#so i guess there *is* a difference in accent

[trulycertain]

On Dragon Age & Accents

(My unhelpful tuppence, as an English player.)

One small thing I wish had come up in Veilguard from previous games: the accent worldbuilding. It wasn't always consistent - DA:O only seemed to care about country or race, anyone non-human being generically North American and anyone human being mostly RP English unless they were Antivan; for regional accents, they seemed to purely use them for effect or go with VAs' natural ones. (There are about two bandit NPCs who seem to have badly-done Midlands English accents purely because they're not meant to be very bright; thanks, love Canadians reinforcing that stereotype. Anders being Lancashire seems to be pure coincidence because of his voice actor - you rarely ever hear the accent in any consistent way in other NPCs, and it's completely ignored in his very Southern DA2 recast.)

But by DA2, there seemed to be definite trends: Free Marches could be RP English or North American depending where you came from; dwarves tended to sound North American but there were exceptions for some people raised on the surface; elves tended to be either Welsh or Irish, which matches the "very old culture with a linguistically completely different root from Trade/English". Starkhaven is most definitely Scots.

And then DAI! DAI, my love.

DAI kept DA2's trends, while finally giving us more complexity and regional accents, albeit limitedly (and still with some inconsistencies). Finally, we have a (vaguely Germanic) Nevarran accent! And Miranda Raison did such careful work constructing it! The Avvar, Ferelden's mountain folk, sound Northern English. I'd hazard a guess that several sound Yorkshire, actually - this matches the whole "the Orlesians got up there less" lore in real terms; Northern England and Scotland, particularly Yorkshire, was under Viking rule longer than the South, which became Norman-conquered earlier, and there are subtle dialectal differences to this day. (Similar thing happened with the Celts and Romans, and the Avvar are blatantly Celtic and Pictish). There's a reason that RP ("neutral posh") English is Southern, from the seats of power. Cullen's from Honnleath, somewhere smaller and less Orlesianified, and while it's softened by the character's travel and the VA's own posher bents, there are moments the Northern English accent gets leaned into, a little similarity with the Avvar. It's a coincidence but it works so well, lore-wise. Sera's VA sounds... Derbyshire? I think? which is Midlands/Northern border and sounds more than Northern enough to keep a consistent Fereldan sound. And in terms of NPCs? A lot of Fereldan NPCs suddenly start turning up Northern, albeit less broad in their accents! Have a listen round the Crossroads. I remember Gaider mentioning Dorian wasn't originally meant to be Indian, they sealed it for sure when they cast Ramon Tikaram, at which point everyone went, "Yup, let's run with it", cast his dad accordingly, and Gaider figured that Dorian was either part of a pretty big migrant population (which, other than the Dorian Gray reference, the fact his name roughly means "from across the sea" also makes sense), or quite a lot of Tevene folk natively were. Considering Tevinter started as essentially "mage Rome" and morphed into, even according to the writers themselves, "mage Byzantium" and it's very close to Seheron, which I feel is North Africa/Middle East influenced - Tevene folk being akin to folk of Turkish, Middle Eastern, Indian, Pakistani, Bangladeshi, Sri Lankan and Bengali backgrounds makes a ton of sense.

It is... exceedingly rare to hear working-class British accents in fantasy series at all (unless Brits make them, and then we're still often peasants or generic NPC #2, a la Origins). It is even rarer to have a fantasy series bother to keep immigrant accents and show the moulding of them through the generations. And I can only think of one other video game that has consciously cast British Asian actors, that's how rare it is even in games that supposedly care about representation - despite the fact that Asian folk make up something like 30% of our population.

Now: would I like some more background on why some accents in the Marches sound British and some don't? Yup! Would I have liked to have more regions in the elves' Irish accents and the dwarves' NA? Yup! But do those really matter? Nope! They would have been lovely icing on the cake, but the underlying cake was great. The plot didn't need it. It didn't have to be perfect, and the filtering of British culture through Canadians, and strategic anachronism? Those are things I love about Dragon Age. I loved how much they seemed to be trying and how much they were thinking about the lore. And I loved hearing a "British accent" that finally made sense to me, not played into the long attempts by toffs to stamp out everything North of London or outside England.

And then Veilguard sort of... forgot about it most of it? Adored that we could play as a Geordie! I really, really love them continuing pointed casting of folk with British Asian ancestry for several Tevinters (*waves lovingly at elek and neve*). But then... uh... look! Working-class Tevene people with generic Mancunian accents! To show they're working-class! That's fantastic progress... for Origins. But lore-wise, by DATV we've already shown that Manchester and Northern English accents live... *points at Ferelden* somewhere over there. We're back to "Tevinters mostly sound like generically evil English folk", as in DAO and bits of 2, which, sure, Dorian doesn't contradict - but then why not have everyone sound Southern, like him? Or add a different tint to it? And no, I am not saying everyone should put on bad "ethnic" accents, and I do appreciate the number of American, English and Mediterranean accents in Tevinter showing a very Roman "you're a citizen of the Imperium but you might have been born in one of its several countries" - but…

Gideon Emery's slight Afrikaans tint made a ton of sense with Fenris and what part of Tevinter he was meant to be from, even if it was unintentional; Jennifer Hale's take on Krem was going for English but came out more Aussie to my ear. Something like those could have been really interesting. But that also means that, including Fenris, we've now had several slaves with an accent that reads... quite posh, to English ears. Same with Neve, who is supposedly proudly from the shithole part of Minrathous, but she and several others have very RP "posh" accents (while others like Tarquin and Elek are Mancunian). Now, not everyone picks up their local accent! I am one of those people! I ended up cursedly plummy for a long time! But... we had hints through the series that Tevinter class markers would be very different from Fereldans', but they're now the same, for some reason?

Add that to the fact that they didn't want to make even one VA suffer through doing the Nevarran accent... See, it makes total sense for Emmrich, who's a posh professor who's done a lot of international study and would probably have learned Common as a second language with a very generic, "neutral" accent; he also was very concerned about appearances with his class background and trained himself not to give much away. And I'm sure the Mourn Watch has international students. But no Nevarran NPCs sound pointedly Nevarran? Not a one? Kal Sharok has hints of something interesting going on but it's rare, and the Anderfels is just... full of sad English and American-sounding people. Rivain is supposedly Caribbean and there are a bunch of actors of Caribbean descent they could've cast, but we only have one NPC sound even slightly so? That's when it stops being "Trade is taught with a neutral accent and there are a lot of Fereldan immigrants and slaves in Tevinter" and starts feeling handwavey.

Basically: I wouldn't mind if we'd gone with most fantasy games' "Eh, we cast broadly based on sound, stereotype or none of the above"; I'm very happy to just go with it. However, DAI told me to pay vague attention because the accents meant something. Then DATV has heel-turned and is telling me "Nah, go with it" the way Origins did. My ears are... confused, to say the least. And we're back to "'working-class' has one accent, and characters with something to say who aren't cast as stereotypically plucky underdogs are all Southern and posh", which just... makes me really sad. I don't hear people who sound like me, my family, or my friends growing up, in Dragon Age anymore. I did hear they had a different voice director in DATV, so maybe it's that?

[fratttymatty]

All British American Boy

(All characters are 18+)

Matthew Hastings leaned his forehead against the cool glass of the airplane window, watching as the endless patchwork of green and brown fields below gave way to the sprawling suburban grid. He adjusted his glasses and ran a hand through his messy brown hair, feeling a knot of nerves tighten in his stomach. He had read every guidebook, watched countless YouTube videos, and even practiced a Midwestern accent as a joke, but nothing could prepare him for actually being here—America.

More specifically, the East Coast of California, a small town near the beach where he’d spend his gap year as an exchange student before university. For an 18-year-old British boy with a penchant for sci-fi novels, indie music, and political debates, it felt like stepping into a completely different world.

At the airport, Matthew’s host family greeted him with big smiles and even bigger hugs. The Bennetts were the epitome of California Americana: Todd, the jovial dad in a baseball cap; Lisa, the bubbly mom with a perpetual tray of cookies; and Chase, their athletic, all-smiles son who was also 18. Chase was a senior at the local high school and the starting quarterback of the football team.

“Matthew,” Lisa said brightly as they piled into the family’s SUV. “What a great name! So classic. So All-American!”

Matthew blinked. “Uh, thanks?”

Chase chuckled from the backseat, where he sat next to Matthew. “Yeah, bro, it’s perfect. You’re gonna fit right in.”

Matthew wasn’t so sure about that, but he forced a polite smile.

The first day at school was a blur of introductions and unfamiliar faces. Everyone seemed fascinated by his accent, asking him to say random words like “bottle” and “aluminium,” which felt strangely alien to Matthew, now that he was in a place where everyone had the same cadence and lingo. It wasn’t long before his name became a subject of constant discussion.

As Matthew walked into the school, he could feel eyes on him. Cheerleaders, jocks, and teachers alike seemed to zero in on him, exchanging knowing glances.

One of the cheerleaders, a blonde girl with a smile that could light up a room, grinned as she approached. “Matthew, huh? Your name sounds so... All-American,” she said, giggling. “You’re not secretly a football player, are you?”

Matthew blinked, caught off guard. “Uh, no, not really.”

“Pfft, I bet you could be,” she teased, tossing her hair over her shoulder as she walked off, still chuckling. “We need more guys like you on the team. You’d fit right in.”

As Matthew made his way through the crowded hallways, another guy—a tall jock in a varsity jacket—clapped him on the back as he passed. “Matthew, huh? Dude, that’s a name you can take to the bank. Like, you’re straight outta one of those All-American movies, right?”

Matthew managed a smile, but inside, he was still trying to make sense of it all. What did they mean? What was this weird association everyone seemed to have with his name?

“Yeah, man,” another guy, a friend of the first, added as they walked past, “you’re gonna be a star here. Football, maybe? You look like you belong on the field.”

Later that day, in history class, his new teacher, Mr. Henderson, remarked on his name with an enthusiastic grin. “Matthew. Now that’s a name I can get behind! Really sounds like the kind of guy who’d be representing the All-American spirit. You’re the pride of your country, huh?”

Matthew, unsure how to respond, simply nodded. “Yeah, I guess.”

“Cool, cool,” Mr. Henderson said, adjusting his glasses. “You’re going to get along great here.”

During lunch, as Matthew stood in line, he overheard a conversation between a group of cheerleaders. They were talking about the new kid—him—and they couldn’t stop commenting on his name.

“That Matthew kid?” one of the cheerleaders said, flipping her hair. “Totally All-American. I swear, he looks like he just stepped out of a high school movie.”

“Right?” another cheerleader responded. “I bet he’s gonna be the next big thing here. He’s got the look. That strong jawline? Those cheekbones? Definitely jock material.”

Matthew froze mid-bite, his fork hovering in the air. Strong jawline? Cheekbones? He frowned and ran his tongue along his teeth. He’d never thought of himself as having any of those features. His jawline had always seemed weak and round, and his cheekbones were practically nonexistent. Had they mistaken him for someone else? He glanced around, wondering if they were talking about someone else. But no, they were definitely referring to him.

Later that afternoon, as he was leaving class, the principal—Mr. Gallagher, a tall man in his 50s with a firm handshake—stopped him in the hallway.

“Matthew,” Mr. Gallagher said with a smile, his voice warm but commanding. “I hear you’re fitting in well. It’s not every day we get a guy with such an All-American name. People around here are already talking about you. And I’ve gotta say, I think you’ll do great things at this school.”

Matthew blinked, feeling like the entire world was projecting some image onto him that he hadn’t asked for.

“Thanks, I guess?” he said hesitantly, unsure of how to respond.

“You’re welcome,” Mr. Gallagher said, still smiling broadly. “It’s good to have someone like you in our school. Now, go enjoy the rest of your day. You’re definitely going to fit right in.”

That evening, after dinner, as Matthew was settling in, Chase walked into his room with a mischievous grin and a bottle of cologne in hand.

“Alright, Matthew Hastings,” Chase said, leaning against the doorframe. “Time to complete your transformation.”

Matthew raised an eyebrow. “What are you on about?”

Chase stepped closer, unscrewing the cap of the cologne. “This is the secret ingredient. One spray of this, and you’re gonna be the perfect All-American boy.”

Matthew snorted. “Very funny.”

But before he could protest, Chase spritzed the cologne in his direction. The scent hit Matthew’s nose—strong, woodsy, and oddly intoxicating. He staggered back, his vision blurring.

“What the hell?” he mumbled, clutching his head as a strange warmth spread through his body. His glasses slipped from his face, and he blinked in confusion.

Matthew felt the change like a wave crashing over him. His clothes grew tighter, the fabric hugging new, broader muscles. His hands expanded, becoming larger and more defined. His spine straightened as his body seemed to bulk up, every inch of him transforming into a physical reflection of a guy who could play football, lift weights, and dominate any sports field.

But it was his hair that caught him off guard the most. The gelled, slightly messy brown hair he had always known as his was now slowly shifting. He could feel it growing, thickening, becoming wilder. His once-neat style unraveled, and it was replaced by a messy, dirty blonde wave that fell effortlessly into place, as if his hair had always been meant to look this way. His strands now had a natural tousled look, framing his face with an untamed, confident aura that screamed “California jock.”

He stumbled to the mirror, his heart racing. His reflection showed a tall, athletic figure with a strong jawline, perfect blonde hair that seemed to defy gravity, and bright blue eyes that gleamed with confidence. The nerdy, awkward British boy who had boarded the plane was nowhere to be found. In his place stood a tall, chiseled young man with a cocky smile and a powerful presence.

“Dude,” Chase said, clapping him on the back. “Looking good!”

Matthew turned to him, startled by the deep, American drawl that came out of his mouth. “What... what did you do to me?”

Chase shrugged. “Just helped you find your true self, bro.”

The following days passed in a blur of transformations—both external and internal. Matthew, now calling himself Matt Bennett, slid seamlessly into his new life. He joined the football team alongside Chase, becoming one of the star players almost immediately. His accent, his interests, even his political views began to shift. His love of indie music and intellectual debates slowly faded, replaced with a growing obsession for rap and R&B, the beats pounding through his headphones whenever he wasn’t on the field. He loved the swagger and confidence that came with it, the rhythms that felt so natural now, like they were a part of him all along.

His love of sci-fi novels seemed trivial now, a memory from another life. His sense of identity, too, morphed. The boy who had once questioned his sexual orientation—who had once enjoyed the company of both men and women—found himself suddenly, unmistakably attracted to women. In fact, he couldn’t even remember the last time he’d been with a guy. His attraction to men was now something distant and irrelevant, like a forgotten dream.

His new family felt like his real family. He called Todd and Lisa “Mom” and “Dad” without hesitation. And then there was Cassie, the bubbly cheerleader who became his girlfriend. With her blonde curls, wide smile, and endless use of words like “like” and “totes,” she was everything he never knew he wanted.

Chase noticed the change, of course. One day, while tossing a football back and forth, Chase shot him a sly grin. “You like the new you, right? You’re basically the ideal All-American man now. You’ve got the looks, the skills, the right political views, and, of course, the perfect girlfriend.”

Matt laughed, a confident, almost smug laugh. “Yeah, bro. I mean, it’s like I’ve always been this way, y’know? Girls, football... that’s all that matters. Oh, and, uh, conservative values, right?”

Chase slapped him on the back. “Hell yeah. If we all just stuck to our guns, everything would be perfect.” He paused, his grin widening. “Just like us.”

At school, Matt became a local legend. His name, now officially “Matt Bennett,” was on everyone’s lips. Teachers and classmates alike would remark on how “All-American” he looked. At the football games, Matt was cheered on as a hero. His life, once a tangled web of uncertainty and self-doubt, had been rewritten.

Now, he was Matt Bennett, the perfect All-American jock, and he couldn't imagine being anyone else.

One afternoon, as he walked hand-in-hand with Cassie through the school’s hallway, Chase slapped him on the back. “Told you, man. Brunettes are great, but blondes? That’s where it’s at.”

Matt laughed, his perfect white teeth gleaming. “You were right, bro.”

And as he leaned in to kiss Cassie, he didn’t think about the boy he had been before. Why would he? He was Matt Hastings now, the perfect All-American boy.

At school, Matt became a local legend. His name, now officially “Matt Bennett,” was on everyone’s lips. Teachers and classmates alike would remark on how “All-American” he looked. His new, muscular frame made him a standout, but it was his natural charisma and sharp athleticism that earned him respect.

“You know,” one of his classmates commented during lunch, “Matt Bennett... that name just screams All-American jock. It’s like something out of a movie.”

Another added, “Dude’s gotta be the most ‘jocky’ guy in school. I can already picture him playing pro football someday.”

The attention was flattering. He found himself slipping into the role effortlessly, becoming the guy everyone admired, the one who fit the mold perfectly.

But there was something else. It was in the way he now saw the world—through a lens of conservative ideals. Matt often found himself in debates with classmates, his new opinions solidifying as the days went on. He believed firmly in traditional gender roles, the importance of family values, and a strong distaste for liberal ideologies. The political conversations he had once enjoyed with his friends back in England seemed ridiculous now.

One day, during a lunch break, he and Chase found themselves talking about their political views.

“You know what’s messed up?” Matt said, taking a bite of his sandwich. “The way the country’s going. I mean, I don’t know how anyone could vote for those liberals. Everything’s just getting too soft.”

Chase nodded. “Exactly, man. It’s like people don’t want to stand up for what’s right anymore. We need to take America back. Make it great again.”

Matt chuckled. “I’m with you. It’s all about family, football, and freedom.”

Everything about Matt Bennett felt right now. His identity was clear, his life full of purpose, and every moment felt like an affirmation of his new self. He was exactly who he was supposed to be—perfectly All-American, living the life he had never even known he wanted.

And when he kissed Cassie, his blonde, bubbly cheerleader girlfriend, the world felt even more complete. He didn’t think about the boy he had been, the questions he had once asked himself. Why would he? He was Matt Bennett now—an All-American jock, straight as an arrow, and proud of it.

[bugbachelor]

prev @no-white-dress your tags are soooo true, exactly you get it!!

say all that

i didn't get further into the other Trix because i focused more on Stormy but this is actually such an interesting thing about them as a group. because they really don't go along all too well with the image witches are clearly held to and associated with in universe

because there clearly is a general style going on at cloudtower/with witches in general. which is very defined by darker colours. and also much more muted colours when compared to fairies

also more tight/well fitting outfits as well, dresses don't flow, sleeves aren't pronounced etc. in the same vein, details are usually cut outs instead of excess fabric in contrast to what fairies tend to have going on. as well as a general trend towards more pointy and angular fits. be it cut outs or necklines or jackets etc. boots, especially pointy ones, are also Extremely common, compared to fairies who generally tend to wear sandal heels

obviously there's always some exceptions or characters playing around with the basic ideas of it (like Mirta wearing white as an accent colour, someone wearing a stronger colour here or there, and so on), but this is a pretty consistent line they stuck to when designing the witches

even Mirta who later becomes a fairy is dressed like a witch and stays like that even at Alfea. even her fairy from has the muted witch colours to it btw

point of the matter being that, yeah. the Trix all kind of don't fuck with witch fashion apparently all in different ways and to varying degrees

totally agree with you Darcy still blends the best in crowds. like the true chameleon she is i guess. she's got lots of desaturated purple, she's got some angles in there with her triangle shaped top. she's also the only one of the Trix who actually wears the pretty wide spread pointy witch boots. the thing that just makes her stand out immediately is that she's seemingly an entire fashion cycle behind everyone else who's dressed pretty trendy 2000s. meanwhile Darcy is rocking that 70s hippie look with her tiny sunglasses and bootcut pants. mind you, she makes it work really well. low cut pants for example were in both times, so it blends with the 00s look around her better than you'd expect

Stormy has her whole thing going on. she actually does okay colour wise at least with a darker, slightly desaturated redish pink. but then it's her actual style that's wildly unusual for the witches. which just comes back to the all of it i already mentioned. lose and wrapped fabric, ribbons, open summer shoes. pretty much the opposite to the general witch style the series establishes. so on first glance, colour-wise, it works. it's just when you look at what she's actually wearing that it's just kind of inappropriate for cloudtower in general

and then Icy is maybe equally bold by going for brightly coloured light blue. and she's kind of doing the opposite of Stormy, because what she's wearing is actually pretty alright for the witch look. everything is pretty tight, she's got a pronounced belt, there's a lot of edges there with her collared top. even the boots are fine (even if they're not pointy). so the decision to have that perfectly trendy witch fit in the lightest blue possible is kind of ridiculous of her. and the thing is it's not even desaturated properly, especially her skirt. which really all witch outfits are. the shade of blue she wears is a shade Bloom occasionally matches exactly

and i mean it looks great on her. i would understand why she'd wear it. but still a bit bizarre choice on her part. because Icy's whole colour palette is really bright to begin with given the white blue hair. and in her witch outfit it's contrasted by the very dark blue, but in civilian the brightness of it is even more empathized with the other light colours

and all of those fashion choices are one thing, but when one of the main established personality traits of the Trix is their fixation on their 'evil witch' image it starts getting even more questionable. they openly mock and despise the fairies, sure, but it extends even further, they're fully committed to the 'anything positive or nice is disgusting fairy bullshit miss me with that' bit. which ranges from general aesthetics to behaviours to the literal feeling of positivity. like they're committed committed to the 'i'm an evil witch' act

so the fact that they still make active fashion decisions that go against that reading is fascinating. Darcy looks like she's in the wrong decade, Stormy at least telegraphs as a witch colour wise even if her actual outfit doesn't do that at all, and then Icy is just, well, so so bright

actually imagining Icy in those cloudtower classes we see is a bit ridiculous, she has to stand out SO much. (which she probably likes lets be real. she's styling her hair to be a head taller than everyone else she's into having eyes drawn to her in crowds for sure)

they're just kind of interesting as a group. all of that also comes with the implication that they actually just aren't into the witch fashion trend as much as they'd like to cling to the evil witch image. to a point they're not even willing to compromise for the sake of their image and just do it anyway. so they're basically freestyling their personal style

which really, they're more able to do that than anyone else at cloudtower for sure. clearly no one is going to mess with them, half the school is terrified of them and the other idolizes them. Griffin calls them her top students and they could all absolutely hurt (kill) someone with their powers even as students. which as a viewer we're kind of used to, but in comparison to other witches they're clearly on a different level with how ruthless and strong they are, even in s1, and their classmates Know that

the only thing i'd actually be curious about is what their early years at cloudtower looked like in that regard Before they got their reputation. because if they always dressed like that you really have to respect the stubbornness to go to cloudtower for years and never give in and change your ill fitting colour scheme or clothing preferences. like, there would have to have been some comments, right

either says a lot about their ability to not give a fuck about what others think or about them being able to stand their ground right off the bat and getting that boarding school respect in their first few months there

so yeah. tldr is that the Trix dress really weird from an in universe perspective. all of them. and all in different ways. they're kind of perfect for each other, even in that aspect 😭

when it comes to the Trix's looks the general fandom interpretation that Stormy is the least feminine style wise out of the Trix continues to baffle me. because there's a lot of things canon is very vague about, but this is one of the few instances where canon is doing the exact opposite and Yet it's still such a common interpretation

to be fair, i think people tend to take her more abrasive louder personality and then draw from it that she should also be the most practically and sporty dress wise in the group and so on

and as a hc it's whatever, it's just really one of those instances where it's clearly the opposite in canon and people seem to genuinely gloss over it, when it's arguably such a funny aspect of her character

Darcy is the one that's always dressed the most practical on top of her hippy inspired fit. she's the only one wearing pants, both in her witch and civillian outfit. (she also knows how to ride a hoverbike for some unexplained reason. which the winx had to slowly learn in s3. some not elaborated skill going on here)

Icy's style moves closer to the preppy, formal ranges, with her collared top - tight skirt - high boots look. the tied back (up) hair also helps. and also the cape. she's got a cape in her witch form, can't stress enough how much of a fashion choice that is on her part

and Stormy's look is just giving summer party. like, it is. you've got a lot of flowy and wrapped fabric, and her open heels (which are a statement piece when your entire power is wind and storms and you're signature fighting style consists of rain, lightning, and tornadoes)

out of them Stormy is dressed the most feminine And impractical at all times. ranging from being completely committed to skirts/dresses to preferring the party club look when her whole bit is hostile weather

actually, it's not even just a Trix thing i think Stormy i just genuinely dressed kind of not occasion appropriate even for a witch in general

this is apparently the general cloudtower/witch fashion

and Stormy pulls up to the wannabe goth convention with her breezy, flowy summer fit with ribbons both on her skirt, top, And on her open toed summer heels. those especially are kind of a bizarre choice on her part, since the predominant fashion trend seems to be boots, ideally pointy. kind of a mix between what Icy and Darcy are wearing. absolutely no one is wearing sandals or even open heels, style wise they're much closer to something Stella or Flora tend to go for even

Stormy is just fully committed to her sunny weather fit which i kind of have to respect

but i'm also mildly intrigued about the why of it? is that her genuine style preference and she just gives absolutely no fucks about what's in or expected witch fashion in general? or is the perpetual good weather fit some inside joke to her with her powers literally being 'bad' weather?

logistically in universe though, would there be some line you shouldn't cross with how much your shoes can look like you bought them from the same store Stella goes to? especially with how image focused and competitive the cloudtower environment seems to be. or would her style just read as completely out of fashion at cloudtower and this is just current fashion trends? we'd never find out because even if people Would have thoughts about it they would definitely not be voicing it to a senior classmate that's one of Griffins top students and can summon actual tornadoes. at that point you rally could just do whatever you wanted (which, i mean the Trix already do that)

the take away just ends up being that Stormy clearly doesn't care about a) expected witch fashion, and/or b) what's weather appropriate. and yeah, does fit her character, i think she really would just do whatever she wanted and if that's the ribboned summer shoes that's what it is

(also, sure the flowy ribbons are a kind of funny fashion choice for her, but also, given how wind makes up almost half her powers, they're kind of a good one. those have to be so fun when you're walking or flying around and wind is blowing them everywhere. i get her)

[sasdavvero]

accents/dialects are harder/more complicated than i thought uh

[kr-yoongi]

Colin Morgan in season 1 of Humans I want you.

(Timelapse below)

[zeivira]

no rest for the wicked...

pls more

this shit is hilarious

like what are the others thoughts on this "illness" like garfiel, we've seen a bit of otto but i want more of him cuz he's best boi.

i imagine him going on full mama/big bro mood lmao

also that ficrec abt the crack fic by scissors? LMAO thx my parents knew im awake at 3am

point is

i like you now

so im gonna stalk- ahem- stick to you like a leach 🥺🌹

feed me more

The Cap’n's rule about everyone being strictly forbidden from watching him sleep—something about Garfiel being exactly like Rem but without pretty girl privilege—never actually stops the members of the camp from keeping an eye on him while the Cap’n's rests. 

The camp is nothing if not resourceful, and it’s not like they need to be inside the room when he’s sleeping to make sure he stays safe. Waiting a few feet away from the only entrance is just as effective. 

That's why when Garfiel smells a person approaching the Cap’n's room, during a time he knows he is asleep—they spent the last few days traveling to Pristella, like Hoshin traveled the desert to Banan after all—he rushes into the hallway and grabs the visitor's wrist right before it gets to knock at the Cap’n's door. 

"—the hell do ya think yer doin’?" Only after he finishes talking, under the dim hallway light of the mansion-like inn, he takes notice of the visitor's red, flame-like hair. A sharp horror, the one he had felt hours flooded through his entire body, as he realized whose wrist he grabbed. 

For a second, all is still. 

"Hello again, Sir Garfiel," the Sword Saint greets him, smiling as if they were pals and he hadn't evaded Garfiel’s senses and stopped his punch with a casual block a couple hours before. As if he weren’t the main obstacle between Garfiel and the title of Strongest. "I apologize if my presence alerted you, but all I wish to do is talk to Subaru." 

"W-well isn’ that convenient.  Anythin’ ya might need ta tell the Cap’n, ya can tell my amazin’ self instead." Big fat lie. There is a reason why the Cap’n is the Cap’n despite being borderline comatose and apparently not that much older than him. But Garfiel can’t trust anyone stronger than him, and as much as he hates himself for it…

The difference between him and Reinhard van Astrea is like a newborn Earth dragon and the Divine Dragon themself. 

His mere presence makes Garfiel's rawest instincts scream—tell him to either fight-or-flight. Garfiel doesn't want to be anywhere close to Reinhard, but much less he wants Reinhard anywhere close to the Cap’n when he sleeps. At least not until Garfiel proves himself a stronger shield than Reinhard. 

Even if the Cap’n is not defenseless—at least, not usually— he is useless while he isn't awake. And that means Galfield has to fight for both of them.

"I see," Reinhard's lips tilt downwards. "I do not mean disrespect, but what I would like to discuss would be related to something personal, unrelated to our respective camps..." 

Right. Garfield's eyebrow twitches. Right. The Cap’n said they were friends. 

"...the Cap’n's asleep," his voice sounds hoarse even to his ears. Maybe if he makes his tone drier than the Augura Sand Dunes, he can get Reinhard to give up and leave?

Reinhard's eyes widen. "Is that so. From what I gathered he mostly slept during the night." 

Garfield scowls. Of course the Sword Saint knew that much. "The Cap’n does, but he couldn' sleep during the trip, as we moved without pause, just like the Emperor of the Briar who never knew rest," Garfield crosses his arms. "So he is sleeping now and won't wake up in a while." 

"I see..." Reinhard says, and an uncomfortable silence falls between them. His gaze felt so heavy that if Garfiel moved carelessly, he wouldn’t know what his fate would b— "I wanted to ask about my father, actually—” Reinhard spoke up, breaking the silence. “I heard there were some issues close to Lady Priscilla's domain that involved Subaru and him." 

It takes Garfield a second to realize what he is talking about. His joy over learning the one and only Sword Saint's father was joining Emilia's camp to help Subaru stop the Argyle healer evaporated the moment his eyes actually lied on the man. After a couple days he just became Old Man, a skilled drunkard with a sob story, rather than a member of the family his mother used to read him stories about. 

"Issues,” Garfield snorts at Reinhard’s choice of word. “Tha's one way of sayin’ it." He makes a face. "Yeah, I was there too. The Old Man made us go lookin’ for a stupid chalice with the power to cure all sickness, but in the end it's only power w’s turning water into booze. Big ass let down." 

Reinhard’s shoulders sag. "So that’s what happened…” Reinhard’s eyes finally looked past Garfiel and looked at the still closed door, an unreadable thought reflected in them. “...I am glad father was with Subaru and you nonetheless. I can't imagine him taking another disappointment well..." 

How could any member of the group that went after the dumb cup not be disappointed? The chalice would have been able to cure not only the Old Man’s wife, but the Cap’n too. As the camp’s shield it’s his duty to protect everyone from everything—including hereditary diseases. When the Old Man mentioned the rumors, he was the first to tell Emilia they absolutely needed to go.

Still— the entire conversation leaves a bad taste in his mouth. The Cap’n was already carrying enough on his shoulder, with being the Hero that defeated the Archbishop of Sloth, the White Whale and the Great Rabbit— did he really need to trouble himself with family drama when the man ain’t even dead? “Why?” 

Reinhard blinks. “Well, it has been many years—” 

“—no, not that.” Garfiel’s scowl grows. “Why do ya need to imagine it? Yar dad’s alive, you could ask him.”

Reinhard just stares, before a bitter smile covers his lips. “Although true, my father doesn’t enjoy my company, so I wouldn’t like to impose myself when unnecessary.” 

But he is alive, is what he wants to say. “My mom’s dead,” is what he says instead. Because damn— he saw the Old Man, the even Older Man and him talk during dinner and how Ottobro almost lost his head trying to stop Old and Older from killing each other, right before Priscilla arrived saying this was the most amusing shitshow she had seen in weeks. The Old Man genuinely didn’t want to be with Reinhard and his dad.

But he is alive. All three of them are. They can talk. While Garfiel's mom is dead and gone and he can't tell her how much he loves her. "Just because your father is with us, and the Cap’n is strong enough to carry the weight of yar family drama, doesn't mean he should."

Reinhard's eyes widen again. "I—" 

"The Cap’n sleeps longer when he overworks himself," Garfield cuts, his words stronger than any punch he ever did. 

And Reinhard's mouth shuts with an audible click, expression shifting into one of horror— as it should. 

"He carries everyone's problems on his back— no matter how tired he is...!" He clenches his fists. "The Cap’n is so cool, cooler than the Sage and Reid! But precisely because he is like that is that we need to push ourselves harder. Be the people the Cap’n wants us to be, even if he is too shy to tell us. Because— because...!" 

“—will you two please SHUT UP?!" The Cap’n's door parts open with a bang, and the Cap’n appears in the doorway, rubbing his eyes while scowling. “Some of us are actually trying to sleep around here!”

Garfiel rushes back to his room only minutes later, but also doesn't miss Reinhard walking in direction to the Old Man's room rather than the hallway he originally came from.

beta read by @daemonerik

[numberonetribble]

Stuck at my mom's house until the 27th, can't finish the comic I was working on until then :( here's a rough Cowboy!pinup sketch of Bumblebee and some Breakbee + Piston angst:

[utilitycaster]

I just want to say, that I agree with almost all of your Critical Role takes and you have 1000% better and more nuanced takes than all of Twitter and I greatly appreciate it! The takes over there regarding Liliana and the gods are just wild and you bring some much needed sanity to the content I see

Thanks! I hope you don't mind because I've been thinking about this re: the Twitter takes but the thing about Twitter and Liliana specifically that I've seen is that there's this really bizarre fetishization of like, the fact that she is a (white) southerner (this also weirdly happened for Birdie though to a much lesser extent, and the person who spearheaded that wasn't even American so I have to assume this is a specific corner of Twitter Culture At Large). And like, here's the thing. It's true that fantasy tends to be very British in its accents, and it's also true that accents in a fantasy world are used to convey the same things we'd assume in our world - RP British for educated, southern American for rural, Cockney for rougher types, etc.

It's also true that laying the exact socioeconomic parallels from our world onto, say, Liliana and Orym (who reads to me as non-regional but I, like Liam, am from the Northeast originally) is a recipe for disaster. Or rather, it's not, but it is going to reaffirm your own biases, some of which are dangerous to reaffirm.

There was a popular post on Tumblr a while back, probably not long after Trump was elected, of someone talking about how they were convincing a relative with the confederate flag towards socialism by appealing to the idea of "isn't in unfair how uneven wealth distribution is and how a small group has so much control" and a number of people were rightfully like "uh, maybe you should focus on the racism" or "hey OP ask your relative who they think that small group in control is because I'm getting a really bad feeling they're going to say it's The Jews." And I feel that a lot of the empathy for Liliana from those spaces feels like that OP. Or in other words: I get that you see your relatives in Liliana. Unfortunately, I cannot help but see me and mine in Orym.

You see someone trapped by circumstance and desperation in a dangerous ideology. I see the fact that I haven't gone to a synagogue in easily 6-7 years without there being a security guard present and usually, the doors locked with someone looking through the window to let you in, and then in the sanctuary there's been an installation so that you can quickly bar all the doors in case an alarm goes off or you hear shots in the lobby.

I think there's a great case for seeing yourself in Imogen, who is in a painful struggle with the fact that her mother does love her very much but is in dangerously deep and has done a number of incredibly terrible and harmful things. That latter point is important, incidentally; I get that cult members sometimes rise through the ranks but all but the leader are being manipulated. But the fact remains that a brainwashed person can still commit atrocities, and in this story, they have, many times over. It's especially true because like...sure, plenty of people are like "I lost my relative to a cult and I just want them back and I couldn't harm them," but also, as we've seen, this cult can and will harm Imogen! Plenty of people are also like "yeah I gotta cut them off, it hurts but unfortunately my horribly bigoted and violent relative, while a victim of brainwashing, is a threat to me too." It's not even the full picture of the Temult side of things, let alone the picture that includes the Vanguard's victims.

I also think the Southern gatekeeping is unhinged because it's like. guys there's QAnon members and other cults across the country; the Confederate flag example above was actually notable in that OP wasn't even Southern so you couldn't even write the flag off as deeply misguided heritage but rather was explicitly being used as a hate symbol. It's awfully presumptive to assume all southerners have the same experience (especially since the Temults are portrayed, physically and in accents, as white southerners, not that the experiences of white southerners aren't also incredibly varied). It's awfully presumptive to assume that people find Liliana threatening because they have no personal experience with people like her; often, it's because they have all too real experience with people like her, and it says something even worse about you if you can say "but you guys, I see me and my family in Liliana" when people are telling you that they see them and their families in Orym. I would not, personally, publicly admit that one's empathy extends to the people who remind you of your family but runs out before it reaches their victims. Nor would I publicly admit that I assume everyone who disagrees with me clearly has never had personal experience with this topic.

I should also note that, as I've noted a number of times before, that these are fictional characters and not real people. Twitter seems to be really fucking bad at grasping that. Like, yes, this is the other thing; I do not think that OP should kill their Confederate flag-toting relative, whereas if Imogen did so to Liliana I'd be like "hell yeah." The former is a real person who I do hope gets deprogrammed, just, you know, maybe adjust those priorities; the latter is a fictional character in a story.

[notmoreflippingelves]

So in the middle of my rewatch, I suddenly got really distracted by Francisco's black-with-gold-accents "formal" court attire, specifically in regards to the leaf accents on the sleeves. And I could help but think of the *other* black-with-gold-leaf accents look that we see on a Flores family member--Esteban's in "Elena and the Secret of Avalor." Although the designs between the two suits are distinctly different, there is enough of a similarity to make me want to think about them as a set and how the differences actually reflect the differences in the characters/their roles as well.

Although the silhouettes are similar overall, I would go far as to say that Francisco's look creates more of the classic "storybook prince" vibe than his grandson's. His costume is ornate and grand without seeming ostentatious. Think of how Prince Charming is costumed in pretty much any Cinderella adaptation. He must look striking and appropriately heroic--but specifically in a way that enhances our heroine without overshadowing her. And in nearly every adaptation, Prince Charming is more than okay with this, and the same is true of Francisco. He is at some level aware that he is on a show called "Elena of Avalor"--not "Francisco Flores of Avalor" and has no desire to pull the spotlight away from where it rightfully must be. In fact, he is far prouder to be the grandfather of Elena (and of Esteban and Isabel as well) than he would hypothetically be as the protagonist of his own story.

(Esteban meanwhile exudes "main character energy" and I mean that in both the complimentary and derogatory sense. In his mind, he is on a show titled "Chancellor Esteban of Avalor and His 41-Year-Old Guilt Complex That Not Even Tres Leches Cake Can Heal." But like if I had four decades of trauma to process and no one else seemed to notice, I would probably feel uncomfortable when we are not about me as well. And fittingly, his black-and-gold outfit is much more attention-grabbing than Francisco's, but much more on that later).

Two big parts of what leads to the "fairy tale hero" look in Francisco's outfit (and also to his "default" blue version) are: 1) the two medals pinned to his chest and 2) the epaulettes at the shoulder (I believe this is still the correct term even if they lack the tassels we normally associate w/the term, but like fashion historians can feel free to correct me).

Either epaulettes or medals of honor --or both-- are often seen on characters of his type. (Pick any Disney prince and you have a 50% chance of seeing one of these. Heck, King Roland's main outfit in SoA has both as well). A large part of what leads us to associate these particular sartorial touches as "hero-coded" are their association as part of typical military dress uniforms throughout history. (And yes, I recognize the problematic nature of such a trope, but just bear with me and accept it for now).

By including these as part of Francisco's costume (and its original blue equivalent), the animators are implying that he has a long, proud of history of serving his country and that at least some of this service came as a soldier and/or commander on the battlefield. And that he won honor--military and practical alike--in doing so.

Esteban's ensemble, obviously lacks the military touches (the epaulettes and medals) of his grandfather's. Because for all that he too served Avalor for decades, his service was of the bureaucratic rather than the military variety. (Shuriki obviously won't let Esteban wear a sword with his uniform--even he wanted to. Hardly surprising considering the whole "I killed your aunt and uncle. Doesn't that make you want to go apeshit?" thing they've got going.) But I digress.

The arms (esp the shoulders) and trousers of Esteban's ensemble are also much more form-fitted than Francisco's,as befitting a younger, more athletic man who wants to better show off his physique. (The real "secret of Avalor" is how Esteban singlehandedly managed a country for 41 years and somehow did so without skipping "Leg Day"--am I right, folks?")

Compared to Francisco's much plainer jacket, the design of Esteban's coat is also more ornate (the leaf accents are larger and more detailed) and colorful with the red collar, cuffs, and lining. This makes sense given that Esteban is established as much vainer and more flamboyant than his grandfather and that he has as mentioned, a much stronger need to grab attention.

However, the elaborateness of Esteban's jacket makes even more sense we consider it in the context of his role in Shuriki's court. He is a skilled diplomat, yes, and a capable administrator. But like every courtier, his primary function is to be ornamental first and everything else second. His looks, his charm, his attentions are expected to always be in service to the Queen first and foremost--not even in service to his duty or his country but specifically to the Queen herself. Certainly not (!) in service to his own will. (And damn, that must sting extra hard for someone who has only ever wanted to be seen and listened to and valued for himself.)

As such, Esteban is treated as an extension of the Queen--yet another pretty-if-powerful tool in her Almighty hands and fundamentally little different from her pretty crystal wand.

And yet, we see little tiny little hints in Esteban's SoA costume that he remains more than just Shuriki's shiny little Avaloran ornament. Let's go back to the red accents--shall we? Obviously, the show as a whole establishes red as Esteban's "signature color"--an honor he shares with Elena (and Mateo..but like he's less relevant tbh). Moreover, red, along with yellow/gold (and blue but again less relevant here), is one of the official colors of Avalor. Indeed the jaquins on the royal flag are red against a gold backdrop. So we can see an subtle wardrobe-related foreshadowing of where Esteban's loyalties truly lie and of the decision that he will make at the end of the episode.

And finally, as the artists among you will attest, red's complementary opposite on the color wheel is green. As in Shuriki's signature color, and this is reflected in nearly everything about her--from her eyes and eyeshadow to her dress and earrings to her green magical smoke, to her Emerald City-core dressing room to the teal background on her little silhouetted flag redesign. And complementary colors are often paired together so that the unique, striking shade of each is shown off to its full potential--and such is the case here. (Often, the effect is even achieved by using the "opposite" color as a key part of adding "shading" to the object).

A string of red lights wrapped around a Christmas tree may be overshadowed at first by the massive green boughs that it is entangled around. But nevertheless, it is because of the contrasting green that we are fully able to grasp just how bright and red those lights are able to glisten in the light. And so it is with Esteban's red collar shining forth like a beacon through Shuriki's haze of green smoke.

But when it comes down to it, red is still green's perfect, natural opposite. Red is a primary color, a true chromatic original unlike the artificially-created secondary shade of green. Moreover, red is Avalor, red is Esteban. The little dab of invading, interloping Shuriki green that has been added to the red paint only serves to heighten its fiery, crimson hue all the more.

[pomodoriyum]

hey does anyone know what on earth is happening with cdvs accent it seems different to me than p much anyone elses

[faksyan]

thought about mgs characters for two seconds

[sysig]

Okay but what if (Patreon)

[aeide-thea]

okay, question: are nicknames that shorten someone’s full name to one of its unaccented syllables ever actually a thing outside of badfic, or…?

[selfcarecap]

Idk if that’s because i haven’t watched enough x men films yet but i can’t for the life of me hear hugh’s voice w an american accent in my head😭 hugh yes but logan? idk what he sounds like. my brain always goes to chris evans’s voice instead for some reason.

[russell-crowe]

i used to really love the uk. for a while, i traveled there frequently for concerts and other events because it was so easy and affordable—only about 20 quid to get there from amsterdam. (cheaper if you were willing to suffer on a flixbus) at first, it was exciting, but over time the novelty wore off. i found myself going to london once every 1–2 months, navigating without google maps because i already knew the way to all my favorite venues and hotspots. i’d spend a lot of time just hanging out with friends in their local bars and stage dooring and wandering around st james park because i love the little squirrelly buggers there

then there was the time i went to manchester and saw someone steal a scooter in the middle of the street while everyone acted like it was nothing. or those endless trips from southend to amsterdam that familiarized me with the concept of "easyjet tourism" and the increased awareness of miserable british people using amsterdam as an escape from their shit. my fondness for the uk started to fade. when covid happened, my cultural interests shifted even more toward scandinavia and thus my travel budget also went more to that.

but now, i’m looking back at my trips to the uk with a sense of nostalgia i guess. it’s like dipping into a warm pool and pretending it’s heated by something pleasant instead of… well, piss. surprisingly, i’m really excited to visit again. i’m going on a trip in february that feels like a throwback to pre-covid times: meeting a friend, seeing a favorite performer (rhod), buying way too many dvds, and taking photos of those gloriously miserable beige buildings.

the country is objectively a bit of a mess (understatement), but there’s a strange charm to it that i can’t quite shake. i think back to how i went to a bilingual high school where we spent six years immersed in a quasi-posh british education within an ordinary dutch public school setting. and part of me is annoyed that i am doing the country equivalent of getting back with my ex, but also... sigh. i am excited. :)

[dummerjan]

The Terror truly does rival Hannibal when it comes to not being able to see shit due to lack of light and not being able to understand what is being said. Now I am just waiting for the cannibalism to commence.