a pickup for hours and then climbing a set of stairs is leaving your calves burning in the worst way.

You’d finally made it to the motel you’d be staying at for the night with plenty of time to spare thankfully. When you walk into the room you’re immediately met with the ac, it’s a relief on your skin from the hot air outside.

The room’s what you’d expect a motel room to be, two double beds spaced apart with two dark night stands next to them. They’re neatly made, meaning it’ll be a battle to get into. You venture further in the room, passing by the bathroom and heading towards another door within the room.

When you open the door you’re met with another room, it’s slightly smaller with no other way out of it than the main door, there’s a single double bed in the center of the room that’s made up the same way as the other two.

Conjoined rooms. It makes sense, you toss your things on the bed closing the door. You rummage around in your bag looking for the dress you’d packed, you didn’t pack a whole lot given that you weren’t staying for very long but now as you’re searching for something to wear it feels like you did.

You end up dumping the bag, your pajamas and make up layed out on the bed as you flatten out the wrinkles of your dress, it wasn’t anything too extravagant just a simple dress that fell just above your knees.

You’re just about to put your hair up to do your makeup when the door opens, you turn to see Joell standing in the doorway, his broad frame practically taking up the entire space. He’s dressed in the same clothes he’d shown up this morning in, — save for the flannel he’d stripped himself of — a dark blue shirt that hugs his arms paired with dark washed jeans.

He stands leaning against the frame in silence as  his eyes rack up your body taking you in. “Y’look pretty,” he says, finally pushing off the frame taking slow deliberate steps towards you.

You watch his movements stood in the middle of the room, your heart rate picks up heat pooling in the bottom of your stomach from the way he’s looking at you. The atmosphere in the room is thick with need, you have half a mind to ask where your dad is.

“Oh, now you’re worried ‘bout your dad?” your eyes widen, you hadn’t thought you’d said that aloud. Joel crowds your space, his hand coming up to cup your face, his thumb under your chin as he tilts your head slightly.

“He left to get food, won’t be back for a little while,”

“It’s just us then?”

“Mhm,” 

You all but drag him down to your lips, your hands locked together around the back of his neck. Joel stumbles at your eagerness catching himself before he can fall, his hands falling to your waist bunching up your dress as he squeezes your sides.

You gasp softly when Joel pulls you closer, the prominent bulge of his cock digging into your hip, you grind your hips upwards seeking some sort of friction for the ache already forming between your legs.

Joel pulls away, you whine at the loss. “Should finish gettin’ ready sweetheart,” he mumbles, putting distance between you, his hands still firmly in place at your waist.

He’s teasing you now, getting you back for the car ride. But you’ve lost the patience to be teased right now, your core practically throbbing already and Joel is looking at you with a smug smirk well aware of the state you’re in.

“Joel,” you whine out, trying uselessly to pull him back towards you.

He raises his brows, keeping his distance. “Yes babygirl?” He says, rubbing circles along your sides.

“Please,” 

“Please what, darlin’?”

You groan in annoyance, if you weren’t so worked up you’d strangle him for making you beg, but you are. “Please, fuck me,”

Joel hums, looking up as if he’s contemplating, you’re certainly starting to reconsider strangling him. “Dunno know baby, might just make you wait til we get home,”

You could honestly start screaming, you’re running out of time and he’s just messing with you. You look up at him, his eyes already on you an almost amused look on his face.

You lay your hands on his shoulders as you plead. “Please. I’ll do anything just, please,”

“Yeah?” He steps closer, leading you backwards towards the bed, you nod slowly carefully walking til the back of your knees hit the edge of the bed.

Joel lays you back, pushing whatever's on the bed to the floor as he follows you down, he nudges your legs apart so he can nestle himself between them. You wrap your hands around his neck again, pulling him down once more to your lips.

His mouth slots over yours, his tongue slipping into your mouth. Your body is on fire as his hands wander, sliding lower to where you need him most.

You moan into Joel's mouth, your hips grinding upwards as one of his hands slip under the hem of your dress finding your clit through the fabric of your underwear, damp from the slick leaking from your core.

He rubs gentle circles against your clit, kissing his way down your neck. You run your hands through his hair gripping the strands as you gasp and moan.

Joel pulls his hand away from your core, you whine at the loss, he pulls away from you, his hands sliding up your legs. His fingers slip under your waistband, pulling your underwear down off your legs and stuffing them in his pocket.

“Joel,” you squirm under him, his eyes flick back up to yours, he watches you, his eyes never leaving yours as his hand slides back up your leg spreading them so he can nestle between them again.

“I know,” he rasps, two of his fingers running through your arousal, collecting the slick before sliding the two digits past your entrance slowly, your head falling back against the pillows as you moan softly.

He thrusts his fingers, a slow back and forth rhythm, curling them upward on every inward thrust. Your hips rock up encouraging him to move faster, every inward thrust paired with the rock your hips has Joel hitting the spongy spot inside you that has you seeing stars.

His thumb finds your clit rubbing circles on the bud, your hands seek purchase on his shoulders, rumpling his shirt as you ball your fists. “This what you wanted, baby?” He taunts, pulling his fingers almost completely out then thrusting them back in.

You nod, your voice lost to the moans and gasps. “Could've asked ‘stead of teasin’ me all day,” Joel drawls, his voice thick with lust, his hips slowly rutting into the mattress.

“Yeah, but where’s the fun in that?” You finally breathe out.

You hear Joel grumble something under his breath, you don’t catch what before he’s back to thrusting his fingers at a fast pace, his hips grinding down matching the rhythm of his fingers.

You can feel yourself teetering on the edge, the warmth building at the bottom of your stomach. Joel can sense it too, his fingers working more determinedly, his thumb applying more pressure on your clit as he works to push you over the edge. “You gonna cum?” He drawls in your ear lowly, placing delicate kisses below your ear.

A soft moan elicits itself from your throat, nodding your head quickly, your toes curling up as your orgasm approaches. “Words darlin’,” he nips at your earlobe.

“y– ha – yes,”

“That's it babygirl, let go,” he coo’s gently, encouraging you, and you do. You grip Joel's arms, tossing your head back, your mouth agape, a chain of moans escaping. Your walls clench around his fingers, your body shuddering under the weight of your orgasm.

“There you go, good girl,” Joel praises softly, slowing his fingers as you come down from your high. He watches the way your chest rises and falls rapidly, your body relaxing into the bed. You haven’t fully come down from your high before beginning to fumble with the button of his jeans, Joel's hand lays over yours stopping your movements. “Woah, slow down darlin’,” he chuckles.

You groan in frustration, throwing your head back against the pillows once more. “Joel.” you grumble.

“Ask nicely,” he says, raising an eyebrow.

You groan again looking up at him again. “Please,” 

He pulls your hand away, carefully pinning it above your head as he deftly works open the button of his pants, swiftly pushing them past his hips along with his underwear. You can tell he’s running out of patience — and time — to keep teasing you from the way he all but hurriedly frees his aching cock.

You watch as he strokes himself, a careful back and forth motion, his brows furrowed in pleasure. He nudges your legs further apart nestling his hips between your thighs, you wrap your legs around him pulling him closer to you. The head of his cock nudges against your clit eliciting a gasp.

“Fuck,” Joel breathes, closing his eyes tightly, his teeth grinding together slightly.

He lets out a breath, composing himself, he wraps his hand around the base of his cock, sliding the tip along your folds and through arousal using it to slick himself up. Holding your breath everytime the tip catches your clit.

He does that a few more times, his cock only catching your entrance before pulling away. “Just, fuck me,” you huff irritatedly.

“Bein’ a real brat, y’know that?” Joel grumbles, lining his cock up with your entrance. “Should leave you like this, let you go to the concert soakin’,” he never gives you the chance to say anything before he’s pushing his hips forward, stretching you open.

You moan out your legs tightening around his hips, he sets a brutal rhythm, his hips snapping upwards, the head of his cock pushing further on every thrust.

Your hands find their way to Joel’s hair, pulling the strands as you toss your head back in pleasure, your eyes rolling backwards. Joel groans, his head falling on your chest, his hot breath ghosting the skin there.

The room was filled with both of your breaths, soft moans mixing with heavy groans as Joel fucked into your heat. His hand slides down your side, his thumb finding your clit once more drawing tight circles, your moans growing in pitch. Joel slots his mouth over yours, muffling your moans slightly in a heated kiss, your teeth clashing together.

“Be. Quiet.” He manages to gasp out between kisses. You mumble out what sounds like an affirmative, he moves down your neck leaving open mouthed kisses along the skin there, his teeth lightly nipping there. But he knows better than to leave any marks.

His hips continue to ground into you, his cock pushing further and further, his tip grazing against the spot inside you that leaves you breathless. “Yeah? Right there?” He quirks an eyebrow, watching as you bite your lower lip in an effort to muffle your moans.

You nod your head, unable to form any words, your walls tighten around him, you can feel yourself getting closer. His pace quickens, his hips pounding into you faster working vigorously to get you there before him. “Go on baby, le — fuck — let go,” he stutters, his hips faltering slightly.

Your legs tighten around his hips as your orgasm gets closer, the feel of his cock pushing you over the edge. Your walls clamp down, your legs practically going numb as your eyes rolling as pleasure washed over you. Joel’s movements slow as you come around him. “That’s it babygirl, there you go. Cum around me, good girl,” he soothes, a desperate moan escaping.

When you finally come down from your high Joel’s movements pick up speed again, working desperately to push himself over the edge he’d been teetering on for a while now.

You run your hands through his hair, pulling him closer, trailing kisses up his neck and below his ear, lightly biting the lobe as his hips begin to stutter. “Fuck darilin’, so fuckin’ pretty it hurts,” he rambles, his head falling to your shoulder.

He groans, his hips stopping as he cums, his warm load coating the inside of your walls. His body slackens slightly, careful not to put his weight on you. For a while the only sound filling the room is that of both your breaths.

After a few more bouts of silence Joel finally speaks up. “Should get cleaned up and finish gettin’ ready,” he says, groaning as he slowly pulls out, carefully tucking himself away before extracting himself from the bed. “C’mon,” he pats your leg, moving towards the door.

You sit up on your elbows, watching him from the bed. “What about my underwear?” You ask, Joel turns to face you from the doorway.

“What about them?” He doesn’t say anything else, never gives you the chance to say anything either before he’s out the door a smug smirk plastered across his face.

You stare out the door at a loss, eventually falling back against the bed, you know you should get up and finish getting ready before your dad gets back, but if you’re being honest you don’t think you could get up right now.

Instead you lay there staring at the ceiling, a ridiculous grin spread across your face. Teasing Joel with your dad around may have been a bad idea, but you’d do it again if it got you here.

[mrsmikaelsxn]

A Malfoy And A Potter

masterlist

pairing: draco malfoy x female potter reader

warnings: fluff, kissing

summary: you and draco have been dating in secret but the secret comes out when you two attend the yule ball together

a/n: i am so sorry i have not posted in forever, i've just been busy with school and work, and trying to catch up on my reading goal for the year! it's almost summer break so i should be posting more again :)

song: sleigh ride - the ronettes

You were currently pushed up against the wall by your boyfriend, Draco Malfoy.

His lips roam the smooth skin of your jaw and throat. Peppering you with loving kisses while you play with his hair.

Both of you are breathing heavy and he brings his lips back up to your mouth as he kisses you. You let out a satisfied hum and put your hands on his chest.

You gently push him back a bit and he looks at you. "What's wrong, love?"

"Someone is going to see us," you whisper.

"Hm, well that sucks for them," he grins and kisses you again.

You push him and laugh, "I guess you're right," you smile.

"They're going to see us when we go to the ball tomorrow night, you do know that, don't you?"

"Well of course, I know that!"

Draco pulls you into his chest and rests his head on yours, "If Potter has a problem with you and me tomorrow, I'll be more than happy to practice some hexes on him," he glides his hand along your waist.

"There will be no practicing hexes, Draco," you pick up his hand and kiss it before walking out of his embrace.

"Boring!"

"Oh, don't be such a baby," you squeeze his cheeks. "Anyway, I'll be off to dinner now, you should come too," you start walking to the great hall and he follows you like a lost puppy.

You go in and sit with Harry, Hermione, and Ron. "Hello," you smile at them.

"Hi, Y/n," Hermione smiles.

"Hey, mate," Ron says.

"Greetings," Harry salutes you. You grin and salute him back.

"So, do you all have your dates?" You ask them. You already knew about Hermione's date, of course, you two are like sisters.

"Er- not exactly," Harry replies scratching the back of his neck.

"Same here," Ron sighs and drops his head onto the table. You cover your mouth to stop your laugh when he groans in pain.

"Welp, you two got under a day left," you clasp your hands.

"What about you?" Ron asks, "I've been wondering if you finally picked someone out of the two hundred people who asked you," he says with amusement.

"Oh don't be silly, Ron, it was not two hundred people!"

"Sorry- two hundred and seven," he corrects.

You roll your eyes, but it was true. You four have literally been tallying how many people have asked you, boys and girls. "Well, yes, I have a date."

"Really? Who?" Hermione asks.

"I suppose you'll have to see tomorrow," you exclaim with a smile.

You were in your room getting ready for the ball, slightly panicking. Hermione was already dressed and now helping you. "Y/n, you don't need to be nervous," she says as she helps with your hair.

"I know but-"

"No buts. You are perfect and you dance amazingly! Your date is very lucky," she smiles.

You relax a bit and look at her through the mirror, "Hermione, have I mentioned how much I love you?"

"Yes, yes you have," she takes her wand to finish your hair. You already did your makeup with some of her assistance. She claps her hands in excitement, "I believe it's time for the dress!"

You pick up the beautiful dark green gown. You had bought Draco a matching tie when you picked the dress out.

You put the dress on and flatten out some wrinkles.

"You look stunning!" Hermione squeals.

"You mean that?"

"Of course! Now, let's head to the ball!" Hermione links her arm with yours. You two make your way to the entrance when you start to panic again. For someone as well known and popular as you, you get social anxiety often.

"You go in first, I'm scared," you bite your lip nervously.

She sighs but nods. She gives you a quick smile with a thumbs up before she heads down the stairs and goes to her date, Viktor Krum. You peak through the curtain to watch. Ron's jaw drops when he looks at her and her date. He looks angry and you could almost laugh.

After pacing for two minutes you decided to just go down. You pull the curtain and try to sneak in without being noticed. Unfortunately, things don't always go the way you want.

There were an absurd amount of gasps as you made your way down the stairs, praying to Merlin that you didn't trip in your heels. The gaping gazes of the people there making you even more nervous.

You see Draco talking with his best friend, Blaise Zabini. Draco listens to his friend talk as he waits for you to arrive. He notices his friends eyes widened as his mouth opens a bit.

He furrows his brows and looks to see everyone staring at something. He looks and his eyes land on you. He feels all the air sucked out of him. He admires you and then snaps out of his trance and makes his way over you, who was smiling at him.

He holds out his hand and you place yours in his. He leans down to your ear and whispers, "I hope you know how ethereal you look, sweetheart," he pulls back and you blush. Another round of gasps fill the room and you hear a, "WHAT?!" You look over and see Harry rushing over to you two, "I- what in Merlin's name are you doing with Malfoy?!"

"Um, he's my date," you say.

Harry's jaw drops as his head goes back between the two of you. You laugh and shake your head.

Draco pulls on your hand, "I would appreciate a dance with my girlfriend while you continue gaping," he places his hand on your lower back and walks you to where people started to dance.

"GIRLFRIEND??!!"

[dcxdpdabbles]

I have this idea for a post but I feel like you would do it justice.

Basically, Danny is yeeted through a dimensional portal and reincarnated as the clone son of Tim and Connor(from when Tim cloned Connor during his death). This little shit wakes up after that, when Connor has already been found, as a six year old gremlin with a need for chaos.

Que pranks!

I don’t have much more than that so I will leave this in your capable hands.

-🎃

"Master Bruce, if I have to remind you to fix your tie one more time, Gotham will be without its protecter for many months to come!" Alfred snapped - actually snapped - from where he was attempting to reorganize the entirey of the Emberald Sitting room.

Right now, he moved all the furniture and all the wall directions. He was just adding some tastefully done flower pots to make the place look inviting but also regal.

It had been six hours, and from the looks of it, Alfred had not found the balance he desperately wanted. He started over four times. His patience was all but gone.

Bruce's hands snap to his tie, scrambling to get it set just right. He moves it only slightly to the left - not making much difference - with a nervous smile. Alfred's teeth snap shut with a click, and his eyes blaze with frustrated rage as he rounds the coffee table toward the billionaire.

Bruce looks to be holding back a scream.

Dick winces, sinking into his chair lest the aged Butler turns his ire onto him. He knows why this evening has to be just right. Especially to Alfred, but gosh, he could not handle how terrifying the butler could be.

It's just for one dinner and one evening. Dick tells himself. Once Alfred can finally say he married one of us off, things will return to normal.

"Honestly! If you didn't walk around looking like an unkeept vagabond all the time, maybe there would be a Lady of the House by now!" Alfred sneered at a pale-looking Bruce.

Or maybe Timmy bringing Kon over to announce their engagement means Alfred will try to marry the rest of us off harder. Dick despairs as Bruce endures another tongue-lashing. He wants to go help, but if he moves even an inch from his seat, Alfred might realize Dick is still in the room.

He can't afford to anger the beast any further.

"And you, Master Dick!" Alfred suddenly rounds on Dick, pointing one long finger into his face, with narrowed eyes and the grim reaper at his shoulder. Oh, dear.

Thankfully, that's when the doorbell rings. At once, Alfred's face clears into an excited smile. "They're here! I'll let them in right away; you lads, gather the rest of the family. And remember, we must make a great impression! Tonight is the night we invite Mister Kon into the family!"

The butler doesn't quite skip out of the room, but the bristle walking with a chipper head turning is the close that Dick has ever seen him do.

"I'm so happy for Tim." Bruce mutters,"but I can not handle any more reminders that I haven't had a spouse."

"Tell me about it," Dick sighs, following after his father into the hallway and down to the dining hall. He can distantly hear Alfred opening the door and greeting the two. "A hour ago, he made seven passive agressive reminders that Tamaraneans propse with a dinner and a mock battle. Seven. I mean, how does he even know what Tamaraneans do when courting?"

"It's Alfred." Bruce tells him, taking a seat at the head of the table. Dick sits in the chair to his right as the oldest and First Heir- considering the reply. It makes sense.

Damian, Cass, and Duke walk in, not even a moment later. All are dressed better than any gala Bruce could have dragged them off, too. He is rather impressed that Damian is a red suit that makes even Bruce pale in comparison. Then again, he is the only one besides Alfred who has an eye for such things.

"Has he already proposed, or is he doing it at dinner table and were all supposed to act supirse?" Duke asks while sitting down. "I want to know what kind of face I should have prepared"

"The clone has asked Father for his blessing in his courtship with Timothy. He knew we would have figured out his plans when that blunder. It is no surprise." Damian huffs. Dick knows he's just upset that his big brother is going to get married and move out soon. He's adorable when he's territorial.

"I can confirm that Kon hasn't asked yet." Steph announces, strutting into the room in all her purple gown glory. Behind her, the Row sbilings wander in with matching celtic blue suits, making Dick grin. It's always nice to see people appreciate the best color. "Tim isn't the type of person to not show off his ring whenever he has a chance."

"I've always wanted to see a real-life popersoal!" Jarro gasps, flying into the room with his own little suit on. It's a nice black with green undertones just like Bruce's.

He lands in the miniature chair with a dinner dining set Alfred had special ordered for him.

It sits on top of where a regular dining set usually is, always the second chair on Bruce's left, because he is literally the favorite. Bruce denies it, but they all see the tender smile he throws the floating star.

The Wayne kids know. Jarro is too precious and hilarious, so none of them mind that he's the favorite. In fact, Dick has half the mind that he's the favorite of the majority of the family.

Jason leans over to pat Jarro's head, grinning when the little starfish swears. He adores when the kid randomly curses out of Aldred's hearing range.

"Shh, they're coming!" Cullen says from where he was lingering by the door, hoping to see Tim and Kon. He always looked up to the older boys as someone who had been forced into the closet for his own protection.

Seeing people like him helped ease the fear, and Dick feels his smile wideing when Cullen scrambles back to his seat. He's so excited he's practically in the Speed Force.

Alfred opens the door first, stepping to the side to allow the guest to enter first. Dick feels himself sit up straighter, the moment really setting in, Kon is going to propose to his younger brother.

His little Timmy is growing up-

"Wow, this place is big!" A child says, running into the room. Who the heck is he? "It's amazing, Dad!"

"Slow down. You don't want to fall." Tim laughs, rubbing the stranger's hair with a soft smile.

"It's okay, Dad. I'm strong!" The boy flexes his tiny arms. Tim laughs again as Kon crouches down to the little boy's height.

"Woah! Look at all those musceles. You're going to help me protect your dad, son?"

"Yeah Pa, I'll be the strongest super or robin ever!"

"Tim? Who might this lovely chum be?" Bruce cuts in, voice slightly strained. No one calls him out on it since they are staring wide eye at the tiny little boy who looks like an exact copy of Tim at age five.

Dick knows because he was one of the few in the Wayne's who saw Tim at that age. He's practically a clone to oh no.

Dick thinks he's having a heart attack.

Tim looks up at them before a brillient glowing smile breaks across his face. "Everyone, Kon and I have an announcement to make!"

Kon wraps an arm around his waist, sending adoring looks to man in his arms before they both hold up their left hand.

There are twin silver bands on both of their fingers. "We got married in Las Vegas, and we have a son! I like you all to meet Danny Drake-Kent! I made him when I thought Kon was dead."

"I am Danny, clone of Kon-el and Tim Drake. Fear me if you dare!" His voice squeaks. Squeaks.

Scratch that, Dick knows he's having a heart attack.

You can hear a pin drop in the silence his announcement cause, as Danny puffs up his chest and floats a few inches off the grown.

Oh, great heavens, Dick is an uncle.

"A fellow clone, son!" Jarro cheers from his little table. He slams two of his star points on the table to a beat that he speaks to. "One of us. One of us."

Danny's blue eyes land on the star fish and widen. He raises both arms into the air chanting back. "One of us. One of us. One of us!"

"It's awesome is what it is!" Steph cries, jumping up from her seat. "Hi, Danny! I'm you, Auntie Steph! I'm the cool one."

"Isn't this lovely? Master Tim not only has a husband but a child as well. Unlike some Masters." Aldred doesn't quite glare at Bruce, but he doesn't have to. The Waynes know who he means as Bruce wince.

Danny pauses in his chanting to look her up and down, staring pointily at her plum colored dress before humming. "That's a bold statement for an eggplant."

Steph gapes at him as Tim roars with laughter.

Oh, Dick is going to love this kid. He leaves his seat, trying to get to his nephew as the rest of the family attempts to do the same. Damain makes alarming threats to Kon, letting him know he would easily take him out if he detects a hint of mistreatment to his brother and new nephew.

The Waynes act like they can't hear the threat because they all have their own versions of the shovel talk prepared. They just have to get the clone alone.

It's a nice dinner.

[bunnys-kisses]

How I have loved going to the Bakery. Have a small order myself, that I hope you will make happen 😍

Swiss roll, shortbread squares, savory pastry mocha coffee with a tonic water on the side. But where the girl is the older one. With Lando

bakery menu

want to submit an order? then hit up the menu! thank you for all of those who submitted orders, i am a really happy to be working with them! the prompts have been amazing, so thank you!! and for the lovely anon who submitted this order, i love your vision! while the age gap isn't massive between reader and lando, i do think it is interesting and thank you for specifying that, hahah. i hope you enjoy! <3

swiss roll: "everything you own, everything you wear i paid for. so i guess that means i own you." + savory pastry: "let your brother find out." + mocha coffee: breeding kink + tonic water: age gap served by lando norris (formula one)!!

cw: smut/pwp, age gap (3 years), piastri!reader, cowgirl position, breeding kink, quiet sex, semi-public sex, couch sex

lando norris with an 'older girl' how scandalous. the age gap was just shy of three years and barely anything compared to some of the age gaps that happened in formula one. but, the press loved to make a scene of things that simply didn't exist.

you honestly thought they would've latched onto the fact that you were oscar piastri's older sister, but you guessed the tension between them would make that fact less of fuss in the media. so despite being twenty seven and working on your post-graduate degree, everyone had to be in your business about your relationship with the formula one driver.

when lando saw you on the track, he was all smiles as he practically raced to you, almost pushing your brother out of the way. you laughed and kissed lando on the lips when he got close enough. even though you were the oldest piastri, with oscar being second, you all looked around the same age. you once joked that you got that all from your mother and you were forever grateful for that.

you pecked your boyfriend on the lips before you slung an arm around your younger brother, you pulled him close and were all smiles. maybe you weren't the most demure of the wags/family of formula one, but the excitement of the track still coursed through you.

and when lando won, it was hard to decide if you wanted to be with your brother with his second place victory, or your winner of a boyfriend. you didn't didn't get much time to think it over, because very quickly, lando was pulling you into his driver's room.

"we can't do this here." you squeaked when he pressed you up against the door with his hands up your mclaren branded t-shirt. you moaned into the kiss he gave you, but tried to be quiet about it.

not everyone needed to know, even if it was implied that you two were intimate and quite often. the hickey-gate from the beginning of the season was still fresh in your mind.

"let your brother find out." he grinned against your lips, "hell, even your mom and sister too." he yanked the shirt off over your head and you bit your lip to keep quiet.

when he pulled away, he brought you with him and soon you ended up on the couch with your skirt hiked up. he had a hungry look in his eyes as he gazed down at you. you felt the quickening in your pulse as he got your skirt up over your hips and left your pink panties exposed.

"lando."

he looked at you with a stupid grin on his face. he could tell that you looked divine. beautiful in a way that it left him cock throbbing in his shorts, "i remember when i bought you this skirt. i thought i tore it right down the seam when we got home." he recalled.

you replied, "you've done that to about four of my skirts." the pouted at him.

"and i'll do it to four more." he grabbed at his clothed cock and beamed, "everything you own, everything you wear i paid for. so i guess that means i own you. which means i can rip what i want. when i want." and you felt the heat in your face.

"lando."

he laughed a little, for a moment he was loud before he quieted himself. as much as he would talk about letting your family know how good he fucked you. he was slightly afraid of mrs. piastri. a woman that nice would easily have lando's head on a plate and his balls as a side dish.

he got your panties off, "can you be quiet for me, babygirl?" his tone, quiet but still seductive enough to leave you feeling the heat from your head to your feet.

you nodded, "of course." then straddled his waist once he got onto the couch beside you and his cock was out of his jeans. little time to undress, you two could becoming more intimate with your nudes bodies at the hotel room. you sank down on him and arched your back a little from the feeling. you hated to admit it, but it felt very, very good. a stretch in the right way, not enough to leave you achy for days on end. but rather achy where your body yearned for it. till you had every last inch.

it was an erotic feeling. the sort of feeling that made the blood pump faster in your brain. lando had that kind of effect on you, he knew exactly how to make you feel good. after all, you only deserved the best.

'you like that, angel?" he asked quietly, "you like how i make you feel?" his voice was quiet and a bit strain from the shock of pleasure to the brain. he licked his top lip and beamed at you, "so pretty."

"lando. fuck."

"sounds like you love it." he chuckled. as the pleasure coursed through his body, the more erotic side of him took over. his lips became more loose and the words made your skin burn, "ah, like that, angel? like how i fuck you... next time, i'm gonna breed you." he panted a little bit, his eyes slightly hooded as the pleasure thumped in his brain.

"lan-"

"shh. shh." he said, "think about it. you, me, baby. you'd look really good with my kid. then our families will be together. oscar as my brother in law and uncle to our little peanut." he laughed a little bit.

you held onto his shoulders and kept moving your hips, "lando. fuck." the idea sounded nice, even when removed from the sexual context. but, not until you finished your masters. regardless you still worked yourself against his cock.

"you and i making a baby. make it a night you could never forget." he said with a big smile before you leaned in and kissed him deeply on the lips. he moaned against the kiss and you felt the pleasure criss cross up your back with an intense heat.

lando always made you feel good. you shifted a little to get a better pace as you rode him. you took him beautifully in lando's (less than) humble opinion. he wished he could hear your noises at that moment, but right now you two had to quiet. rutting against one another like animals.

"baby."

"i love you."

"not as much as i love you. fuck, angel." he groaned as he really continued to work your pussy. he could describe himself as drunk off the feeling of you. you came quickly and bit your inner cheek as you tensed up. you couldn't be too loud. the scandal that created.

"shit." you squeaked out, "lando."

he chuckled as he kissed your sweaty temple. his hands on your ass as he guided you up and down his cock. you gasped against him. the pleasure reverberated through you.

"i guess you can keep up with a young guy like me." he chuckled, "you start to slow down in your mid-twenties." his words were cheeky.

you took him by the shoulders and stared into his eyes, you replied quietly, "shut up." then kissed his lips, "i love you, but shut up." and lando pulled you into another kiss as he bucked his hips a few more times and came inside of you.

the moan rolled off his tongue while he kissed you as you both slowed your pace down. you remained in his lap for a moment, softly kissing as he leaned over to grab your panties.

when you broke away, you looked at him and smiled a little. you cupped his face, "i know what you're going to say. you get one last joke about my age, norris." you tapped his nose.

"you did so good for a woman your age." he beamed.

"that's it, couch tonight." you grabbed your panties, "i'm celebrating the rest of the evening with my brother." and when you tried to get away on shaky legs lando only pulled you back into his lap.

he smiled at you and said, "you know i like my women older." he held you tight and you kicked your legs. you panties tumbled out of your hand and onto the floor once more as lando pulled you onto the couch, "especially when they're so beautiful."

you flushed a little, and let your boyfriend grope your near bare breasts once more. you could hit him over the head, but quickly you melted into his kisses <3

[kawaiijohn]

Help a queer family of disabled nerds

Hey my name is Dante, I live in the Midwest with three of my best friends. We have four cats, one of which is my babyman whom I love very dearly.

His name is Latke Library Card Mango (LLCM). He's very orange and he's the light of my boyfriend, Kris, and I's life.

Cat pics are great right? Have a few.

A few months ago, latkes chronic bladder stones condition acted up which resulted in two emergency vet visits and a week long stay with his actual vet to get the stone removed.

It was the size of a chickpea.

Here's a photo of his post surgery when he had a nakie tummy. He was very very happy to see us.

He's since recovered, but the cost of this put us back around 1300 dollars in total. He's now on a special diet with rather pricey food to prevent this from happening but it might still act up eventually.

We've paid down some of his debt, but the interest is making it become more and more as we try to pay it down.

On top of this, our pipes backed up into our basement and refused to work suddenly a few weeks ago. We live in a house that is over a century old, and the clay pipes keep getting roots growing into them that causes them to not drain.

The roto had to come out and high pressure the roots out to clear them (which required expensive equipment), This put us back another grand.

To add to everything, our 700+ auto insurance bill is due in November, which is the worst time for this bill to need due, but both myself and Kris drive over ten miles to work during different shifts on opposite ends of town- neither of our jobs have public transit anywhere near them.

We are currently barely making ends meet-

I am a lunch lady at a public high school. I love my job. I feed kids who possibly don't even eat at home some days. I do work I am proud of.

However, I can only work around 25 hours a week without risking losing my insurance as a disabled person. My job does not have longer hour positions available, and I am too disabled to work more than this without ruining my body like I have done in the past.

I have been going without buying groceries out of fear that what little money I have in my account will be needed in an emergency. I will be out of work for a week this month, around Thanksgiving, and during Xmas break- unpaid due to me working in a school. Me being out also means no guaranteed meal every day.

Kris works in a factory. He is currently working 55+ hours a week to make what we can to pay off the bills and keep our house. He only has one and a half knees that hurt all the damn time and is barely eating either just to afford everything. His factory keeps calling for sudden shutdown weeks with little notice at the worst times, and he's the main breadwinner in the house for us.

The other two in our household, one is severely disabled and can barely work 10 hr/week (he is waiting on hearing back to receive SSI) on top of having multiple medical appointments a week to figure out what is wrong with his body and why it keeps failing. The other is a freelance artist who is working her butt off to make money while carting the previous to appointments nearly every day. She is full up on commissions at the moment, but when she opens them I'll reblog her posts.

I really didn't want to make this post. I hate asking for help. But we are drowning and there's no sign of land. None of us can afford to live on our own, nor can we move back in with our parents for various reasons.

All I'm asking for is some help. I don't care how much. Five dollars is five dollars. Five dollars is half an hour less we have to kill ourselves to make ends meet.

Even if we don't make the full amount, every dollar will help us get a bit closer to paying this stuff down so we can afford gas and regular grocery trips again instead of having to save up to go once a month like we are currently doing.

Our goal is 2000 dollars.

Yes, this is the high amount. I do not believe we will ever reach it. I can hope we can raise this much at some point.

But for now that's the dream number.

It's the number that is looming over our heads, telling us to pay up or lose our home.

It's not something we need this very moment, but just what we need in the next few months to be able to afford living without destroying our body or working three jobs/ridiculous hours.

We thank anyone who can spare a few bucks to help us, and if you can't afford it just pass this post along to someone who might be able to.

Please send as friend/family if you can, PayPal is threatening to withhold money sent as transactions now if you receive over a certain amount.

This includes sending things through my ko-fi account- so here's the preferred methods:

Progress:

388.74/2,000

Thank you for reading. I love you.

[marie-m-art]

Good Animated Omens - Behind the Scenes

Here's a behind-the-scenes look at the walk cycles I animated of Aziraphale and Crowley (original post here).

I'll reiterate that the character designs are @lookitsstevie's creation! I made builds in Toonboom Harmony based on their designs, and then animated the builds.

Long post under the cut, organized into four parts. Feel free to jump around or just click through the images and gifs to get an idea of the gist. (At least take a look at Part IV, where you'll see a version of Aziraphale without his jacket and a closeup of Crowley's torso!)

Hopefully this is interesting even if you don't know the first thing about animation. It's not a step-by-step-from-scratch tutorial, but it might give animators some ideas to think about when trying this software!

I'm happy to answer questions about what I cover here - comments, DM's, or ask-box questions are all fine by me. If you like any of the new gifs and want to reblog it on its own, I can make new posts for those upon request! (I'd prefer you don't reupload them, but if you do please at least credit me with a tag to my account - thank you!!)

Part I: The interface and some basics

Above is a screencap of the software interface.

In the centre is the Camera window, where all the drawing and animating is done. 

To the left, the Node View. It's a representation of how the pieces and layers that make the characters are grouped and connected to each other, which is what makes a character "build". Every piece in this window is called a node, and there are different types. Light blue "drawing nodes" contain the drawings themselves. Each drawing node usually has a green "peg" attached; the peg is used to move and rotate the drawing piece; you set a pivot point on each peg. Light grey nodes are groups that have more nodes within, and dark blue nodes are added effects (eg masks, the blur for the halo, etc).

Below, the Timeline - it's where keyframes are set and tweened. The red square dots indicate there is a new keyframe on a particular frame; the white dots indicate keyframes are on layers nested somewhere under the topmost visible layer. All the pieces of the characters can be found in the timeline and correspond to the pieces that exist in the Node View (and Camera). Typically you work with a collapsed view of the build layers in the timeline, which allows you to set keyframes on multiple layers at once.

To the right, a few tabs in this window - Tool Properties, Colour Palettes, and, shown on top here, the Library. The library is where you store your builds, so that you can bring in a fresh copy when animating a new scene. This library tab also has the Drawing Substitution window, which shows thumbnails of every drawing contained in a drawing node when that node is selected.

A second of animation is 24 frames long. Finished animation will often have keyframes on every second frame with the tweens removed, to help simulate the look and feel of traditional animation - this is known as animating "on twos", and saved time, money and paper in the old days. If you leave the tweens on, and/or have keyframes on every frame, the animation is "on ones".

My walks are on twos - it's the look I prefer.

When I say "tween" I'm specifically referring to the software feature that will automatically calculate and interpolate the path between two different poses/keys of a peg. An inbetween could be the result of using a tween, a new drawing, or both. On twos, an inbetween will look the same as any other keyframe on the timeline when you're finished - its relevance as a concept is during the process, not the end result.

Quality animation is achieved via a combination of moving/tweening pre-existing drawings using their pegs, and adding new drawings as hand-drawn inbetweens when needed. Toonboom Harmony also has nodes called "deformers": they offer a way to tween the shape of a drawing without needing to redraw inside the drawing node. (Part IV has the explanation for which pieces I used them for, and why.)

Part II: Navigating the builds

This is what their default poses with no animation look like.

Animation using builds is sometimes colloquially referred to as "puppet-style animation" because the way you can connect body parts to each other feels like making and handling a 2D digital puppet: you can connect a hand to a forearm so that they can move as a unit, and you can connect that unit to an upper arm to move the whole arm as a unit, and that arm gets connected to the torso, and so on.

When you want to connect two pieces, like a hand to a forearm, then you create another peg in the Node View and attach the two body parts together under that new peg. The screencaps below show the nodes that make up Aziraphale's and Crowley's entire builds inside their respective groups:

Things got a bit sloppy ... It looks extremely complicated, but once it's set up, you don't have to think about it too much when you're animating!

And I've zoomed in on the nodes that make their arms so you can see how there are pegs on top of pegs (all the green nodes), with wires connecting everything:

As I explained in Part I, new drawings are added and contained within a body part's drawing node (the light blue ones under the green ones), and the Drawing Substitution window is where you can see all the drawings that exist in a particular node. In the timeline, you set keyframes for moving the pegs, and you also choose which frame the new drawings will appear when applicable. You might have a lot of drawings stored in the nodes, but only what you set to appear in the timeline will be visible in the final animation.

You can select a body part in the camera view, and then find the corresponding layer in the Timeline or the Node View by pressing the "o" keyboard shortcut. If you select a body part by clicking on it, and then press the "b" keyboard shortcut, you will jump up to the next peg it's connected to. You can hide and unhide pieces using "d" and "a" respectively.

In the first capture above, I'm showing that the arm pieces can be moved separately or together, and you can see how the pegs in the Node View light up when I select them in the Camera window (hiding them turns them red). In the second capture, I pop down to the timeline to step back and forth between the poses - the light grey row (it appears between the rows of red dots) represents the hand's drawing node in the timeline.

Part III: Summary of animation process

In my head I imagined how their walks would differ from each other - Aziraphale bouncier but with very straight posture and limited arm movement, vs Crowley slinking and swaggering all over.

I also knew that I wanted the animation to look good for both a walking-on-the-spot version, and as a version walking across the screen (both versions are at the top of the post!).

Then I started doing some rough animation.

I set aside my finished builds for the roughs. For each character, I made a few drawing nodes and two pegs; a peg for the up-and-down upper body motion, which I tweened, and a peg for moving them across the screen. The legs and arms are drawing substitutions.

With these extremely rudimentary rough "builds", I worked out - how many frames long the walks would be, - how far the characters would move across the screen each step, - how much the upper bodies would move up and down, and - the key drawings of the legs and feet.

I didn't worry about animating clothing, hair, or Azi's arms in the rough stage. For those elements, the drawings would be spaced really close together and would be easier to figure out with tweens. (Note: this rudimentary setup would be sufficient if you want to clean up and inbetween characters by hand frame-by-frame instead of making full builds; my preference is build animation because the process is more fun for me)

Then I started working with the finished builds, using the roughs as a guide, and established the broadest motions first: the up-and-down motion in the upper bodies (I set a keyframe at the lowest point, a keyframe at the highest point, then tweened between them) and how far they'd travel across the screen. Then the feet were done.

I went back and forth between viewing them walking on the spot and walking across the screen to make sure that both versions worked. I also made sure they crossed the same amount of ground relative to each other.

After those crucial parts, I moved on to animating their arms, hair, torsos, clothing details, and finishing the legs, not necessarily in that order. I simulated twisting/rotating their torsos in 3d space by moving their waistcoats and lapels.

The first gif switches back and forth between versions (imagine a background scrolling by when they walk on the spot). The second gif is an example of bad "footslip" - they're moving at different speeds, and if you pay attention to their feet, Aziraphale appears to slip on ice while Crowley appears to slide forward on skates.

"You go too fast for me, Crowley!"

Part IV: Extras and details

Here is a version of Aziraphale's walk without his jacket, and a closeup of Crowley so you can see his swaying hips better:

One of the cool things about animating with builds is they lend themselves well to small modifications; the jacketless version took all of five minutes to make.

I'd be remiss not to include a close-up of Aziraphale's hair, the real star of the animation :) (Crowley's hair is also animated but I purposefully kept it understated since it's a much different texture.) And a closeup image of Crowley's snake tattoo:

The biggest unit for both of them are their upper bodies, which includes their pelvises. The up-and-down motion is only on one peg instead of on every single piece, which is handy because it means I can hide just that part of the animation when I want to work on the clothing details:

During the process of animation, I am often hiding then unhiding pieces like this so I can see what I'm doing.

Their clothing ended up being a lot of separate pieces, which I kept adding during animation rather than before, as it was hard to predict everything I needed. Their clothing also incorporates cutters (aka masks), and deformers (see explanation in Part I). In the next set of gifs the deformers show up as green outlines with handles and get turned on and off.

Aziraphale's torso functions as a mask for his clothing. The shape of his torso subtly changes via deformer. His lapels and waistcoat have V shapes that are masks/cutters (they cut a V shape out of those pieces); the same pieces that make the cutters also are used for the black lines of those V shapes via a special layering setup. The main shapes of his lapels are animated with deformers, and you can see how far beyond his torso shape they extend when I turn on the deformers in the second gif.

Deformers work best for shapes that change a little bit, and/or slowly. The minor shape changes in his and Crowley's clothes ended up being a great use case for deformers, because they pretty much tweened perfectly.

The reason I didn't use them on Aziraphale's legs was because those shapes change significantly between keys; I predicted I'd have to re-adjust every frame of a tweened deformer, so I drew the inbetweens by hand (halfway through, I realized I probably should have used them after all, but I was in too deep by then; hand drawing was fun though!). Deformers worked well on his bottom jacket:

Crowley's pelvis is layered above and below his thigh pieces and has a deformer. Also take a look at all the drawing substitutions for his hands:

And lastly the deformers on the hair:

Epilogue

I'm hoping the gifs all play at the same speed for everyone as they play for me. Hopefully the demo gifs are at least watchable, if not super clear... (I'll listen to feedback on the presentation of the information, for if I do similar posts in future!) Don't hesitate to ask questions about anything I covered, or about any details you noticed that I didn't elaborate on!

ko-fi.com/marieanimate

I'm shy about mentioning it, but I set up a Ko-fi account in case this post compels anyone to leave a small "tip" (but reblogging and sharing is just as good)!

Thanks for reading, and have a nice day!

[hauntedjellyfishwitch-blog]

Too Far.

Summary: He's like a wounded animal when he's angry, lashing out when he feels cornered. He's gone too far this time, snapped and said something he definitely didn't mean, so now he has to fix it.

Pairing: Daryl Dixon x Reader (No use of Y/N)

TW: Fighting. Daryl is a dick, but not really, but also he is. Apologetic!Daryl. Alexandria Era. Sex.

A/N: Inspired by an excellent post by @love-norman which I'll link in the comments. I wasn't sure if you were okay with smut, so there's a fairly brief mention of sex but nothing overly explicit.

-

He’s a surprisingly effective communicator, once she can convince him to talk more and with enough time to work out exactly what ticks and grunts mean what. Daryl Dixon’s entire bag is self-sacrifice, so if he can assume that she needs him to tell her what’s going on in the always too busy head of his, he can do that for her without much care for how it impacts him. It’s not his most healthy coping mechanism but it certainly isn’t his worst and the reward? Oh, the reward is sweet. The reward is comfort and kindness and being held; being loved. What’s a moment of discomfort for a lifetime of her?

He's had to practice letting his walls down, slowly but surely since he met her, all the while failing to realise she was just digging her way underneath them. She didn’t ever pry, not really, not in any way that felt invasive, but she’d patiently wait him out; ask the question quietly, softly, and let him linger in the comfortable silence until he chose to answer back. Sometimes she’d work out the information without his need to speak at all; it happened the moment he realised he was fucked, that he was absolutely, irrefutably hers. She’d worked out exactly who he was as a person and he’d barely sad a word.

He’s attentive, and whilst that shocks him it comes as no surprise to anyone around him. He has spent his life fearing that he is exactly who he feared, but those who are lucky enough to consider themselves, correctly or not, close to Daryl never fear for much but his wellbeing. That he is a careful, thoughtful and tender partner surprises nobody but him. That’s not to say they don’t argue, the end of the world comes with its own set of tensions even without the usual relationship concerns, but he’s learnt not to bite first.

-

He shouldn’t have drunk anything, in hindsight, they’re both in bad shape, overwrought and under-fed and they shouldn’t have been at a fucking party, of all places. He definitely shouldn’t have had the four glasses of scotch Reg offered him on a mostly empty stomach. He can’t get used to the Alexandria walls, the houses he never could have afforded to breathe near let alone buy, the soft comforts he’d never had even before the end of the world. He’s never been to a party that hasn’t had a piss-stained couch or an overly full ashtray.

“You know that’s bullshit, Daryl, you’re being ridiculous!” She yells, firmly back in their own living room after he’d practically stormed out of Deanna’s. One minute they’re in full swing, standing talking about vacations from the old days with some new faces, the next his hand is dropping from around her waist and thudding from the front door like she’d said, ‘fuck off’ rather than the word ‘Canada’. He’d slammed the door behind them and snarled about how he would have embarrassed her and her fancy fucking vacations in ‘the real world’.

“Lil’ miss travel abroad and see th’ world cause she’s better than Daryl fuckin’ Dixon”

“What? That’s not-“

“I’m jus’ an idiot redneck with nothin’ an’ you’re this smart chick who saw the world, I get it, I ain’t dumb, th’ fuck would ya have wanted wit’ me?”

Her heart would shatter for him if she wasn’t seething quite so much, the sheer desperation in his words at odds with the tension in his body, clenched hands dragging through his finally clean hair. His eyes are stinging and he absolutely refuses to cry, has never gotten over thinking it makes him weak even when he feels weak.

“Daryl, what the fuck? Why are you being such an asshole?“

“Shut up, always yappin’ about stupid shit, fuckin’ hate ya sometimes!”

He turns quickly, wants to throw something, wants to scream, broad shoulders and harsh angles and all the wind leaves his body when he sees her flinch away from him. She’s cowers backwards, he feels like he’s going to be sick, body collapsing in on itself as he feels the anger leave his bones, replaced with ice laced panic. For a second, a horrifying second that feels ten times as long, he’s his old man. Shitfaced and angry with a glass in hand and if he had a mirror, he knows exactly whose face he’d see staring back at him.

“I would never hurt ya” he whispers, voice low and so broken, full of conviction as his breath hitches in the middle and crumbles at the end and she’d hug him if she wasn’t so shell shocked. Neither of them move for a beat, standing stock still as he trails his eyes over her, clocks the way her gaze refuses to lift to meet his. He can’t breathe. The room is too small for everything he’s feeling, like the walls are inching close and closer and the air is getting less. He tries to move like lightning but his whole body feels sluggish and slow as he inches past her and out the front door, flinching as it closes behind him and he wanders out into the street. He stares back at the house for a moment before deciding he needs a walk to clear his head.

When he comes back she’s sitting on the couch waiting for him, thumbs twiddling, head still down and worry eating her alive. He eases the door shut behind him, loud enough to tell her he’s home but soft enough to show he’s not mad. He wishes a door could convey remorse but it’s taken him long enough to be able to do it with words he doubts a block of wood would be able to in the timeframe he needs. He shucks off his boots, realising he shouldn’t have been wearing them in the house in the first place.

The fresh air has cooled his body enough that he feels less of the alcohol circulating around his system. He tries not to squeeze the flowers he’d plucked from the bush outside Aaron’s place as he stands with his back against the wood.

“’M sorry” he whispers before clearing his throat and repeating it at a higher volume. She turns her face towards him, looking at him over her shoulder. The anger is gone from her face, replaced with a dwelling worry that spikes at him, makes him replay his words over and over.

“What did I do?”

“Nothin’” he insists quickly, pauses before he realises he should say more, that she sometimes needs him to say more, they’ve talked about this “Ya didn’t, I promise”

“I’m sorry”

That does it, rips him from his safe haven by the door because he can’t stand the thought that she deserved anything he said to her, that she’d said anything wrong when he knows she hadn’t. Talking at a party, about stupid old-world stuff whilst her spare, wine glass free hand kept his back warm. She hadn’t said a damn thing wrong, and he’d scared her.

He strides over to the couch, coming round to kneel in front of her. He places the somewhat squashed flowers on the couch cushion next to her. He hovers a hand above her knee, placing it gently on the fabric of her dress when she doesn’t flinch away at the sight. He doesn’t want her to flinch ever again.

“Dun’ apologise to me when ya ain’t done nothin’ wrong”

“I’m so-“

“Dun’ ever apologise to me when i’s my fault. ‘S my shit an’ I shouldn’t take it out on ya”

She knows he loves her, has proven it time and time again, has put his body in front of hers in the face of almost certain death, would protect her with his last breath, would love her with it. But she knows she’ll never be able to unhear it, that some things you can’t take back, that she’ll always wonder, just a little bit if its true. Logic and love are very rarely intertwined.

“Okay”

He can still hear his fathers words ringing in his head, he knows, more than most, the power that words hold over people. He tries not to say anything he doesn’t mean, and he’ll admit he’s acerbic, pointed sure but never cruel, never unnecessarily unkind. He doesn’t know why tonight was different, but he takes her hands in his, locking his eyes on her so she understands.

“I dun’ get t’ speak t’ ya like that”

“No, you don’t” she agrees, voice firmer, back to her usual tone, the one he’s always loved going hand in hand with the certainty she can hold her own. She pauses, bringing his hands up to press a kiss to his knuckles, soothing because she’s terrified that after all this time, he’s still going to break them by thinking he’s not allowed to claim his hurt “You alright?”

He doesn’t answer, instead sitting back on his feet, raising a small hopeful smile at her.

“Tell me about th’ vacation”

“I don’t-“

“Please. Ya said ya still think ‘bout Canada all th’ time”

He really does want to know, he hadn’t been outside of Georgia before everything went down, and she’s mentioned travel but Canada hadn’t come up; he’s not sure if it was that, that set him off or that he felt inadequate in a room full of people with experiences he never got to have.

“I think it was my favourite trip. Packed a bag and went alone on a whim, found a lake in the forest with a little cabin. Just mountains and trees and lakes. It’s the most peaceful I’ve ever felt. I never wanted to mention it, I know you missed out on so much, but then everyone was talking and I-“

“Nah, go on, ‘S’alright”

“When Reg asked…I was going to say that’s what I picture, when I think of life outside of all of this, me and you in Canada”

“Ya think of that with me?” his voice is low, incredulous awe pulled tight at the edges, he was so busy feeling less than everyone else that he’d missed out on the fact she was thinking of him. She nods, smiling at him, working it out without him needing to say it, figuring out what drove him to snap without asking, under his walls and right in the centre of the internal world he’s built.

“We’d have a house, out near a lake with a wooden porch, and a dog, big scruffy one who likes to catch fish. We’d have coffee together overlooking the water in the morning. You’d work at the local garage, ‘cause you’re good with your hands and tools, wouldn’t have to deal with people all day, fix up all the bikes you’d secretly want...”

He’s staring her at in silence, watching her wistful face glow in the lamplight, he can barely breathe let alone find words knowing that she’s not just dreamt about a life with him, she’s thought it out in detail. He wants it, wants that life with her so badly it aches, thinks it’s the first time he’s wanted anything from life except to get through it.

“I’d work at the bar, play guitar at crappy open mic nights and you’d come for a beer after my shift to walk me home”

He hums, all the response he can manage, guilt chewing at him from the inside, clawing at his mind knowing that he’s taken his own problems out on her, told her he hates her all the while she’s dreaming of something so utterly fucking perfect.

“We’d make dinner together and dance in the living room, go camping at the weekends and make love all night long”

“In another life?” he chuckles, warm and full, knowing he’ll dream about this for the rest of his life.

“In every life…If you’d find me”

“I’d find ya”

-

He runs her a bubble bath, still amazed and confused that he can, that they’ve spent months on the road starving and struggling and here there’s a pantry that has bubble bath. The flowers from Aarons front garden are perched in a glass of water by the bed, the lamps turned off and the doors are locked up as tight as they can be. He’s insistent that he shows his apology, but he’s never had a way to do it outside these walls, nothing beyond words and affection and his experience with what women might like is limited at best.

He stands in the doorway, watching as she wraps herself in a dressing gown. He wonders idly if the amount of love he feels for her could kill him; he feels it so deeply in his bones that he physically isn’t sure it should be able to fit inside of one person. He feels it explode warmth around his body when she shuffles forward to rest her head on his chest.

“You know you don’t have to do all of this? I’m not mad”

Later, when he’s apologised again, reassured her and comforted her and she’s convinced him he’s worth loving in return, he takes them both to bed. Touches her with soft, repentant hands that have always been gentle, hands that are gentle exactly because he knows how dangerous they can be. Atonement seeping from every inch of him as he inches home inside of her, cherishes the contended sigh she lets out at the feel of him. He could never hate her, not even if he tried.

He stills when he bottoms out, rests his forehead against hers as her hips press against his firmly, dragging him as deep as he can go.

“Wha’ ya see in me, anyway?” he whispers against her lips, full of self-doubt.

She looks into him with an intensity that almost hurts, brings her hands to the sides of his face, makes sure he believes her as sincerely as she believes his apology.

“Everything”

[bumblequinn]

hi @sourpatchsquids! thank you for your question.

as an artist with ADHD, i know this struggle very well. unfortunately offering advice on this kind of thing can be tricky, because what works for me may not work for you (and vice versa!). nonetheless, i can try; take whatever works for you, forget the rest, or reshape any part of it as you see fit. :)

but before i offer any actual tools, i have one caveat. i want you to take a moment to reflect and consider if you should be:

changing expectations

the timing of this question seems fated, because just the other day i had a therapy session wherein i expressed my grief and frustration over struggling to work lately due to my seasonal depression. it's not fair that i'm struggling just because it got a little darker outside! i just want the spark i had in the summer! i was so much more consistent!

my therapist's response: nothing about human beings is consistent. we get sick, we get tired, we get hungry and thirsty (and thirsty) and sad and lonely and restless and stressed and overwhelmed. this all gets amplified for folks who are atypical in some way or another.

when my therapist compared our seasonal cycles to those of plants and other animals, who wilt and slow down and hibernate, i protested aloud that i wanted to be a perennial instead. at this she said: even perennials change with the seasons. rose bushes have to be pruned, sometimes down to half their height! it was a dose of perspective i didn't particularly want, but really needed.

so when you're struggling to work through executive dysfunction, burnout, or brain fog, it can help to first check in with yourself about a few things. what do you have the capacity for right now? do you need any accommodation? and if so, what changes you might make to accommodate yourself?

with practice and self reflection, i've learned a handful of specific routines that help me when i'm struggling with creative work, which i'll detail next. note that while your question is specifically about music and i am specifically a musician, i believe that all of these suggestions can apply to most any form of digital creative work.

with that in mind:

#1: work slower

when i'm at the top of my game, i can get a LOT done in a day. but when i'm depressed, fatigued, or distracted, i just can't go full steam. sometimes i'll try to convince myself that i can if i just push harder, but what actually ends up happening is that i'm just fiddling with settings and going in circles rather than moving forward.

instead of that, when i want to work a lot but can't, i try to work slow. how slow? however slow i need to. take four hours to figure out the melody for a single verse. take all day to figure out that drum groove. yeah, i take a lot of breaks in between. who says i have to be my Absolute Most Productive Every Day Or Else? that's the puritan work ethic talking. kill it. be kind to yourself.

i'm reminded of advice i once read about some super successful and prolific author (gaiman? king? pratchett?) who said they wrote only four hundred words every weekday. that's already less than the word count of this post, and i'm only—[travels into the future to check my final word count]... 22.8% of the way through writing it!

now, i don't think i could function that way, because ADHD means some days i'm hyperfocused like crazy, and other days i just have no steam at all (more on that in #4-6). but it seems to me that if even someone highly respected in their profession can achieve what they have with only a little bit of work on a regular basis, maybe i don't have to punish myself for not pumping out a finished work every single week.

doing less work per day means you're much less likely to burn out, which does a lot for working more consistently. if that consistency still doesn't look like a five-day work week, that's okay! as long as it helps you work even a little more often when you want to, it's something worth doing.

however, if you're still feeling truly stuck, all hope isn't lost. you can still try:

#2: switch projects

sometimes the reason i'm moving slow is because of a bad brain day, but sometimes the reason is that i just cannot muster the motivation to do the specific task i'm trying to do right now. ADHD is fueled by novelty and interest, and if i'm not interested in what i'm doing, or it's feeling stale, that's a sign that i need to switch gears.

this is why first it's helpful for me to have more than one project going at a time. this might mean completely unrelated works, or it might just mean related tracks as with the music for a game like SLARPG or susan taxpayer.

the idea here is not to start a dozen different projects and bounce around them like i'm playing whac-a-mole—though i have done that. (i don't recommend it.) the idea here is to have a manageable number of different projects i can be working on so that if i get bored or stuck on something, i have fallback options.

what that number of projects is depends entirely on the week. maybe right now it's two, maybe another time it's three. i would probably be getting carried away if i tried more than that, but that's just my own limit. maybe yours is different. that's something for you to think about.

but it doesn't have to stop there.

#3: switch focus

maybe there is this one project that i just HAVE to work on, but the task i'm trying to do at this stage just isn't coming to me. okay, well, why don't i try working on a different task?

let's say i can't figure out what i want to do with the melody in one part of the song:

what if i try jumping ahead to a different part of the melody? ...no, i'm stumped on melodies today. okay, how about working on the drums instead? ...hmm no, i think i'm just completely tapped out on writing parts right now. alright, what if i organized my tracks, making sure they're all grouped and named in a way that i can work with easily? what if i did a rough volume balance for the mix?

and so on. if that's not enough to shake the off stuckness, i might consider: what can i do to make this project more interesting to me?

what happens if i try using an instrument or effect that i almost never reach for? what if i try sampling something obscure? what if i bang out the drums using my midi keyboard instead of drawing it in on the piano roll?

any approach that breaks me out of my usual habits is bound to get that feeling of novelty and fun back when i need it.

or maybe i can't do any of that right now, and so i take the time to answer a question from a fellow musician instead. i consider that part of my work, too, in a broader sense. check in with yourself and figure out what you can do right now. the rest will still be there later.

but okay, let's say you try switching gears, and switching again, and again, and nothing is moving. you try new approaches, but that wall of awful is insurmountable in this moment. it happens! the next thing you might try is:

#4: learn something new

when you aren't able to make progress on your projects, you can still make progress on your knowledge and craft. i often find this stokes a flame of inspiration in me where there wasn't one before. and even when it doesn't, it still gets my brain out of that feeling of stuckness and dread and into one of thought and action. learning also benefits in the long term because it adds to the well of knowledge from which you draw for all your future works.

for all the awfulness that exists on the internet, it remains an absolute treasure trove of teaching. there's an endless ocean of videos, blog posts, and articles from which you might learn something about your craft. (and if you sail the seven seas, plenty of book PDFs as well. 🦜🏴‍☠️)

it's true that the quality and depth of information out there can vary wildly, but in my experience most resources get at least some things right. and the more you research, practice, and figure out what works for you, the better you will learn to differentiate between the advice worth keeping, and the advice to forget. (that goes for all of what i'm saying here, too!)

that said, since our shared focus is music, a few resources i would highly recommend are:

music theory and composition music matters, 12tone, charles cornell, music with myles, 8-bit music theory, and this introduction by andrew huang

mixing and production dan worrall (especially this series for fabfilter), kush after hours, red means recording, andrew huang, alice yalcin efe, in the mix

general inspiration nahre sol, ben levin, david hilowitz, game score fanfare, posy, jerobeam fenderson, open reel ensemble, and ELECTRONICOS FANTASTICOS!

(if any readers have their own helpful resources for creating music or any other media, feel free to share in the replies & reblogs! 💓)

of course, on an especially bad day, it might be a challenge to seek out information, let alone retain it. that can feel pretty bad, but remember: be kind to yourself. the next thing you might consider trying is:

#5: consume art you love

not just music. books. shows. movies. games. illustration. animation. whatever moves and inspires you.

but do it intentionally. don't just pull up some random thing the algorithm suggested! check in with yourself about what you want (or are able) to engage with right now. choose accordingly. if you get a little way into it and realize it's not scratching that itch, hit the bricks. check in with yourself again. wash, rinse, repeat, until you find whatever it is that speaks to you right now.

and do it actively, if you can. don't just let it go in one eye and out the other! really pay attention to the work. what do you like about it? what are its themes and motifs? what makes it work so well? what are its flaws, and how much do they matter? what might you do differently? you can write notes as you do this if it helps, but even simply noticing and thinking goes a long way.

what you don't want to do is come at this with a lens of shame or envy. you're not here just to say to yourself, "ugh, if only i could do THAT." it's okay if it happens. use that thought as a springboard for curiosity: "well okay, how DID they do that? do i have the resources for it? if so, how could i apply that to my own work? if not, how can i adapt it, or what do i need to learn?" keep your mind open and approach the work with a sense of wonder.

as a creative person, it's very easy to think, "i should be making something right now, not watching a movie!" but that thought forgets something vital: your art is a response in a conversation. of course the "language" you use is your own, and maybe if you're lucky you'll invent a new word. but most of the words you use have been around long before you were born. you're just one voice in a dialogue that spans continents and generations, and that's okay. it's even the whole point.

none of us is an island. we are profoundly social animals. just as we can't live without eating, we can't make without learning. so half of making art is consuming it. consider this part of the process as well.

and finally,

#6: rest, and live your life

let's say you're in really dire straits. you've tried working slower. you tried changing focus, you tried changing projects. you want to take in new information or actively engage with your favorite art, but you're not in the headspace for it. what now?

take a nap. take a walk. take a shower. eat a nice meal, or an okay one. talk to a friend. maybe even do that chore you've been putting off (you know the one).

it's human to always crave making, but you're not a machine—and even if you were, machines need regular maintenance, too! you wouldn't drive a car that's completely out of gas, and you won't do yourself any favors treating your body that way either.

i know that when you take a break it feels as though you're not accomplishing anything, but you are: you're taking care of your animal self. and while you do that, your creative brain doesn't stop working! much like windows, it has countless background processes running at any given moment, with inscrutable names like "cbdhsvc_692da" or "Microsoft Edge Update Service." it's true, i checked.

when you're stuck on a project and you step away to rest, your brain is still chipping away at your ideas unconsciously. i like to tell people, "it's percolating." much like waiting for a pot of water to boil, that idea is still heating up, even when you take a step away. just be sure to check in on it once in a while. the time will pass, and it'll be boiling again before long. :)

before i go, i'll leave you with one last thing to keep in mind as you try all of these strategies:

be kind to yourself.

being human is just about one of the hardest things you can do. let alone being a human trying to survive capitalism while living with disabilities! the last thing you need on top of that is to overwork yourself, talk to yourself negatively, or treat yourself harshly. there are plenty of other people in the world who do that to you—don't be one of them.

i'm not saying that you shouldn't try to challenge yourself, to test your limits and go above and beyond your ambitions, if that's what you want to do. just remember that hard work and self compassion are not mutually exclusive. so be careful not to bully yourself. take pride in the progress you make, even when it seems small. encourage yourself like you would a friend who's going through a hard time. and when you challenge yourself, be your own cheerleader.

i hope you find this advice helpful! remember, this is just what helps me, so don't feel like you have to follow any of it exactly. maybe taking time to learn new information helps break you out of your rut more than working slowly, so you reach for that tool first. maybe having multiple projects going at once is too distracting for you, so you prefer to stick to one at a time. whatever your needs are, feel free to alter and adapt these ideas to fit you.

thank you for reading, and i wish you the best of luck in your creating.

with care, bee 🐦

[marlenesluv]

hi there. can i request a fluff one shot with Max Verstappen? Where basically he is secretly dating Danny Rich’s sister, and one time Daniel wanted to surprise her sister back in Perth when he noticed that the house felt different. Like she has like 5 dogs that would always happily greet him, but they didn’t that time cause the dogs were happily with Max and Daniel’s sister. Cheers x.

Puppy Love. (MV)

note: awe, this is so cute!! for sure i can do this :) i hope you like it! (sorry this took so long) also, i made it so daniel didn't know about them at first, hope that's okay!

pairing: max verstappen x ricciardo!reader

warnings: none! this is j fluff

masterlist here -> masterlist link

^ check my list for all posts! ^

Daniel Ricciardo knew his sister never wanted to move out of Perth. She loved the beaches and the warm weather. So visiting Monaco was usually out of the question. But when he saw his sisters Instagram story, he questioned that logic.

She posted a photo of dinner with Carmen, George, and someone he couldn't make out due to the photo being too blurry. Which, he figured, was on purpose.

Y/n, on the other hand, was enjoying her night out with Max, George, and Carmen. Carmen was the only person who knew that her and Max had been secretly dating for about six months now. She assured Y/n that George wouldn't tell anyone, despite some people thinking he's a gossip...which he is. But he swore to keep it private. He understood them being nervous.

"You okay, liefde?" Max asked, seeing you look at your phone with furrowed brows as you bit your bottom lip.

Exhaling, and sending your response to Daniel, you smiled up at Max and nodded. "Daniel's just texting me. He saw my story, wanted to know why I was in Monaco randomly." Max hummed and nodded, putting his hand on your thigh to try to ease the anxiety.

"Y/n, did you hear me?" Carmen smiled, watching the interaction between you and Max. George took a large gulp of his water as he sputtered, "Guys, these fries are way too seasoned-" he coughed again, Carmen smacking his back.

Max laughed quietly, sipping his water as you took a bite of your food and shook your head and smiled.

"Sorry, didn't mean to interrupt with my cough. Go on." George wiped his mouth and sipped some water.

"Sorry, Carm. I didn't hear what you said, what's up?"

"It's okay! I just asked what time you and Max were planning on leaving and going back to Perth."

"Oh, um.... Max? What time did you want to leave again?"

Max leaned back, "It's up to you. We need to get back to the dogs soon. Jimmy and Sassy want to go this time I think." You smiled at his response, "I guess we're leaving tonight."

Carmen smiled and nodded, George and Max now conversing about the next season. You were excited to go back home to the dogs and Daniel, knowing he probably wanted to see you too.

.・。.・゜✭・.・✫・゜・。.

"Do you think the dogs missed us? Because I missed them- hey! Don't set Jimmy down, I'll hold him." Max frowned as your eyes went wide. "Okay...um, yeah. I'm sure they missed us."

Immediately as the door opened, all five dogs came running towards the door, leaving you just enough time to shut the door so they couldn't run out. Chasing dogs was not fun.

Having the dogs, however, was the best. Scout was an eight-year-old Border Collie. He was your first dog, which you bought when you moved into your apartment seven years ago at the age of eighteen. Scout was one of the calmest dogs you would ever meet. He really was the biggest cuddle dog.

Then, there was Rocco. Rocco was rambunctious, to say the least. He's a chocolate lab that's six years old. Rocco, fun fact, actually met Roscoe, Lewis' dog. You brought Rocco when he was a puppy to the Australian Grand Prix when you got him. Lewis, coincidently, had Roscoe with him. It really was an adorable sight.

Marley was your sweet girl. She's a four-year-old cocker spaniel. She's a sweetheart, really. You loved the way her tail went about a hundred miles per hour when you came home, even if just for going for a run. Max would argue that Marley has attachment issues, but you just ignore that.

Then, there were the two goldens you adopted last year from the rescue: Mochi and Sushi. You may have named them when you were hungry...but who cares. They are both one, and Mochi, a girl. Sushi, a boy. They both kind of looked like Charles and Alexandras dog, Leo.

Maybe you had too many dogs in some people's eyes. But you had a big apartment, and living alone was a little depressing. Yeah, Max flew out to stay over a lot. If he wasn't racing, he was in Perth with you. And you usually came to the races with Daniel. Heidi was a busy woman, and you wanted Daniel to feel supported.

Not to mention how most of the girls loved your apartment. Carmen came to visit a lot, along with Kika and Lily. Alexandra just started coming over as well, usually with Charles, Joris, and Leo. Rebecca also started coming over as well. Let's just put it this way, everyone saw your apartment as a great hangout spot.

You had a lot of windows, all overlooking the beautiful beaches and buildings in Perth. Being smack in the middle of the big city made for gorgeous nights as well. The kitchen was huge and spacious. Your apartment was your safe haven, always making it comfortable to come home and relax.

When you started dating Max six months ago, you brought him to see your apartment. He knew you loved it from previous conversations you had with Daniel when Max was around about when you first moved in.

Max was basically there from the beginning. He knew you since you were both teens. From your first breakup, your failed exam grade in uni, and arguments with Daniel. Max loved hearing you talk; he knew that for sure.

Since the day he first met you, he knew he wanted to try to date you. Your smile drew him in, your laugh made his day, and your personality was addicting. He loved you from the second he saw you.

"Liefje, do you want to watch a movie?" Max asked, looking at you as you grabbed two waters from the fridge. "Yeah, sure. How about Stepbrothers?" You smiled, sitting down next to him on the sectional.

Max laughed, "Alright. Scout? Come here, bud." Scout jumped onto the couch beside you, Jimmy and Sassy on the blanket next to Max. It's like Scout knew that even when Max called him, he knew Max was calling him for you.

As the movie started, Mochi and Sushi went to lay down at the opposite end of the couch. They fell asleep on each other in a matter of seconds.

Marley and Rocco were walking around the house, occasionally entertaining each other by chasing each other around. As you and Max cuddled on the couch and watched your movie, Daniel planned to surprise you.

He knew you were home, you told him that you had landed back in Perth and that you'd be home for a while. And since it had felt like forever, he thought he would show up to your apartment with the key you gave him and cook you guys some dinner.

What he didn't know was that you were already busy, and he didn't expect it.

As he took the private elevator up to your floor, he checked his watch, it read 10:03pm. A little late, but the number of times you guys showed up at each other's home late into the night was plentiful.

Daniel walked up to your door, pausing as he thought he heard something. He thought about texting you but figured it might be the dog sitter. So he unlocked the door and stepped in, trying not to make too much noise to scare the dog sitter.

He found it weird that as he walked in, the dogs didn't come greet him, though. The dogs always ran to the door and jumped on him, happy to see him. He was confused.

What Daniel didn't expect to see when he walked into the living room was you and Max. You and Max cuddled up on the couch watching one of your favorite movies. Not to mention his cats. Neither of you even noticed Daniel.

"What's this?" Daniel spoke, earning a yelp from you and Max jumping off the couch, thinking there was an intruder.

"What the fuck, Daniel?! You can't just break in like that!" You yelled, throwing the blanket off of you to stand next to Max as he paused the movie.

"It isn't breaking in, Y/n. You gave me a key." He said, dangling the key between his fingers.

"Oh.." you bit your lip, Max exhaling as he ran his fingers through the top of his hair.

"You didn't answer my original question. What is this?" Daniel asked again, pointing between you and Max.

"Um.. Daniel, I really don't want you to freak out-"

Daniel cut you off, "What?" Max sighed, "Mate, it's not a big deal, okay? We've only been dating for six months, and she was going to tell you soon."

You sighed, watching Daniel take a deep breath and nod. "Okay, fine. You're happy then?" Daniel asked you.

"Mhmm, I really am, Dan."

Daniel nodded again, "Good. I guess it really only was a matter of time."

To this, you and Max shared a confused look and looked back at Daniel.

"What? You guys seriously think I haven't noticed the way Y/n leaves every race to go 'check out the other garages.' and how you guys talk after almost every race?"

"I mean, I didn't think you noticed..." You trailed off, Marley barking for pets from Daniel.

"Hi, Mars." Daniel cooed, petting Marley as he laughed. "I guess if you're going to date someone, I'm glad it's Max."

Max perked up, "Really?"

"Yeah, man. I trust you; I know you. I also know where you live if I need to come break your toes if you hurt her." Daniel raised his brows.

"I'm not going to hurt her you, nimrod. But thanks."

You smiled; glad Daniel didn't make a big deal. "Okay, um, I kind of want to finish my movie... want to stay, Dan?"

Daniel shook his head, "Nah, I'll go. We can get lunch tomorrow. I'll bring Heidi?" Daniel asked, walking towards the front door.

"Yeah, I'll text you. Thank you, Daniel." You gave him a hug as he ruffled your hair, "Yeah, whatever. Have fun-" You started to close the door as he spoke again, "Wait! Not too much fun!" The door was shut now.

Daniel smacked on the door, "Hey! Y/N? Max? Damnit." Daniel let his head fall on the door as someone on the same floor as you looked at Daniel strangely and sighed.

"I'm her brother- I just, yeah you don't care." Daniel sighed, leaving you and Max alone...something he still shudders at to this day.

.・。.・゜✭・.・✫・゜・。.

(reposts, comments, and likes are appreciated!^-^)

[ikeuverse]

CRIMINAL LOVE — p.sunghoon

PAIRING: killer!sunghoon x rich!fem!reader GENRES: angst, smut, maybe fluff WC: 4.6k+

WARNINGS: weapons, drink, drugs, swearing. mention and execution of murder, blood, fights (physical and verbal). unprotected sex (the details of the sex parts i'll add as i post the chapters), but there are more than two, for sure. lmk if i forgot anything else.

SYNOPSIS: paid to kill people, sunghoon finds himself in the biggest dilemma of his life. getting paid the most money his profession has ever given him to kill a woman. but he can't do it because it goes beyond his principles, who has never laid a finger on a woman. what will he do when the twist is right in front of his eyes?

NOTES: i had this initial idea for jay, but i don't know why i thought i'd write it for sunghoon. i've modified a few things and i'm thinking of making it a story with a few chapters. i hope you like it!

TAGLIST: i don't know if i'll do it, but…

masterlist | prologue | part 1 | part 2 [...]

None of this was new to Park Sunghoon. The eyes stared at him in fear, shining with a pair of panicked features as they begged for their lives. His index finger against the trigger of the gun before he asked to speak his last words and then fired. Seeing the body slowly collapse in front of you, the eyes losing life and the blood dripping through the fabric of the clothes and onto the floor. This was a very familiar scenario, even more so as a hitman.

If anyone ever asked him why he lived this life, the answer would come quickly: easy money.

Sunghoon got used to being on the streets in search of a job to maintain his almost miserable life after the death of his parents. His grandfather, an alcoholic who barely stayed at home, was the only living relative he had. And the only person who could give him a roof over his head at fifteen.

Wandering the streets in search of something solid led Sunghoon to meet all sorts of people and ways of making ends meet. He worked with a bit of everything until he found the job he had settled into today. It was through Jake, one of the first people he befriended, that he learned what it was like to kill for money. His friend's father had a scheme and paid him well enough to eat, dress, and live in his grandfather's house, which he barely saw.

Jake and his father became a family to Sunghoon, even if it was in the worst of environments, but it was the only thing he could get close to that bordered on a good feeling. The boy couldn't call it love because he'd never heard it from any of his friends, although they could say that they respected and cared for each other, but love, for Sunghoon, was too strong.

Who would say about love when, in fact, he was hired to kill? Often people from his own family and for financial reasons. So how could he believe that love existed when his job showed otherwise? Of course, everyone had family problems… Look at him! Sunghoon wasn't the greatest example of this, but come on, he would never have his grandfather or anyone else killed in his own home. It was bizarre, but unfortunately, that's what he dealt with most of the time. And that's what filled his pocket and made him change his life.

Moving into his apartment after his grandfather died, having more contact with Jake and his father about the business, and even getting on a bit more when things started to expand. This was all thanks to Sunghoon's skill and eye for instigating Jake's father to think bigger. It was risky for him to try to suggest that they think big, such as killing some CEO in debt or someone high up.

You've got to be crazy, he heard Jake mutter once, at an informal meeting they had after a successful case. Sunghoon could be crazy, but when it came down to it and money, the highest cases paid well. And that's what he asked Jake's father about until they had their first diplomat client. The amount to be paid was so high that they had never thought of having it in their bank accounts.

"We need to kill about four people to get that" Jake muttered after looking at the amount. A sigh left his father's lips before he agreed.

And so began the great social affair between Jake and Sunghoon – along with Jake's father – for bigger cases with fat sums in their money accounts.

It was dangerous, but Sunghoon lived for it. He didn't have anyone else, he didn't have anything to think about except his well-being and how he could have what he wanted more peacefully after living in poverty for years. He didn't want to go through the insecurity of not having anything to eat, or having to wander the streets looking for something to do or somewhere to stay so that he wouldn't have to be alone in a house where he didn't know who would come back. But now, in his apartment, he shared the peace of knowing that everything was his. Every little thing in there had been earned by him, even if the money wasn't in the cleanest way, but someone had to do that kind of work.

And it wasn't as if Sunghoon would kill just anyone either, he had strict criteria about this that he made very clear to Jake and his father before things got as strong as they are today. Like killing people who had only done some kind of harm to those who had asked for it. Like women who had been beaten by their husbands, or someone in particular who had physically or mentally hurt whoever was hiring the service. Or that person posed a risk to the society in question and they knew that no authority would do anything about it. So they did. And the most important thing of all was that under no circumstances would Sunghoon lay a hand on a woman.

But the universe seemed to play tricks on him that morning, arriving at the office and seeing Jake's eyes light up. It would be pointless to ask why, considering that he was one of the first to receive clients and their proposals, so someone had probably come to Jake to talk to him and give him a huge sum of money.

"Dude, I think we're rich" he threw himself into the leather chair that initially belonged to his father. But as long as the older man didn't arrive at the office, Jake took possession of it until that happened.

"What do you mean?" Sunghoon held back a laugh as he walked a little further into the office, throwing his body into the small armchair opposite the desk Jake was sitting at "A client with good money?"

"Better than that" he sighed, throwing his head back "This client wants to hire our services for two people, but the price is—"

"Jake, spit it out" Sunghoon said quickly.

"Bro, she'll pay two million" he looked directly at Sunghoon. That amount would cheer the boy up if he hadn't heard it before, or even been paid for it "For each of us, and for each of the two people we're going to kill."

Wait, that was new to Sunghoon. Two million for each of them, totaling two people to kill, so… Four million for him, and four million for Jake?

"Man, that's…"

"Insane, I know" Jake interrupted him as if he already knew what his friend was going to say. But something seemed a little off because he didn't have that much energy to say that amount. Normally Jake would have been bouncing around the room literally like a child, totally losing his hitman pose as he commented on the four million that would be playing around in his bank account for the next few weeks.

"What's wrong?" Sunghoon asked at once, noticing the change in his friend's mood as the seconds passed. Jake now looked a little uncomfortable in his father's chair and shifted his body a few times to try to find a comfortable position, opting to lean his elbows on the table and tilt his body a little.

"You know it's four million each, right?" he asked, watching Sunghoon agree "And that the percentage we give my father on each client is very small because, well, he already has a lot of money…"

"Speak up, man. You're stalling on something." Sunghoon wasn't out of patience, but he knew that Jake tended to talk too much when he was nervous. What could have happened to make him like this?

Jake nodded in agreement and continued to lean on the table, leaning towards Sunghoon, who settled into the armchair and imitated his friend's position on the other side. Leaning his elbows on the table and looking at the boy in front of him, who was now looking at his hands.

"A woman wants us to kill her brother and…" Jake slowly closed his eyes "Her niece."

Sunghoon felt a ringing in his ear and then his whole body tensed up. He couldn't explain why he had that reaction, but just mentioning that there was a woman for him to kill made everything seem completely out of place to him.

"You're kidding me, right?" Sunghoon asked.

"I really wanted to, man, I swear" he whined, watching Sunghoon's withdrawal appear little by little as he slid his arms off the table and leaned back in the armchair.

"And what did those two do to make her want to kill two people at once?"

"I don't know" Jake shrugged. "She hasn't told me yet, she's arranged a meeting and my father wants to go along. It's too high…"

"You two do it" he stood up, walking to the middle of the room before he heard Jake calling after him. Without turning around, Sunghoon closed his eyes and took a deep breath. He waited a few seconds before finally turning to his friend.

"I can't do this without you, bro. You know we've been working together forever" Jake began.

"But what are my conditions?" Sunghoon asked, and for a moment he saw a glimmer of regret in Jake's eyes. For mentioning or even thinking that his friend might do this kind of thing. Maybe the money had messed with his head a bit and he wouldn't deny it, but Jake knew Sunghoon well enough, he just wanted to try until he couldn't anymore. Even though he knew it would come to nothing because Sunghoon would never accept.

Silence was Jake's way of responding, not knowing exactly what to say because he knew Sunghoon's terms well. Everyone was aware and in agreement, so why change their minds at that moment?

"I just need your help, then" he said after some quiet time.

"I'm not putting my hands on either of you, be warned," Sunghoon said, a little angry about the whole situation until he saw Jake nod silently, implying that he had nothing more to say.

Then, as if on cue, he left the room and walked around the building in search of something to clear his mind of what had just happened. It was an unimaginable amount for him, but Sunghoon wouldn't go against his principles for it.

For the first time, he had refused something that Jake had asked of him. And he felt immensely awkward about it.

You could feel the migraine invading you little by little. The side of your head ached like never before, while your eyes stung and you tried your best to pay attention to people and their words of condolence.

It had been a week since your grandfather's death, and the only sincere tears you had seen – apart from your own – were those of your uncle. He was the closest thing to real family you had after your father's death a year ago. Having him around was comforting, especially as your family was driven by money and scandal. Everything revolved around social and financial status. Your grandfather's company was the focal point of all that arrogance in the family members.

But now, with his death and the will read, you had to assimilate that the only beneficiaries were you and your uncle, the one who was still crying over his father's death and trying to understand how it had all happened. And then there was him, a well-groomed gentleman who eschewed the stereotype of the rich old man and business owner who walked around with a glass of whisky in his hand. On the death certificate, his grandfather had died of cirrhosis, but you were surprised. Even though he wasn't a health professional, you could assume that this would be different, to say the least, since the old man had never drunk a drop of alcohol.

“This is terrible for your health” he once said. “Try never to drink more than necessary. And at parties, I promise to serve you the best natural juice.”

Those words always lingered in your mind because your grandfather was serious, in his own right, but he was very loving. You became so attached to him that you took an interest in the affairs of your grandfather’s company with a genuine gesture of helping him, which he appreciated.

Maybe that was what had made him put your name on that paper, inheriting half of the family fortune. While your uncle got the other half.

Millions and millions, or should say billions? It was so much money that you swore you would die and the amount would continue to yield in your account even though you used it almost every day. That was why you knew that some people who had always been there for your grandfather’s money were now furious because they couldn’t enjoy a single cent of it.

“We are so sorry for the loss of your father, Yvone” someone’s voice took you out of your thoughts, making your eyes dart around the people around you. A well-dressed woman with a tired expression was greeting your aunt. She didn’t have a trace of sadness on her face. That stranger seemed sadder than your aunt over the loss of her father.

“I’m sure you are too” she tried to fake a sad voice that you recognized from afar. Your stomach almost churned as she hugged the other woman.

Suddenly, your embarrassment became even greater, because your aunt's gaze was immediately on you. She seemed angry, with something bad inside her that immediately wanted to be directed at you. Your gaze soon turned away from her to try to find your uncle who was desolate.

Your steps through the environment were fast and precise, the sound of leather shoes against the devastated floor was inhibited by the sound of other people's voices and laments. You weren't running, but the things inside your body said very well that you seemed to be in a hurry.

Your eyes quickly spotted your uncle a little further away, sitting on a bench alone outside. You walked a little calmer towards him until you sat next to the man. He didn't need to look up to know that the only person with compassion in that family was you.

"I wish this nightmare would end" he said quietly, a sob breaking out of his voice when your uncle raised his head and continued to look ahead.

"I still can't believe it" you sighed. Your eyes are locked on the events in front of you. Some people were coming and going from your grandfather's mansion with small flowers in their hands or pieces of paper, like written notes of thanks. Of course, he wouldn't read them, he was dead. But it was a way of thanking everyone he knew, and the reading would be up to you and your uncle. The only ones who cared about the sentimental side of things.

"Do you think Yvone hates us now?" your uncle asked, finally looking at you. His eyes looked like they were going to pop out of their sockets and bloodshot from his eyeballs, they were so red. You swallowed a sigh and just nodded.

"For the reading of Grandpa's will? Of course" you laughed humorlessly, listening to him accompany you.

As if summoning a haunting, just saying her name out loud made your aunt's figure appear in the doorway of the mansion. She welcomed people by trying to look sad or convincing whoever was arriving. Her eyes quickly fell on you and your uncle, further away from the house and sitting on a secluded bench. She didn't show any reaction but took her cell phone out of her pocket to do something you didn't even care about. Her attention was on the man next to her.

“I can’t be happy knowing that my father left all this for me and you” he ran his hands through his hair, almost pulling it out if it weren’t for your hands stopping him. You held one of his hands and kept it in your lap.

“It’s okay uncle, I’m not happy about this either” you said. “Money won’t erase anything that’s happening to the two of us, you know that.”

Of course, he knew. You and your uncle could sometimes say that you were born into the wrong family because you were the only ones who didn’t count on money. Even though you knew that your whole life revolved around it. Even though every interaction you had since the day you were born was driven by money. It wasn’t your fault for being born into a family like that, but you could deal with it and think about how you spent what you had.

“How about you come in and get a drink? I bet you’re thirsty” your uncle said quietly, making you look at him after some time of contemplation while still watching people entering and leaving the mansion.

“I think I’ll go in a little while, I want to stay here a little longer” you smiled sadly at the man as he stood up and just waved in your direction. Just as you knew when he wanted some time alone, your uncle was also able to understand when you needed it.

Leaving him and going back into the mansion, you saw him disappear among the little people who had now gone inside the house. You remained there, looking around that immense land that your grandfather owned. One of them, to be more exact. You remember playing with your uncle and your father to guess which was the largest land your grandfather had in his name. Of course, the two older men always let you win, even though it was a rather unfunny game. But it was one of the few moments when the three of you were together, aware of the money you had and trying to make good use of it.

Your body slowly shrank with a small gust of wind, indicating that the weather was changing from sunny to something colder and almost rainy. You looked up at the sky, noticing the clouds beginning to darken. Rain was the last thing you wanted, but maybe you needed it. To wash away all that heaviness you've felt since your grandfather died. Rain could help wash away the dirt that remained beneath your feet and wash away all the bad feelings and burdens you would face in the days to come.

The decision to go back inside wasn't so difficult as your body shrank a little more, curses spilling from your lips as you missed a coat or a blanket that could cover your arms. Just a tank top and silk pants weren't a suitable outfit for the moment, but it was the first thing you could think of to wear when your aunt summoned the whole family to pay homage to your grandfather at his mansion.

You got up from the bench and stretched your whole body, trying to shake off some of the day's exhaustion and thinking about how you wanted to go back to your apartment and take a shower. Get all those sticky, fake hugs off your body. Those words buzzing around in your head lamenting what had happened. No one there really cared, so you at least paid attention to the fake tears in front of you.

You walked in slow steps to the front door, trying to avoid walking in with anyone who might greet you. You didn't want to talk to anyone anymore, just to be there long enough to leave. But your steps were quickly stopped.

Feeling a hand around your waist, you looked up to find your aunt standing in the doorway just as something covered your mouth. It all happened too quickly. Your vision began to blur as you struggled against a body that seemed much bigger than yours. Your hands were useless at grabbing any kind of skin to scratch because the arms holding you were covered.

You don't remember much, but the only thing that didn't leave your mind before passing out was the cynical smile of the woman right in front of you.

“What did she ask for?” Sunghoon was exasperated, pacing back and forth as he looked at your unconscious body on the other side of the room.

“To torture her and get a video of her saying she wants to pass everything on to her aunt…” Jake began.

“First of all, I never agreed to this” he interrupted his friend, controlling himself as much as possible so as not to scream and wake you up. They had just taken off the masks and all the equipment when they laid you down on the small mattress with almost no foam.

“My dad just asked you to help me bring her in, I know.” Jake sighed. “I don’t want to do this either, but—”

“Dude, listen” Sunghoon looked at him. “We can deny this and say fuck you to those four million. Seriously, there’s no way we can continue.”

The desperation in his voice was completely real, Jake could feel it. He was also desperate about all of this, although it wasn’t something new for either of them. But the cruelty in how his aunt was making requests of them without even knowing them or having finished the job. How demanding she was and how she wanted everything to be done as quickly as possible. Sunghoon never had bad feelings about his work, he just went there and killed whoever was necessary. But as soon as he looked at his aunt through the gap in the mask and noticed her smile, the way she behaved in front of the people who were entering the house, without even noticing that he and Jake were carrying her to a black car with no license plate.

He didn't know what he was doing, he didn't know why he had accepted all of that. Sunghoon was breaking one of his biggest rules and all because of money? Four million wouldn't pay for his principles even if his job was one of the worst possible. He already had too much blood on his hands, but that didn't matter when you had a woman unconscious and almost ready to be killed by Jake.

Arguing with Mr. Sim was out of the question, he had already tried since he received the offer and saw the man's eyes light up at the amount. Even though he knew that Sunghoon's biggest criteria were at stake.

"If you're not going to kill her, at least help Jake bring her here" was the only thing he said after finishing the little discussion he had started. He couldn't win this one, he couldn't deny something that he had at least managed to keep going.

Now here he was, pacing back and forth and going over what your aunt wanted Jake to do to you.

For one lousy moment, Sunghoon felt a twinge of regret and compassion for you. Your calm countenance while you were unconscious and the way you seemed harmless, something clicked in his mind telling him that you weren't as bad as the woman said you were. Maybe she'd done the worst kind of propaganda just to make you look bad enough for them to kill you.

"Sunghoon, hey" Jake called out quickly, taking off his black glove and throwing it on the table "What are we going to do?"

"I already told you," Sunghoon sighed once again, stopping walking and feeling his throat irritated because he had already shouted at Jake the whole way "Let's give up that four million, it's not worth it."

"Is that all I'm worth?"

Sunghoon looked in Jake's direction and they both froze. Eyes wide, breathing almost labored as they searched for something to cover their faces. But it was too late. As soon as Sunghoon crossed the room and focused on you, there you were. You were sitting with your back against the wall, your hands tied by the ribbons perched perfectly on your lap. Your hair was completely messed up, but he could still see every detail of your face. How, even so, you looked very beautiful.

"Shit" Jake cursed softly, turning away while Sunghoon stood there staring at him. He felt his friend pull him a few times so that you wouldn't stare so hard at his face that you wouldn't recognize him if something went wrong. But Sunghoon simply couldn't move.

"It's okay, I've seen you. I've been awake for a few minutes" your voice was hoarse, perhaps from lack of use, and because you tried to scream before Sunghoon put the cloth over your mouth to force you to faint.

Jake hesitated to turn around but did so when he saw that his friend wasn't moving at all.

"If you say anything—" Sunghoon made Jake look like he was speaking rudely when he landed a weak punch on his arm. He didn't know why he was defending you like that, not least because that was Jake's role, to be rude at first and gradually hurt whoever was in front of them.

Knowing this, Sunghoon already sensed that he would start being rude until Jake's hands were on you to hurt you. And he didn't want that.

"What did you hear?" Sunghoon addressed you for the first time. His eyes still glazed over at your completely weak and staggering figure in front of him.

He noticed that your eyes were bright, maybe watery, and if you blinked a little more, tears would fall like waterfalls. He was already weak just knowing that he had done this to you, seeing you cry would do what to him? Sunghoon didn't want to know. That case was getting too emotional.

"Just the four million part" you moaned a little in pain as you moved and felt your back crack. That mattress was terrible and you assumed you'd been on it for a long time, but it wasn't important. Your mind was elsewhere and on how you were here, so before you could even think of anything, you asked "It was her, wasn't it?"

"Her who?" Sunghoon and Jake asked at the same time.

For a long minute, you were quiet, just thinking about the little interactions you had with the woman who was supposed to have done this to you. Your heart ached, that wasn't possible. You never thought she could do that.

"My aunt told you two to kill me," you tried to keep your voice steady, "did I?"

It was the turn of the two boys to be silent right in front of you. Jake moistened his lips and tried to find the words to answer you, pondering whether or not to be rude to you. Not least because he didn't want to be punched again by Sunghoon. He swallowed dryly and looked away a few times, wondering whether or not to tell the truth.

"I triple it."

"What?" Jake raised his voice, echoing throughout the room as he looked in your direction and then at Sunghoon.

"I say I'll triple that amount" you moved again, trying to find a more comfortable position on that shitty mattress that was making all your muscles ache "If you don't kill me."

Jake laughed. Nervously, perhaps, but he tried to look a little more cool as he walked towards you and bent down right in front of you. Knees bent enough to bring him close to your face. If you were in the best condition, you could lift your leg and kick him in the knee, only to stagger and fall backward. But you just wanted answers.

"Do you think we're open to negotiations, princess?" he shifted his gaze between your eyes and your mouth but remained in your gaze, which was still sparkling. Jake didn't want to seem arrogant, but that's how he'd been taught.

That's how he learned to deal with that kind of situation, listening to everything and every possible appeal before doing his job. But he never received a counter-proposal, especially one as high as that.

"I don't think you'll even get paid that four million, actually" you looked at him, your voice becoming more and more shaky, "but since the whole inheritance is with me, I'll triple it if you don't kill me."

For a second Jake looked back to Sunghoon for support at that moment. He knew that his friend would probably accept because it would give him the chance to never lay a finger on you.

"Instead, I want you to kill my aunt."

That turn of events was making Jake and Sunghoon's heads spin. Hearts pounding as you let a single tear fall down your cheek. You tried to look convincing and strong talking to two guys who were about to kill you.

But being able to protect yourself was one of the few things you learned because it wasn't the first time someone had approached you out of interest. So why not use the money you had to your advantage? You never thought you'd be able to do that kind of thing, but you'd try anything to make sure no one killed you.

And if the case was to have those who wanted you dead killed, then you'd start with that.

© ikeuverse, 2024. do not copy, translate or steal my stories.

[heck-theo]

Okokokokok- ignore how rough and messy some of these redraws/sketches are - but it's apparently also dinosaur month?? (WHY did no one ever tell me it's Jurassic June? I love dinosaurs) And like. What if Rise but dinosaurs?!

I don't often post such loose sketches but I wanted to show these off cause I really like some of this.

Design choices and dino species + the reasons I picked them bellow (looking for potential Donnie dino suggestions):

Clothes: Without the shell they really need clothes. They'd all have pretty much the same pants to keep some unity, except maybe Mikey (I decided they should all have the same pants after I finished the Mikey sketches, not sure if I'll keep the shorts or change to pants). Accessories are a mix of pre and post finale.

Raph - I think would keep it simple and practical but would also wear nice jackets and stuff when in casual situations. I need to work on giving him an alternative outfit and tweak his accessories a bit.

Donnie - An oversized pull-over hoodie cause we already know he loves that shit. We see him wearing it all the time. Easy enough. He wears a comfortable singlet underneath so the straps of his battle sail don't rub. Nice soft fabric, tight fit so it doesn't move around, tucks it into his pants, etc. When he wears the battle sail he won't overheat so he can wear hoodies basically all year round.

Leo - He's in one of those shirts with obnoxiously large arm holes and make it cropped cause 1. I think he would 2. I want it to be different from Raph and Donnie's singlets. He usually wears the shoulder strap off his shoulder but pulls it up when he needs to. He has some of the black bandages over his mid drift atm but I might just make his pants super high waisted in the final version. He'd probably wear a bomber jacket (also cropped?) over the top for cool weather, but doesn't like to hide his feathers.

Mikey - I think he'd mostly wear hand me downs when he's younger. He definitely goes through a stage of rebelling and wanting to pick his own and would find a middle ground of appreciating sharing some of his brother's clothes and modifying them, as long as he has the choice of his own available. Not sure if that would be before or after this design. At the moment he's got Raph's old shorts (from a loooong time ago), Leo's old shirt, and Donnie's old zip up hoodie. He does have his own accessories though, including pins instead of stickers.

Dinosaurs: I kept them all as non-avian dinosaurs, AKA not including animals that are colloquially considered dinos but aren't (like pterosaurs). I wanted to keep an even split of herbivore vs carnivore just so one wasn't the odd one out. I wanted to keep most of their body structure, colours and distinguishing features the same as canon. Obviously I added tails cause, yeah, of course haha. I did want them to be recognisable as different species of dino using distinct characteristics that their species is known for. I did ignore a lot of differences though, like size and bipedal vs quadruped (although the quadrupeds might be more likely to go to all fours, especially when fighting or afraid). Leo and Donnie are carnivores so have sharper teeth and claws.

Raph - Some kind of Ceratopsian (likely Triceratops or something very similar) and he was the first idea I had for this and I'm really happy with it. I think it just suits him. Trike Raph just came to me in an unprecedented moment of genius. His spikey frill replicates his spikey shell. His sturdiness, protectiveness and willingness to kick ass when needed, all scream trike to me.

Donnie - Spinosaurus but looking for other species recommendations. More details below: So I wanted to figure out a way for him to have tech with a similar function to his battle shell (in the sense that it's something that helped him in day to day life) and so I went with spino cause one possible theory about a function of spinosaurus' sail is temperature regulation. So his battle sail has heating/cooling systems as well as other tech. A spino's sail was probably not fragile but the battle sail would also help protect it from being targeted during fights or crushed during extreme impacts. It was also thought to be used for display, and what's more of a display than a battle sail? The only problem I have with this is that it's lacking part of what makes Donnie's battle shell so great, which is that it is essentially a prosthetic. Not quite the same as how prosthetics are used in people of course, just in the sense that it is replicating the functionality of a body part that he doesn't have (I can't think of a better word). Well he does have a shell but it doesn't function in the same way that his brothers shells do, which leaves him with less defense than they have, hence a big reason for the battle shell (I hope I explained this well, it was hard to try and word properly). I can't think of a good way to do this with dinos. I was thinking of a carno or something with tiny arms, then Donnie could have tech enhanced arms but I'm pretty much ignoring body structure in the others so it would be weird to have just Donnie be affected by a difference in limb structure/functionality. I was thinking prosthetic tail but every non avian dinosaur had a pretty substantial tail. Except therizinosaurus but even they hade pretty obvious tails. I'm open to suggestions for this one if anyone has ideas. It does have to be an extinct non-avian dinosaur (anything not in Avialae), preferably carnivore but if someone suggests a really good herbivore or omnivore then I can try and swap Mikey for a carnivore. I want there to be an even split. I also wanted to give him something different on his face, like his brothers, and that could only be a little spino crest and it crowds the top of his head but I can't put it anywhere else...

Leo - A type of Dromaeosaur. I was tossing up between this and a dilophosaur where his red stripes were part of the dilo's crest, cause I wasn't sure about giving him feathers. But dilo Leo was so plain compared to the rest and the crests were hard to get looking right so I went back to raptor Leo. I can definitely imagine him literally and metaphorically preening his feathers too. You can't really see it but he does also have that big raptor claw. Raptors were smart, tactical and worked in packs so I think that suits him. I wasn't specifically referencing how some artists draw Leo's stripes coming off his face (I was just trying to replicate his stripes somehow, even though it doesn't make a huge amount of sense) but I realised afterwards that it kinda looks like that and might have been subconsciously inspired by it.

Mikey - Is an Ankylosaur. I'm pretty happy with the species but I need to work out the design of his armour plating so that it looks interesting, cool and protective but isn't too chunky, too pointy or super lumpy looking. I went with an anky cause Mikey is often hiding in his shell and he can't do the same here but he could curl up in a defensive ball. Plus I could imagine him using his tail club in his razzmatazz fighting style. A little like his kusari-fundo or nunchacku/nunchucks (not sure on proper wording).

[dinogoofymutated]

○♡○ Hi!! Welcome to my mutant madness!!! My love for x-men has reawakened with the new show, and its criminal how few fanfictions there is for this Fandom. So here I am! ○♡○

☆ Fic I'm the most proud of this week : Cologne ☆

I absolutely love getting requests and comments! Leave as many as you'd like :)

Current event:

🎃🦇👻Goofy's Halloween celebration!👻🦇🎃

I don't wanna make a long rule post, so I'll throw it in here.

I mainly write m/f m/gn reader inserts. I'm okay with writing headcannons and fics both nfsw and sfw, although nsfw works I need a little more time with.

For the love of god, please don't send any requests for incest, piss, scat, or anything along those lines.

Please be patient with me while I write! I'm a full time college student with 2 jobs, so things may take me some time. Along with that, I might not write every request I receive, so please keep that in mind!

Major WIP: Four lives, Three deaths. | Wolverine/Fem!Reader- reincarnation fic, angst, fluff, and a bit of smit.

Blue over you | Wolverine/gn!reader -Lt. Angst, Open ended.

Come back to bed | Wolverine/GN!reader - SFW, pure fluff

Cologne | Wolverine/AFAB!reader- NSFW! Scent kink + manhandling

Laundry day | Wolverine/AFAB!FEM! reader - NSFW. straight up smut.

Make out or be caught trope | Gambit/GN!reader - SFW mostly, a little spicy tho.

Remy, no! | Gambit/Fem!Reader. - NSFW! Teasing and smut.

Comfort for monsters | Nightcrawler/GN!reader - angst to fluff.

Praise the man, he deserves it! | Nightcrawler/GN!AFAB!reader - NSFW! Praise and lovey dovey smut

Circus Freaks | Nightcrawler/GN!Reader - Pt 2 - Pt 3 (wip) - SFW. Friends to lovers, mutual pining.

Tender moments | Cable/GN!reader- SFW! - pt 2

You don't have to say it | Cable/GN! Reader - SFW vers. (A tender moments sequel)

Caught red-handed | Cable/GN! Reader - A little spicy, short and sweet.

Big arms, Big hugs. | Colossus/GN! Reader - comfort fic

×○ Multi ○×

• (sfw) How they react after saving you | Wolverine, Nightcrawler, Gambit, Angel. (Wip)

• (Sfw) When they're jealous | Cable, Gambit, Nightcrawler, Quicksilver - Part 2 | Wolverine, Angel, Morph, Sabretooth.

• (sfw) Kissin and shit | Nightcrawler, Sabretooth, Cable, and Angel. Part 2 | Morph, Colossus, Gambit, Quicksilver.

• (sfw) New Dads | Angel, Colossus, Nightcrawler, Gambit

×○ Individual ○×

♡ Nightcrawler Headcannons | 1 (nsfw) 1.5 (nsfw) 2 (sfw) 3 (sfw) 4 (sfw)

♠︎ Gambit Headcannons | 1 (nsfw) 2 (sfw) 3 (sfw) 4 (sfw)

□ Wolverine Headcannons | 1 (nsfw) 2 (sfw) 3 (sfw)

◆ Quicksilver headcannons | 1 (sfw) 1.5 (sfw)

♧ Gladiator Headcannons | 1 (nsfw) 2 (sfw)

★ Angel headcannons | 1 (sfw) 2 (sfw) 3 (sfwish) 4 (nsfw)

□ Beast headcannons | 1 (sfw) 2 (nsfw)

♠︎ Colossus Headcannons | 1 (sfw) 2 (sfw)