#so hard to write sometimes

[spdrvyn]

i'll be lonely with you — MIGUEL O'HARA

SUMMARY: with the passage of time and whispers from your acquaintances at the spider society HQ, you've found out that your boss has a habit of sneaking out of his office during the dead hours of night to eat dinner. completely alone.

NOTES: new formatting for fics !!! do you guys like it? :3 i decided to include summaries that way it would be easier for people to understand the general jist of the plot without me spewing nonsense in the notes. anyways enjoy !!!!! thanks for the support on my recent works as well ^_^

You didn't consider yourself the most introverted person.

Even when it came to hundreds of Spider-people, you tried to get to know who you could and become acquainted with as many of them as possible. How could you not?

However, there were few that you knew on a more personal level. People that you'd keep close to your side whenever you visited headquarters. People that you'd enjoy having an exchange of gossip with during lunch in the bustling cafeteria.

Miguel O'Hara wasn't exactly one of those people.

It's not like you didn't want to develop something more than a boss-coworker relationship. Though, conversations with him were always difficult, to the say the least. Most of the time, he's talking about work and anything that goes past that boundary goes unspoken.

Quite literally. You've forgotten the amount of times that you've built up the courage to mention anything about your other (not deceased) relatives or your friends and the amount of times that the room was filled with a silence so awkward that crickets are on the same volume as missile launchers.

Though, you didn't want to lose hope. You sort of understood where he was coming from. People go through grief and mourning in different ways, Miguel's was probably just isolation and a complete avoidance of discussions of personal life.

He was a leader. A good one. A trait of a good leader is to connect with their subordinates, establish relationships. So it really made you think.

How messed up was he that he missed that one quality?

"Hey. Your food's getting cold." There it goes, the sound of your train of thought leaving the station. Sometimes, you were grateful for Jess being there for you. She could snap you back to reality you like nobody else could.

You mutter an apology before stabbing your salad with your fork and taking a bite, Jess rests her head on her palm. Raising a brow at you, "So, did you want to eat lunch with me for fun or are you just using me to get info about Miguel? Again?"

Nervously, you shake your head. "It's nothing like that!" She leans in a little more, waving her other free hand in the air in a circular motion.

"...But if you have anything that you'd like to share then I'm not going to refuse entirely—"

"Oh my god. Fine, fine. What do you want to know?"

With that question, it felt like your mind blanked. You fidgeted with your fork, twirling a leaf of your salad against the plate as you pondered on what question to ask.

Jess responds with a deep sigh, "If you're trying to find a way to talk to him more, he doesn't leave that office of his much unless it's for work. He's in there most of time. Although..."

"Although?"

"Although, I've seen him come here normally somewhere around midnight to get a very late dinner alone. The place is less crowded, most are just in their own universe or sleeping or working."

Your face falls a little upon hearing that. "So I can only catch a non-serious conversation with him... in the middle of the night?"

"Exactly. Besides, there's a good chance he's going to just— continue talking about work with you whether he's in his office or not. You know that, right?"

You drop your utensil in defeat, burying your face shamefully in your hands. "I know..."

You quickly wrap up your lunch with Jess, as she shares bits and pieces about him. You had really wondered how she was able to learn all of these things about him anyway but before you had the opportunity to ask her, she told you to not.

Respecting her wishes, you keep your mouth shut. Respecting her even further, you decide to pack up both of your plates and wave her a goodbye before picking up those thoughts that you were left a while ago.

Admittedly, you didn't know why you were so persistent for something like this, for someone like him.

Determination was a strength of yours but that didn't mean that you didn't know where your limits rested and you would back off when you needed to.

There was just something. A swirling feeling in your gut that was telling you to keep going.

That it would be worth it.

So, you follow everything that Jess told you. Around midnight, he'd be alone, in the cafeteria, and looking for an empanada to snack on before heading back into his office. A very small fraction of his time left for personal conversation if you tried hard enough!

This most likely wasn't a good idea. You didn't sleep at all through the day but the thrill kept you alive and thriving. You confidently stride up to the counters of the cafeteria, picking out a small bag of chips for yourself and the last empanada for your soon-to-be snack companion.

Now, you wait.

You surveyed your surroundings and as you were doing that, you realize why he particularly emerges during these kinds of hours to eat. There was a significantly less amount of people.

Whenever you came here during the day, it was a miracle to be able to find completely empty seats. At times, you were forced to sit with a group of people.

You weren't entirely ungrateful for that though, you've made a lot of friends that way. Sure, it was awkward at first but the more you were forced to interact with people that way, the more you adapted to making small talk.

Even then, there were a lot of tables that were taken here save for one completely empty one at the far end.

Then, you finally see that navy and red suit.

Deciding to observe him just a little bit more, you watch him curse under his breath seeing the display case for the empanadas empty. Before he walks away any further, you tap him on the shoulder.

His mask was on, his eyes widen a little bit before you hand him the small box. "I saved the last one for you."

With a soft huff, you see the muscles in his shoulders and back grow loose once more, he hestitantly takes the container from your hands. Looking at it then looking back at you, "Thanks."

You two share a few seconds of awkward silence, you felt a little exposed. You decided to unmask for this because you wanted him to feel more comfortable talking to you rather than who you were as a Spider-person yet there's still that same awkwardness in the air.

Clearly without nothing to do and no idea on how to makem something better out of this, Miguel's about to walk off before you stop him once more.

"W— wait," A little piece of yourself dies inside as you hear yourself stutter but nevertheless, you keep going. "Uh, there aren't any other spots so is it alright if I sit you? I don't know any of the people here."

The way that you see the eyes through his masks narrow ever so slightly once the question escapes your throat makes your heart quiver like crazy.

You wanted to get to know him but damn, if you said that he didn't scare you sometimes then you would be lying.

You cry on the inside with sweet victory as he says...

"Fine."

That was it. That was all you got but you gladly take it! You have to catch up to him though because once you're done mentally celebrating, he's already a little bit far from you.

You try your hardest to keep your head straight but you can't help but look up and spare him one glance, the fact that you even had to look up at him really only emphasized your height difference with him.

Another factor that made you just a little bit more intimidated by him, his physique. You considered yourself to be of average height, you weren't the tallest person in the room but you were never the shortest as well. Just average.

The way he practically towered over you, his hand nearly being the size of your head. It made you feel something.

The moment that both of you have a seat, you take your opportunity.

"So, is there anything that you plan on doing after this?"

You get a little distracted once his mask comes off, he raises an eyebrow at you, crimson eyes that feel like they're looking straight into your soul. Though, side-tracked as he bites into the dough and meaty goodness of his empanada, with a shrug— he replies,

"Not really. Unless there's an anomaly I haven't heard of yet then I have no plans. Why do you ask?"

"Oh, nothing. Was just curious is all." Why was this so hard?!

The conversation goes as what you expected. You'd ask a question every moment or so and he'd give you a short response before going back to his food. He wouldn't ask you anything back, wouldn't add any 'unnecessary' comments. Just bask in the silence.

You simply couldn't take it anymore, you didn't know how to express your interest in him without asking him more questions about himself which he seems to avoid trying to answer.

You couldn't ask him about his hobbies because he'll most likely say that he's too busy working to actually spend time gaining and branching out to different interests.

Dejectedly, you sigh. "I'm sorry for imposing— on your alone time, I mean." It was like everything that you wanted to say just kept spilling out of your mouth.

"I didn't want to eat with you at this hour because I pity you or— or I found you lonely or whatever. I just thought that whenever you weren't talking about work, we'd be able to get along."

You stand up from your seat, eyes mindlessly darting arounf the labels of the bag of 'Spider-O's' in your clutches.

"I'll, uhm, let you eat in peace now. Once again, I'm—"

"Wait."

Which ever brain cells died from that interaction certainly reignited now. "Sit back down," It comes off an order. An order you certainly obey.

"I wouldn't have actually said yes to you if I didn't want to talk." He starts. "I know a lot of people but it's not in the same way that you do. I know their names, their faces, their canon events. You know their feelings, their mindscapes, and their troubles—"

"—And those are the exact kinds of things that I can't comprehend most of the time. We understand people differently, is what I'm saying. I still have no idea why exactly you sought out me of all people but I will... try to gain this new perspective of things."

You want to tamp down the smile that creeps up on your lips as you hear those words but you can't. What he said, it all made sense now. You couldn't see the full picture still, but you were willing to find it—

"I understand. It's fine."

"So? Do you have plans after this?"

Together.

[bardicbird]

a little siffrin comic about touch, violence, and oranges

[little-tunny]

This lil 4 year old from overseas said this in the most sincere way with the most adorable little accent...He really mulled over what the difference between his hands and mine could be. I think about it all the time.

[help-itrappedmyself]

Dead on Main AU

Masterpost

Guys, I'm so sorry. But here's this!

~~~~

Danny blinks and he is somewhere else. He’s sitting at a dining room table, surrounded. There are so many people here. They’re all talking over each other, some yelling, some laughing. This scene comes as a great surprise to him, who -one blink ago- was trying and failing to do his homework at home in his room. Danny shoots up, his chair making a horrible noise as he pushes it away so fast it tumbles over. Everyone in the room turns to look over at him like he’s insane. 

“Oh my god, who are you people?” Danny did not mean to say this out loud, but at the sound of his voice he startles. Danny takes a moment to assess, and then, “Oh my god who am I?”  He is tall, and big, and this is certainly not his body, what is he wearing.

The boy sitting to the right of Danny, a little shorter than he is, with black hair and blue eyes (though now that he’s paying attention that does describe most people in the room),  starts chuckling lightly. “Uh, Jason? Are you good?” 

Danny turns to stare him right in the eyes. “What day is it?”

And he can tell the concern around the table is just ratcheting up every time he opens his stupid mouth.

“Did you hit your head on patrol?” The voice comes from the only blond and one of the only girls in the room, who's to the left of the person across from him. The person across from him is another boy with black hair and blue eyes who is studying Danny in a way that makes him uncomfortable, that under-a-microscope look that makes you feel like you’re failing at something.

“I have no idea if Jason hit his head.” Danny says. “I was just trying to remember if it was my birthday.”

And if he thought the room was busy when he first arrived here it is absolute pandemonium now. Everyone starts shouting and asking questions that he can’t even hear over the shouting. Someone with white hair in a suit just came through a door he didn’t even see earlier to stand by the only person not shouting, who -Danny would guess- is the only other adult in this room, witting at the head of the table. He also has black hair and blue eyes, and where almost everyone else’s reaction was panic, he froze instead. The person across from Danny also isn’t shouting, but the person next to Danny on his right has now fully stood up and looks like he might actually jump across the table to win the argument he ended up in. 

“Are you Jason’s soulmate?” is the main gist of the shouting that Danny can interpret but he’s more concerned with actual Jason at the moment. If they switched bodies... Then Jason might be in trouble…

“Hey, I forget, how long is this body swap supposed to last again?” Danny asks.

“Until you and Jason have physical contact. You have to actually meet.” The boy sitting across from him explains. He seems like one of the only ones that heard Danny talk, everyone else was still shouting. 

“Oh, that just seems terrible. What if we’re in different countries or something?” Danny complained. “Everyone in the world is just supposed to be able to drop everything and afford to fly across the world. The universe is really trying to screw people over now. Honestly, am I in a different country? Where even are we right now?”

“You’re in Gotham.” This voice was new, coming from the head of the table to Danny’s right. 

“Oh no. Nope.” Danny started backing away from the table, almost tripping on his overturned chair. “Absolutely not, no, how do I get out of here?” He starts earnestly looking for a door to get out of this place, but there are three doors he can see and he has no idea where any of them go, and doesn’t this room have any windows? What kind of a room doesn’t have any windows? Do they like to eat in a basement?

“Jason- not Jason. Uh, you need to calm down, everything will be fine alright, We’ll get you and Jason introduced no problem.” Danny swivels to track the voice and it’s the one who was sitting next to him, he’s walking towards him with his hands up and out in front of him. 

“I have to get home.” Danny breathes. 

“We can get you there, promise. Now, I’m Dick, can you tell me your name?”

“Your name is Dick? Who named you Dick?” Danny is so confused he’s stopped panicking. “How old are you for you to go by the name Dick?”

“Okay, rude.” Dick sounds like a petulant child so Danny’s estimations for his age are continuously dropping. “I’m 24.”

Danny snorts. “Okay.” The blond girl starts laughing over at the table. “I’m uh, I’m Danny.”

“Nice to meet you. Sort of. I’m Tim.” The guy from across from him had made it over to stand next to Dick. “There’s a lot of us here today so the one laughing like a hyena is Steph. That one there is Duke.” African-American, still with black hair but he has brown eyes and waves once introduced. “Damian is the short one next to him, and Cass was sitting across from Dick earlier. Our dad, Jason’s dad-” 

“Not my dad!” Steph interrupted. Tim waves her off.

“Everyone but Steph's dad, is over there, Bruce. Alfred, our butler is the one next to him.” Alfred gives a slight nod to his head. Bruce is just staring at him.

“So, names out of the way. You said you wanted to go home, where do you live?”

“Amity Park.”

[veinsfullofstars]

“Any more stupid questions?”

Bonus live reactions to being saved from a Dark Matter ambush:

Started 07/13/24, finished 07/27/24, updated for color correction 11/02/24. | Kintsugi AU Masterpost

[panthermouthh]

And I said, “Hello, Satan

I believe it’s time to go.”

[namisweatheria]

I feel like we don't discuss Nami's relationship with gender enough. Her entire character is so deeply informed by being a girl in a male-dominated pirate world and it's so interesting and so worth talking about.

The background creepiness of Bad pirate crews, which are most of them, how they tend to not have any female crew members at all, how they beckon any pretty young woman around to come play with them and join them. It's real bad. It's also like, a totally 2 dimensional portrayal of evil that is reserved for the most background of background characters.

However I think their ubiquity says a lot about how piracy is meant to be perceived by the public in One Piece, and is one of the strongest indicators of how prevalent misogyny is in-world.

It's very normal in One Piece for regular island inhabitants to have never met a Different class of pirate in their life. There's no reason for them to withhold judgement that maybe these pirates won't be like every crew that attacked before, and to wait and judge them by their actions. I mean frankly that would be irrationally weak self-preservation.

There are people who live peacefully under the flags of Yonkos who protect them, and feel loyalty and gratitude to them for it, but that seems to only be thing with very big name pirates. The East Blue, being the weakest and least populated, has no such plethora of powerful people and resulting turf wars.

So. Nami. Is very clearly implied to have never met any Different pirates before. I'm thinking about what that means. About how every group of pirates she stole from were creepy, dangerous men. How she started going out stealing when she was still a young child. How she didn't have a mother anymore to guide her or comfort her. How Arlong would grab her chin inappropriately, talk about her as a "human female", as property, and god knows what else.

How all the men in Arlong's crew treated her patronizingly, pretending they're all friends, teasing her and playing at respect when really not a single one of them ever stuck up for her or hesitated to accuse her of betrayal. Who were always ready to kill her if she refused to cooperate. Who grabbed her and intimidated her when they felt like it.

That's what she had to come back to after a close call with stealing from other predatory men, instead of the relief of home there was a dark, cramped room filled with endless hours of misery and isolation and blood. Where any one of her captors could barge in and demand new maps, work faster, where did you go, you took too long again this time. Endless threats and incursions.

I'm thinking about that her fight scene in Alabasta, where she tumbles and rips off her cape and uses it to catch her enemy's spikes, before leaping to her feet and running out the back door, all in one moment. How it makes her enemy reconsider her and think, "so the girl's not a total novice at fighting after all." What that implies about her experiences as a young thief. The times she wasn't fast or clever enough and had to fight and claw her way out. Why she always carried a staff and a knife. Why she was the only one before Chopper who had any medical knowledge or experience.

You know she was stitching herself up. And the weapons, how do you think she learned to use those? If any of the Arlong Pirates helped her it wasn't out of kindness and it wasn't gentle.

Then I think about Nojiko, and Bellemere's memory, and the only softness in a hard life. How easily Nami connects to every young woman experiencing hardship that she meets. How completely she dismisses the struggles of men unless they mean something to her and are going through something terrible. The way that Nami only has sympathy for women and children is easily noticeable in-text, but it's also something confirmed in those words by the author. And it's clearly because of the life she lived, the men who had all the power and only abused it, who saw her as nothing but a girl to take advantage of, without anyone aside from her sister clearly knowing and caring about any of it.

Nami clearly isn't bitter, she doesn't think the world owes her recompense, on the contrary she knows she is far from the only person in the world to suffer the things she has suffered. She is endlessly reaching out and kind, but only to those that she isn't sure would get help without her. Certainly, before Luffy, Usopp, and Zoro, no man ever reached out a hand to her without an ulterior motive.

I think when she sees a girl in trouble, a girl biting her lip to hold in a scream of grief, a girl running in the woods away from a monster, a girl captured by pirates, she sees someone who no one is coming for. Who no one will stick up for. A person without allies in a world against her. Whether it's actually true in this case or not, she runs straight for that girl anyways every single time.

[otaku553]

Procrastination doodles of sabo for the king sabo au :)

[xxplastic-cubexx]

cant stop thinkin bout charles and erik readin together on the couch but instead of reading with him charles is listening to eriks thoughts while he reads. Live mind commentary ……..

[tightjeansjavi]

comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity comparison destroys creativity

Everytime I have a negative thought about my writing, or find myself comparing my writing to another writer, I tell myself this: comparison destroys creativity

[deoidesign]

My comic is so pretty...

The hiatus is letting me take a little extra time on these episodes, and I'm definitely putting it to good use!!!

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[imfinereallyy]

Eddie draws on the edge of Steve’s hip, where his shirt rides up from stretching across Eddie’s bed. He’s humming to himself a song Steve doesn’t recognize, but it soothes him.

“What are you drawing?” Steve speaks softly; something about the moment feels gentle. He doesn’t want to break it.

“Hmmm, it’s a secret.” Eddie peaks beneath his bangs and smiles.

Steve leans up on his elbows, “Well, that’s not fair; I think I should know what’s going on my body?”

Eddie only looks at him with mischief as he continues to doodle. “Be grateful, Harrington. You’re getting an original Munson for free.”

Steve can’t help the laugh that escapes him. It is just like Eddie to say something like that. Playful and mean, it makes something settle in Steve. For a long time, he only knows the pain from harsh comments or a sentence with a bite. It is a welcomed change, to feel a bubble of happiness after a light jab.

“Whatever you say, Munson. Just let me see.” Steve tries to push up further to sneak a peek, but Eddie uses his free hand to push him down to the bed. He just happens to catch Steve off guard, sending him into a sprawl that can only be described as a starfish.

“I’m not finished yet.” Eddie grabs his hips and pins him still while he draws. After a few more moments, he says, “Done!”

Steve looks at his work and releases a snort that breaks the careful tension between them. “Are those boobs?”

“Why yes, they are, and a good representation if I say so myself.”

“Do you even know what boobs look like? Like the live version?” Steve knows he should be mad at the sharpie-drawn breasts on his body, but he can’t find it in him to have an angry tone.

“We’ll no. I don’t. And I would much prefer to keep it that way.”

Steve chokes on his spit a little bit, “Did you just come out to me, Eds?”

Steve isn’t sure what he expects. Denial, maybe, Eddie taking back what he said. Steve knows he isn’t handling this right. He doesn’t think Robin would be too happy with his response.

Steve thinks maybe he should see a little bit of fear in Eddie’s demeanor. That shakiness that comes with telling someone a dangerous secret.

What he gets, in the end, isn’t something he could have predicted. Eddie smiles softly, a little bit of his tooth peeking out, and lays his head gently on Steve’s leg. He’s calm and collected. He’s happy, Steve realizes.

“Yea, I guess I did. Not like it was much of a secret, though. Are you upset?” Eddie draws soft circles around the drawing on Steve’s hip—the rough callous on his thumb contradicting his tender touch.

Once again, although the conversation should be anxious, it’s not. Eddie’s question is spoken like he already knows the answer. Maybe he does.

“No, Eddie. I’m not mad. Never would be for that. Just thought it was a funny way of sharing a secret. Though, gotta admit, a very you way of doing it.”

This time Eddie throws his head back when he laughs, before settling back down on Steve’s leg. His giggles never really settled. “Like I said, Stevie wasn’t much of a secret anyway. Well, between us, that is at least. I like to think some, if not all, the kids are oblivious.”

“Erica definitely knows.”

Eddie’s eyes widen in mischief, “Oh, for sure. Pretty sure she would kick the others' asses, too, if they gave me shit for it. And she kicks hard too.”

It’s Steve’s turn to laugh. He’s never had this before, this casualness to serious conversations. Before, Steve is used to screaming and punching, drunken confessions in the bathroom, and throwing up on the mall floor. It isn’t like this, now, with Eddie in his trailer bedroom. It’s good. It’s safe.

“Thank you for telling me, Eds. Something like that is hard to share no matter who you tell it to.”

The softness is back again, “Like I said wasn’t much of a secret. Besides, I don’t think there isn’t any secret of mine you don’t know, Stevie. I think even when I don’t tell you, you kinda already know, don’t you?”

Steve leans one arm forward, while he places his weight on one elbow. He gently takes Eddie’s face in one hand, rubbing circles in the same motion as Eddie’s thumb on his hip.

God, I want to kiss him so bad sometimes, Steve thinks.

“Yea, I already know.”

[multi-lefaiye]

not sure who might need to hear this or if it's just me that needs to, but i've had this thought for a bit and i wanna write it out

you are not a machine that exists to make art. you are a human being, and human beings need rest and breaks.

creative block happens. it's natural, and embracing it as part of the process is far better in the long run than stressing out over it.

we live in a world that emphasizes productivity above all else and needing to Make Something, but truly it is not the end of the world if you're not productive 24/7.

[ragnarokhound]

Trick or Treat! Thank you for sharing all your wonderful writing!!

Happy Halloween! Thank you so much for reading, I'm so happy you've enjoyed! <3 (holds jaytim up like the potato: i just think they're neat)

Okay this response got long so it's going under a cut, haha, enjoy!!

The curse is cruel. "You really think that you're a better Robin?" Jason sneers. His blood coats Jason's fist. "A better Robin?" Tim echoes through bloody teeth.

"That's what I said, pretender. Haven't you got any words of your own? You have to steal those from me too?" "Steal? From me too?" He gasps. The questions burn his mouth like acid, frustration and rage held prisoner by his traitorous tongue. Jason's brow furrows, then smooths in the space of an instant. "Pathetic," Jason taunts, abandoning confusion for disgust and disappointment. In a sharp, painful crack of his fist, the world goes black before Tim can agree. *** "How long has it been?" Jason says. It's been years. Smoke curls between the gaps in his cupped hands as the brief burst of flame dies to an ember, glowing vermillion at the end of his cigarette. "Long," Tim answers with a sigh. He can't even sign his own words, his hands always twisting into shapes first held by someone else's mouth. By the last person who spoke to him. The railing of the fire escape is icy beneath his elbows. He should have worn a thicker jacket, but he didn't have time tonight. Jason is leaving in the morning, and Tim wanted to see him before he goes. This new thing between them, this friendship on the cusp of something else— is fragile and hard-won. Tim wants to nurture it, to see if the warmth roiling under the surface can be coaxed to blazing life. Jason shuts his lighter with a snap. His shoulder is warm against Tim's. Tim watches him breathe in poison, and envies the poison. "And no one's figured it out? Who did this to you?" Tim rolls his eyes. "Figured it out," he restates flatly. Of course he knows who did this to him. Of course Bruce and the rest know. The who was easy. Fae and demons aren't subtle, and they aren't exactly commonplace. It makes for a short list to dig through. Jason grins, cherry-red and laughing at him. "Right, right. I mean, you ever figure out how to fix it? How to get your own words back? Yes or no," he tacks on helpfully. Only seldom does Jason remember to do that, to give Tim more options to choose from. It's not that he doesn't care, or that he isn't careful with his words. He just doesn't have to be. He's always had a knack for guessing what Tim means on the first try. Now that he isn't trying to punish Tim for using Jason's words like their his own. Like what he'd done with Robin.

Tim used to resent it, that of all the people in the world to guess what he's feeling, Jason Todd could do it best. Used to. Tim looks away. "Fix it," he murmurs. "Yes." Not that it matters. Jason cocks his head. His cigarette burns between his fingers, half-forgotten. "Why the fuck haven't you, then? If it were me—" Jason cuts himself off with a self-conscious laugh. "Ah, forget it. I'm sure you'd love to if you could, right?" Tim's eyes go wide. Jason's never said that to him before. One word of three that make the key. Tim knows what he feels. He knows how to break it. "And give the son of a bitch responsible a kiss in the teeth for good measure," Jason continues, oblivious to the effect of his words. Tim seizes Jason's arm, ignoring how he flinches. Hope is fleeting enough as it is. "Wha—" "Love to," Tim interrupts, urgent, heart tripping in his chest. "You..." He swallows, his throat closing up, not sure if he can say the last word. Not because of any curse, but because it's— it's too much. It's too bold. It won't work. So why not try? Jason stares at him, waiting for him to speak. "...kiss," he whispers. Tim begs him to understand. Jason raises his eyebrows. "...kiss?" Jason echoes softly, his voice thick. He cups the back of Tim's head in his free hand. "You want to kiss me, babybird?" He's relaxed a fraction, and Tim can tell he still doesn't get it. The one time he doesn't understand the full depth of Tim's meaning, and it had to be now. "Well, why didn't you say so?" Before Tim can express just how unimpressed he is by— Jason kisses him. He tastes like smoke and a hint of mint, and like skin and teeth and tongue. He licks into Tim's mouth when he gasps, and swallows every sound he makes. Like it's not enough to own Tim's words; he needs to own the rest of him as well. Tim doesn't even know if it will work. What makes a love true, anyway? When you've bled and fought for it, tooth and nail? When you didn't even want it at first, but you know, like it was inevitable, that you can't live anymore without it squeezing your heart in its fist? When magic cannot bind you anymore, because you don't belong wholly to yourself alone. When you've chosen to be beholden. When it was never a choice at all. The autumn air is freezing, but Jason's hands are searing hot on Tim's face, burning his cheeks with the shape of his fingers. Tim doesn't remember tucking his hands under Jason's jacket, or finding the broad stretch of his shoulderblades with his palms. But when he grazes the skin at the back of his neck, just above Jason's shirt collar, he shivers in Tim's grip. Jason pulls away abruptly, and Tim protests. "Do you want—" Jason started to ask. "Jason," Tim huffs, breathless. "Why'd you stop?" It rings in the air between them, clear as a bell. They both freeze. "...Tim?" Jason asks slowly. "Did you just—" "Jason," Tim says again, disbelieving. Then wondering. It's the first word that's belonged solely to him in years. The first word that's his. "Jason."

(For the trick or treat ask game! Send me a trick or treat ask and I'll share jaytim WIP snippets, or new 3-sentence -paragraph fics, etc :^) through the 31st!)

[scificrows]

Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.

Some Thoughts™ I had while putting this together (under the cut):

In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.

It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]

The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]

Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]

In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]

In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]

Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.