#so i gotta post it

[emergencyd4]

tried a new coloring style

[pierceth3peach]

Yababaina

Thislooks reslly bad 😔

[starridge]

also deciding to make stuff that 12 year old me would have wanted to draw

[bookshelfpassageway]

yknow i dont go here but sometimes i gotta go: seriously respect clowns. they have the worst pop culture representation in the world and also the best most thorough honor code. they're just here to be silly little guys who bring joy and are very conscientious about doing so responsibly. let them to their merriment in peace you dont hafta take potshots. i dont go here but like maybe i should, you all seem super chill

[watcher0033]

Y’all, the Archive admins are made up of VOLUNTEERS. And they have been working for 12-13 HOURS STRAIGHT.

I better not hear any complaints when donation period comes around. OR ELSE.

cosplay by @woahchriswoah on Twitter

EDIT: How do we show appreciation to the volunteers? For me reading these deep dives on OTW issues u guys apparently it's been said multiple times that one of their objective statements is to have paid staff for ao3 and there's a surplus of donations they haven't used up or the other community solutions that needs to address. For those more financially literate feel free to analyze, snipe me or add to the discussion etc. linked here by deepa. They’re cool and these yearly analysis they did aint no joke.

But Seriously what can we do for these volunteers? The probable burn out from this entire fiasco would be no joke. @ao3org

[slavhew]

lonely

[zosanbrainrot]

PART 4!!

01 02 03 04 05 06

I stg I'm kicking yall in the shins one last time, we're ALMOST done with the angst!

Let me tell you I had this finished(!) twice(!), but no, I had to go back and change it lmao

In my first go the fight scene was much more rough, it was hard for me to draw from the beginning, I'm not really good at this sort of thing. So I took a little break from the comic and when I got back to drawing the last two panels (static ch close ups) they turned out so GOOD and CRISP! I just had to go back and redraw the previous ones. Didn't change the composition back then, just made the drawings less sketchy and fixed minor mistakes. This panel in particular went through bigger fixes, I couldn't get the pose right:

I emphasized the arch in Zoro's back so it's more clear he's hunched over, the head is lower, and the hand on his stomach wasn't looking good, so I switched its direction and I feel it looks more natural now. The whole pose is shifted to the side now, whereas in the previous ones it was more straight up, but I wasn't conveying perspective well.

So after that I had it all exported, loaded into drafts and as I scroll it on my phone I'm like... There should be one more panel where Zoro's getting kicked : | Imma need to change it AGAIN.......

It just didn't flow well. I work on the comic in chunks so I haven't put these panels together before, I always saw them side by side in my main file.

I just didn't like how you go from Zoro getting kicked to him being thrown, it just felt disjointed to me.

So first I looked through the three sole volumes of BNHA that I have at home to maybe understand drawing fight scenes just a little bit better. That's how I got to the new version of Zoro getting kicked so there's more lines showing movement etc. but most importantly you have the kick and Zoro's reaction separate. So now Zoro's face has a bigger closeup, you can see his open eye.

In the previous version it was more distant, the closeup wasn't as big and you couldn't see his expression well. With just the side view you could only see he's in pain but nothing more than that,whereas when you have a full view of his face you can get much more from that. You see where he's looking, you know he's looking at Sanji when he kicks him in the guts.

I guess that's why, in the first version, I was trying to still show his face where he's being thrown off of Sanji bcs I felt the side profile wasn't doing it's job, but at the same time it felt off, like there was less force in the kick bcs his head wasn't following the movement idk. Also he was def too big in the frame. So now Zoro's smaller to emphasize the perspective more, the head is down, the right arm is more to the side and there's more lines, the flame is more aggressive now and bursts into the sides when it comes in contact with Zoro's body to show the impact. I know they could be better still, but this is the best I can do right now and I'm happy with the result!! I'm glad I kept pushing it! These poses were VERY confusing to draw lol

Alsooo, it would make more sense if Sanji threw Zoro in the other direction, over his head like in karate/judo, but I wanted to keep my directions consistent. I had to have Sanji standing back to the carriage, so he doesn't notice the spear being thrown and Zoro facing the carriage so he can get hit from the front, right after he gets up. It's like..... did he not see it? Did he get hit on purpose? You decide lmao

Though I'm probably too rigid with my 'camera', in BNHA you see the action from any and every direction, i guess it adds to the dynamism of it all, also there's just many MANY more panels in manga lmao

Judge giving me major "isn't there somebody you forgot to ask" vibes at the end there lmao I hope you forgot he's even there and this comes as a surprise!

[wolfziedraws]

Riz breaking the 4th wall is the funniest thing in the world to me

[separatist-apologist]

Genuinely, and I mean this kindly, but learning to recognize bait and not engaging with it will change your fandom experience.

[nidbaesenpai]

i kept thinking about the party as wizard of oz cast and slammed it together with Halloween cheer. Does Dormont celebrate Halloween??? probably not but i love it so

[queerdraws]

Fanart for a snippet of my most favorite heartbreaking moment from swordsmans's fic bone-breaker ospreys mate for life (rated E)

[starwarjotta]

looking for someone on Tatooine

[artist-rat]

more gif inspired kitty hugs 💌

[zephyrchama]

"Welcome back, it's been a while."

After a long time has passed, how might the Obey Me! demons welcome you home with a hug?

---

Lucifer tries to approach you in a calm and collected manner, but that facade easily crumbles as he gets closer. His pace quickens and his expression melts into an inscrutable blend of emotion. The man is fighting to stay composed.

He pulls you towards him, unwilling to wait a moment longer to have you in his arms. His gloved hands wrap around your back and waist with a secure grip. Your toes brush the ground as his hug lifts you to eye level, pressing a kiss to your forehead. "Welcome back, I've missed you."

---

Mammon sprints up with the goofiest grin imaginable plastered on his face. He catches himself at the last moment though, grinding to a halt as a blush creeps over his ears. He wants to be cool. "You sure are a piece a work to keep The Great Mammon waiting."

His arrogant act is betrayed by the many glances in your direction. By the way he's clenching his fist so hard his knuckles are white, and by the way he immediately crumbles into your open arms the second you reach out. He throws his arms around your shoulders and digs his face into your neck. He grips the back of your top a little too hard, as if you might leave again any moment.

---

Leviathan sheds his insecurities and doubts, all negative emotions, just to be able to bask in your presence again. It's a moment he's looked forward to for weeks. He puts trust into the belief that you've also been looking forward to seeing him.

He wraps his arms and legs around you, unconsciously aiming to get as much skin contact as possible. "I've really missed you, you know!?" he half-shouts before burying his face in your shoulder. You fight to stay standing upright. Every little movement, every minor adjustment in posture you make causes Leviathan to snuggle closer until you can't tell where your limbs end and his begin.

---

Satan can't control all of the overwhelming emotions that hit him at once. He grabs hold of your hand, and with a palm on your back he pulls you close until your entire weight leans against him. At your touch, all he can do is smile.

"Glad to see you again." The two of you sway back and forth, turning your hug into a psuedo-Waltz. When you look into his eyes, Satan gives your hand a kiss and presses your intertwined fingers against his face.

---

Asmodeus laughs as he barrels into you. "Did you miss me? Of course you did!"

You stumble back several steps yet he catches you before you fall, latching onto your side like a matching puzzle piece. He rubs his cheek over your head, pausing every few seconds to give you a kiss as his free hand enthusiastically traces its way up your back.

Asmodeus is the most reluctant to let go. Making a mess of your hair and clothes only gives him a calculated opportunity to touch you more as he tidies up your appearance. His caress lingers over your collarbone and around your ear. His fingers brush against your mouth, which he then brings to his own lips.

---

Beelzebub falls to his knees, relieved to see you return safe and sound and glad to be by your side once more. His arms curl around your hips. He noses his face into your chest and looks up with a content smile as he greets you, "welcome back."

You lean over to return the hug, running your hands through his hair. You don't expect Beelzebub to stand, picking you up in the process. You steady yourself on his shoulders as he rises, his violet eyes not wavering from you for a second, tempting him to steal a kiss.

---

Belphegor wraps his arms around your shoulders and practically falls on you. He doesn't seem concerned that you're sinking to the ground. In fact, he's so preoccupied with cuddling up to you that there's no way to avoid sitting on the ground with this demon on top of you.

He curls his body around your legs. You feel his warm breath on your neck as he slowly exhales, "welcome back." He's awake, but nothing will stop him from pretending to be asleep as his grip strength loosens and his face trails down your body.

---

Diavolo laughs amicably as you approach. He wants you to come to him, and is so thrilled to have you back. He bends down to latch his arms under yours and swings you around, sweeping you off your feet as you twirl two, three times, then slow to a stop.

"How have you been?" In due time he wants to know everything, and hear all the stories of your time away in detail. For now, he's got you locked in a bear hug. You feel his lips brush over your hair as he lightly swings you back and forth.

---

Barbatos' hug is the most restrained. It's simple and polite. At first he was content to just greet you with a gentle handshake and loving gaze. Though, when you request a hug, there is no way he can say no.

He extends his arms around your back, gives you two soft pats, and hesitates for just a moment before letting you go.

At night that evening as you prepare for bed, you find a note in your pocket that Barbatos must have cunningly slipped in without anyone noticing. It's a detailed letter with everything he didn't get to tell you in person.

[hai-nae]

uno reverse

[batbabydamian]

Jorge Jimenez C2E2 2024 Commission!